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Number of items at this level: 3724.

A

Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.

Abeed, Manal (2017) News Representation in Times of Conflict: A Corpus-Based Critical Stylistic Analysis of the Libyan Revolution. Doctoral thesis, University of Huddersfield.

Ablinger, Peter (2015) 3 Places Leeds. [Composition]

Ablinger, Peter (2009) 33 - 127. [Audio]

Ablinger, Peter (2016) Antiautoritäre Etüde Weiss /Weisslich o. Nr. [Composition]

Ablinger, Peter (2010) Approach:ANNÄHERUNG. MusikTexte, Köln, Germany.

Ablinger, Peter (2010) Augmented Studies. [Composition]

Ablinger, Peter (2016) Augmented Study (2012) for 16 violins. [Audio]

Ablinger, Peter (2014) Augmented studies. [Audio]

Ablinger, Peter (2014) Ausduck / Sonate. In: Und+ Komponisten, ihre Musik und ihre anderen Künste. Schott Music (Verlag), Mainz, Germany. ISBN 978-3-7957-0880-1

Ablinger, Peter (2011) Bethen. [Composition]

Ablinger, Peter (2016) Blockflöte und Rauschen (Weiss/Weisslich 17n). [Composition]

Ablinger, Peter (2015) Book of returns 1985-2015. [Composition]

Ablinger, Peter (2011) Cityopera Buenos Aires in 7 Acts. [Composition]

Ablinger, Peter (2014) Cézanne and the music. Perception and its deficits. MusicTexte (140).

Ablinger, Peter (2015) Die durchscheinende Zeit 2014/15 "translucent time" an installation opera : different instrumentations, medias, collaborations and durations. [Composition]

Ablinger, Peter (2016) Die schönsten Schlager der 60er und 70er Jahre für Ensemble (The most beautiful hits of the 60s and 70s for ensemble). [Composition]

Ablinger, Peter (2010) Due Pratiche. In: Neue Musik und andere Künste. Publications from the Institute of New Music and Musical Education, Darmstadt, 50 . Schott, Mainz, Germany. ISBN 978-3-7957-1840-4

Ablinger, Peter (2015) Erzsébet 'Kokó' Kukta : from: "Voices and Piano". [Composition]

Ablinger, Peter (2015) Herdenglocken: Gedanken zu einer innerdeutschen Diskussion um die Konzeptmusik. MusikTexte (145). p. 43. ISSN 0178-8884

Ablinger, Peter (2016) IN G Cello and Environment, 16'41" 2009-2016. [Composition]

Ablinger, Peter (2009) Instruments &... [Composition]

Ablinger, Peter (2015) Instruments and phonographies. [Composition]

Ablinger, Peter (2015) Instruments and sketchbooks. [Composition]

Ablinger, Peter (2009) Kammersymphonie. [Composition]

Ablinger, Peter (2009) Keine Überschreitung. Positionen. Texte zur aktuellen Musik, 78. p. 11.

Ablinger, Peter (2015) Klavier und Alles (Weiss/Weisslich 17m). [Composition]

Ablinger, Peter (2010) Kopfhören. Notizen über das Wahrnehmen. MusikTexte, 124. ISSN 0178-8884

Ablinger, Peter (2014) Kreis für ado (Weiss/Weisslich 29). [Composition]

Ablinger, Peter (2009) Landscape Opera Ulrichsberg. [Composition]

Ablinger, Peter (2011) N.K. hallway piece. [Composition]

Ablinger, Peter (2014) Noise to energy (Weiss / Weisslich 32f). [Composition]

Ablinger, Peter (2014) Places Dublin. [Composition]

Ablinger, Peter (2014) Points and views. [Composition]

Ablinger, Peter (2014) Posaune und Rauschen (Weiss/Weisslich 17j). [Composition]

Ablinger, Peter (2008) Quadraturen III. [Audio]

Ablinger, Peter (2015) Quartz 2001-2015 a multi part installation, sand, quartz watch, electronics, video, paper, bed sheets, hour glass, other materials. [Composition]

Ablinger, Peter (2015) Quartz for high orchestra (2010-15) 2picc,2ob,2cl,2hrn,2trp,glsp,mba,harp,12vlI,10vlII,8va, tape, 11'. [Composition]

Ablinger, Peter (2016) Renate Fuczik (a 24-hour piece, from: "Voices and Piano"). [Composition]

Ablinger, Peter (2008) Schwarz und Weiss. Figurationen, 2. ISSN 1439-4367

Ablinger, Peter (2015) Serielles Arbeiten. In: Künstlerische Forschung. Ein Handbuch. The University of Chicago Press, Chicago, Illinois 60637 USA, pp. 205-209.

Ablinger, Peter (2010) Singdrossel. [Composition]

Ablinger, Peter (2010) Sitzen und hören 1-6. [Composition]

Ablinger, Peter (2015) Sopran und Rauschen (Weiss/Weisslich 17l). [Composition]

Ablinger, Peter (2010) Stars & stripes. [Composition]

Ablinger, Peter (2015) Unbequeme musik (inconvenient music). [Composition]

Ablinger, Peter (2013) Violoncello und Rauschen ("Kreuze") (Weiss/Weisslich 17k). [Composition]

Ablinger, Peter (2009) Voices and Piano. [Composition]

Ablinger, Peter (2016) Voices and Piano 12" LP. [Audio]

Ablinger, Peter (2009) Voices and piano. [Audio]

Ablinger, Peter (2009) Wachstum und massenmord. [Composition]

Ablinger, Peter (2011) Wachstum, massenmord. [Composition]

Ablinger, Peter (2014) Weisse Flucht. [Composition]

Ablinger, Peter (1999) Zeit Halbieren 'Bisecting Time', accordion (1997/99), 8'. [Composition]

Ablinger, Peter (2012) Überflüssiges, Zum Begriff des Experimentellen. Positionen, 90.

Ablinger, Peter (2014) The truth : How to teach the piano Chinese. [Composition]

Ablinger, Peter and Davis, Gareth (2011) Parker Notch. [Audio]

Abu-Elrob, Rula (2019) Doctor-patient interaction at a Jordanian university hospital: A conversation Analysis study. Doctoral thesis, University of Huddersfield.

Adams, Catherine, Coke, Roseanne, Crutchley, Alison, Hesketh, Anne and Reeves, David (2001) Assessment of Comprehension and Expression 6 - 11. NFER-Nelson, London. ISBN 9780708705612

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) The [60]Project: an analytical and contextual critique. In: New York City Electroacoustic festival, 2-4 April 2009, Cuny Graduate Centre New York. (Unpublished)

Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.

Adkins, Monty (2002) Aerial. [Composition]

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Adkins, Monty (2014) Between Lines. [Audio]

Adkins, Monty (2015) Borderlands. [Audio]

Adkins, Monty (1999) Breaking. [Composition]

Adkins, Monty (2012) Clapoutique. [Audio]

Adkins, Monty (2005) Cortex. [Composition] (Unpublished)

Adkins, Monty (2015) Editorial: Beyond Pythagoras. Divergence Press (4). ISSN 20523467

Adkins, Monty (2016) Editorial: Situating the Avant-Garde: conformity and oppositional culture. Organised Sound, 21 (2). pp. 95-96. ISSN 1355-7718

Adkins, Monty (2017) Extending the Instrumental sound world using electronics. In: The Cambridge Companion to Electronic Music, 2nd edn. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 258-273. ISBN 9781107133556

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2010) For Jana. [Audio]

Adkins, Monty (2012) Four Shibusa. [Audio]

Adkins, Monty (2015) Freud’s House: The Double. [Composition]

Adkins, Monty (2017) Glass Feathers. [Composition] (Unpublished)

Adkins, Monty (2007) The Influence of Futurist painting in my music. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University. (Submitted)

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Adkins, Monty (2010) Metaphor, Abstraction and Temporality in Electroacoustic Music. In: ArtMusFair 2010, 22-26 September 2010, Chopin University, Warsaw, Poland. (Submitted)

Adkins, Monty (2006) Mondes inconnus. [Audio]

Adkins, Monty (1997) Neurotransmission. [Composition]

Adkins, Monty (2015) Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback). Organised Sound, 20 (02). pp. 273-275. ISSN 1355-7718

Adkins, Monty (2014) Nodalism and creative practice. In: xCoAx 2014: Computation Communication Aesthetics and X, 26th-27h June 2014, Porto, Portugal.

Adkins, Monty (2000) Noumena. [Composition]

Adkins, Monty (2014) Residual Forms. [Audio]

Adkins, Monty (2014) Rift Patterns. [Audio]

Adkins, Monty (2014) Roberto Gerhard: Electronic Explorations from his Studio + the BBC Radiophonic Workshop 1958-1967. In: CD digipack + 28 pages booklet. Sub Rosa, Brussels, Belgium.

Adkins, Monty (2007) Schaeffer est mort! Long live Schaeffer! In: EMS07 - Electroacoustic Music Studies, 12-15 June 2007, De Montfort University, Leicester, UK.

Adkins, Monty (2017) Shadows and Reflections. [Composition]

Adkins, Monty (2005) Silk to steel. [Composition]

Adkins, Monty (2002) Still Time. [Composition]

Adkins, Monty (2012) Still Time. [Audio]

Adkins, Monty (2002) Symbiont. [Composition]

Adkins, Monty (2008) Towards a beautiful land: the influence of Mark Rothko on five panels no.5. In: Proceedings of the 2008 International Computer Music Conference. ICMA and SARC., Belfast, pp. 368-371. ISBN 0-9713192-6-X

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.1). In: 2nd SpACE-Net Spatial Audio Workshop, 23 January 2008, Music Research Centre, University of York. (Unpublished)

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.5). Sonic Ideas, 1 (1). pp. 12-19. ISSN 2317-9694

Adkins, Monty (2014) Tunturi: from Imperfect Forms - The Music of Kenneth Kirschner Remixed. [Audio]

Adkins, Monty (2015) Unfurling Streams. [Audio]

Adkins, Monty (2016) Using Experience Design in Curricula to Enhance Creativity and Collaborative Practice in Electronic Music. In: Music, Technology and Education: Critical Perspectives. Routledge. ISBN 9781472426208

Adkins, Monty (2016) Utilitarian Electronics:Portrait mit Cage und Stockhausen (Barlow und Kagel sind auch dabei). In: Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge. ISBN 9781472428240

Adkins, Monty (2014) With Hells Note. [Audio]

Adkins, Monty (2016) With Small Hands Waving. [Composition]

Adkins, Monty (2008) The application of memetic analysis to electroacoustic music. In: 5th Conference ‘EMS08’, 3-7 June 2008, University of the Sorbonne, Paris. (Unpublished)

Adkins, Monty (2009) The application of memetic analysis to electroacoustic music. Sonic Ideas, 1 (2). ISSN 2317-9694

Adkins, Monty (2011) fragile.flicker.fragment. [Audio]

Adkins, Monty (2016) grey orange red (monty adkins - auva remix). [Audio]

Adkins, Monty (2017) A year at usher's hill. [Composition]

Adkins, Monty and Adams, Tom (2014) Digital Music, Digital Distribution. In: Electroacoustic Music Studies NetworkConference (EMS2014): Electroacoustic Music Beyond Performance, 10th - 14th June 2014, Berlin, Germany.

Adkins, Monty and Duque, Carlos (2016) Claustrophilia: A musical gift from Roberto Gerhard to John Cage. In: Essays on Roberto Gerhard. Cambridge Scholars Publishing, Cambridge, pp. 261-278. ISBN 978-1-4438-1108-8

Adkins, Monty, Duque, Carlos and Karman, Gregorio (2012) The electronic music of Roberto Gerhard. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, pp. 22-29.

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composing and Archiving. International Computer Music Conference Proceedings, 2009. pp. 137-140. ISSN 2223-3881

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composition and Archiving. In: International Computer Music Conference (ICMC 2009), 16–21 August 2009, Montreal, Canada. (Unpublished)

Adkins, Monty and Harvey, Stephen (2015) Three studies for an altered form. [Composition]

Adkins, Monty and Hron, Terri (2016) Lepidoptera. [Composition]

Adkins, Monty, Lewis, Chara, Pettican, Anneké and Mojsiewicz, Kristin (2017) Shadow Worlds | Writer’s Rooms: Freud’s House. In: Proceedings of the Fifth Conference on Computation, Communication, Aesthetics & X (xCoAx 2017). Universidade do Porto, pp. 273-280. ISBN 9789897461286

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Adkins, Monty, Scott, Richard and Tremblay, Pierre Alexandre (2016) Post-Acousmatic Practice: Re-evaluating Schaeffer’s heritage. Organised Sound, 21 (02). pp. 106-116. ISSN 1355-7718

Adkins, Monty and Segretier, Laurent (2015) Skyler and Bliss. In: xCoAx 2015: Proceedings of the Third Conferenc on Computation, Communication, Aesthetics and X. Universidade do Porto, Porto, p. 311. ISBN 978-989-746-066-1

Adlington, Robert C. (2008) 1968 and New Music in the Netherlands. In: Music Cultures in The Revolt: Studies on Rock, Avantgarde and Classical In the Environment From "1968. Franz Steiner Verlag, Stuttgart, pp. 103-114. ISBN 978-3515090858

Adlington, Robert C. (2013) Communisms, Communist Musics. In: Red Strains: Music and Communism Outside the Communist Bloc. British Academy / Oxford University Press, London, pp. 1-19. ISBN 978-0197265390

Adlington, Robert C. (2013) Composing Dissent: Avant-garde Music in 1960s Amsterdam. Oxford University Press, New York. ISBN 978-0199981014

Adlington, Robert C. (2003) A Conversation with Harrison Birtwistle. In: Aspects of British Music in the 1990s. Ashgate, Aldershot, pp. 111-118. ISBN 9780754630418

Adlington, Robert C. (2001) Counting Time, Countering Time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22. pp. 1-35. ISSN 0271-8022

Adlington, Robert C. (2016) The Crises of Sense: Listening to Berio’s Un re in ascolto. In: Le théâtre musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 978-2336303871

Adlington, Robert C. (2014) Expressive Revolutions: 1968 and Music in the Netherlands. In: Music and Protest in 1968. Cambridge University Press, Cambridge, pp. 12-28. ISBN 978-1107504318

Adlington, Robert C. (2009) Forms of Opposition at the 'Politiek-Demonstratief Experimenteel' Concert. In: Sound Commitments: Avant-garde Music and the 1960s. Oxford University Press, New York, pp. 56-77. ISBN 978-0195336658

Adlington, Robert C. (2002) "Good Lodging": Harrison Birtwistle’s Reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Brewer, Cambridge, pp. 127-143. ISBN 978-0859917674

Adlington, Robert C. (2003) In the Shadows of Song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Ashgate, Aldershot. ISBN 9780754630418

Adlington, Robert C. (2004) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3). pp. 381-417. ISSN 0277-9269

Adlington, Robert C. (2004) Louis Andriessen: De Staat. Ashgate, Aldershot. ISBN 978-0754609254

Adlington, Robert C. (2018) Modernism: The People’s Music? In: The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409

Adlington, Robert C. (2003) Moving Beyond Motion: Metaphors for Changing Sound. Journal of the Royal Musical Association, 128 (2). pp. 297-318. ISSN 0269-0403

Adlington, Robert C. (2008) The Music of Harrison Birtwistle. Cambridge University Press, Cambridge. ISBN 978-0521027809

Adlington, Robert C. (2008) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge University Press, Cambridge, pp. 225-243. ISBN 978-0521783934

Adlington, Robert C. (2008) Organizing Labor: Composers, Performers, and “the Renewal of Musical Practice” in the Netherlands, 1969–72. Musical Quarterly, 90 (3-4). pp. 539-577. ISSN 0027-4631

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

Adlington, Robert C. (2013) Red Strains: Music and Communism outside the Communist Bloc. British Academy / Oxford University Press, London. ISBN 978-0197265390

Adlington, Robert C. (2007) “A Sort of Guerrilla”: Che at the Opera. Cambridge Opera Journal, 19 (2). pp. 167-193. ISSN 0954-5867

Adlington, Robert C. (2009) Sound commitments : avant garde music and the 1960s. Oxford University Press, New York. ISBN 978-0195336658

Adlington, Robert C. (2001) Taking Soundings: Music, Non-Music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3934823174

Adlington, Robert C. (2009) Tuning in and Dropping Out: The Disturbance of the Dutch Premiere of Stockhausen's Stimmung. Music and Letters, 90 (1). pp. 94-112. ISSN 0027-4224

Adlington, Robert C. (2016) Whose Voices? The Fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1). pp. 179-236. ISSN 0003-0139

Ahmad, Saleh (2020) A Critical Stylistic Analysis into the Representation of Muslims on YouTube after the Manchester Arena Bombings. Masters thesis, University of Huddersfield.

Ahn, Soo H. (2017) Metropolis: music score for the film directed by Fritz Lang. Doctoral thesis, University of Huddersfield.

Aitken, Colin and Gold, Erica (2013) Evidence evaluation for discrete data. Forensic Science International, 230 (1-3). pp. 147-155. ISSN 0379-0738

Aitken, Colin and Gold, Erica (2013) Evidence evaluation for discrete data. In: Proceedings of the 59th World Statistics Congress of the International Statistical Institute, 2013. International Statistical Institute. ISBN 978-90-73592-34-6

Akama, Ryoko (2015) Exploring Emptiness: An Investigation of MA and MU in My Sonic Composition Practice. Doctoral thesis, University of Huddersfield.

Al-Badr, Ahmed (2009) The Musical Characteristics Of The Folk Songs In South Of Iraq. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Al-Badr, Ahmed (2012) The Social Context and Textual/Musical Characteristics of the Besta Genre of Southern Iraq. Doctoral thesis, University of Huddersfield.

Al-Owaidi, Muhtaram (2018) Investigating Speech Acts in English and Arabic Short News Interviews: A Cross-Cultural Pragmatic Study. Doctoral thesis, University of Huddersfield.

Al-Wandawi, Soran Fadhil Ali (2019) Father-daughter Relationships In Sylvia Plath's and Anne Sexton's Selected Poems: A Critical Stylistic Analysis. Masters thesis, University of Huddersfield.

Alderson, J. C. and McIntyre, Dan (2006) Implementing and evaluating a self-assessment mechanism for the web-based Language and Style course. Language and Literature, 15 (3). pp. 291-306. ISSN 0963-9470

Ali, Nafhesa (2010) Asian voices: first generation migrants. University of Huddersfield, Huddersfield. ISBN 9781862180895

Allen, Thomas (2015) The 1913 Mental Deficiency Act and its Implications for Meanwood Park Colony, Leeds. Masters thesis, University of Huddersfield.

Almbark, Rana (2014) Perception and Production of SSBE Vowels by Foreign Language Learners: Towards a Foreign Language Model. Concordia University Working Papers in Applied Linguistics (COPAL), 5. pp. 3-18. ISSN 2292-4248

Almbark, Rana (2012) The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model. Doctoral thesis, University of York.

Almbark, Rana (2011) Production and Perception of SSBE Vowels by Syrian Arabic Speakers. In: Achievements and in Perspectives SLA of Speech: New Sounds 2010. Peter Lang: International Verlag der Wissenschaften. ISBN 9783631607237

Almbark, Rana, Bouchhioua, N. and Hellmuth, S. (2014) Acquiring the Phonetics and Phonology of English Word Stress: Comparing Learners from Different L1 Backgrounds. Concordia University Working Papers in Applied Linguistics (COPAL), 5. pp. 19-35. ISSN 2292-4248

Almbark, Rana and Hellmuth, Sam (2015) Acoustic analysis of the Syrian vowel system. In: Proceedings of ICPhS 2015. University of Glasgow. ISBN 9780852619414

Almond, Liz (2002) The shut drawer. Arc, Todmorden. ISBN 1900072939

Alqatawna, Mohammad (2019) Heckling in the Jordanian Parliament House: A Conversation Analysis Approach. Doctoral thesis, University of Huddersfield.

Alsuweed, Muhammad (2015) Accessing Dickens’s style as an EFL learner: a corpus stylistic approach to lexical style. Doctoral thesis, University of Huddersfield.

Alvarez, Elias Merino (2014) Subflection. Masters thesis, University of Huddersfield.

Ameen, Hoshang Dara Hama (2017) The State and Society in the Iranian Public Sphere after the Islamic Revolution. Doctoral thesis, University of Huddersfield.

Anderson, Caroline (2021) An Examination of the Rise and Reception of Female Country Crossover Artists from 1990. Masters thesis, University of Huddersfield.

Anderson, Elizabeth J. (2009) Henry II and His Sons: the Maturation Process of Establishing Adult Masculine status in the Angevin Royal Family c. 1140 – c. 1200. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Anderson, Elizabeth Jane (2013) Establishing adult masculine identity in the Angevin royal family c.1140-c.1200. Doctoral thesis, University of Huddersfield.

Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.

Anderson, Simon Peter (2012) The Prepared Piano Music of John Cage: Towards an Understanding of Sounds and Preparations. Masters thesis, University of Huddersfield.

Andrews, Emma (2020) Representing Visual Foreshadowing in Audio Description. Doctoral thesis, University of Huddersfield.

Andrews, Emma (2015) "Yeah, it's funny how words can be so open to interpretation" - The effect of intralingual subtitling on characterisation in Breaking Bad. Masters thesis, University of Huddersfield.

Angermüller, Rudolph and Stafford, William Nissen, Georg Nikolaus. In: Grove Music Online. Oxford University Press, Oxford.

Archer, Dawn and McIntyre, Dan (2005) A computational approach to mind style. In: 25th Conference of the Poetics and Linguistics Association, 18th - 23rd July 2005, University of Huddersfield. (Unpublished)

Ashbridge, Sarah I. (2021) Military Identification: Identity discs 1914-18 and the recovery of fallen soldiers. Doctoral thesis, University of Huddersfield.

Ashby, Justine (2001) The Angry Young Man is Tired: Albert Finney and 1960s British Cinema. In: British Stars and Stardom: From Alma Taylor to Sean Connery. Manchester University press, Manchester, pp. 179-192. ISBN 9780719058417

Ashby, Justine (2003) 'Betty Box' and 'Muriel Box'. In: Encyclopedia of British Film. Methuen, London, pp. 76-77. ISBN 0413773019

Ashby, Justine (1996) Crossing thresholds: the contemporary British woman's film. In: Dissolving views: key writings on British cinema. Cassell. ISBN 9780304335282

Ashby, Justine (2009) 'It's been Emotional': reassessing the contemporary British woman's film. In: British women's cinema. British Popular Cinema . Routledge. ISBN 9780415466967

Ashby, Justine (2002) Jane Campion. In: Fifty Key Contemporary Filmmakers. Routledge, London, pp. 90-98. ISBN 978-0-415-18973-6

Ashby, Justine (2005) Postfeminism in the British Frame. Cinema Journal, 44 (2). pp. 127-132. ISSN 00097101

Ashby, Justine and Higson, Andrew (2000) British cinema: past and present. Routledge. ISBN 0415220610

Ashby, Justine and Higson, Andrew (2000) The lady in charge, Betty Box: negotiating space for a woman producer in Post-War British cinema. In: British cinema, past and present. Routledge. ISBN 0415220610

Asswae, May (2018) Politeness in Libyan Arabic: A Third-Wave Perspective. Doctoral thesis, University of Huddersfield.

Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701

Atkinson, Paul (2008) On the Origin of PCs. Doctoral thesis, University of Huddersfield.

Atkinson, Paul (2013) Review of: Victoria Kelley, Soap and Water: Cleanliness, Dirt and the Working Classes in Victorian and Edwardian Britain (London: I. B. Tauris, 2010). Labour history review, 78 (2). pp. 237-238. ISSN 0961-5652

Atkinson, Paul, Marshall, Justin, Unver, Ertu and Dean, Lionel Theodore (2011) I did it my way: user engagement in post industrial manufacturing. In: SIM 2011 Sustainable Intelligent Manufacturing. IST Press, Leiria, Portugal, pp. 679-687. ISBN 978-989-8481-03-0

Atkinson, Paul David (2010) Cultural Causes of the Nineteenth-Century Fertility Decline: A Study of Three Yorkshire Towns. Doctoral thesis, University of Leeds.

Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974

Aucott, Paula J., von Lunen, Alexander and Southall, Humphrey (2009) Exposing the history of Europe: the creation of a structure to enable time‐spatial searching of historical resources within a European framework. OCLC Systems & Services: International digital library perspectives, 25 (4). pp. 270-286. ISSN 1065-075X

Aulich, John (2016) Defying Objecthood: tracing the beginnings of a political aesthetic in my recent work. Masters thesis, University of Huddersfield.

B

Backhouse, Jed (2011) A Multi-Platform, Procedural Approach to Graphical Composition. Masters thesis, University of Huddersfield.

Bagigni, Ainas (2016) The Role of English in Libya and its Implications for Syllabus Design in Libyan Higher Education. Doctoral thesis, University of Huddersfield.

Bagnall, James (2014) The strength of Timbre and why it can be an invaluable tool to a Moving Image Composer. Masters thesis, University of Huddersfield.

Baker, Alexander J. (2016) An exploration of the relationship between touch and sound. Masters thesis, University of Huddersfield.

Baker, Andrew (2015) ‘Pulling the Heads off Rats’: Exploring the Factors that Limit the Performance of Contemporary Music by Amateur Musicians in British Brass Bands. Masters thesis, University of Huddersfield.

Baker, David and Morris, Richard K. (2001) Last orders? Antiquity, 75 (289). pp. 608-611. ISSN 0003-598X

Balduzzi, Massimiliano and Spatz, Ben (2010) PLAYWAR. In: PLAYWAR, 2009-2012.

Baldwin, Anne (2009) Electing Women as County Councillors 1919 - 1939. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Baldwin, Anne (2012) Progress and patterns in the election of women as councillors, 1918 – 1938. Doctoral thesis, University of Huddersfield.

Baldwin, Michael (2012) Reflections on Ephemerality and Notation in my Recent Work. Masters thesis, University of Huddersfield.

Baldwin, Michael, Chamberlain, Franc, Elliott, Hilary and Morris, Eilon (2015) this is not natural [transfiguration]. In: Performers Insights into this is not natural [transfiguration], 28th and 29th of July 2014, University of Huddersfield.

Baldwin, Michael S. (2017) Effaced/reflected/being: documents and/of/as musicking bodies. Doctoral thesis, University of Huddersfield.

Bargiela-Chiappini, Francesca and Kádár, Daniel Z. (2010) Politeness Across Cultures. Palgrave Macmilan, Hampshire, UK. ISBN 9780230236486

Barker, Anna (2016) Green Fiction: Ecocriticism of the Contemporary Novel. Doctoral thesis, University of Huddersfield.

Barnett, David (2000) Access Denied: Werner Schwab, the Explosion of Character and the Collapse of the Play-within-a-Play. In: German-Language Literature Today: International and Popular? Peter Lang, Oxford, pp. 281-294. ISBN 9783906764887

Barnett, David (2000) Collective Dramaturgy: A Marxist Challenge to the Modern Stage, Or: Heiner Müller's Political Theatre of Destruction. In: Heiner Müller: Probleme und Perspektiven. Amsterdamer Beiträge zur Neueren Germanistik (48). Rodopi, Amsterdam, Netherlands, pp. 45-55. ISBN 9789042015616

Barnett, David (2001) Documentation and its Discontents: The Case of Heinar Kipphardt. Forum for Modern Language Studies, 37 (3). pp. 272-285. ISSN 00158518

Barnett, David (2000) Dramaturgies of "Sprachkritik": Rainer Werner Fassbinder's "Blut am Hals der Katze" and Peter Handke's "Kaspar". The Modern Language Review, 95 (4). pp. 1053-1063. ISSN 00267937

Barnett, David (2002) Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments. Theatre Research International, 27 (1). pp. 49-57. ISSN 03078833

Barnett, David (2000) The Holocaust and Documentary Metadrama: Heinar Kipphardt's Bruder Eichmann. In: Jews in German Literature since 1945: German-Jewish Literature? German Monitor (53). Rodopi, Amsterdam, Netherlands, pp. 587-598. ISBN 9789042014633

Barnett, David (2001) Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre and the Play The Europeans. Modern Drama, 44 (4). pp. 458-475. ISSN 0026-7694

Barnett, David (2001) Joseph Goebbels: Expressionist Dramatist as Nazi Minister of Culture. New Theatre Quarterly, 17 (2). pp. 161-169. ISSN 0266-464X

Barrett, John Wilson (2012) The Idle, Immoral and Profligate Poor: The condition of the poor and the ‘taint of pauperism’ in Huddersfield between 1834 and 1874, with particular reference to the ‘undeserving poor’. Doctoral thesis, University of Huddersfield.

Barrett, Richard and Steinitz, Richard (2002) Tributes to Iannis Xenakis (29 May 1922-4 February 2001). Contemporary Music Review, 21 (2-3). pp. 5-8. ISSN 07494467

Bashford, Christina, Cowgill, Rachel and McVeigh, Simon (2003) The Concert Life in Nineteenth-Century London Database Project. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 2 . Ashgate, Aldershot, 1 -12. ISBN 9780754636144

Bastow, Sarah L. (2012) An Abortive Attempt to Defend an Episcopal Reputation: The Case of Archbishop Edwin Sandys and the Innkeeper's Wife. History, 97 (327). pp. 380-401. ISSN 0018-2648

Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.

Bastow, Sarah L. (2011) Book Review: Chris Evans, Slave Wales: The Welsh and Atlantic Slavery 1660-1850 (Cardiff: University of Wales Press, 2010). North American Journal of Welsh Studies, 6 (1). pp. 62-63. ISSN 1554-8112

Bastow, Sarah L. (2007) Book review of 'Religious women in the Golden Age Spain: the permeable cloister', Elizabeth A. Lehfeldt. Women's history review, 16 (2). pp. 271-272. ISSN 0961-2025

Bastow, Sarah L. (2001) The Catholic Gentry and the Catholic Community of the City of York, 1536-1642: The focus of a Catholic county? York Historian (18). pp. 13-22. ISSN 0309-3743

Bastow, Sarah L. (2004) The Catholic gentlemen of the North: Unreformed in the age of Reformation. In: Holiness and Masculinity in the Middle Ages. University of Wales Press, Cardiff, UK, pp. 206-221. ISBN 0708318851

Bastow, Sarah L. (2007) The Catholic gentry of Yorkshire 1536-1642: Resistance and accommodation. Edwin Mellen Press, Lewiston. ISBN 0-7734-5325-3

Bastow, Sarah L. (2018) Edwin Sandys and the Defence of the Faith: 'I think it my duty to exhort you ... defend the faith of Christ even until blood and unto death'. In: Defending the Faith: John Jewel and the Church of England. Penn State University Press, pp. 224-241. ISBN 9780271082080

Bastow, Sarah L. (2013) Edwin Sandys, Archbishop of York 1577-88, ‘Stiff-Necked, Wilful And Obstinate’. Northern history: a review of the history of the North of England., 50 (2). pp. 239-256. ISSN 0078-172X

Bastow, Sarah L. (2002) Gentlemen behaving badly: disputes and disagreements amongst the Yorkshire gentry. In: International Medieval Congress 2002: Special Thematic Strand: Exile, 8th - 11th July 2002, University of Leeds. (Unpublished)

Bastow, Sarah L. (2012) A Manner of Apology: Sir Robert Stapleton and Archbishop Edwin Sandys in an Elizabethan Cause Célèbre. Textile History, 43 (2). pp. 147-160. ISSN 0040-4969

Bastow, Sarah L. (2017) The Piety of Thomas Meynell: 'no thinge was spared how holy soever it was'. Reading Medieval Studies, XLIII. pp. 29-54. ISSN 0950-3129

Bastow, Sarah L. (2000) Prophecy and rebellion in the North of England. In: International Medieval Congress, 10 - 13 July 2000, Leeds. (Unpublished)

Bastow, Sarah L. (2001) "Worth nothing but very wilful": Catholic Recusant women of Yorkshire, 1536-1642. Recusant history, 25. p. 591. ISSN 0034-1932

Bastow, Sarah L. (2003) Yorkshire nunneries on the eve of the Dissolution. In: From History to Her Story Colloquium, 5 April 2003, University of Huddersfield. (Unpublished)

Bastow, Sarah L. (2009) The life of Edwin Sandys. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Bastow, Sarah Louise (2015) Sin and Salvation in the sermons of Edwin Sandys: ‘Be this sin against the Lord far from me, that I should cease to pray for you’. In: Sin and Salvation in Reformation England. St Andrews Studies in Reformation History . Ashgate, pp. 209-222. ISBN 9781472437365

Bates, Catherine (2005) Autobiography as Decoy in Robert Kroetsch’s The Puppeteer. In: Canadian Studies in Europe: The Making of Canada. Canadian Studies in Europe/Études canadiennes en Europe, 4 . Masaryk Press, Masaryk, Czech Republic, pp. 29-40. ISBN 8021037865

Bates, Catherine (2010) Dancing Discard: Michael Ondaatje’s Elimination Dance. Moving Worlds, 10 (2). pp. 19-30. ISSN 1474-4600

Bates, Catherine (2006) Ghosting as a Way to Mourn Responsibly in Frank Davey’s Elegies “Dead in France” and “Dead in Canada”. Open Letter: A Canadian Journal of Writing and Theory, 12 (8). pp. 60-78.

Bates, Catherine (2012) In the hope of making a connection: Rereading Archival Bodies, Responses and Love in Marian Engel’s Bear and Alice Munro’s ‘Meneseteung’. In: Basements and Attics, Closets and Cyberspace Explorations in Canadian Women’s Archives. Life Writing . Wilfrid Laurier University Press, Waterloo, pp. 85-106. ISBN 978155458632-5

Bates, Catherine (2008) Messing with the Archive: Backdoors, Rubbish and Traces in Robert Kroetsch’s The Hornbooks of Rita K. SubStance, 37 (2). pp. 8-24. ISSN 0049-2426

Bates, Catherine (2013) Sustainable Urban Foragings in the Canadian Metropolis: Rummaging through Rita Wong’s Forage and Nicholas Dickner’s Nikolski. British Journal of Canadian Studies, 26 (2). pp. 191-212. ISSN 0269-9222

Bates, Catherine (2012) Teaching Queer Theory: Judith Butler, Shakespeare and She’s the Man in Teaching Gender. In: Teaching Gender. Teaching the New English . Palgrave, Basingstoke, UK, pp. 47-62. ISBN 9780230252516

Bates, Catherine (2013) Waste-full Crossings: Thomas King’s Rubbishy Border. In: Parallel Encounters: Culture and the Canada-US Border. Wilfrid Laurier University Press, Waterloo, Canada, pp. 1-25. ISBN 9781554589845

Bates, Catherine and Barton, Anna (2013) ‘Beautiful things’: nonsense and the Museum. In: Literary Bric-a-Brac and The Victorians: Oddities and Commodities. The Nineteenth Century Series . Ashgate, London, UK, pp. 49-65. ISBN 978-1-4094-3990-5

Bates, Catherine, Huggan, Graham, Marinkova, Milena and Orr, Jeffrey (2007) Canadian Studies in Europe/Études canadiennes en Europe. Visions of Canada/Visions du Canada., 6 . Masaryk University Press, Brno, Czech Republic. ISBN 978-80-210-4243-8.

Bates, Catherine, Huggan, Graham, Marinkova, Milena and Orr, Jeffrey (2007) Introduction to: Canadian Studies in Europe/Études canadiennes en Europe. In: Canadian Studies in Europe/Études canadiennes en Europe. Visions of Canada/Visions du Canada., 6 . Masaryk University Press, Brno, Czech Republic, ix-xx. ISBN 978-80-210-4243-8.

Bates, Catherine and Hussain, Nasser (2010) Talking Trash/Trashing Talk: Cliché in the poetry of bpNichol and Christopher Dewdney. In: Trash Culture: Objects and Obsolescence in Cultural Perspective. Cultural Interactions: Studies in the Relationship Between the Arts, 11 . Peter Lang, Bern, Switzerland, pp. 165-183. ISBN ISBN 978-3-03911-553-2 pb

Bates, Catherine and Matthewman, Abi (2009) Studying Arts and Humanities. Palgrave Study Skills . Palgrave, Basingstoke. ISBN 9780230205475

Bax, Marcel and Kádár, Daniel Z. (2012) Understanding Historical (Im)Politeness: Relational linguistic practice over time and across cultures. Benjamins Current Topics (41). John Benjamins, Amsterdam, The Netherlands. ISBN 9789027202604

Bax, Marcel and Kádár, Daniel Z. (2011) The historical understanding of historical (im)politeness: Introductory notes. Journal of Historical Pragmatics, 12 (1). pp. 1-24. ISSN 15665852

Bayley, Amanda and Clarke, Michael (2011) Evolution and Collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet. Palatine.

Bayley, Amanda and Clarke, Michael (2008) Interactive strategies for analysing musical structure. In: Fouth Conference on Interdisciplinary Musicology, 2-6 July 2008, Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Beale, Chloe (2017) The Use of Meyerhold's Biomechanics Training and Principles of Composition in Contemporary Theatre. Doctoral thesis, University of Huddersfield.

Bell, Alan R, Martin, Janette and McCausland, Sigrid (2005) Labour’s Memory: A Comparison of Labour History Archives in Australia, England, Wales and Scotland. Labour History, 88. pp. 25-44.

Bellamy, Mary (2011) Abrasion, solo cello (2011). [Composition]

Bellamy, Mary (2002) Celestine. [Composition] (Submitted)

Bellamy, Mary (2013) Developing instrumental sound resources through collaborative compositional practice. Search: Journal for New Music and Culture, 2013 (10).

Bellamy, Mary (2016) Dispersion, Oboe, 15', 2016. [Composition] (Unpublished)

Bellamy, Mary (2001) Earth and Sky Reflect Each Other. [Composition] (Submitted)

Bellamy, Mary (2011) Enveloped, cello and contrabass recorder (2011). [Composition]

Bellamy, Mary (2008) Harmony and Resonance. [Composition] (Submitted)

Bellamy, Mary (2012) Mary Bellamy: Abrasion, Semblance, Enveloped. [Audio]

Bellamy, Mary (2008) Quartet. In: Reading of New Compositions Workshop, 12-14 February 2008, 26 Willow Place, Brooklyn. (Submitted)

Bellamy, Mary (2011) Semblance, solo bassflute (2011). [Composition]

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Bellamy, Mary (2011) Translucent River (2011). [Composition]

Bellamy, Mary (2005) Within Dreams. [Composition] (Submitted)

Bellamy, Mary (2017) The other side of air. [Composition]

Bellamy, Mary and Beall, T. (2008) Double Blind. [Composition] (Submitted)

Bellamy, Mary and Beall, T. (2006) Light Blind. [Composition] (Submitted)

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]

Bellard-Thomson, Carol (2009) Joining The Stylistics Discourse Community: an empirical study of student development in learning stylistic analysis. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Benincasa-Sharman, Caterina (2020) Identities of Place: The 1951 Festival of Britain in York and Liverpool. Doctoral thesis, University of Huddersfield.

Benjamin, Mira (2019) Thick Relationality: Microtonality and the Technique of Intonation in 21st Century String Performance. Doctoral thesis, University of Huddersfield.

Bensimon, Fabrice, Laybourn, Keith, Betts, Paul, Hannam, June, Roll, Jarod and Davies, Aled (2015) Book Review: Robert Forrant and Jurg Siegenthaler (eds), The Great Lawrence Textile Strike of 1912: New Scholarship on the Bread & Roses Strike, Amityville, New York: Baywood Publishing Company, 2014, pp. v + 252, p/b, $49, ISBN 978 089503 8623. Labour history review, 80 (2). pp. 201-214. ISSN 0961-5652

Berweck, Sebastian (2009) Extended Piano. [Audio]

Berweck, Sebastian (2012) It worked yesterday: On (re-)performing electroacoustic music. Doctoral thesis, University of Huddersfield.

Bhana, Aliyah (2020) A posthuman exploration of the robot in contemporary science fiction films. Masters thesis, University of Huddersfield.

Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.

Bilenko, George (2019) An Exploration into the Use of Rhythm in Devising Movement for Theatre. Masters thesis, University of Huddersfield.

Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield.

Billam, Gregory (2019) For Country, For Class: Nationalism, Empire and Identity in the Communist Party of Great Britain: 1935-1945. Masters thesis, University of Huddersfield.

Bingham-Davis, Connor (2020) Flight of the Empress: The collapse of antiquity and its modern-day echoes as demonstrated through a piece of historical fiction. Masters thesis, University of Huddersfield.

Birkby, Peter R. (2009) Eurovision Song Contest 2009 Theme Music. In: UNSPECIFIED.

Birkby, Peter R. (2008) Mutual Marimba Music- Part of the programme on the Autumn Recital Tour performed by Dave Danford. [Composition]

Birkby, Peter R. (2011) Peter R. Birkby 30th Anniversary Concert Programme. [Show/Exhibition]

Birkby, Peter R. (2016) A twenty-first century light music composer: sailing on: composing light music in the twenty-first century. Doctoral thesis, University of Huddersfield.

Black, Jeremy and Woodfine, Philip (1988) The British Navy and the use of Naval power in the Eighteenth century. Leicester University Press, Leicester. ISBN 0718513088

Blackwell, Kane (2018) SOCIAL MEDIA, NEWS, AND YOUTHS: HOW YOUNG ADULTS CONSTRUCT AND ENGAGE NEWS CONTENT ON FACEBOOK. Masters thesis, University of Huddersfield.

Blakeley, Georgina (2002) Civil society. In: Contemporary political concepts: a critical introduction. Pluto Press, London, pp. 90-107. ISBN 9780745317960

Blakeley, Georgina (2001) Clientism in the building of state and civil society in Spain. In: Clientelism, interests, and democratic representation: The European experience in historical and comparative perspective. Cambridge Studies in Comparative Politics . Cambridge University Press, Cambridge, pp. 77-100. ISBN 9780521804776

Blakeley, Georgina (2001) Creating spaces of deliberation in Barcelona: it's good to talk? In: Challenges to democracy : ideas, involvement and institutions. PSA yearbook . Palgrave, Basingstoke, pp. 153-168. ISBN 0333789822

Blakeley, Georgina (2002) Decentralisation and participation in Barcelona. In: Public participation and innovations in community governance. Ashgate, Aldershot. ISBN 0754615669

Blakeley, Georgina (2002) Social Capital. In: Contemporary political concepts: a critical introduction. Pluto Press, London, pp. 198-214. ISBN 9780745317960

Blakeley, Georgina and Evans, Brendan (2010) Citizen Participation in East Manchester: From Practice to Theory. Representation, 46 (3). pp. 325-338. ISSN 0034-4893

Blakeley, Georgina and Evans, Brendan (2013) The Regeneration of East Manchester: A Political Analysis. Manchester University Press, Manchester. ISBN 9780719084409

Blakeley, Georgina and Evans, Brendan (2009) Who Participates, How and Why in Urban Regeneration Projects? The Case of the New ‘City’ of East Manchester. Social Policy and Administration, 43 (1). pp. 15-32. ISSN 0144-5596

Blunt, Andrew (2012) Citizenship in the United Kingdom Higher Education Sector: The Overlooked Opportunity of Students’ Unions. Masters thesis, University of Huddersfield.

Boam, Harry (2016) An autoethnographical study on how creative sound work is affected by commercialisation and the professional media industry. Masters thesis, University of Huddersfield.

Boehringer, Jorge W. (2019) Situated Sound and Compositional Circumstance in My Recent Musical Practices. Doctoral thesis, University of Huddersfield.

Bokowiec, Mark (2014) Dialogue (2014) for Prosthetic Spine & Cello. In: International Computer Music Conference, 14 - 20 September 2014, Athens, Greece, Onassis Centre for the Arts.

Bokowiec, Mark (2011) Interconnecting forms of expressivity as a compositional process: the evolution of an interactive practice with specific reference to the Bodycoder System. Mark A. Doctoral thesis, University of Huddersfield.

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Amera, Etch, Hand to Mouth, Chimera. In: Live Arts Courses, 19 November 2007, Doncaster College.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Bodycoder - Voice. In: Bodycoder - Voice, 22 November 2007, The Watermans, Brentford, London.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Etch. In: Residency at Confederation Centre for the Arts, 13 June 2007, Prince Edward island, Nova Scotia.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2015) Sens et sensations : l’acte de médiation et ses effets in Théâtre et intermédialité (edited by Jean-Marc Larrue). In: Théâtre et intermédialité. Septentrion, France, pp. 383-399. ISBN 102757409077

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Sense and Sensation: the act of mediation and its effects. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec. (Submitted)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2003) Spiral fiction. Organised Sound, 8 (3). pp. 279-287. ISSN 1355-7718

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The Suicided Voice and Etch. In: Music & Sound Technology Practice in Education Conference 2008, 7-9 July 2008, Doncaster College.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The Suicided Voice, Etch. In: 8th International Conference New Interfaces For Musical Expression, 5 - 7 June 2008, Genova, Italy.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The suicided voice and Etch. In: New interfaces for musical expression, 5-7 June 2008, Genova Italy.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The suicided voice. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec.

Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.

Bonardi, Alain, Bossis, Bruno, Couprie, Pierre, Dufeu, Frédéric, Malt, Mikhail and Pottier, Laurent (2013) Atelier: Outils pour l’analyse de la musique électroacoustique [Workshop: Tools for analysis of electroacoustic music]. In: JIM2013 (Journées d’Informatique Musicale) Conference, 13th - 15th May 2013, Paris, France.

Bonardi, Alain and Dufeu, Frédéric (2013) Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des œuvres de Philippe Manoury [How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works]. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Booth, Graham (2010) Inclusive Interconnections: Towards Open-Ended Parameter-Sharing for Laptop Ensemble. Masters thesis, University of Huddersfield.

Borlik, Todd Andrew (2013) 'Caliban and the Fen Demons of Lincolnshire: The Englishness of Shakespeare's Tempest'. Shakespeare: Journal of the British Shakespeare Association, 9 (1). pp. 21-51. ISSN 1745-0918

Borlik, Todd Andrew (2009) "Chameleon's Dish: Shakespeare and the Omnivore's Dilemma". Early Modern Studies Journal, 2. pp. 1-25.

Borlik, Todd Andrew (2011) "Cori Spezzati and the Echo Scene in Duchess of Malfi". Notes & Queries, 58 (2). pp. 289-292.

Borlik, Todd Andrew (2016) Hellish Falls: Faustus’s Dismemberment, Phaeton’s Limbs and Other Renaissance Aviation Disasters – Part I. English Studies, 97 (3). pp. 254-276. ISSN 0013-838X

Borlik, Todd Andrew (2016) Hellish Falls: Faustus’s Dismemberment, Phaeton’s Limbs and Other Renaissance Aviation Disasters – Part II. English Studies, 97 (4). pp. 351-361. ISSN 0013-838X

Borlik, Todd Andrew (2017) Magic as Technological Dominion: Hydragogy and the Draining of the Fens in Ben Jonson's The Devil is an Ass. Neophilologus. ISSN 0028-2677 (In Press)

Borlik, Todd Andrew (2007) "'Painting of a Sorrow': Visual Culture and the Performance of Stasis in David Garrick's Hamlet". Shakespeare Bulletin, 25 (1). pp. 3-32. ISSN 0748-2558

Borlik, Todd Andrew (2015) A Possible Allusion by Middleton to Shakespeare's Death? Notes and Queries, 62 (1). pp. 130-133. ISSN 0029-3970

Borlik, Todd Andrew (2017) Post-Human Hamlets: Ghosts in the Machine. In: Shakespeare's Hamlet in an Era of Textual Exhaustion. Routledge Studies in Shakespeare (25). Routledge, pp. 29-45. ISBN 9781138291270

Borlik, Todd Andrew (2013) 'Reading Hamlet Upside Down: The Shakespeare Criticism of Natsume Soseki'. Shakespeare: Journal of the British Shakespeare Association, 9 (4). pp. 383-403. ISSN 1745-0918

Borlik, Todd Andrew (2017) Review of Measure for Measure (directed by Yukio Ninagawa), Sainokuni Shakespeare Company. Shakespeare Bulletin, 35 (1). pp. 135-142. ISSN 0748-2558

Borlik, Todd Andrew (2011) 'A Season in Intercultural Limbo: Ninagawa Yukio's Doctor Faustus--Theatre Cocoon, Tokyo'. Shakespeare Quarterly, 62 (3). pp. 444-456. ISSN 0037-3222

Borlik, Todd Andrew (2017) Shakespeare's Insect Theatre: Fairy Lore as Elizabethan Folk Entomology. In: Performing Animals: History, Agency, Theater. Pennsylvania State University Press, Pennsylvania. ISBN 9780271078342

Borlik, Todd Andrew (2015) “Shakespeare’s Mulberry Tree: Ecomaterialism and ‘Living On.’”. Shakespearean International Yearbook, 15. pp. 123-145. ISSN 1465-5098

Borlik, Todd Andrew (2012) "The Specter of Female Suffrage in Shakespeare's Revelations by Shakespeare's Spirit". Shakespeare Survey, 65. pp. 337-344. ISSN 0080-9152

Borlik, Todd Andrew (2014) Stellifying Shakespeare: Celestial Imperialism and the Advent of Universal Genius. Shakespeare in Southern Africa, 26. pp. 1-12. ISSN 1011-582X

Borlik, Todd Andrew (2017) 'Uncolting Falstaff: The Oats Complex and Energy Usage in 1 Henry IV'. Shakespeare Jahrbuch, 153. pp. 81-99.

Borlik, Todd Andrew (2016) Unheard Harmonies: The Merchant of Venice and the Lost Play of Pythagoras. Medieval and Renaissance Drama in England, 29. pp. 191-224. ISSN 0731-3403

Borlik, Todd Andrew (2012) "The Way to Study Death: New Light on a Variant in F2 Macbeth". Explicator, 70 (2). pp. 144-148. ISSN 0014-4940

Borlik, Todd Andrew and Egan, Clare (2018) Angling for the "Powte": a Jacobean Environmental Protest Poem. English Literary Renaissance, 48 (2). pp. 256-289. ISSN 0013-8312

Bossis, Bruno and Dufeu, Frédéric (2009) De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay. In: Christian Marclay: Snap! Les Presses du Réel, Dijon. ISBN 978-2-84066-279-2

Bossis, Bruno, Dufeu, Frédéric and Rabin, Julien (2010) Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2009) Le support sonore comme instrument de musique chez Christian Marclay. In: CIM09, Music and its Instruments: 5th Conference on Interdisciplinary Musicology, 26th - 29th October 2009, Paris, France. (Unpublished)

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2013) Le support sonore comme instrument de musique chez Christian Marclay [The Recording Medium As Instrument In Christian Marclay’s Works]. In: La musique et ses instruments - music and its instruments. Editions Delatour France, pp. 419-436. ISBN 9782752101594

Botting, Nicola, Conti-Ramsden, Gina and Crutchley, Alison (1997) Concordance between teacher/therapist opinion and formal language assessment scores in children with language impairment. International Journal of Language & Communication Disorders, 32 (3). pp. 317-327. ISSN 13682822

Bougaïeff, Nicolas (2013) An Approach to Composition Based on a Minimal Techno Case Study. Doctoral thesis, University of Huddersfield.

Bousfield, Derek (2007) Beginnings, middles and ends: A biopsy of the dynamics of impolite exchanges. Journal of Pragmatics, 39 (12). pp. 2185-2216. ISSN 0378-2166

Bousfield, Derek (2007) Impoliteness, preference organization and conducivity. Multilingua: Journal of Cross-Cultural and Interlanguage Communication, 26 (1). pp. 1-33. ISSN 1613-3684

Bousfield, Derek (2005) Review of Saeko Fukushima, Requests and Culture: Politeness in British English and Japanese. Journal of Pragmatics, 37 (7). pp. 1117-1127. ISSN 0378-2166

Bousfield, Derek, Jeffries, Lesley, McIntyre, Dan and Short, Mick (2007) Reader responses to interpreting poetry. In: 27th Conference of the Poetics and Linguistics Association, 31st July - 4th August 2007, Kansai-Gaidai University, Hirakata, Osaka, Japan. (Unpublished)

Bousfield, Derek and McIntyre, Dan (2011) Emotion and empathy in Martin Scorsese’s Goodfellas: a case study of the “funny guy” scene. In: Telecinematic Discourse: Approaches to the Language of Films and Television Series. John Benjamins, Amsterdam, The Netherlands, pp. 105-123. ISBN 978 90 272 8515 7

Bowler, Ruth (2016) Four Women and I’m Only Sleeping: An exploration into the experimental manipulation of the monologue leading to the creation of multi-narrative voiced performances. Masters thesis, University of Huddersfield.

Bowling, Calum (2019) Recording Skint: How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist. Masters thesis, University of Huddersfield.

Bradbury, James (2021) Harnessing Content-Aware Programs for Computer-Aided Composition in a Studio-Based Workflow. Doctoral thesis, University of Huddersfield.

Bradley, Craig and Gill, David (2004) Humbugs. Relish Books, Yorkshire, UK. ISBN 9780954784409

Bradley, Simon (2016) Archaeology of the Voice: Exploring Oral History, Locative Media, Audio Walks, and Sound Art as Sitespecific Displacement Activities. Doctoral thesis, University of Huddersfield.

Bradley, Simon (2012) History to go: oral history, audiowalks and mobile media. Oral History, 40 (1). pp. 99-110. ISSN 0143-0955

Brennan, Katie (2019) Moral Architecture? The Nineteenth Century Asylum environment. A study of the West Riding Pauper Lunatic Asylum 1819-1866. Masters thesis, University of Huddersfield.

Bridle, Marcus (2011) Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis. Masters thesis, University of Huddersfield.

Britton, John (2007) Movement improvisation in psychophysical training. In: Impro Continuums 2007, Royal Welsh School of Music and Drama. (Unpublished)

Britton, John (2007) OK, you've had your fun.....: placing pleasure at the heart of pedagogy. In: Teaching and Learning Conference, 14 September 2007, University of Huddersfield. (Unpublished)

Britton, John (2011) Self-With-Others - a psychophysical approach to training performers in ensemble. [Web page]

Britton, John Spontaneous Combustion #1-#33 (Performance Series 2004-2009). In: UNSPECIFIED, 2004 to present.

Britton, John (2009) Stones have been known to move and trees to speak. In: Stones have been known to move and trees to speak, 8th-17th April 2009, Au Brana Cultural Centre, South of France.

Britton, John (2010) What is it? The 'it'-ness of ensemble. In: Encountering Ensemble, 16 September 2010, University of Huddersfield. (Unpublished)

Britton, John (2007) The pleasure principle: some principles for a psychophysical training. In: How to Act: an international conference, 14-17 February 2007, Central School of Speech and Drama. (Unpublished)

Britton, John (2010) The pursuit of pleasure. Journal of Theatre, Dance and Performance Training, 1 (1). pp. 36-54. ISSN 1944-3927

Britton, John, Elliott, Hilary, Middleton, Deborah K. and Moss, Tim (2008) Writing the Body, Dancing The Mind. In: 'Writing the Body, Dancing The Mind’ workshop, July 2008, National University of Mexico. (Unpublished)

Britton, John W (2011) Starting From Now: A Performer's Guide to Improvisation - A Performed Lecture. In: UNSPECIFIED, Thesasloniki, Greece.

Brooks, Julian (2016) Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music. Doctoral thesis, University of Huddersfield.

Brooks, Julian, Brooks, Joanna and Tremblay, Pierre Alexandre (2012) Across The Great Divide. Journal of Music, Technology and Education, 5 (2). pp. 145-157. ISSN 1752-7066

Brown, Clive and Milsom, David (2006) The 19th-Century Legacy of the Viotti School: Editions of the Violin Concerto No. 22. In: Giovanni Battista Viotti : a composer between the two revolutions. Ad Parnassum Studies (2). UT Orpheus, Bologna, italy, pp. 157-198. ISBN 9788881094578

Brown, Emily (2015) Task, Attention, Movement: An Exploration of Psychophysical Training Methods for Ensemble Performance. Masters thesis, University of Huddersfield.

Brown, Katherine Laura (2012) Attending to Presence - An Investigation into the Training of Scenic Presence. Masters thesis, University of Huddersfield.

Brown, Stephen, Coupland, Simon, Croft, David, Shell, Jethro and von Lunen, Alexander (2014) Where are the pictures? Linking photographic records across collections using fuzzy logic. In: Museums & the Web: Selected Papers from Two International Conferences. Museums and the Web LLC, Silver Spring, pp. 117-128.

Brown, Tony and Foard, Glenn (1994) The making of a county history: John Bridges' Northamptonshire. Wildflower Series, 5 . Leicester University, Leicester, UK. ISBN 9780947590208

Brumby, Alice (2015) From "Pauper Lunatics" to "Rate-Aided Patients": Removing the Stigma of Mental Health Care? 1888-1938. Doctoral thesis, University of Huddersfield.

Bryan, John (2014) Adoramus Te: Motets, songs and consort music by William Byrd and Peter Philips. [Audio]

Bryan, John (2011) Alessandro Striggio: Missa Ecco si beato giorno in 40 parts. [Audio]

Bryan, John (2003) Alfonso Ferrabosco. [Composition]

Bryan, John (2010) Alpha and Omega. [Audio]

Bryan, John (2010) American Garden/English Roses. In: American Garden/English Roses, 23 February 2010, Corpus Christi Church, New York, USA. (Submitted)

Bryan, John (2016) Apt for Viols as Voyces. In: Apt for Viols as Voyces, 11 June 2016, St John's Church, Chichester, Sussex. (Unpublished)

Bryan, John (2009) Ayres & Fancies. In: Evening Concerts: Spring 2009, 3 March 2009, University of Sheffield, Firth Hall.

Bryan, John (2009) ‘Ayres & Fancies’: Purcell’s incomparable fantazias, with songs by Dowland & Byrd. In: Ayres & Fancies, 10 February 2009, St. Mary’s Church, Warwick.

Bryan, John (2013) BBC Radio 3 In Tune. [Audio]

Bryan, John (2013) BBC Radio 3 The Early Music Show. [Audio]

Bryan, John (2009) Celebrating Henry Purcell. [Audio]

Bryan, John (2012) Competing, Consenting, Consorting. In: Competing, Consenting, Consorting, 13 July 2012, National Centre for Early Music, York. (Submitted)

Bryan, John (2010) Composed after the Italian vaine. In: Composed after the Italian vaine, 19 February 2010, First Congregational Church, Cambridge, Mass. USA. (Submitted)

Bryan, John (2009) Divisions, Ayres and Fancies. In: Divisions, Ayres and Fancies, 26 November 2009, Queen's University, Belfast. (Submitted)

Bryan, John (2011) The Early Music Show. [Audio]

Bryan, John (2011) An Emerald in a Work of Gold. In: An Emerald in a Work of Gold, 11 June 2011, St John's Church, Chichester, Sussex. (Submitted)

Bryan, John (2012) An Emerald in a Work of Gold. [Audio]

Bryan, John (2012) An Emerald in a Work of Gold: Music from the Dow Partbooks. [Audio]

Bryan, John (2007) English Anthems and Consort Music for Voices and Viols. In: Pan-Pacific Gamba Gathering, 30 July 2007, English Anthems and Consort Music for Voices and Viols. (Submitted)

Bryan, John (2011) Extended Play: Reflections of Heinrich Isaac's Music in Early Tudor England. The Journal of Musicology, 28 (1). pp. 118-141. ISSN 0277-9269

Bryan, John (2007) Four Gentleman of the Chapel Royal. In: Greenwich International Early Music Festival & Exhibition 2007, 10 November 2007, Old Royal Naval College Chapel Greenwich. (Submitted)

Bryan, John (2007) Four Gentleman of the Chapel Royal. In: Pan-Pacific Gamba Gathering, 2 August 2007, Orvis Auditorium, University of Hawaii. (Submitted)

Bryan, John (2008) Four Gentleman of the Chapel Royal. [Audio]

Bryan, John (2009) From Bologna to Britannia. In: From Bologna to Britannia, 25 October 2009, Early Music Colorado Fall Festival, Boulder, USA. (Submitted)

Bryan, John (2013) 'Full of Art, and Profundity': The Five-Part Consort Pavan as a Medium for Sophiosticated Musical Expression and Compositional Cross-Reference in Late Renaissance England' in 'Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries. In: Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries'. Ashgate, Farnham, UK, pp. 203-214. ISBN 9781472411983

Bryan, John (2009) Henry Purcell Fantazias and In Nomines. In: Henry Purcell Fantazias and In Nomines, 6 & 9 October 2009, Abbazia de Maguzzano, Lake Garda, Italy. (Submitted)

Bryan, John (2009) London Street Cries. In: London Street Cries, 09 February 2009, Ripon Cathedral, Ripon.

Bryan, John (2016) Long Live Fair Oriana. In: Long Live Fair Oriana, 8 September 2016, Rathaus, St Veit, Austria: Trigonale Festival. (Unpublished)

Bryan, John (2007) Lullaby, my Sweet Little Baby. In: York Early Music Christmas Festival, 7 December 2007, National Centre for Early Music. (Submitted)

Bryan, John (2008) ‘Lullaby, my sweet little baby’: Elizabethan & Jacobean Music for Christmas. In: Lullaby, my sweet little baby, 4 December 2008, Bunyan Meeting Free Church, Mill Street, Bedford.

Bryan, John (2004) Madame d’Amours – Songs, Dances & Consort Music for the Six Wives of Henry VIII. [Composition]

Bryan, John (2011) Music and Politics in the Life of Cosimo de' Medici. In: Music and Politics in ther Life of Cosimo de' Medici, 26 October 2011, Uffizi Gallery, Florence. (Submitted)

Bryan, John (2016) Music from 16th Century Venice. In: Music from 16th Century Venice, 12 July 2016, Benslow Music, Hitchin, Herts.. (Unpublished)

Bryan, John (2016) Music from Elizabethan Choirboy Dramas. In: Music from Elizabethan Choirboy Dramas, 9 July 2016, St Olave's Church, York: York Early Music Festival. (Unpublished)

Bryan, John (2016) Music from Tudor Partbooks. In: Rose Consort of Viols concert, 18 February 2016, Brunswick Street Methodist Church, Newcastle.

Bryan, John (2011) Musicke to content every humour. In: Musicke to content every humour, 3 December 2011, Holywell Music Room, Oxford. (Submitted)

Bryan, John (2014) Mynstrelles with Straunge Sounds. In: York Early Music Festival, 11 July 2014, St Olave's Church, York.

Bryan, John (2007) Not unlike a confused singing of birds in a grove: An Introduction to the In Nomine. Viol (6). pp. 15-19.

Bryan, John (2007) Perfect and Sweet Harmony. In: Nottingham University Concert Series, 6 December 2007, Djanogly Concert Hall, Lakeside Arts Centre. (Submitted)

Bryan, John Performing Dowland: Dance Music, Songs and 'Lachrimae' Pavans. In: Celebrating John Dowland, 5 May 2013, Auditorium, Fitzwilliam College, University of Cambridge.

Bryan, John (2011) Peter Philips and his Musical Circle. In: Peter Philips and his Musical Circle, 3 March 2011, King's College Chapel, University of Aberdeen. (Submitted)

Bryan, John (2008) Renaissance Choral Music: works by Allegri, Palestrina, and Byrd. [Audio]

Bryan, John (2012) Rose Consort of Viols: 'A European Grand Tour'. In: Christmas Concert : A European Grand Tour, 21 December 2012, National Gallery, London.

Bryan, John (2012) Rose Consort of Viols: 'Fair Britain Isle'. In: Royal Greenwich International Early Music Festival : Fair Britain Isle, 10 November 2012, Old Royal Naval College, London.

Bryan, John (2013) Semana de Musica Religiosa, Cuenca, Spain: Gesualdo and Raval. In: Music by Gesualdo and Raval, 28 March 2013, Semana de Musica Reliugiosa, Cuenca, Spain.

Bryan, John (2014) Serenissima: Music from Renaissance Europe on Venetian Viols. [Audio]

Bryan, John (2004) A Songbook for Isabella: music from the circle of Isabella d’Este. [Composition]

Bryan, John (2012) Songs and Cries by Orlando Gibbons. In: Songs and Cries by Orlando Gibbons, 23 July 2012, Cadagon Hall, London, BBC Proms.

Bryan, John (2008) Songs without Words. In: Inaugural Lecture-Recital: ‘Songs without Words’, 7 Oct 2008, University of Huddersfield, Phipps Concert Hall.

Bryan, John (2007) Songs without Words: Consort Music from the Age of Elizabeth I. In: Lancaster International Concert Series, 29 November 2007, Great Hall, Lancaster University. (Submitted)

Bryan, John (2012) Striggio: Missa Ecco si beato giorno/Tallis Spem in alium. In: Striggio Missa Ecco si beato, 9 July 2012, Tewklesbury Abbey.

Bryan, John (2008) The Swan and the Nightingale. In: Huddersfield Music Society, 6 October 2008, St Paul’s Hall, University of Huddersfield.

Bryan, John (2008) Sweet Delightful Ayres and Sublime Discourses. In: Dartington International Summer School, 29 July 2008, Great Hall, Dartington.

Bryan, John (2012) Teares and Lamentacions: Music for the death of Prince Henry. In: Teares and Lamentacions: music for the death of Prince Henry, 16 June 2012, Church of ST Peter & St Paul, North Curry, Somerset. (Submitted)

Bryan, John (2013) 'Their last foile and polishment': aspects of compositional refinement in the consort dances of Dowland and Holborne. Early Music, 41 (2). pp. 219-237. ISSN 0306-1078

Bryan, John (2016) 'These Distracted Times'. In: These Distracted Times, 7 September 2016, St George am Langsee, Austria: Trigonale Festival. (Unpublished)

Bryan, John (2008) Three Britons in Brussels. In: York Early Music Festival, 8 July 2008, The National Centre for Early Music, York.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Amersham Festival of Music, 8 April 2008, St Mary’s Parish Church, Old Amersham.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Trickling Tears and Ruthless Rage, 14 May 2008, Ottery St Mary Church, Devon.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Gower Festival, 18 July 2008, St Mary’s Church, Rhossili.

Bryan, John (2008) ‘Trickling Tears and Ruthless Rage’: Elizabethan Dramatic Songs, Dances & Fantasias. In: Milverton Concert Society 22nd Series, 12 December 2008, Milverton Paris Church.

Bryan, John (2003) Upon a Bank with Roses. [Composition]

Bryan, John (2013) A Variety of Viols. In: Royal Academy of Music, London, 15 April 2013, Museum, London, UK.

Bryan, John (2008) 'Verie sweete and artificiall': Lorenzo Costa and the earliest viols. Early Music, 36 (1). pp. 3-18. ISSN 03061078

Bryan, John (2013) Vlaamse Radio: Dowland 'Lachrimae' Pavans. [Audio]

Bryan, John (2007) William Byrd and his English precursors. In: Dartington International Summer School, 23 July 2007, The Great Hall, Dartington. (Submitted)

Bryan, John (2007) William Byrd: loyal servant of the Crown and devout Catholic. In: York Early Music Festival, 11 July 2007, The National Centre for Early Music, York. (Submitted)

Bryan, John (2011) The World Tonight. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Adoramus Te: motets, songs and consort music by William Byrd and Peter Phillips. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Byrd Songs. In: Byrd Songs, 9 May 2015, Oude Abdij, Drongen, Belgium.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) The Eclectic English. In: The Eclectic English, 15 July 2014, Little Benslow Hills, Hitchin.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) An Emerald in a Work of Gold: songs and fantasias from the part-books of Robert Dow. In: An Emerald in a Work of Gold, 23 May 2015, Dominican Church, Regensburg, Germany.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Flights of Fancy. In: Flights of Fancy, 6th February 2015, Barber Concert Hall, University of Birmingham.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Mynstrelles with Straunge Sounds: the earliest consort music for viols. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Mynstrelles with Straunge Sounds: the first viols in England. In: Mynstrelles with Straunge Sounds, 11 July 2014, St Olave's Church, York.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Serenissima: music from sixteenth century Italy, France, Germany and England performed on viols after Francesco Linarol. [Audio]

Bryan, John and Bott, Catherine (2007) William Byrd: Loyal Servant of the Crown and Devout Catholic. [Audio]

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Bullett, Maggie (2019) Collective lay support for late-Reformation preaching in the South Pennines. The Journal of Ecclesiastical History. ISSN 1469-7637

Bullett, Margaret (2016) Post-Reformation Preaching in the Pennines: Space, Identity and Affectivity. Doctoral thesis, University of Huddersfield.

Bullett, Margaret (2011) The Reception of the Elizabethan Religious Settlement in Three Yorkshire Parishes, 1559 - 1572. Northern history: a review of the history of the North of England., 48 (2). pp. 225-252. ISSN 0078-172X

Bullman, Lee (2016) Nothing but the truth? Truth, true-crime, genre and 'Blowback'. Doctoral thesis, University of Huddersfield.

Burgess, Kieran (2013) Examining the use of theatrical technologies in creating an immersive Micro-Scene. Masters thesis, University of Huddersfield.

Burrow, Merrick (2013) Conan Doyle's gothic materialism. Nineteenth-Century Contexts, 35 (3). pp. 309-323. ISSN 0890-5495

Burrow, Merrick (2004) Dialectical Fairyland, Cosmic Advertising and the Mimetic Faculty in The Arcades Project. New formations (54). pp. 108-125. ISSN 0950-2378

Burrow, Merrick (2013) The Filth and the Purity: Policing Dirt in Late-Victorian Detective Fiction. Journal of Victorian Culture, 18 (4). pp. 562-564. ISSN 1355-5502

Burrow, Merrick (2016) Healing Victorian Masculinities. Papers on Language and Literature, 52 (2). pp. 198-206. ISSN 0031-1294

Burrow, Merrick (2017) Holmes and the History of Detective Fiction. In: The Cambridge Companion to Sherlock Holmes. Cambridge University Press. (Submitted)

Burrow, Merrick (2013) The Imperial Souvenir: Things and Masculinities in H. Rider Haggard's King Solomon's Mines and Allan Quatermain. Journal of Victorian Culture, 18 (1). pp. 72-92. ISSN 1355-5502

Burrow, Merrick (2012) Oscar Wilde and the Plaistow Matricide: Competing Critiques of Influence in the Formation of Late-Victorian Masculinities. Culture, Society and Masculinities, 4 (2). pp. 133-147. ISSN 1941-5583

Burrow, Merrick (2013) Queer Clubs and Queer Trades: G.K. Chesterton, Homosociality and the City. In: G.K. Chesterton, London and Modernity. Bloomsbury Studies in the City . Bloomsbury, London. ISBN 9781780937069

Burrow, Merrick, Farnell, Gary and Jardine, Mick (2004) 'Construction Site': On Reading Benjamin's Arcades. New formations (54). pp. 7-12. ISSN 0950-2378

Busse, B, McIntyre, D, Nørgaard, N and Toolan, M (2010) John McGahern’s stylistic and narratological art. Lexis, 5. pp. 101-131.

Busse, Beatrix and McIntyre, Dan (2010) Language, literature and stylistics. In: Language and Style. Palgrave, Basingstoke, UK, pp. 3-14. ISBN 9780230231566

Butler, L.A.S. and Morris, Richard K. (1986) The Anglo-Saxon Church. Research Reports (60). Council for British Archaeology, London.

Butler, Philip, Cowgill, Rachel, Duffy, Celia, Hand, Richard J. and Price, Deborah (2006) Multi-Disciplinary Perspectives on the British Library's Archival Sound Recordings Project. Performance Research, 11 (4). pp. 117-126. ISSN 1469-9990

Butterick, Keith J. (2015) Collusion and Complacency: A Critical Introduction to Business and Financial Journalism. Pluto Press, London, UK. ISBN 9780745332031

Butterick, Keith J. (2011) Introducing Public Relations Theory and Practice. SAGE Publications, London. ISBN 9781412921145

Byroms, Richard (2015) William Fairbairn - experimental engineer and mill-builder. Doctoral thesis, University of Huddersfield.

C

Caballero, Ian (2016) Two novel performance pieces intended to explore musicality within gestural mapping and game-data interpretation. Masters thesis, University of Huddersfield.

Callaghan, Leanne (2018) The crisis years of Antioch 1130- 1136; a discussion into the portrayal of Alice of Antioch. Masters thesis, University of Huddersfield.

Callingham, Andrew Edward (2007) Spontaneous music : the first generation British free improvisers. Doctoral thesis, University of Huddersfield.

Calvert, Dave (2014) 'Actual Idiocy' and the Sublime Object of Susan Boyle. In: Žižek and Performance. Palgrave Macmillan, London, pp. 178-195. ISBN 9781137410900

Calvert, Dave (2016) Book Review: Applied Theatre - Aesthetics, edited by Gareth White. New Theatre Quarterly, 32 (2). pp. 199-200. ISSN 0266-464X

Calvert, Dave (2017) Book Review: Disability Theatre and Modern Drama by Kirsty Johnston. New Theatre Quarterly, 33 (1). pp. 92-93. ISSN 0266-464X

Calvert, Dave (2013) Book review: Drama, Disability and Education by Andy Kempe. Research in Drama Education: The Journal of Applied Theatre and Performance, 18 (4). pp. 417-418. ISSN 1356-9783

Calvert, Dave (2012) Carnival of the Mundane: Red Oktober at England’s National Tramway Museum. In: PSi #18, 27th June - 1st July 2012, University of Leeds. (Unpublished)

Calvert, Dave (2012) Carnival of the Mundane: Red Oktober at England’s National Tramway Museum. In: Performance Studies International, 27th June - 1st July 2012, Leeds University, Leeds, UK. (Unpublished)

Calvert, Dave (2016) Disability, care and debility: radically reframing the collaboration between non-disabled and learning disabled theatre makers. In: Disability, Arts and Health, 1st - 2nd September 2016, Bergen, Norway. (Unpublished)

Calvert, Dave (2016) ‘Everything has a fucking value’: Negative Dialectics in the Work of Back to Back Theatre. Contemporary Theatre Review, 26 (2). pp. 134-152. ISSN 1048-6801

Calvert, Dave (2013) From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe. Popular Entertainment Studies, 4 (1). pp. 6-23. ISSN 1837-9303

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2015) Heroism and heroic action in applied and social theatre: a selection of provocations from TaPRA's Applied and Social Theatre working group. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 173-176. ISSN 1356-9783

Calvert, Dave (2014) Heroism as the aesthetic dimension of solidarity. In: TaPRA 2014 Theatre and Performance Research Association, 3rd - 5th September 2014, Royal Holloway, University of London. (Unpublished)

Calvert, Dave (2016) Jokes as performance text: a close reading of Rat Pack banter. Comedy Studies, 7 (1). pp. 38-47. ISSN 2040-610X

Calvert, Dave (2009) Like the Special Olympics? The relationship of research to practice in theatre and learning disability. In: TaPRA Conference 2009, 7th - 9th September 2009, Plymouth University. (Unpublished)

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Calvert, Dave (2015) MASHED and SHAMED: a new approach to the acronym. In: When the writing is on the wall: a discussion of the ecology of research, creativity, impact and value, 9th May 2015, Royal Central School of Speech and Drama. (Unpublished)

Calvert, Dave (2015) Mind the Gap. In: British Theatre Companies: 1995-2014. Bloomsbury, London, UK, pp. 127-154. ISBN 9781408177273

Calvert, Dave (2008) Oh We Do Like To Redefine The Seaside. In: Performing Heritage, 3rd - 5th April 2008, University of Manchester. (Unpublished)

Calvert, Dave (2012) The Rat Pack: Legacy and Influence. In: University of Huddersfield Diamond Jubilee Lecture Series, 6th June 2012, University Campus, Barnsley. (Unpublished)

Calvert, Dave (2009) Re-claiming authority: the past and future of theatre and learning disability. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 75-78. ISSN 1470-112X

Calvert, Dave (2013) ‘Royal Pierrots’ and ‘White Coons’: the British Pierrot Troupe in the Racial and National Imaginary. New Theatre Quarterly, 29 (2). pp. 107-120. ISSN 0266-464X

Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430

Calvert, Dave (2014) ‘A person with some sort of learning disability’: the aetiological narrative and public construction of Susan Boyle. Disability and Society, 29 (1). pp. 101-114. ISSN 0968-7599

Calvert, David Anthony (2013) The rat pack and the British pierrot: negotiations of national identity, alienation and belonging in the aesthetics and influences of concerted troupes in popular entertainment. Masters thesis, University of Huddersfield.

Cambridge, Eric and Morris, Richard K. (1989) Beverley Minster before the early thirteenth century. In: Medieval art and architecture in the East Riding of Yorkshire. British Archaeological Association Conference Transactions (9). British Archaeological Association, London, pp. 9-32. ISBN 978 0 901286 23 9

Cameli, Francesco (2021) Omni and Alga: new DSLs for audio programming and live coding. Masters thesis, University of Huddersfield.

Campbell, Kayleigh A. (2019) Please Alight Here: A collection of poems that explore aspects of life in modern Britain, through the medium of the Northern Rail system. Masters thesis, University of Huddersfield.

Carby, Lucy (2021) An investigation into the development of the baritone saxophone and selected published solo works, from its invention to the 21st century. Masters thesis, University of Huddersfield.

Carlton, Katharine and Thornton, Tim (2011) Illegitimacy and Authority in the North of England, c. 1450-1640. Northern history: a review of the history of the North of England., 48 (1). pp. 23-40. ISSN 0078-172X

Carr, Emily (2019) An exploratory analysis and creative interpretation of female performers in the traditional travelling circus. Masters thesis, University of Huddersfield.

Carrera, Alessandro (2016) The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications. Doctoral thesis, University of Huddersfield.

Carvalhais, Miguel, Tudela, Pedro and Tremblay, Pierre Alexandre (2011) @c - Homem Fantasma. [Audio]

Cassidy, Aaron (2014) APOFIR-REDUX. [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). In: UNSPECIFIED, March 15th 2010, Kings Place, London.

Cassidy, Aaron (2013) Asphyxia for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, October 23 2011, Villa Elisabeth, Berlin, Germany.

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10.

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

Cassidy, Aaron (2009) The Crutch of Memory. In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2016) Gestural Modelling and Compositional Constraints. In: Noise and the Voice: Open master class with composer Aaron Cassidy, 7th-8th March 2016, Norwegian Academy of Music, Norway. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, 2nd December 2015, Colombia University, New York, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Undergraduate Masterclass, 30th November 2015, Harvard University Department of Music, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, September 2015, Royal Melbourne Institute of Technology, Australia. (Unpublished)

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1). ISSN 2317-9694

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 19th May 2015, Northwestern University, Chicago, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 18th May 2015, The University of Chicago, Chicago, USA. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, October 2014, Magdalene College, University of Oxford, UK. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, September 2014, SEGi College, Subang Jaya, Malaysia. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints: the Articulation of Accident as Creative Method. In: Invited Lecture, 1st September 2014, Yong Siew Toh Conservatory, National University of Singapore. (Unpublished)

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, February 18th 2010, Wartesaal, Cologne, Germany.

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, 2nd November 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2015) Imagining a Non-Geometrical Rhythm. In: Imagining a Non-Geometrical Rhythm — Inaugural Professorial Lecture, 23rd March 2015, University of Huddersfield. (Unpublished)

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2014) Noise and the Voice: Exploring the thresholds of vocal transgression. In: performing voice Vokalität im Fokus angewandter Interpretationsforschung, 27th-29th November 2014, Musik-Akademie Basel, Switzerland.

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

Cassidy, Aaron (2008) Portrait Concert. In: Portrait Concert: ELISION Ensemble, 27th July 2008, ABC Ferry Road Studios, Brisbane, Australia.

Cassidy, Aaron (2011) Second String Quartet. In: Ultraschall Festival, 20th-30th January 2011, Berlin, Germany.

Cassidy, Aaron (2010) Second String Quartet. In: Donaueschinger Musiktage, October 16th 2010, Donaueschinger, Germany.

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2011) Second string quartet. In: Extended Play: SONiC Festival, October 16, 2011, Miller Theatre, NY, USA.

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2010) String Quartet. In: International Summer Course for New Music, July 23rd 2010, Darmstadt, Germany.

Cassidy, Aaron (2010) String Quartet. In: New Music Ensemble JACK Quartet Debuts in the Kimmel Center’s Innovation Studio, January 23rd 2010, Kimmel Center, Philadelphia, USA.

Cassidy, Aaron (2009) String Quartet. In: UNSPECIFIED, 14th September 2009, Le Poisson Rouge, New York, USA.

Cassidy, Aaron (2008) String Quartet. In: Festival Internacional Chihuahua 2008, 19th-28th September 2008, Chihuahua, Mexico.

Cassidy, Aaron (2011) String Quartet and Second String Quartet. In: Monday Evening Concerts, 14th February 2011, Los Angeles, USA.

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review, 32 (4). pp. 305-323. ISSN 0749-4467

Cassidy, Aaron (2008) String quartet. In: Festival Internacional Chihuahua 2008 at Festival Internacional Chihuahua 2008, Sunday September 28 2008, Chihuahua, Mexico.

Cassidy, Aaron (2009) [Various]. In: New Music Up Late, 28 February 2009, Brisbane.

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Sendesaal Bremen, June 15th 2010, Bremen, Germany.

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2009) asphyxia. In: World Saxophone Congress XV, 9th July 2009, Bangkok, Thailand.

Cassidy, Aaron (2008) asphyxia. In: UNSPECIFIED, 13th July 2008, Government House, Sydney, Australia.

Cassidy, Aaron (2003) the green is either. [Composition]

Cassidy, Aaron (2011) the green is either. In: UNSPECIFIED.

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) memento/memorial. In: UNSPECIFIED, June 7th 2010, Kings Place, London.

Cassidy, Aaron (2010) memento/memorial. In: Ensemble SurPlus, February 28th 2010, E-Werk, Freiburg, Germany.

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. In: Hear and Now, 18th August 2012, South Bank Centre, Purcell Room, London, UK.

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (2014-16) [ 2 tr solo, cl/bs cl, sax, tbn, elec lap steel gtr, double bass, 5.1 channel electronics ]. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (5.1 channel fixed media). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (electric lap steel guitar and 5.1 channel electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (lap steel & electronics). In: Metropolis New Music Festival 2016: Sacred Cities, 10 May 2016, Melbourne Recital Centre, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries for 5.1 channel electronics. In: The 2016 Alba New Music Festival, Friday 7th – Saturday 8th October 2016, St Giles Cathedral, High Street, Edinburgh.

Cassidy, Aaron (2016) The wreck of former boundaries for electric lap-steel guitar and electronics (2015). In: ELISION Ensemble Concert: The Surface Project, 21st September 2016, RMIT Gallery, RMIT University, Melbourne VIC 3000, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries. In: BIFEM: How Forests Think, 3 September 2016, The Capital, Bendigo VIC 3550, Australia.

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Cassidy, Aaron and Castro, Diego (2015) The Pleats of Matter/The Matter of Pleats. In: The Dark Precursor: International Conference on Deleuze and Artistic Research (DARE 2015), 9th - 11th November 2015, Orpheus Institute, Ghent, Belgium. (Unpublished)

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Cassidy, Aaron, Weeks, James, Harrison, Bryn, Chase, Stephen, Bailie, Joanna, Glover, Richard and Molitor, Claudia (2013) Exposure. [Audio]

Catterall, Stephen (2018) James ‘Jim’Hammond (1907-1980), Miners' Leader. In: Dictionary of Labour Biography. Palgrave Macmillan, pp. 145-159. ISBN 9781137457424

Catterall, Stephen and Gildart, Keith (2019) Did Wigan have a Northern Soul? In: Sounds and the City. Leisure Studies in a Global Era, 2 . Palgrave Macmillan, pp. 369-387. ISBN 9783319940809

Catterall, Stephen and Gildart, Keith (2020) Keeping the Faith: A History of Northern Soul. Manchester University Press, Manchester. ISBN 978-0-7190-9710-2

Cave, Martin, van Eijk, Nico, Prosperetti, Luigi, Collins, Richard, de Streel, Alexandre, Larouche, Pierre and Valletti, Tommaso M. (2009) Statement by European Academics on the Inappropriateness of Imposing Increased Internet Regulation in the EU. SSRN Electronic Journal. ISSN 1556-5068

Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield.

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2015) Michael Chekhov in England: Outside the Magic Circle. In: The Routledge Companion to Michael Chekhov. Routledge, pp. 207-218. ISBN 9780415710183

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2013) Michael Chekhov's Ensemble Feeling. In: Encountering Ensemble. Performance Books . Bloomsbury Methuen, London, UK, pp. 78-93. ISBN 978-1-4081-5200-3

Chamberlain, Franc (2012) “Paper Without a Title”. In: Annual Postgraduate Conference in the Arts, 10th - 12th September 2012, Northampton, UK. (Unpublished)

Chamberlain, Franc (2012) Playing With Awareness/Who's Aware? In: Body and Awareness, 25th - 27th May 2012, University of Zadar, Croatia. (Unpublished)

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2015) Rare Butterflies, Persecution, and Pinball Machines: Environment, Subjectivity, and Society in the Theatre of Arthur Adamov. In: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Methuen Drama. ISBN 9781472506672

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc (2016) Writing improvisation. Theatre, Dance and Performance Training, 7 (2). pp. 318-326. ISSN 1944-3927

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. University of Bucharest Review. Literary and Cultural Studies Series, 14 (1). pp. 6-38. ISSN 2069-8658

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. In: (M)other Nature? Inscriptions, Locations, Revolutions, the 14th Annual Conference of the English Department, Literature and Cultural Studies Section, University of Bucharest, 31st May - 2nd June 2012, Bucharest, Romania. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc, Middleton, Deborah K. and Pla, Daniel (2014) Buddhist Mindfulness and Psychophysical Performance. In: International Symposium for Contemplative Studies, October 30 - November 2 2014, Boston, MA. (Unpublished)

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Chapelhow, Claudia (2020) Eighteenth-Century ‘Historically Inspired Performance’ on the Modern Clarinet. Masters thesis, University of Huddersfield.

Chaplin, Sue (2001) How the sublime comes to matter in Eighteenth Century legal discourse – an irigarayan critique of Hobbes, Locke and Burke. Feminist Legal Studies, 9 (3). pp. 199-220. ISSN 0966-3622

Chaplin, Sue (2000) Memory, imagination and the mother: an irigarayan reading of Charlotte Bronte's villette. In: Body matters : feminism, textuality, corporeality. Manchester University Press, Manchester, pp. 225-233. ISBN 9780719054693

Chaplin, Sue (1999) Terror, transcendence and control in Charlotte Dacre's Zofloya, or the Moor. In: The influence and anxiety of the British romantics: spectres of romanticism. Mellen Studies in Literature: Romantic Reassessment (153). Edwin Mellen, Ceredigion. ISBN 978-0-7734-7999-9

Chapman, Rob (2011) A Critical Review Syd Barrett: A Very Irregular Head. Doctoral thesis, University of Huddersfield.

Chapman, Rob (2008) Dusk Music. Flambard Press, Newcastle upon Tyne. ISBN 978-1-873226-95-7

Chapman, Rob (2008) I Have Seen the Madness in my Area. In: Messing Up The Paintwork: A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May 2008, University of Salford. (Unpublished)

Chapman, Rob (2007) Stream of Consciousmess. In: The Art School Dance: Art into Pop, Pop into Art, 21-22 September 2007, Tate Liverpool. (Unpublished)

Chapman, Rob (2010) Syd Barrett: A Very Irregular Head. Faber and Faber. ISBN 9780571238545

Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Chatfield, Darius Alexander Johnston (2017) Techniques for Virtual Instrument Development. Masters thesis, University of Huddersfield.

Chaudary, Fariha (2013) Hiding and Seeking Identity: The Female Figure in the Novels of Pakistani Female Writers in English: A Feminist Approach. Doctoral thesis, University of Huddersfield.

Chaudhary, Fariha (2009) Femininity And Image Construction. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Cheetham, Andrew J. (2014) The Baroque Concertato in England, 1625–c.1660 Volume I & II. Doctoral thesis, University of Huddersfield.

Chew, Grace (2015) Vietnamese Terms of Address and Person-References: Ideological Change and Stability. Doctoral thesis, University of Huddersfield.

Chippendale, Kerry (2020) In-Yer-Face Theatre: Myth or Movement. Masters thesis, University of Huddersfield.

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

Chorley, Jack (2016) Orwell's Perfect Murder: The Culture of Victorian Crime. Masters thesis, University of Huddersfield.

Christensen, Matilde (2016) 'Use me as your slave!': Masochean masochism in Richard Marsh's The Beetle, Bram Stoker's Dracula, and the Mordern Gothic. Masters thesis, University of Huddersfield.

Christofides, Roger M. (2010) Iago and Equivocation: The Seduction and Damnation of Othello. Early Modern Literary Studies, 15 (1). ISSN 1201-2459

Christofides, Roger M. (2010) The Politics of Language Use in Postcolonial Cyprus: Textual Seduction in the Mediterranean. Interventions: The International Journal of Postcolonial Studies, 12 (3). pp. 415-427. ISSN 1369-801X

Christofides, Roger M. (2012) Shakespeare and the Apocalypse. Continuum Shakespeare Studies . Continuum, London, UK. ISBN 9781441179944

Christofides, Roger M. (2012) Speech and Writing in Cyprus: Language, Identity, and the British Context. In: Islands and Britishness: A Global Perspective. Cambridge Scholars Press, Cambridge, UK, pp. 91-104. ISBN 978-1-4438-3516-9

Clarke, E., Doffman, Mark and Lim, Liza (2013) Distributed Creativity and Ecological Dynamics in Liza Lim’s Tongue of the Invisible. Music and Letters. ISSN 0027-4224

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Clarke, Michael (2012) Analysing Electroacoustic Music: an Interactive Aural Approach. Music Analysis, 31 (3). pp. 347-380. ISSN 0262-5245

Clarke, Michael (2015) Editorial: Fields: journal of Huddersfield student research. Fields: journal of Huddersfield student research, 1 (1). e1. ISSN 2057-0163

Clarke, Michael (2013) Enmeshed 3. [Composition]

Clarke, Michael (2005) Enmeshed I and II. [Composition] (Submitted)

Clarke, Michael (2007) Enmeshed II. [Composition] (Submitted)

Clarke, Michael (2008) Enmeshed IIb. [Composition] (Submitted)

Clarke, Michael (2009) Extending Interactive Aural Analysis: Acousmatic Music. In: Electroacoustic Music Studies Network EMS 09: Heritage and Future, 22nd - 25th June 2009, Buenos Aires, Argentina. (Unpublished)

Clarke, Michael (2006) From Synthia to Calma to Sybil: developing strategies for interactive learning in music. In: Technology Supported Learning and Teaching: a Staff Perspective. Information Science, London, UK, pp. 292-308. ISBN 1-59140-962-4

Clarke, Michael (2006) Jonathan Harvey’s ‘Mortuos Plango, Vivos Voco.’. In: Analytical Methods of Electroacoustic Music. Routledge, London, pp. 111-143. ISBN 9780415976299

Clarke, Michael (2007) Technology and the Spiritual in Jonathan Harvey’s Music. In: Study Day on Jonathan Harvey's Opera 'Wagner Dream', 1 June 2007, Institute of Musical Research, School of Advanced Study, University of London. (Submitted)

Clarke, Michael (2013) Tim(br)e 2. [Composition]

Clarke, Michael (2010) Wind Chimes: An Interactive Aural Analysis. In: Denis Smalley: Polychrome Portraits. Polychrome Portraits . GRM de l'INA (Radio France), Paris, pp. 35-57. ISBN 9782869382114

Clarke, Michael (2007) An interactive aural approach to musical analysis. In: Sixth European Music Analysis Conference, 10-14 October 2007, Freiburg. (Submitted)

Clarke, Michael and Dufeu, Frédéric (2013) An Introduction to the TIAALS software (Tools for Interactive Aural Analysis). In: 4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”, 11th July 2013, Leicester, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis). In: Interactive Music Notation and Representation workshop, 14th International Conference on New Interfaces for Musical Expression (NIME 2014), 30th June 2014, Goldsmiths, University of London, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project. In: Electroacoustic Music Studies Network Conference (EMS15): The Art of Electroacoustic Music, 23rd - 26th June 2015, Sheffield, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) From technological investigation and software emulation to music analysis: an integrated approach to Barry Truax's riverrun. In: the ICMC / SMC 2014 (40th International Computer Music Conference joint with the 11th Sound and Music Computing conference), 14th - 20th September 2014, Athens, Greece.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) The Impact of Technology on the Creative Processes of Composing Electroacoustic Music. In: Royal Musical Association Annual Conference 2013, 19th - 21st September 2013, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Interactive tools for the study of electroacoustic music composition methods: resources for teaching and learning from the TaCEM software. In: Innovative Tools and Methods to Teach Music and Signal Processing Conference, 2nd November 2015, Saint-Étienne, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The Interrelation of Technology and Creativity in the Analysis of Electroacoustic Music: A comparative study of Barry Truax’s Riverrun and Trevor Wishart’s Imago. Musurgia, XXII (1). pp. 27-44. ISSN 2271-1856

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Introducing TaCEM and the TIAALS software. In: 2013 ICMC International Computer Music Conference, 11th - 17th August 2013, Perth, Australia. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music]. In: JAM13, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale, 3rd - 5th April 2013, Rennes, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project. In: Performance Studies Network Fourth International Conference, 14-17th July 2016, Newton Park, Burton Upon Trent. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project. In: Royal Musical Association 50th Annual Conference, 4th - 6th September 2014, Leeds, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The TaCEM Project: Technology and Creativity in Electroacoustic Music. In: Being Human. A festival of the humanities, Humanising Music Technology, 16th November 2015, Kingston University, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) TaCEM: Technology and Creativity in Electroacoustic Music. In: National Association for Music in Higher Education (NAMHE) Annual Conference: Music – Learning – Technology, 5th May 2015, Glasgow, Scotland. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works. In: Ircam Forum Workshop, 25th November 2015, Paris, France.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology. In: EuroMAC2014: Eighth European Music Analysis Conference, 17th - 20th September 2014, Leuven, Belgium. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Towards incorporating computer-aided techniques to interactive aural analysis. In: 1st Conference on Computer Simulation of Musical Creativity, 17-19th June 2016, University of Huddersfield. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project. In: Tracking the Creative Process in Music (TCPM), 10th - 12th October 2013, Montreal, Canada. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Tracking the creative process in Trevor Wishart’s Imago. In: 3rd Tracking the Creative Process in Music conference (TCPM), 8th - 10th October 2015, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 218-223. ISBN 9780984527458

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Working with the TIAALS Software. In: Ircam Forum Workshop, 20th - 22nd November 2013, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977). In: Computer Simulation of Musical Creativity study day, 27th June 2015, Huddersfield, UK. (Unpublished)

Clarke, Michael and Manning, Peter (2009) Valuing Our Heritage: Exploring Spatialisation through Software Emulation of Stockhausen's Oktophonie. International Computer Music Conference Proceedings, 2009. p. 179. ISSN 2223-3881

Clarke, Michael and Manning, Peter (2008) The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound, 13 (3). pp. 177-187. ISSN 13557718

Clarke, Michael and Rodet, Xavier (2003) Real-time FOF and FOG synthesis in MSP and its integration with PSOLA. In: International Computer Music Conference 2003, 29 October - 4 November 2003, Singapore.

Clarke, Michael and Rodet, Xavier (2002) fofb~ and fog~ objects for Max/MSP software and accompanying demonstration/tutorial materials. IRCAM, Paris.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2006) Sybil software. University of Huddersfield, Huddersfield.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2004) Sybil: Synthesis by Interactive Learning. In: International Computer Music Conference 2004, 1-6 November 2004, Miami.

Clarkson, Joshua (2021) AN ATYPICAL NORTHERN TOWN: WHY WAS THE KEIGHLEY INDEPENDENT LABOUR PARTY (ILP) UNABLE TO GAIN AN MP UNTIL 1922? Masters thesis, University of Huddersfield.

Clay, Caroline (2018) Rock, Breath, Skin – An Approach to Training for Performing Land. Masters thesis, University of Huddersfield.

Clewes, Hannah Rachel (2020) The Presentation of Culture and Identity in the Contemporary Film Musical Soundtrack: An Exploration of Moulin Rouge! and Burlesque. Masters thesis, University of Huddersfield.

Cliff, David (1994) Lincoln c. 850-1100 : a study in economic and urban growth. Doctoral thesis, University of Huddersfield.

Coates, Alexander (2018) What was the Significance of Lay Support for the Success of the Military Orders During the Crusades? Masters thesis, University of Huddersfield.

Coates, Bethan (2018) Genii Loci and Ecocriticism from Mythology to Fantasy. Masters thesis, University of Huddersfield.

Coffey, Laura (2009) Evaluations of Masculinity in Women’s Magazines. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Coffey, Laura (2013) “Innocent Until Proven Filthy”: A Corpus-Based Critical Stylistic Analysis Of Representations Of Men In Women’s Magazines. Doctoral thesis, University of Huddersfield.

Coley, Jacob John Timothy (2019) Historical-Poetic Transformations of the Legend of Lucretia and Benjamin Britten’s The Rape of Lucretia. Masters thesis, University of Huddersfield.

Collette, Christine F. and Laybourn, Keith (2003) Modern Britain since 1979: a reader. I. B. Tauris, London, UK. ISBN 9781860645976

Collins, Richard (2012) Accountability, Citizenship and Public Media. In: Routledge Handbook of Media Law. Routledge, pp. 219-233. ISBN 978-0-415-68316-6

Collins, Richard (2012) The Bermuda agreement on telecommunications 1945. Media History, 18 (2). pp. 191-205. ISSN 1368-8804

Collins, Richard (2007) Compulsory loyalty? Accountability, citizenship and the BBC. Civitas - Revista de Ciências Sociais, 7 (2). pp. 81-107. ISSN 1519-6089

Collins, Richard (2011) Content online and the end of public media? The UK, a canary in the coal mine? Media, Culture & Society, 33 (8). pp. 1202-1219. ISSN 0163-4437

Collins, Richard (2009) Die BBC, das Internet und “Public Value”. Aus Politik und Zeitgeschichte (9-10). pp. 32-38.

Collins, Richard (2010) From Public Service Broadcasting to Public Service Communication. In: The Public in Public Service Media. Nordicom, pp. 53-69. ISBN 9789189471948

Collins, Richard (2008) Hierarchy to homeostasis? Hierarchy, markets and networks in UK media and communications governance. Media, Culture & Society, 30 (3). pp. 295-317. ISSN 0163-4437

Collins, Richard (2009) Media in Transition: Social changes, economic upheavals, content developments. In: Lost in Transition: Überlebenstrategien für das private Fernsehen. Vistas, pp. 27-48. ISBN 9783891585047

Collins, Richard (2009) Misrecognitions: Associative and Communalist Visions in EU Media Policy and Regulation. In: Media, Democracy and European Culture. Intellect, pp. 334-361. ISBN 9781841502472

Collins, Richard (2008) Online and legacy media in the UK, Part One: The changing: data and doubts. Economia della Cultura (4). pp. 523-535. ISSN 1122-7885

Collins, Richard (2009) Online and legacy media in the UK. Part Two. A half full or half empty glass? Economia della Cultura (1). pp. 53-68. ISSN 1122-7885

Collins, Richard (2009) Paradigm Found: The Peacock Report and the Genesis of a New Model UK Broadcasting Policy. In: The Peacock Committee and UK Broadcasting Policy. Palgrave, pp. 146-164. ISBN 9780230524743

Collins, Richard (2011) Public Value, the BBC and Humpty Dumpty Words – does Public Value Management Mean What it Says? In: Exporting the Public Value Test. The Regulation of Public Broadcasters’ New Media Services Across Europe. Nordicom, pp. 49-57. ISBN 9789186523268

Collins, Richard (2012) The Reith Mission: Global Telecommunications and The Decline of The British Empire. Historical Journal of Film, Radio and Television, 32 (2). pp. 167-185. ISSN 0143-9685

Collins, Richard (2009) Three Myths of Internet Governance: Making Sense of Networks, Governance and Regulation. Intellect. ISBN 9781841502335

Collins, Richard (2009) Trust and Trustworthiness in the Fourth and Fifth Estates. International Journal of Communication, 3. pp. 61-86. ISSN 1932-8036

Collins, Richard (2008) Trust in the Digital World: The Return of the Kings of Old. Communications & Strategies (71). pp. 57-78. ISSN 1157-8637

Collins, Richard (2008) Vertrauenswürdige Anbieter: Wer bietet verlässliche und vielfältige Informationen in der digitalen Welt, und wie finden Nutzer den Zugang zu diesen Informationen? Unterschiedliche Arten von Anbietern und ihre Funktion für die öffentliche Kommunikation. In: Mehr Vertrauen in Inhalte: Das Potenzial von Ko- und Selbstregulierung in den digitalen Medien. Vistas, pp. 59-90. ISBN 9783891584798

Collins, Richard (2008) e-Governance and the Governance of the Internet. In: e-Governance: Managing or Governing? Routledge eBusiness . Routledge, pp. 53-70. ISBN 9780415965187

Collins, Richard and Armstrong, Chris (2011) Digital turmoil for South African TV. International Journal of Digital Television, 2 (1). pp. 7-29. ISSN 2040-4182

Collins, Richard and Cave, Martin (2013) Media pluralism and the overlapping instruments needed to achieve it. Telecommunications Policy, 37 (4-5). pp. 311-320. ISSN 0308-5961

Collins, Richard and Schulz, Wolfgang (2008) Schlussfolgerungen. In: Mehr Vertrauen in Inhalte: Das Potenzial von Ko- und Selbstregulierung in den digitalen Medien. Vistas, pp. 91-92. ISBN 9783891584798

Colton, Lisa (2005) The Age of Innocence: Chastity and the chanson de nonne in Late Medieval France. In: International Medieval Congress 2005, 11-14 July 2005, University of Leeds. (Submitted)

Colton, Lisa (2016) Angel song: medieval English music in history. Routledge, Abingdon, UK. ISBN 9781472425683

Colton, Lisa (2008) The Articulation of Virginity in the Medieval Chanson de nonne. Journal of the Royal Musical Association, 133 (2). pp. 159-188. ISSN 02690403

Colton, Lisa (2008) Book Reviews. Studies in Musical Theatre, 1 (3). pp. 309-324. ISSN 17503159

Colton, Lisa (2010) Book review: Christopher Page, The Christian West and its Singers. Early Music Performer, 27. pp. 23-24. ISSN 1477-478X

Colton, Lisa (2008) Breaking into song. Early Music, 36 (3). pp. 507-508. ISSN 03061078

Colton, Lisa (2005) Choral Music in York, 1400-1540. In: Mass and Parish in Late Medieval England: The Use of York. Spire Books, Reading, pp. 41-56. ISBN 1904965024

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2011) English Masses at home and abroad. Early Music, 39 (4). pp. 621-623. ISSN 03061078

Colton, Lisa (2010) The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir. Contemporary Music Review, 29 (3). pp. 277-289. ISSN 0749-4467

Colton, Lisa (2014) Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright.The Eton Choirbook: Facsimile and IntroductoryvStudy. Ed. by Magnus Williamson. Songs in British Sources c.1150–1300. Ed. by Helen Deeming. Music and Letters, 95 (4). pp. 648-650. ISSN 0027-4224

Colton, Lisa (2016) Fourteenth-Century Music. Early Music, 44 (1). pp. 165-166. ISSN 0306-1078

Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430

Colton, Lisa (2008) Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England. In: Medieval and Renaissance Music Conference, 24 - 27 July 2008, University of Bangor, Wales. (Submitted)

Colton, Lisa (2011) Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England. Early Music, 39 (3). pp. 315-326. ISSN 03061078

Colton, Lisa (2008) Listening to Hildegard. In: Second Early Music Festival, 8-10 February 2008, University of Leeds. (Submitted)

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2018) Medievalism, music and agency in The Wicker Man (1973). In: Recomposing the Past: Early Music on Stage and Screen. Routledge, Abingdon, UK, pp. 213-228. ISBN 978-1138287471

Colton, Lisa (2009) Music and Identity in Medieval Bury St Edmunds. In: St Edmund, King and Martyr: Changing Images of a Medieval Saint. York Medieval Press, Woodbridge. ISBN 9781903153260

Colton, Lisa (2003) Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12 (1). pp. 71-88. ISSN 09611371

Colton, Lisa (2019) Music in the Margins: Queerness in the Clerical Imagination, 1200–1500. In: The Oxford Handbook of Music and Queerness. Oxford University Press, Oxford, UK. ISBN 9780199793525

Colton, Lisa (2017) Music, text and structure in fourteenth-century English polyphony: the case of Ave miles celestis curie. Early Music. ISSN 0306-1078

Colton, Lisa (2017) Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins. In: Oxford Handbook on Music and Medievalism. Oxford University Press, Oxford. (In Press)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: Text, Music, and Gender in the Office of Saint Ursula. In: International Congress on Medieval Studies, 8-11 May 2008, Western Michigan University, Kalamazoo MI. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: The cult of the Eleven Thousand Virgins in medieval York. In: PMMS Conference 2008: Ave/Eva: Text, Music and Gender in the Middle Ages, 26 April 2008, University of Bristol. (Submitted)

Colton, Lisa (2006) Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96. Early Music, 34 (4). pp. 675-677. ISSN 03061078

Colton, Lisa (2016) Review of Laura Seddon, British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century. Gender and History, 28 (1). pp. 237-238. ISSN 0953-5233

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Colton, Lisa (2018) Song in space and space in song: physical and conceptual boundaries in English devotional music, 1250–1500. In: Devotional Interaction in Medieval England and its Afterlives. Brill, Leiden, Netherlands, pp. 208-238. ISBN 9789004365834

Colton, Lisa (2016) “Sowndys and melodiis”: Perceptions of Sound and Music in Late Medieval England. In: Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, Abingdon, UK, pp. 19-30. ISBN 9781409444398

Colton, Lisa (2014) Sumer is icumen in. Grove Music Online. Oxford Music Online..

Colton, Lisa (2010) A Unique Source of English Tablature from Seventeeth-Century Huddersfield. Music and Letters, 91 (1). pp. 39-50. ISSN 0027-4224

Colton, Lisa (2014) Who's calling? Telephone songs, female vocal empowerment and signfication. In: Lady Gaga and Popular Music: Peforming Gender, Fashion, and Culture. Routledge Studies in Popular Music . Routledge, New York, pp. 67-81. ISBN 9780415824521

Colton, Lisa (2007) The York Masses A Performing Edition. [Composition]

Colton, Lisa (2005) The age of innocence: chastity and the chanson de nonne in the Montpellier Codex. In: Medieval and Renaissance Music Conference, 13-16 July 2005, Centre d’Études Supérieures de la Renaissance, University of Tours, France. (Submitted)

Colton, Lisa (2005) The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005),  60/$110. Early Music, 33 (4). pp. 707-708. ISSN 03061078

Colton, Lisa and Cook, James (2017) Editorial : Facing the Music of Medieval England. Early Music. ISSN 0306-1078

Colton, Lisa and Iddon, Martin (2010) Introduction: Recycling and Innovation in Contemporary Music. Contemporary Music Review, 29 (3). pp. 229-230. ISSN 0749-4467

Colton, Lisa and Shephard, Tim (2016) Makers, Owners and Users of Music Sources Before 1600: Sources of Identity. Epitome musicale . Brepols, Leuven, Belgium. ISBN 9782503567785

Connor-Slater, Poppy (2015) Another Land. Masters thesis, University of Huddersfield.

Conti-Ramsden, Gina, Crutchley, Alison and Botting, Nicola (1997) The Extent to Which Psychometric Tests Differentiate Subgroups of Children With SLI. Journal of Speech, Language, and Hearing Research, 40 (4). pp. 765-777. ISSN 1092-4388

Cook, Alexandra (2015) Human Tissue: An Exploration into How the Gothic and the Vampire Figure Can Be Used for Coping Mechanisms for Trauma. Masters thesis, University of Huddersfield.

Cook, Andrew J. (2020) Britain’s Other D-Day: The Politics of Decimalisation. Doctoral thesis, University of Huddersfield.

Cooper, Martin (2015) Brazil: Modernity and Mobility. Mobility in History, 6. pp. 97-104. ISSN 978-1-78238-814-2

Cooper, Martin (2011) Brazilian Railway Culture. Cambridge Scholars Publishing, Newcastle Upon Tyne. ISBN 978-1-4438-3191-8

Cooper, Martin (2002) Museum review: Brazilian railway heritage in search of an audience. The Journal of Transport History, 23 (2). pp. 184-187. ISSN 0022-5266

Cooper, Martin (2009) Railway Museums in Brazil: State Politics and the Rise of the Volunteer Museum. Journal of the International Association of Transport and Communications Museums, 28 (1). pp. 51-56. ISSN 9783936240245

Cooper, Martin (2011) Re-presenting the railways of São Paulo state, Brazil, through media texts 1865-2003. TsT Revista (21). pp. 172-194. ISSN 1578-5777

Cooper, Martin (2011) The railway in Brazilian fiction: Negotiating modernity, 1888-1980. The Journal of Transport History, 32 (1). pp. 66-82. ISSN 0022-5266

Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504

Coote, Lesley and Thornton, Tim (2001) Merlin, Erceldoune, Nixon : a tradition of popular political prophecy. In: New Medieval Literatures. Oxford University Press, Oxford, pp. 117-137. ISBN 0-19-818738-6

Coote, Lesley and Thornton, Tim (2000) Richard, Son of Richard: Richard III and Political Prophecy. Historical Research, 73 (182). pp. 321-330. ISSN 09503471

Corcoran, Rosemary (2020) Wise Woman/Mad Woman. Masters thesis, University of Huddersfield.

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

Courtier, Benjamin (2017) Analysing the Masculinity of the Knights of the Military Orders: Warrior Monks or Pious Knights? The Developing Identity of the Military Orders. Masters thesis, University of Huddersfield.

Cowgill, Rachel (2012) 'Attitudes with a Shawl': Femininity, Performance, and Spectatorship at the Italian Opera in early nineteenth-century London. In: The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York, pp. 217-251. ISBN 9780195365870

Cowgill, Rachel (2009) Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Novello; Peploe, Mrs. In: Oxford Composer Companions: Haydn. Oxford University Press, Oxford, UK. ISBN 9780199554522

Cowgill, Rachel (2004) Billington, Elizabeth; Stephens, Catherine. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford, UK. ISBN 9780198614111

Cowgill, Rachel (2001) Braham, John; Catalani, Angelica; Corri family; Crouch, Anna Maria; Harrison family; Kelly, Michael; Linley family; Mara, Gertrud Elisabeth; Mozart, Wolfgang Amadeus; Ries, Ferdinand; Singing. In: An Oxford Companion to the Romantic Age: British Culture 1776-1832. Oxford University Press, Oxford, UK. ISBN 9780199245437

Cowgill, Rachel (1999) Burney, Charles; Opera, English. In: The Reader's Guide to Music: History, Theory, Criticism. Fitzroy Dearborn/Routledge, Chicago, USA. ISBN 9781579581435

Cowgill, Rachel (2002) The Business of Music in Late Georgian and Victorian Halifax. Transactions of the Halifax Antiquarian Society, 10. pp. 77-95. ISSN 1351-5705

Cowgill, Rachel (2006) Callas, Maria; Female cross-dressing; Lang, k.d.; Opera; Opera queens; Sutherland, Joan. In: The Routledge International Encyclopaedia of Queer Culture. Routledge, London. ISBN 9780415306515

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Cowgill, Rachel (2005) The Cradle of Music in Ireland, review of Barra Boydell, A History of Music at Christ Church Cathedral, Dublin. Early Music, 33 (3). pp. 514-515. ISSN 03061078

Cowgill, Rachel (2007) Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club. In: Music in the British Provinces, 1690-1914. Ashgate, Aldershot, pp. 87-113. ISBN 9780754631606

Cowgill, Rachel (2007) Elgar's War Requiem. In: Elgar and His World. The Bard Music Festival . Princeton University Press, Princeton, NJ, pp. 317-362. ISBN 9781400832101

Cowgill, Rachel (2009) Germondo and Vittorino: Genre and Politics in the London Reception of Goldoni's Libretti in the 1770s. Problemi di Critica Goldoniana, 14. pp. 231-265. ISSN 1127-2570

Cowgill, Rachel (2006) 'Hence, base intruder, hence': Rejection and Assimilation in the Early English Reception of Mozart's Requiem. In: Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 9-30. ISBN 9780754652083

Cowgill, Rachel (1992) Le nozzi di Figaro voor het voetlicht te London, 1786-1813. Musica Antiqua. pp. 168-177.

Cowgill, Rachel (1998) The London Apollonicon Recitals, 1817-32: A Case Study in Bach, Mozart, and Haydn Reception. Journal of the Royal Musical Association, 123 (2). pp. 190-228. ISSN 0269-0403

Cowgill, Rachel (2006) Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830. In: Operatic Migrations: Transforming Works and Crossing Boundaries. Ashgate, Aldershot, pp. 145-186. ISBN 9780754650980

Cowgill, Rachel (2010) New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflöte. In: Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Boydell & Brewer, Woodbridge, pp. 194-221. ISBN 9781843835677

Cowgill, Rachel (2010) Of Science and Nature: Mozart versus the Modern Bel Canto in early nineteenth-century London. In: Mozart, Marcos Portugal e o seu tempo [Mozart, Marcos Portugal and their Times]. Edições Colibri/Centro de Estudos da Sociologia e Estética Musica, Universidade Nova de Lisboa, Lisbon, pp. 35-51. ISBN 9789727729593

Cowgill, Rachel (2012) On the Beat: The Victorian Policeman as Musician. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, pp. 221-246. ISBN 9781409405832

Cowgill, Rachel (2000) The Papers of C.I. Latrobe: New Light on Musicians, Music, and the Christian Family in Late Eighteenth-Century England. In: Music in Eighteenth-Century Britain. Ashgate, Aldershot, pp. 234-258. ISBN 9781840146882

Cowgill, Rachel (2012) Performance Alfresco: Music-Making in English Pleasure Gardens. In: The Pleasure Garden: From Vauxhall to Coney Island. Penn Studies in Landscape Architecture . University of Pennsylvania Press, Philadelphia, pp. 100-126. ISBN 9780812244380

Cowgill, Rachel (2016) ‘Proofs of Genius’: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London. In: Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. Oxford University Press, New York, pp. 511-549. ISBN 9780199685851

Cowgill, Rachel (1998) Re-Gendering the Libertine; or, The Taming of the Rake: Lucy Vestris as Don Giovanni on the Early Nineteenth-Century London Stage. Cambridge Opera Journal, 10 (1). pp. 45-66. ISSN 0954-5867

Cowgill, Rachel (2002) Review of Brian Robins, The John Marsh Journals: The Life and Times of a Gentleman Composer (1752-1828). Early Music, 30 (3). pp. 470-471. ISSN 0306-1078

Cowgill, Rachel (2001) Savage, Jane; Weichsel, Charles. In: New Grove Dictionary of Music & Musicians. Macmillan, London, UK. ISBN 9780333608005

Cowgill, Rachel (2008) 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London. In: The Opera Orchestra in 18th-and 19th-Century Europe: Vol. II The Orchestra in the Theatre - Composers, Works, and Performance. Musical Life in Europe, 1600-1900: Circulation, Institutions and Representation, 1/2 . Berliner Wissenschafts-Verlag, Berlin, pp. 1-20. ISBN 9783830514886

Cowgill, Rachel (2002) An Unknown Handel Arrangement by Mozart?: The Halifax Judas. Musical Times, 143. pp. 19-36. ISSN 0027-4666

Cowgill, Rachel (2000) 'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London. In: Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford University Press, Oxford, pp. 39-64. ISBN 9780198167303

Cowgill, Rachel (2000) 'The most musical spot for its size in the kingdom': Music in Georgian Halifax. Early Music, 28 (4). pp. 557-575. ISSN 0306-1078

Cowgill, Rachel, Biddle, Ian, Colton, Lisa, Holliday, Ruth and Attinello, Paul (2006) Roundtable: ‘Music and Queer Theory’. In: RMA Research Students' Conference 2006, 4-7 January 2006, School of Music, University of Leeds. (Unpublished)

Cowgill, Rachel, Cooper, David and Brown, Clive (2010) Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Boydell & Brewer, Woodbridge. ISBN 9781843835677

Cowgill, Rachel and Dideriksen, Gabriella (2008) Opera Orchestras in Georgian and Early Victorian London. In: The Opera Orchestra in 18th-and 19th-Century Europe: Vol. I The Orchestra in Society. Berliner Wissenschafts-Verlag, Berlin, pp. 259-321. ISBN 9783830514879

Cowgill, Rachel and Holman, Peter (2007) Music in the British Provinces, 1690-1914. Ashgate, Aldershot. ISBN 9780754631606

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Cowgill, Rachel and Rushton, Julian (2006) Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in 19th-Century Britain . Ashgate, Aldershot. ISBN 9780754652083

Cox, Geoffrey (2011) Connecting hearing to viewing and knowing to feeling: Sound as evocation in non-fiction film with particular reference to No Escape. The Soundtrack, 4 (1). pp. 43-62. ISSN 1751-4193

Cox, Geoffrey (2011) Listen to Nice. In: Politics, Poetics and Practice, New paradigms for theory-practice interchange in creative media production, Department of Media, Canterbury Christ Church University. (Unpublished)

Cox, Geoffrey (2013) Listen to Nice. The New Soundtrack, 3 (2). pp. 89-105. ISSN 2042-8855

Cox, Geoffrey (2010) Live performance in my film, No Escape. In: Cinesonika: Celebrating the Soundtrack, 12-14th November 2010, Simon Frazer University, Surrey Campus, Vancouver, Canada.. (Unpublished)

Cox, Geoffrey (2009) No Escape. [Composition] (Unpublished)

Cox, Geoffrey (2011) No Escape. In: Leeds Film Music Conference, 6-8 September 2011, University of Leeds, Clothworkers Concert Hall.

Cox, Geoffrey (2010) No Escape. In: GEM Days, 27 January 2010, Phipps Hall, University of Huddersfield.

Cox, Geoffrey (2010) A Return to the Future or Forward to the Past? Contemporary Music Review, 29 (3). pp. 251-264. ISSN 0749-4467

Cox, Geoffrey (2014) ‘Sounding and Resounding’. Planting sounds: poetry, feeling, place in Tree People, the story of the Colne Valley Tree Society. In: Music for Audio-Visual Media Conference 2014, 4-6 Sep 2014, University of Leeds. (Unpublished)

Cox, Geoffrey (2015) ‘Sounding and Resounding’. Planting sounds: poetry, feeling, place in Tree People, the story of the Colne Valley Tree Society. In: Sound and the Screen Symposium, 20 Nov 2015, University of West London. (Unpublished)

Cox, Geoffrey (2017) ‘There must be a poetry of sound that none of us knows…’: Early British documentary film and the prefiguring of musique concrète. Organised Sound, 22 (2). pp. 172-186. ISSN 1355-7718

Cox, Geoffrey (2016) ‘There must be a poetry of sound that none of us knows…’ Early British documentary film and the prefiguring of musique concrète. In: Alternative Histories of Electronic Music Conference, 14-16 Apr 2016, The Science Museum Research Centre, Queen’s Gate, London. (Unpublished)

Cox, Geoffrey (2014) Tree People. [Video]

Cox, Geoffrey (2015) Tree People: the story of the Colne Valley Tree Society. [Video]

Cox, Geoffrey and Corner, John (2018) Soundings: documentary film and the listening experience. University of Huddersfield Press, University of Huddersfield. ISBN 978-1-86218-154-0

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Sound, Music and the Moving Image, 10-12 September 2007, Institute of Musical Research, Senate House. (Submitted)

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Interdisciplinary Music Research Conference, 13 October 2007, Roehampton University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Negotiating the Mediascape: Theory and Practice Interchange in Contemporary Media, 2 May 2008, Canterbury Christ Church University. (Submitted)

Cox, Geoffrey and Marley, Keith (2011) Deconstructing Voices. [Show/Exhibition]

Cox, Geoffrey and Marley, Keith (2012) Deconstructing voices at NAWE. In: NAWE Conference, 9th - 11th November 2012, York, UK. (Unpublished)

Cox, Geoffrey and Marley, Keith (2010) A Film About Nice. [Video]

Cox, Geoffrey and Marley, Keith (2011) From Nice to Toxteth. In: i-Docs: an international symposium on interactive documentary, 25th March 2011, The Watershed, University of the West of England, Bristol. (Unpublished)

Cox, Geoffrey and Marley, Keith (2010) Liveness and Documentary Performance. In: Documentary Now!, 15-16th January 2010, Burbeck College, London. (Unpublished)

Cox, Geoffrey and Marley, Keith (2008) Looking and listening. In: CineMusic? Constructing the Film Score. Cambridge Scholars Publishing, Newcastle, pp. 51-68. ISBN 9781847185938

Cox, Geoffrey and Marley, Keith (2011) Nothing but the hours. [Video]

Cox, Geoffrey and Marley, Keith (2009) Performing Documentary. In: MeCCSA Conference, 14th - 16th January 2009, National Media Museum, University of Bradford. (Unpublished)

Cox, Geoffrey and Marley, Keith (2011) Reduced Viewing, Enhanced Listening. In: ¡Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30th January 2011, University of Westminster, 309 Regent Street, London. (Unpublished)

Coxall, Katie- Louise (2018) Eliciting Phonetic Data and Metadata during Linguistic Field Research. Masters thesis, University of Huddersfield.

Crackle, James (2019) Composing the Coda: An Empirical Study Identifying Prototypical Symphonic Sonata-Form Codas in the Works of Haydn, Mozart and Beethoven. Doctoral thesis, University of Huddersfield.

Crichton, Colin (2013) Composing for Instruments and Electronics; a commentary on my recent music. Masters thesis, University of Huddersfield.

Crick, Martin John (1988) To make twelve o'clock at eleven. The history of the social-democratic federation. Doctoral thesis, University of Huddersfield.

Crines, Andrew (2012) Book review: Political Writing: A Guide to the Essentials. Adam Garfinkle. M.E. Sharpe. May 2012. [Web page]

Crines, Andrew (2013) Book review: Whatever Happened To Tory Scotland? David Torrance, Edinburgh University Press, 2012. [Web page]

Crines, Andrew (2012) The Conservatives in Coalition: “How the Tories are opposing Miliband’s Labour Party”. [Web page]

Crines, Andrew (2012) The London Mayoral election will be won by the most effective orator – and this currently favours Boris Johnson. [Web page]

Crines, Andrew (2011) Michael Foot and the Labour Leadership. Cambridge Scholars Publishing. ISBN 9781443831598

Crines, Andrew (2012) Rhetoric and the Advancement of Progressive Neoliberalism. In: 62nd Political Studies Association Annual Conference, 3rd - 5th April 2012, Belfast. (Unpublished)

Crines, Andrew (2013) The Rhetoric of the Coalition: Governing in the National Interest? Representation, 49 (2). pp. 207-218. ISSN 0034-4893

Crines, Andrew (2012) The rhetorical shift in Labour ideology could denote a return of socialist values to British politics. [Web page]

Crines, Andrew and Hayton, Richard (2012) ‘Emotional, logical... credible?’ The Art of Labour Oratory. In: 62nd Political Studies Association Annual Conference, 3rd - 5th April 2012, Belfast. (Unpublished)

Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Crines, Andrew and Laybourn, Keith (2015) The oratory of Aneurin Bevan. In: Labour orators from Bevan to Miliband. Manchester University Press, pp. 14-30. ISBN 9780719089800

Croft, Quinn (2020) Phantasms of the Modern Age: Rewriting the ghost story for the 21st century. Masters thesis, University of Huddersfield.

Cronin, Reece (2018) The Making of a Modern Fingerstyle Album: Exploring Relevant Techniques and Fingerstyle History. Masters thesis, University of Huddersfield.

Crooke, Tom, Gill, Rebecca and Taithe, Bertrand (2010) Evil, Barbarism and Empire: Britain and Abroad, c1830-2000. Palgrave Macmillan, Basingstoke, UK. ISBN 0230241271

Crump, Simon (2002) Monkey's Birthday. Bloomsbury. ISBN 9780747557692

Crump, Simon (2001) My Elvis Blackout. Bloomsbury. ISBN 9780747553762

Crump, Simon (2010) Neverland. Old Street Publishing. ISBN 978-1905847372

Crump, Simon (2006) Twilight Time. Bloomsbury. ISBN 9780747581819

Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7

Crutchley, Alison (2000) Bilingual children in language units: does having 'well-informed' parents make a difference? International Journal of Language & Communication Disorders, 35 (1). pp. 65-81. ISSN 13682822

Crutchley, Alison (1999) Bilingual children with SLI attending language units: getting the bigger picture. Child Language Teaching and Therapy, 15 (3). pp. 201-217. ISSN 0265-6590

Crutchley, Alison (2015) Bilingual compound verbs in children’s Panjabi-English codeswitched narratives. Linguistic Approaches to Bilingualism, 5 (1). pp. 2-29. ISSN 1879-9264

Crutchley, Alison (2007) Comprehension of idiomatic verb + particle constructions in 6- to 11-year-old children. First Language, 27 (3). pp. 203-226. ISSN 0142-7237

Crutchley, Alison (2004) 'If She Had of Shutted the Cage, the Rabbit Wouldn't Escape': Past Counterfactuals Elicited from 6-to 11-Year-Old Children. First Language, 24 (2). pp. 209-240. ISSN 0142-7237

Crutchley, Alison (1999) Professional Attitudes and Experience in Relation to Bilingual Children Attending Language Units. British Educational Research Journal, 25 (3). pp. 371-387. ISSN 01411926

Crutchley, Alison (2013) Structure of child and adult past counterfactuals, and implications for acquisition of the construction. Journal of Child Language, 40 (2). pp. 438-468. ISSN 0305-0009

Crutchley, Alison, Botting, Nicola and Conti-Ramsden, Gina (1997) Bilingualism and specific language impairment in children attending language units. International Journal of Language & Communication Disorders, 32 (2). pp. 267-276. ISSN 13682822

Crutchley, Alison, Conti-Ramsden, Gina and Botting, Nicola (1997) Bilingual Children with Specific Language Impairment and Standardized Assessments: Preliminary Findings from a Study of Children in Language Units. International Journal of Bilingualism, 1 (2). pp. 117-134. ISSN 1367-0069

Csengei, Ildiko (2018) Book Review: NEIL RAMSEY, The Military Memoir and Romantic Literary Culture, 1780-1835 (Farnham: Ashgate, 2011). Romanticism, 23 (1). pp. 110-112. ISSN 1354-991X

Csengei, Ildiko (2017) Book review : Matthew Green, Aftershock: The Untold Story of Surviving Peace. Portobello Books, 2015. British Journal for Military History, 3 (3). pp. 153-154. ISSN 2057-0422

Csengei, Ildiko (2017) “The Fever of Vain Longing:” Emotions of War in Byron’s Childe Harold’s Pilgrimage, Canto III. Romanticism. ISSN 1354-991X (Submitted)

Csengei, Ildiko (2009) Godwin’s Case: Melancholy Mourning in the Empire of Feeling. Studies in Romanticism, 48 (3). pp. 491-519. ISSN 0039-3762

Csengei, Ildiko (2008) ‘I Will Not Weep’: Reading through the Tears of Henry Mackenzie’s Man of Feeling’. Modern Language Review, 103 (4). pp. 952-968. ISSN 0026-7937

Csengei, Ildiko (2008) 'She Fell Senseless on His Corpse': The Woman of Feeling and the Sentimental Swoon in Eighteenth-Century Fiction. Romantic Circles Praxis Series. ISSN 1528-8129

Csengei, Ildiko (2011) Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print . Palgrave Macmillan, Hampshire, UK. ISBN 9780230308442

Csengei, Ildiko (2015) The emotions of war in Romantic Poetry. [Audio]

Cullum, Pat (1992) 'And hir name was Charite': charitable giving by and for women in late Medieval Yorkshire. In: Woman is a worthy wight: women in English society c. 1200-1500. Alan Sutton, Stroud, pp. 182-211. ISBN 9780862998646

Cullum, Pat (2004) Boy/man into clerk/priest: the making of the late medieval clergy. In: Rites of Passage: Cultures of Transition in the Fourteenth Century. Boydell & Brewer, New York, USA, pp. 51-65. ISBN 9781903153154

Cullum, Pat (1999) Clergy, masculinity and trangression in late Medieval England. In: Masculinity in Medieval Europe. Women and men in history . Pearson, Harlow. ISBN 9780582316454

Cullum, Pat (2002) Gendering Charity in late Medieval Hagiography. In: Gender and holiness : men, women and saints in late medieval Eu. Routledge, London, pp. 135-151. ISBN 0415258219

Cullum, Pat (2004) Introduction: holiness and masculinity in Medieval Europe. In: Holiness and Masculinity in the Middle Ages. University of Wales Press, Cardiff, UK, pp. 1-7. ISBN 0-7083-1894-0

Cullum, Pat (2003) Learning to be a Man, Learning to be a Priest, in late Medieval England. In: Learning and literacy in medieval England and abroad. Brepols, Turnhout, Belgium, pp. 135-153. ISBN 2503510760

Cullum, Pat (2003) Life-Cycle and Life-Course in a Clerical and Celibate Milieu: Northern England in the Later Middle Ages. In: Time and Eternity: The Medieval Discourse, International Medieval Research. Brepols, Turnhout, Belgium, pp. 271-282.

Cullum, Pat (2008) Medieval colleges and charity. In: The Late Medieval English College and its context. Boydell & Brewer, Woodbridge, pp. 140-153. ISBN 9781903153222

Cullum, Pat (2007) 'Virginitas' and 'virilitas' in the life and cult of Richard Scrope. In: Richard Scrope: archbishop, rebel, martyr. Shaun Tyas Publishing, Donington, pp. 86-99. ISBN 9781900289849

Cullum, Pat (1996) Vowesses and veiled widows: Medieval female piety in the province of York. Northern history: a review of the history of the North of England., 32. pp. 21-41. ISSN 0078-172X

Cullum, Pat (2004) `Yf lak of charyte be not ower hynderawnce': Margery Kempe, Lynn, and the practice of the spiritual and bodily works of mercy. In: A Companion to the Book of Margery Kempe. Boydell & Brewer, New York, USA, pp. 177-193. ISBN 9781843840305

Cullum, Pat and Goldberg, P.J.P. (1993) Charitable provision in late Medieval York: 'To the Praise of God and the use of the Poor'. Northern history: a review of the history of the North of England., 29. pp. 24-39. ISSN 0078-172X

Cullum, Pat and Lewis, Katherine J. (2004) Holiness and masculinity in the middle ages. University of Wales Press, Wales, UK. ISBN 0-7083-1894-0

Cullum, Pat and Lewis, Katherine J. (2013) Religious Men and Masculine Identity in the Middle Ages. Gender in the Middle Ages, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843838630

Cullum, Patricia (2013) ‘Feasting not fasting: men’s devotion to the Eucharist in the Middle Ages. In: Religious Men and Masculine Identities in the Middle Ages. Gender in the Middle Ages . Boydell and Brewer, Woodbridge. ISBN 9781843838630

Cullum, Patricia (2013) ‘Give me chastity’: Masculinity and attitudes to chastity and celibacy in the Middle Ages. Gender and History, 25 (3). pp. 621-636. ISSN 0953-5233

Cullum, Patricia (2013) My Lord Bishop: Chronicles and the Construction of Episcopal Identity in late medieval England. International journal of regional and local History, 8 (1). pp. 40-53. ISSN 2051-4530

Cully, Eleanor (2016) Composing the Surface. Masters thesis, University of Huddersfield.

Culpeper, Jonathan, Bousfield, Derek and Wichmann, Anne (2003) Impoliteness revisited: with special reference to dynamic and prosodic aspects. Journal of Pragmatics, 35 (10-11). pp. 1545-1579. ISSN 03782166

Culpeper, Jonathan and Demmen, Jane (2011) Nineteenth-century English politeness: Negative politeness, conventional indirect requests and the rise of the individual self. Journal of Historical Pragmatics, 12 (1/2). pp. 49-81. ISSN 1566-5852

Culpeper, Jonathan and Demmen, Jane (2011) The development of play-texts: From manuscript to print. In: Communicating Early English Manuscripts. Studies in English Language . Cambridge University Press, Cambridge, UK, pp. 162-177. ISBN 978-0-521-19329-0

Culpeper, Jonathan, Haugh, Michael and Kádár, Daniel Z. (2017) Introduction. In: The Palgrave Handbook of Linguistic (Im)Politeness. Palgrave Macmillan, pp. 1-8. ISBN 9781137375070

Culpeper, Jonathan, Haugh, Michael and Kádár, Daniel Z. (2017) The Palgrave Handbook of Linguistic (Im) Politeness. Palgrave Macmillan, London, UK. ISBN 9781137375070

Culpeper, Jonathan and Kádár, Daniel Z. (2010) Historical (Im)politeness. :Linguistic Insights, 65 . Peter Lang, Oxford, UK. ISBN 9783039114962

Culpeper, Jonathan and McIntyre, Dan (2010) Activity types and characterisation in dramatic discourse. In: Characters in Fictional Worlds. Revisionen / Grundbegriffe der Literaturtheorie, 3 . De Gruyter. ISBN 9783110232417

Culpeper, Jonathan and McIntyre, Dan (2015) Historical linguistics. In: Exploring Language and Linguistics. Cambridge University Press, Cambridge, pp. 245-273. ISBN 978-1107662506

Cummings, Graham (2009) Admeto and the rival Queens (featured opera Admeto). In: Göttingen International Handel Festival, 29th May 2009, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Belshazzar, a most operatic oratorio. In: Göttingen International Handel Festival, May 2007, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2014) G.F.Handel : Italian Opera : Poro Re dell' Indie. In: The Halle Handel Edition (HHA). Bärenreiter Verlag.

Cummings, Graham (2013) Handel and operatic rivalry in the London season 1733-34. In: Department of Music research seminar, 13th March 2013, University of York. (Unpublished)

Cummings, Graham (2012) Handel and operatic rivalry in the London season 1733-34. In: The Handel Institute Conference : Handel at Court, 24-25th November 2012, The Foundling Museum, London. (Unpublished)

Cummings, Graham (1999) Handel and the Confus'd Shepherdess: a case study of stylistic eclecticism. In: The Handel Institute Conference 1999: Great among the Nations: Handel and National Musical Styles, 20th - 21st November 1999, Kings College, London, UK. (Unpublished)

Cummings, Graham (2011) Handel and the confus'd shepherdess : a case study of stylistic eclecticism. In: Handel. The Baroque Composers . Ashgate, pp. 575-589. ISBN 9780754628859

Cummings, Graham (2005) Handel and the confus'd shepherdess: a case study of stylistic eclecticism. Early Music, 33 (4). pp. 575-590. ISSN 0306-1078

Cummings, Graham (2013) Handel under attack by the opera of the nobility. In: Music Research Forum, 26th November 2013, University of Huddersfield. (Unpublished)

Cummings, Graham (2008) Handel's Concerto Organ in 1735-36. In: British Institute of Organ Studies Conference 2008: The Organ in Stuart and Georgian England: Its Role through change to the Handel Commemoration, 10th - 13th April 2008, Merton College, Oxford, UK. (Unpublished)

Cummings, Graham (1993) Handel's compositional methods in Poro, Rè dell' Indie (1731). In: The Handel Institute Conference 1993: Handel in the 1730s, November 1993, Kings College, London, UK. (Unpublished)

Cummings, Graham (2010) Handel's compositional methods in his London operas of the 1730s and the unusual case of Poro, Re dell' Indie (1731). In: Opera Remade, 1700-1750. Ashgate Library of Essays in Opera Studies . Ashgate, pp. 469-490. ISBN 9780754629009

Cummings, Graham (1998) Handel's compositional methods in the London operas of the 1730s, and the unusual case of 'Poro, Re Dell'Indie' (1731). Music and Letters, 79 (3). pp. 346-367. ISSN 0027-4224

Cummings, Graham (2003) Handel's messiah : the most finished piece of musick. In: Huddersfield Organists Association Event, 25th March 2003, Recital hall, University of Huddersfield. (Unpublished)

Cummings, Graham (2007) Handel's rulers and heroes. In: Göttingen International Handel Festival, May 2007, Rathaus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2010) Handel, Hanover and George I. In: Göttingen International Handel Festival, 23rd May 2010, Holbornsches Haus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2009) Handel, Metastasio and Poro Re dell Indie. [Audio] (Unpublished)

Cummings, Graham (2000) Handel, Telemann and Metastasio, and the Hamburg Cleofida. In: Händel-Jahrbuch. Baerenreiter Verlag, pp. 335-73. ISBN 978-3-7618-1441-3

Cummings, Graham (2013) Handel, the Orient and his opera Siroe, Re di Persia. In: Göttingen International Handel Festival, 10-12th May 2013, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Handel’s Organ Concertos (HWV 290 – 93) and Operatic Rivalry. GFH Journal, 1. pp. 1-29.

Cummings, Graham (2007) Hasse's Neopolitan Cleopatra. In: York Early Music Festival, July 2007, York. (Unpublished)

Cummings, Graham (2010) Johann Hiller and Handel's Messiah. In: Göttingen International Handel Festival, 22nd - 23rd May 2010, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2012) L'Olimpiade : Metastasio and the Olympic Games. In: York early Music Festival, 6-14th July 2012, Mansion House, York. (Unpublished)

Cummings, Graham (1982) The London Performances of Handel's Opera Poro. In: Problems of Händelschen opera (especially the example of Poro) ̈. Convention and meeting reports of the Martin-Luther-University Halle-Wittenberg . Halle (Saale), pp. 62-81.

Cummings, Graham (2007) Lübeck to London: a much travelled fugue subject. In: Händel-Jahrbuch. Bärenreiter, Kassel, pp. 331-345. ISBN 978-3-7618-1447-5

Cummings, Graham (2009) Metastasio transformed in Handel's Poro. In: Purcell, Handel & Literature, 19-21st November 2009, Senate House, University of London. (Unpublished)

Cummings, Graham (2007) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: London Handel Festival, 20th March - 26th April 2007, Royal College of Music, London. (Unpublished)

Cummings, Graham (2006) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: Göttingen International Handel Festival, June 2006, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2006) Metastasio, Handel und Poro, Re dell' Indie. In: Internationale Handel Festspiele Göttingen 2006 : Programme Texte Werkeinführungen. Internationale Händel-Festspiele Göttingen, pp. 78-81.

Cummings, Graham (2008) Operatic rivalry and Handel's organ concertos in the 1734-35 season. In: Music Research Forum, January 2008, University of Huddersfield. (Unpublished)

Cummings, Graham (2008) Orlando or the jealous madness. In: Göttingen International Handel Festival, May 2008, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2009) Pietro Metastasio. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (2006) Poro CD recording: co-production of Göttinger Händel-Gesellschaft and Norddeutscher Rundfunk, made using Dr Cummings’ new score. [Composition] (Submitted)

Cummings, Graham (2009) 'Poro, Rè dell' Indie'. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (1982) Reminiscence and Recall in Three Early Settings of Metastasio's Alessandro nell' Indie. Proceedings of the Royal Musical Association, 109 (1). pp. 80-104. ISSN 0269-0403

Cummings, Graham (1982) Reminiscence and recall in three early settings of Metastasio's Alessandro nell' Indie. In: The Royal Musical Association Conference, November 1982, Kings College, University of London. (Unpublished)

Cummings, Graham (2011) Teseo : Handel's 'Maverick' opera. In: Göttingen International Handel Festival, 12-13th June 2011, Deutsches Theater, Göttingen. (Unpublished)

Cunningham, Penelope (2012) Digital Theatre: Considerations and an Analysis of Live Performance Practice in Second Life. Masters thesis, University of Huddersfield.

D

Daber, Jodie (2009) Trojan Hogs. Masters thesis, University of Huddersfield.

Dahm, Robert (2012) Framing Intention: Perceptual Agency in the Compositional Process of Recent Pieces. Masters thesis, University of Huddersfield.

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Daley-Yates, Sue (2009) An investigation into the efficacy of SmartStart: exploring the impact of pre-sessional support on achievement and retention. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Dalton, Adam (2018) The sub-genres of fantasy literature: Where does ‘metaphysical fantasy’, as exemplified by A J Dalton's novel Empire of the Saviours, sit in relation to traditional ‘high fantasy’ and other second-world sub-genres of fantasy literature? Doctoral thesis, University of Huddersfield.

Dalton, Raymond David (2000) Labour and the municipality : Labour politics in Leeds 1900-1914. Doctoral thesis, University of Huddersfield.

Daly, Andrew (2017) A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. Masters thesis, University of Huddersfield.

Dashwood, Richard (2011) Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. Masters thesis, University of Huddersfield.

Dashwood, Sarah (2020) Gender, Sex, and Execution: The Analysis of Elizabeth Barton (1506-1534) and Anne Askew (1521-1546) Prior to their Executions for Treason. Masters thesis, University of Huddersfield.

Davies, Matt (2008) Oppositions in News Discourse: the ideological construction of us and them in the British press. Doctoral thesis, University of Huddersfield.

Davies, Natalie (2011) Composing with graphic scores and the influence they can have on music, education and the deaf community. Masters thesis, University of Huddersfield.

Davies, Peter J. (1999) 70 activities for tutor groups. Gower, Aldershot. ISBN 978-0-566-08000-5

Davies, Peter J. (2001) Active learning in seminars: humanities. [Teaching Resource]

Davies, Peter J. (2008) Bowling maidens over: 1931 and the beginnings of women's cricket in a Yorkshire town. Sport in History, Volume (Issue). 280 -298. ISSN 1746-0263

Davies, Peter J. (2004) Dangerous Liaisons: Collaboration and World War Two. Longman. ISBN 978-0582772274

Davies, Peter J. (2004) Dangerous liaisons. Pearson Longman, London, pp. 9-29. ISBN 978-0582772274

Davies, Peter J. (2000) France and the Second World War. Introductions to History . Routledge, London. ISBN 0-415-23897-8

Davies, Peter J. (2000) France and the Second World War : occupation, collaboration and resistance. Routledge, London. ISBN 978-0-415-23896-0

Davies, Peter J. (2004) From Magdalen to Merger: a short history of Oxford University Cricket Club. Church in the Market Place Publications, Buxton. ISBN 1899147403

Davies, Peter J. (2004) From Queen’s to Kings: the extraordinary story of an asian cricket club from Halifax. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2003) Home soil: exploring and celebrating the cricket grounds of Halifax and Calderdale. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2005) Jean-Marie Le Pen and anti-semitism. Encyclopedia of Anti-Semitism. ISSN 978-1-85109-439-4

Davies, Peter J. (1993) Napoleon III: progressive or reactionary? Huddersfield Pamphlets in History and Politics. ISSN 0905434404

Davies, Peter J. (1999) The National Front in France. Routledge, London. ISBN 0-415-15866-4

Davies, Peter J. (1996) 'On a gagne!': Jean-Marie Le Pen and the 1995 presidential elections. Contemporary Politics, 2 (2). pp. 43-57. ISSN 1356-9775

Davies, Peter J. (2004) Pennine pitch: a cricketing journey through Huddersfield and South Kirklees. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2003) Practical ideas for enhancing lectures. [Teaching Resource]

Davies, Peter J. (1997) Providence, saviour figures and would-be gods: Prophecy and the French extreme right. In: Prophecy: the power of inspired language in history, 1300 - 2000. Themes in History . Sutton Publishing, Stroud, pp. 181-201. ISBN 0750913320

Davies, Peter J. (2009) Pubs, police stations and post offices: bowling a local community over with a cricket heritage project. Social History in Museums.

Davies, Peter J. (2008) Pubs, police stations and post offices: bowling a local community over with a cricket heritage project. In: Social History Curators Conference, July 2008. (Unpublished)

Davies, Peter J. (2006) Resistance and Secret Operations Executive. In: The International Encyclopedia of Military History. Routledge. ISBN 0415936616

Davies, Peter J. (2006) Various encyclopedia entries on fascism/the far right. In: World Fascism: A Historical Encyclopedia. ABC-Clio. ISBN 13: 9781576079409

Davies, Peter J. (2006) [Various entries]. In: World Fascism: A Historical Encyclopedia. ABC-CLIO, Oxford. ISBN 978-1-57607-940-9

Davies, Peter J. (2006) The debate on the French Revolution. Issues in Historiography . Manchester University Press, Manchester. ISBN 0 7190 7177 5

Davies, Peter J. (2002) The extreme right in France, 1789 to the present. Routledge, London. ISBN 0-415-23982-6

Davies, Peter J. (1993) The political symbolism of Joan of Arc in front national discourse. Politics, 13 (2). pp. 10-17. ISSN 02633957

Davies, Peter J. (2004) www.ckcricketheritage.org.uk. [Web page]

Davies, Peter J., Conneelly, Janet, Davies, Rhys and Lynch, Derek (2000) Imaginative ideas for teaching and learning. In: The Practice of University History Teaching. Manchester University Press, Manchester, pp. 112-124. ISBN 9780719054921

Davies, Peter J., Davies, Rhys and Lynch, Derek (2002) Enlivening secondary history: 40 classroom activities for teachers and pupils. Routledge, London. ISBN 9780415253499

Davies, Peter J. and Jackson, Paul (2008) The far right in Europe: an encyclopedia. Greenwood, Oxford. ISBN 978-1-84645-003-7

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - Calderdale. Sigma, Newbury. ISBN 1-905291-04-3

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - North Kirklees. Sigma, Newbury. ISBN 1-905291-05-1

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - South Kirklees. Sigma, Newbury. ISBN 1-905291-06-X

Davies, Peter J. and Light, Rob (2005) The development of cricket in Kirklees c.1700-2000: an overview. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. and Lynch, Derek (2002) The Routledge companion to fascism and the far right. Routledge, London. ISBN 0-415-21494-7

De Vos, Zegar (2017) Narrative through texture: shaping sound through abstract painting in my practice of ambient music. Masters thesis, University of Huddersfield.

Deegan, Alison and Foard, Glenn (2008) Mapping Ancient Landscapes in Northamptonshire. English Heritage, London, UK. ISBN 1905624425

Demmen, Jane (2014) Book review: Michaela Mahlberg. Corpus stylistics and Dickens’s fiction. Functions of Language, 21 (2). pp. 248-258. ISSN 0929-998X

Demmen, Jane, Semino, Elena, Demjen, Zofia, Koller, Veronika, Hardie, Andrew, Rayson, Paul and Payne, Sheila (2015) A computer-assisted study of the use of Violence metaphors for cancer and end of life by patients, family carers and health professionals. International Journal of Corpus Linguistics, 20 (2). pp. 205-231. ISSN 1384-6655

Dey, Ayesha R. (2019) Contemporary Action Heroines: The Quest for Emancipation from The Male Gaze. Masters thesis, University of Huddersfield.

Dickson, Brian (2011) Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. Masters thesis, University of Huddersfield.

Diggle, Nicole (2017) To What Extent Does the Debate Over Vestments Represent the Wider Tensions in the Elizabethan Era Regarding the Nature of Reformed Religion? Masters thesis, University of Huddersfield.

Dix, Alan, Bashford, Christina, Cowgill, Rachel, McVeigh, Simon and Ridgewell, Rupert (2016) Spreadsheets as User Interfaces. In: Proceedings of AVI 2016 (the International Working Conference on Advanced Visual Interfaces), 7-10 June 2016. ACM, Italy: Bari, pp. 192-195. ISBN 978-1-4503-4131-8

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Dobson, Elizabeth (2006) Book review: The Creative College: Building a Successful Learning Culture in the Arts, G. Jeffery (Ed.). Thinking Skills and Creativity, 1 (2). pp. 156-157. ISSN 1871-1871

Dobson, Elizabeth (2009) Interdisciplinary collaboration and studio based music composers in Higher Education: a longitudinal case study of practice and discussion of emerging themes. In: Collaborative Processes in Music Making: Pedagogy and Practice, 11 November 2009, Department of Music and Recording, University of Surrey. (Unpublished)

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Dobson, Elizabeth (2006) Research on music composition: Issues of creativity and collaboration. In: Centre for Excellence in Teaching and Learning: Teaching, learning and performing music conference, 1 July 2006, Royal Northern College of Music, Manchester, UK. (Unpublished)

Dobson, Elizabeth (2009) Serious Misunderstandings: Challenging the Educational and Creative Value of Collaboration for Music Technology Undergraduates. In: Forum for Innovation in Music Production and Composition (FIMPaC), 20 February 2009, Leeds College of Music. (Unpublished)

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Dockray, Keith and Laybourn, Keith (1999) Introduction: D.G. Wright (1937 - 95). In: The representation and reality of war, the British experience: essays in honour of David Wright. Sutton Publishing, Stroud, pp. 1-15. ISBN 0750918616

Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.

Dodd, Lindsey (2016) French Children under the Allied Bombs, 1940-45: An Oral History. Manchester University Press, Manchester. ISBN 978-0719097041

Dodd, Lindsey (2013) It did not traumatise me at all: childhood ‘trauma’ in French oral narratives of wartime bombing. Oral History, 41 (2). pp. 37-48. ISSN 0143-0955

Dodd, Lindsey (2013) La ville éventrée; or, how bombing turned the city inside out. In: The Blitz and its Legacy: Wartime Destruction to Post-war Reconstruction. Ashgate, Farnham, pp. 17-30. ISBN 9781409436980

Dodd, Lindsey (2009) ‘Partez Partez’, Again And Again: The Efficacy of Evacuation as a Means of Protecting Children from Bombing in France 1939-45. Children in War: The International Journal of Evacuee and War Child Studies, 1 (6). pp. 7-20. ISSN 1745-7211

Dodd, Lindsey (2015) Raconter les bombardements: interprétations, expériences, mémoires. In: Récits de Guerre France-Italie : Débarquement en Normandie et Ligne gothique en Toscane. Editions Indigo & Côté-femmes, pp. 159-172. ISBN 978-2352601265

Dodd, Lindsey (2011) Relieving Sorrow and Misfortune'? State, Charity, Ideology and Aid in Bombed-out France. In: Bombing, States and Peoples in Western Europe 1940-1945. Continuum, London, pp. 75-98. ISBN 9781441185686

Dodd, Lindsey (2013) Small fish, big pond: using a single oral narrative to reveal broader social change. In: Memory and History: Understanding Memory as Source and Subject. Routledge Guides to Using Historical Sources . Routledge, Abingdon, pp. 34-49. ISBN 9780415677110

Dodd, Lindsey and Knapp, Andrew (2008) 'How many Frenchmen did you kill?' British bombing policy towards France (1940-1945). French History, 22 (4). pp. 469-492. ISSN 0269-1191

Dodd, Lindsey and Wiggam, Marc (2011) Civil Defence as a Harbinger of War in France and Britain during the Interwar Period. Synergies Royaume Uni et Irlande (4). pp. 139-150. ISSN 1961-9464

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

Donnelly, Siobhan (2016) The man who disappeared: exploring dementia in short fiction. Masters thesis, University of Huddersfield.

Dorril, Stephen (2007) Agent BIN 1120 - MI6 and Fleet Street. In: Spooked: Cultures Of Intelligence In Britain, 1945-2007, 12th May 2007, Warwick University. (Unpublished)

Dorril, Stephen (2008) Archive Hour: The King and Dr Cannon. [Audio]

Dorril, Stephen (2007) Blackshirt: Sir Oswald Mosley and British Fascism. Penguin/Viking, London, UK. ISBN 9780140258219

Dorril, Stephen (2010) A Critical Review: MI6: Fifty years of special operations. Doctoral thesis, University of Huddersfield.

Dorril, Stephen (2002) MI6 Inside the Covert World of Her Majesty's Secret Intelligence Service. Simon & Schuster, New York, USA. ISBN 9780743217781

Dorril, Stephen (2000) MI6: Fifty Years of Special Operations. Fourth Estate, London. ISBN 9781857020939

Dorril, Stephen (2016) Mosley, Sir Oswald (1896-1980). In: The Wiley-Blackwell Encyclopedia of Race, Ethnicity and Nationalism. Wiley-Blackwell, London, UK. ISBN 978-1405189781

Dorril, Stephen (2015) "Russia Accuses Fleet Street": Journalists and MI6 during the Cold War. The International Journal of Press/Politics, 20 (2). pp. 204-227. ISSN 1940-1612

Dorril, Stephen (1993) The Silent Conspiracy: The Intelligence Services in the 1990s. William Heinemann, London. ISBN 9780434201624

Dorril, Stephen (2006) Sir Oswald Mosley and British Fascism. Viking, London, UK. ISBN 0670869996

Dorril, Stephen (2007) Sir Oswald Mosley and the New Movement. In: Oswald Mosley's New Party Conference, 18th September 2007, Reading University. (Unpublished)

Dorril, Stephen (2004) Spies and Lies. In: Tell Me Lies: Propaganda and Media Distortion in the Attack on Iraq. Pluto Press, London, pp. 108-114. ISBN 0745322018

Dorril, Stephen (2008) The truth about MI6. The Daily Express.

Dorril, Stephen and Ramsay, Robin (1992) Smear: Wilson and the Secret State. Grafton HarperCollins Publishers. ISBN 9780586217139

Dow, Todd (2021) The Migration of Mod: Analysing the Mod Subculture in the North of England. Masters thesis, University of Huddersfield.

Doyle, Barry M. (2005) Book Review: Ideology, Discourse, and Locality: New Histories of Urban Public Health. Journal of Urban History, 31 (2). pp. 241-248. ISSN 0096-1442

Doyle, Barry M. (2003) Broadcasting. In: Reader's Guide to British History. Routledge, New York. ISBN 1579582427

Doyle, Barry M. (1994) 'Business, Liberalism and dissent in Norwich, 1900-1930'. Baptist Quarterly, XXXV (5). ISSN 0005- 576X

Doyle, Barry M. (1995) Class, Gender and Congregational Culture in Early Twentieth Century Norwich. Journal of the United Reformed Church Historical Society, 5 (6). pp. 317-335. ISSN 0049-5433

Doyle, Barry M. (2007) Competition and Cooperation in Hospital Provision in Middlesbrough, 1918-48. Medical History, 51 (3). pp. 337-356. ISSN 0025-7273

Doyle, Barry M. (1995) Conference Report: The Urban History Group, Edinburgh, 30/31 March 1995. Urban history, 22 (2). pp. 272-275. ISSN 0963-9268

Doyle, Barry M. (2007) Corus – Men of Steel. In: Middlesbrough and Teesside Memories. True North Books Ltd, Halifax. ISBN 9781903204979

Doyle, Barry M. (2012) A Crisis of Urban Conservatism? Politics and Organisation in Edwardian Norwich. Parliamentary History, 31 (3). pp. 396-418. ISSN 0264-2824

Doyle, Barry M. (2009) A Decade of Urban History: The Historical Urban Studies Series. Urban history, 36 (3). pp. 498-512. ISSN 0963-9268

Doyle, Barry M. (1996) Education and the Liberal rank and file in Edwardian England: The case of Sir George White. Liberal Democrat History Group Newsletter (12). pp. 7-9. ISSN 1479-9642

Doyle, Barry M. (2018) English First Aid Organisations and the Provisional IRA Mainland Bombing Campaign of 1974. The historian (136). ISSN 0265-1076

Doyle, Barry M. (2003) The Geography of Cinema Going in Great Britain, 1934-94: A Comment. Historical Journal of Film, Radio, and Television, 23 (1). pp. 59-71. ISSN 0143-9685

Doyle, Barry M. (1998) H.G. Wells’ Time Machine then and now. London Magazine. ISSN 0024-6085

Doyle, Barry M. (2016) Healthcare before Welfare States: Hospitals in Early Twentieth Century England and France. Canadian Bulletin of Medical History, 33 (1). pp. 174-204. ISSN 0823-2105

Doyle, Barry M. (2007) Introduction: Urban Politics and Space in the Nineteenth and Twentieth Centuries: Regional Perspectives. In: Urban Politics and Space in the Nineteenth and Twentieth Centuries: Regional Perspectives. Cambridge Scholars Press, Newcastle, pp. 1-29. ISBN 9781847182920

Doyle, Barry M. (2016) ‘La prise en charge médicale des victimes d’accidents industriels, sa gestion et son financement en Angleterre, 1860-1914’ [‘Managing, funding and caring for industrial accidents in late nineteenth century England’]. In: Risques et accidents industriels (fin XVIIe -­ fin XIXe siècle). Presses Universitaires de Rennes, Rennes, France, pp. 207-226. ISBN 978-2-75354999-9

Doyle, Barry M. (2010) Labour and hospitals in three Yorkshire towns: Middlesbrough, Leeds, Sheffield, 1919-1938. Social History of Medicine, 23 (2). pp. 374-392. ISSN 0951-631X

Doyle, Barry M. (2010) Managing and contesting industrial pollution in Middlesbrough, 1880-1940. Northern history: a review of the history of the North of England., 47 (1). pp. 135-154. ISSN 0078-172X

Doyle, Barry M. (2001) Mapping slums in an historic city: representing working class communities in Edwardian Norwich. Planning Perspectives, 16 (1). pp. 47-65. ISSN 0266-5433

Doyle, Barry M. (1999) McKenna, Reginald. In: The Dictionary of Liberal Biography. Methuen, London. ISBN 9781902301099

Doyle, Barry M. (1998) Modernity or morality? George White, Liberalism and the Nonconformist Conscience in Edwardian England. Historical Research, 71 (176). pp. 324-340. ISSN 0951-3471

Doyle, Barry M. (2005) More than a dance hall, more a way of life: Northern Soul, masculinity and working Class culture in 1970s Britain. In: Between Marx and Coca-Cola. Youth Cultures in Changing European Societies, 1960-1980. Berghahn Books, Oxford, pp. 313-327. ISBN 9781845453336

Doyle, Barry M. (1996) New Labour, old “New Liberalism”? History today, 46 (7). pp. 5-8. ISSN 0018-2753

Doyle, Barry M. (1990) Parks and gardens in the nineteenth century. In: Gardens in Norfolk, 1550-1900. University of East Anglia Centre of East Anglian Studies, Norwich, pp. 40-50. ISBN 9780906219287

Doyle, Barry M. (2014) The Politics of Hospital Provision in Early Twentieth Century Britain. Studies for the Society for the Social History of Medicine . Pickering and Chatto, London. ISBN 9781848934337

Doyle, Barry M. (2004) Politics, 1830-1945. In: Norwich since 1550. Hambledon & London, London, pp. 343-360. ISBN 9781852854508

Doyle, Barry M. (2007) Power and Accountability in the Voluntary Hospitals of Middlesbrough, 1900-1948. In: Medicine, Charity and Mutual Aid: The Consumption of Health and Welfare, c.1550-1950. Historical Urban Studies Series . Ashgate, Aldershot, pp. 207-224. ISBN 9780754651482

Doyle, Barry M. (2007) Rehabilitating the retailer: Shopkeepers in urban government 1900-1950. In: In Control of the City: Local Elites and the Dynamics of Urban Politics, 1800-1960. Groningen Studies in Cultural Change (28). Peeters Publishers, Leuven, pp. 41-52. ISBN 9789042919419

Doyle, Barry M. (1997) Religion, politics and remembrance: A free church community and its Great War dead. In: War and Memory in the Twentieth Century. Berg Publishers, Oxford, pp. 223-238. ISBN 9781859731994

Doyle, Barry M. (1998) Research in Urban History: A review of Recent Theses. Urban history, 25 (2). pp. 244-257. ISSN 0963-9268

Doyle, Barry M. (1999) Research in Urban History: A review of Recent Theses. Urban history, 26 (2). pp. 273-288. ISSN 0963-9268

Doyle, Barry M. (2000) Research in Urban History: A review of Recent Theses. Urban history, 27 (2). pp. 283-291. ISSN 0963-9268

Doyle, Barry M. (2001) Research in Urban History: A review of Recent Theses. Urban history, 28 (2). pp. 292-302. ISSN 0963-9268

Doyle, Barry M. (1997) Research in urban history: a review of recent theses. Urban history, 24 (2). pp. 242-255. ISSN 0963-9268

Doyle, Barry M. (1998) Return of the Super-Cinema. History today, 48 (2). pp. 2-5. ISSN 0018-2753

Doyle, Barry M. (2004) Sir George White M.P., 1840-1912. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Doyle, Barry M. (1996) Temperance and modernity: The impact of local experience on rank and file Liberal attitudes to alcohol. The Journal of Regional and Local Studies, 16 (2). pp. 1-10. ISSN 0265-7325

Doyle, Barry M. (1996) "Through the windows of a Baptist Meeting House": Religion, politics and the Nonconformist Conscience in the life of Sir George White, M.P. Baptist Quarterly, XXXVI (6). ISSN 0005-576X

Doyle, Barry M. (1995) 'Urban Liberalism and the "Lost Generation": Politics and middle-class culture in Norwich, 1900-1935'. Historical Journal, 38 (3). pp. 617-634. ISSN 0018-246X

Doyle, Barry M. (2001) Voluntary hospital finance in North-east England: the case of North Ormesby Hospital, Middlesbrough, 1900-1947. Cleveland History (80). pp. 5-19. ISSN 0966-0704

Doyle, Barry M. (2001) Voluntary hospitals in Edwardian Middlesbrough: A preliminary report. North East History, 34. pp. 5-34. ISSN 1474-3248

Doyle, Barry M. (1994) 'Who paid the price of patriotism? The funding of Charles Stanton during the Merthyr Boroughs by-election of 1915'. English Historical Review, CIX (434). pp. 1215-1222. ISSN 0013-8266

Doyle, Barry M. (2001) The changing functions of urban government: Councillors, officials and pressure groups, 1835-1950. In: The Cambridge Urban History of Britain. The Cambridge Urban History of Britain, 3 (184 . Cambridge University Press, Cambridge, pp. 287-313. ISBN 9780521417075

Doyle, Barry M. (1998) A conflict of interests? The local and national dimensions of middle class Liberalism, 1900-1935. Parliamentary History, 17 (1). pp. 131-140. ISSN 0264-2824

Doyle, Barry M. (1997) The development of the Norwich Chamber of Commerce, 1896-1930. Norfolk Archaeology, 42 (4). pp. 468-480. ISSN 0142-7962

Doyle, Barry M. (2012) The economics, culture and politics of hospital contributory schemes: The case of inter war Leeds. Labour History Review, 77 (3). pp. 289-315. ISSN 0961-5652

Doyle, Barry M. (2002) A history of hospitals in Middlesbrough. South Tees NHS Hospitals Trust, Middlesbrough. ISBN 0952881489

Doyle, Barry M. (1990) The kitchen garden in Norfolk. In: Gardens in Norfolk, 1550-1900. University of East Anglia Centre of East Anglian Studies, Norwich, pp. 51-61. ISBN 9780906219287

Doyle, Barry M. (1998) “The only fair policy to adopt”: Responses to manpower problems and conscription within the Norwich business community, 1914-15. Journal of regional and local studies, 18 (1). pp. 1-10. ISSN 0265-7325

Doyle, Barry M. (2008) The rank and file and the Liberal government 'crisis' of 1912: a note. Journal of Liberal History (59).

Doyle, Barry M. (1997) The structure of elite power in the early twentieth century city: Norwich 1900-1935. Urban history, 24 (2). pp. 179-199. ISSN 0963-9268

Doyle, Barry M. and Hayes, Nick (2013) Eggs, rags and whist drives: popular munificence and the development of provincial medical voluntarism between the wars. Historical Research, 86 (234). pp. 712-740. ISSN 1468-2281

Doyle, Barry M. and McElligott, Anthony (2011) The Rise and Fall of European Municipal Power since 1800. International Journal of Regional and Local Studies, 7 (1 & 2). pp. 8-35. ISSN 1750-0478

Drapan, Michael (2019) Home from Home: The history of an émigré Ukrainian community based in the heart of Yorkshire – Huddersfield, 1948-2018. Masters thesis, University of Huddersfield.

Drew, Paul and Holt, Elizabeth (1998) Figures of speech: Figurative expressions and the management of topic transition in conversation. Language in society, 27 (4). pp. 495-522. ISSN 0047-4045

Droljc, Tadej (2018) COMPOSING WITH ISOMORPHIC AUDIOVISUAL GESTALTS. Doctoral thesis, University of Huddersfield.

Duckett, Charlotte Daisy (2021) A Critical Edition of Arie, scherzi e madrigali a una e due voci by Giovanni Pietro Bucchianti (1608-1627). Masters thesis, University of Huddersfield.

Dufeu, Frédéric (2011) Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider. In: 7th European Music Analysis Conference (VII EUROMAC), 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Dufeu, Frédéric (2013) Comment développer des outils généraux pour l’étude des instruments de musique numériques ? Un prototype en JavaScript pour l’investigation de programmes Max [How to Develop General Tools for the Study of Digital Musical Instruments? A JavaScript protoype for the investigation of Max programs]. Revue Francophone d’Informatique Musicale (3).

Dufeu, Frédéric (2013) De l’outil d’expression musicale à l’environnement d’analyse musicologique, la segmentation comme principe d’articulation [From the tool for musical expression to the environment for musical analysis, segmentation as a principle for articulation]. In: Analyse par segmentation des musiques électroacoustiques seminar, 21st January 2013, Saint-Etienne, France. (Unpublished)

Dufeu, Frédéric (2011) Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési. In: Electroacoustic Music Studies Network EMS11, Sforzando!, 14th - 18th June 2011, New York, New York, USA. (Unpublished)

Dufeu, Frédéric (2010) Entre composition et improvisation : analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: "Analyze Improvisation" Colloquium, 12th February 2010, Paris, France. (Unpublished)

Dufeu, Frédéric (2015) Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: Penser l’improvisation. Culture et cognition musicale . Éditions Delatour France, Sampzon. ISBN 9782752102485

Dufeu, Frédéric (2013) L’instrument improvisé. Perspectives ouvertes par les technologies pour la constitution du dispositif de jeu dans le temps de la performance [The improvised instrument. Perspectives opened up by technology for the constitution of playing devices in performance time]. In: Les caprices de l’improvisation dans la musique [The vagaries of improvisation in art music] savante #2 seminar,, 21st March 2013, Paris, France. (Unpublished)

Dufeu, Frédéric (2010) L’instrument numérique comme objet d’analyse des musiques mixtes. In: Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Dufeu, Frédéric (2009) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des oeuvres. In: La forme dialogique des écrits d’artistes : les correspondances seminar, 23rd October 2009, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres. In: Correspondances d'artistes:du brouillon à la lettre ouverte. Mot et le reste. ISBN 978-2-36054-060-0

Dufeu, Frédéric (2013) Mémoires numériques et comportements instrumentaux : quels dialogues entre le musicien et la machine? [Digital Memories And Instrumental Behaviours: Dialogues between musicians and machines]. In: Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Les presses du réel, pp. 105-113. ISBN 9782952235556

Dufeu, Frédéric (2012) Partitions virtuelles et nouvelles lutheries. Questions d’interprétation dans l’œuvre électroacoustique de Philippe Manoury. In: Manifeste Festival 2012, 1st June - 1st July 2012, Paris, France. (Unpublished)

Dufeu, Frédéric (2008) Temps réel et temps différé dans l’instrument de musique numérique. In: EMS08 - Electroacoustic Music Studies - Conference Theme: Musique concrète - 60 years later, 3rd - 7th June 2008, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) Une interface graphique de manipulation d'unités modulaires dans SuperCollider. In: Proceedings of JIM2012 (Journées d’Informatique Musicale). Numediart, pp. 123-132.

Dufeu, Frédéric (2016) A permissive graphical patcher for supercollider synths. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 134-139. ISBN 9780984527458

Dufeu, Frédéric and Bonardi, Alain (2014) Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Dufeu, Frédéric and Rabin, Julien (2016) De l’improvisation collective à son redéploiement électroacoustique : From collective improvisation to electroacoustic redeployment. In: L'Improvisation musicale collective : collective music improvisation. L'Harmattan. ISBN 978-2-343-07966-0

Dufeu, Frédéric and Rabin, Julien (2016) Les pratiques musicales provoquées par le numérique : quelles ruptures pour l’acte de creation? : The musical practices provoked by the digital: what breaks for the act of creation? In: Défier la décence Crise du sens et nouveaux visages du scandale dans l'art : Challenging decency Crisis of meaning and new faces of scandal in art. Artois Presses Université. ISBN 9782848322261

Dufeu, Frédéric and Roux, Sébastien (2010) L’environnement sonore recomposant l’espace d’écoute. Localisations et déplacements dans l’œuvre musicale de Sébastien Roux. Filigrane (12). ISSN 2261-7922

Dukali, Aisha Ali (2016) Difficulties Encountered by Libyan University Students of English as a Foreign Language in the Use of Lexical Collocations. Doctoral thesis, University of Huddersfield.

Dunn, Lawrence (2019) Melody by way of itself: Compositions 2015-17. Doctoral thesis, University of Huddersfield.

Dunne, Shawni (2018) THE GAPS BETWEEN: MATERNAL AMBIVALENCE, INTERGENERATIONAL TRAUMA, AND THE CONTEMPORARY CHICK NOIR NOVEL. Doctoral thesis, University of Huddersfield.

d'Escrivan, Julio (2011) Anotaciones sobre Interactividad entre las artes del sonido y la performance audiovisual, partiendo del ‘Live Cinema’. En El Límite, 2 (2). pp. 89-95. ISSN 2250-6136 (Submitted)

d'Escrivan, Julio (2007) Electronic music and the moving image. In: The Cambridge Companion to Electronic Music. Cambridge University Press, Cambridge, UK, pp. 156-170. ISBN 9780521688659

d'Escrivan, Julio (2008) Ensayo Sobre La Bicicleta (Essay on the bicycle): composition. [Video] (Unpublished)

d'Escrivan, Julio (2013) FLIX. [Composition]

d'Escrivan, Julio (2007) Imaginary Listening. In: EMS07 - The ‘languages’ of electroacoustic music - Leicester, 2007, Leicester, UK.

d'Escrivan, Julio (2012) Live Cinema? A composer’s thoughts about a musical new media approach to the performing of audiovisuals. Seminário Música Ciência Tecnologia (4). ISSN 1982-9604

d'Escrivan, Julio (2011) Music Technology (Cambridge Introductions to Music). Cambridge Introductions to Music . Cambridge University Press, Cambridge. ISBN 9780521170420

d'Escrivan, Julio (1989) Reflections on the poetics of time in electroacoustic music. Contemporary Music Review, 3 (1). pp. 197-201. ISSN 0749-4467

d'Escrivan, Julio (2011) Reveron. [Composition]

d'Escrivan, Julio (2016) Séance: Interventions on Ravel 2017. [Audio]

d'Escrivan, Julio (2011) Terra Nova. [Composition] (Unpublished)

d'Escrivan, Julio (2006) To Sing the Body Electric: Instruments and Effort in the Performance of Electronic Music. Contemporary Music Review, 25 (1-2). pp. 183-191. ISSN 0749-4467

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

d'Escrivan, Julio (2012) Villanueva: El Diablo. [Composition] (Submitted)

d'Escrivan, Julio (2016) Visual OP. [Composition]

d'Escrivan, Julio (2011) fusil. [Composition]

d'Escrivan, Julio and Adkins, Monty (2014) Geometries of Flight [audiovisual]. [Video]

d'Escrivan, Julio and Adkins, Monty (2014) Stream-­Form and the loss of traditional virtuosity: thoughts and a method. MONO (2). ISSN 1646-7388

d’Escriván, Julio (2009) Sound Art (?) on/in Film. Organised Sound, 14 (1). pp. 65-73. ISSN 1355-7718

d’Escriván, Julio and Collins, Nick (2011) Musical Goals, Graphical Lure and Narrative Drive: VisualAudio in Games. Journal of Visual Culture, 10 (2). pp. 238-246. ISSN 1470-4129

E

Earnshaw, Katherine (2020) A forensic phonetic investigation of regional variation and accommodation in West Yorkshire. Doctoral thesis, University of Huddersfield.

Ebshaina, Asma (2019) Investigating Three-part Sequence in Classroom interaction: A Case study of Pre-Sessional Program (PSP) as English for Academic Purposes(EAP). Doctoral thesis, University of Huddersfield.

Einarsson, Einar (2012) Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. Doctoral thesis, University of Huddersfield.

Einbond, A. and Schwarz, D. (2010) Spatializing Timbre with Corpus-Based Concatenative Synthesis. International Computer Music Conference Proceedings, 2010. pp. 72-75. ISSN 2223-3881

Einbond, A., Schwarz, D. and Bresson, J. (2009) Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. International Computer Music Conference Proceedings, 2009. pp. 223-226. ISSN 2223-3881

Einbond, Aaron (2008) Break. [Composition]

Einbond, Aaron (2012) Just Like Starting Over. [Audio]

Einbond, Aaron (2010) Le Cabinet des Signes. [Composition]

Einbond, Aaron (2011) Music of the Hemispheres. In: Music of the Hemispheres, 29 November 2011, Issue Project Room, Brooklyn, New York.

Einbond, Aaron (2011) Palaeontolgie. [Composition]

Einbond, Aaron (2010) Passagework. [Audio]

Einbond, Aaron (2011) Post-Paleontology. [Composition]

Einbond, Aaron (2012) Resistance. [Composition]

Einbond, Aaron (2012) Sound Studies Lecture No. 35. In: Sound Studies Lecture No. 35, 12 November 2012, Universität der Künste, Berlin.

Einbond, Aaron (2013) Subtractive Synthesis: noise and digital (un)creativity. In: Noise In And As Music. University of Huddersfield Press, Huddersfield, pp. 57-75. ISBN 9781862181182

Einbond, Aaron (2011) Temper. In: International Computer Music Conference, 31 July - 5 August 2011, CeReNeM, University of Huddersfield.

Einbond, Aaron (2012) Timbre Spaces: New Graphical Models for Analysis and Composition. In: Society for Music Theory, 1-4 November 2012, New Orleans, LA, USA.

Einbond, Aaron (2012) (Un)original(ity). In: Summer Composition Institute, Harvard Music Department, 25th - 26th August 2012, Cambridge, MA, USA.

Einbond, Aaron (2009) What the Blind See. [Composition]

Einbond, Aaron (2008) What the Blind See. [Show/Exhibition]

Einbond, Aaron (2012) Without Words. [Composition]

Einbond, Aaron, Trapani, Christopher and Schwarz, Diemo (2012) Precise Pitch Control in Real Time Corpus-Based Concatenative Synthesis. International Computer Music Conference Proceedings, 2012. pp. 584-588. ISSN 2223-3881

Eisen, Cliff, Rieger, Eva, Sadie, Stanley, Angermüller, Rudolph, Oldman, C.B. and Stafford, William Mozart. In: Grove Music Online. Oxford University Press, Oxford.

Ekpe, Bassey (2005) Theories of collective intelligence and decision-making: Towards a viable united nations intelligence system. Doctoral thesis, University of Huddersfield.

El Madawi, Stefanie (2020) Approaching Contemporary Cinematic I-Witnessing. Doctoral thesis, University of Huddersfield.

El Madawi, Stephanie (2015) Truth and Pain: The Affective Discourse of Fauxtobiography. Masters thesis, University of Huddersfield.

Elder, Catriona, Pratt, Angela and Ellis, Cath (2006) Running Race: Reconciliation, Nationalism and the Sydney 2000 Olympic Games. International Review for the Sociology of Sport, 41 (2). pp. 181-200. ISSN 1012-6902

Elliott, Hilary (2016) Book Review: Remaking Memory : Autoethnography, memoir and the ethics of self John Freeman With contributions by Rebekka Kill, Nazar Jabour, Kate Rice, Steph Brocken and Jamie Coull. Performance Research, 21 (6). pp. 138-139. ISSN 1469-9990

Elliott, Hilary (2012) "Composing Vision": A demonstration of practice-led research into solo performance improvisation. In: Studio Matejka: The Human/Body as a 'Cultural Actor' Research Symposium and Work Demonstration, 1 June 2012, University of Salford. (Unpublished)

Elliott, Hilary (2014) Experienced Space. In: Galway Dance Days/CORP_REAL symposium, 28/3/14 - 30/3/14, NUI Galway, Ireland. (Unpublished)

Elliott, Hilary (2014) ‘”The Fifth Appendage”: investigating the role of vision in solo improvisational dance training’. Theatre, Dance and Performance Training, 5 (1). pp. 31-44. ISSN 1944-3927

Elliott, Hilary (2017) I CAN. In: Labanarium Launch Symposium, University of Surrey, 6th January 2017, University of Surrey. (Unpublished)

Elliott, Hilary (2010) Improvisation as Performance and Immediate Writing. In: TaPRA Conference 2010, Cardiff. (Unpublished)

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

Elliott, Hilary (2013) THE PLACE FROM WHICH I SEE: a practice-led investigation into the role of vision in understanding solo performance improvisation as a form of composition. Doctoral thesis, University of Huddersfield.

Elliott, Hilary (2015) The Philosopher and The Dancer. In: The Twenty-first Century Body: Annual Gathering of the Merleau-Ponty Circle, 1st - 3rd October 2015, Massachusetts, USA.

Elliott, Hilary (2010) Playing with/in boundaries. Proximity, 13 (3). pp. 4-9. ISSN 1445-7830

Elliott, Hilary (2016) The Point of Contact. In: Inspire Conference, 21st June 2016, University of Huddersfield. (Unpublished)

Elliott, Hilary (2016) The Sensational Facts. Theatre, Dance and Performance Training Blog.

Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)

Elliott, Hilary (2007) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Enhancing Performance', February 2007, University of Canberra.

Elliott, Hilary (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of 'Concoction', August 2009, Cecil Street Studio, Melbourne, Australia.

Elliott, Hilary (2007) Tracking and Mapping Improvisation. In: Improvisation Continuums: theorising practice across disciplines, April 2007, Cardiff. (Unpublished)

Elliott, Hilary (2016) Transformation. In: Improvisation & transformative processes: A participatory research salon. TransDisciplinary Improvisation Network (TIN)., July 6 2016, Middlesex University, UK.

Elliott, Hilary and Britton, John (2006) Quiddity Nights. In: Quiddity Nights, Autumn 2006, University of Huddersfield.

Elliott, Hilary and Britton, John (2007) Spontaneous Combustion. In: Spontaneous Combustion, June 2007, Ada Studio und Bühne, Berlin, Germany..

Elliott, Hilary and Britton, John (2008) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Writing the Body and Dancing the Mind', March 2008, National University of Mexico.

Elliott, Hilary and Britton, John (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'The Week of Speakers', 22 June - 24 June 2009, University of Huddersfield.

Elliott, Hilary and Britton, John (2010) Spontaneous Combustion. In: Spontaneous Combustion, Ballettakademien, Stockholm, Sweden..

Ellis, Cath (2013) Broadening the Scope and Increasing the Usefulness of Learning Analytics: The Case for Assessment Analytics. British Journal of Educational Technology, 44 (4). pp. 662-664. ISSN 0007-1013

Ellis, Cath (1999) 'Come in Spinner'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 145. ISBN 9780521495257

Ellis, Cath (2004) Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom. Australian Literary Studies, 21 (4). pp. 149-164. ISSN 0004-9697

Ellis, Cath (1999) 'Intimate strangers'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 342. ISBN 9780521495257

Ellis, Cath (1999) 'Miss Peabody's inheritance'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, pp. 435-436. ISBN 9780521495257

Ellis, Cath (1999) 'Monkey grip'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 442. ISBN 9780521495257

Ellis, Cath (1996) Re-writing Feminism in Katharine Susannah Prichard's 'Intimate strangers'. In: Crossing lines: formations of Australian culture. Association for the Study of Australian Literature, Adelaide, pp. 208-212. ISBN 9780646281827

Ellis, Cath (1998) Socialist realism in the Australian literary context: with specific reference to the writing of Katharine Susannah Prichard. In: The Point of Change: Marxism, Australia, History, Theory. University of Queensland, pp. 137-144. ISBN 9780867767520

Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595

Ellis, Cath (1999) 'Sugar heaven'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 610. ISBN 9780521495257

Ellis, Cath (2003) The Triumph of Ideology: Katharine Susannah Prichard’s Goldfields Trilogy. In: Frank Hardy & the Literature of Commitment. Vulgar Press, Victoria, Australia, pp. 199-219. ISBN 0 9580794 1 2

Ellis, Cath (2008) ‘You Can’t Do That in a Classroom!’: How Distributed Learning Can Assist in the Widespread Adoption of Hybrid Learning Strategies. In: International Conference on Hybrid Learning 2008 (ICHL 2008), 13th - 15th August 2008, Hong Kong. (Unpublished)

Ellis, Cath (2008) ‘You Can’t Do That in a Classroom!’: how distributed learning can assist in the widespread adoption of hybrid learning strategies. In: Hybrid learning and education. Lecture Notes in Computer Science, 14 . Springer, pp. 1-16. ISBN 9783540851691

Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825

Ellis, Cath (2000) A strange case of double vision. Overland (158). pp. 75-79. ISSN 1444-3163

Ellis, Cath (1995) A tragic convergence: a reading of Katherine Susannah Prichard's 'Coonardoo'. Westerly, 40 (2). pp. 63-71. ISSN 0043-342X

Ellis, Cath and Elder, Catriona (2002) Achieving objectives and overcoming obstacles through online teaching and learning. UniTeaching, 3 (1). pp. 1-3.

Ellis, Cath, Elder, Catriona and Pratt, Angela (2001) Papering over the differences: Australian nationhood and the normative discourse of reconciliation. In: Reconciliation, multiculturalism, identities: difficult dialogues, sensible solutions. Common Ground, pp. 135-147. ISBN 9781863350792

Ellis, Cath, Elder, Catriona and Pratt, Angela (2006) Unity in diversity: indigenous spaces in the Parliamentary Zone. In: Sharing Spaces: Indigenous and non-Indigenous Responses to Story, Country and Rights. The Australian Public Intellectual Network, Australia. ISBN 9781920845209

Ellis, Cath, Elder, Catriona and Pratt, Angela (2004) Whiteness in constructions of Australian nationhood: Indigenes, immigrants and governmentality. In: Whitening Race: essays in social and cultural criticism. Aboriginal Studies Press, Canberra, pp. 208-221. ISBN 9780855754655

Ellis, Cath and Folley, Susan (2008) Getting a grip on quality: validation and eLearning in a quality assurance culture. In: HERDSA 2008, 1st - 4th July 2008, Rotorua, New Zealand. (Unpublished)

Ellis, Cath and Folley, Susan (2008) Seeing what’s invisible: exploring the further potential of the contributing student approach. In: ALT-C 2008: Rethinking the digital divide, 9 - 11 September 2008, University of Leeds, Leeds. (Unpublished)

Ellis, Cath and Folley, Susan (2010) Using Student Assessment Choice and eAssessment to Achieve Self Regulated Learning. In: Fostering Self-Regulated Learning through ICT. IGI Global, Hershey, PA, pp. 89-104. ISBN 9781616929015

Ellis, Cath and McPherson, Joanne (1997) The master's apprentices. In: Disciplining Rita: Symposium Proceedings : how does a woman impact our research teaching, administration and other professional activities within Academe? University of New England, pp. 23-27. ISBN 9781863894364

Ellis, Cath and Percy, Alisa (2000) Building online essay writing support tools. In: Flexible Learning for a Flexible Society: ASET/HERDSA 2000 Joint International Conference, 2 - 5 July 2000, University of Southern Queensland, Toowoomba, Australia.

Ellis, Cath and Shoemaker, A. (2001) The Empire of British Airways. In: Compr(om)ising Post/colonialism(s): Challenging Narratives and Practices. Dangaroo Press, Sydney, Australia, pp. 159-173. ISBN 0864186460

Ellis, Robert (2013) Asylums and Sport: Participation, Isolation and the Role of Cricket in the Treatment of the Insane. The International Journal of the History of Sport, 30 (1). pp. 83-101. ISSN 0952-3367

Ellis, Robert (2011) Asylums, isolation and sport. In: What is the Future of Sport History in Academia?: a symposium, Wednesday 29th June 2011, University of Huddersfield. (Unpublished)

Ellis, Robert (2017) Heritage and Stigma. Co-producing and communicating the histories of mental health and learning disability. Medical Humanities, 43 (2). pp. 92-98. ISSN 1468-215X

Ellis, Robert (2013) Madge Gill: an outsider artist in historical context. In: Madge Gill Medium & Visionary. Orleans House Gallery, pp. 71-74. ISBN 978-1902643175

Ellis, Robert (2015) 'Without decontextualisation': the Stanley Royd Museum and the progressive history of mental health care. History of Psychiatry, 26 (3). pp. 332-347. ISSN 0957-154X

Ellis, Robert (2013) 'A constant irritation to the townspeople'? Local, Regional and National Politics and London's County Asylums at Epsom. Social History of Medicine. ISSN 0951-631X

Ellis, Robert (2001) A field of practise or a mere house of detention? : the asylum and its integration, with special reference to the county asylums of Yorkshire, c.1844-1888. Doctoral thesis, University of Huddersfield.

Ellis, Robert and Allan, Robert (2010) Raising aspiration and widening participation: diversity, science and learning styles in context. Journal of Further and Higher Education, 34 (1). pp. 23-33. ISSN 0309-877X

Ellis, Robert, Allan, Robert and Jensen, Kathrine (2011) Transitions, inventories and aspirations. New learners and their longer-term learning goals. Research in Post-Compulsory Education, 16 (3). pp. 303-314. ISSN 1359-6748

Ellis, Robert and Gabriel, Tim (2010) Context‐based learning for beginners: CBL and non‐traditional students. Research in Post-Compulsory Education, 15 (2). pp. 129-140. ISSN 1359-6748

Ely, Steve (2015) Beasts of Eden : Ted Hughes and influence. The Dark Horse, 35. pp. 50-58.

Ely, Steve (2017) Bloody, proud and murderous men, adulterers and enemies of God. The High Window Press.

Ely, Steve (2014) 'Deir ez-Zor', 'Work', 'Interhamwe' and 'Fasayil'. Poetry Review, 104 (1). ISSN 0032-2156

Ely, Steve (2015) Englaland. Smokestack Books. ISBN 978-0992958145

Ely, Steve (2014) How dear is life. In: The Pity. The Poetry Society, pp. 10-27.

Ely, Steve (2017) Incendium amoris. Smokestack Books. ISBN 978-0995563551

Ely, Steve (2013) Oswald's book of hours. Smokestack Books. ISBN 978-0957172234

Ely, Steve (2014) Prayers in time of great hunger. London Review of Books, 36 (8). ISSN 0260-9592

Ely, Steve (2012) Ratmen. Blackheath Books. ISBN 9781906099206

Ely, Steve (2016) Six poems from sufficient unto the day. Poetry Review, 106 (3). ISSN 0032-2156

Ely, Steve (2016) Tales of the Tribe: Modern epic, guerrilla-pastoral and utopian yeoman-anarchism in Oswald’s Book of Hours and Englaland. Doctoral thesis, University of Huddersfield.

Ely, Steve (2013) Ted Hughes's South Yorkshire. The Ted Hughes Society Journal, 3 (1). pp. 30-39. ISSN 2051-7270

Ely, Steve (2015) Ted Hughes's South Yorkshire: Made in Mexborough. AIAA. ISBN 978-1137499349 (Unpublished)

Ely, Steve (2016) Werewolf. Calder Valley Poetry.

Ely, Steve (2015) Werewolf. London Review of Books, 35 (5). ISSN 0260-9592

Ely, Steve (2016) The importance of Edna Wholey to the poetic development of Ted Hughes. The Ted Hughes Society Journal, 5 (1). pp. 25-33. ISSN 2051-7270

Ely, Steve (2015) 'The white hart', 'Hugo of Fyslake' and 'Eofor'. Poetry Review. ISSN 0032-2156

Epstein, David and Mawer, Deborah (2010) Encountering La Valse: Perspectives and Pitfalls. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 138-164. ISBN 9780521886970

Eslamhesari, Amirhossein (2014) The revitalization of national consciousness through ethno-symbolic nationalism : the study of The Blind Owl, Between The Acts, Once Upon A Time and Dubliners. Masters thesis, University of Huddersfield.

Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.

Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Etheridge, Stephen (2009) Social And Musical Influences In The Creation Of Working-Class Cultural And Regional Identities. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Ette, Mercy (2000) Agent of Change or Stability?: The Nigerian Press Undermines Democracy. The Harvard International Journal of Press/Politics, 5 (3). pp. 67-86. ISSN 1081180X

Ette, Mercy (2014) Book Review: Gender, War, and Conflict by Laura Sjoberg. Polity Press. 9780745660028. [Web page]

Ette, Mercy (2014) Book Review: Waging Gendered Wars: U.S. Military Women in Afghanistan and Iraq by Paige Whaley Eager. Ashgate. [Web page]

Ette, Mercy (2016) Condensational symbols in British press coverage of Boko Haram. International Communication Gazette. ISSN 1748-0485

Ette, Mercy (2007) Empowerment. In: The impact of feminism on political concepts and debates. Manchester University Press, Manchester, pp. 146-160. ISBN 9780719075117

Ette, Mercy (2013) Gendered Frontlines: British Press Coverage of Servicewomen Killed in Iraq. Media, War & Conflict, 6 (3). pp. 249-262. ISSN 1750-6352

Ette, Mercy (2009) How Nigeria can win the ICT race in Africa. Newswatch magazine.

Ette, Mercy (2007) Marriage of the spoken and written word. Newswatch magazine.

Ette, Mercy (2012) 'Nigeria as a country of interest in terrorism': Newspaper framing of Farouk Abdulmutallab, the underwear bomber. Journal of African Media Studies, 4 (1). pp. 45-59. ISSN 2040-199X

Ette, Mercy (2008) Shifted focus: newspaper coverage of female military personnel as casualties of war. Estudos em Comunicação (3). pp. 195-214. ISSN 1646-4974

Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)

Ette, Mercy (2013) The press and democratic consolidation in Nigeria. In: Media/Democracy. Cambridge Scholars Publishing, Newcastle upon tyne, pp. 103-123. ISBN 9781443848398

Ette, Mercy and Stoker, Ruth (2015) Exploring experiential learning through blogging. Journalism Education, 3 (2). pp. 91-103.

Evanoff, Raymond (2012) Survey of a Woven Landscape. Doctoral thesis, University of Huddersfield.

Evans, Brendan (1997) Employment Policy. In: Contemporary Britain: An Annual Review 1996. Ashgate. ISBN 9781855219007

Evans, Brendan (1996) Employment Policy. In: Contemporary Britain: An Annual Review 1995. Ashgate. ISBN 9781855216457

Evans, Brendan (1993) Employment Policy. In: Contemporary Britain: An Annual Review 1993. Ashgate.

Evans, Brendan (1992) Employment Policy. In: Contemporary Britain: An Annual Review 1992. Ashgate.

Evans, Brendan (1991) Employment Policy. In: Contemporary Britain: An Annual Review 1991. Ashgate.

Evans, Brendan (2005) Equality. In: Marx and other four letter words. Pluto Press. ISBN 9780745322520

Evans, Brendan (1982) Further Education Pressure Groups: The Campaign for Continued and Technical Education in 1944. History of Education, 11 (1). pp. 45-55. ISSN 0046-760X

Evans, Brendan (1990) The Ideological Basis of British Politics in the 1990's. Huddersfield Pamphlets in History & Politics (7). University of Huddersfield. ISBN 9780905434292

Evans, Brendan (1984) Ideology. In: Updating British Politics. Hansard Society.

Evans, Brendan (2008) The Ideology of the Far Right. In: The Far Right in Europe: An Encyclopedia. Greenwood Press. ISBN 9781846450037

Evans, Brendan (2007) Labour and the West Riding of Yorkshire: 1945-2006, the Heartland challenged. In: Sons and daughters of labour: a history and recollection of the Labour Party within the historic boundaries of the West Riding of Yorkshire. University of Huddersfield, Huddersfield, pp. 53-84. ISBN 186218058X

Evans, Brendan (1994) Neo-Liberalism and Training Policy 1979-1992: a Rejoinder to Desmond King. Political Studies, 42 (3). pp. 480-485. ISSN 0032-3217

Evans, Brendan (1992) The Politics Of the Training Market: From Manpower Services Commission to Training and Enterprise Councils. Routledge. ISBN 9780415000161

Evans, Brendan (1987) Radical adult education: a political critique. Radical forum on adult education series . Croom Helm. ISBN 9780709909422

Evans, Brendan, Laybourn, Keith, Lancaster, John and Haigh, Brian (2007) Sons and daughters of labour: a history and recollection of the Labour Party within the historic boundaries of the West Riding of Yorkshire. University of Huddersfield, Huddersfield. ISBN 186218058X

Evans, Brendan and Taylor, Andrew J. (1984) The Rise and Fall of Two-Party Electoral Co-operation. Political Studies, 32 (2). pp. 257-272. ISSN 0032-3217

Evans, Brendan and Taylor, Andrew J. (1994) The Rise of the Intermediate level Institution in British Public Administration: the case of the Arts and Training. Public Administration, 72 (4). pp. 551-572. ISSN 0033-3298

Evans, Eleri Ann (2016) Extending techniques: developing the saxophone’s capacity for lower-end dynamics and microtonal playing. Doctoral thesis, University of Huddersfield.

Evans, Matthew (2016) A critical stylistic analysis of the textual meanings of 'feminism', 'feminist(s)' and 'feminist' in UK national newspapers, 2000-2009. Doctoral thesis, University of Huddersfield.

F

Fabbri, Franco (2012) Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications. Doctoral thesis, University of Huddersfield.

Fadia, Safiyyah (2018) The influence of Gujarati on the VOT of English stops. Masters thesis, University of Huddersfield.

Fairclough, Mary (2010) ‘John Thelwall and the Politics of Sympathy’. Literature Compass, 7 (9). pp. 763-772. ISSN 1741-4113

Fairclough, Mary (2011) ‘John Thelwall and the Politics of the Picturesque’. Romantic Circles Praxis Series. ISSN 1528-8129

Fairclough, Mary (2010) Radical sympathy: Periodical Circulation and the Peterloo Massacre. Romanticism and Victorianism on the Net (RaVoN), 57-58. ISSN 1916-1441

Fairclough, Mary (2013) The Romantic Crowd: Sympathy, Controversy and Print Culture. Studies in Romanticism . Cambridge University press, Cambridge. ISBN 9781107031692

Fairclough, Mary (2008) The Sympathy of Popular Opinion: Representations of the Crowd in Britain 1770-1849. Doctoral thesis, University of York.

Fairclough, Mary (2012) The Telegraph: Radical Transmission in the 1790s. Eighteenth Century Life. ISSN 1086-3192 (Submitted)

Fairclough, Mary and Green, Georgina (2010) Disciplining Thelwall: a review of Thelwall studies. Romanticism, 16 (2). pp. 197-206. ISSN 1354-991X

Falcus, Sarah (2013) Addressing Age in Michèle Roberts's Reader, I Married Him. Contemporary Women's Writing, 7 (1). pp. 18-34. ISSN 1754-1476

Falcus, Sarah (2015) Alternative futures: Ageing and Identity in Contemporary Women’s Writing. In: Conditioned Identities: Wished-for and Unwished-for Identities. Peter Lang, pp. 303-322. ISBN 978-3034316187

Falcus, Sarah (2007) 'A Complex Mixture of Fascination and Distaste': Relationships between Women in Pat Barker's Blow Your House Down, Liza's England and Union Street. Journal of Gender Studies, 16 (3). pp. 249-261. ISSN 09589236

Falcus, Sarah (2013) Contesting gender in The Wasp Factory (1984), Whit (1995) and The Business (1999). In: The Transgressive Iain Banks: Essays on a Writer Beyond Borders. McFarland. ISBN 978-0-7864-4225-6

Falcus, Sarah (2010) Delivering the Songs of the Sibyls in Michele Roberts's The Book of Mrs Noah. Topic: The Washington and Jefferson College Review, 56. pp. 95-108. ISSN 0049-4127

Falcus, Sarah (2003) Her Odyssey, Herstory in Michèle Roberts's Fair Exchange. Critique: Studies in Contemporary Fiction, 44 (3). pp. 237-250. ISSN 0011-1619

Falcus, Sarah (2011) Luce Irigaray. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2006) Michèle Roberts: Impossible Saints. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2007) Michèle Roberts: Myths, Mothers and Memories. Peter Lang, Oxford. ISBN 9783039110544

Falcus, Sarah (2006) Michèle Roberts: The Mistress Class. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2007) Michèle Roberts: histories and herstories in In the Red Kitchen, Fair Exchange and The Looking Glass’. In: Metafiction and Metahistory in Contemporary Women's Writing. Palgrave Macmillan, Basingstoke. ISBN 9780230005044

Falcus, Sarah (2014) Storying Alzheimer's Disease in Lisa Genova's Still Alice. Entertext, 11. ISSN 14723085

Falcus, Sarah (2002) Truth and Lies, History and Fiction, in Michèle Roberts’s The Looking Glass. Ecloga (2). ISSN 1473-2777

Falcus, Sarah (2012) Unsettling ageing in three novels by Pat Barker. Ageing and Society, 32 (8). pp. 1382-1398. ISSN 0144-686X

Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536

Falcus, Sarah and Sako, Katsura (2014) ‘I Must Learn to Grow Old before I Die’: Women, Ageing and Travels to Italy. Women: A Cultural Review, 25 (2). pp. 194-214. ISSN 0957-4042

Falcus, Sarah and Sako, Katsura (2015) Representing Dementia and Care in Post-war Japan: The Twilight Years, Memories of Tomorrow and Pecoross’ Mother and Her Days. Feminist Review, 111 (1). pp. 88-108. ISSN 0141-7789

Falcus, Sarah and Sako, Katsura (2014) Women, Travelling and Later Life. In: Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, Basingstoke, UK, pp. 203-218. ISBN 9781137376527

Falcus, Sarah J. (2015) Fall[ing] out of the Past: Time, Ageing and Generations in Where Are the Snows. In: Maggie Gee: Critical Essays. Gylphi, Canterbury, pp. 79-99. ISBN 978-1780240336

Falcus, Sarah J. (2015) Literature and aging. In: Routledge Handbook of Cultural Gerontology. Routledge, London, pp. 53-60. ISBN 978-0415631143

Falcus, Sarah J. (2016) Wicked Weldon: The ‘F Word’ and the Older Woman. In: Literary Creativity and the Older Woman Writer. Peter Lang, pp. 273-294. ISBN 978-3034321990

Falk, Ben (2019) Are You There, Robert Downey Jr.? It’s Me, Your Biographer: Mainstreaming entertainment journalism across literary genres. Doctoral thesis, University of Huddersfield.

Fang, Xueyang (2019) Sound from Antiquity: A Music Archaeological Study of Chime Stones in Ancient China (Ca. 2400 BCE - 8 CE). Doctoral thesis, University of Huddersfield.

Fawcus, Jamie (2012) Resonant Spaces: Electroacoustic Music and Ritual: A commentary on my recent music. Doctoral thesis, University of Huddersfield.

Fawkes, Johanna (2012) Saints and sinners: Competing identities in public relations ethics. Public Relations Review, 38 (5). pp. 865-872. ISSN 0363-8111

Fazenda, Bruno, Scarre, Chris, Till, Rupert, Pasalodos, Raquel J., Guerra, Manuel R., Tejedor, Cristina, Peredo, Roberto O., Watson, Aaron, Wyatt, Simon, Benito, Carlos G., Drinkall, Helen and Foulds, Frederick (2017) Cave acoustics in prehistory: exploring the association of Palaeolithic visual motifs and acoustic response. Journal of the Acoustical Society of America (JASA), 142 (3). pp. 1332-1349. ISSN 1520-8524

Felix, Joel (2021) DissTraktors: Deconstructing YouTube’s Emergent Diss Culture and its Music, Economic and Cultural Impact within the Platform. Masters thesis, University of Huddersfield.

Fell, Simon (2017) A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. Doctoral thesis, University of Huddersfield.

Ferrari, Nicolo (2020) Settings of the Ordinary in the Late Fifteenth Century: The Masses of Firminus Caron. Doctoral thesis, University of Huddersfield.

Firth, Gary, Laybourn, Keith and Hagerty, James (1982) Yorkshire at play: a guide to historical sources and their uses. University of Leeds School of Education, Leeds.

Firth, Gary, Laybourn, Keith and O'Connell, J. (1980) Yorkshire Labour movements c.1780 - 1926: a guide to historical sources and their uses. University of Leeds School of Education, Leeds.

Flanagan, Beavan (2017) Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. Doctoral thesis, University of Huddersfield.

Fleming, Michael (2003) Another juggler: instruments and instrumentalists in early modern Oxford. In: The American Musical Instrument Society Conference on Musical Instruments, 3 - 9 August 2003, Oxford - London - Edinburgh.

Fleming, Michael (1998) Are English string instruments all they are not cracked up to be? In: 32nd RMA Research Students Conference, 14th December 1998, University of York, UK. (Unpublished)

Fleming, Michael (2006) Book review: A Viola da Gamba Miscellanea. Articles from and inspired by viol symposiums organized by the Ensemble Baroque de Limoges, France, Susan Orlando (ed.). The Galpin Society Journal, 59. pp. 279-280. ISSN 0072-0127

Fleming, Michael (1997) Book review: Antonio Stradivari: The Cremona Exhibition of 1987, Charles Beare. J.& A.Beare Ltd, 1994. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (1995) Book review: Art and Method of the Violin Maker: Principles and Practice, 2nd edition, Henry A. Strobel. Aumsville: Henry A. Strobel, 1993. The Galpin Society Journal, 48. p. 234. ISSN 0072-0127

Fleming, Michael (1997) Book review: Arte Liutaria, Analysis of Antique Instruments and Restoration Techniques, Carlo Vettori. Florence: Arte Liutaria, 1996. The Galpin Society Journal, 50. pp. 267-269. ISSN 0072-0127

Fleming, Michael (2005) Book review: Diego Ortiz: Trattado de Glosas, (Rome 1553), Annette Otterstedt, Kassel: Bärenreiter, 2003. The Galpin Society Journal, 58. pp. 269-270. ISSN 0072-0127

Fleming, Michael (1998) Book review: Edward Withers Ltd. 230 years of Violin Craft in Soho, Adam Whone. Mill Hill publications, 1996. The Galpin Society Journal, 51. pp. 225-226. ISSN 0072-0127

Fleming, Michael (2003) Book review: François-Xavier Tourte, Bow Maker, Stewart Pollens and Henryk Kaston, with M.E.D Laing, New York et al, 2001. The Galpin Society Journal, 56. p. 271. ISSN 0072-0127

Fleming, Michael (1992) Book review: Geometry, Proportion and the Art of Lutherie, Kevn Coates, (Clarendon Press, Oxford, 1991). Chelys, 21. pp. 90-91. ISSN 0952-8407

Fleming, Michael (1994) Book review: La Chélonomie, ou le parfait luthier..., Paris, 1812, Abbé SÉBASTIEN-ANDRÉ SIBIRE, Reimpression de l'edition de Bruxelles, 1823. Facsimile edition. Geneva: Minkoff, 1984. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1994) Book review: La Lutherie Lorraine et Française depuis ses Origines jusqu'à nos Jours, Albert Jacquot, Paris: Fischbacher, 1912. Facsimile edition. Geneva: Minkoff, 1985. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1997) Book review: Liuteria Musica e Cultura, 1996, Essays dedicated to John Henry van der Meer, Renato Meucci (ed.). Cremona, 1996. The Galpin Society Journal, 50. pp. 276-277. ISSN 0072-0127

Fleming, Michael (2002) Book review: Masterpieces of Italian Violin Making (1620-1850). Important stringed instruments from the collection at the Royal Academy of Music, 2nd edition, David Rattray, London, 2000. The Galpin Society Journal, 55. pp. 353-354. ISSN 0072-0127

Fleming, Michael (1994) Book review: Observations on the construction of stringed instruments and their adjustment, 1804, 1805, 1809, 1810, 1816, Count Ignazio Cozio di Salabue, translated from the original Italian by Andrew Dipper and David Woodrow Taynton, 1987. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1998) Book review: Research Papers in Violin Acoustics 1975-1993, Carleen Maley Hutchins. Woodbury, 1997. The Galpin Society Journal, 51. pp. 221-223. ISSN 0072-0127

Fleming, Michael (1997) Book review: Règles pour la construction des Violons Altis, Violoncelles et Basses de Viol, Antonio Bagatella. Turris, Cremona, 1995. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (2006) Book review: The Baroque cello revival: an oral history,Paul Laird, Lantham: Scarecrow Press, 2004. The Galpin Society Journal, 59. pp. 276-277. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665, David Lasocki with Roger Prior, (Aldershot, Scolar Press, 1995). Chelys, 24. pp. 62-64. ISSN 0952-8407

Fleming, Michael (1995) Book review: The Complete Luthier's Library [Bibliography], Roberto Ragazzi. Bologna: Florenus Edizioni, 1990. The Galpin Society Journal, 48. pp. 214-215. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Health of the Violin and the Viola and Cello: Practical Advice on the Acquisition, Maintenance, Adjustment and Conservation of Bowed Instruments, Lucien Greilsamer. Translated from the original French by Henry A. Strobel Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 233. ISSN 0072-0127

Fleming, Michael (1995) Book review: The History of the Viola, Maurice W. Riley. Ann Arbor: the author, 1993, 1991. The Galpin Society Journal, 48. pp. 228-231. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Italian viola da gamba: Proceedings of the International Symposium on the Italian Viola da Gamba, Magnano, Italy, 29 April - 1 May 2000, ed. Susan Orlando (Solignac/Turin: Edition Ensemble Baroque de Iimoges/Edizioni Angolo Manzoni, 2002). Early Music, 31 (2). pp. 283-284. ISSN 0306-1078

Fleming, Michael (1994) Book review: The Shape of Stradivari Forms and Violins, David Woodrow, Taynton: Taynton Press, 1991. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Viol: History of an Instrument, Annette Otterstedt, Kassel, 2002. The Galpin Society Journal, 56. pp. 269-271. ISSN 0072-0127

Fleming, Michael (1994) Book review: The Violin Forms of Antonio Stradivari, Stewart Pollens, London: Peter Biddulph, 1992. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (2007) Book review: Un corpo alla ricerca dell'anima...Andrea Amati e la nascita del violino/ Andrea Amati and the birth of the violin, Renato Meucci (ed.). The Galpin Society Journal, 60. ISSN 0072-0127

Fleming, Michael (1997) Book review: Un secolo di liuteria Italiana 1860-1960. Vol.1. Emilia Romagna, Eric Blot. Cremona, 1994. The Galpin Society Journal, 50. pp. 269-270. ISSN 0072-0127

Fleming, Michael (1995) Book review: Useful Measurements for Violin Makers, a Reference for Shop Use, 4th edition, Henry A Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 231. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Family and its Makers in the British Isles: an Illustrated History and Directory, Brian W Harvey. Oxford: OUP, 1995. The Galpin Society Journal, 49. pp. 240-244. ISSN 0072-0127

Fleming, Michael (1992) Book review: Violin Fraud, Brian W. Harvey, (Oxford, 1992). Chelys, 22. pp. 51-52. ISSN 0952-8407

Fleming, Michael (1995) Book review: Violin Maker's Notebook: a Companion Volume to Useful Measurements for Violin Makers, a Reference for Shop Use, 2nd edition, Henry A. Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 232. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Making Step by Step, Henry A. Strobel. Aumsville: Henry A. Strobel, 1994. The Galpin Society Journal, 49. p. 244. ISSN 0072-0127

Fleming, Michael (2012) Early English viol makers' tools and resources. In: CordeFactum Festival 2012, 18th - 20th May 2012, Hingene, Belgium. (Unpublished)

Fleming, Michael (2004) Henry Jaye. Oxford Dictionary of National Biography.

Fleming, Michael (2003) How long is a piece of string? Understanding seventeenth-century descriptions of viols. Chelys, 31. pp. 18-35. ISSN 0952-8407

Fleming, Michael (2009) The Identities of the Viols in the Ashmolean Museum. The Viola da Gamba Society Journal, 3 (2). pp. 117-130. ISSN 0507-0252

Fleming, Michael (2002) Instrument-makers named Hill and Hunt in Pepys's London. The Galpin Society Journal, 55. pp. 382-385. ISSN 0072-0127

Fleming, Michael (2004) Instrument-making in Oxford. The Galpin Society Journal, 57. pp. 246-251. ISSN 0072-0127

Fleming, Michael (2013) John Evelyn on Musical Instrument Wood. The Galpin Society Journal, 66. ISSN 0072-0127

Fleming, Michael (2011) Obfuscation or illumination: what ‘early English viols’ tell us about early English viols. In: The American Musical Instrument Society Conference on Musical Instruments, 18th - 21st May 2011, Phoenix, AZ, USA. (Unpublished)

Fleming, Michael (1996) Paintings of viols in England c.1580-1660. Chelys, 25. pp. 3-21. ISSN 0952-8407

Fleming, Michael (2008) Phillippe Golledge: another Oxford musical instrument dealer? The Galpin Society Journal, 61. pp. 332-335. ISSN 0072-0127

Fleming, Michael (2012) Robert Dow's viols: a lamentable lacuna. In: Medieval and Renaissance Music seminar series, 8th November 2012, All Souls College, Oxford. (Unpublished)

Fleming, Michael (2000) Some points arising from a survey of wills and inventories. The Galpin Society Journal, 53. pp. 301-311. ISSN 0072-0127

Fleming, Michael (2000) Unpacking the 'Chest of Viols'. Chelys, 28. pp. 3-19. ISSN 0952-8407

Fleming, Michael (1999) Viol design = painting by numbers? In: The British Society for the History of Mathematics Research in Progress Day, 27th February 1999, Wolfson College, Oxford, UK. (Unpublished)

Fleming, Michael (1989) Viol drawings. Chelys, 18. pp. 30-40. ISSN 0952-8407

Fleming, Michael (2001) Viol-Making in England c.1580-1660. Doctoral thesis, Open University.

Fleming, Michael (2011) Viols. In: Musical Instruments in the Ashmolean Museum: The Complete Collection. Oxford Musical Instrument Publishing LLP, Berkhamsted. ISBN 9780956767905

Fleming, Michael (1999) Viols and other lumber. In: The Galpin Society Conference on Musical Instruments, 9-11 July 1999, University of Edinburgh.

Fleming, Michael (2006) What we can and cannot learn from English images of viols. In: CordeFactum 2006, June 2006, Belgium.

Fleming, Michael (2000) Who made the viols `by’ Henry Jaye ? In: Symposium on Bowed String Musical Instruments, 2-3 June 2000, Faculty of Music, University of Edinburgh.

Fleming, Michael (2012) Woodwork Tools in Early Modern Oxford. Oxoniensia, 77. pp. 107-116. ISSN 0308–5562

Fleming, Michael (2010) Woodworking Tools in Sixteenth-Century Oxford. In: Technology and craft of early stringed instruments, c. 500-1550, 6th November 2010, University of London. (Unpublished)

Fleming, Michael (1999) A bridge to the past: Investigating an old viol bridge at Haddon Hall. Early Music, XXVII (2). pp. 235-248. ISSN 0306-1078

Fleming, Michael (1995) The fantasy viol. In: The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell, 7th - 9th July 1995, University of York, UK. (Unpublished)

Fleming, Michael (2005) An 'old old viol' and 'other lumber': musical remains in Provincial, non-noble England c.1580-1660. The Galpin Society Journal, 58. pp. 89-99. ISSN 0072-0127

Fleming, Michael (2009) The viol displayed, the iconographer dismayed. In: Making the British Sound, Conference, 6 - 11 July 2009, London - Edinburgh. (Unpublished)

Fleming, Michael (1999) The violin explained. Components, mechanism, and sound. The Galpin Society Journal, 52. pp. 325-327. ISSN 0072-0127

Fleming, Michael and Bryan, John (2016) Early English Viols: Instruments, Makers and Music. Routledge. ISBN 978-1472468543

Foard, Glenn (2004) Anglo-Saxon Northamptonshire. In: The archaeology of Northamptonshire. Northamptonshire Archaeological Society. ISBN 9780950715124

Foard, Glenn (2012) Battlefield Archaeology of the English Civil War. Archaeopress, Oxford, UK. ISBN 9781407310442

Foard, Glenn (2010) Bosworth uncovered. BBC History Magazine, 11 (3). pp. 23-30. ISSN 1469-8552

Foard, Glenn (1994) Colonel John Pickering's Regiment of Foot 1644-1645. Pryor Publications, Kent, UK. ISBN 9780946014256

Foard, Glenn (2010) Discovering Bosworth. British Archaeology, 112. pp. 26-31. ISSN 1357-4442

Foard, Glenn (1995) The Early Topography of Northampton and its Suburbs. Northamptonshire archaeology, 26. pp. 109-122.

Foard, Glenn (1993) Ecton, its lost village and landscape park. Northamptonshire past and present, 8 (5). pp. 335-353. ISSN 0140-9131

Foard, Glenn (2009) English battlefields 991-1685: A review of problems and potentials. In: Fields of Conflict: Battlefield Archaeology from the Roman Empire to the Korean War. Potomac Books, pp. 133-159. ISBN 9781597972765

Foard, Glenn (2004) Field offensive. British Archaeology, 79. pp. 10-15. ISSN 1357-4442

Foard, Glenn (1995) Flights into the past: education resource pack on aerial archaeology. Northamtonshire County Council, Northamtonshire, UK.

Foard, Glenn (2014) Guns on the Battlefields of Late Medieval Europe: Archeological Evidence for the Origins of Firepower. In: Fields of Conflict 2014, Eighth Biennial Conference on Battlefield Archaeology, 11-16th March 2014, Columbia, USA. (Unpublished)

Foard, Glenn (2005) History from the field : the Edgehill battlefield survey. Battlefields annual review.

Foard, Glenn (2004) Medieval Northamptonshire. In: The archaeology of Northamptonshire. Northamptonshire Archaeological Society. ISBN 9780950715124

Foard, Glenn (1991) The Medieval Pottery Industry of Rockingham Forest. Medieval ceramics, 15. pp. 13-20. (Unpublished)

Foard, Glenn (2001) Medieval Woodland, Agriculture and Industry in Rockingham Forest, Northamptonshire. Medieval archaeology, 45. pp. 41-95. ISSN 0076-6097

Foard, Glenn (1995) Naseby: The Decisive Campaign. Pryor Publications, Kent, UK. ISBN 9780946014415

Foard, Glenn (1984) Raunds: manorial and village origins. In: Studies in Late Anglo-Saxon Settlement. Oxford University Department for External Studies, Oxford, UK, pp. 81-100. ISBN 9780903736176

Foard, Glenn (2005) Rockingham : the destruction of a forest. Landscape archaeology and ecology, 5. pp. 23-40.

Foard, Glenn (1991) The Saxon bounds of oundle. Northamptonshire past and present, 8 (3). pp. 179-186. ISSN 0140-9131

Foard, Glenn (2003) Sedgemoor 1685 : historic terrain, the archaeology of battles and the revision of military history. Lansdcapes, 4 (2). pp. 5-15. ISSN 1466-2035

Foard, Glenn (1978) Systematic fieldwalking and the investigation of Saxon settlement in Northamptonshire. World Archaeology, 9 (3). pp. 357-374. ISSN 1470-1375

Foard, Glenn (1985) The administrative organisation of Northamptonshire in the Saxon period. Anglo-Saxon Studies in Archaeology and History, 4. pp. 185-222. ISSN 0264-5254

Foard, Glenn (2001) The archaeology of attack : battles and sieges of the English civil war. In: Fields of conflict. Archaeopress. ISBN 9781841712499

Foard, Glenn (1994) The civil war defences of Northampton. Northamptonshire past and present, 9 (1). pp. 1-44. ISSN 0140-9131

Foard, Glenn (1988) A framework for Saxon evidence from Northamptonshire. In: First MIllennium papers. BAR international series, 401 . B.A.R., pp. 259-271. ISBN 9780860545163

Foard, Glenn (1992) The great re-planning? In: The origins of the Midland village. Economic History Society.

Foard, Glenn and Britnell, Tracey (2002) Fotheringhay : a new perspective from the 1640's. Northamptonshire Archaeology, 30. pp. 140-143.

Foard, Glenn and Brown, Anthony E (1998) The Saxon landscape : a regional perspective. In: The Archaeology of landscape. Manchester University Press, pp. 67-94. ISBN 9780719047671

Foard, Glenn and Curry, Anne (2013) Bosworth 1485: A Battlefield Rediscovered. Oxbow Books, Oxford. ISBN 9781782971733

Foard, Glenn, Hall, David and Partida, Tracey (2009) Rockingham Forest: An Atlas of the medieval and early- modern landscape. Northamtonshire Record Society, Northamtonshire, UK. ISBN 0901275670

Foard, Glenn, Hall, David and Partida, Tracey (2005) Rockingham forest : the evolution of a landscape. Lansdcapes, 6 (2). pp. 1-29. ISSN 1466-2035

Foard, Glenn and Jackson, Dennis (1994) Anglo-Saxon Occupation at Yardley Hastings, Northants. Northamptonshire Archaeology, 25. pp. 93-98.

Foard, Glenn and Morris, Richard K. (2012) The archaeology of English battlefields. CBA Research Report (168). Council for British Archaeology, York, UK. ISBN 9781902771885

Foard, Glenn and Partida, Tracey The archaeology of medieval and early modern battlefields in Flanders. Monumenten, Landschappen & Archaeologie. (Submitted)

Foard, Glenn and Partida, Tracey (2005) A legacy of kings : the story of Rockingham forest. Rockingham forest trust.

Foard, Glenn and Rippon, S (1999) Book review : The register of landscapes of outstanding historic interest in Wales. Landscape history, 21. ISSN 0143-3768

Folley, Susan and Ellis, Cath (2008) Harnessing the Power of Distributed Learning: the potential benefits for Higher Education in the United Kingdom. In: Solstice Conference 2008: elearning and learning environments for the future, 5th June 2008, Edge Hill University, Ormskirk, UK. (Unpublished)

Foster, Lauren (2019) Increasing The Accessibility of Battlefield Heritage: Considering Whether Battlefield Interpretation Would Be Improved Through the Use of Mobile Applications. Masters thesis, University of Huddersfield.

Fox, Christopher Clarke, James. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Darmstadt School. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Hybrid temperaments and structural harmony: a personal history. Contemporary Music Review, 22 (1-2). pp. 123-139. ISSN 07494467

Fox, Christopher (2002) Johnson, Steven, ed.: The New York schools of music and visual arts, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher (2001) Life is beautiful: Richard Ayres in focus. Musical times, 142 (1875). pp. 39-52.

Fox, Christopher Neue Einfachheit (Ger.: ‘New Simplicity’). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher New Complexity. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Newman, Chris(topher). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Nicholls, David, ed.: The Cambridge companion to John Cage, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher Redgate, Roger (John). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Rzewski, Frederic: Rzewski plays Rzewski: piano works 1975–1999, reviewed by Christopher Fox. The Musical Times, 144 (1882). pp. 65-68. ISSN 0027-4666

Fox, Christopher (2003) Sharp practice: Gavin Bryars at 60. The Musical Times, 144 (1884). pp. 15-25. ISSN 0027-4666

Fox, Christopher (2004) Tempestuous Times: The Recent Music of Thomas Ades. The Musical Times, 145 (1888). pp. 41-56. ISSN 0027-4666

Fox, Christopher (2002) Under the lens: Michael Finnissy’s History of Photography in Sound. The Musical Times, 143 (1879). pp. 26-35. ISSN 0027-4666

Fox, Christopher (2001) The extended clarinet: four contemporary approaches. Musical Performance, 3 (1). pp. 67-79. ISSN 1049-8869

Fox, Christopher and Osmond-Smith, David Scelsi, Giacinto. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Richard Bramwell (2016) Identity, Representation and Transcultural Adaptation in Delius's Koanga. Masters thesis, University of Huddersfield.

Francis, P. A. (2012) Drums and bass: for tomorrow's rhythm section. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-104-5

Francis, P. A. (2012) Grooves for guitar. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-105-2

Francis, Paul Alexander (2019) Devising Drum Kit Repertoire for Higher Instrumental Popular Music Education (HIPME):Towards a Collaborative Learning Model. Doctoral thesis, University of Huddersfield.

Franks, Suzanne and O'Neill, Deirdre (2016) Women reporting sport: Still a man's game? Journalism: Theory, Practice and Criticism, 17 (4). pp. 474-492. ISSN 1741-3001

Freer, Lewis (2020) The Lost Cause Narrative in Three Southern Novels Published between 1880 and 1936. Masters thesis, University of Huddersfield.

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

G

Gardiner, Nicholas (2020) Dead as a Doornail: New Materialism and the Corpse in Contemporary Fiction. Doctoral thesis, University of Huddersfield.

Gaukroger, Alan (2008) The Director of Financial Enquiries A Study of the Treasury Career of R. G. Hawtrey, 1919-1939. Doctoral thesis, University of Huddersfield.

Gaunt, Sarah K. (2018) English Political Propaganda, 1377–1485. Doctoral thesis, The University of Huddersfield.

Georgiou, Dion and Litherland, Benjamin (2015) Sport’s Relationship with Other Leisure Industries II -- Products, Imagery and Spectacle. Sport in History, 35 (3). pp. 323-334. ISSN 1746-0263

Ghgam, Aziza Ibrahim (2015) An investigation into face to face feedback for second language writing in the Libyan higher education context. Doctoral thesis, University of Huddersfield.

Gibson, Ian, Middleton, Deborah K. and Adkins, Monty (2014) Borderlands CosMixed. [Show/Exhibition]

Gibson, Ryan Markus (2015) The Role of Accent in Popular Music: An Interdisciplinary Approach. Masters thesis, University of Huddersfield.

Gill, David (2002) The Amateur Yorksherman. Redbeck Press, Bradford. ISBN 0946980918

Gill, David (2002) CDA to CDA – from Critical Discourse Analysis to Creative Discourse Analysis. In: PALA Annual Conference 2002, 4 - 6 April 2002, University of Birmingham. (Unpublished)

Gill, David (2008) The poetics of popular song lyrics. In: PALA Annual Conference 2008, 23rd - 26th July 2008, University of Sheffield. (Unpublished)

Gill, David, Bradley, C. and Holmes, G. (2003) Poetry On The Rocks. Diamond Street Press.

Gill, David and Stewart, Michael (2008) The Intelligent Woman's Guide to Socialising, Fadism and Commonism. PDG Books. ISBN 9781905519040

Gill, Rebecca (2004) Book review: ‘Pulling the Devils Kingdom Down: The Salvation Army in Modern Britain’, by Pamela J. Walker, 2001. European Review of History, 11 (3). pp. 450-452. ISSN 1350-7486

Gill, Rebecca (2007) 'Calculating Compassion' in the South African War, 1899-1902: A Case Study in the History of the Origins of Humanitarian Relief. In: University of Sheffield Imperial History Discussion Group, 10 May 2007, University of Sheffield. (Unpublished)

Gill, Rebecca (2013) Calculating Compassion: Humanity and Relief in War, Britain 1870 - 1914. Humanitarianism: Key Debates and New Approaches . Manchester University Press. ISBN 9780719078101

Gill, Rebecca (2007) Fertility and Female Sexuality: Revisiting the ‘Sexual Revolution’: Book review: ‘The Long Sexual Revolution: English Women, Sex and Contraception, 1800-1975’ by Hera Cook, 2004. Metascience, 16 (1). pp. 101-105. ISSN 0815-0796

Gill, Rebecca (2012) Networks of concern, boundaries of compassion: British relief in the South African War. Journal of Imperial and Commonwealth History, 40 (5). pp. 827-844. ISSN 0308-6534

Gill, Rebecca (2009) “The Rational Administration of Compassion”: The Origins of British Relief in War. Le Mouvement Social, 227 (2). pp. 9-26. ISSN 0027-2671

Gill, Rebecca (2004) The imperial anxieties of a nineteenth century bigamy case. History workshop journal, 57. pp. 58-78. ISSN 1363-3554

Gill, Rebecca (2014) The origins of the British Red Cross Society and the politics and practices of relief in war, 1870-1906. Asclepio, 66 (1). pp. 1-13. ISSN 0210-4466

Gill, Rebecca (2006) A very Moses in the House of Lords: Disraeli, nationality and the Bulgarian atrocities. In: Parcours Judaiques. Universite Paris X Nanterre, Paris, France, pp. 57-75. ISBN 2-909980-08-1

Gill, Rebecca and Leeworthy, Daryl (2015) Moral minefields: Save the Children Fund and the moral economies of nursery schooling in the South Wales coalfield in the 1930s. Journal of Global Ethics, 11 (2). pp. 218-232. ISSN 1744-9626

Gillies, Samuel (2020) Composing with Frames and Spaces: Cinematic Virtual Reality as an Audiovisual Compositional Practice. Doctoral thesis, University of Huddersfield.

Gledhill, Jennifer (2016) Modernism and Magic. Masters thesis, University of Huddersfield.

Gledhill, Jonathan (2013) From Shire to Barony in Scotland: The Case of Eastern Lothian. In: Norman Expansion: Connections, Continuities and Contrasts. Ashgate, London, UK, pp. 87-114. ISBN 9781409448389

Gledhill, Jonathan (2012) Locality and Allegiance: English Lothian, 1296-1318. In: England and Scotland at War, c.1296-c.1513. Brill, Leiden, pp. 157-182. ISBN 9789004229822

Glenn, Phillip and Holt, Elizabeth (2013) Introduction. In: Studies of Laughter in Interaction. Continuum Press. ISBN 9781441164797

Glenn, Phillip and Holt, Elizabeth (2015) Laughter. In: The International Encyclopedia of Language and Social Interaction. Wiley. ISBN 9781118611463

Glenn, Phillip and Holt, Elizabeth (2013) Studies of laughter in interaction. Continuum Press. ISBN 9781441164797

Glover, Mark (2020) Shakespeare, Brexit and Henry V : A proper place in the Curriculum? Masters thesis, University of Huddersfield.

Glover, Richard (2013) Approaches to microtonality in my own music. In: EUROMicroFest, 2-3 Feb 2013, Kunsthochschule für Medien, Köln. (Unpublished)

Glover, Richard (2007) Black Space. [Composition] (Unpublished)

Glover, Richard (2010) The Compositional Use of Numerals in Music Notation. In: Off the Staves: Writing Music Before and After Conventional Notation, 26th-27th March 2010, Bangor, Wales. (Unpublished)

Glover, Richard (2010) Corradiation. [Composition] (Unpublished)

Glover, Richard (2012) The Experience of Sustained Tone Music. In: Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). European Society for the Cognitive Sciences of Music (ESCOM). ISBN 960-99854-1-7

Glover, Richard (2009) Gradual music. [Composition] (Unpublished)

Glover, Richard (2011) Influence of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Submitted)

Glover, Richard (2011) Influences of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Unpublished)

Glover, Richard (2009) Lithosphere. [Composition] (Unpublished)

Glover, Richard (2009) Lithosphere, for quarter-tone trumpet, eighth-tone trumpet and quarter-tone horn. [Composition] (Unpublished)

Glover, Richard (2013) Logical Harmonies. [Audio]

Glover, Richard (2007) Loose Change. [Composition] (Unpublished)

Glover, Richard (2009) Malkans. [Composition] (Unpublished)

Glover, Richard (2010) Michael Pisaro’s pi and numerical representation. CeReNeM Journal (1).

Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495

Glover, Richard (2010) Music of Sustained Tones. Doctoral thesis, University of Huddersfield.

Glover, Richard (2012) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27th-29th April 2012, Ionian University, Corfu, Greece. (Unpublished)

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music, 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music, 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock through the Ages. In: MuGI conference on 'Gender, Musical Creativity and Age', 6th - 7th October 2012, University of Huddersfied. (Unpublished)

Glover, Richard (2012) Phill Niblock: Identity through instability. MusikTexte, 132. ISSN 0178-8884

Glover, Richard (2013) Phill Niblock: Identity through instability. In: Phill Niblock: Working Title. Les presses du réel, Dijon, France. ISBN 9782840664239

Glover, Richard (2011) Pitch specificity in text scores. In: Word Event: a verbal notation symposium, 21st September 2011, Bath, UK. (Unpublished)

Glover, Richard (2012) Portrait concert. In: UNSPECIFIED, 10th February 2012, Le théâtre de l'Espace, Besancon, France.

Glover, Richard (2010) Seventh Inversions. [Composition]

Glover, Richard (2008) Sound unbroken. [Composition] (Unpublished)

Glover, Richard (2007) Spiral chaotic. [Composition] (Unpublished)

Glover, Richard (2012) Sustained Tones and the Auditory Experience. Leonardo Music Journal, 22 (22). pp. 56-57. ISSN 0961-1215

Glover, Richard (2008) Violin with Clarinet and Piano. [Composition] (Unpublished)

Glover, Richard (2008) Virtual fusion. [Composition] (Unpublished)

Glover, Richard (2010) The compositional use of numerals in music notation. In: Music and numbers 2010 conference proceedings. Canterbury Christchurch University, Canterbury, UK. ISBN ISBN 978-1-899253-76-0

Glover, Richard (2011) The evolution of notation in sustained tone music. In: INTIME2011 Symposium Interrogations into Music Experimentation Experimental Approaches: new insights into performance and composition, 24th-25th September 2011, Coventry, UK. (Unpublished)

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM 2012 Joint Conference, 23-28 July 2012, Aristotle University of Thessaloniki.

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM Book of Abstracts. Aristotle University of Thessaloniki, Thessaloniki, pp. 122-123. ISBN 960998451-7

Glover, Richard (2013) The use of grid structures in contemporary notational practice. In: Time Stands Still: Notation in Musical Practice, 5-6 April 2013, Wesleyan University, Connecticut, USA. (Unpublished)

Glover, Richard (2010) The use of numerals in experimental notation. In: Music and Numbers Conference 2010, 14th-15th May 2010, Canterbury Christ Church, UK.

Glover, Richard and Harrison, Bryn (2013) Memory and trace in minimal experimental music. In: Time and Trace: 15th Triennial Conference of the International Society for the Study of Time, 30 June - 6 July 2013, Orthodox Academy of Crete, Greece. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Overcoming Form: reflections on immersive listening. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-120-5

Glover, Richard and Harrison, Bryn (2013) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27-29 April 2012, Ionian University, Corfu, Greece.

Gold, Erica, Earnshaw, Kate and Ross, Sula (2016) An introduction to the West Yorkshire Regional English Database. Transactions of the Yorkshire Dialect Society. ISSN 0954-6316

Gold, Erica and French, Peter (2011) International Practices in Forensic Speaker Comparison. International Journal of Speech Language and the Law, 18 (2). ISSN 1748-8885

Gold, Erica and French, Peter (2011) An international investigation of forensic speaker comparison practices. In: 17th International Congress of Phonetic Sciences, 17th-21st August 2011, Hong Kong.

Gold, Erica, French, Peter and Harrison, Philip (2013) Clicking behavior as a possible speaker discriminant in English. Journal of the International Phonetic Association, 43 (3). pp. 339-349. ISSN 0025-1003

Gold, Erica, French, Peter and Harrison, Philip (2013) Examining long-term formant distributions as a discriminant in forensic speaker comparisons under a likelihood ratio framework. Proceedings of Meetings on Acoustics (POMA), 19 (1). 060041-060041. ISSN 1939-800X

Gold, Erica and Hughes, Vincent (2015) Front-end approaches to the issue of correlations in forensic speaker comparison. In: Proceedings of the 18th International Congress of Phonetic Sciences. University of Glasgow. ISBN 978-0-85261-941-4

Gold, Erica and Hughes, Vincent (2014) Issues and opportunities: The application of the numerical likelihood ratio framework to forensic speaker comparison. Science and Justice, 54 (4). pp. 292-299. ISSN 1355-0306

Gold, Erica and McIntyre, Dan (2017) What the /fᴧk/? An acoustic pragmatic-analysis of meaning in The Wire. In: Pragmatics and Literature. John Benjamins. (Submitted)

Gold, Erica and McIntyre, Dan (2017) What the fuck? Making sense of expletives in The Wire. Babel: The Language Magazine, 19. pp. 28-31. ISSN 2051-7297

Gomez, Jorge (2020) What Is It Like to Be a PNG? Masters thesis, University of Huddersfield.

Gray, Jonathan, Sandvoss, Cornel and Harrington, Lee (2007) Fandom: Identities and Communities in a Mediated World. NYU Press. ISBN 9780814731826

Gray, Jonathan, Sandvoss, Cornel and Harrington, Lee (2007) Why study fans? In: Fandom: Identities and Communities in a Mediated World. NYU Press, pp. 1-18. ISBN 9780814731826

Green, Keith, Christie, Chris and Kádár, Daniel Z. (2007) Book reviews : Diachronic perspectives on address term systems. Journal of Politeness Research Language Behaviour Culture, 3 (1). pp. 159-164. ISSN 1612-5681

Green-Mateu, Susan (2018) The Tesseract: using the body’s movement to shape my compositional practice. Masters thesis, University of Huddersfield.

Gregory, Jodi (2018) Integration experiences of international students: A situated case-study. Doctoral thesis, University of Huddersfield.

Griffiths, Sam and von Lunen, Alexander (2016) Spatial Cultures: Towards a New Social Morphology of Cities Past and Present. Design and the Built Environment Series . Routledge, London. ISBN 9781472450296

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part One: Liza Lim. Resonate Magazine.

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part Two: Liza Lim. Resonate Magazine.

Gurden, Damian (2016) The Trumpet: The Soloist That Time Forgot: An Examination of the Solo Writing for the Trumpet in an Orchestral Context and a Solo Setting Between 1860-1950. Masters thesis, University of Huddersfield.

H

Hale, Cohen (2020) How cocaine influenced British rock and metal culture from 1964-1980. Masters thesis, University of Huddersfield.

Haley, Margaret Anne (2010) Drawing Sound in Time: A Commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Hall, D, Foard, Glenn and Britnell, T (2004) The historic landscape of Rockingham forest. Northamptonshire past and present, 57. ISSN 0140-9131

Hall, Rachel A. (2002) When is a wife not a wife? Some observations on the immigration experiences of South Asian women in West Yorkshire. Contemporary Politics, 8 (1). pp. 55-68. ISSN 13569775

Halliday, Steven (2017) Klangsteine: exploring the sound stones of Hannes Fessmann. Masters thesis, University of Huddersfield.

Hammond, Richard (2018) THE EVOLUTION OF PAUL McCARTNEY’S BASS PLAYING 1965-67. Masters thesis, University of Huddersfield.

Hanlin, Bruce and Klontzas, Michael (2009) Public Service Broadcasting v2.0: an emerging paradigm in the UK. In: The Ends of Television: Logics/Perspectives/Entanglements, 29th June – 1st July 2009, Amsterdam School for Cultural Analysis (ASCA) and Department of Media Studies of the Universiteit van Amsterdam. (Unpublished)

Harcup, Tony and O'Neill, Deirdre (2001) What Is News? Galtung and Ruge revisited. Journalism Studies, 2 (2). pp. 261-280. ISSN 1461-670X

Harcup, Tony and O'Neill, Deirdre (2016) What is news? News values revisited (again). Journalism Studies. ISSN 1461-670X

Hargreaves, John A. (2010) Book review : POINTERS TO THE PAST The historical landscape of Hebden Township, Upper Wharfedale edited Heather Beaumont Yorkshire Archaeological Society Occasional Papers 5 2006 vii+57pp ISBN 1903564557. The Local Historian, 40 (1). ISSN 0024-5585

Hargreaves, John A. (1999) Evangelical piety and Gallic flippancy : Religion and popular protest in Halifax parish in the age of revolution. In: The Representation and Reality of War: The British Experience. Sutton Publishing. ISBN 978-0750918619

Hargreaves, John A. (2003) Halifax. Carnegie Publishing. ISBN 9781859361092

Hargreaves, John A. (2010) ‘“Hat’s Off”: Methodism and Popular Protest in the West Riding of Yorkshire in the Chartist era: a case study of Benjamin Rushton (1785-1853) of Halifax’. Wesley Historical Society. Proceedings, 57 (5). ISSN 0043-2873

Hargreaves, John A. (1999) Methodism and Electoral Politics in Halifax, 1832–1848. Northern history: a review of the history of the North of England., 35 (1). pp. 139-160. ISSN 0078-172X

Hargreaves, John A. (1990) Methodism and Luddism in Yorkshire, 1812–1813. Northern history: a review of the history of the North of England., 26 (1). pp. 160-185. ISSN 0078-172X

Hargreaves, John A. (2013) Methodists at the Parish Pump: Methodism and Parochial, Township and Municipal Politics in Halifax, c.1825−c.1850. In: Yorkshire Methodism Essays to Commemorate the Jubilee Year of the Wesley Historical Society (Yorkshire). Wesley Historical Society. ISBN 9780957493308

Hargreaves, John A. (2014) The Minster Church of John the Baptist, Halifax, West Yorkshire : The Medieval Foundations. In: A Fresh Approach: Essays Presented to Colin Platt in Celebration of His Eightieth Birthday 11 November 2014. Trouser Press.

Hargreaves, John A. (2013) Out and About in Halifax 1863-2013. The historian. pp. 31-35. ISSN 0265-1076

Hargreaves, John A. (1991) Religion and society in the parish of Halifax, c. 1740-1914. Doctoral thesis, Huddersfield Polytechnic.

Hargreaves, John A. (2014) Towards the provinces? Metropolitan press coverage of the first British royal visit to Halifax 1863. In: Towards the Metropolis?: Approaches to the modern city. Leeds Working Papers in Victorian Studies (14). Leeds Centre for Victorian Studies.

Hargreaves, John A. (2014) Wakefield Court Roll 1812-13. Wakefield Court Rolls Series, 16 . Yorkshire Archaeological Society. ISBN 9781903564172

Hargreaves, John A. (2012) Yorkshire Luddism : image and reality 1812-2012. The Local Historian, 42 (3). ISSN 0024-5585

Hargreaves, John A. (1992) A metropolis of discontent. In: Huddersfield : A most handsome town. Kirklees Metropolitan Council Cultural Services. ISBN 9780900746529

Hargreaves, John A. and Haigh, E. A. Hilary (2012) Slavery in Yorkshire: Richard Oastler and the campaign against child labour in the Industrial Revolution. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-107-6

Hargreaves, John A., Laybourn, Keith and Toye, Richard (2017) Introduction. In: Liberal Reform and Industrial Relations: J.H. Whitley (1866-1935), Halifax Radical and Speaker of the House of Commons. Routledge, pp. 1-6. ISBN 9781138293984

Hargreaves, John A., Laybourn, Keith and Toye, Richard (2017) Liberal Reform and Industrial Relations: J.H. Whitley (1866-1935), Halifax Radical and Speaker of the House of Commons. Routledge. ISBN 9781138293984

Hargreaves, Michael (2019) The Mirrored City: creating claustrophobia and pace in overpopulation through prose. Masters thesis, University of Huddersfield.

Harker, Alexander (2011) AHarker Externals. Alexander J. Harker. (Unpublished)

Harker, Alexander (2011) Fluence. [Audio]

Harker, Alexander (2010) Fluence. In: Ergodos Festival MMX, 2nd April 2010, Project Arts Centre, Dublin.

Harker, Alexander (2011) Fluence. In: International Computer Music Conference 2011, 31st July - 5th August 2011, University of Huddersfield.

Harker, Alexander (2012) Fluence. In: 9th Sound and Music Computing Conference 2012, 11th - 14th July 2012, Aalborg University, Copenhagen, Denmark.

Harker, Alexander (2012) Fluence. In: Nachtstrom, Gare du Nord, 8th November 2012, Basel, Switzerland.

Harker, Alexander (2012) Fluence. In: Huddersfield Contemporary Music Festival 2012, 16th - 25th November 2012, Huddersfield, UK.

Harker, Alexander (2010) Fluence. [Composition] (Unpublished)

Harker, Alexander (2011) Fractures. [Composition] (Unpublished)

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

Harker, Alexander, Kanno, Kanno and Newton, Michael (2016) Octet Violins (Modeling a Virtual Violin). University of Huddersfield. (Unpublished)

Harker, Alexander and Tremblay, Pierre Alexandre (2012) The HISSTools Impulse Response Toolbox: Convolution for the Masses. In: ICMC 2012: Non-cochlear Sound. The International Computer Music Association, pp. 148-155. ISBN 9780984527410

Harker, Alexander and Tremblay, Pierre Alexandre (2013) Rethinking the Box: Approaches to the Reality of Electronic Music Performance. In: IRCAM Forum, 20-22 November 2013, IRCAM, Paris. (Submitted)

Harling, Katie (2018) Bio-Queening and Body Art: An Autoethnographic Investigation into Hybrid Performance Making. Masters thesis, University of Huddersfield.

Harper, Kayleigh (2019) Immersive Theatre: An educational intervention for Mental Health. Masters thesis, University of Huddersfield.

Harrington, George Henry (2019) Voices that ‘don’t fit’: case studies in the reception of ‘queer’ high male singing voices. Masters thesis, University of Huddersfield.

Harrison, Bryn (2014) 1.Receiving the Approaching Memory (2011/14). [Composition]

Harrison, Bryn (2009) Bryn Harrison. In: The Ashgate Research Companion to Experimental Music. Ashgate, London, UK, pp. 283-292. ISBN 9780754662822

Harrison, Bryn (2012) Eight Voices. [Composition]

Harrison, Bryn (2011) Five Distances (2011) 10’ Mezzo-soprano voice and piano. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts (2008) (8'). [Composition]

Harrison, Bryn (2009) Gently Rising. [Composition]

Harrison, Bryn (2002) Low time patterns [#1-5] for 7 players (mixed ensemble). [Composition]

Harrison, Bryn (2010) M.C.E. (2010) 20’ Solo classical guitar. [Composition]

Harrison, Bryn (2007) Plane Image (2007) 8'. [Composition]

Harrison, Bryn (2008) Quietly Rising (Piano piece December 2008)(4'). [Composition]

Harrison, Bryn (2008) Repetitions in Extended Time. [Composition]

Harrison, Bryn (2012) Scanning the Temporal Surface. CeReNem journal (3).

Harrison, Bryn (2006) Shifting Light (7 minutes). [Composition]

Harrison, Bryn (2011) The Tempo of Enclosed Spaces: A short, personal reflection on the ensemble music of Aldo Clementi. Contemporary Music Review, 30 (3-4). pp. 269-274. ISSN 0749-4467

Harrison, Bryn (2016) Things are more like they are now than they ever have been before. [Composition]

Harrison, Bryn (2012) Vessels for solo piano (76’). [Composition]

Harrison, Bryn (2016) A form in search of itself (2016). [Composition]

Harrison, Bryn (2006) four cycles for large ensemble (15 players). [Composition]

Harrison, Bryn (2007) a leaf falls on loneliness (2007) (15'). [Composition]

Harrison, Bryn (2008) an oblique. [Composition]

Harrison, Bryn (2009) an oblique. [Audio]

Harrison, Bryn (2005) six symmetries for large ensemble (17 players). [Composition]

Harrison, Bryn (2009) surface forms (repeating)(10'30''). [Composition]

Harrison, Bryn (2008) to be (an ever opening flower). [Composition]

Harrison, Chloe, Nuttall, Louise, Stockwell, Peter and Yuan, Wenjuan (2014) Cognitive Grammar in Literature. Linguistic Approaches to Literature, 17 . John Benjamins, Amsterdam, The Netherlands. ISBN 978 90 272 3404 9

Harrison, Iain (2012) An exploration into the uses of extended techniques in works for the saxophone, and how their application may be informed by a contextual understanding of the works themselves. Doctoral thesis, University of Huddersfield.

Hartley, Allegra (2018) MOTHERS IN A MAN’S WORLD: MASCULINITY, MATERNITY, AND SCIENCE IN CHARLOTTE HALDANE’S INTERWAR FICTION. Doctoral thesis, University of Huddersfield.

Harvey, Stephen (2019) Aurality & the modern urban landscape: Invoking the flâneur - tracing a relationship between creativity and the city in my practice-research. Doctoral thesis, University of Huddersfield.

Hassan, Sawsan Hazim (2019) Media Portrayals of Abrahamic Religions in Broadsheet Newspapers: A Corpus-Based Critical Stylistic Analysis. Doctoral thesis, University of Huddersfield.

Hatton Baldwin, Lydia (2018) Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera. Masters thesis, University of Huddersfield.

Haugh, Michael, Chang, W. and Kádár, Daniel Z. (2012) Identities and relational practices in Chinese online discussion boards. Language@Internet. ISSN 1860-2029

Haugh, Michael and Kádár, Daniel Z. (2017) Intercultural (Im)politeness. In: The Palgrave Handbook of Linguistic (Im)Politeness. Palgrave Macmillan, pp. 601-632. ISBN 9781137375070

Haugh, Michael, Kádár, Daniel Z. and Mills, Sara (2013) Interpersonal pragmatics: Issues and debates. Journal of Pragmatics, 58. pp. 1-11. ISSN 0378-2166

Haughey, Laura (2013) Practical Proprioception: An Examination of a Core Physiological Foundation for Physical Performance Training. Doctoral thesis, University of Huddersfield.

Hawkett, Andrew (2013) An empirical investigation of the concept of memes in music using mass data analysis of string quartets. Doctoral thesis, University of Huddersfield.

Haworth, Catherine (2010) After all, do I look like a murderer? Music and the subjective art of detection in 'Suspicion'. In: RMA Research Students' Conference, January 2010, University of York. (Unpublished)

Haworth, Catherine (2015) Bodies of evidence: performing women and the politics of representation in classical Hollywood. In: Research seminar: Bodies of Evidence, January 2015, Canterbury Christ Church University. (Unpublished)

Haworth, Catherine (2017) Book Review: Olivia Bloechl, Melanie Lowe and Jeffrey Kallberg (eds), 'Rethinking Difference in Music Scholarship' (2015). Journal of the Society for Musicology in Ireland, 12. pp. 71-73. ISSN 1649-7341

Haworth, Catherine (2013) Book review: 'Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores'. By Peter Franklin, Oxford, 2011. Music and Letters, 94 (2). pp. 365-367. ISSN 0027-4224

Haworth, Catherine (2013) Book review: 'The Private Eye: Detectives in the Movies'. By Bran Nicol, Reaktion Books, 2013. Viewfinder: The Journal of the British Universities Film and Video Council, 93. p. 27. ISSN 0952-4444

Haworth, Catherine (2011) Dangerous dames and Siren songs: Music and the 'criminal' woman in 1940s Hollywood. In: Women in Research, July 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2005) Dark as night and twice as deadly: music, gender and film noir. In: Research seminar, November 2005, Department of Music, University of East Anglia. (Unpublished)

Haworth, Catherine (2012) Detective Agency? Scoring the Amateur Female Investigator in 1940s Hollywood. Music and Letters, 93 (4). pp. 543-573. ISSN 0027-4224

Haworth, Catherine (2009) Detective agency? Music, sound, and the female investigator in 1940s Hollywood. In: International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Haworth, Catherine (2005) Gender and subversion in Roy Webb's score for 'The Spiral Staircase'. In: RMA Research Students' Conference, March 2005, University of Durham. (Unpublished)

Haworth, Catherine (2015) How music became so core to James Bond that someone bet £15,000 on the theme. The Conversation. ISSN 2044-5032

Haworth, Catherine (2011) I remember clearly everything that happened that night...: voiceover, music and subjectivity in classical Hollywood. In: Film Music Conference, September 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2012) Introduction: Gender, Sexuality, and the Soundtrack. Music, Sound, and the Moving Image, 6 (2). pp. 113-135. ISSN 1753-0768

Haworth, Catherine (2013) "It may sound like music to her…": Inter-American politics, 'Latin' scores, and the 1940s femme fatale in 'The Leopard Man'. In: British Association of American Studies conference, April 2013, University of Exeter, UK. (Unpublished)

Haworth, Catherine (2008) John Barry and the James Bond sound. Programme note for 'James Bond: Shaken, not stirred' concert, Leeds Town Hall International Concert Season.

Haworth, Catherine (2017) Listening to the detectives: towards inclusive analysis of The Falcon's adventures at RKO. In: Sources and Archives in Screen Sound Studies, 1st-2nd June 2017, University of Huddersfield, UK. (Unpublished)

Haworth, Catherine (2013) Million-dollar legs and a desire for the "primitive": Taming Ann Miller’s virtuosic body in and around 'Prehistoric Man'. In: The Performing Body in the Hollywood Film Musical, 4th-6th April 2013, Colgate University, Hamilton, NY USA. (Unpublished)

Haworth, Catherine (2017) Music for a gentleman adventurer: scoring the Falcon at RKO Radio Pictures. In: Newland Lecture in Music, 17 October 2017, University of Hull. (Unpublished)

Haworth, Catherine (2006) Music, suspense, and subjectivity in 'Notorious'. In: RMA Research Students' Conference 2006, January 2006, University of Leeds. (Unpublished)

Haworth, Catherine (2013) Musical scores and female detectives of the 1940s. [Web page]

Haworth, Catherine (2011) Nancy, Nancy, what'll you do to him now?: music, subjectivity and the femme fatale in 'The Locket'. In: Music and the Moving Image VI, May 20 – May 22, 2011, New York University. (Unpublished)

Haworth, Catherine (2016) On the beat with the Falcon: scoring the adventure programmer at RKO Radio Pictures. In: Music Research Seminar, October 20th, 2016 — September 20th, 2016, University of Leeds, School of Music. (Unpublished)

Haworth, Catherine (2014) Prescriptive audio: gender, medicine and musical control in the 1940s gaslight film. In: Music and Screen Media, 25-26th June 2014, University of Liverpool. (Unpublished)

Haworth, Catherine (2015) Pussy Galore: women and music in 'Goldfinger'. In: For his eyes only? The women of James Bond. Wallflower Press, New York, USA, pp. 160-170. ISBN 9780231176149

Haworth, Catherine (2008) Review of 'Film's Musical Moments' ed. by Ian Conrich and Estella Tincknell (Edinburgh University Press, 2006). Music, Sound and the Moving Image, 2 (1). pp. 83-90. ISSN 1753-0768

Haworth, Catherine (2008) Shades of grey: suspense, subjectivity and the soundtrack in Hitchcock's 'Notorious'. In: Cinemusic? Constructing the Film Score. Cambridge Scholars Publishing, Cambridge, UK, pp. 113-125. ISBN 1847185932

Haworth, Catherine (2014) Shapely gams and jazz hands: taming Ann Miller's virtuosic body in and around 'Prehistoric Man'. In: Music for Audio-Visual Media, September 2014, University of Leeds, UK. (Unpublished)

Haworth, Catherine (2011) She must be quite a dame...: Music and the femme fatale in 'Out of the Past'. In: International Conference on Music Since 1900, 28–31 July 2011, Lancaster University. (Unpublished)

Haworth, Catherine (2012) Something beneath the flesh: medicine, music and masculinity in the 1940s gaslight thriller. In: Bodies of Evidence: Crime, Gender and Representation, 2 April 2012, Newcastle University. (Unpublished)

Haworth, Catherine (2014) Something beneath the flesh: music, gender, and medical discourse in the 1940s female gothic film. Journal of the Society for American Music, 8 (3). pp. 338-370. ISSN 1752-1963

Haworth, Catherine (2017) Star quality? Song, celebrity and the jukebox musical in 'Mamma Mia!'. In: Contemporary Musical Film. Edinburgh University Press, Edinburgh, pp. 107-122. ISBN 9781474413121

Haworth, Catherine (2017) Synchronicity and subjectivity in film music studies. In: Popular Music Study Day, 25th May 2017, Oxford Brookes University, UK. (Unpublished)

Haworth, Catherine (2012) "There isn't any other song": Reading Monroe's 'Kiss' in and after 'Niagara'. In: The Afterlife of the Film Song, 8 December 2012, Bristol University. (Unpublished)

Haworth, Catherine (2007) There isn't any other song: music, Monroe, and female agency in 'Niagara'. In: Sound, Music and the Moving Image, 10–12 September 2007, Institute of Musical Research, University of London. (Unpublished)

Haworth, Catherine (2006) There's nothing like a love song to give you a good laugh: music and subjectivity in 'Notorious'. In: Bradford Film Festival Film Music Conference, March 2006, National Media Museum, Bradford. (Unpublished)

Haworth, Catherine (2005) There's nothing like a love song to give you a good laugh: music, 'Notorious', and the boundaries of noir. In: Cherchez la Femme. The cinematic femme fatale, her history and transmissions, September 2005, University of Exeter. (Unpublished)

Haworth, Catherine (2010) They wouldn't send a woman, would they? Musical approaches to the female detective in 1940s Hollywood. In: Crime Across Cultures, 9-10 September 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2014) "Wallowing in Latin glamor": inter-American politics, Hollywood film music, and the 1940s femme fatale. In: Music and the Moving Image IX, 30th May - 1st June 2014, New York University. (Unpublished)

Haworth, Catherine (2009) What do you know of law and trials and all those things? Music and the female investigator in 1940s Hollywood. In: Research seminar, October 2009, School of Music, University of Leeds. (Unpublished)

Haworth, Catherine (2012) A bad town for blondes? Hollywood film music and inter-American politics in "The Leopard Man". In: Music and Music Technology Research Forum, March 2012, University of Huddersfield. (Unpublished)

Haworth, Catherine (2013) “A bad town for blondes”: Identity, inter-American politics, and ‘Latin’ film music in 'The Leopard Man'. In: International Conference on Music Since 1900, September 2013, Liverpool Hope University. (Unpublished)

Haworth, Catherine (2010) A voice with hormones: power, desire, and musical performance in 'A Woman's Secret'. In: School of Music Research Day, May 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2011) A voice with hormones: the singer, the diva, and the femme fatale in 'A Woman's Secret'. In: The Diva: An Interdisciplinary Conference, 5-8 July 2011, Liverpool Hope University. (Unpublished)

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. Ashgate, Farnham. ISBN 978-1-4724-3085-4

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. In: Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 1-6. ISBN 978-1-4724-3085-4

Hazell, Joseph C. N. (2018) A Rise in Conservatism? West Yorkshire politics 1979-87 and the aftermath of the Winter of Discontent: A comprehensive study of election results in West Yorkshire from 1982-87. Masters thesis, University of Huddersfield.

He, Yun (2006) Analysing English translations of tourism texts about ethnic cultures in SW China. Journal of Yunnan University of Nationalities (Supplement). pp. 186-190.

He, Yun (2012) Book review: Pan, Yuling and Dániel Z. Kádár. 2011. Politeness in Historical and Contemporary Chinese. London and New York: Continuum. ISBN 978-1-8470-6275-8; 224 pp. Journal of Politeness Research: Language Behaviour Culture, 8 (2). pp. 282-286. ISSN 1612-5681

He, Yun (2008) ‘Buzz off’ or ‘Thank you’? Responses to Compliments in Contemporary Chinese. In: 4th International Symposium on Politeness 'East meets West', 2nd - 4th July 2008, Budapest, Hungary. (Unpublished)

He, Yun (2010) Complimenting as intended: from the perspectives of the investigator, hearer and speaker. In: 5th International Symposium on Politeness, 30th June - 2nd July 2010, Basel, Switzerland. (Unpublished)

He, Yun (1998) Compliments in cross-cultural communication. In: Social Sciences and Education. Inner Mongolian Publishing House, Hohhot, pp. 266-273.

He, Yun (2011) Constructing group identity through politeness strategies in dinner party conversations. In: 12th International Pragmatics Conference, 3rd - 8th July 2011, Manchester, UK. (Unpublished)

He, Yun (2012) Different generations, different face? A discursive approach to naturally occurring compliment responses in Chinese. Journal of Politeness Research: Language Behaviour Culture, 8 (1). pp. 29-51. ISSN 1612-5681

He, Yun (1998) English speech sounds in context. Journal of Foreign Languages in Colleges, 1.

He, Yun (2007) Exploring the Inconsistent Translations of Lüyoujü: Also on Chinese-English Lexicography. Journal of Yunan Normal University(Teaching and Research on Chinese as A Foreign Language Edition), 5 (1). pp. 45-48. ISSN 1672-1306

He, Yun (2009) Face and politeness: compliment rejection in contemporary Chinese. In: International Symposium on Face and Politeness, 10th July 2009, Brisbane, Australia. (Unpublished)

He, Yun (2006) Reflections on Multiculturalism under the Worldwide Spread of English. Journal of Yunan Normal University (Teaching and Research on Chinese as A Foreign Language Edition), 4 (4). pp. 70-74. ISSN 1672-1306

He, Yun (2002) Verbal taboo in English and Chinese from a sociolinguistic perspective. Academic Research (2). pp. 146-148.

He, Yun (1998) An appraisal of Peter Newmark’s theories on communicational and semantic translation. In: Social Sciences and Education. Inner Mongolian Publishing House, Hohhot, pp. 66-70.

He, Yun (2006) A note on English translations of China’s institutional names. Journal of Qujing Normal University, 25 (2). pp. 125-126. ISSN 1008-2743

He, Yun and Zhuang, Cheng-yu (2006) Discussion about Some Biographical Mistranslations of Historical Figures in Yunnan. Journal of Honghe University (4). pp. 29-32. ISSN 1008-9128

He, Yun and Zhuang, Cheng-yu (2004) The Reasons for and Effects of the Globalization of English. Journal of Yunnan Normal University (Teaching and Research on Chinese as a Foreign Language Edition) (6). pp. 60-64. ISSN 1672-1306

He, Yun and Zhuang, Cheng-yu (2001) A comparative study on associative meanings of colour terms and words for plants and animals in English and Chinese. Journal of Yunnan University of Nationalities (Supplement). pp. 137-139.

He, Yun and Zhuang, Cheng-yu (2000) A contrastive analysis of values in intercultural communication between native speakers of English and Chinese. In: Language Teaching and Culture Research. China Wenlian Press, Beijing, pp. 84-87.

Head, Matthew, Cowgill, Rachel, Cusick, Suzanne, Fuller, Sophie and Colton, Lisa (2003) Round Table: Lesbian Historiography. In: 39th RMA Annual Conference 2003: Music Historiography, 12–14 September 2003, School of Music, Cardiff University. (Unpublished)

Healy, Kristine (2018) Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. Doctoral thesis, University of Huddersfield.

Hedgecock, James (2020) The extended drum kit: A study of techniques and approaches in free improvisational contexts and their influence on contemporary compositions. Masters thesis, University of Huddersfield.

Hellmuth, Sam, Almbark, Rana, Chlaihani, Basma and Louriz, Nabila (2015) F0 peak alignment in Moroccan Arabic polar questions. In: Proceedings of ICPhS 2015. University of Glasgow. ISBN 9780852619414

Hellstrom, Sten-Olof (2013) Algorithmically driven synthesis and feedback systems: an investigation into the aesthetic and technical processes in my compositional practice. Doctoral thesis, University of Huddersfield.

Heptinstall, Thomas (2016) From Snider-Enfield, to Martini-Henry, to the Magazine Lee-Metford: An Historical and Technical Overview of the Development of British Military Rifles from 1866 to 1895. Masters thesis, University of Huddersfield.

Herbst, Jan (2018) The Art of Record Production: Technologies, practices and styles of popular music production. In: Postgraduate seminar on popular music analysis, 26-29 March 2018, Paderborn University, Germany. (Unpublished)

Herbst, Jan (2018) “Put It Up to Eleven”: An Experimental Study on Distorted Solo Guitar Techniques in Sixty Years of Rock Music. Vox Popular, 3. ISSN 2531-7059 (In Press)

Herbst, Jan and Boer, Daniela (2018) Impulse aus der Musik kreativ in Bewegungen umsetzen und für Kommunikationsanlaesse nutzen [Musical Impulses Creatively Expressed Through Movement and Used for Communicative Purposes]. Sportpaedagogik, 67 (9). pp. 403-407. ISSN 0171-4953

Herbst, Jan-Peter (2013) 18 and Life (Skid Row). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Akkordstrukturen im verzerrten Rockgitarrenriff: Eine experimental-analytische Studie zur Auswirkung von physikalischen und psycho-akustischen Faktoren [Chord structures in the distorted rock guitar riff: An experimental and analytic study on the effects of physical and psychoacoustic factors]. Samples, 15. ISSN 1216-8001

Herbst, Jan-Peter (2015) ”Busby Berkeley: Höhepunkte der Choreographie des Broadway Musicals der 1930er Jahre“ [Busby Berkeley: Highlights of 1930s Broadway musical choreography]. In: Lecture series in Music and Arts, 4 November 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Das Konzeptalbum im Wandel der Zeit: Transmediale Schnittstellen als zeitgemäße ästhetische wie auch ökonomische Strategien?!“ [Concept albums in the change of time: Transmedial interfaces as aesthetic and economic strategies?! In: Lecture series in Music and Arts, 20th April 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Das virtuelle Mischpult als Instrument [The virtual mixing desk as an instrument]. Musikunterricht und Computer, 5. pp. 28-37. ISSN 1617-5816

Herbst, Jan-Peter (2016) “Der Einfluss von Verzerrung auf die Wahrnehmung verschiedener Gitarrenakkorde: Eine quantitative Studie auf Grundlage psychoakustischer Messungen” [The effect of distortion on the perception of guitar chord structures: A quantitative study based on a psychoacoustic experiment]. In: Akustik und musikalische Hörwahrnehmung, 1-11 September 2016, Vienna University, Austria. (Unpublished)

Herbst, Jan-Peter (2013) “Didaktik der Populären Musik: Sound und aktuelle Herausforderungen“ [Popular Music Education: Sound and contemporary challenges]. In: Musik lernen und vermitteln: Grundfragen und Perspektiven der Musikpädagogik, 13 January 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2011) Die Form macht’s: Angewandte Formenlehre in der Erarbeitung populärer Musik [The form matters: Applied music theory in popular music education]. Ueben und Musizieren, 2011 (6). pp. 34-37. ISSN 0174-6065

Herbst, Jan-Peter (2016) Die Gitarrenverzerrung in der Rockmusik: Studien zu Spielweise und Ästhetik [The guitar distortion in rock music: A study on playability and aesthetics]. Populaere Kultur und Medien, 12 . LIT, Muenster. ISBN 978-3-643-13553-7

Herbst, Jan-Peter (2011) Die Metapher als „Medium“ des Musikverstehens (Conference report). In: Die Metapher als „Medium“ des Musikverstehens, 17-19 June 2011, Osnabrueck University. (Unpublished)

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des E-Gitarrenspiels in der Rockmusik“ [Distortion as an expressive tool for rock guitar playing]. In: Transcultural and Popular Music Research, 29 January 2016, Weimar College of Music, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des Gitarrenspiels: Methodische Grundlagen und praktische Anwendungen“ [The distortion as an expressive means of guitar playing: Methodical basics and practical application]. In: Stromgitarren, 16 June 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2013) Don’t Stop Believin’ (Journey). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2015) “Dub Reggae: Das Mischpult als Instrument“ [Dub reggae: the mixing desk as an instrument]. In: Lecture series in Music and Arts, 2nd December 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Eigenes und Fremdes: Differenz als Chance für die (interkulturelle) Musikpädagogik” [I and the other: Difference as opportunity for intercultural music education]. In: Music and Arts Education, 10 January 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Faszination Gitarre: Der gemeinsame Song im Gitarrenorchester [Guitar fascination: The guitar orchestra]. Praxis des Musikunterrichts, 127. pp. 34-39. ISSN 1436-1949

Herbst, Jan-Peter (2015) Faszination Gitarre: Die Grundlagen der Tonerzeugung [Guitar fascination: The basics of tone production]. Praxis des Musikunterrichts, 123. pp. 36-43. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Grundlagen der akkordischen Liedbegleitung [Guitar fascination: Basics of rhythm guitar]. Praxis des Musikunterrichts, 126. pp. 38-47. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Phrasierung und die ersten Melodien [Guitar fascination: Phrasing and melodies]. Praxis des Musikunterrichts, 125. pp. 38-44. ISSN 1436-1949

Herbst, Jan-Peter (2017) “Gear Acquisition Syndrome”: A Survey of Electric Guitar Players. In: Popular Music Studies Today. Proceedings of the 19th conference of the International Association for the Study of Popular Music. Systematische Musikwissenschaft . Springer, Wiesbaden, pp. 139-148. ISBN 978-3658177393

Herbst, Jan-Peter (2016) “George Martin: Eine Rückschau auf seine Arbeit mit den Beatles und seinen Einfluss auf die Musikwelt“ [George Martin: A retrospect on his work with the Beatles and his influence on the world of music]. In: Lecture series in Music and Arts, 1 June 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) “Heaviness im modernen Metal. Eine produktionstechnische Annäherung an ein genrespezifisches Qualitätskriterium” [Heaviness in modern metal music. A production-technological approach to a genre-specific quality criterion]. In: “Modern rock and metal music” postgraduate symposium, 21 October 2017, University of the Arts Bern, Switzerland. (Unpublished)

Herbst, Jan-Peter (2017) “Heaviness” and the metal music guitar. Interactions between harmonic structure and sound from acoustic and perceptual perspectives. In: Musik und Bewegung, 15-17 September 2017, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2015) He’s a Pirate: Ein höranalytischer Vergleich des Film-Soundtracks mit einer Interpretation David Garretts [An audiological comparison of film soundtracks with the interpretations of David Garrett]. Musik und Bildung, 2014 (2). pp. 8-11. ISSN 0027-4747

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2012) Hump de Bump (The Red Hot Chili Peppers). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Influence of distortion on guitar chord structures: Acoustic effects and perceptual correlates. In: Akustik und musikalische Wahrnehmung. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie (27). Hogrefe, Goettingen.

Herbst, Jan-Peter (2015) “Informelles Lernen lehren: Eine aktuelle Problemstellung der Didaktik populärer Musik“ [Teaching informal learning: A contemporary challenge of popular music education]. In: Popular Music Education in Practice, 7 April 2015, University of Applied Sciences Osnabrueck, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Kommunikation und Wissenskonstruktion in der Vorlesung: Eine quantitative Studie zur Emergenz fachlichen Grundlagenwissens durch kommunikationsanregende Methoden“ [Communication and construction of knowledge: A quantitative study on the emergence of knowledge by teaching methods]. In: Tag der Lehre, 16 February 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825

Herbst, Jan-Peter (2015) “Kommunikative Musikdidaktik im Spannungsfeld von Kontingenz und Kompetenz: Eine empirische Studie zu konstruktivistisch-interaktiven Lernarrangements in musikpädagogischer Theorie und Praxis“ [Communicative music education between contingency and competence: An empirical study on contructivist and interactive learning situations]. In: Empirical Music Education, 21 May 2015, Mozarteum Salzburg, Austria. (Unpublished)

Herbst, Jan-Peter (2016) “Methoden der Klanganalyse und ihre Anwendung in Musikpsychologie und -analyse" [Methods of sound analysis and its use for music psychology and analysis]. In: Funktionen und Wirkungen von Musik, 19 April 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Musikalische Darstellungsweisen der Elemente am Beispiel des Konzeptalbums 'The Alchemy Index' von Thrice“ [Musical presentation of the natural elements in Thrice’s concept album The Alchemy Index]. In: Lecture series in Arts and Music, 3 March 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Musikpädagogik und Musiktechnologie: Eine Fallstudie aus der Praxis am Beispiel von Dub Reggae” [Music Technology and Music Education: A practice-based case study on dub reggae]. In: Jugend musiziert – musikkulturelle Vielfalt im Diskurs, 28-29 September 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2014) Netzwerk Sound: Eine didaktische Herausforderung der populären Musik [Network sound: An educational challenge of popular music]. Forum Musikpädagogik, 129 . Wißner, Augsburg. ISBN 9783896399724

Herbst, Jan-Peter (2013) “Netzwerk Sound: Hören, Kultur, Praxis“ [Network sound: Listening, culture, practice]. In: Postgraduate Research Conference, 19 February 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology from a production perspective. In: The Future Sound of Pop Music, 30 November - 02 December 2017, University of the Arts Bern, Switzerland. (Unpublished)

Herbst, Jan-Peter (2016) “Para-Sonic 3.0: Eine Klang-Körper-Interaktion“ [Para-sonic 3.0: A sound and body interaction]. In: Lecture series in Music and Arts, 11 November 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Herbst, Jan-Peter (2017) Resonanz [Resonance]. In: Irgendwie anders: Inklusionsaspekte in den künstlerischen Fächern und der ästhetischen Bildung. Fabrico, Hannover, pp. 217-222. ISBN 9783946320135

Herbst, Jan-Peter (2014) ”Rethinking sound – an ontological perspective“. In: Sonic Signatures, 9-11 April 2014, Aalborg University, Denmark. (Unpublished)

Herbst, Jan-Peter (2016) Review of Forsbach, Beate (2015): Fächerübergreifender Musikunterricht: Konzepte und Modelle für die Unterrichtspraxis (Edition Forsbach Verlag). Musik und Unterricht, 122. p. 75. ISSN 0937-9568

Herbst, Jan-Peter (2012) Rosanna (Toto). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2016) ”Shredding, Two-Hand-Tapping, Feedback: Eine experimental-analytische Studie zur Auswirkung von Gitarrenverzerrung auf das Solospiel im Rock und Metal” [An experimental and analytic study on the effects of guitar distortion on solo playing in rock and metal]. In: Schneller, höher, lauter. Virtuosität in populären Musiken, 18-20 November 2016, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Herbst, Jan-Peter (2017) ”Transkulturelle Musikpädagogik: Ziele, Methoden und Potenziale für ästhetische Bildung“ [Transcultural music education: aims, methods and potentials for aesthetic education]. In: Strategien in der ästhetischen Bildung, 17 January 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Verzerrung und Noise: Formen, Intentionen und Geschichte des Heavy Metal Sounds“ [Distortion and noise: Forms, intentions and history of heavy metal sounds]. In: Musik, Kultur und Geschichte des Heavy Metal, 28 June 2016, Siegen University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Virtuoses Gitarrenspiel im Rock und Metal: Zum Einfluss von Verzerrung auf das ‚Shredding’ [Virtuoso solo guitar in rock and metal music: About the influence of distortion on ’shredding']. In: Schneller, höher, lauter. Virtuosität in populären Musiken. Beiträge zur Popularmusikforschung (43). Transcript, Bielefeld, pp. 131-152. ISBN 978-3837635928

Herbst, Jan-Peter (2015) “What’s that Sound?” Sound als didaktische Herausforderung der populären Musik [Sound as an educational challenge of popular music]. In: Popmusik-Vermittlung: Zwischen Schule, Universität und Beruf. Theorie und Praxis der Musikvermittlung (14). LIT, pp. 133-152. ISBN 9783643129970

Herbst, Jan-Peter (2016) “Wir brauchen Licht: Musikalische und performative Umsetzung des Finalstückes aus dem Musical ‚Next to Normal’“ [We need light: music and performance in the final song of the musical ’Next to Normal’]. In: Summer School Music Education, 12-15 September 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) The formation of the German metal scene and the question of a “Teutonic” power metal sound. In: HardWired VI: So far, so good… so what? Approaching the Metal Realities, 3-5 May 2018, University of Siegen, Germany. (Unpublished)

Herbst, Jan-Peter, Czedik-Eysenberg, Isabella and Reuter, Christoph (2018) Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives. Metal Music Studies, 4 (3). pp. 481-506. ISSN 2052-3998

Herbst, Jan-Peter and Holthaus, Jan (2017) Music studio operators from Germany’s “Ruhrpott”: Role, services and resources. Etnomusikologian vuosikirja, 29. ISSN 0783-6821

Herbst, Jan-Peter and Kathke, Petra (2017) Musik und Kunst – ein Überblick [Music and Arts – an overview]. Musik und Unterricht, 126. pp. 18-20. ISSN 0937-9568

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). pp. 59-78. ISSN 1468-2761

Hetzler, Eric T (2010) The actor's awareness: an empirical examination from the survey of the actor's experience. In: Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing, Cambridge, pp. 46-65. ISBN 1445816493

Hewitt, Martin (2012) Beyond scientific spectacle: image and word in nineteenth century popular lecturing. In: Popular Exhibitions, Science and Showmanship, 1840-1910. Science and Culture in the Nineteenth Century (15). Pickering & Chatto, London, UK, pp. 79-95. ISBN 9781848933064

Hewitt, Martin (2013) The Dawn of the Cheap Press in Victorian Britain: The End of the 'Taxes on Knowledge', 1849-1869. Bloomsbury Academic, London, UK. ISBN 9781472511546

Hewitt, Martin (2012) Introduction: Victorian milestones. In: The Victorian World. Routledge Worlds . Taylor and Francis, London, UK, pp. 1-53. ISBN 978-0-415-49187-7

Hewitt, Martin (2017) The Law and the Press. In: Journalism and the Periodical Press in Nineteenth Century Britain. Cambridge University Press, Cambridge, UK. ISBN 978-1107085732

Hewitt, Martin (2008) Max O’Rell and the performance of Frenchness on the late nineteenth-century Anglo-American lecture platform. In: Regards des Anglo-Saxons sur La France au cours du long Dix-Neuvième Siècle. Cahiers du CICC (22). L’Harmattan, Paris, France, pp. 147-180. ISBN 978-2-296-06628-1

Hewitt, Martin (2012) Preaching from the platform: popular religious lecturing and the challenge of churching the masses. In: Oxford Handbook of the British Sermon, 1689-1901. Oxford Handbooks in Religion and Theology . Oxford University Press, London, UK, pp. 79-96. ISBN 978-0-19-958359-1

Hewitt, Martin (2012) The Victorian world. Routledge Worlds . Taylor and Francis, London, UK. ISBN 9780415491877

Hewitt, Martin (2014) ‘“A little bit of a Victorian?”: Asa Briggs and Victorian Studies’. In: The Age of Asa. Lord Briggs, Public Life and History in Britain since 1945 . Palgrave, pp. 46-78. ISBN 9781137392572

Hewitt, Martin and Cowgill, Rachel (2007) Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9 . Leeds Trinity & All Saints/Leeds Centre for Victorian Studies/Leeds University Centre for English Music, Leeds. ISBN 0954015983

Hewitt, Scott (2009) The Laptop As An Ensemble Instrument-Methods And Concerns. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Hewitt, Scott, Tremblay, Pierre Alexandre, Freeman, Samuel and Booth, Graham (2010) HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices. In: Proceedings of the International Computer Music Conference. ICMA, New York, pp. 304-307.

Hickling, Luke (2021) Building an Immersive World. Masters thesis, University of Huddersfield.

Higgins, Peter (2017) The Wolfhound Century Trilogy: World Building through Genre and Allusion. Doctoral thesis, University of Huddersfield.

Hill, Pat (2004) Am I being a pedant when I say that acknowledging my students different literacy practices won't get them a job? In: WDHE 2004: Valuing and Evaluating Writing in HE, 11th-12th May 2004, Sheffield Hallam University.

Hill, Pat (2001) Feedback on feedback. In: Teaching Writing in Higher Education, 26th-27th March 2001, Warwick University.

Hill, Pat (2010) Horses for Courses. In: 7th LDHEN Symposium "Celebrating Partnerships in Learning", 29-31 March 2010, Nottingham Trent University. (Unpublished)

Hill, Pat (2009) Invisible writing. In: European Association for Teachers of Academic Writing (EATAW) 2009 Conference, 30th June-2nd July 2009, Coventry University. (Unpublished)

Hill, Pat (2004) What do students really want from higher education?: but will it get me more marks? In: The Eleventh International Literacy and Education Research Network Conference on Learning, 27th-30th June 2004, Centro De Convenciones Pedagogicas De Cojimar, Havana, Cuba.

Hill, Pat and Mullen, Jane (2007) Writing Skills - An integrated approach. In: 4th LDHEN Symposium: "How do students engage with learning?", 12 April 2007, Bournemouth University. (Unpublished)

Hill, Pat and Tinker, Amanda (2017) Academic skills provision and learning development: situation, synergy and sustainability. In: Exploring Academic Skills Provision at UK HIgher Education Institutions, 23 April 2017, Cardiff Metropolitan University, UK. (Unpublished)

Hill, Pat and Tinker, Amanda (2011) Embedding skills: what does it mean to learning developers, lecturers and students? In: 8th ALDinHE Conference. "Engaging Students - Engaging Learning", 18-20 April 2011, Queen's University, Belfast. (Unpublished)

Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X

Hill, Pat, Tinker, Amanda and Catterall, Stephen (2010) From Deficiency to Development: the evolution of academic skills provision at one UK university. Journal of Learning Development in Higher Education (2). ISSN 1759667X

Hill, Patricia Ann (2008) Making writing invisible: A Study into the Complexities of Standard Written English Acquisition in Higher Education. Doctoral thesis, University of Huddersfield.

Hinchliffe, Jade L. (2019) The Representation of Surveillance in Dystopian Fiction of the Twentieth and Twenty-First Centuries. Masters thesis, University of Huddersfield.

Hindley, Francesca (2020) How was the classical Hollywood film score utilised to manipulate societal perceptions of soldier identities in the Second World War period? Masters thesis, University of Huddersfield.

Ho, Yufang (2011) Book Review: Directions in Empirical Literary Studies: in Honor of Willie van Peer. Language and Literature, 20 (4). pp. 365-368. ISSN 0963-9470

Ho, Yufang (2006) Book Review: Narrating Knowledge in Flannery O’Connor’s Fiction. Language and Literature, 15 (2). pp. 208-211. ISSN 0963-9470

Ho, Yufang (2011) Corpus Stylistics in Principles and Practice: a stylistic exploration of John Fowles’ The Magus. Continuum. ISBN 9780826426178

Ho, Yufang (2008) Measuring Text Similarity between the Two Editions of John Fowles’s The Magus. In: The State of Stylistics. Rodopi, Amsterdam-New York, pp. 207-228. ISBN 9789042024281

Ho, Yufang (2014) Pedagogical Stylistic Strategies in the teaching/learning of Edgar Allan Poe’s tales of terror. Soochow Journal of Foreign Languages and Literatures, 38. pp. 21-52.

Ho, Yufang (2010) Stylistics and its Relevance to the Study of Literature: Edgar Allan Poe’s “The Tell-Tale Heart” as an Illustration. Journal of National Taiwan Normal University: Linguistics and Literature, 55 (2). pp. 137-157.

Hobman, Jason (2011) Instrumentality in Electronic Music. Masters thesis, University of Huddersfield.

Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.

Hodgson-Wright, Stephanie (2003) Jane, Lady Lumley, Euripides' Iphigenia at Aulis (c. 1554): commentary. In: Reading Early Modern Women. Routledge, London, UK, pp. 326-329. ISBN 978-0-415-96645-0

Holbrook, David (2010) Noise: Using Location Recordings for Computer Compositions. Masters thesis, University of Huddersfield.

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

Holmes, David (2010) Crowned in shamrocks erin't Broad Acres: The emergence of the Irish Catholic community in Yorkshire, and the evolution of the West Riding's forgotten Irish Rugby clubs, 1860-c 1920. Doctoral thesis, University of Huddersfield.

Holmes, Sophie (2020) What Elements of Dramatherapy and Dance Movement Therapy Lend Themselves Particularly Well to Treating Social Anxiety Disorder? Masters thesis, University of Huddersfield.

Holroyde, Andrew (2019) Sheltered Employment and Disability in the Classic Welfare State: Remploy c.1944-1979. Doctoral thesis, University of Huddersfield.

Holt, Elizabeth (2010) Book review: Metaphor in Discourse, by Elena Semino, 2008. Cambridge: Cambridge University Press, pp. 247. ISBN 9780521686969. Language and Literature, 19 (3). pp. 330-333. ISSN 0963-9470

Holt, Elizabeth (2013) Conversation Analysis and Laughter. In: The Encyclopedia of Applied Linguistics. Blackwell Publishing. ISBN 9781405198431

Holt, Elizabeth (2002) Enacting impropriety: Reported speech and laughter in conversation. In: ICCA 2002 (International Conference on Conversation Analysis), 17th - 21st May 2002, University of Copenhagen, Denmark.

Holt, Elizabeth (1998) I asked him why and he said "wel it's because...": The sequential position and interactional functions of direct and indirect reported speech in conversation. In: 6th International Pragmatics Conference, 19th - 24th July 1998, Reims, France.

Holt, Elizabeth (1992) Idioms and topic termination. In: Proceedings of Idioms: International Conference on Idioms. Institute for Language Technology and Artificial Intelligence. ISBN 9789074029056

Holt, Elizabeth (2015) Indirect reported speech in interaction. In: Indirect Reports and Pragmatics: Interdisciplinary Studies (Perspectives in Pragmatics, Philosophy & Psychology). Perspectives in Pragmatics, Philosophy & Psychology . Springer, pp. 167-187. ISBN 978-3319213941

Holt, Elizabeth (2017) Indirect reported speech in storytelling: its position, design and uses. Research on Language and Social Interaction, 50 (2). pp. 171-187. ISSN 0835-1813

Holt, Elizabeth (1999) Just gassing: An analysis of direct reported speech in a conversation between employees of a gas supply company. Text: an interdisciplinary journal for the study of discourse, 19 (4). pp. 505-537. ISSN 0165-4888

Holt, Elizabeth (2007) Laughter and laughables in conversation. In: 10th International Pragmatics Conference, 8 - 13 July 2007, Goteborg, Sweden. (Unpublished)

Holt, Elizabeth (2016) Laughter at Last: Playfulness and laughter in interaction. Journal of Pragmatics. ISSN 0378-2166

Holt, Elizabeth (2011) On the nature of 'laughables' : laughter as a response to overdone figurative phrases. Pragmatics, 21 (3). pp. 393-410. ISSN 1018-2101

Holt, Elizabeth (2009) Reported speech. In: The Pragmatics of Interaction. Handbook of Pragmatics Highlights (4). John Benjamins Publishing Company, pp. 190-205. ISBN 9789027207814

Holt, Elizabeth (1999) Reported speech and recipients’ reactions in interaction. In: Pragmatics in 1998: selected papers from the 6th International Pragmatics Conference. International Pragmatics Association, Antwerp, pp. 261-275. ISBN 9789080114838

Holt, Elizabeth (2000) Reporting and Reacting: Concurrent Responses to Reported Speech. Research on Language and Social Interaction, 33 (4). pp. 425-454. ISSN 08351813

Holt, Elizabeth (1996) Reporting on talk: the use of direct reported speech in conversation. Research on Language and Social Interaction, 29 (3). pp. 219-245. ISSN 0835-1813

Holt, Elizabeth (1996) Reporting on talk: the use of direct reported speech in conversation. In: 5th International Pragmatics Conference, 4th - 9th July 1996, Mexico City, Mexico.

Holt, Elizabeth (2011) There's many a true word spoken in jest : on the seriousness and non-seriousness in interaction. In: Laughter and Humor in Interaction Conference, 23-24th June 2011, Emmerson College, Boston, USA. (Unpublished)

Holt, Elizabeth (2011) There's many a true word spoken in jest : on the seriousness and non-seriousness in interaction. In: 12th International pragmatics conference, 3-8th July 2011, University of Manchester. (Unpublished)

Holt, Elizabeth (2013) ‘There’s many a true word said in jest’: Seriousness and non-seriousness in interaction. In: Studies of Laughter in Interaction. Continuum Press, pp. 69-89. ISBN 9781441164797

Holt, Elizabeth (2017) "This system's so slow" : Negotiating sequences of laughter and laughables in call-centre interaction. In: Multiple Perspectives on Language Play (Language Play and Creativity). De Gruyter Mouton, pp. 93-118. ISBN 978-1501511844

Holt, Elizabeth (2012) Using Laugh Responses to Defuse Complaints. Research on Language and Social Interaction, 45 (4). pp. 430-448. ISSN 0835-1813

Holt, Elizabeth (2010) The last laugh: Shared laughter and topic termination. Journal of Pragmatics, 42 (6). pp. 1513-1525. ISSN 0378-2166

Holt, Elizabeth (2009) The last laugh: laughter in topic termination. In: International Conference on Laughter and Humour in Interaction, 24th - 25th June 2009, University of Huddersfield, UK. (Unpublished)

Holt, Elizabeth (1993) The structure of death announcements: Looking on the bright side of death. Text: an interdisciplinary journal for the study of discourse, 13 (2). pp. 189-212. ISSN 0165-4888

Holt, Elizabeth (2000) The use of direct reported speech in 'institutional talk' and 'ordinary conversation'. In: 7th International Pragmatics Conference, 9-14 July 2000, Budapest. (Unpublished)

Holt, Elizabeth and Clift, Rebecca (2007) Reporting talk: reported speech in interaction. Studies in Interactional Sociolinguistics (24). Cambridge University Press, Cambridge, UK. ISBN 9780521824835

Holt, Elizabeth and Drew, Paul (1988) Complainable matters: the use of idiomatic expressions in making complaints. Social Problems, 35 (4). pp. 398-417. ISSN 0037-7791

Holt, Elizabeth and Drew, Paul (2005) Figurative Pivots: The Use of Figurative Expressions in Pivotal Topic Transitions. Research on Language and Social Interaction, 38 (1). pp. 35-61. ISSN 0835-1813

Holt, Elizabeth and Drew, Paul (2006) Figures of speech. In: Conversation analysis: Turn design and action formation. SAGE Benchmarks in Social Research Methods series, 3 . Sage, pp. 117-149. ISBN 9781412918480

Holt, Elizabeth and Drew, Paul (1995) Idiomatic expressions and their role in the organization of topic transition in conversation. In: Idioms: structural and psychological perspectives. Lawrence Erlbaum Associates, pp. 117-131. ISBN 9780805815054

Holt, Elizabeth and Drew, Paul (2001) Idiomatic expressions as topical pivots. In: Interdisciplinary Workshop on Corpus-Based & Processing Approaches to Figurative Language (part of Corpus Linguistics Conference 2001), 30th March - 2nd April 2001, Lancaster University.

Holt, Elizabeth and Glenn, Phillip (2015) Laughter. In: Handbook of Pragmatics. John Benjamins, pp. 1-20. ISBN 9789027233295

Holt, Elizabeth and Johnson, Alison (2006) Formulating the facts: Responses to storytelling in police/suspect interviews. In: International Conference on Conversation Analysis, 10 - 14 May 2006, Helsinki. (Unpublished)

Holt, Elizabeth and Johnson, Alison (2010) Socio-pragmatic aspects of legal talk: police interviews and trial discourse. In: The Routledge Handbook of Forensic Linguistics. Routledge Handbooks in Applied Linguistics . Routledge, pp. 21-36. ISBN 9780415463096

Horseman, Samantha Marie (2012) Dynamic Relationships between the Sonic Artist, the Sonic Artwork and its Audience: an Investigation through Theoretically Informed Creative Practice. Doctoral thesis, University of Huddersfield.

Howell, Colin D. and Leeworthy, Daryl (2009) Borderlands. In: Routledge Companion to Sports history. Routledge International Handbooks . Routledge, London, UK, pp. 71-84. ISBN 978-0-415-77339-3

Hubery, Rebecca (2019) What Are the Impacts of Buddhism on the Japanese Performance Style of Noh Theatre? Masters thesis, University of Huddersfield.

Hudson, Claire (2017) How do the Representations and Functions of Chivalric Narratives Express the Nature of Chivalry During the Middle Ages? Masters thesis, University of Huddersfield.

Huggett, Benjamin (2017) Ambient Music & Improvisation: An Exploration of a Catalytic Union through Composition and Analysis. Masters thesis, University of Huddersfield.

Hughes, Vincent, Brereton, Ashley and Gold, Erica (2013) Reference Sample Size and the Computation of Numerical Likelihood Ratios Using Articulation Rate. York Papers in Linguistics (13). ISSN 1758-0315

Hulme, Pamela (2020) Manipulating Musical Surface: Perception as compositional material in live looping and organ with electronics. Masters thesis, University of Huddersfield.

Humphries, Christopher C.H. (2010) Developing interactive strategies for three dimensional sound spatialization. Masters thesis, University of Huddersfield.

Hurdley, Michael (2018) Solo Tuned Percussion: A perspective upon 21st century percussion. Masters thesis, University of Huddersfield.

Hussain, Sairish (2019) The Family Tree: A Counter-Narrative. Challenging Muslim Stereotypes in Popular Fiction and Media. Doctoral thesis, University of Huddersfield.

Hussain, Sairish (2015) Rethinking Muslim Narratives: Replacing Stereotypes With Human Stories in a Novel Titled "Missing". Masters thesis, University of Huddersfield.

I

Ibrahim, Mahmood (2018) The Construction of the Speaker and Fictional World in The Small Mirrors: Critical Stylistic Analysis. Doctoral thesis, University of Huddersfield.

Igo, William (2019) A Case Study of Musical Elements and Musical Development of Eschatological Scenes within South Park from 1997-2000. Masters thesis, University of Huddersfield.

Ince, Can (2019) Programming For Music: Explorations in Abstraction. Masters thesis, University of Huddersfield.

Ingham, Sara (2020) Constructing characters: a revised cognitive stylistic approach to characterisation. Doctoral thesis, University of Huddersfield.

Irvine, Chris (2009) Times Online, Chris Irvine's Rugby League Blog. [Web page]

Isaac, Andrew (2013) The construction of constricted soundworlds through limited materials, cyclic processes, interference and extended tunings. Masters thesis, University of Huddersfield.

Iveson, Stephen (2018) Exploring the Concepts of Immersion and why Headphones Enhance the Player Experience in 21st Century Online Competitive Video Games. Masters thesis, University of Huddersfield.

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Jamal, Fatima (2019) A New Life in Huddersfield: The Memories of Partition and Migration. What is the legacy of Partition in the diaspora community in the UK? Masters thesis, University of Huddersfield.

Jan, Steven (1995) Aspects of Mozart's music in G minor: toward the identification of common structural and compositional characteristics. Outstanding Dissertations in Music from British Universities . Garland. ISBN 0185318928

Jan, Steven (1996) Ave Verum Corpus: reminiscences in Mozart's late style. Choir and Organ, 4 (2). pp. 20-25. ISSN 0968-7262

Jan, Steven (2014) Book review: William Kinderman, The Creative Process in Music from Mozart to Kurtág (Urbana, Chicago and Springfield: University of Illinois Press, 2012) 978-0-252-03716-0. Music Analysis, 33 (1). pp. 99-112. ISSN 0262-5245

Jan, Steven (2015) Computer Simulation of Musical Evolution: A Lesson from Whales. In: Study Day on Computer Simulation of Musical Creativity, 27th June 2015, University of Huddersfield, UK.

Jan, Steven (2003) The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fuhl's'. Journal of the Royal Musical Association, 128 (1). pp. 30-70. ISSN 02690403

Jan, Steven (2002) The Evolution of a “Memeplex” in Late Mozart: Replicated Structures in Pamina’s “Ach ich fühl’s”. In: 17th Congress of the International Musicological Society, 1st - 7th August 2002, Leuven, Belgium. (Unpublished)

Jan, Steven (2009) Evolutionary Thought in Music Theory and Analysis: A Corrective to ‘Babelization’? In: L'analyse Musicale aujord'hui: crise ou (R)evolution?/Music Analysis Today: Crisis or (R)evolution? International Conference 2009, 19th - 21st November 2009, Strasbourg, France.

Jan, Steven (2015) Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”? In: L’analyse musicale aujourd’hui/Music Analysis Today. Éditions Delatour, pp. 55-75. ISBN 9782752102430

Jan, Steven (2015) From holism to compositionality: memes and the evolution of segmentation, syntax, and signification in music and language. Language and Cognition. ISSN 1866-9808

Jan, Steven (2012) ‘The Heavens are Telling’: Memetic- Calvinian Readings of a Haydn Chord Progression. Interdisciplinary Science Reviews, 37 (2). pp. 113-130. ISSN 0308-0188

Jan, Steven (2005) The Illusory Mozart: Selfish Memes in the Priests’ Marches from Idomeneo and Die Zauberflöte. Goldberg Forum.

Jan, Steven (2001) The Illusory Mozart: Selfish Memes in the Priests’ Marches from Idomeneo and Die Zauberflöte. International Journal of Musicology, 10. ISSN 0941-9535

Jan, Steven (2004) Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects. Computer Music Journal, 28 (4). pp. 68-84. ISSN 0148-9267

Jan, Steven (2003) Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects. In: Hull University Music Analysis Conference (HUMAC), 10th - 13th July 2003, Hull, UK. (Unpublished)

Jan, Steven (2003) Meme hunting with the Humdrum Toolkit: principles, problems, and prospects. In: Hull University Music Analysis Conference (HUMAC) 2003, 10th - 13th July 2003, University of Hull, UK. (Unpublished)

Jan, Steven (2010) Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 14 (1). pp. 3-50. ISSN 1029-8649

Jan, Steven (2011) A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Segmentation, Similarity and Lexicon-Abstraction. In: 7th European Music Analysis Conference, 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Jan, Steven (2015) A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Similarity and Lexicon-Abstraction. Psychology of Music. ISSN 1741-3087

Jan, Steven (2007) Memetic Perspectives on the Evolution of Tonal Systems. In: Evolutionary Musicology Conference, 22nd - 23rd June 2007, Durham, UK. (Unpublished)

Jan, Steven (2015) Memetic Perspectives on the Evolution of Tonal Systems. Interdisciplinary Science Reviews, 40 (2). pp. 145-167. ISSN 0308-0188

Jan, Steven (2000) The Memetics of Music and its implications for Psychology. In: 6th International Conference on Music Perception and Cognition(ICMPC), 5th - 10th August 2000, Keele University, Staffordshire, UK.

Jan, Steven (2007) The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. Ashgate, Aldershot. ISBN 978-0-7546-5594-7

Jan, Steven (2013) Mnemosyne’s Hexagons: Music, Memory and M(us)emes. In: Darwin, chef d’orchestre? Colloque interdisciplinaire sur l’évolution de la musique, 28th March 2013, Lyon, France. (Unpublished)

Jan, Steven (2011) Music, Memory, and Memes in the Light of Calvinian Neuroscience. Music Theory Online, 17 (2). pp. 3-50. ISSN 1067-3040

Jan, Steven (2000) Replicating Sonorities: Towards a Memetics of Music. Journal of Memetics - Evolutionary Models of Information Transmission, 4 (1). ISSN 1366-4786

Jan, Steven (2011) Replication, Parataxis, and Evolution: Meme Journeys through the First Movement of a Mozart Sonata. In: A-Life for Music: Music and Computer Models of Living Systems. Computer Music and Digital Audio Series, 24 . A-R Editions, pp. 217-260. ISBN 9780895796738

Jan, Steven (2006) Selfish Memes in the Priests’ Marches from Idomeneo and Die Zauberflöte. In: "such people come into the world only once in a 100 years" - Mozart in the 21st Century, 3rd February 2006, Dublin, Ireland. (Unpublished)

Jan, Steven (2014) Similarity Continua and Criteria in Memetic Theory and Analysis. Journal of Music Research Online, 5. ISSN 1836-8336

Jan, Steven (2016) Understood at Last?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. In: Lecture Notes in Computer Science. 11th International Symposium, CMMR 2015, 9617 . Springer, Plymouth, UK, pp. 420-437. ISBN 978-3-319-46281-3

Jan, Steven (2013) Using Galant Schemata as Evidence for Universal Darwinism. Interdisciplinary Science Reviews, 38 (2). pp. 149-168. ISSN 0308-0188

Jan, Steven (2005) What’s in a Meme? Aspects of Particulateness, Coindexation, Segmentation, and Perceptual-Cognitive Salience in Replicated Musical Units. In: Dublin International Conference on Music Analysis, 23rd - 25th June 2005, Dublin, Ireland. (Unpublished)

Jan, Steven (1992) X Marks the Spot: Schenkerian Perspectives on the Minor-Key Classical Development Section. Music Analysis, 11 (1). pp. 37-53. ISSN 0262-5245

Jan, Steven (1999) The selfish meme: Particularity, replication, and evolution in musical style. International Journal of Musicology, 8. pp. 9-76. ISSN 0941-9535

Jannise II, Raymond Paul (2021) Embodying Shakespeare: A Psychophysical Approach to OP Rehearsal & Performance. Doctoral thesis, University of Huddersfield.

Jansch, Adam (2009) Distributable Open Form Music. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Jansch, Adam (2011) Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. Doctoral thesis, University of Huddersfield.

Jeffrey, Stuart, Jones, Siân, Heyworth, Mike, Macsween, Ann and Morris, Richard K. (2003) From the ground up. The publication of archaeological projects. Working Paper. Council for British Archaeoology, York, UK.

Jeffries, Lesley (2003) Analogy and Multi-modal Exploration in the Teaching of Language Theory. Style, 37 (1). pp. 67-85.

Jeffries, Lesley (2000) Constructing the adolescent female body: a critical discourse analysis approach. In: International Pragmatics Association Annual Conference 2000, 9 - 14 July, Budapest Technical University, Hungary. (Unpublished)

Jeffries, Lesley (2014) Critical Stylistics. In: The Routledge Handbook of Stylistics. Routledge Handbooks in English Language Studies . Routledge, London, UK, pp. 408-420. ISBN 978-0-415-52790-3

Jeffries, Lesley (2015) Critical Stylistics. In: The Bloomsbury Companion to Stylistics. Bloomsbury Companions . Bloomsbury Academic, London, pp. 157-176. ISBN 9781441160058

Jeffries, Lesley (2009) Critical Stylistics: the Power of English. Perspectives on the English Language . Palgrave Macmillan, Basingstoke. ISBN 9780333964484

Jeffries, Lesley (2006) Discovering language: the structure of modern English. Palgrave Macmillan, New York, USA. ISBN 1-4039-1261-0

Jeffries, Lesley (2000) Don't throw out the baby with the bathwater: in defence of theoretical eclecticism in stylistics. Working Paper. Poetics and Linguistics Association.

Jeffries, Lesley (2008) Grammatical iconicty in poetry: information structure in English clauses and its signifying potential. In: First Triennial Conference of the International Society for the Linguistics of English (ISLE), 8 - 11 October 2008, University of Freiburg, Germany. (Submitted)

Jeffries, Lesley (2014) Interpretation. In: The Handbook of Stylistics. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, UK, pp. 469-486. ISBN 9781107028876

Jeffries, Lesley (2007) Journalistic Constructions of Blair's 'Apology' for the Intelligence Leading to the Iraq War. In: Language in the Media: Representations, Identities, Ideologies. Advances in Sociolinguistics . Continuum, London, pp. 48-69. ISBN 9780826495488

Jeffries, Lesley (2015) Language and Ideology. In: Exploring Language and Linguistics. Cambridge University Press, Cambridge, pp. 379-405. ISBN 9781107035461

Jeffries, Lesley (2009) The Language of Poems for Children: A Stylistic Case Study. In: Children's Literature. Approaches and Territories. Palgrave Macmillan, Basingstoke, pp. 218-235. ISBN 9780230227132

Jeffries, Lesley (1998) Meaning in english: an introduction to language study. Palgrave Macmillan, Basingstoke. ISBN 9780333739464

Jeffries, Lesley (2003) Not a drop to drink: Emerging meanings in local newspaper reporting of the 1995 water crisis in Yorkshire. Text - Interdisciplinary Journal for the Study of Discourse, 23 (4). pp. 513-538. ISSN 1613-4117

Jeffries, Lesley (2010) Opposition In Discourse: The Construction of Oppositional Meaning. Advances in Stylistics . Continuum, London. ISBN 9781847065124

Jeffries, Lesley (2006) Poetry: Stylistic Aspects. In: Encyclopedia of Language & Linguistics. Elsevier, Oxford, pp. 645-651. ISBN 0-08-044299-4

Jeffries, Lesley (2000) Point of view and the reader in the poetry of Carol Ann Duffy. In: Contemporary poems: some critical approaches. Smith/Doorstep Books, Huddersfield, pp. 54-68. ISBN 1902382269

Jeffries, Lesley (2011) ‘Radicalisation’ and ‘democracy’ - a linguistic analysis of rhetorical change. In: Redefining social justice: New Labour, rhetoric and reality. Manchester University Press, Manchester, UK, pp. 37-56. ISBN 9780719082214

Jeffries, Lesley (2001) Schema affirmation and White Asparagus: cultural multilingualism among readers of texts. Language and Literature, 10 (4). pp. 325-343. ISSN 09639470

Jeffries, Lesley (2003) Setting the scene, setting up the tension: the creation of opposition in the openings of novels. In: PALA Annual Conference 2003, 23 - 26 June 2003, Bogazici University, Istanbul. (Unpublished)

Jeffries, Lesley (2004) Silent game: the stylistic 'shadow' of a poem and readers' meanings. In: PALA Annual Conference 2004, 25 - 28 July 2004, New York University. (Unpublished)

Jeffries, Lesley (2007) Textual Construction of the Female Body A Critical Discourse Approach. Palgrave Macmillan, Basingstoke. ISBN 9780333914519

Jeffries, Lesley (2015) Textual meaning and its place in a theory of language. Topics in Linguistics, 15 (1). pp. 1-10. ISSN 1337-7590

Jeffries, Lesley (2007) What makes English into Art? In: Redesigning English. Routledge, London, pp. 5-33. ISBN 978-0-415-37688-4

Jeffries, Lesley (1996) What makes language into art? In: Using English : from conversation to canon. Routledge, London, pp. 162-184. ISBN 9780415131209

Jeffries, Lesley (2016) “When did you decide to tell the truth?” Negotiating truth in rape trials before the International Criminal Tribunal for the former Yugoslavia. Journal of Language Aggression and Conflict, 4 (2). pp. 151-177. ISSN 2213-1272

Jeffries, Lesley (2002) When words aren’t enough. Writers respond to the WTC attack of 11th September 2001. In: PALA Annual Conference 2002, 4 - 6 April 2002, University of Birmingham. (Unpublished)

Jeffries, Lesley (1993) The language of twentieth century poetry. Palgrave Macmillan, Basingstoke. ISBN 9780333459379

Jeffries, Lesley (2008) The role of style in reader-involvement: Deictic shifting in contemporary poems. Journal of Literary Semantics, 37 (1). pp. 69-85. ISSN 03417638

Jeffries, Lesley and Evans, Matthew (2015) The rise of choice as an absolute ‘good’: A study of British manifestos, (1900-2010). Journal of Language and Politics, 14 (6). pp. 751-777. ISSN 1569-2159

Jeffries, Lesley and McIntyre, Dan (2011) Introduction to Teaching Stylistics. In: Teaching Stylistics. Teaching the New English . Palgrave, Basingstoke, pp. 1-5. ISBN 9780230235878

Jeffries, Lesley and McIntyre, Dan (2010) Stylistics. Cambridge Textbooks in Linguistics . Cambridge University Press. ISBN 9780521728690

Jeffries, Lesley and McIntyre, Dan (2011) Teaching Stylistics. Teaching the New English . Palgrave, Basingstoke. ISBN 9780230235878

Jeffries, Lesley, McIntyre, Dan and Bousfield, Derek (2007) Stylistics and social cognition. PALA Papers, 4 . Rodopi, Amsterdam. ISBN 9789042023123

Jeffries, Lesley and Sansom, Peter (2000) Contemporary poems: some critical approaches. Smith Doorstop Books, Huddersfield. ISBN 9781902382265

Jeffries, Lesley and Walker, Brian (2012) Key words in the press: A critical corpus-driven analysis of ideology in the Blair years (1998- 2007). English Text Construction, 5 (2). pp. 208-229. ISSN 1874-8767

Jenkins, Jacqueline and Lewis, Katherine J. (2003) St Katherine of Alexandria: Texts and Contexts in Western Medieval Europe. Brepols. ISBN 9782503512907

Jennifer, Smith (2020) Worldbuilding Voices in the Soundscapes of Role Playing Video Games. Doctoral thesis, University of Huddersfield.

Jiménez, Raquel, Till, Rupert and Howell, Mark (2013) Music & Ritual: Bridging Material & Living Cultures. Publications of the ICTM Study Group on Music Archaeology, 1 . Ekho VERLAG. ISBN 978-3-944415-11-6

Joe, Sarah Chidiebere (2020) Perspectives of Reality: The Framing of Boko Haram in Legacy and Social Media. Doctoral thesis, University of Huddersfield.

Johansson, Sven Ake and Ablinger, Peter (2009) Danish border. [Audio]

Johnson, Sophie (2017) They Who Welcome Chaos. Masters thesis, University of Huddersfield.

Jones, Christopher (2019) The Development of the Football Pools in Britain during the Inter-War Years, 1918-1939, with particular reference to Littlewoods. Masters thesis, University of Huddersfield.

Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.

Jones, Eileen (2008) Using PR strategies to enhance public relations in state secondary schools. Masters thesis, University of Huddersfield.

Jones, Eileen and Jenkins, Clare (2008) Evaluating and showcasing the creative portfolio work of students on the Public Relations & Practice Management module AIC 2501. Working Paper. University of Huddersfield, Huddersfield. (Unpublished)

Jones, Lorraine P. (2019) An investigation into mindfulness, creativity and the actor. Masters thesis, University of Huddersfield.

Jones, Richard (2016) Book Review: All The Truth Is Out by Bai, M. (2016). Journalism Education, 5 (1). pp. 193-194. ISSN 2050-3903

Jones, Richard (2012) Interviewing the PM with toddler in tow: an experiment in hyperlocal journalism. In: What Do We Mean by Local? Abramis. ISBN 978-1845495404

Jordan, James Boddington (2021) Harmonic Structures of 21st Century Heavy Metal. Masters thesis, University of Huddersfield.

Jowitt, Tony and Laybourn, Keith (1999) The Bradford Independent Labour Party and the First World War. In: The representation and reality of war, the British experience: essays in honour of David Wright. Sutton Publishing, Stroud, pp. 152-169. ISBN 0750918616

Jowitt, Tony and Laybourn, Keith (1992) War and Socialism: the experience of the Bradford ILP 1914-18. In: The centennial history of the Independent Labour Party. Ryburn Publishing, Halifax, pp. 137-162. ISBN 1853310379

Jung, Jung I. (2019) CHOREOGRAPHIC SOUND COMPOSITION: Towards a poetics of restriction. Doctoral thesis, University of Huddersfield.

Jurs-Munby, Karen (2005) Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy. Theatre Research International, 30 (1). pp. 19-35. ISSN 0307-8833

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Kabene, Stefane, Baadel, Said, Jiwani, Zahra and Lobbo, Vanessa (2017) Women in Political Positions and Countries' Level of Happiness. Journal of International Women's Studies, 18 (4). pp. 209-217. ISSN 1539-8706

Kane, Nina R. (2008) Brief Commentary on the Development of Masks to Form a Single Text for Theatre. Masters thesis, University of Huddersfield.

Kane, Nina R. (2007) Embodying the Other: Pedagogic and Performative Strategies Used in 'The Art of the Life-Model Course', 2002-2007. Research Report. Leeds College of Art.

Kane, Nina R. (2013) 'F- F- Felt it': Breathing Feminist, Queer and Clown Thinking into the Practice and Study of Sarah Kane’s Cleansed and Blasted. Doctoral thesis, University of Huddersfield.

Kane, Nina R. (2011) Gender, Fracture and the Architecture of Sarah Kane's 'Blasted'. In: Drama Research Seminar, June 8th 2011, Huddersfield, UK. (Submitted)

Kane, Nina R. (2014) Giving birth to 'a third world as work in common and space-time to be shared'. The importance of Luce Irigaray and Judith Butler to staging Sarah Kane's Cleansed (1998). [Audio]

Kane, Nina R. (2014) Giving birth to 'a third world as work in common and space-time to be shared'. The importance of Luce Irigaray and Judith Butler to staging Sarah Kane's Cleansed (1998). In: Theatre, Performance, Philosophy: Crossings and Transfers in Contemporary Anglo-American Thought, 26 - 28 June 2014, Universite Paris-Sorbonne IV, France. (Submitted)

Kane, Nina R. (2014) Loitering / Busking Bodies / Subversive Singing: Why Street-Theatre is Essential to Our Cities. In: Performance, Place, Possibility: Performance in Contemporary Urban Contexts, 4th April 2014, University of Leeds. (Unpublished)

Kane, Nina R. (2008) The Treatment of Rape in Women's Performance Art and Sarah Kane's 'Blasted'. Masters thesis, University of Huddersfield.

Kane, Nina R. (2008) Wallpaper - Roses - Reposes. [Artefact]

Kane, Nina R. and Woods, Jude (2017) Reflections on Female and Trans* Masculinities and Other Queer Crossings. Cambridge Scholars Publishing, Cambridge, UK. ISBN 9781443882859

Keech, Christopher (2013) Kinetic Screens: Can the use of a Kinetic Screen be utilised as a medium that enables an audience to view projected content. Masters thesis, University of Huddersfield.

Kelly, Stephen (1994) Back page United: a century of newspaper coverage of Manchester United. Queen Anne Press. ISBN 9781852915537

Kelly, Stephen (1988) Back page football. MacDonald Queen Anne Press. ISBN 0356171108

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Kelly, Stephen (2005) Dalglish: the Biography. Highdown, Newbury. ISBN 978-1904317708

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Kelly, Stephen (1994) Graeme Souness: a soccer revolutionary. Headline. ISBN 9780747209782

Kelly, Stephen (1986) Idle hands, clenched fists: The Depression in a shipyard town. Spokesman Books, Nottingham. ISBN 9780851244471

Kelly, Stephen (1987) Joseph Rawlings. In: Dictionary of Labour biography. Macmillan, pp. 211-215. ISBN 0333387821

Kelly, Stephen (2005) The Kop: Liverpool's twelfth man. Virgin, London, UK. ISBN 0753510197

Kelly, Stephen (1993) The Kop: end of an era. Mandarin. ISBN 9780749316495

Kelly, Stephen (2004) Mr. Shankley's Photograph: A Journey from the Kop to the Cavern. Robson Books, London. ISBN 978-1861056467

Kelly, Stephen (1995) Not just a game: the best football writing of the season. Headline. ISBN 9780747249832

Kelly, Stephen (2009) An Oral History of Footballing Communities at Liverpool and Manchester United Football Clubs. Doctoral thesis, University of Huddersfield.

Kelly, Stephen (1996) Pick of the season 1995-96: best of British football writing. Mainstream Publishing. ISBN 9781851588916

Kelly, Stephen (1999) Red voices: United from the terraces. Headline. ISBN 9780747222453

Kelly, Stephen (2000) Red voices: a revealing oral history of Manchester United from the terraces, players and staff. Headline. ISBN 9780747260790

Kelly, Stephen (1991) Victorian Lakeland photographers. Swan Hill Press. ISBN 1853102334

Kelly, Stephen (1987) You'll Never Walk Alone: The Official Illustrated History of Liverpool FC. Macdonald. ISBN 9780356142302

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Kelly, Stephen, Frow, Edmund, Frow, Ruth and Saville, John (1993) Leo Joseph McGree. In: Dictionary of Labour biography. Macmillan, pp. 195-202. ISBN 033338783X

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Khuzaee, Shatha (2019) A Multimodal Textual Analysis of Non-literary Texts: A Critical Stylistic Approach. Doctoral thesis, University of Huddersfield.

King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield.

Kirillov, Andrei and Chamberlain, Franc (2013) Rehearsal protocols for Hamlet by William Shakespeare at the Second Moscow Art Theatre. Theatre, Dance and Performance Training (Special Issue: Michael Chekhov), 4 (2). pp. 237-242. ISSN 1944-3927

Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Kirk, Neville (2010) Challenge, Crisis, and Renewal? Themes in the Labour History of Britain, 1960–2010. Labour History Review, 75 (2). pp. 162-180. ISSN 0961-5652

Kirk, Neville (2010) Labour and Empire: Australia and Britain from the late nineteenth century to the inter-war years. In: The British Labour Movement and Imperialism. Cambride Scholars Publishing, Newcastle upon Tyne, UK. ISBN 978-1-4438-2220-6

Kirk, Neville (2011) Labour and the Politics of Empire: Britain and Australia 1900 to the present. Studies in Imperialism . Manchester University Press, Manchester, UK. ISBN 978-0-7190-8079-1

Kirk, Neville (2008) Traditionalists and Progressives: Labor, Race, and Immigration in Post-World War II Australia and Britain. Australian Historical Studies, 39 (1). pp. 53-71. ISSN 1031-461X

Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182

Klontzas, Michael (2006) The BBC as mediator of public policy: reconsidering PSB in the digital era. In: Innovation and challenges in the European media. University Studio Press, Thessaloniki, Greece, pp. 107-131. ISBN 9601215716

Klontzas, Michael (2013) Book Review: The Economics of Television in a Digital World: What Economics Tells Us for Future Policy Debates, Patrick Barwise and Robert G. Picard, Reuters Institute for the Study of Journalism, Oxford University. International Journal of Digital Television, 4 (3). pp. 357-364. ISSN 2040-4182

Klontzas, Michael (2006) Digitalisation and the BBC: the net effect. In: The impact of the internet on the mass media in Europe. Abramis, Suffolk, England. ISBN 1845491459

Klontzas, Michael (2006) Digitalisation and the BBC: the net effect. In: COST A20 The impact of the internet on the mass media of Europe, 28th-29th April 2006, Delfi, Greece. (Unpublished)

Klontzas, Michael (2001) New radio technologies: rebirth and reproduction. In: The sound barrier: dynamics of Greek radio broadcasting. Papazisis, Athens, Greece, pp. 307-369. ISBN 960021266X

Klontzas, Michael (2004) The Prospects of New Radio Technologies. In: Broadcasting corporation and society. Yesterday - today - tomorrow, 18th - 19th June 2004, University of Athens, Astypalaia. (Unpublished)

Klontzas, Michael (2004) Public Service Broadcasting and the Delivery of Public Policy in Europe: Building Digital Britain and the BBC. In: New Directions in European Media, European Sociological Association Media Research Network, 5th - 7th November 2004, Aristotle University of Thessaloniki, Thessaloniki. (Unpublished)

Klontzas, Michael (2005) Public Service Broadcasting and the delivery of publc policy in the pre-convergence era: the BBC computer literacy project. In: 19th Annual CCBH summer conference, 19th June-1st July 2005, London, UK. (Unpublished)

Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182

Klontzas, Michael (1998) Stephen Lax, Beyond the Horizon – Communications Technologies: Past, Present and Future (Luton: John Libbey Media, 1997) ISBN 1860205143. Convergence: the international journal of research into new media technologies, 4 (3). pp. 106-109. ISSN 1354-8565

Klontzas, Michael (2008) iVision and the BBC: Building Public Value. Observatorio OBS, 2 (2). pp. 41-55. ISSN 1646-5954

Klontzas, Michael (2007) iVision and the BBC: building public value. In: COST 298 Conference The Good, the Bad and the Unexpected: The user and the future of information and communication technologies, 23rd-25th May 2007, Moscow, Russia. (Unpublished)

Klontzas, Michael and Sourbati, Maria (2006) Public Service Communications: Revisiting Some Age-Old Questions. In: MeCCSA/AMPE Conference 2006, 13th-15th January 2006, Leeds, UK. (Unpublished)

Krawczyk, Ilona (2021) EMBODYING VOICE IN TRAINING AND PERFORMANCE: A PROCESS-ORIENTED APPROACH. Doctoral thesis, University of Huddersfield.

Krol, Patryk (2019) Applications of Carpathian folk music in contemporary music. Masters thesis, University of Huddersfield.

Kudirka, Joseph (2012) Extending the Invitation: Composing Notated Experimental Music for Performance. Doctoral thesis, University of Huddersfield.

Kádár, Daniel Z. (2006) Book review : Written Communication Across Cultures by Yunxia Zhu. Linguist List, 17. p. 1510.

Kádár, Daniel Z. (2015) Chinese kanwa textbooks: Language education, power and cultural expansion. In: Handbook of the Ryukyuan Languages History, Structure, and Use. de Gruyter, Berlin, Germany, pp. 667-684. ISBN 978-1-61451-115-1

Kádár, Daniel Z. (2011) 人情與中文敬謙稱 – 古漢語中的“敬语转换”研究 Emotions and Chinese honorific language – A study of historical Chinese vocative shifts. Studies in Linguistics and Literature: 外國語文研究, 2. pp. 26-40.

Kádár, Daniel Z. (2005) ‘從語用學的角度看中國的「禮貌格言」-重考中國「輕自」現象 ‘Examining the Chinese ‘politeness maxim’ from a pragmatic perspective; reconsidering the ‘self-denigration’ phenomenon. Journal of Qinghai Minorities Institute, 121.

Kádár, Daniel Z. (2010) Exploring the historical Chinese denigration/elevation phenomenon. In: Historical (Im)politeness. :Linguistic Insights, 65 . Peter Lang, Oxford, UK, pp. 117-145. ISBN 9783039114962

Kádár, Daniel Z. (2014) Heckling — A mimetic-interpersonal perspective. Journal of Language Aggression and Conflict, 2 (1). pp. 1-35. ISSN 2213-1272

Kádár, Daniel Z. (2016) Heckling: a ritual of aggressive communication. Palgrave Macmillan, Basingstoke, UK. (Submitted)

Kádár, Daniel Z. (2011) Historical Chinese Letter Writing. Continuum, London, UK. ISBN 9781441180360

Kádár, Daniel Z. (2012) Historical Chinese politeness and rhetoric: A case study of epistolary refusals. Journal of Politeness Research Language Behaviour Culture, 8 (1). pp. 93-110. ISSN 1612-5681

Kádár, Daniel Z. (2010) Historical Intercultural Politeness - A Case from the Ryūkyū Kingdom. In: Applied Linguistics, Global and Local: Proceedings of the 43rd Annual Meeting of the British Association for Applied Linguistics (BAAL) 9-11 September 2010. BAAL British Association for Applied Linguistics . Scitsiugnil Press, Aberdeen, UK, pp. 163-172. ISBN 9780955953330

Kádár, Daniel Z. (2010) Historical Intercultural Politeness - A Case from the Ryūkyūs. In: XVIII Biennial Conference of the European Association of Chinese Studies (EACS), July 14th – July 18th 2010, Riga, Latvia.

Kádár, Daniel Z. (2014) Historical Pragmatics. In: The Encyclopedia of Applied Linguistics. Wiley, London, UK, pp. 1-6.

Kádár, Daniel Z. (2013) Historical politeness. In: Handbook of Pragmatics. John Benjamins Publishing, Amsterdam, The Netherlands. ISBN 9789027233264

Kádár, Daniel Z. (2015) Identity formation in ritual action. International Review of Pragmatics, 7 (2). pp. 278-307. ISSN 1877-3095

Kádár, Daniel Z. (2007) (Im)Politeness in Traditional Chinese Criminal Investigations. In: The 15th Annual Conference of the IACL (IACL-15) & The 19th North American Conference on Chinese Linguistics (NACCL-19), 25th-27th May 2007, New York, USA. (Unpublished)

Kádár, Daniel Z. (2015) (Im)politeness and (im)morality: Insights from intervention. Journal of Politeness Research Language Behaviour Culture, 11 (2). pp. 239-260. ISSN 1612-5681

Kádár, Daniel Z. (2015) Language education, power, and cultural expansion in Ryūkyū: Chinese kanwa textbooks. In: Handbook of Ryūkyūan Languages. De Gruyter, Berlin, Germany. ISBN 9781614511168

Kádár, Daniel Z. (2009) Limits of the Post-Modern Approach: A Historical First-Order Assessment of East Asian Linguistic (Im)Politeness. In: Polite Practices of the Past: Historical Perspectives on Linguistic (Im)Politeness: One Day Colloquium convened by Daniel Kadar, Monday, May 4, 2009, Research Institute for Linguistics, HAS, Budapest, Hungary. (Unpublished)

Kádár, Daniel Z. (2010) Linguistic Politeness Education in the Ryūkyūs - An Intercultural Pragmatic Investigation. In: 43rd Annual Conference of the British Association for Applied Linguistics:BAAL, 9th-11th September 2010, Aberdeen, Scotland.

Kádár, Daniel Z. (2009) Model Letters in Late Imperial China: 60 Selected Epistles from 'Letters from Snow Swan Retreat'. LINCOM Studies in Chinese Linguistics (LSCHL) (07). Lincom, Munich, Germany. ISBN 9783929075625

Kádár, Daniel Z. (2007) On historical Chinese apology and its strategic application. Journal of Politeness Research. Language, Behaviour, Culture, 3 (1). pp. 125-150. ISSN 1612-5681

Kádár, Daniel Z. (2011) On the appearance of discourse evaluation. In: 6th International Symposium on Politeness, 11th-13th July 2011, Ankara, Turkey. (Unpublished)

Kádár, Daniel Z. (2012) On the positive formation of Chinese group identity. In: Chinese Discourse and Interaction: Theory and Practice. Equinox, Sheffield, UK, pp. 271-291. ISBN 9781845536329

Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.

Kádár, Daniel Z. (2017) Politeness, Impoliteness and Ritual : Maintaining the Moral Order in Interpersonal Interaction. Cambridge University Press, Cambridge, UK. ISBN 978-1107052185

Kádár, Daniel Z. (2016) Politeness, Impoliteness, and Ritual: Maintaining the Moral Order in Interpersonal Interaction. Cambridge University Press., Cambridge, UK. (Submitted)

Kádár, Daniel Z. (2011) Postscript. In: Discursive Approaches to Politeness. Mouton Series in Pragmatics [MSP] 8 . Walter de Gruyter GmbH & Co. KG, Berlin, Germany, pp. 247-264. ISBN 9783110238679

Kádár, Daniel Z. (2016) Postscript. Journal of Politeness Research Language Behaviour Culture, 12 (2). pp. 291-294. ISSN 1612-5681

Kádár, Daniel Z. (2008) Power and Formulaic (Im)Politeness in Traditional Chinese Criminal Investigations. In: It's the Dragon's Turn: Chinese Institutional Discourses. Peter Lang, Berne, Switzerland, pp. 127-179. ISBN 9783039111756

Kádár, Daniel Z. (2005) Power and profit: the role of elevating/denigrating forms of address in pre-modern Chinese business discourse. In: Asian Business Discourse(s). Linguistic Insights (29). Peter Lang, Berne, Switzerland, pp. 21-56. ISBN 9783039108046

Kádár, Daniel Z. (2004) The Powerful and the Powerless - A socio-pragmatic analysis of Chinese polite self-denigrating/speech-partner-elevating addressing. In: XVth Biennial Conference of the European Association of Chinese Studies (EACS), 25th-29th August 2004, Heidelberg, Germany.

Kádár, Daniel Z. (2005) The Powerful and the Powerless - on the classification of the Chinese polite denigrating/elevating addressing terminology. Acta Orientalia, 58 (4). pp. 421-443. ISSN 0001-6446

Kádár, Daniel Z. (2014) Pre-modern Chinese terms of address. In: Encyclopedia of Chinese Language and Linguistics. Brill, Leiden, Holland. ISBN 9789004186439

Kádár, Daniel Z. (2009) Questions on Discursive Politeness Research – A Research Report. Research Report. LRPG, Sheffield, UK.

Kádár, Daniel Z. (2013) Relational Rituals and Communication: Ritual Interaction in Groups. Palgrave Macmilan, Basingstoke, UK. ISBN 9780230393042

Kádár, Daniel Z. (2012) Relational ritual. In: Handbook of Pragmatics. John Benjamins, Amsterdam, The Netherlands.

Kádár, Daniel Z. (2007) Review: Gender shifts in the history of English. Anne Curzan.Cambridge: Cambridge University Press, 2003.pp. 223 + xii. Gender and Language, 1 (2). pp. 295-300. ISSN 1747-6321

Kádár, Daniel Z. (2007) Review: Taavitsainen, Irma and Andreas H. Jucker (2003).Diachronic Perspectives on Address Term Systems. Amsterdam/Philadelphia: John Benjamins. Hardback ISBN 90-272-5348-X. Journal of Politeness Research Language Behaviour Culture, 3 (1). pp. 159-164. ISSN 1612-5681

Kádár, Daniel Z. (2008) A Situated Model of the Historical Chinese Deferential Denigration/Elevation Phenomenon. In: 4th International Symposium on Politeness 'East meets West', 2nd-4th July 2008, Budapest, Hungary.

Kádár, Daniel Z. (2011) Taiwanese mailing practices in English. In: 2011 Language Education Conference, May 2011, Huanchiu University, Taiwan. (Unpublished)

Kádár, Daniel Z. (2007) Terms of (im)politeness: a study of communicational properties of traditional Chinese (im)polite terms of address. Budapest monographs in East Asian studies, 2 . Eötvös Loránd University Press, Budapest, Hungary. ISBN 9789634639374

Kádár, Daniel Z. (2007) When Non-Emotion Expressions Reveal about Emotions in East-Asian Cultures. In: 5th ICAS Conference 2007, August 2007, Kuala Lumpur, Malaysia. (Unpublished)

Kádár, Daniel Z. (2011) Xue-guanhua 學官話: A Ryūkyūan Source of Language Education. Cambridge Scholars, Cambridge, UK. ISBN 9781443829502

Kádár, Daniel Z. (2011) Xue-guanhua: A Ryukyuan Source of Language Education. Cambridge Scholars Publishing, Cambridge, UK. ISBN 978-1443829502

Kádár, Daniel Z. (2011) A graphic-semiotic analysis of the Chinese multimodal elevation and denigration phenomenon. US-China Foreign Language: 美中外語, 9 (2). pp. 77-88. ISSN 1539-8080

Kádár, Daniel Z. (2017) The role of ideology in evaluations of (in)appropriate behaviour in student-teacher relationships in China. Pragmatics, 27 (1). pp. 33-56. ISSN 1018-2101

Kádár, Daniel Z. (2012) The two faces of the dragon : linguistic politeness - and its lack - in Chinese. Babel, 1 (1). pp. 16-18.

Kádár, Daniel Z. and Bargiela-Chiappini, Francesca (2011) Institutional politeness in (South) East Asia: An introduction. Journal of Asian Pacific Communication, 21 (1). pp. 1-9. ISSN 09576851

Kádár, Daniel Z. and Bargiela-Chiappini, Francesca (2011) Institutional politeness in (South) East Asia: An introduction. Journal of Asian Pacific Communication, 21 (1). pp. 1-9. ISSN 0957-6851

Kádár, Daniel Z. and Bargiela-Chiappini, Francesca (2010) Introduction: politeness research in and across cultures. In: Politeness Across Cultures. Palgrave Macmilan, Hampshire, UK, pp. 1-14. ISBN 9780230236486

Kádár, Daniel Z. and Bartos, Huba (2007) Power and (Im)Politeness in Traditional Chinese Criminal Investigations. In: The 5th Conference of the European Association of Chinese Linguistics (EACL-5), 4th - 7th September 2007, Leipzig, Germany. (Unpublished)

Kádár, Daniel Z. and Bax, Marcel (2013) Group ritual and relational work. Journal of Pragmatics. ISSN 0378-2166

Kádár, Daniel Z. and Culpeper, Jonathan (2009) Bibliography of Historical (Im)politeness. Documentation. LRPG, Sheffield, UK.

Kádár, Daniel Z. and Culpeper, Jonathan (2010) Historical (Im)politeness: An introduction. In: Historical (Im)politeness. :Linguistic Insights, 65 . Peter Lang, Oxford, UK, pp. 9-35. ISBN 9783039114962

Kádár, Daniel Z. and De la Cruz, Melvin (2016) Rituals of outspokenness and verbal conflict. Pragmatics and Society, 7 (2). pp. 265-290. ISSN 1878-9714

Kádár, Daniel Z. and Haugh, Michael (2014) Intercultural Politeness. In: Handbook of Pragmatics. John Benjamins Publishing, Amsterdam, The Netherlands. ISBN 9789027233271

Kádár, Daniel Z. and Haugh, Michael (2014) Interpersonal relationships/relating. In: Handbook of Pragmatics. John Benjamins Publishing, Amsterdam, The Netherlands. ISBN 9789027233271

Kádár, Daniel Z. and Haugh, Michael (2017) The Metapragmatics of politeness. John Benjamins Publishing, Amsterdam, The Netherlands. (Submitted)

Kádár, Daniel Z. and Haugh, Michael (2010) Politeness On- and Offline. In: 5th International Symposium on Politeness, 30 June - 2 July 2010, Basel, Switzerland. (Unpublished)

Kádár, Daniel Z. and Haugh, Michael (2013) Understanding politeness. Cambridge University Press, Cambridge, UK. ISBN 9781107626942

Kádár, Daniel Z., Haugh, Michael and Chang, W. (2013) Aggression and perceived national face threats in Mainland Chinese and Taiwanese CMC discussion boards. Multilingua Journal of Cross-Cultural and Interlanguage Communication, 32 (3). pp. 343-372. ISSN 0167-8507

Kádár, Daniel Z., Haugh, Michael and Chang, Wei-Lin Melody (2011) Discourse and Identity in Cross-Strait (Taiwanese-Chinese) CMC Boards. In: 12th International Pragmatics Conference, 3rd-8th July 2011, Manchester, UK.

Kádár, Daniel Z. and Marquez Reiter, Rosina (2015) (Im)politeness and (im)morality: Insights from intervention. Journal of Politeness Research Language Behaviour Culture, 11 (2). pp. 239-260. ISSN 1612-5681

Kádár, Daniel Z. and Mills, Sara (2011) Politeness in East Asia. Cambridge University Press, Cambridge, UK. ISBN 9781107007062

Kádár, Daniel Z. and Mills, Sara (2011) Politeness in East Asia: an introduction. In: Politeness in East Asia. Cambridge University Press, Cambridge, UK, pp. 1-17. ISBN 9781107007062

Kádár, Daniel Z. and Pan, Yuling (2012) Chinese ‘face’ and im/politeness: An introduction. Journal of Politeness Research Language Behaviour Culture, 8 (1). pp. 1-10. ISSN 1612-5681

Kádár, Daniel Z. and Pan, Yuling (2012) Face and politeness in Chinese: An introduction. Journal of Politeness Research Language Behaviour Culture, 8 (1). pp. 1-10. ISSN 1612-5681

Kádár, Daniel Z. and Pan, Yuling (2011) Politeness in China. In: Politeness in East Asia. Cambridge University Press, Cambridge, UK, pp. 125-146. ISBN 9781107007062

Kádár, Daniel Z. and Paternoster, Annick (2015) Historicity in metapragmatics – a study on ‘discernment’ in Italian metadiscourse. Pragmatics, 25 (3). pp. 369-391. ISSN 1018-2101

Kádár, Daniel Z. and Ran, Yongping (2017) Indirect ritual offence – A case of elusive impoliteness. In: Implicitness: From Lexis to Discourse. John Benjamins Publishing, Amsterdam, pp. 177-199. ISBN 9789027256812

Kádár, Daniel Z. and Ran, Yongping (2015) Ritual in intercultural contact: a case study of heckling. Journal of Pragmatics, 77. pp. 41-55. ISSN 0378-2166

Kádár, Daniel Z. and Robinson-Davies, Siân (2016) Ritual, aggression and participatory ambiguity: A case study of heckling. Journal of Language Aggression and Conflict, 4 (2). pp. 202-233. ISSN 2213-1272

Kádár, Daniel Z. and Sun, Hao (2007) Power and (Im)Politeness in Traditional Chinese Criminal Investigations. In: 10th International Pragmatics Conference, 8 - 13 July 2007, Goteborg, Sweden.

L

Land, Elliott and Gold, Erica (2017) Speaker Identification Using Laughter in a Close Social Network. International Journal of Speech Language and the Law, 24 (2). pp. 201-225. ISSN 1748-8885

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

Lane, Jacqueline Ann (2017) A Watershed Decade in British Industrial Relations, 1965 to 1974? The Donovan Commission Report, In Place of Strife and the Industrial Relations Act of 1971. Doctoral thesis, University of Huddersfield.

Laporte, Jean-Francois (2018) FEEDBACK: ITERATIVE RESEARCH-CREATION PROCESSES BETWEEN INSTRUMENT-BUILDING, COMPOSITION AND PERFORMANCE. Doctoral thesis, University of Huddersfield.

Lavoie, Sébastien (2019) My Practice of Live Performance of Spatial Electronic Dance Music. Doctoral thesis, University of Huddersfield.

Lawford, Tori (2017) Differing Experiences of Iconoclasm, 1532-1603: A Comparison of the Cathedrals of Canterbury, Durham, Ely and York Minster. Masters thesis, University of Huddersfield.

Laybourn, Keith (2000) 1945-64 - Post War Consensus and the welfare state. [Teaching Resource]

Laybourn, Keith (2000) 1964-79 - Reasons for the growing domestic problems under the Labour and Conservative Governments. [Teaching Resource]

Laybourn, Keith (1999) 'About turn': the Communist Party of Great Britain and the Second World War, 1939 - 41. In: The representation and reality of war, the British experience: essays in honour of David Wright. Sutton Publishing, Stroud, pp. 218-234. ISBN 0750918616

Laybourn, Keith (1998) Attlee by Robert Pearce. History, 83 (272). pp. 761-762. ISSN 0018-2648

Laybourn, Keith (2011) Book Review: B.L. Coombes, These Poor Hands: The Autobiography of a Miner Working in South Wales. With an Introduction by Bill Jones and Chris Williams. Pp. xxxix + 207. First published by Victor Gollancz in 1939, University of Wales Press, Cardiff, 2002 edition, 2011 reprint. ISBN 978 0-7083-1563-7, e-ISBN 978-0-7083-2317-5. North American Journal of Welsh Studies, 6 (1). pp. 65-67. ISSN 1554-8112

Laybourn, Keith (2015) Book Review: Stephanie Ward: Unemployment and the State in Britain: The Means Test and Protest in 1930s South Wales and North-East England: Manchester University Press, 2013. The Welsh History Review, 27 (3). pp. 592-594. ISSN 0043-2431

Laybourn, Keith (2015) Book Review: The English Isles: Cultural transmission and political conflict in Britain and Ireland, 1100–1500. Edited by Seán Duffy and Susan Foran. Four Courts Press, Dublin, 2013. Pp. 186. £50.00. The Welsh History Review, 27 (3). p. 574. ISSN 0043-2431

Laybourn, Keith (2010) Book review - Parties and People: England 1914-1951 - By Ross McKibbin. History, 95 (320). pp. 524-525. ISSN 0018-2648

Laybourn, Keith (2017) Book review - Peter Ackers and Alastair J. Reid (eds), Alternatives to State-Socialism in Britain: Other Worlds of Labour in the Twentieth Century. Labour History Review, 82 (2). pp. 173-176. ISSN 0961-5652

Laybourn, Keith (2010) Book review - The 1926 Miners' Lockout: Meanings of Community in the Durham Coalfield - By Hester Barron. History, 95 (320). pp. 526-527. ISSN 0018-2648

Laybourn, Keith (2010) Book review - The Labour Party and the Politics of War and Peace 1900-1924 - By Paul Bridgen. History, 95 (320). pp. 520-521. ISSN 0018-2648

Laybourn, Keith (2016) Book review : Citizen Clem: A Biography of Attlee by John Bew. History today, 66 (11). ISSN 0018-2753

Laybourn, Keith (2013) Book review : Conservatism and British Foreign Policy, 1820–1920: The Derbys and their World ed. by Geoffrey Hicks, and: On the Fringes of Diplomacy: Influences on British Foreign Policy, 1800–1945 ed. by John Fisher and Antony Best. Victorian Studies, 56 (1). pp. 141-143. ISSN 0042-5222

Laybourn, Keith (2012) Book review : Emma Griffin, A Short History of the British Industrial Revolution, Basingstoke, Palgrave, 2010. Labour History Review, 77 (2). pp. 257-258. ISSN 0961-5652

Laybourn, Keith (2016) Book review : Seth Koven, The Match Girl and the Heiress, Princeton and Oxford: Princeton University Press 9780691158501. Labour history review, 81 (1). pp. 91-92. ISSN 0961-5652

Laybourn, Keith (2012) Book review : Sue Bruley, The Women and Men of 1926: A Gender and Social History of the General Strike and Miners’ Lockout in South Wales, Cardiff, University of Wales Press, 2011. Labour History Review, 77 (2). pp. 251-252. ISSN 0961-5652

Laybourn, Keith (2008) Book review of A Fair Day's Wage for a Fair Day's Work? Sweated Labour and the Origins of Minimum Wage Legislation in Britain By Sheila Blackburn. History, 93 (312). pp. 571-572. ISSN 0018-2648

Laybourn, Keith (2008) Book review of A South-Asian History of Britain: Four Centuries of Peoples from the Indian Sub-continent By Michael H. Fisher, Shompa Lahiri and Shinder Thandi. History, 93 (311). pp. 444-445. ISSN 0018-2648

Laybourn, Keith (2008) Book review of: Labour's Lost Leader: The Life and Politics of Will Crooks By Paul Tyler. History, 93 (310). pp. 298-299. ISSN 0018-2648

Laybourn, Keith (2008) Book review of: The Failure of a Dream: The Independent Labour Party from Disaffiliation to World War II By Gidon Cohen. History, 93 (310). pp. 299-230. ISSN 0018-2648

Laybourn, Keith (2017) Book review: 1956: John Saville, E.P. Thompson & The Reasoner. Labor History, 58 (4). pp. 579-581. ISSN 0023-656X

Laybourn, Keith (2000) Book review: A History of the Modern British Isles, 1914–1999 by Arthur Marwick. History, 86 (281). pp. 124-125. ISSN 0018-2648

Laybourn, Keith (1991) Book review: Arthur Henderson by Chris Wrigley. History, 76 (248). pp. 528-529. ISSN 0018-2648

Laybourn, Keith (2010) Book review: British Conservativism and Trade Unionism, 1945-1964 By Peter Dorey, Ashgate, 2009. History, 95 (318). pp. 261-262. ISSN 0018-2648

Laybourn, Keith (2014) Book review: Clement Attlee: The Inevitable Prime Minister, Michael Jago, 2014. History today. p. 65. ISSN 0018-2753

Laybourn, Keith (2000) Book review: Early Trade Unionism: Fraternity, Skill and the Politics of Labour by Malcolm Chase. English historical review, 115 (463). pp. 1001-1002. ISSN 0013-8266

Laybourn, Keith (1999) Book review: Half a Century of British Politics, Lynton Robins & Bill Jones (eds.). English historical review, 114 (455). p. 270. ISSN 0013-8266

Laybourn, Keith (2006) Book review: Industrial Reorganization and Government Policy in Interwar Britain By Julian Greaves. History, 91 (303). pp. 474-475. ISSN 0018-2648

Laybourn, Keith (1991) Book review: James Ramsay MacDonald: Low Born among the High Brows by Stephen R. Ward. Albion: a quarterly journal concerned with British studies, 23 (3). pp. 585-586. ISSN 0095-1390

Laybourn, Keith (1999) Book review: Nelson. Politics, Economy, Community by Jeffrey Hill. English historical review, 114 (456). pp. 522-523. ISSN 0013-8266

Laybourn, Keith (1999) Book review: Organised Capital. Employers' Associations and Industrial Relations in Northern England, 1880-1939 by Arthur J. Mclvor. English historical review, 113 (450). pp. 228-229. ISSN 0013-8266

Laybourn, Keith (1999) Book review: Red Flag and Union Jack: English Patriotism and the British Left, 1881-1924 by Paul Wood. English historical review, 114 (458). pp. 1017-1018. ISSN 0013-8266

Laybourn, Keith (2000) Book review: Ruskin and the Dawn of the Modern, Dinah Birch (ed.). English historical review, 115 (460). pp. 229-230. ISSN 0013-8266

Laybourn, Keith (2017) Book review: The Battle of Grangemouth: A Workers' Story by Mark Lyon. Cerles: Revue Pluridisciplinaire du Monde Anglophone. ISSN 1292-8968

Laybourn, Keith (2001) Book review: The British Communist Party and Moscow 1920–43 by Andrew Thorpe. History, 86 (284). p. 605. ISSN 0018-2648

Laybourn, Keith (1996) Book review: The British Communist Party and the Trade Unions 1933-1945 by Nina Fishman. Labor History, 37 (1). pp. 140-142. ISSN 0023-656X

Laybourn, Keith (2004) Book review: The British Isles since 1945 edited by Kathleen Burk. History, 89 (293). pp. 167-168. ISSN 0018-2648

Laybourn, Keith (2000) Book review: The Lancashire Giant: David Shackleton, Labour Leader and Civil Servant by Ross M. Martin. English historical review, 115 (464). pp. 1354-1355. ISSN 0013-8266

Laybourn, Keith (2008) Book review: The Oxford Companion to Black British History - Edited by David Dabydeen, John Gilmore and Cecily Jones. History, 93 (309). p. 112. ISSN 0018-2648

Laybourn, Keith (1994) Book review: The Popular Front and the Progressive Tradition: Socialists, Liberals, and the Quest for Unity 1884–1939 by David Blaazer. History, 79 (255). pp. 167-168. ISSN 0018-2648

Laybourn, Keith (1993) Book review: The Rise of the Labour Party,1893–1931 by Gordon Phillips. History, 78 (253). pp. 332-333. ISSN 0018-2648

Laybourn, Keith (1996) Book review: The Voluntary Sector, the State and Social Work in Britain: The Charity Organisation Society/Family Welfare Association since 1869 by Jane Lewis. Albion: a quarterly journal concerned with British studies, 28 (2). pp. 344-346. ISSN 0095-1390

Laybourn, Keith (1996) Book review: War and Reform: British Politics during the Second World War. by Kevin Jefferys. History, 81 (262). pp. 310-311. ISSN 0018-2648

Laybourn, Keith (2012) Book review: William M. Meier. Property Crime in London, 1850–Present. New York: Palgrave Macmillan. 2011. American historical review, 117 (3). p. 929. ISSN 0002-8762

Laybourn, Keith (2003) Book review: Working Class Credit and Community since 1918 by Avram Taylor. American historical review, 108 (5). pp. 1527-1528. ISSN 0002-8762

Laybourn, Keith (2000) Book review: Working out gender: Perspectives from labour history, Margeret Walsh (ed.). Labor History, 41 (4). pp. 521-522. ISSN 0023-656X

Laybourn, Keith (1997) Book review: Working-Class Self-Help in Nineteenth-Century England: Responses to Industrialisation by Eric Hopkins. History, 82 (266). pp. 338-339. ISSN 0018-2648

Laybourn, Keith (2004) Book review: Zilliacus: A Life for Peace and Socialism by Archie Potts. Labour: journal of Canadian labour studies - revue d'etudes, 53. pp. 325-327. ISSN 0700-3862

Laybourn, Keith (2005) Book reviews. History, 90 (299). pp. 468-469. ISSN 0018-2648

Laybourn, Keith (1998) Book reviews. History, 83 (270). pp. 348-390. ISSN 0018-2648

Laybourn, Keith (1995) Book reviews. History, 80 (258). pp. 141-183. ISSN 0018-2648

Laybourn, Keith (1992) Book reviews. History, 77 (249). pp. 128-179. ISSN 0018-2648

Laybourn, Keith (2003) Book reviews: Party People, Communist Lives: Explorations in Biography by John McIlroy; Kevin Morgan; Alan Campbell and Class against Class: The Communist Party in Britain between the Wars by Matthew Worley. Albion: a quarterly journal concerned with British studies, 35 (2). pp. 355-358. ISSN 0095-1390

Laybourn, Keith (2000) Book reviews: The Twentieth-Century Welfare State by David Gladstone; Welfare Policy in Britain: The Road from 1945 by Helen Fawcett; Rodney Lowe and British Social Welfare in the Twentieth Century by Robert M. Page; Richard Silburn. Albion: a quarterly journal concerned with British studies, 32 (3). pp. 553-556. ISSN 0095-1390

Laybourn, Keith (1992) The Bradford ILP and Trade Unionism c. 1890-1914. In: The centennial history of the Independent Labour Party. Ryburn Publishing, Halifax, pp. 137-162. ISBN 1853310379

Laybourn, Keith (1979) The Bradford Labour movement and the Keir Hardie by-election in East Bradford, November 1896. In: Nineteenth century Bradford elections. Bradford Centre Occasional Papers (1). University of Leeds, Leeds, pp. 74-87.

Laybourn, Keith (1990) Britain on the breadline: a social and political history of Britain between the wars. Alan Sutton, Gloucester. ISBN 9780862994907

Laybourn, Keith (1991) British Trade Unionism 1777 - 1990: a reader in history. Alan Sutton, Stroud. ISBN 9780862997847

Laybourn, Keith (1998) British Trade Unionism between the Wars, 1919 - 39. New perspective, 4 (1).

Laybourn, Keith (2001) British political leaders: a biographical dictionary. ABC-Clio, Oxford. ISBN 1576070433

Laybourn, Keith (2015) David Clark, Voices from Labour's Past: Ordinary People Extraordinary Lives , Kendal, Lensden Publishing, 2015. Labour history review, 80 (3). pp. 301-302. ISSN 0961-5652

Laybourn, Keith (2009) 'A Decade in Decline' a review of When the Lights Went out in Britain in the seventies by Andy Roberts (Faber & Faber, £20). BBC History Magazine, 10 (5). pp. 66-67. ISSN 1469-8552

Laybourn, Keith (2009) Down the rabbit hole' a review of Marching to the Fault Line: The 1984 Miners' Strike and the Death of Industrial Britain by Francis Beckett and David Hencke (Constable, 480 pp, £20). BBC History Magazine, 10 (3). pp. 66-67. ISSN 1469-8552

Laybourn, Keith (2005) England Arise! The General Election of 1945. The historian (86). pp. 8-10. ISSN 0265-1076

Laybourn, Keith (2007) Ernest Bevin. In: Microsoft Encarta 2007. Microsoft.

Laybourn, Keith (2013) The Fall of the First MacDonald Government 1924. In: How Labour Governments Fall. Palgrave Macmillan, London, UK, pp. 14-37. ISBN 9780230361805

Laybourn, Keith (2002) Fifty key figures in twentieth century British politics. Routledge, London. ISBN 0415226767

Laybourn, Keith (1996) The General Strike day by day. Alan Sutton, Stroud. ISBN 9780750910583

Laybourn, Keith (1993) The General Strike of 1926. New frontiers in history . Manchester University Press/St. Martin's Press, Manchester. ISBN 9780719038648

Laybourn, Keith (1990) The General Strike, 1926. Huddersfield pamphlets in history and politics . University of Huddersfield, Huddersfield. ISBN 0905434242

Laybourn, Keith (1980) The George Henry Wood Collection. Bulletin - Society for the Study of Labour History (40). pp. 47-49. ISSN 0049-1179

Laybourn, Keith (2010) The Guild of Help and the New Edwardian Philanthropy, c.1904-1919. In: Voluntary Action History seminar podcast 2010-01-23, 23rd January 2010, London, UK. (Unpublished)

Laybourn, Keith (1994) The Guild of Help and the changing face of Edwardian Philanthropy: The Guild of Help, voluntary work and the state, 1904-1919. Edwin Mellen. ISBN 9780773491441

Laybourn, Keith (1993) The Guild of Help and the changing face of Edwardian philanthropy. Urban history, 20 (1). ISSN 0963-9268

Laybourn, Keith (1997) The Guild of Help and the community response to poverty 1904 - c.1914. In: Social conditions, staus and community 1860 - c.1920. Sutton Studies in Modern British History . Sutton Publishing, Stroud, pp. 9-28. ISBN 0750915013

Laybourn, Keith (2016) Harry (J.H.) Whitley and Halifax politics between 1890 and 1906: the politics of social reform. In: J. H. Whitley Conference, 16th September 2016, University of Huddersfield. (Unpublished)

Laybourn, Keith (2011) Histories of Labour: National and International Perspectives, by Joan Allen, Alan Campbell and John McIlroy, eds. and Making History: Organizations of Labour Historians in Britain since 1960, by John McIlroy, Alan Campbell, John Halstead and David Martin, eds. Labor History, 52 (3). pp. 347-349. ISSN 0023-656X

Laybourn, Keith (2012) The History of Bradford Trades Council and the Future of Trades Councils. In: Speech to Bradford Trades Council, 21st September 2012, Bradford. (Unpublished)

Laybourn, Keith (2016) The History of the Labour Party. History today, 66 (1). pp. 56-57. ISSN 0018-2753

Laybourn, Keith (2009) In Search of Phantom Fortunes: Working-Class Gambling in Britain c. 1906-1960s. In: Changing Barnsley: from mining town to university town. Wharncliffe Books, Barnsley, pp. 101-138. ISBN 9781845631222

Laybourn, Keith (2014) In search of phantom fortunes: working-class gambling in Britain c.1906-61. In: The Historical Association Conference 2014, 16th-17th May 2014, Stratford upon Avon, UK.

Laybourn, Keith (2011) The Independent Labour Party and the second Labour government 1929-1931: the move towards revolutionary change. In: Britain's second Labour government 1929-31: A reappraisal. Manchester University Press, Manchester, UK, pp. 100-116. ISBN 9780719086144

Laybourn, Keith (2012) Introduction. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 1-13. ISBN 978-1-4438-4064-4

Laybourn, Keith (2012) Introduction to Special Issue: The Ashes series: local, national, international and ethnic perspectives. Sport in Society: Cultures, Commerce, Media, Politics, 15 (8). pp. 1035-1037. ISSN 1743-0437

Laybourn, Keith (2017) J.H. Whitley and Halifax Politics between 1890 and 1906: The Politics of Social Reform. In: Liberal Reform and Industrial Relations: J.H. Whitley (1866-1935), Halifax Radical and Speaker of the House of Commons. Routledge, pp. 67-85. ISBN 9781138293984

Laybourn, Keith (1977) John Henry Palin. In: Dictionary of Labour biography. Macmillan, London, pp. 134-136. ISBN 0333197046

Laybourn, Keith (2014) ‘King Solomon’s mines cannot compare with the money that has been raked in by greyhound racing’: Greyhound racing, its critics and the working class, c. 1926 to 1951. Labor History, 55 (5). pp. 607-621. ISSN 0023-656X

Laybourn, Keith (2007) 'Labour Heartland': the textile district of the West Riding (West Yorkshire) during the inter-war years, 1918-1939. In: Sons and daughters of labour: a history and recollection of the Labour Party within the historic boundaries of the West Riding of Yorkshire. University of Huddersfiled Press, Huddersfield, pp. 29-52. ISBN 186218058X

Laybourn, Keith (1988) The Labour Party, 1881-1951: a reader in history. Alan Sutton, Gloucester. ISBN 9780862994785

Laybourn, Keith (1989) Labour movements. In: Atlas of British social and economic history since 1700. Routledge, pp. 183-197. ISBN 9780203201039

Laybourn, Keith (2007) Liberal Britain. In: Microsoft Encarta 2007. Microsoft.

Laybourn, Keith (1992) The Manningham Mills Strike, December 1890 to April 1891. In: The centennial history of the Independent Labour Party. Ryburn Publishing, Halifax, pp. 117-136. ISBN 1853310379

Laybourn, Keith (1976) The Manningham Mills strike: it's importance in Bradford history. Bradford Antiquary, 9.

Laybourn, Keith (1995) The Manningham mills strike. Yorkshire history magazine, 1 (1). pp. 5-8. ISSN 1359-2823

Laybourn, Keith (2015) Marxism in Britain: Dissent, Decline and Re-emergence 1945-c.2000. Routledge Studies in Modern British History . Routledge. ISBN 978-0-415-75867-3

Laybourn, Keith (2005) Marxism in Britain: dissent, decline and re-emergence 1945- c. 2000. Routledge Studies in Modern British History . Routledge, London, UK. ISBN 978-0-415-75867-3

Laybourn, Keith (1999) Modern Britain since 1906: a reader. Tauris History Readers . Tauris, London. ISBN 9781860642982

Laybourn, Keith (2016) A Movement Divided: the Labour Movement and the Great War - a Divided Bradford and a United Huddersfield. In: Stop the First World War!: Movements Opposed to the 1914 War in Britain, France and Germany. Socialist History Occasional Publication (37). Socialist History Society, pp. 4-27. ISBN 9780993010422

Laybourn, Keith (2017) A Movement Divided: the Labour Movement and the Great War. In: Labour and Working Class History Association (LAWCHA) Conference 2017: Scales of Struggle - Communities, Movements, and Global Connections, 22-25 June 2017, University of Washington, Seattle. (Unpublished)

Laybourn, Keith (2009) The New Civilisation? Understanding Stalin's Soviet Union 1929-1941 - By Paul Flewers. History, 94 (316). pp. 546-547. ISSN 0018-2648

Laybourn, Keith (2015) The New Philanthropy of the Edwardian Age: the Guild of Help and the Halifax Citizens’ Guild, 1905-1918. The Transactions of the Halifax Antiquarian Society, 23. pp. 73-94.

Laybourn, Keith (2011) The Oratory of Nye Bevan. In: Labour Orators from Aneurin Bevan to Gordon Brown, 9 November 2011, University of Huddersfield. (Unpublished)

Laybourn, Keith (2008) Pacifists, Patriots and the Vote: The Erosion of Democratic Suffragism in Britain during the First World War By Jo Vellacott. History, 93 (312). pp. 575-576. ISSN 0018-2648

Laybourn, Keith (2009) Parties at War: Political Organization in Second World War Britain - By Andrew Thorpe. History, 94 (316). pp. 547-548. ISSN 0018-2648

Laybourn, Keith (1992) 'The Peter Pan of Socialism': Book review of Tom Mann, 1856-1941: The Challenge of Labour by Chushichi Tsuzuki. Labour History Review, 57 (3). pp. 95-97. ISSN 0961-5652

Laybourn, Keith (1988) Philip Snowden: a biography. Temple Smith, Aldershot. ISBN 9780566070174

Laybourn, Keith (2011) Popular Culture and Working-Class Taste in Britain, 1930-1939: A Round of Cheap Diversions? Robert James, Manchester University Press, 2010. History, 96 (322). pp. 223-224. ISSN 0018-2648

Laybourn, Keith (2005) R A Butler. In: Encarta 2005. Microsoft.

Laybourn, Keith (1990) Ramsay MacDonald and the collapse of the Labour Government, 1931. History sixth (8). pp. 36-40. ISSN 0951-4775

Laybourn, Keith (1992) Recent writing on the history of the ILP, 1893-1932. In: The centennial history of the Independent Labour Party. Ryburn Publishing, Halifax, pp. 317-336. ISBN 1853310379

Laybourn, Keith (2006) Revisiting the General Strike. Historical Studies in Industrial Relations (21). pp. 109-120. ISSN 1362-1572

Laybourn, Keith (1988) The Rise of Labour: The British Labour Party, 1890-1979. Reading history . Edward Arnold, London. ISBN 9780713165241

Laybourn, Keith (2012) The Rising Sun of Socialism: The growth of the Labour Movement in the textile district of the West Riding of Yorkshire. In: Huddersfield Local History Day Conference on Yorkshire Radicalism, 24th November 2012. (Unpublished)

Laybourn, Keith (2007) The Rising Sun of Socialism: The growth of the early Labour Movement in the textile district of the West Riding of Yorkshire. In: Radical Riding Conference, 14 April 2007, University of Bradford. (Submitted)

Laybourn, Keith (2012) Sixty Years in Sixty Minutes: Changing Britain 1952-1992. In: Cragg Vale History Group, 28th September 2012, Cragg Vale. (Unpublished)

Laybourn, Keith (2012) Sixty Years in Sixty Minutes: Changing Britain c. 1952 to 2012. In: Diamond Jubilee Lecture, University of Huddersfield, 1st May 2012, University of Huddersfield. (Unpublished)

Laybourn, Keith (2003) Social Welfare: Public and Private. In: A companion to early twentieth-century Britain. Blackwell companions to British history (3). Blackwell, Oxford. ISBN 9780631217909

Laybourn, Keith (1997) Social conditions, status and community, c.1860-1920. Alan Sutton, Stroud. ISBN 9780750910705

Laybourn, Keith (2000) Social, political and economic problems of the 1920s an 30s. [Teaching Resource]

Laybourn, Keith (2011) The Spanish Civil War: Political Activism and the Popular Front. Labour History Review, 76 (1). pp. 70-76. ISSN 0961-5652

Laybourn, Keith (1987) "A Story of Buried Talents and Wasted Opportunities": The Failure of Socialist Unity in Yorkshire 1911-1914. The Journal of regional and local studies, 7 (2). ISSN 0265-7325

Laybourn, Keith (1991) 'Suicide During a Fit of Insanity' or the Defence of Socialism? The secession of the Independent Labour Party from the Labour Party at the special conference at Bradford, July 1932. Bradford antiquary, 5. pp. 41-53.

Laybourn, Keith (2008) There Ought not to be One Law for the Rich and Another for the Poor which Is the Case To-day: The Labour Party, Lotteries, Gaming, Gambling and Bingo, c. 1900-1960s. History, 93 (310). pp. 201-223. ISSN 0018-2648

Laybourn, Keith (2009) Trade Unionism in Britain since 1945. In: Trade Unionism since 1945: Towards a Global History. Trade Unions Past, Present and Future, Volume (1). Peter Lang, Oxford, pp. 199-230. ISBN 978-3-03911-410-8

Laybourn, Keith (1990) Twentieth Century. Annual Bulletin of Historical Literature, 74 (1). pp. 120-136. ISSN 0066-3832

Laybourn, Keith (1991) Twentieth Century. Annual Bulletin of Historical Literature, 75 (1). pp. 134-152. ISSN 0066-3832

Laybourn, Keith (1992) Twentieth Century. Annual Bulletin of Historical Literature, 76 (1). pp. 130-138. ISSN 0066-3832

Laybourn, Keith (1993) Twentieth Century. Annual Bulletin of Historical Literature, 77 (1). pp. 137-156. ISSN 0066-3832

Laybourn, Keith (2009) Twentieth century. Annual Bulletin of Historical Literature, 93 (1). pp. 131-140. ISSN 0066-3832

Laybourn, Keith (1999) Under the red flag: the history of Communism in Britain, c.1849-1991. Sutton, Stroud. ISBN 9780750914857

Laybourn, Keith (2002) Unemployment and employment policies concerning women in Britain 1900-1951. Women's Studies, 35 . Edwin Mellen, Lampeter. ISBN 0773470859

Laybourn, Keith (2003) 'Waking up to the Fact that there are any Unemployed': women, unemployment and the domestic solution in Britain, 1918-1939. History, 88 (292). pp. 606-623. ISSN 0018-2648

Laybourn, Keith (1984) War and Socialism: The experience of the Bradford Independent Labour Party 1914 - 1918. Journal of regional and local studies, 4 (2). ISSN 0265-7325

Laybourn, Keith (2006) The West Yorkshire Labour Movement c. 1880's - 1914. In: Student Conference on One Hundred Years of the Parliamentary Labour Party, 15 November, University of Huddersfield. (Unpublished)

Laybourn, Keith (1982) The Wool Textile Dispute of 1925. Journal of local studies, 2 (1). pp. 10-27. ISSN 0144-4077

Laybourn, Keith (2007) Working-Class Gambling in Britain c. 1906-1960s: The Stages of the Political Debate. Mellen Press, Lewiston, N.Y.. ISBN 978-0-7734-5374-6

Laybourn, Keith (2005) Yorkshire. In: The Lefties guide to Britain. Politicos. ISBN 9781842751442

Laybourn, Keith (1976) Yorkshire schools and schooldays: a guide to historical and their uses. University of Leeds, Leeds. ISBN 0900960310

Laybourn, Keith (2000) A century of Labour: a history of the Labour Party 1900-2000. Stroud, Sutton.

Laybourn, Keith (2011) The collapse of the first Labour Government, 1924: ‘Who killed Cock Robin? In: How Labour Governments Fall: From Ramsay MacDonald to Gordon Brown, 1 December 2011, University of Leeds. (Unpublished)

Laybourn, Keith (1982) 'The defence of the bottom dog': the Independent Labour Party in local politics. In: Victorian Bradford: essays in honour of Jack Reynolds. Bradford Metropolitan Council, Bradford, pp. 223-244. ISBN 0907734014

Laybourn, Keith (2017) The disaffiliation crisis of 1932: the Labour Party, the Independent Labour Party (ILP) and the opinion of ILP members. In: Labour and Working-Class Lives: Essays to Celebrate the Life and Work of Chris Wrigley. Manchester University Press, pp. 110-132. ISBN 978-1784995270

Laybourn, Keith (1995) The evolution of British social policy and the Welfare State: c.1800-1993. Keele University Press. ISBN 185331076X

Laybourn, Keith (1994) The failure of Socialist unity in Britain, c.1893-1914. Transactions of the Royal Historical Society 6th Series (4). pp. 153-175. ISSN 1474-0648

Laybourn, Keith (1992) A history of British trade unionism c. 1770-1990. Alan Sutton, Stroud. ISBN 9780862997854

Laybourn, Keith (1982) The issue of school feeding in Bradford, 1904-1907. Journal of educational administration and history, 14 (2). pp. 30-38. ISSN 0022-0620

Laybourn, Keith (2005) The miners strike. In: Encarta 2005. Microsoft.

Laybourn, Keith (2005) 'A peripheral vision': A comment on the historiography of Communism in Britain. American Communist History, 4 (2). pp. 159-166. ISSN 1474-3892

Laybourn, Keith (1995) The political and industrial impact of 'New Unionism', c.1886 - 1900. New perspective, 1 (1).

Laybourn, Keith (1995) The rise of Labour and the decline of Liberalism: the state of the debate. History, 80 (259). pp. 207-226. ISSN 0018-2648

Laybourn, Keith (1990) The rise of Labour: emergence of the British Labour Party, c. 1890-1918. Huddersfield pamphlets in history and politics . University of Huddersfield, Huddersfield. ISBN 0905434234

Laybourn, Keith (1997) The rise of Socialism in Britain. Alan Sutton, Stroud. ISBN 9780750913409

Laybourn, Keith and Davies, Peter J. (2003) Twentieth Century. Annual Bulletin of Historical Literature, 87 (1). pp. 137-153. ISSN 00663832

Laybourn, Keith and Davies, Peter J. (2004) Twentieth Century. Annual Bulletin of Historical Literature, 88 (1). pp. 141-156. ISSN 00663832

Laybourn, Keith and Davis, Simon (2002) Twentieth Century. Annual Bulletin of Historical Literature, 86 (1). pp. 137-166. ISSN 00663832

Laybourn, Keith and Davis, Simon (2001) Twentieth Century. Annual Bulletin of Historical Literature, 85 (1). pp. 134-165. ISSN 0066-3832

Laybourn, Keith and Davis, Simon (1999) Twentieth Century. Annual Bulletin of Historical Literature, 83 (1). pp. 136-171. ISSN 0066-3832

Laybourn, Keith and Davis, Simon (2000) Twentieth Century. Annual Bulletin of Historical Literature, 84 (1). pp. 129-164. ISSN 0066-3832

Laybourn, Keith and Davis, Simon (1997) Twentieth Century. Annual Bulletin of Historical Literature, 81 (1). pp. 158-188. ISSN 0066-3832

Laybourn, Keith and Dockray, Keith (1999) The representation and reality of war: the British experience: essays in honour of David Wright. Alan Sutton, Stroud. ISBN 9780750918619

Laybourn, Keith and Hughes, R. Gerald (2005) Twentieth Century. Annual Bulletin of Historical Literature, 89 (1). pp. 141-159. ISSN 0066-3832

Laybourn, Keith and Hughes, R. Gerald (2006) Twentieth Century. Annual Bulletin of Historical Literature, 90 (1). pp. 133-157. ISSN 0066-3832

Laybourn, Keith and Hughes, R. Gerald (2008) Twentieth century. Annual Bulletin of Historical Literature, 92 (1). pp. 134-161. ISSN 0066-3832

Laybourn, Keith and Hughes, R. Gerald (2010) Twentieth century. Annual Bulletin of Historical Literature, 94 (1). pp. 136-165. ISSN 0066-3832

Laybourn, Keith and Hughes, R. Gerald (2011) VII Twentieth Century (i) British History. Annual Bulletin of Historical Literature, 95 (1). pp. 87-114. ISSN 00663832

Laybourn, Keith and James, David (1987) Philip Snowden: the first Labour Chancellor of the Exchequer. Bradford Libraries and Information Service, Bradford. ISBN 9780907734109

Laybourn, Keith and James, David (1991) "The Rising Sun of Socialism": The Independent Labour Party in the Textile District of the West Riding of Yorkshire between 1890 and 1914: a Collection of Essays. West Yorkshire Archive Service, Wakefield. ISBN 9781870453127

Laybourn, Keith, James, David and Jowitt, Tony (1992) The Centennial history of the Independent Labour Party: a collection of essays. Ryburn Publishing, Halifax. ISBN 9781853310379

Laybourn, Keith and Rees, Tim (1994) Twentieth Century. Annual Bulletin of Historical Literature, 78 (1). pp. 149-171. ISSN 0066-3832

Laybourn, Keith and Rees, Tim (1995) Twentieth Century. Annual Bulletin of Historical Literature, 79 (1). pp. 142-176. ISSN 0066-3832

Laybourn, Keith and Rees, Tim (1996) Twentieth Century. Annual Bulletin of Historical Literature, 80 (1). pp. 153-171. ISSN 0066-3832

Laybourn, Keith and Reynolds, Jack (1987) Labour heartland: the history of the Labour Party in West Yorkshire during the inter-war years, 1918-1939. University of Bradford Press, Bradford. ISBN 9781851430277

Laybourn, Keith and Reynolds, Jack (1984) Liberalism and the rise of Labour 1890-1918. Taylor & Francis, London. ISBN 9780709916512

Laybourn, Keith and Saville, John (1977) William Henry Drew. In: Dictionary of Labour biography. Macmillan, London, pp. 75-77. ISBN 0333197046

Laybourn, Keith and Shepherd, John (2017) Introduction. In: Labour and Working-Class Lives: Essays to Celebrate the Life and Work of Chris Wrigley. Manchester University Press, pp. 1-11. ISBN 978-1784995270

Laybourn, Keith and Shepherd, John (2017) Labour and Working-Class Lives: Essays to Celebrate the Life and Work of Chris Wrigley. Manchester University Press. ISBN 978-1784995270

Laybourn, Keith and Stoakes, G. (1987) The Twentieth Century. Annual Bulletin of Historical Literature, 71 (1). pp. 157-174. ISSN 0066-3832

Laybourn, Keith and Stoakes, G. (1988) The Twentieth Century. Annual Bulletin of Historical Literature, 72 (1). pp. 144-167. ISSN 0066-3832

Laybourn, Keith and Stoakes, G. (1989) The Twentieth Century. Annual Bulletin of Historical Literature, 73 (1). pp. 138-156. ISSN 0066-3832

Laybourn, Keith and Taylor, David (2011) Policing in England and Wales, 1918-39: The Fed, Flying Squads and Forensics. Palgrave Macmillan. ISBN 9780230232457

Leatham, Calum (2018) ‘More of a Burden Rather Than a Benefit’: Perceptions of Crusading Women and How They Developed From the Eleventh to Fourteenth Centuries. Masters thesis, University of Huddersfield.

Ledgard, Gail (2018) The Invisible Workforce of the First World War: An Examination of Female Woollen Workers and Their Community in Huddersfield and the Colne Valley. Doctoral thesis, University of Huddersfield.

Lee, Chie Tsang Isaiah (2012) Chinese Calligraphic Thinking in my Compositional Work. Masters thesis, University of Huddersfield.

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

Leese, Richard Jeffrey (2020) Siege Archaeology of the English Civil Wars: Establishing a methodology to unlock the archaeology of attack and defence at early modern siege sites. Doctoral thesis, University of Huddersfield.

Leeuw, Hans (2019) Designing expressive engagement with electronic and hyper instruments.The Electrumpet a case study. Doctoral thesis, University of Huddersfield.

Leeworthy, Daryl (2012) A Diversion from the New Leisure: Greyhound Racing, Working-Class Culture, and the Politics of Unemployment in Inter-war South Wales. Sport in History, 31 (1). pp. 53-73. ISSN 1746-0263

Leeworthy, Daryl (2013) The Dragons of the North: Working-Class Culture, the Miners' Lockout, and the Development of Rugby League in South Wales, 1926–31. Sport in History, 33 (1). pp. 49-71. ISSN 1746-0263

Leeworthy, Daryl (2012) Fields of Play: The Sporting Heritage of Wales. Case Study. Royal Commission on the Ancient and Historical Monuments of Wales, Aberystwyth, Wales.

Leeworthy, Daryl (2012) The Forgotten Hurlers of South Wales: Sport, Society and the Irish, 1910-1925. Llafur: Journal of Welsh People's History, 11 (2). ISSN 0306-0837

Leeworthy, Daryl (2013) From Shamrock to Pitprop: Revolution, War, and the Irish in South Wales, 1913-1923. In: The Cause of Labour: 1913 and Beyond. Mercier Press, Cork. (Submitted)

Leeworthy, Daryl (2014) Lions in Winter: the Summit Series, Professionalism, and the Renewal of Hockey in 1970s Britain. In: Coming Down the Mountain: Investigating the Summit Series. Wolsak and Wynn, Hamilton, Ontario. ISBN 978-1894987868

Leeworthy, Daryl (2009) Miners on the Margins: Characterising South Wales and Cape Breton as an Industrial Frontier, 1880-1939. Llafur: Journal of Welsh People's History, 10 (2). ISSN 0306-0837

Leeworthy, Daryl (2014) Struggle, Strikes and Strife: Social Change in Interwar Britain. Case Study. Pen and Sword Press, Barnsley. (Submitted)

Leeworthy, Daryl (2012) Workers’ Fields: Sport, Politics, and Landscape in Inter-War South Wales. In: The Role of Sports in the Formation of Personal Identities: Studies in Community Loyalties. Edwin Mellen Press, New York. ISBN 9780773426665

Leeworthy, Daryl (2012) The secret life of us: 1984, the miners' strike and the place of biography in writing history ‘from below’. European Review of History, 19 (5). pp. 825-846. ISSN 1350-7486

Lester, CN (2019) Representing Strozzi: A Critical and Personal Re-Evaluation of her Life and Music. Doctoral thesis, University of Huddersfield.

Levitt, Emma (2014) Scoring Masculinity: The English Tournament and the Jousting Cheques of the Early Sixteenth Century. Postgraduate Perspectives in History, 1 (1). pp. 53-55. ISSN 2055-7787

Levitt, Emma (2016) The construction of high status masculinity through the tournament and martial activity in the later Middle Ages. Doctoral thesis, University of Huddersfield.

Lewis, Katherine J. (2007) "Accident my codlings" : sitcom, cinema and the re-writing of history in The Blackadder. In: Mass Market Medieval: Essays on the Middle Ages in Popular Culture. McFarland, Jefferson, NC, pp. 113-125. ISBN 978-0-7864-2922-6

Lewis, Katherine J. (2004) Anglo-Saxon saints' lives, history and national identity. In: History, Nationhood and the Question of Britain. Palgrave Macmillan, New York, USA, pp. 160-170. ISBN 1403912963

Lewis, Katherine J. (2002) Becoming a Virgin King: Richard II and Edward the Confessor. In: Gender and holiness: men, women and saints in late medieval Europe. Routledge studies in medieval religion and culture . Routledge, London, pp. 86-100. ISBN 0415258219

Lewis, Katherine J. (2004) Edmund of East Anglia, Henry VI and ideals of kingly masculinity. In: Holiness and Masculinity in the Middle Ages. Religion and Culture in the Middle Ages Series . University of Wales Press, Cardiff, UK, pp. 158-173. ISBN 0-7083-1894-0

Lewis, Katherine J. (2003) Female life-writing and the testamentary discourse: women and their wills in later medieval England. In: Medieval women and the Law. Boydell and Brewer, Woodbridge, pp. 57-75. ISBN 9780851159324

Lewis, Katherine J. (2006) History, Historiography and Re-writing the Past. In: A Companion to Middle English Hagiography. Boydell & Brewer, Woodbridge. ISBN 9781843840725

Lewis, Katherine J. (2013) 'Imitate, too, this king in virtue, who could have done ill, and did it not': Lay sanctity and the rewriting of Henry VI's manliness. In: Religious Men and Masculine Identity in the Middle Ages. Gender in the Middle Ages (9). Boydell and Brewer, Woodbridge, pp. 126-142. ISBN 9781843838630

Lewis, Katherine J. (2013) Kingship and Masculinity in Late Medieval England. Routledge, Abingdon. ISBN 9780415316125

Lewis, Katherine J. (2000) "Lete me suffre": reading the torture of Margaret of Antioch in later medieval England. In: Medieval women - texts and contexts in late medieval Britain, essays in honour of Felicity Riddy. Brepols, pp. 69-82. ISBN 9782503509792

Lewis, Katherine J. (2012) Male Saints and Devotional Masculinity in Late Medieval England. Gender and History, 24 (1). pp. 112-133. ISSN 0953-5233

Lewis, Katherine J. (2004) Margery Kempe and saint making in late Medieval England. In: A Companion to the Book of Margery Kempe. Boydell & Brewer, New York, USA, pp. 195-216. ISBN 9781843840305

Lewis, Katherine J. (1999) Model girls? virgin martyrs and the training of young women in later medieval England. In: Young medieval women. Palgrave Macmillan, pp. 25-46. ISBN 9780312221300

Lewis, Katherine J. (1999) Pilgrimage and the Cult of St Katherine of Alexandria in Late Medieval England. In: Pilgrimage explored. Boydell and Brewer, Woodbridge, pp. 145-160. ISBN 9780952973430

Lewis, Katherine J. (2014) The Prioress and the Second Nun. In: Historians on Chaucer: The General Prologue to the Canterbury Tales. Oxford University Press, Oxford, pp. 94-113. ISBN 978-0-19-968954-5

Lewis, Katherine J. (2002) The cult of St Katherine of Alexandria in late medieval England. Boydell Press, Woodbridge, Suffolk. ISBN 0851157734

Lewis, Katherine J. (1998) The life of St Margaret of Antioch in late medieval England: a gendered reading. Studies in church history, 34. pp. 129-142. ISSN 0424-2084

Lewis, Katherine J., Menuge, Noel James and Phillips, Kim M. (1999) Young medieval women. Palgrave Macmillan. ISBN 9780312221300

Light, Rob (2011) Cricket in the Eighteenth Century. In: The Cambridge Companion to Cricket. Cambridge University Press, Cambridge, pp. 26-40. ISBN 9780521167871

Light, Rob (2009) ‘In a Yorkshire Like Way’: Cricket and the Construction of Regional Identity in Nineteenth-century Yorkshire. Sport in History, 29 (3). pp. 500-518. ISSN 1746-0263

Light, Rob (2009) ‘Ordinary Working Men’: Professional Rugby League Players and Full Time Employment Outside the Game. In: Sport and Oral History Conference, 3rd - 4th April 2009, University of Huddersfield. (Unpublished)

Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367

Light, Rob (2005) ‘Ten Drunks and a Parson’?: The Victorian Professional Cricketer Reconsidered. Sport in History, 25 (1). pp. 60-76. ISSN 1746-0263

Light, Rob (2007) The 'Up and Under' rugby league oral history project website. [Web page]

Light, Rob (2010) A ‘strange...absurd...and somewhat injurious influence’? Cricket, professional Coaching in the Public Schools and the “Gentleman Amateur” Ethos. Sport in History, 30 (1). pp. 8-31. ISSN 1746-0263

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2011) 3 Angels. Escalier du Chant (44). pp. 1-4.

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2016) City of Falling Angels on CD7, Darmstadt Aural Documents, Box 3. [Audio]

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Lim, Liza (2010) Ehwaz (journeying). [Composition]

Lim, Liza (2009) The Four Seasons (after Cy Twombly). [Composition]

Lim, Liza (2010) The Guest. [Composition]

Lim, Liza (2011) Gyfu (gift), 2011. [Composition]

Lim, Liza (2016) How Forests think, for sheng & ensemble, 40', Ricordi Berlin Sy4484/01. [Composition]

Lim, Liza (2009) Invisibility. [Composition]

Lim, Liza (2010) Invisibility. [Audio]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

Lim, Liza (2008) The Navigator. [Composition]

Lim, Liza (2009) Ochred String. [Audio]

Lim, Liza (2008) Ochred string. [Composition]

Lim, Liza (2012) Patterns of Ecstasy. In: Darmstadt contributions to new music. Schott Musik, pp. 27-43. ISBN 9783795708160

Lim, Liza (2010) Pearl, Ochre, Hair String. [Composition]

Lim, Liza (2007) Red, White, Black: Three stages of illumination. In: Judith Wright: Conversations. Judith Wright, pp. 49-52. ISBN 9780646478203

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Lim, Liza (2008) Sensorium. [Composition]

Lim, Liza (2015) Solitude. [Audio]

Lim, Liza (2010) Songs found in dream. [Audio]

Lim, Liza (2008) Sonorous Body. [Composition]

Lim, Liza (2011) Sonorous Body. [Audio]

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Lim, Liza (2009) Staging an Aesthetics of Presence. Search: Journal for new music and culture (6).

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Lim, Liza (2013) Tongue of the Invisible, WERGO WER68592. [Audio]

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

Lim, Liza (2016) The Weaver's Knot on 'Arditti String Quartet, Gifts and Greetings'. [Audio]

Lim, Liza (2014) The Weaver's Knot, score for string quartet, Ricordi Berlin Sy.4352. [Composition]

Lim, Liza (2007) Weaver-of-fictions. [Composition]

Lim, Liza (2008) Weaver-of-fictions. [Audio]

Lim, Liza (2008) Well of Dreams. [Composition]

Lim, Liza (2010) Wild Winged One. [Audio]

Lim, Liza (2013) Wild Winged-One. [Audio]

Lim, Liza (2007) Wild-winged one. [Composition]

Lim, Liza (2014) Winding Bodies: 3 Knots for ensemble, Ricordi Berlin, Sy.4378/01. [Composition]

Lim, Liza (2008) The long forgetting. [Composition]

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

Lim, Liza (2016) The turning dance of the bee, for ensemble, 15', Ricordi Berlin, Sy4454/01. [Composition]

Lim, Liza and Defilla, Peider A. (2010) Music Viva, Forum der Gegenwarts musik, Musica Viva: Pearl, Ochre, Hair String. [Video]

Lim, Liza and Ford, Andrew (2008) Liza Lim. In: Talking to Kinky and Karlheinz. ABC Books, Sydney, Australia. ISBN 9780733320088

Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]

Litherland, Benjamin (2014) Breaking kayfabe is easy, cheap and never entertaining: Twitter rivalries in professional wrestling. Celebrity Studies, 5 (4). pp. 531-533. ISSN 1939-2397

Litherland, Benjamin (2016) The Bruising Business: Pugilism, Commercial Culture, and Celebrity, 1700 – 1750. In: Sports and Physical Exercise in Early Modern Culture: New Perspectives on the History of Sports and Motion. Routledge, pp. 109-124. ISBN 9781472411945

Litherland, Benjamin (2012) Selling Punches: Free Markets and Professional Wrestling in the UK, 1986 - 1993. Journal of Historical Research in Marketing, 4 (4). pp. 578-598. ISSN 1755-750X

Litherland, Benjamin (2015) Sporting Entertainments, Discarded Possibilities and the Case of Football as a Variety Sport, 1905 – 1906. Sport in History, 35 (3). pp. 391-418. ISSN 1746-0263

Litherland, Benjamin (2014) Sport’s Relationship with Other Leisure Industries – Sites of Interaction: Relocating Sports History within Leisure History. Sport in History, 34 (2). pp. 578-598. ISSN 1746-0263

Litherland, Benjamin (2018) Wrestling in Britain: Sporting Entertainments, Celebrity and Audiences. Routledge, London. ISBN 978-0815385714

Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777

Lodage, April (2015) Spectres in Hamlet: An Examination of ‘Spectral Anachrony’ Based Upon Jacques Derrida’s Writings on the Play. Masters thesis, University of Huddersfield.

Long, Lisa (2010) Revolution and Bloodshed: Representations of African Caribbeans in the Leeds press 1968-1989. Masters thesis, University of Huddersfield.

Low, Katharine E. and Calvert, Dave (2015) Conference Review: Heroism and the Heroic in Applied and Social Theatre. Journal of Arts and Communities, 20 (2). pp. 173-176. ISSN 1757-1936

Lownes, Andrea (2020) An examination of how a composite novel can be used as a tool to explore social, moral and emotional effects of trauma from suicide loss. Masters thesis, University of Huddersfield.

Lucio, Mastrogiovanni Tasca (2019) An Imperfect Circle: Reflections on perception, repetitive processes and fragility in my recent compositional work. Masters thesis, University of Huddersfield.

Lugea, Jane (2013) Embedded dialogue and dreams: the worlds and accessibility relations of Inception. Language and Literature, 22 (2). pp. 133-153. ISSN 0963-9470

Lugea, Jane (2016) Spanglish dialogue in You and Me: an absurd world and senile mind style. In: World Building: Discourse in the Mind. Bloomsbury, London & New York. ISBN 9781472586551

Lugea, Jane (2016) World-building in Spanish and English Spoken Narratives. Advances in Stylistics . Bloomsbury, London. ISBN 9781474282482

Lugea, Jane (2016) A text-world account of temporal world-building strategies in Spanish and English spoken narratives. In: Exploring Discourse Strategies in Social and Cognitive Interaction: Multimodal and Cross-linguistic Perspectives. Pragmatics & Beyond . John Benjamins, Amsterdam. ISBN 9789027256676

Lutzky, Ursula and Demmen, Jane (2013) Pray in Early Modern English drama. Journal of Historical Pragmatics, 14 (2). pp. 263-284. ISSN 1566-5852

Lynch, Derek (1999) Balance of power relationships. In: Encyclopedia of violence, peace and conflict. London : Academic, London : Academic, pp. 175-186. ISBN 012227010X

López-Ozieblo, Renia (2016) Cultural Aspects of Immediacy in an Asian Classroom Context. Elia (15). pp. 13-34. ISSN 15765059

M

MacAdams, Anneliese (2017) Any Other Mouth: Writing the Hybrid Memoir. Doctoral thesis, University of Huddersfield.

MacCallum, J. and Einbond, A. (2008) Real-time Analysis of Sensory Dissonance. In: Computer Music Modeling and Retrieval. Sense of Sounds. Lecture Notes in Computer Science, 4969 . Springer Verlag, Berlin and Heidelberg, pp. 203-211. ISBN 9783540850342

MacMahon, Barbara (2001) The Effects of Word Substitution in Slips of the Tongue, Finnegans Wake and The Third Policeman. English Studies, 82 (3). pp. 231-246. ISSN 0013838X

MacMahon, Barbara (2001) Relevance Theory and the use of voice in poetry. Belgian Journal of Linguistics, 15 (1). pp. 11-34. ISSN 07745141

Macklin, Graham (2005) Cold War for Cold Drinks. BBC History Magazine, 6 (10). ISSN 1469-8552

Macklin, Graham (2006) Did Franco have Spies in London? BBC History Magazine, 7 (10). ISSN 1469-8552

Macklin, Graham (2006) Fascist Briton. BBC History Magazine, 7 (7). ISSN 1469-8552

Macklin, Graham (2005) Gallantry Award for Diamond Thief. BBC History Magazine, 6 (12). ISSN 1469-8552

Macklin, Graham (2006) High Class Blackshirts. BBC History Magazine, 7 (4). ISSN 1469-8552

Macklin, Graham (2005) MI5 hid spy data from US. BBC History Magazine, 6 (1). ISSN 1469-8552

Macklin, Graham (2003) NF head was BOSS spy. BBC History Magazine, 4 (9). ISSN 1469-8552

Macklin, Graham (2006) New Voice for a Nazi. BBC History Magazine, 7 (8). ISSN 1469-8552

Macklin, Graham (2005) No aid for Ethiopian Emperor. BBC History Magazine, 6 (6). ISSN 1469-8552

Macklin, Graham (2004) Police Failed Harold Pinter. BBC History Magazine, 5 (9). ISSN 1469-8552

Macklin, Graham (2004) Rather Reserved Stop and Search. BBC History Magazine, 5 (9). ISSN 1469-8552

Macklin, Graham (2006) SS Fugitive Files Uncovered. BBC History Magazine, 7 (1). ISSN 1469-8552

Macklin, Graham (2006) Secret Service snooped with census. BBC History Magazine, 7 (3). ISSN 1469-8552

Macklin, Graham (2005) The Spy who came in from the Pub. BBC History Magazine, 6 (11). ISSN 1469-8552

Macklin, Graham (2004) US Paid UK to Deport Chagos Islanders. BBC History Magazine, 5 (11). ISSN 1469-8552

Macklin, Graham (2007) Unwitting Saboteur. BBC History Magazine, 8 (3). ISSN 1469-8552

Macklin, Graham (2005) Wartime MI6 telephones easy to tap. BBC History Magazine, 6 (5). ISSN 1469-8552

Magas, Diego Sebastian Castro (2016) body, mimesis and image : a gesture based approach to interpretation in contemporary guitar performing practice. Doctoral thesis, University of Huddersfield.

Mahlberg, Michaela and McIntyre, Dan (2007) 'Casino Royale': a case for corpus stylistics. In: 28th International Computer Archive of Modern and Medieval English Conference (ICAME), 23rd - 27th May 2007, Stratford-upon-Avon. (Unpublished)

Mahlberg, Michaela and McIntyre, Dan (2011) A case for corpus stylistics: analysing Ian Fleming’s Casino Royale. English Text Construction, 4 (2). pp. 204-227. ISSN 1874-8767

Mahon, Merle and Crutchley, Alison (2006) Performance of typically-developing school-age children with English as an additional language on the British Picture Vocabulary Scales II. Child Language Teaching and Therapy, 22 (3). pp. 333-351. ISSN 0265-6590

Mahon, Merle, Crutchley, Alison and Quinn, Tina (2003) Editorial: New directions in the assessment of bilingual children. Child Language Teaching and Therapy, 19 (3). pp. 237-243. ISSN 02656590

Malay, Jessica L. (2015) Anne Clifford's Great Books of Record. Manchester University Press, Manchester, UK.

Malay, Jessica L. (2009) Anne Clifford: appropriating the rhetoric of Queens to become the Lady of the North. In: The ritual and rhetoric of queenship. Four Courts Press, Dublin, Ireland. ISBN 9781846821783

Malay, Jessica L. (2017) Beyond the Palace: The Transmission of Political Power in the Clifford Circle. In: Family Politics in Early Modern Literature. Early Modern Literature in History . Palgrave, London, pp. 153-169. ISBN 9781137511430

Malay, Jessica L. (2008) Buildings with Words: Architectural Metonymy in Early Modern Literary Texts. Appositions: Studies in Renaissance/Early Modern Literature & Culture, 1 (1). ISSN 1946-1992

Malay, Jessica L. (2014) The Case of Mistress Mary Hampson: Her Story of Marital Abuse and Defiance in Seventeenth-Century England. Stanford University Press, Stanford, California, USA. ISBN 9780804786287

Malay, Jessica L. (2015) Constructing Families: Associative Networks in the Seventeenth-century Cases of Mary and Katherine Hampson. Journal of Family History, 40 (4). pp. 448-461. ISSN 0363-1990

Malay, Jessica L. (2015) Constructing a Narrative of Time and Place: Anne Clifford's Great Books of Record. The Review of English Studies. ISSN 0034-6551

Malay, Jessica L. (2017) Crossing Generations: Female Alliances and the Exercise of Dynastic Power in Anne Clifford’s Great Books of Record. In: The Politics of Female Alliance in Early Modern England. University of Nebraska Press, Lincoln, Nebraska, pp. 207-224. ISBN 9781496201997

Malay, Jessica L. (2006) Elizabeth Russell's textual performances of self. Comitatus, 37. pp. 146-168. ISSN 1557-0290

Malay, Jessica L. (2010) Industrial Heroes: Elizabeth Gaskell and Charlotte Brontё’s Constructions of the Masculine. In: Performing Masculinity. Palgrave Macmillan. ISBN 9780230577985

Malay, Jessica L. (2005) Isabella Whitney, "Sister Eldershae," and Cheshire Recusancy. English language notes, 43 (2). pp. 18-22. ISSN 0013-8282

Malay, Jessica L. (2006) Jane Seager's sibylline poems: maidenly negotiations through Elizabethan gift exchange. English Literary Renaissance, 36 (2). pp. 173-188. ISSN 0013-8318

Malay, Jessica L. (2018) Lady Anne Clifford’s Great Books of Record: Remembrances of a Dynasty. In: A History of Early Modern Women's Writing. Cambridge University Press, Cambridge, pp. 398-416. ISBN 9781316480267

Malay, Jessica L. (2010) Like a Queen: the influence of the Elizabethan Court on the structure of female-centred households in the Early Modern Period. In: Tudor court culture. Susquehanna University Press. ISBN 9781575911182

Malay, Jessica L. (2011) Performing the Apocalypse: Sibylline Prophecy and Elizabeth I. In: Representations of Elizabeth I in Early Modern Culture. Palgrave Macmillan, pp. 175-192. ISBN 9780230278172

Malay, Jessica L. (2013) Positioning Patronage: Lanyer's Salve Deus Rex Judæorum and the Countess of Cumberland in Time and Place. The Seventeenth Century, 28 (3). pp. 251-274. ISSN 0268-117X

Malay, Jessica L. (2010) Prophecy and Sibylline imagery in the Renaissance: Shakespeare’s Sibyls. Routledge Studies in Renaissance Literature and Culture . Routledge. ISBN 9780415877923

Malay, Jessica L. (2010) Review: Engendering the Fall: John Milton and Seventeenth Century Women by Shannon Miller. Sixteenth Century Journal, 41. pp. 657-658. ISSN 0361-0160

Malay, Jessica L. (2012) Review: Grossly Material Things: Women and Book Production in Early Modern England, by Helen Smith. Women's History Review. ISSN 0961-2025

Malay, Jessica L. (2011) Review: Lady Anne Clifford: culture, patronage and gender in 17th century Britain, eds. Karen Hearn and Lynn Hulse. Yorkshire archaeological journal, 82. pp. 391-392. ISSN 0084-4276

Malay, Jessica L. (2013) Review: Reading Memory in Early Modern Literature, by Andrew Hiscock. Sixteenth Century Journal, 44 (1). pp. 250-251. ISSN 0361-0160

Malay, Jessica L. (2013) Review: The Countesse of Pembroke's Arcadia and the Invention of English Literature, by Joel B Davis. Sixteenth Century Journal, 44. pp. 1163-1164. ISSN 0361-0160

Malay, Jessica L. (2008) Review: What is literature, by Arthur Gibson. Philosophy in Review, 28 (5). pp. 331-333. ISSN 1206-5269

Malay, Jessica L. (2010) Shakespeare’s Tudor Sibyl: Sibylline Discourse in the Portrayal of Queen Margaret in Richard III. In: Représentations et identités sexuelles dans le théâtre de Shakespeare. Presses Universitaires de Rennes, Rennes, France, pp. 61-78. ISBN 9782753511637

Malay, Jessica L. (2006) Textual Construction of Space in the Writing of Renaissance Women: "In" Habiting Place. Edwin Mellen Press, Lewiston, N.Y.. ISBN 978-0-7734-5789-8

Malay, Jessica L. (2009) Thomas Sackville's Elegy to Thomas and Philip Hoby: The Discovery of a Draft Manuscript. Notes and Queries. ISSN 0029-3970

Malay, Jessica L. (2010) Thomas of Erceldoune’s Lady: The Scottish Sibyl. Viator, 41 (2). pp. 361-373. ISSN 0083-5897

Malay, Jessica L. (2012) The marrying of Lady Anne Clifford: marital strategy in the Clifford inheritance dispute. Northern History, 49 (2). pp. 251-264. ISSN 0078172X

Malay, Jessica L. (2015) A review of "Staging Women and the Soul-Body Dynamic in Early Modern England" by Sarah E. Johnson Burlington, VT: Ashgate, 2014. Seventeenth Century News, 73 (1/2). pp. 26-29.

Malay, Jessica L. (2013) The trouble with treasure in Tudor and Stuart England. In: Treasure in Literature and Culture. Universitätsverlag Winter, pp. 15-34. ISBN 9783825362027

Malcom, Corey (2017) Solving a Sunken Mystery: The Investigation and Identification of a Sixteenth-Century Shipwreck. Doctoral thesis, University of Huddersfield.

Manning, Peter and Clarke, Michael (2008) Editorial. Organised Sound, 13 (3). pp. 165-166. ISSN 13557718

Marinkova, Milena (2013) Canadian Literature of “here” and “elsewhere”: CanLit Balkans. British Journal of Canadian Studies, 26 (2). pp. 253-273. ISSN 0269-9222

Marinkova, Milena (2013) (De)Touring Europe: The Balkan, The Postcolonial and Christos Tsiolkas’s Dead Europe. The European Journal of English Studies, 17 (2). pp. 176-187. ISSN 1382-5577

Marinkova, Milena (2010) Framing Fame: Michael Ondaatje’s Cinema of Affection and Liminality. Moving Worlds: a Journal of Transcultural Writings, 10 (2). pp. 7-19.

Marinkova, Milena (2009) Introducing the Renaissance by reading pictures, in Teaching, Curriculum and Learning Appendix. In: Renaissance Literature Handbook. Literature and Culture Handbooks . Continuum, New York, USA, p. 189. ISBN 9780826495006

Marinkova, Milena (2011) Michael Ondaatje: Haptic Aesthetics and Micropolitical Writing. Bloomsbury Academic, New York, USA. ISBN 9781441194398

Marinkova, Milena (2009) "Perceiving [...] in one's own body" the Violence of History, Politics and Writing: Anil's Ghost and Witness Writing. The Journal of Commonwealth Literature, 44 (3). pp. 107-125. ISSN 0021-9894

Marinkova, Milena (2010) Po-co-co Balkans: Dancing Bears and Lovesick Donkeys, Bouncing Mines and Ethnic Conflict in Two Films from the Region. Third Text, 24 (4). pp. 457-469. ISSN 0952-8822

Marinkova, Milena (2012) Review of Winfried Siemerling & Sarah Phillips Casteel (eds.), Canada and its Americas: Transnational navigations. British Journal of Canadian Studies, 25 (2). pp. 316-317. ISSN 0269-9222

Marinkova, Milena (2007) Review: Annick Hillger, Not needing all the words: Michael Ondaatje's literature of silence. Moving Worlds: a Journal of Transcultural Writings, 7 (2). pp. 135-136.

Marinkova, Milena (2012) Revolutionizing Pleasure in Writing: Subversive Desire and Micropolitical Affects in Nalo Hopkinson's The Salt Roads. In: Postcolonial Literatures and Deleuze: Colonial Pasts, Differential Futures. Palgrave Macmillan, Basingstoke, UK, pp. 181-198. ISBN 9780230348257

Marley, Keith and Cox, Geoffrey (2008) Looking and listening. In: Sounding Out 4, 4-6 September 2008, University of Sunderland. (Submitted)

Marsden, Emma K. (2017) Victim, Villain or Victor? Broken Women Breaking the Mould: The Triumph of the Damaged Female Protagonist in Contemporary Fiction. Masters thesis, University of Huddersfield.

Marshall, William (2009) The Invention Of Yorkshire. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Marshall, William (2011) The creation of Yorkshireness: Cultural identities in Yorkshire c.1850-1918. Doctoral thesis, University of Huddersfield.

Martin, Darren (2017) Within Worlds: Immersion and Subjectivity in Film Music. Masters thesis, University of Huddersfield.

Martin, J L (2010) Popular Political Oratory and Itinerant Lecturing in Yorkshire and the North East in the Age of Chartism, c 1837-1860. Doctoral thesis, University of York.

Martin, Janette (2013) Archive Reports: The Diary of Joseph William Corfield. Labour History Review, 78 (1). pp. 130-132. ISSN 0961-5652

Martin, Janette (2013) Book Review: Picturing Reform in Victorian Britain, by Janice Carlisle, Cambridge University Press, 2012, 978-0-521-86836-5. Journal of Victorian Culture, 18 (3). pp. 415-418. ISSN 1355-5502

Martin, Janette (2011) Book review: Mike Sanders, The Poetry of Chartism: Aesthetics, Politics, History. Cambridge: Cambridge University Press, 2009. 1650 - 1850: Ideas, Aesthetics and Inquiries in the Early Modern Era, 18. pp. 379-382. ISSN 1065-3112

Martin, Janette (2013) The Luddite Link Partnership: Communities, Commemoration, and Controversy. The International Journal of the Inclusive Museum, 6 (2). pp. 131-139. ISSN 1835-2014

Martin, Janette (2012) 'Oastler is Welcome': Richard Oastler's triumphal return to Huddersfield in 1844. In: Slavery in Yorkshire: Richard Oastler and the campaign against child labour in the Industrial Revolution. University of Huddersfield Press, Huddersfield. ISBN 97818621810776

Martin, Janette (2012) Oratory, itinerant lecturing and Victorian popular politics: a case study of James Acland (1799-1876). Historical Research, 86 (231). pp. 30-52. ISSN 0950-3471

Martin, Janette (2013) Reinventing the Tower Beefeater in the nineteenth century. History, 98 (333). pp. 730-749. ISSN 0018-2648

Martin, Toby (2011) ‘Country Music Capital: The Past in Tamworth’. History Australia, 8 (1). pp. 153-174. ISSN 1449-0854

Martin, Toby (2012) Love's Shadow. [Composition]

Martin, Toby (2017) Making Music in Bankstown: Responding to Place Through Song. IASPM: International Association for the Study of Popular Music Journal, 7 (2). pp. 22-31. ISSN 2079-3871

Martin, Toby (2017) The Prairie is a Lonesome Place at Night: The absent sweethearts of hillbilly music. In: The Popular Culture of Romantic Love in Australia. Black Swan Press, Perth, Australia. ISBN 9781925588316

Martin, Toby (2015) ‘‘Socialist Paradise” or “Inhospitable Island’: Visitor responses to Palm Island in the 1920s and 1930s’, Aboriginal History, Vol 38, 131-153. Aboriginal History, 38. pp. 131-153. ISSN 0314-8769

Martin, Toby (2017) Songs From Northam Avenue. 42'. [Composition]

Martin, Toby (2015) Yodelling Boundary Riders: Country Music in Australia since the 1920s. Lyrebird Press, Melbourne. ISBN 9780734037787

Martin, Toby and Bellanta, Melissa (2012) ‘Sins of the Son: Country Music and Masculine Sentimentality in 1930s and 1940s Australia’. Australian Feminist Studies, 27 (74). pp. 355-372. ISSN 0816-4649

Martin, William Toby (2016) 'I Don't Want Your Money': Dougie Young and Social Protest in Aboriginal Country Music. In: Menzies Seminar, 23 March 2016, Kings College, London. (Unpublished)

Martin, William Toby (2016) Spring Feeling. [Composition]

Martin, William, Toby (2016) Music Making in Western Sydney: A reflection on intercultural exchange and artistic practice. In: IASPM UK and Ireland Biennial Conference, 8-10 September, 2016, Brighton, UK. (Unpublished)

Matthews, Jodie (2016) Book Review: Critical Condition: Replacing Critical Thinking with Creativity by Patrick Finn. LSE Review of Books.

Matthews, Jodie (2017) Book Review: Humankind: Solidarity with Nonhuman People by Timothy Morton. [Web page]

Matthews, Jodie (2016) Book Review: Lines of Flight: For Another World of Possibilities by Félix Guattari. LSE Review of Books.

Matthews, Jodie (2015) Editorial. Identity papers: A journal of British and Irish studies, 1 (1). pp. 1-2. ISSN 2058-6205

Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Matthews, Jodie (2016) Flows of Thought: On Canals, Materiality and Humanities Research. LSE Review of Books.

Matthews, Jodie (2015) Gypsies in Germany and Italy, 1861–1914: Lives Outside the Law. Social History, 40 (4). pp. 553-555. ISSN 0307-1022

Matthews, Jodie (2015) Where are the Romanies? An Absent Presence in Narratives of Britishness. Identity papers: A journal of British and Irish studies, 1 (1). pp. 79-90. ISSN 2058-6205

Mawer, Deborah (2010) Crossing borders II: Ravel's theory and practice of jazz. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 114-137. ISBN 9780521886970

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 1-8. ISBN 9780521886970

Mawer, Deborah (2009) Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra. Twentieth-century music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2008) Jolivet’s Search for a New French Voice: Spiritual “Otherness” in Mana (1935). In: French Music, Culture, and National Identity, 1870-1939. Eastman Studies in Music . University of Rochester Press, pp. 172-193. ISBN 9781580462723

Mawer, Deborah (2008) ‘Parisomania’? Jack Hylton and the French Connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 0269-0403

May, Stephen (2016) Life! Death! Prizes! Resisting Generic Representation. Doctoral thesis, University of Huddersfield.

McAdam, Katie (2019) Rubbish, Rubble and Rodents: Post-War Slum Clearance and the Resident Experience of Demolition in Salford. Masters thesis, University of Huddersfield.

McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

McAuley, James W. (2015) Very British Rebels?: The Culture and Politics of Ulster Loyalism. Bloomsbury. ISBN 9781441109033

McCabe, Mark (2015) Godfrey of Bouillon: Representations of Kingship and Masculinity on the First Crusade. Masters thesis, University of Huddersfield.

McCabe, Mark (2020) 'Opus Virile': Masculinity and Crusade Narratives 1200-1309. Doctoral thesis, University of Huddersfield.

McCollum, Liam (2017) 'The West Memphis Witch Trials': Writing and Recording a Concept Album. Masters thesis, University of Huddersfield.

McCormack, Timothy (2010) Instrumental mechanism and physicality as compositional resources. Masters thesis, University of Huddersfield.

McCulloch, Richard (2011) "'Most People Bring Their Own Spoons': THE ROOM's participatory audiences as comedy mediators". Participations: journal of audience & reception studies, 8 (2). pp. 189-218. ISSN 1749-8716

McCulloch, Richard (2016) Tied Up In Knots: Irony, Ambiguity, and the 'Difficult' Pleasures of FIFTY SHADES OF GREY. Intensities: The Journal of Cult Media, 8. pp. 1-19.

McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7

McCulloch, Richard and Crisp, Virginia (2016) 'Watch like a grown up ... Enjoy like a child': Exhibition, authenticity, and film audiences at the Prince Charles Cinema. Participations: journal of audience & reception studies, 13 (1). pp. 188-217. ISSN 1749-8716

McDonnell, Christopher Steven (2020) Multi-channel Audio Production with a Focus on Recording, Mixing and Live Events. Masters thesis, University of Huddersfield.

McGarry, Peter (2020) The Musical Influences of Nature: Electronic Composition and Ornithomusicology. Masters thesis, University of Huddersfield.

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

McIntyre, D and Archer, D (2010) A corpus-based approach to mind style. Journal of Literary Semantics, 39 (2). pp. 167-182. ISSN 0341-7638

McIntyre, Dan (2009) Book Review: Muses and Measures: Empirical Research Methods for the Humanities by Willie van Peer, Jemeljan Hakemulder and Sonia Zyngier. Language and Literature, 18 (1). pp. 92-94. ISSN 0963-9470

McIntyre, Dan (2012) Book Review: The Story of English by Philip Gooden. Babel: The Language Magazine (1). p. 22. ISSN 0521-9744

McIntyre, Dan (2014) Characterisation. In: The Cambridge Handbook of Stylistics. Cambridge Handbooks in Language and Linguistics . Cambridge University Press, Cambridge, UK, pp. 149-164. ISBN 9781107028876

McIntyre, Dan (2013) Context, cognition, discourse, history: Peter Verdonk’s stylistics of poetry. In: The Stylistics of Poetry: Context, Cognition, Discourse, History. Advances in Stylistics . Bloomsbury, London, UK, pp. 1-9. ISBN 9781441167903

McIntyre, Dan (2012) Corpora and literature. In: Wiley Blackwell Encyclopedia of Applied Linguistics. Wiley Blackwell, Oxford, UK. ISBN 978-1-4051-9473-0

McIntyre, Dan (2012) Corpus stylistics in the classroom. In: Pedagogical Stylistics: Current Trends in Language, Literature and ELT. Advances in Stylistics . Continuum, London, pp. 113-125. ISBN 9781441140104

McIntyre, Dan (2007) Deixis, cognition and the construction of viewpoint. In: Contemporary stylistics. Contemporary Studies in Linguistics . Continuum, pp. 118-130. ISBN 9780826493859

McIntyre, Dan (2010) Dialogue and characterisation in Quentin Tarantino’s Reservoir Dogs: a corpus stylistic analysis. In: Language and Style. Palgrave, Basingstoke, UK, pp. 162-182. ISBN 9780230231566

McIntyre, Dan (2015) Dialogue: credibility versus realism in fictional speech. In: The Bloomsbury Companion to Stylistics. Bloomsbury, London, pp. 430-443. ISBN 978-1441160058

McIntyre, Dan (2008) History of English: a resource book for students. Routledge English Language Introductions . Routledge. ISBN 9780415444309

McIntyre, Dan (2006) Humour, politeness and multiple meanings in Peter Cook’s “One Leg Too Few”. In: 4th Conference of the International Association of Literary Semantics: In Search of (Non)Sense: Literary Semantics and the Related Fields and Disciplines, 12 October – 14 October 2006, Institute of English Philology, The Jagiellonian University of Kraków, Poland. (Unpublished)

McIntyre, Dan (2008) Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III. Language and Literature, 17 (4). pp. 309-334. ISSN 0963-9470

McIntyre, Dan (2011) Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen’s Richard III. In: Shakespearean Criticism. Gale, Farmington Hills, MI USA. ISBN 9781414471426

McIntyre, Dan (2014) Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen’s Richard III. In: Stylistics: A Resource Book for Students. Routledge English Language Introductions . Routledge, Abingdon, UK, pp. 229-242. ISBN 9780415644976

McIntyre, Dan (2010) Language and Style. Palgrave, Basingstoke. ISBN 9780230231573

McIntyre, Dan (2013) Language and style in David Peace’s 1974: a corpus-informed analysis. Etudes de Stylistique Anglaise, 4. pp. 133-145. ISSN 2116-1747

McIntyre, Dan (2008) The Language of Work by Almut Koester (Book Review). Language and Literature, 17 (3). pp. 273-276. ISSN 0963-9470

McIntyre, Dan (2005) Logic, reality and mind style in Alan Bennett's The Lady in the Van. Journal of Literary Semantics, 34 (1). pp. 21-40. ISSN 0341-7638

McIntyre, Dan (2008) POPs, PUSHes and point of view: A cognitive stylistic approach to viewpoint. In: Pragmatic Stylistics Workshop, 16 July 2008, Middlesex University. (Unpublished)

McIntyre, Dan (2004) Point of View in Drama: A Socio-Pragmatic Analysis of Dennis Potter’s Brimstone and Treacle. Language and Literature, 13 (2). pp. 139-160. ISSN 09639470

McIntyre, Dan (2006) Point of View in Plays: a cognitive stylistic approach to viewpoint in drama and other text-types. Linguistic Approaches to Literature, 3 . John Benjamins, Philadelphia. ISBN 978 90 272 3335 6

McIntyre, Dan (2008) Point of view in drama: an analysis of 'Brimstone and Treacle'. In: The language and literature reader. Routledge, pp. 219-229. ISBN 9780415410021

McIntyre, Dan (2012) Prototypical characteristics of blockbuster movie dialogue: a corpus stylistic analysis. Texas Studies in Literature and Language, 54 (3). pp. 402-25. ISSN 0040-4691

McIntyre, Dan (2001) Structure and meaning in conversation and literature by Raymond F. Person Jr. (book review). Language and Literature, 10 (3). pp. 271-273. ISSN 0963-9470

McIntyre, Dan (2009) Stylistics. The Year’s Work in English Studies, 87 (1). pp. 124-136.

McIntyre, Dan (2006) Towards a stylistics of film. In: 26th Conference of the Poetics and Linguistics Association, 26th - 29th July 2006, University of Joensuu, Finland. (Unpublished)

McIntyre, Dan (2015) Towards an integrated corpus stylistics. Topics in Linguistics, 16 (1). pp. 59-68. ISSN 1337-7590

McIntyre, Dan (2007) Trusting the text: Corpus linguistics and stylistics (book review). International journal of corpus linguistics, 12 (4). pp. 563-575. ISSN 1384-6655

McIntyre, Dan (2003) Using Foregrounding Theory as a Teaching Methodology in a Stylistics Course. Style, 37 (1). pp. 1-13.

McIntyre, Dan (2008) Using corpus stylistic techniques to analyse short stories. In: 10th International Conference on the Short Story in English, 19th - 21st June 2008, University College Cork, Ireland. (Unpublished)

McIntyre, Dan (2008) Using foregrounding theory as a teaching methodology in a stylistics course. In: Recent Development in Western Stylistics. Shanghai Foreign Languages Education Press, Shanghai, pp. 419-436.

McIntyre, Dan (2002) Viewpoint and characterisation in Dennis Potter's 'Brimstone and Treacle'. In: Textuak secrets: the message of the medium. Eotvos Lorand University, Budapest, pp. 423-429. ISBN 9789634635994

McIntyre, Dan (2007) A corpus stylistic approach to Casino Royale. In: 27th Conference of the Poetics and Linguistics Association, 31st July - 4th August 2007, Kansai-Gaidai University, Hirakata, Osaka, Japan. (Unpublished)

McIntyre, Dan (2011) The place of stylistics in the English curriculum. In: Teaching Stylistics. Teaching the New English . Palgrave, Basingstoke, UK, pp. 9-29. ISBN 9780230235878

McIntyre, Dan (2010) The year’s work in stylistics 2009. Language and Literature, 19 (4). pp. 396-411. ISSN 0963-9470

McIntyre, Dan (2011) The year’s work in stylistics 2010. Language and Literature, 20 (4). pp. 347-364. ISSN 0963-9470

McIntyre, Dan (2012) The year’s work in stylistics 2011. Language and Literature, 21 (4). pp. 402-415. ISSN 0963-9470

McIntyre, Dan (2013) The year’s work in stylistics 2012. Language and Literature, 22 (4). pp. 333-347. ISSN 0963-9470

McIntyre, Dan, Alderson, C., Hughes, G. and Short, Mick (2003) Self- assessment in a web-based stylistics course. In: 23rd Conference of the Poetics and Linguistics Association, 23rd - 26th June 2003, Bogazici University, Istanbul, Turkey. (Unpublished)

McIntyre, Dan, Bellard-Thomson, Carol, Heywood, John and McEnery, Tony (2004) Investigating the presentation of speech, writing and thought in spoken British English: A corpus-based approach. ICAME Journal: International Computer Archive of Modern and Medieval English (28). pp. 49-76. ISSN 0801-5775

McIntyre, Dan, Bellard-Thomson, Carol, Heywood, John, McEnery, Tony, Semino, Elena and Short, Mick (2003) The construction of a corpus to investigate the presentation of speech, thought and writing in written and spoken British English. In: University Centre for Computer Corpus Research on Language Technical Papers. Lancaster University, Lancaster, UK, pp. 513-522. ISBN 1 86220 131 5.

McIntyre, Dan and Bousfield, Derek (2008) Fear. In: 28th Conference of the Poetics and Linguistics Association, 23rd - 26th July 2008, University of Sheffield. (Unpublished)

McIntyre, Dan and Culpeper, Jonathan (2007) Activity types and characterisation in dramatic discourse. In: Symposium on Characters in Fictional Worlds, 28th February - 2nd March 2007, Bielefeld University. (Unpublished)

McIntyre, Dan and Culpeper, Jonathan (2008) Activity types and characterisation in dramatic discourse. In: First Triennial Conference of the International Society for the Linguistics of English (ISLE), 8 - 11 October 2008, University of Freiburg, Germany. (Unpublished)

McIntyre, Dan and Culpeper, Jonathan (2010) Activity types, incongruity and humour in dramatic discourse. In: Language and Style. Palgrave, Basingstoke, UK, pp. 204-224. ISBN 9780230231573

McIntyre, Dan and Culpeper, Jonathan (2005) Drama: stylistic aspects. In: Encyclopedia of language and linguistics. Elsevier, pp. 772-785. ISBN 9780080442990

McIntyre, Dan and Lugea, Jane (2015) The effects of deaf and hard-of-hearing subtitles on the characterisation process: a cognitive stylistic study of The Wire. Perspectives: Studies in Translatology, 23 (1). pp. 62-88. ISSN 0907-676X

McIntyre, Dan and Walker, Brian (2012) Annotating a corpus of Early Modern English writing for categories of discourse presentation. In: Unité et diversité de la linguistique. Universite Jean Moulin, Lyon, Lyon, France, pp. 87-107. ISBN 978-2-36442-013-7

McIntyre, Dan and Walker, Brian (2011) Discourse presentation in Early Modern English writing: a preliminary corpus-based investigation. International Journal of Corpus Linguistics, 16 (1). pp. 101-130. ISSN 1384-6655

McIntyre, Dan and Walker, Brian (2010) How Can Corpora be Used to Explore the Language of Poetry and Drama? In: The Routledge Handbook of Corpus Linguistics. Routledge, London, UK, pp. 516-530. ISBN 9780415464895

McLaren, Christopher (2018) COMPOSING AND PERFORMING A SOLO GUITAR ALBUM: REFLECTIONS ON COMPOSITIONAL IDENTITY. Masters thesis, Institution of Huddersfield.

McLaughlin, Scott (2009) Composition Research. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

McLaughlin, Scott and Tremblay, Pierre Alexandre (2010) SpectralConway: Cellular Automata Off The Grid. International Computer Music Conference Proceedings, 2010. pp. 68-71. ISSN 2223-3881

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

McNichol, Al (2012) Exploring an extended sound universe for composing in 11-14 music curricula. Proceedings of the Electroacoustic Music Studies Network Conference (EMS12).

McNichol, Al (2009) Music Technology In The Key Stage 3 Music. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

McNichol, Al (2010) Technology and creativity in the classroom: an opportunity missed? Proceedings of the International Computer Music Conference (ICMC). pp. 522-525.

Mee, Erin (2013) Hearing the Music of the Hemispheres. TDR: The Drama Review, 57 (3). pp. 148-150. ISSN 1054-2043

Mellor, Rachael (2020) Exploring the manipulation of the natural world within Margaret Atwood’s The Handmaid’s Tale and MaddAddam trilogy. Masters thesis, University of Huddersfield.

Merino, Elías (2019) THINGNESS: COMPOSITIONAL STRATEGIES FOR EMERGING VIRTUAL SONIC OBJECTS. Doctoral thesis, University of Huddersfield.

Merrick, Burrow (2016) ‘The future of our delicate network of empire’: The Riddle of the Sands and the Birth of the British Spy Thriller. In: New Directions in Popular Fiction: Genre, Distribution, Reproduction. Merrick Burrow . Palgrave, London, pp. 111-133. ISBN 978-1-137-52346-4

Meza, Mauricio and Dufeu, Frédéric (2012) Doppelgänger_Oblivion: Timeline. An interactive multimedia installation for collective in situ composition. In: The Global Composition, Conference on Sound, Media, and the Environment, 25th - 28th July 2012, Darmstadt and Dieburg, Germany.

Middleton, Amber K. (2019) Dickensian Death and Disarray: The Railways as Agents of Disorder. Masters thesis, University of Huddersfield.

Middleton, Deborah K. (2012) “Arriving” with Others: A Contemplative Approach to Ensemble Creativity. In: Fourth Annual Association for Contemplative Mind in Higher Education Conference Contemplative Approaches in the Diverse Academic Community: Inquiry, Connection, Creativity, and Insight, 21st - 23rd September 2012, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2012) Cultivating change: personal challenge in psychophysical training. Theatre, Dance and Performance Training, 3 (1). pp. 41-54. ISSN 1944-3927

Middleton, Deborah K. (2007) Electrical Kites and Fire in the Head. [Video]

Middleton, Deborah K. (2004) Electrical Kites and Fire in the Head. In: Electrical Kites and Fire in the Head, 2004, Lawrence Batley Theatre, Huddersfield.

Middleton, Deborah K. (2000) Flight of the Heart. Total Theatre Magazine, 12 (4). ISSN 0960-6106

Middleton, Deborah K. (1996) Foreword. In: Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam, xiii-xv. ISBN 9783718657100

Middleton, Deborah K. (2009) From Poland to Huddersfield via Mexico. In: British Grotowski Conference 2009: 'Grotowski: Theatre and Beyond', 11th - 14th June 2009, University of Kent. (Unpublished)

Middleton, Deborah K. (2004) Precious. In: Lost found time. Apple Pie, Manchester. ISBN 978-0953936724

Middleton, Deborah K. (2011) "Sacralidad secular" en el teatro ritual delTallerde Investigacion Teatral de la UNAM [Secular sacredness]. In: Jerzy Grotowski. Miradas desde Latinoamérica. Universidad Veracruzana. ISBN 978-607-502-079-2

Middleton, Deborah K. (2008) Secular sacredness in the ritual theatre of Nicolas Nunez. Performance Research, 13 (3). pp. 41-54. ISSN 1469-9990

Middleton, Deborah K. (1996) Theatre in the Cosmos. Total Theatre Magazine, 8 (3). ISSN 0960-6106

Middleton, Deborah K. (2011) Towards A Contemplative Creativity. In: Third Annual Association for Contemplative Mind in Higher Education Conference: The Contemplative Campus, 11th - 13th November 2011, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. and Adkins, Monty (2014) Borderlands. [Artefact]

Middleton, Deborah K. and Chamberlain, Franc (2012) Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3 (1). ISSN 2157-4049

Middleton, Deborah K. and Debbie, Hoyle (2007) Building Creative Capacity in Staff and Students. [Web page]

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Middleton, Deborah K. and Moss, Tim (2007) Cowboy Manifesto: A Writers’ Guide to the Wild West. [Video]

Millar, Adam J. (2018) Huddersfield’s Humanitarians: A history of the aims and origins of the Huddersfield and District Famine Relief Committee. Masters thesis, University of Huddersfield.

Miller, Cassandra (2018) Transformative Mimicry: Composition as Embodied Practice in Recent Works. Doctoral thesis, University of Huddersfield.

Miller, Liz and Zompetti, Joseph P. (2015) After the Prestige: A Postmodern Analysis of Penn and Teller. Journal of performance magic, 3 (1). pp. 3-24. ISSN 2051-6037

Miller, Stephen David (1999) 'The fools have stumbled on their best man by accident' : an analysis of the 1957 and 1963 Conservative Party leadership selections. Doctoral thesis, University of Huddersfield.

Millington, Richard (2018) Black Metal: Within the Sounds of Nature. Masters thesis, University of Huddersfield.

Mills, Sara and Kádár, Daniel Z. (2011) Culture and politeness. In: Politeness in East Asia. Cambridge University Press, Cambridge, UK, pp. 21-44. ISBN 9781107007062

Milsom, David (2014) A-Z of string players. Naxos Educational. ISBN 9781843798101

Milsom, David (2011) Classical and Romantic Music. The library of essays on music performance practice . Ashgate. ISBN 9780754628590

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Milsom, David (2005) Conditional gifts: the acoustic orchestral recordings of Edoard Colonne and Karl Muck and their testimony to late nineteenth-century performing practices. Early Music Performer (16). ISSN 1477-478X

Milsom, David (2007) Elevated aspirations versus limitations of reality: string playing style and practice in Victorian England. In: Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies (9). Leeds Trinity University College, Leeds. ISBN 9780954015985

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2013) The Franco-Belgian School of Violin Playing: Towards an Understanding of Chronology and Characteristics, 1850-1925. Ad Parnassum, 11 (21). ISSN 1722-3954

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

Milsom, David (2008) Joseph Joachim: Evoking his style and Practice in Historically-Informed Performance. In: Echoes 2008: Joseph Joachim (1831-1907): European citizens, composer, pianist. Vienna Yearbook of Musicology . Mille Tre Verlag, Vienna, Austria. ISBN 9783900198190

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

Milsom, David (2008) Mendelssohn and the orchestra. In: Mendelssohn in Performance. Indiana University Press, pp. 98-113. ISBN 9780253351999

Milsom, David (2012) Practice and Principle: Perspectives upon the German ‘Classical’ School of Violin Playing in the Late Nineteenth Century. Nineteenth-Century Music Review, 9 (01). pp. 31-52. ISSN 1479-4098

Milsom, David (2009) String Chamber Music of the Classical German School, 1840-1900: A Scholarly Investigation through Reconstructive Performance. Project Report. University of Leeds.

Milsom, David (2009) Style and Sonority in Wagner String Performance. The Wagner Journal, 3 (2). ISSN 1755-0173

Milsom, David (2003) Theory and Practice in Late Nineteenth-Century Violin Performance: An Examination of Style in Performance, 1850–1900. Ashgate Publishing, Aldershot. ISBN 9780754607564

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Milsom, David (2013) W.A. Mozart Violin and Viola Duos K. 423 & 424: The Ferdinand David ‘Uppingham’ Copies in Context and Performance. [Web page]

Milsom, David and Da Costa, Neal Peres (2014) Expressiveness in historical perspective : nineteenth-century ideals and practices. In: Expressiveness in music performance: Empirical approaches across styles and cultures. Oxford University Press, pp. 80-97. ISBN 978-0199659647

Mistry, Akshay (2020) Political Poster Adaptations on Twitter: Digital Culture, Media Logics and Mediatisation. Masters thesis, University of Huddersfield.

Mistry, Jaydev (2012) The Mistry-­Hyper Guitar. Masters thesis, University Of Huddersfield.

Mohammed, Alexander (2016) Robin who? Representations of an honourable outlaw in the twenty-first century. Masters thesis, University of Huddersfield.

Montoro, Rocio and Gill, David (2005) Curious narrators, curious mathematics and curious representations: a critical Text World Theory analysis of Mark Haddon’s The Curious Incident of the Dog in the Night-time. In: PALA Conference 2005, 18-23 July 2005, University of Huddersfield.

Mora-Gonzalez, Jose (2020) New Contexts for Old Melodies: Vaguely repeating evocative fragments as a way to reflect on my cultural heritage while struggling with the notation of time. Masters thesis, University of Huddersfield.

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

Moriarty, Esther Maria (2010) The Great Famine - an Irish tragedy and its impact on the English town of Huddersfield from 1845-1861. Doctoral thesis, University of Huddersfield.

Morishita, Chikako (2019) Composing ‘Narrative Dissolution’: Framing Subjectivity in Music Composition. Doctoral thesis, University of Huddersfield.

Morishita, Chikako (2011) A Musical Engagement with ‘Ma’ – Japanese Aesthetics Of Space and Time. Masters thesis, University of Huddersfield.

Moroz, Solomiya (2020) Composing Embodied Presence in a Chamber Music Context. Doctoral thesis, University of Huddersfield.

Morrell, Vanessa (2017) Ice, Sea, Coal - Uncommon Subjects, Common Themes: Interpreting the Cultural Representations of Scott, Dunkirk and Durham Coal Miners in the Context of Decline. Doctoral thesis, University of Huddersfield.

Morris, Danielle (2013) ‘What Moves Them’ An investigation into the use of the techniques of Pina Bausch and the strategy of ‘creativity cards’ in the creation of a piece of dance theatre that communicates the brutalities of sex trafficking. Masters thesis, University of Huddersfield.

Morris, Eilon (2009) Principles Of Rhythm In Pre-Expressive Performance Training. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Morris, Eilon (2013) VIA RHYTMÓS : An Investigation of Rhythm in Psychophysical Actor Training. Doctoral thesis, University of Huddersfield.

Morris, Richard K. (1986) Alcuin, York, and the Alma Sophia. In: The Anglo-Saxon Church: papers on history, architecture, and archaeology in honour of Dr. H.M. Taylor. Research Reports (60). Council for British Archaeology, York, UK, pp. 80-89. ISBN 9780906780541

Morris, Richard K. (1996) The Archaeological Study of Cathedrals in England, 1800-2000. In: The Archaeology of Cathedrals. Oxford University Committee for Archaeology Monograph Series (42). Oxford University Committee for Archaeology, Oxford, UK, pp. 1-8.

Morris, Richard K. (1977) Archaeology. In: Change and Decay. Studio Vista, pp. 134-140. ISBN 9780289707753

Morris, Richard K. (1991) Baptismal places: 600-800. In: People and Places in Northern Europe 500-1600. Essays in honour of Peter Hayes Sawyer. Boydell & Brewer, London, UK, pp. 15-24. ISBN 9780851155470

Morris, Richard K. (2005) Book review - Markets in Early Medieval Europe: Trading and 'Productive' Sites 650-850. Eds Tim Pestell and Katherina Ulmschneider. International History Review, 27 (3). pp. 336-338. ISSN 0707-5332

Morris, Richard K. (2001) Book review - The archaeology of early Christianity. A history. By W H C Frend. Journal of Ecclesiastical History, 52 (3). pp. 521-523. ISSN 0022-0469

Morris, Richard K. (1983) Book review: Christianity in Roman Britain to AD 500. By Charles Thomas. Medieval Archaeology, 27. pp. 230-232. ISSN 0076-6097

Morris, Richard K. (2007) Breathing the Future: The Antiquaries and Conservation of the Landscape, 1850-1950. In: Visions of Antiquity. The Society of Antiquaries of London 1707-2007. Society of Antitquaries of London, London, pp. 329-351. ISBN 9780854312870

Morris, Richard K. (1994) Buildings archaeology. In: Buildings Archaeology. Applications in Practice. Oxbow Books, Oxford, pp. 13-21. ISBN 9780946897759

Morris, Richard K. (2005) ‘Calami et iunci’: Lastingham in the Seventh and Eighth Centuries’. Bulletin of International Medieval Research, 11. pp. 3-21.

Morris, Richard K. (1979) Cathedrals and abbeys of England and Wales. J M Dent, London. ISBN 046004334X

Morris, Richard K. (2000) Cheshire. The biography of Leonard Cheshire VC OM. Viking Penguin. ISBN 0670867367

Morris, Richard K. (1978) Churches and archaeology. Archaeological work in and around churches in use. Church Information Office. ISBN 9780715175330

Morris, Richard K. (1988) Churches in York and its hinterland: building patterns and stone sources in the 11th and 12th centuries. In: Minsters and parish churches. The local church in transition 950-120. Oxford University Committee for Archaeology, Oxford, UK, pp. 191-199. ISBN 9780947816179

Morris, Richard K. (1997) Churches in the landscape. J M Dent/Phoenix Giant, London. ISBN 0753801175

Morris, Richard K. (2011) Comparative analysis. In: The Twin Monastery of Wearmouth-Jarrow. Nomination as a World Heritage Property. Sunderland City Council on behalf of the Wearmouth-Jarrow Partnership, Sunderland, UK, pp. 132-155. ISBN 9780905108537

Morris, Richard K. (1998) Farewell, cousin to the Crystal Palace. British Archaeology (38). ISSN 1357-4442

Morris, Richard K. (2000) Heritage strategy review. Conservation Bulletin (37). pp. 2-5. ISSN 0753-8674

Morris, Richard K. (1998) Journey through history to Penda’s Fen. British Archaeology (39). ISSN 1357-4442

Morris, Richard K. (2005) Journeys from Jarrow. Other. St. Paul's Church, Jarrow.

Morris, Richard K. (1976) Kirk Hammerton: the tower and the fabric. Archaeological Journal, 133. pp. 95-103. ISSN 0066-5983

Morris, Richard K. (2011) Local churches in the Anglo-Saxon countryside. In: A Handbook of Anglo-Saxon Archaeology. Oxford Handbooks in Archaeology . Oxford University Press, Oxford, UK, pp. 174-199. ISBN 9780199212149

Morris, Richard K. (2009) Operation Chastise: the raid on German dams, 16/17 May 1943. In: Defining moments: dramatic archaeologies of the twentieth century. Studies in Contemporary and Historical Archaeology (5). Archaeopress, Oxford, pp. 83-94. ISBN 9781407305813

Morris, Richard K. (1987) Parish churches. In: Urban archaeology in Britain. Research Report (61). Council for British Archaeology, London, pp. 177-191.

Morris, Richard K. (1977) Redundant churches and the historic environment. In: Planning and the historic environment II. Oxford University Department for External Studies, Oxford, pp. 94-119. ISBN 0903736055

Morris, Richard K. (2012) Time's Anvil: England, Archaeology and the Imagination. Weidenfeld and Nicolson, London. ISBN 978-0297867838

Morris, Richard K. (1999) Victory at Tewkesbury’s battlefield. British Archaeology (43). ISSN 1357-4442

Morris, Richard K. (1997) Why peat extraction must be stopped. British Archaeology (28). ISSN 1357-4442

Morris, Richard K. (1988) The archaeological value of churchyards. In: The Churchyards Handbook. Church House Publishing, pp. 20-24. ISBN 9780715175545

Morris, Richard K. (1983) The church in British archaeology. Research Report, 47 . Council for British Archaeology, London. ISBN 9780906780176

Morris, Richard K. (1985) The church in the countryside: two lines of enquiry. In: Medieval villages: a review of current work. Oxford University Committee for Archaeology, Oxford, pp. 47-60. ISBN 9780947816056

Morris, Richard K. (1983) An introduction to church archaeology. Ecclesiological Society. ISBN 9780950126296

Morris, Richard K. (1994) A public past? In: Rescuing the historic environment: archaeology, the green movement and conservation strategies for the British landscape. Rescue, pp. 9-13. ISBN 9780903789172

Morris, Richard K. and Butler, Lawrence (1994) The Cavendish vault, Derby Cathedral. Derbyshire Archaeological Journal, 114. pp. 14-28.

Morris, Richard K. and Corbishley, Mike (1996) Churches, chapels and cathedrals: a teacher’s guide. English Heritage, London. ISBN 9781850744474

Morris, Richard K. and Dobinson, Colin (1994) Guy Gibson. Viking/Penguin, London. ISBN 0670828785

Morris, Richard K. and Gilchrist, Roberta (1996) Continuity, reaction and revival: church archaeology in England, c. 1600-1880. In: Church Archaeology. Research directions for the future. Research Report (104). Council for British Archaeology, York, pp. 112-126. ISBN 9781872414683

Morris, Richard K. and Gilchrist, Roberta (1993) ‘Monasteries as settlements: religion, society and economy AD 600-1050’. In: In Search of Cult: essays in honour of Philip Rahtz. Boydell Press, Woodbridge, Suffolk, UK, pp. 113-118. ISBN 0851153372, 9780851153377

Morris, Richard K. and Owen, Robert (2008) Breaching the German Dams. Other. Newsdesk Communications on behalf of Royal Air Force Museum, London.

Morris, Richard K., Owen, Robert, Rodgers, Joan, Sturtevant, Paul, Horsley, William and Garner, Alan (2007) Forty-year winter.A companion to the Royal Air Force Museum’s National Cold War Exhibition. [Show/Exhibition]

Morris, Richard K. and Roxan, Julia (1980) Churches on Roman buildings. In: Temples, churches and religion in Roman Britain. British Archaeological Reports, Oxfrord, pp. 175-209. ISBN 9780860540854

Morris, Richard K. and Wade-Martins, Peter (1976) Diocesan archaeological consultants: steps towards a plan for church archaeology in England. In: The archaelogical study of churches. Research Report (13). Council for British Archaeology, London, pp. 10-14.

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

Moss, Tim (2010) The Making of Faulty Optic's Dead Wedding: Inertia, Chaos and Adaptation. In: Devising in Process. Palgrave Macmillan, Basingstoke, pp. 74-92. ISBN 978-0-230-57367-3

Moss, Tim (2016) Uncanny Actor Training – working with entfremdung (estrangement; depersonalisation; derealisation.). In: Inspire Conference 2016, 21/06/2016, University of Huddersfield. (Unpublished)

Moss, Tim, Thresher, Mike, Mills, Jimmy and Johnson, Nick (2013) Falling. [Audio] (Unpublished)

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2013) Kelter@Picturedrome Holmfirth [Performance with Peter Hook and The Light (ex-Joy Division and New Order)]. In: Kelter, 15th April 2013, Holmfirth, UK.

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2012) Kelter@Sound Control, Manchester [Performance with Altered Sky and White Clouds and Gunfire]. In: White Clouds and Gunfire Tour, 29th October 2012, Sound Control, Manchester.

Mouldycliff, Jackson (2020) Stratigraphies: A portfolio of intermedia installations exploring the relationship of place and memory. Masters thesis, University of Huddersfield.

Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.

Muller, Andreas Karl Ewald (2005) The public voices of Daniel Defoe. Doctoral thesis, University of Huddersfield.

Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.

Musejee, Saaleha (2020) Make Presentism Great Again. Masters thesis, University of Huddersfield.

Musztafa, Krystian (2020) An investigation of the applicability of theories of humour to internet memes. Masters thesis, University of Huddersfield.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Müller, Axel (2019) The Firework Book: An edition, translation, and analysis of Royal Armouries Ms. I.34 as an example of tradition and change in fifteenth‐century gunpowder technology. Doctoral thesis, University of Huddersfield.

morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

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Nadeem, Aansa (2019) A Critical Stylistic Analysis of the Representation and Reception of Veganism on Twitter. Masters thesis, University of Huddersfield.

Nahajec, Lisa (2009) Negation-Form, Function and Effect. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Nahajec, Lisa Margaret (2012) Evoking the Possibility of Presence:Textual and Ideological Effects of Linguistic Negation in Written Discourse. Doctoral thesis, University of Huddersfield.

Naylor, Tom (2019) Paratextual Battlegrounds and Critical Power Struggles: Justice League, Black Panther, and Contemporary Film Reception. Masters thesis, University of Huddersfield.

Nemeth, Luca, Haugh, Michael and Kádár, Daniel Z. (2016) Nyelvi udvariasság/udvariatlanság és metapragmatika (Linguistic politeness, impoliteness and metapragmatics. Filologia.hu, 6/7 (1-4). pp. 4-27.

Nicholas-Stannard, Elizabeth (2016) Towards a personal methodology embracing aspects of experimental music practice and its impact on children’s music making. Masters thesis, University of Huddersfield.

Nicholson, Heather (2010) 'Old World Traditions…and Modernity' in Cunard's Transatlantic Films, c.1920-35: Making Connections between Early Promotional Films and Urban Change. In: The City and the Moving Image. Palgrave Macmillan, pp. 21-35. ISBN 9780230243385

Nicholson, Steve (2001) Britain: The Lord Chamberlain. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 327-330. ISBN 1579581358

Nicholson, Steve (2000) Dusty Hughes. In: British and Irish Dramatists Since World War II. Dictionary of Literary Biography, 233 (Second). Gale, London, pp. 147-152. ISBN 9780787646509

Nicholson, Steve (2001) Harley Granville Barker. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 183-184. ISBN 1579581358

Nicholson, Steve (2001) Jeremy Collier. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 544-545. ISBN 1579581358

Nicholson, Steve (2001) John Drydon: Amphitiryon. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 698-699. ISBN 1579581358

Nicholson, Steve (2001) Mikhail Bulgakov. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 370-371. ISBN 1579581358

Nicholson, Steve (2003) The censorship of British drama, 1900-1968. 1900-1932. Exeter performance studies . University of Exeter Press, Exeter. ISBN 0859896382

Nicholson, Steve and Soncini, Sara (2001) Tony Harrison (1937– ). In: British and Irish Dramatists Since World War II. Dictionary of Literary Biography, 245 (Third). Gale, London, pp. 213-221. ISBN 9780787646622

Nolan, MIchael (2020) An Egalitarian Gaze: Photographic Representations of Working People in Britain, 1919- 1939. Doctoral thesis, University of Huddersfield.

Norbury, Katharine (2019) A PILGRIM’S PROGRESS:ENTANGLEMENT, KINSHIP AND SPIRITUALITY IN THE FISH LADDER. Doctoral thesis, University of Huddersfield.

Norris, Heather (1982) Military Influence on European Town Planning. History today, 32 (4). pp. 10-15. ISSN 0018-2753

Norris Nicholson, Heather (2012) Amateur Film: Meaning and Practice, c. 1927 - 77. Studies in Popular Culture . Manchester University Press, Manchester. ISBN 978-0-7190-7773-9

Norris Nicholson, Heather (2007) “As If by Magic”: Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931–1949. In: Mining the Home Movie Excavations in Histories and Memories. University of California Press, pp. 214-230. ISBN 9780520248076

Norris Nicholson, Heather (1994) "At Ilkley they sell lovely": regional memory and experience in amateur movies. In: You Can't See What You Don't Know: Amateur Film as Evidence. Association Européenne Inédits Colloquium.

Norris Nicholson, Heather (2004) At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. GeoJournal, 59 (4). pp. 323-333. ISSN 0343-2521

Norris Nicholson, Heather (2001) ‘At the centre of it all are the children’: Aboriginal Childhoods and the National Film Board. London Journal of Canadian Studies, 17. pp. 73-100. ISSN 0267-2200

Norris Nicholson, Heather (1993) Bright ideas: inspirations for geography. Bright Ideas Series; Inspirations Series . Scholastic. ISBN 9780590530460

Norris Nicholson, Heather (2003) British Holiday Films of the Mediterranean: At Home and Abroad with Home Movies, ca. 1925-1936. Film History, 15 (2). pp. 102-116. ISSN 0892-2160

Norris Nicholson, Heather (2014) Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England. In: Amateur Filmmaking The Home Movie, the Archive, the Web. Bloomsbury, pp. 67-80. ISBN 9781441139054

Norris Nicholson, Heather (1996) Collusion, Collision or Challenge?: Indigenous Tourism and Cultural Experience in British Columbia, Canada. In: Quality Management in Urban Tourism. Wiley, pp. 115-136. ISBN 9780471970996

Norris Nicholson, Heather (1996) Crossing points and meeting places: geography and global perspectives in initial teacher training. In: Developing the Global Teacher: theory and practice in initial teacher education. Trentham Books, pp. 73-82. ISBN 9781858560328

Norris Nicholson, Heather (1992) Cultural centres or trading posts? Museums Journal, 92. pp. 31-34. ISSN 0027-416X

Norris Nicholson, Heather (1992) Cultural tourism in enterprising times. London Journal of Canadian Studies, 8. pp. 57-69. ISSN 0267-2200

Norris Nicholson, Heather (2000) Defining People Differently: Claiming Space for Aboriginal Diversities in Contemporary Canada. London Journal of Canadian Studies, 16. pp. 1-11. ISSN 0267-2200

Norris Nicholson, Heather (2009) Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period. In: Moving Pictures/Stopping Places: Hotels & Motels on Film. Lexington Books, pp. 49-71. ISBN 9780739128558

Norris Nicholson, Heather (2009) Framing the view: holiday recording and Britain’s amateur film movement c.1925-1950. In: Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Publishing, pp. 93-127. ISBN 9781443813440

Norris Nicholson, Heather (2001) Icons, flagships and identity: aboriginal tourism in western Canada. In: Aboriginal People and Other Canadians: Shaping New Relationships. University of Ottawa Press, pp. 187-210. ISBN 9780776605418

Norris Nicholson, Heather (1997) In amateur hands: framing time and space in home-movies. History Workshop Journal (43). pp. 198-213. ISSN 1363-3554

Norris Nicholson, Heather (2009) Journeys into Seeing: Amateur Film-making and Tourist Encounters in Soviet Russia, c. 1932. New Readings, 10. pp. 57-71. ISSN 1359-7485

Norris Nicholson, Heather (2013) Legends, Romance, and the Intelligent Knowledge of History: Storytelling on Film and Imagining the Past. In: Bringing History to Life through Film The Art of Cinematic Storytelling. Film and History . Rowman & Littlefield Publishers, pp. 89-109. ISBN 978-1-4422-2963-1

Norris Nicholson, Heather (2012) Looking Beyond the Moving Moments: Adaptation, Digitization and Amateur Film Footage as Visual Histories. In: The Adaptation of History: Essays on Ways of Telling the Past. McFarland, pp. 196-206. ISBN 9780786472543

Norris Nicholson, Heather (2012) Manchester’s Moving Memories: Tales from Moss Side and Hulme: archive film and community history-making. In: Tourists and Nomads. Amateur Images of Migration. Jonas-Verlag. ISBN 9783894454647

Norris Nicholson, Heather (1997) Moving memories: image and identity in home movies. In: The Jubilee book: essays on amatuer film. Association européene des inédits, Charleroi.

Norris Nicholson, Heather (2009) Moving pictures, moving memories: framing the interpretative gaze. In: Private Eyes and the Public Gaze - The Manipulation and Valorisation of Amateur Images. Kliomedia. ISBN 9783898901369

Norris Nicholson, Heather (2008) ”Old world traditions… and modernity” in Cunard’s transatlantic films, c.1920 – 35: making connections between early promotional films and urban change. In: Cities In Film: Architecture, Urban Space And The Moving Image Conference Proceedings. University of Liverpool, pp. 163-169. ISBN 9780955788413

Norris Nicholson, Heather (2002) Picturing the Past: Archival Film and Historical Landscape Change. Landscapes, 3 (1). pp. 81-100. ISSN 1466-2035

Norris Nicholson, Heather (1994) Place in story-time. Geographical Association. ISBN 9781899085217

Norris Nicholson, Heather (1999) Reconstructing memories: indigenous film-making, place-names and identities in Le Grand Petit European. British Journal of Canadian Studies, 14 (1). pp. 21-34. ISSN 0269-9222

Norris Nicholson, Heather (2001) Regionally Specific, Globally Significant: Who's Responsible for the Regional Record? The Moving Image, 1 (2). pp. 152-163. ISSN 1532-3978

Norris Nicholson, Heather (2001) Seeing how it was?: childhood geographies and memories in home movies. Area, 33 (2). pp. 128-140. ISSN 0004-0894

Norris Nicholson, Heather (2006) Shooting in Paradise: Conflict, Compassion and Amateur Filmmaking During the Spanish Civil War. Journal of Intercultural Studies, 27 (3). pp. 313-330. ISSN 0725-6868

Norris Nicholson, Heather (2006) Sites of Meaning: picturing Mediterranean and other landscapes in British home movies, c. 1928-1965. In: Landscape and Film. AFI Film Readers . Routledge, pp. 167-188. ISBN 9780415975551

Norris Nicholson, Heather (1996) Some timely secrets: geography re-invented. British Studies Now. pp. 10-12.

Norris Nicholson, Heather (2002) Telling travellers’ tales: framing the world in home movies, c.1935 – 1967. In: Engaging Film: Geographies of Mobility and Identity. Rowman & Littlefield Publishers, pp. 47-68. ISBN 978-0-7425-0884-2

Norris Nicholson, Heather (2009) Through the Balkan States: Home movies as travel texts and tourism histories in the Mediterranean, c.1923-39. Panoptikum, 8 (15).

Norris Nicholson, Heather (2001) Two tales of a city: Salford in regional filmmaking, 1957-1973. Manchester Region History Review, 15. pp. 41-53. ISSN 0952-4320

Norris Nicholson, Heather (1994) “Where the land is blue like an orange”: image, meaning and option in rural tourism in Tunisia. In: Urban and Rural Change in the Developing World: Proceedings of the International Workshop on Urban Farming and Rural Tourism - Priorities for Action in the 21st Century. University of York, pp. 53-66. ISBN 9780904761467

Norwanto, Norwanto (2016) Gender and Politeness in Javanese Language. Doctoral thesis, University of Huddersfield.

Novero, Anna Giulia (2015) Advertising in early twentieth-century literature: crossing boundaries between literary categorizations. Masters thesis, University of Huddersfield.

Nuttall, Louise (2015) Attributing minds to vampires in Richard Matheson's I Am Legend. Language and Literature, 24 (1). pp. 23-39. ISSN 0963-9470

Nuttall, Louise (2014) Constructing a text-world for The Handmaid's Tale. In: Cognitive Grammar in Literature. Linguistic Approaches to Literature (17). John Benjamins, Amsterdam, pp. 83-99. ISBN 9789027234049

Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470

Nuttall, Pamela M. (2019) Corruption in Municipal Government in the late Victorian Period, (1871 –1902): A study of the conduct and attitude of the Councils of Manchester and Salford to delivering government with integrity, and the extent to which allegations of malpractice made by critics were warranted. Doctoral thesis, University of Huddersfield.

Núñez, Nicolás (1996) Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam. ISBN 9783718657100

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O'Donnell, Lisa (2018) The Death Of Bees and Closed Doors. Exploring the Impact of Experience and Trauma in Creative Writing. Doctoral thesis, University of Huddersfield.

O'Driscoll, Jim (1996) About face: A defence and elaboration of universal dualism. Journal of Pragmatics, 25 (1). pp. 1-32. ISSN 0378-2166

O'Driscoll, Jim (1984) Advanced writing skills. Penguin. ISBN 9780140808360

O'Driscoll, Jim (1988) Basic English grammar. Penguin. ISBN 9780140808988

O'Driscoll, Jim (1990) Basic English grammar exercises. Penguin. ISBN 9780140809459

O'Driscoll, Jim (2009) Britain: for learners of English. Oxford University Press. ISBN 9780194306447

O'Driscoll, Jim (1995) Britain: the country and its people: an introduction for learners of English. Oxford University Press. ISBN 9783464100523

O'Driscoll, Jim (2007) Brown and Levinson's face: How it can—and can't—help us to understand interaction across cultures. Intercultural Pragmatics, 4 (4). pp. 463-492. ISSN 1612295X

O'Driscoll, Jim (2008) Conflict participation frameworks. In: Conflict Research Society Conference 2008, 2nd - 3rd September 2008, University of Kent, Canterbury. (Unpublished)

O'Driscoll, Jim (2010) Epilogue. In: Historical (Im)politeness. Linguistic Insights: Studies in Language and Communication, 65 . Peter Lang Publishers, pp. 265-289. ISBN 9783039114962

O'Driscoll, Jim (2005) Erving Goffman. In: IPrA Handbook of pragmatics. International Pragmatics Association.

O'Driscoll, Jim (2009) Erving Goffman. In: The Pragmatics of Interaction. Handbook of Pragmatics Highlights (4). John Benjamins Publishing Company, pp. 79-95. ISBN 9789027207814

O'Driscoll, Jim (2002) First-order and second-order politeness: The dispute over 'modelling' politeness. In: Sociolinguistics Symposium 14, 4th - 6th April 2002, Gent, Belgium. (Unpublished)

O'Driscoll, Jim (2001) Hiding Your Difference: How Non-global Languages are being Marginalised in Everyday Interaction. Journal of Multilingual and Multicultural Development, 22 (6). pp. 475-490. ISSN 01434632

O'Driscoll, Jim (2006) How can linguistics help with conflict research? In: Conference Research Society Conference 2006, 6th September 2006, Birmingham. (Unpublished)

O'Driscoll, Jim (2013) How to talk about languages: the venues metaphor. Multilingua: Journal of Cross-Cultural and Interlanguage Communication, 32 (5). pp. 601-625. ISSN 1613-3684

O'Driscoll, Jim (1999) Language choice as identity construction in Pan-European Interaction - A Case Study. In: Language, Culture and Identity. Aalborg University Press, Copenhagen, Denmark, pp. 115-135. ISBN 9788773076293

O'Driscoll, Jim (2006) Languages as venues: an alternative to the biological metaphor. In: Sociolinguistics Symposium 16, 6th - 8th July 2006, University of Limerick, Limerick. (Unpublished)

O'Driscoll, Jim (2006) Linguistics and conflict studies. In: Linguistic impoliteness and rudeness (LIAR) 2006: confrontation and conflict in discourse, 3rd - 4th July 2006, University of Huddersfield. (Unpublished)

O'Driscoll, Jim (2008) Metaphors we speak by: time for an alternative to the biological metaphor for languages. In: Annual Conference of the Poetics and Linguistics Association, 23rd - 26th July 2008, University of Sheffield. (Unpublished)

O'Driscoll, Jim (1990) Quality versus equality: making value judgements about language. BELL: Belgian essays on language and literature. pp. 51-70. ISSN 1376-2958

O'Driscoll, Jim (2013) Situational Transformations: the offensive-izing of an email message and the public-ization of offensiveness. Pragmatics and Society, 4 (3). pp. 369-387. ISSN 1878-9714

O'Driscoll, Jim (2000) Sociolinguistics in a straitjacket. (Review of Spolsky's 'Sociolinguistics'). Functions of language, 7 (1). pp. 133-148. ISSN 0929-998X

O'Driscoll, Jim (2010) Some Issues with the Concept of Face: When, What, How and How Much? In: Politeness Across Cultures. Palgrave Macmillan, London, UK, pp. 17-41. ISBN 9780230236486

O'Driscoll, Jim (2008) Some problems with the concept of face: A review. In: 4th International Symposium on Politeness, 2nd - 4th July 2008, Budapest. (Unpublished)

O'Driscoll, Jim (2007) What's in an FTA? Reflections on a chance meeting with Claudine. Journal of Politeness Research Language Behaviour Culture, 3 (2). pp. 243-268. ISSN 1612-5681

O'Driscoll, Jim (2004) World Englishes, Gunnel Melchers and Philip Shaw (book review). Belgian journal of english language and literature (2). ISSN 1376-2958

O'Driscoll, Jim (2004) World Englishes: A resource book for students, Jennifer Jenkins (book review). Belgian journal of english language and literature (2). ISSN 1376-2958

O'Driscoll, Jim (2004) The discourse of English as T-Rex. In: Language and the future of Europe: ideologies, policies and practices, 8th - 10th July 2004, Universtiy of Southampton. (Unpublished)

O'Driscoll, Jim (2001) A face model of language choice. Multilingua - Journal of Cross-Cultural and Interlanguage Communication, 20 (3). pp. 245-268. ISSN 01678507

O'Driscoll, Jim (2013) The role of language in interpersonal pragmatics. Journal of Pragmatics. ISSN 0378-2166

O'Driscoll, Jim (2009) A viable Israel and a secure Palestine: Textual intervention in a British public debate. In: From will to well: Studies in Linguistics offered to Anne-Marie Simon-Vandenbergen. Academia Press, Gent, Belgium, pp. 361-371. ISBN 9789038214962

O'Driscoll, Jim and Simon-Vandenbergen, Anne-Marie (2009) Personalisation in extremist political discourse across cultures. In: 11th International Pragmatics Conference, 12th - 17th July 2009, Melbourne, Australia. (Unpublished)

O'Gorman, Jade (2015) Rebus Undone: Contemporary Scotland and Obstinate Obsolescence. Masters thesis, University of Huddersfield.

O'Gorman, Rebecca (2016) The Artful Dodgers. Masters thesis, University of Huddersfield.

O'Keefe, Dennis (2011) Cricket and Church in Calderdale: An Example of a Dualistic Approach in Interpreting Social History. In: What is the Future of Sport History in Academia?: a symposium, Wednesday 29th June 2011, University of Huddersfield. (Unpublished)

O'Keefe, Dennis (2009) What was the Significance of Church Cricket in Calderdale, 1860 – c.1920. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X

O'Neill, Deirdre (2017) New Values and Selectivity in the Construction of News: Commentary on Peer-Reviewed Published Research Articles. Doctoral thesis, University of Huddersfield.

O'Neill, Deirdre (2012) No cause for celebration: the rise of celebrity news values in the British quality press. Journalism Education, 1 (2). pp. 26-44.

O'Neill, Deirdre and Franks, Suzanne (2016) A sporting chance for women? Exploring gender imbalance on the sports desks of UK national newspapers. Media Report to Women, 44 (1). ISSN 0145-9651

O'Neill, Deirdre and Harcup, Tony (2008) News Values and Selectivity. In: The Handbook of Journalism Studies. Routledge, pp. 161-174. ISBN 9780805863420

O'Neill, Deirdre and Mulready, Matt (2015) The Invisible Woman? A comparative study of women's sports coverage in the UK national press before and after the 2012 Olympic Games. Journalism Practice, 9 (5). pp. 651-668. ISSN 1751-2786

O'Neill, Deirdre and O’Connor, Catherine (2008) The Passive Journalist: How sources dominate the local news. Journalism Practice, 2 (3). pp. 487-500. ISSN 1751-2786

O'Neill, Deirdre and Savigny, Heather (2014) Female politicians in the British press: The exception to the ‘masculine’ norm? Journalism Education, 3 (1). pp. 6-27.

O'Neill, Deirdre, Savigny, Heather and Cann, Victoria (2016) Women Politicians in the UK Press: Not seen and not heard? Feminist Media Studies, 16 (2). pp. 293-307. ISSN 1468-0777

Oliver-Berry, Alexander (2020) The changing of representation for Female Professional Wrestlers in WWE (1980s-2010s). Masters thesis, University of Huddersfield.

Omar, Abdul Rahman (2019) An Investigation of Arab Students’ Motivation for Learning English. Doctoral thesis, University of Huddersfield.

Oraby, Khaled (2020) The Sociopragmatics of Invitation and Offering Practices in Jordanian Arabic. Doctoral thesis, University of Huddersfield.

Orthaber, Sarah, Marquez Reiter, Rosina and Kádár, Daniel Z. (2015) Disattending customer dissatisfaction on Facebook : a case study of a Slovenian public transport company. In: International Management and Intercultural Communication: A Collection of Case Studies. Palgrave Macmillan, pp. 108-126. ISBN 978-1137479891

Osborne, Miles, Moran, Sean, McCreadie, Richard, von Lunen, Alexander, Sykora, Martin, Cano, Elizabeth, Ireson, Neil, Macdonald, Craig, Ounis, Iadh, He, Yulan, Jackson, Tom, Ciravegna, Fabio and O'Brien, Ann (2014) Real-Time Detection, Tracking, and Monitoring of Automatically Discovered Events in Social Media. In: Proceedings of 52nd Annual Meeting of the Association for Computational Linguistics: System Demonstrations. ACL 2014 . Association for Computational Linguistics, Baltimore, Maryland, pp. 37-42. ISBN 978-1-941643-00-6

Owiti, Beatrice (2016) Courtroom interpretation from Dholuo to English : a stylistic and pragmatic analysis. Doctoral thesis, University of Huddersfield.

O’Donnell, Emily (2018) The ‘Theatre of Horror’: exploring the underutilised horror genre in modern theatre. Masters thesis, University of Huddersfield.

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Packer, Mary (2019) GENRE AND LANGUAGE: DEFINING TEMPORAL, PHYSICAL AND NON-PHYSICAL SPACES IN SPECULATIVE TECHNO-DYSTOPIAN FICTION. Doctoral thesis, University of Huddersfield.

Pahl, Kate and Ward, Paul (2017) Re-visioning exclusion in local communities. In: Building Better Societies: Promoting Social Justice in a World Falling Apart. Policy Press, Bristol, UK, pp. 95-110. ISBN 978-1447332032

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Pan, Yuling and Kádár, Daniel Z. (2012) Chinese Discourse and Interaction: Theory and Practice - An Introduction. In: Chinese Discourse and Interaction: Theory and Practice. Equinox, Sheffield, UK, pp. 1-11. ISBN 9781845536329

Pan, Yuling and Kádár, Daniel Z. (2009) Chinese Face and (Im)Politeness. In: International Symposium on Face and Politeness, 10 July 2009, Brisbane, Australia. (Unpublished)

Pan, Yuling and Kádár, Daniel Z. (2009) Chinese discourse and interaction: Theory and practice. In: 11th International Pragmatics Conference, 12th-17th July 2009, Melbourne, Australia. (Unpublished)

Pan, Yuling and Kádár, Daniel Z. (2011) Historical vs. contemporary Chinese linguistic politeness. Journal of Pragmatics, 43 (6). pp. 1525-1539. ISSN 0378-2166

Pan, Yuling and Kádár, Daniel Z. (2011) Politeness in Historical and Contemporary Chinese. Continuum, London, UK. ISBN 9781847062758

Panesar, Amerdeep, Stoddart, Amy, Turner, James, Ward, Paul and Wells, Sarah (2017) J.H. Whitley and the Royal Commission on Labour in India 1929–31. In: Liberal Reform and Industrial Relations : J.H. Whitley (1866–1935), Halifax Radical and Speaker of the House of Commons. Routledge Studies in Modern British History . Routledge, London, pp. 129-142. ISBN 9781138293984

Panesar, Amerdeep Singh (2017) Martialing the Sikh Soldier During the First World War. Masters thesis, University of Huddersfield.

Parker, Brad (2021) Transmission of Memory Amongst the Post-Franco Generation: How The Post-Franco Generation Learned About the Spanish Civil War. Masters thesis, University of Huddersfield.

Parkin, Jennifer (2016) Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show. Masters thesis, University of Huddersfield.

Parkman, Colin J. (2019) EXPERIMENTAL FIRING, AND ANALYSIS OF IMPACTED 17TH–18TH CENTURY LEAD BULLETS. Doctoral thesis, University of Huddersfield.

Parr, Ian (2018) ‘Tomorrow, and tomorrow, and tomorrow’: A comparison of three operatic adaptations of Macbeth by Lawrance Collingwood, Paul McIntyre, and Luke Styles. Masters thesis, University of Huddersfield.

Partida, Tracey, Hall, David and Foard, Glenn (2013) An Atlas of Northamptonshire: The Medieval and Early-Modern Landscape. Oxbow Books. ISBN 9781842175118

Partovi Tazeh Kand, Parviz (2013) Adaptations of Hamlet in Different Cultural Contexts: Globalisation, Postmodernism, and Altermodernism. Doctoral thesis, University of Huddersfield.

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.

Pattie, Ruairidh (2020) Characteristic Brilliance: an examination of compositional influence in Clara Schumann’s Op 5. Masters thesis, University of Huddersfield.

Pavlitski-Bell, Mortimer (2021) An Exploration of Creative Audio Spatialisation Tools for Ableton Live. Masters thesis, University of Huddersfield.

Payaslian, Arto (2018) Industrious as Pasts: Armenian-American Poetics and Capillarity. Doctoral thesis, University of Huddersfield.

Paúl, Abel (2017) Doubles and Duplication: A Study of their Application as Musical Materials and Compositional Devices - Mirrors, Still Lifes, Echoes, Displacements. Doctoral thesis, University of Huddersfield.

Peabody, Anthony (2018) Joe Morley, banjo player, his life, works, and his music. Masters thesis, University of Huddersfield.

Peaker, Katie (2019) Fair-Play: How Women Experience Sexism within Board Gaming Spaces. Masters thesis, University of Huddersfield.

Pearson, Luke (2016) An exploration into the role of fitness in physical theatre actor training. Masters thesis, University of Huddersfield.

Pedder, Jacqueline (2018) Saints and Relics During the English Reformation of the Early Modern Period, 1558-1625: How Far Did This Catholic Belief Continue/Change from Medieval England? Masters thesis, University of Huddersfield.

Pente, Elizabeth and Ward, Paul (2018) How can historical knowledge help us to make sense of communities like Rotherham? In: Re-imagining contested communities Connecting Rotherham through research. Policy Press, Bristol, pp. 29-32. ISBN 978-1-4473-3029-5

Pente, Elizabeth and Ward, Paul (2018) Who are we now? Local history, industrial decline and ethnic diversity. In: Re-imagining contested communities. Policy Press, Bristol, pp. 41-52. ISBN 978-1447333326

Pente, Elizabeth, Ward, Paul, Brown, Milton and Sahota, Hardeep (2015) The co-production of historical knowledge: implications for the history of identities. Identity papers: A journal of British and Irish studies, 1 (1). pp. 32-53. ISSN 2058-6205

Perks, R.B. (1985) The new Liberalism and the challenge of Labour in the West Riding of Yorkshire 1885-1914 with special reference to Huddersfield. Doctoral thesis, Huddersfield Polytechnic.

Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606

Pietrzak, Jan Nepomucen (2021) Music Collaboration in an Online Environment: Technologies, Roles and Creativity. Masters thesis, University of Huddersfield.

Piggott, Robert (2019) A Place for Worship? Heritage and Religiosity in England. Doctoral thesis, University of Huddersfield.

Platt, David (2009) The sealed knot. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Pocknee, David Antony (2017) How to Compose a PhD Thesis in Music Composition. Doctoral thesis, University of Huddersfield.

Pollard, Malcolm (2000) The Châteauvallon Affair: culture and political conflict. Contemporary Politics, 6 (4). pp. 319-329. ISSN 13569775

Pollard, Malcolm (1999) La fete a Venise. In: De tel quel a l'infini: l'avant-garde et apres? Pleins Feux, Nantes, France, pp. 191-206. ISBN 9782912567611

Pollard, Malcolm (1998) Philippe Sollers: contract and counter contract. Parallax, 4 (1). pp. 35-46. ISSN 1353-4645

Pollard, Malcolm (2006) The Use-value of Georges Bataille: Philippe Sollers and the Act of Writing. In: The Beast at Heaven's Gate: Georges Bataille and the Art of Transgression. Rodopi, Amsterdam, pp. 127-142. ISBN 978-90-420-2013-9

Pollard, Malcolm (1999) The fiction of Mitterrand and cultural policy: politics and its discontents. French Cultural Studies, 10 (28). pp. 21-37. ISSN 1740-2352

Pollard, Malcolm (1994) The novels of Phillipe Sollers: narrative and the visual. Rodopi, Amsterdam, Netherlands. ISBN 9789051837070

Pople, Anthony, Russ, Michael, Cook, Nicholas and Cross, J. (2004) Editorial, completion and editing of Pople, A. 'Using complex set theory for tonal analysis: an introduction to the Tonalities Project'. Music Analysis, 23 (2-3). pp. 153-194. ISSN 0262-5245

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Potts, Ben N. (2018) Sound as, and beyond, sculpture :a creative investigation of physicality, space and movement through otoacoustic emissions. Doctoral thesis, University of Huddersfield.

Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.

Pratt, Jacob Lewis (2017) 'Don't be an Artist': An Exploration into the Career Viability of UK Theatre Companies in the Socio-Political Landscape of the 21st Century. Masters thesis, University of Huddersfield.

Preece, Amy (2019) Portraying Epilepsy in Fiction. Masters thesis, University of Huddersfield.

Preece, Bronwyn (2019) PERFORMING EMBODIMENT: IMPROVISATIONAL INVESTIGATIONS INTO THE INTERSECTIONS OF ECOLOGY AND DISABILITY. Doctoral thesis, University of Huddersfield.

Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163

Price, Hazel (2017) The 10 Million Dollar Oxford Comma. Babel: The Language Magazine (19). pp. 6-7. ISSN 2051-7297

Price, Hazel (2016) Bird Brains! (Or Not...). Babel: The Language Magazine (15). p. 6. ISSN 2051-7297

Price, Hazel (2016) Book Review: Words in Time and Place: Exploring Language Through the Historical Thesaurus of the Oxford English Dictionary by David Crystal. Babel: The Language Magazine (14). p. 48. ISSN 2051-7297

Price, Hazel (2019) The Discursive Construction of Mental Illness in UK Newspapers (1984-2014): A Critical Corpus Linguistic Analysis. Doctoral thesis, University of Huddersfield.

Price, Hazel (2016) Donald Trump? Being Offensive? With his Reputation? Babel: The Language Magazine (17). p. 7. ISSN 2051-7297

Price, Hazel (2015) Emoji: A New Form of Language? Babel: The Language Magazine (12). p. 6. ISSN 2051-7297

Price, Hazel (2015) Gove's Grammar. Babel: The Language Magazine (12). p. 7. ISSN 2051-7297

Price, Hazel (2015) Great Scott! New Additions to OED. Babel: The Language Magazine (13). p. 7. ISSN 2051-7297

Price, Hazel (2016) Is England Really 'Baht' Dialects? Babel: The Language Magazine (16). pp. 6-7. ISSN 2051-7297

Price, Hazel (2015) Italian MP in row over masculine language in parliament. Babel: The Language Magazine (11). p. 6. ISSN 2051-7297

Price, Hazel (2017) Language Prejudices Result in Unfair Court Rulings say U.S. Linguists. Babel: The Language Magazine (18). pp. 6-7. ISSN 2051-7297

Price, Hazel (2016) The Linguistics of 'Bag Lady'. Babel: The Language Magazine (15). p. 7. ISSN 2051-7297

Price, Hazel (2016) Linguists Identify Philadelphia 'Accent' of American Sign Language. Babel: The Language Magazine (14). pp. 6-7. ISSN 2051-7297

Price, Hazel (2016) Merriam-Webster's Word of the Year is... 'ism'! Babel: The Language Magazine (14). p. 7. ISSN 2051-7297

Price, Hazel (2016) Owen Smith Apologises for his 'Colourful' Language. Babel: The Language Magazine (17). p. 6. ISSN 2051-7297

Price, Hazel (2015) Peeping Chimps Give Insight Into Human Language. Babel: The Language Magazine (13). pp. 6-7. ISSN 2051-7297

Price, Hazel (2015) Viral Sign Language Interpreter: Who's Laughing? Babel: The Language Magazine (11). p. 7. ISSN 2051-7297

Proctor, William and McCulloch, Richard (2016) Editorial Introduction -- Exploring Imaginary Worlds: Audiences, fan cultures, and geographies of the imagination. Participations: journal of audience & reception studies, 13 (1). pp. 479-487. ISSN 1749-8716

Pulaczewski, Maciej (2018) The Colichemarde: Historical Curiosity or Efficient Weapon? The Journal of the Arms and Armour Society, XXII (6). pp. 356-384. ISSN 0004-2439 (In Press)

Pulman, Mark (2010) Assessing personal attributes in the group rehearsal. Music Education Research, 12 (4). pp. 395-414. ISSN 1461-3808

Pulman, Mark (2006) Book review: Popular Music Genres: An Introduction By Stuart Borthwick and Ron Moy, 2004. Popular Music, 25 (2). pp. 340-342. ISSN 0261-1430

Pulman, Mark (2011) Developing Group Work Life Skills Within The Music Industries. In: Developing The Musician, 5th March 2011, University of Reading. (Unpublished)

Pulman, Mark (2013) ‘Knowing me, knowing you': developing group work life skills. In: Developing The Musician. Ashgate Psychology of Music . Ashgate, London, pp. 83-100. ISBN 9781409450177

Pulman, Mark (2008) ‘Knowing yourself through others’: peer assessment in popular music group work. Doctoral thesis, Sheffield Hallam University.

Pulman, Mark (2004) Peer assessment in popular music. In: How am I doing? Valuing and rewarding learning in musical performance in higher education. University of Ulster, Ulster, UK, pp. 69-87. ISBN 1859231780

Pulman, Mark (2002) Peer assessment in popular music group performance. In: Assessing Musical Performance, 11-12th September 2002, Carrickfergus, University of Ulster. (Unpublished)

Pulman, Mark (2008) Personal attributes and rehearsing in a band. In: Research Fora, 2nd December 2008, University of Huddersfield. (Unpublished)

Pulman, Mark (2014) Popular Music Pedagogy: band rehearsals at British universities. International Journal of Music Education, 32 (2). pp. 296-310. ISSN 0255-7614

Pulman, Mark (2011) Rehearsing Popular Music In A Band. In: Stepping Out Of The Shadows, 5th April 2011, Guildhall School of Music and Drama, London. (Unpublished)

Pulman, Mark (2011) Rehearsing popular music: Exploring opportunities for supporting learning in the pop/rock band. Project Report. The Higher Education Academy, Huddersfield, UK.

Pulman, Mark (2009) Rehearsing popular music: Exploring opportunities for supporting learning in the pop/rock band. Palatine.

Pulman, Mark (2012) Round and round we go: an ‘action’ ride on the rehearsing and performing cycle. British Journal of Music Education, 29 (2). pp. 213-231. ISSN 02650517

Pulman, Mark (2009) Seeing yourself as others see you: developing personal attributes in the rehearsal. British Journal of Music Education, 26 (2). pp. 117-135. ISSN 02650517

Pulman, Mark (2002) Winning the crowd vote. In: Sheffield Hallam University Research Forum, 29th April 2002, Sheffield Hallam University. (Unpublished)

Pulman, Mark and Davis, Robert (2001) Raising standards in performance. British Journal of Music Education, 18 (3). pp. 251-259. ISSN 02650517

Putra, Nathanael (2019) Post Rock Music in Film. Masters thesis, University of Huddersfield.

Pye, Neil (2011) The Home Office and the Suppression of Chartism in the West Riding, c.1838-1848. Doctoral thesis, University of Huddersfield.

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Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield.

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Raja, Irfan Azhar (2016) Reporting British Muslims: the re-emergence of Folk Devils and Moral Panics in post-7/7 Britain (2005-2007). Doctoral thesis, University of Huddersfield.

Randall, Olivia (2016) 27 Club: magic realism and new weird in short fiction. Masters thesis, University of Huddersfield.

Ransom, Angela, Bastow, Sarah L. and Gazal, Andre (2018) Defending the Faith: John Jewel and the Elizabethan Church. Pennsylvania State University Press, Pennsylvania. ISBN 9780271082080

Rattananukool, Piyanoot (2015) Politeness in Diplomatic Talk: A Thai Case Study. Masters thesis, University of Huddersfield.

Rawbone, T. and Jan, Steven (2015) A grammatical model of butterfly schemas in the late-Classical style. In: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, 17th - 22nd August 2015, Manchester, UK.

Rawbone, Trevor Mark (2017) The Butterfly Schema as a Product of the Tendency for Congruence and Hierarchical Selection in the Instrumental Musical Grammar of the Classical Period. Doctoral thesis, University of Huddersfield.

Reavell, Oliver (2016) The Buena Vista Phenomenon: Constructions of Cuban Musical Identity. Masters thesis, University of Huddersfield.

Rebecca, Gill (2016) Belgian refugees in World War 1: local archives & histories. Local History News (119). pp. 6-7. ISSN 0969-3521

Rebecca, Gill (2016) Brave little Belgium arrives in Huddersfield ... voluntary action, local politics, and the history of international relief work. Immigrants and Minorities, 34 (2). pp. 132-150. ISSN 0261-9288

Reynolds, Jack and Laybourn, Keith (1975) The Emergence of the Independent Labour Party in Bradford. International review of social history, 20 (3). pp. 313-346. ISSN 0020-8590

Reynolds, Jack and Laybourn, Keith (1970) The Letter Press Printers of Bradford: A Short History of the Bradford Graphical Society. National Graphical Association.

Rich, Jonathan (2010) Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. Masters thesis, University of Huddersfield.

Richardson, Harriet (2015) Approaching the Performance of Experimental Music on the Flute. Masters thesis, University of Huddersfield.

Rimer, Graeme (2007) Arms and Armour of the Fifteenth Century: Weapons. In: Blood Red Roses: The Archaeology of a Mass Grave from the Battle of Towton AD 1461. Oxbow Books, Oxford, pp. 119-129. ISBN 978-1-84217-289-6

Rimer, Graeme (2001) [Chapter on Weapons]. In: A Ship Cast Away About Alderney: Investigations of an Elizabethan Shipwreck. Oxbow Books, Oxford, pp. 64-76. ISBN 978-0-9541595-0-4

Rimer, Graeme (2003) A Decorated 17th Century English Stonebow. In: Catalogue of the London Park Lane Arms Fair. London Park Lane Arms Fair, London, pp. 45-48.

Rimer, Graeme (2007) Editor's Preface. Arms and Armour, 4 (2). pp. 91-92. ISSN 17416124

Rimer, Graeme (2007) Editor's Preface. Arms and Armour, 4 (1). pp. 3-4. ISSN 17416124

Rimer, Graeme (2006) Editor's Preface. Arms and Armour, 3 (2). pp. 115-116. ISSN 17416124

Rimer, Graeme (2006) Editor's Preface. Arms and Armour, 3 (1). pp. 3-4. ISSN 17416124

Rimer, Graeme (2008) Editorial. Arms and Armour, 5 (2). pp. 105-106. ISSN 17416124

Rimer, Graeme (2008) Editorial. Arms and Armour, 5 (1). pp. 3-4. ISSN 17416124

Rimer, Graeme (2002) The Royal Armouries, Moving into the 21st Century. Arms collecting, 40 (4). pp. 127-133.

Rimer, Graeme (1987) The Royal Armouries: Past and Present. Arms collecting, 25 (4). pp. 111-124.

Rimer, Graeme (2008) A Short Note on a Major Acquisition. Arms and Armour, 5 (1). pp. 101-102. ISSN 17416124

Rimer, Graeme and Blackmore, David (1986) Firearms in the Popham Armoury at Littlecote House. In: Catalogue of the London Park Lane Arms Fair. London Park Lane Arms Fair, London, pp. 19-24.

Roberts, Nichola (2019) The Impact of Anxiety Disorders on the Choice of Politeness Strategies: A Case Study of Women Postgraduates. Masters thesis, University of Huddersfield.

Robinson, Daniel (2019) An Exploration of the Various Compositional Approaches to Modern Progressive Metal. Masters thesis, University of Huddersfield.

Robinson, Terry, Foot, Robert and Clarke-Hill, Colin M. (2000) German retailing expansion – a decade of change? European business review, 12 (4). pp. 216-225. ISSN 0955-534X

Roche, Heather (2011) Dialogue and Collaboration in the Creation of New Works for Clarinet. Doctoral thesis, University of Huddersfield.

Rose, Nicola (2016) Disability in adaptations of Dickens. Masters thesis, University of Huddersfield.

Rowe, Samantha A. (2019) FACTORS AFFECTING THE SURVIVAL OF METAL PLOUGHSOIL ASSEMBLAGES: AN ASSESSMENT OF LEAD BULLETS FROM 17TH-CENTURY FIELDS OF CONFLICT. Doctoral thesis, University of Huddersfield.

Rudrum, David (2007) Da Certeza e Doublethink: Orwell e Wittgenstein. Caleidoscopio: Revista de Communicacao e Cultura, 8 (1). pp. 167-175. ISSN 1645-2585

Rudrum, David (2006) Ethics, Justice, Translation: Lyotard on Wittgenstein. In: Translating Identity and the Identity of Translation. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 132-140. ISBN 9781847180438

Rudrum, David (2007) Everyday Tragedies: Cavell, Beckett, and the meaning of meaninglessness. In: Happy days: self, time and knowledge in the work of Stanley Cavell International Conference, 5th - 7th July 2007, University of Potsdam. (Unpublished)

Rudrum, David (2009) From The Sublime to the Ordinary: Stanley Cavell's Beckett. Textual Practice, 23 (4). pp. 543-558. ISSN 0950-236X

Rudrum, David (2005) From narrative representation to narrative use: towards the limits of definition. Narrative, 13 (2). pp. 195-204. ISSN 1063-3685

Rudrum, David (2008) From sublime to ordinary: Stanley Cavell's Beckett. In: Literature and Philosophy/Philosophy and Literature Inaugural Conference, 12th - 14th June 2008, University of Sussex. (Unpublished)

Rudrum, David (2011) Greene on Screene. In: Holmfirth Film Festival, 21st-28th May 2011, Holmfirth, UK. (Unpublished)

Rudrum, David (2011) Homage From Catalonia, or, Why Have We Built No Shrines to Orwell? In: George Orwell Festival. (Unpublished)

Rudrum, David (2012) How Do You Solve A Problem Called Lolita? In: Holmfirth Film Festival, 19th-26th May 2012, Holmfirth, UK. (Unpublished)

Rudrum, David (2012) How To Do Things With Wordsworth. In: Stanley Cavell: Philosophy, Literature and Criticism. Manchester University Press, Manchester, UK, pp. 166-180. ISBN 978-0-7190-8431-7

Rudrum, David (2008) How to do things with Wordsworth. In: Stanley Cavell and Literary Criticism Conference, 9th - 11th May 2008, University of Edinburgh. (Unpublished)

Rudrum, David (2010) Just an Ordinary American Tragedy: Towards a Cavellian Reading of Death of a Salesman. In: International American Drama Conference, 29th-30th October 2010, Kean University, New Jersey. (Unpublished)

Rudrum, David (2005) Living alone: solipsism and Heart of Darkness. Philosophy and Literature, 29 (2). pp. 409-427. ISSN 0190-0013

Rudrum, David (2008) Murder - A Dying Art? George Orwell, Raymond Chandler, and the Mysterious Death of English Crime Writing. In: Crime Cultures: Figuring Criminality in Literature, Media and Film International Conference, 14th - 16th July 2008, University of Portsmouth. (Unpublished)

Rudrum, David (2009) Murder - A Dying Art? Orwell, Chandler, and the Mysterious Death of English Crime Writing. Southeast Asian Review of English, 49. pp. 15-25.

Rudrum, David (2008) The Mysterious Case of the English Murder: The Britishness of Crime Writing. In: Britishness, Identity and Citizenship: the View from Abroad Conference, 5th - 6th June 2008, University of Huddersfield. (Unpublished)

Rudrum, David (2008) Narrativity and performativity: from Cervantes to Star Trek. In: Theorizing narrativity. Narratologica/Contributions to Narrative Theory, 12 . Walter de Gruyter, Berlin, pp. 253-276. ISBN 9783110202441

Rudrum, David (2002) Narratology. The literary encyclopedia. ISSN 1747-678X

Rudrum, David (2006) On the Very Idea of a Definition of Narrative: A Reply to Marie-Laure Ryan. Narrative, 14 (2). pp. 197-204. ISSN 1063-3685

Rudrum, David (2001) Postmodernity, Ethics and the Novel: From Leavis to Levinas. By Andrew Gibson (book review). European journal of English studies, 5 (1). pp. 123-124. ISSN 1382-5577

Rudrum, David (2014) Shlips of the tongue: or, experimenting with the Shibboleth. In: De l’expérimental dans l’art / Concerning the experimental in art, 2-3rd October, 2014, Université du Maine (Le Mans). (Unpublished)

Rudrum, David (2013) Shooting a Donkey: Accidents and Mistakes in Austin and McEwan. Philosophy and Literature, 37 (2). pp. 421-434. ISSN 0190-0013

Rudrum, David (2005) Silent dialogue: philosophising with Jan Svankmajer. In: Film as Philosophy. Palgrave Macmillan, Hampshire, UK, pp. 114-132. ISBN 9781403949004

Rudrum, David (2006) Slouching Towards Bethlehem: Yeats, Eliot, and the Modernist Apocalypse. In: English Division's Research Seminar, 4th October 2006, University of Huddersfield, Huddersfield, UK. (Unpublished)

Rudrum, David (2008) Slouching towards Bethlehem: Yeats, Eliot and the Modernist Apocalypse. In: Ecstasy and understanding: Religious Awareness in English Poetry from the Late Victorian to the Modern Period. Continuum Literary Studies . Continuum, pp. 58-70. ISBN 9780826498649

Rudrum, David (2013) Stanley Cavell and the Claim of Literature. John Hopkins University Press, Baltimore, Maryland, USA. ISBN 9781421410487

Rudrum, David (2010) The Time of Tragedy: Thinking the Contemporary with Cavell and Agamben. In: The Time of Tragedy: Thinking the Contemporary with Cavell and Agamben, 22nd October 2010, University of California, Irvine. (Unpublished)

Rudrum, David (2014) “To Act, To Do, and To Perform”: Cavell, Derrida, and the Performance of Performativity in Hamlet. In: Théâtre, Performance, Philosophie Colloque 2014 Croisements et transferts dans la pensée anglo-américaine contemporaine., 26-28th June 2014, Sorbonne, Paris. (Unpublished)

Rudrum, David (2005) What did Cavell want of Poe? Angelaki, 10 (3). pp. 91-98. ISSN 0969-725X

Rudrum, David (1999) Writing the Image After Roland Barthes. Edited by Jean-Michel Rabate (book review). European journal of English studies, 3 (3). pp. 354-356. ISSN 1382-5577

Rudrum, David, Lodge, April and Christofides, Roger M. (2016) “The Action to the Word, the Word to the Action” Reading Hamlet with Cavell and Derrida. Angelaki, 21 (2). pp. 177-191. ISSN 0969-725X

Rudrum, David and Stavris, Nicholas (2015) Supplanting the Postmodern: An Anthology of Writings on the Arts and Culture of the Early 21st Century. Bloomsbury. ISBN 9781501306884

Ruffoni, Christopher (2012) A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music. Masters thesis, University of Huddersfield.

Ruhi, Sükriye and Kádár, Daniel Z. (2014) Politeness in Turkey and China. Bloomsbury, London, UK. ISBN 9781441165718

Ruhi, Şükriye and Kádár, Daniel Z. (2011) Face across historical cultures: A comparative study of Turkish and Chinese. Journal of Historical Pragmatics, 12 (1). pp. 25-48. ISSN 15665852

Russ, Michael (2000) Accounting and Mediating: Modes, Genera, Voice-leading and Form in Milhaud. Music Analysis, 19 (2). pp. 233-255. ISSN 0262-5245

Russ, Michael (1990) Atonality, modality, symmetry and tonal hierarchy in Bartok's improvisation Op. 20 No. 2. In: Musicology in Ireland. Irish musical studies, 1 . Irish Academic Press, pp. 278-294. ISBN 9780716524564

Russ, Michael (2012) Bartók, Beethoven and the Sonata for Two Pianos and Percussion. Journal of the Royal Musical Association, 137 (2). pp. 307-349. ISSN 0269-0403

Russ, Michael (1996) "Be Bored": Reading a Mussorgsky Song. 19th-Century Music, 20 (1). pp. 27-45. ISSN 0148-2076

Russ, Michael (2009) Book Review: Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. By Michiel Schuijer. Music and Letters, 90 (4). pp. 722-725. ISSN 0027-4224

Russ, Michael (2011) Book review : Evan Jones (ed.), Intimate Voices: the Twentieth-Century String Quartet. Journal of the Society for Musicology in Ireland, 6. pp. 101-112. ISSN 1649-7341

Russ, Michael (2013) Composing with Sets: Roberto Gerhard’s Concerto for Piano and String Orchestra. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (2007) Defining Musical Languages using Tonalities. [Web page]

Russ, Michael (2004) Fishing in the right place: analytical examples from the Tonalities project. Music Analysis, 23 (2-3). pp. 195-244. ISSN 0262-5245

Russ, Michael (2014) Formal Structure in the Finale of Bartok’s Sonata for Two Pianos and Percussion. In: Irish Musical Analysis. Irish Musical Studies, 11 . Four Courts Press, Dublin. ISBN 978-1-84682-368-8

Russ, Michael (1994) Functions, scales, abstract systems and contextual hierarchies in the music of Bartok. Music and Letters, 75 (3). pp. 401-425. ISSN 0027-4224

Russ, Michael (2013) Music as Autobiography: Roberto Gerhard’s Violin Concerto. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (1992) Musorgsky: pictures at an exhibition. Cambridge music handbooks . Cambridge University Press. ISBN 9780521386074

Russ, Michael (1990) The Mysterious Thread in Musorgsky's 'Nursery'. Music Analysis, 9 (1). pp. 47-66. ISSN 0262-5245

Russ, Michael (1993) On Schenkerism: A Closed Circle of Elite Listeners? Music Analysis, 12 (2). pp. 266-285. ISSN 0262-5245

Russ, Michael (2000) Ravel and the orchestra. In: The Cambridge companion to Ravel. Cambridge Companion . Cambridge University Press, Cambridge. ISBN 9780521648561

Russ, Michael (2003) Some Observations on Form-Building Processes in Twentieth-Century Music: Shaping time in Ian Wilson’s ‘Rich Harbour: Concerto for Organ and Orchestra’. In: Irish Music in the Twentieth Century. Irish Musical Studies (7). Four Courts Press, Dublin, pp. 109-133. ISBN 1-85182-647-5

Russ, Michael (2007) Some Observations on Pm,n Relations within Set Classes. Music Analysis, 26 (1-2). pp. 111-158. ISSN 02625245

Russ, Michael (1988) Temporal and Pitch Structure in Webern's Orchestral Piece Op. 10, No. 2. Music Analysis, 7 (3). pp. 247-280. ISSN 0262-5245

Russ, Michael and Adkins, Monty (2015) Perspectives on Gerhard: Selected Proceedings of the 2nd and 3rd International Roberto Gerhard Conferences. University of Huddersfield, Huddersfield. ISBN 978-1-86218-128-1

Russ, Michael and Adkins, Monty (2013) The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael and Hunter, D. (1995) Case study 10: Peer assessment in performance studies. In: Enhancing student learning through peer tutoring in higher education. University of Ulster, Ulster. ISBN 9781859230664

Russ, Michael and Winterson, Julia (2007) Transition from School to University. Classroom Music, 4 (3). pp. 12-13.

Rustamova, Leonara (2016) Recycling science fiction: using natural time travel in the near future to re-engage the past in a novel titled 'In Tempo'. Masters thesis, University of Huddersfield.

Ryan, Sean (2019) EXPLORING MATERIALITY BY CONSTRUCTING THE VISUAL THROUGH SOUND. Doctoral thesis, University of Huddersfield.

Ryan, Sean (2019) EXPLORING MATERIALITY BY CONSTRUCTING THE VISUAL THROUGH SOUND. Doctoral thesis, University of Huddersfield.

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Saeed, Amir (2015) Racism and Islamophobia: A Personal Perspective. Identity papers: A journal of British and Irish studies, 1 (1). pp. 15-31. ISSN 2058-6205

Sage, Joseph (2020) The Changing Landscape of Modern Music Production; A Study into the Role of the Mix Engineer in a Changing Industry. Masters thesis, University of Huddersfield.

Sahota, Hardeep (2011) The Search for the ‘Essence’ of Bhangra through Panjabi heritage. Masters thesis, University of Huddersfield.

Sahota, Hardeep Singh (2014) Bhangra: Mystics, music and migration. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-123-6

Samuels, Robert (2018) Values of Engagement: Exploring Digital Media through Generation and Neoliberalism. Doctoral thesis, University of Huddersfield.

Sandström, Karoliina (2013) Self and No-Self: An examination of the role of ideas about the self in actor training. Doctoral thesis, University of Huddersfield.

Sandvoss, Cornel (2015) Age and cultural value : exploring cultural judgments and practices among generations of enthusiasts of popular arts and culture. In: Generations : Annual Conference of the Media, Communication and Cultural Studies Association MeCCSA 2015, 7-9th January 2015, Northumbria University. (Unpublished)

Sandvoss, Cornel (2015) The Age of Fans: Value, Judgment, and Generations in Convergence Culture. In: Communication across the lifespan : 65th Annual Conference of the International Communication Association, 21-25th May 2015, San Juan, Puerto Rico. (Unpublished)

Sandvoss, Cornel (2007) Celebrity worship and fandom. In: Battleground : The media. Battleground Series . Greenwood Press, pp. 76-79. ISBN 9780313341670

Sandvoss, Cornel (2015) Challenging boundaries : fans and cultural industries. In: The Routledge Companion to the Cultural Industries. Routledge, pp. 357-370. ISBN 9780415706209

Sandvoss, Cornel (2012) Change that didn't work for me! : The rise and fall of 'alternative' political leaders identity in modern urban environments. In: Annual MeCCSA Conference, 11-13th January 2012, Bedfordshire Institute for Media, Arts and Performance, Luton Campus Centre, University of Bedfordshire.. (Unpublished)

Sandvoss, Cornel (2010) Conceptualizing the Global Economic Crisis in Popular Communication Research. Popular Communication, 8 (3). pp. 154-161. ISSN 1540-5702

Sandvoss, Cornel (2013) Daily Kos, Fanzines, and the Textual Boundaries of Political Fandom: Analyzing Community and Partisanship in the 2012 Presidential Election. In: 63rd Annual ICA Conference, 17-21st June 2013, London Metropole Hotel, London, UK. (Unpublished)

Sandvoss, Cornel (2012) Enthusiasm, trust and its erosion in mediated politics: On fans of Obama and the Liberal Democrats. European Journal of Communication, 27 (1). pp. 68-81. ISSN 0267-3231

Sandvoss, Cornel (2011) Fans online : Affective media consumption and production in the age of convergence. In: Online Territories: Globalization, Mediated Practice and Social Space. Peter Lang, pp. 49-74. ISBN 9781433107979

Sandvoss, Cornel (2005) Fans: The Mirror of Consumption. Polity Press. ISBN 9780745629735

Sandvoss, Cornel (2010) From fans to friends : reconceptualising audiences online. In: 60th Annual ICA Conference, 21-26th June 2010, Suntec Singapore International Convention and Exhibition Centre. (Unpublished)

Sandvoss, Cornel (2012) From national hero to liquid star : identity and discourse in transnational sports consumption. In: Bodies of Discourse: Sports Stars, Media, and the Global Public. Peter Lang, pp. 171-192. ISBN 9781433111730

Sandvoss, Cornel (2006) Gangs. In: The Cambridge Dictionary of Sociology. Cambridge University Press, p. 224. ISBN 9780521540469

Sandvoss, Cornel (2011) Horizons of Expectations and the Aesthetic Challenge of Popular Media. In: 61st Annual ICA Conference, 26-30th may 2011, Boston, Massachusetts. (Unpublished)

Sandvoss, Cornel (2015) I love IBIZA : music, place and belonging. In: Popular Music Fandom: Identities, Roles and Practices. Routledge Studies in Popular Music . Routledge, pp. 115-145. ISBN 9781138936973

Sandvoss, Cornel (2011) Jeux Sans Frontières? The Reformulation and Erosion of National Categories in European Club Football Competitions. In: 61st Annual ICA Conference, 26-30th may 2011, Boston, Massachusetts. (Unpublished)

Sandvoss, Cornel (2012) Jeux sans frontières : Europeanisation and the erosion of national categories in European club football competition. In: Politique européenne : L'espace européen du football : Dynamiques institutionnelles et constructions sociales. L'Harmattan. ISBN 9782296965430

Sandvoss, Cornel (2010) Methodologies of studying the act of reading : finding texts and audiences in the age of convergence. In: 60th Annual ICA Conference, 21-26th June 2010, Suntec Singapore International Convention and Exhibition Centre. (Unpublished)

Sandvoss, Cornel (2006) Moral Panic. In: The Cambridge Dictionary of Sociology. Cambridge University Press. ISBN 9780521540469

Sandvoss, Cornel (2009) Obama fans worldwide : the politics of affect and proximity. In: 59th Annual ICA Conference, 21-25th May 2009, Chicago, Illinois USA. (Unpublished)

Sandvoss, Cornel (2013) Occupy Armstrong? Global Stardom, Transnational Citizenship, and Fans’ Reaction to Revelations of Doping in Professional Cycling. In: IAMCR 2013 Crises, ‘Creative Destruction’ and the Global Power and Communication Orders, 25-29th June 2013, Dublin, Ireland. (Unpublished)

Sandvoss, Cornel (2008) On the Couch with Europe: The Eurovision Song Contest, the European Broadcast Union and Belonging on the Old Continent. Popular Communication, 6 (3). pp. 190-207. ISSN 1540-5702

Sandvoss, Cornel (2005) One-Dimensional Fan: Toward an Aesthetic of Fan Texts. American Behavioral Scientist, 48 (7). pp. 822-839. ISSN 0002-7642

Sandvoss, Cornel (2014) Political enthusiasm as fandom? From the politicisation of the popular to the popularisation of the political. In: Rethinking the Mediatization of Politics Workshop, 25-26th April 2014, London School of Economics and Political Science. (Unpublished)

Sandvoss, Cornel (2010) Popular culture and the 2010 general election : voters and audiences. In: MeCCSA Conference 2010, 6-8th August 2010, London School of Economics and Political Science. (Unpublished)

Sandvoss, Cornel (2013) Popular culture, fans and globalization. In: The Routledge International Handbook of Globalization Studies. Routledge, pp. 395-411. ISBN 9780415458085

Sandvoss, Cornel (2006) Public opinion. In: The Cambridge Dictionary of Sociology. Cambridge University Press. ISBN 9780521540469

Sandvoss, Cornel (2007) Public sphere. In: Battleground: The Media. Battleground Series . Greenwood Press, pp. 412-418. ISBN 9780313341670

Sandvoss, Cornel (2009) Public sphere and publicness : sport audiences and political discourse. In: Media and Public Spheres. Palgrave MacMillan, pp. 58-70. ISBN 9780230594494

Sandvoss, Cornel (2013) Reception. In: The Handbook of Media Audiences. Wiley-Blackwell, pp. 230-250. ISBN 9781118721391

Sandvoss, Cornel (2009) Reflections on the future of audience research : keywords in communication. In: 59th Annual ICA Conference, 21-25th May 2009, Chicago, Illinois USA. (Unpublished)

Sandvoss, Cornel (2006) Social constructionism. In: The Cambridge Dictionary of Sociology. Cambridge University Press. ISBN 9780521540469

Sandvoss, Cornel (2004) Technological Evolution or Revolution? Sport Online Live Internet Commentary as Postmodern Cultural Form. Convergence: the international journal of research into new media technologies, 10 (3). pp. 39-54. ISSN 1354-8565

Sandvoss, Cornel (2014) Time to grow up : the study of media and aging as a field in its infancy. In: Aging, Media, and Culture. Lexington Books. ISBN 9780739183632

Sandvoss, Cornel (2011) Toward a subjective aesthetics : audiences, reception studies and texts. In: Cities, Creativity, Connectivity : IAMCR Conference 2011, 13-17th July 2011, Istanbul, Turkey. (Unpublished)

Sandvoss, Cornel (2013) Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics. Participations: journal of audience & reception studies, 10 (1). pp. 252-296. ISSN 1749-8716

Sandvoss, Cornel (2013) What is Popular Communication Research?... Or, Rather, What Isn’t? A History of the Field Through the Lens of Special Issues. In: 63rd Annual ICA Conference, 17-21st June 2013, London Metropole Hotel, London, UK. (Unpublished)

Sandvoss, Cornel (2013) When structure and agency are: the fans and the power. Ciberlegenda, 28 (1). ISSN 1519-0617

Sandvoss, Cornel (2007) The death of the reader : literary theory and the study of texts in popular culture. In: Fandom: Identities and Communities in a Mediated World. NYU Press, pp. 19-32. ISBN 9780814731826

Sandvoss, Cornel (2003) A game of two halves : football, television and globalization. Routledge. ISBN 9780415314848

Sandvoss, Cornel (2011) The placeless spaces of the city : Spaces of sport, competition and identity in modern urban environments. In: Cities, Creativity, Connectivity : IAMCR Conference 2011, 13-17th July 2011, Istanbul, Turkey. (Unpublished)

Sandvoss, Cornel and Kearns, Laura (2014) From interpretive communities to interpretive fairs : ordinary fandom, textual selection and digital media. In: The Ashgate Research Companion to Fan Cultures. Ashgate, pp. 91-108. ISBN 9781409455622

Sandvoss, Cornel, Real, Michael R. and Bernstein, Alina (2012) Bodies of Discourse: Sports Stars, Media, and the Global Public. Peter Lang. ISBN 978-1433111730

Sandvoss, Cornel, Real, Michael R., Bernstein, Alina and Beeson, Diana (2012) The politics of transnational sports stardom. In: Bodies of Discourse: Sports Stars, Media, and the Global Public. Peter Lang, pp. 1-16. ISBN 9781433111730

Sandvoss, Cornel, Youngs, Kelly and Hobbs, Joanne (2015) Television fandom in the age of narrowcasting : The politics of proximity in regional scripted reality dramas : The Only Way is Essex and Made in Chelsea. In: Popular Media Cultures: Fans, Audiences and Paratexts. Palgrave Macmillan, pp. 39-72. ISBN 9781137350367

Sanghera, Amandeep Kavita Kaur (2019) Between ‘the disorderly comfortless home’ and ‘the beau-ideal of domestic comfort’: Domestic Interiors and the Self in three Brontë Novels. Masters thesis, University of Huddersfield.

Sangster, Adam (2016) Embracing Multiplicity: Harnessing Performers’ Perceptions to Instigate Emergent Forms. Masters thesis, University of Huddersfield.

Santamas, Mihalis (2015) The Space Between: Time, Memory and Transcendence in Audio-Photographic Art. Doctoral thesis, University of Huddersfield.

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Sawalmeh, Murad (2015) Ceremonial Arabic Writing: A Genre-Based Investigation of Wedding Invitation Cards and Obituary Announcements in Jordanian Society. Doctoral thesis, University of Huddersfield.

Scales, Eleanor (2020) The Influence of Sigurd Rascher on the Development of Saxophone Repertoire. Masters thesis, University of Huddersfield.

Sceats, Amelia G. (2016) Rationality and reality: perspectives of mental illness in Tudor England, 1485- 1603. Masters thesis, University of Huddersfield.

Schwarz, Diemo, Tremblay, Pierre Alexandre and Harker, Alexander (2014) Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, UK, pp. 247-250.

Sedman, Gemma (2019) ‘The West Riding Pauper Lunatic Asylum from 1910-1920 including the impacts from the Great War’. Masters thesis, University of Huddersfield.

Sellart, Bernat Giribet (2020) Gesture as a bridge between visual art and music composition. Masters thesis, University of Huddersfield.

Semino, E., Demjen, Z., Demmen, Jane, Koller, V., Payne, S., Hardie, A. and Rayson, P. (2015) The online use of Violence and Journey metaphors by patients with cancer, as compared with health professionals: a mixed methods study. BMJ Supportive & Palliative Care. pp. 1-7. ISSN 2045-4368

Senior, Jordan (2017) Walk Like a Man: Hegemonic Masculinity and Un-Made Men in 'The Sopranos'. Masters thesis, University of Huddersfield.

Sergeant, Matthew (2013) the churches of lalibela: erosion and encrustation as transformative musical processes. Doctoral thesis, University of Huddersfield.

Sewell, Sean (2018) The Use Of Circus Elements To Illuminate The Text Within Sophocles’ Antigone. Masters thesis, University of Huddersfield.

Sfetcu, Andrei (2018) Approaching Forms and Structures in Electronic Dance Music. Masters thesis, University of Huddersfield.

Sharpe, James (2021) An Examination of Propositionality and Immersion in Theatre. Doctoral thesis, University of Huddersfield.

Shepherd, John (2004) 71st Annual Marx Memorial Lecture: George Lansbury. Bulletin of the Marx memorial library (140). pp. 28-43. ISSN 0969-1154

Shepherd, John (1994) Book Review: A history of British Trade Unionism c.1770-1990. Times Higher Education Supplement. p. 25. ISSN 0049-3929

Shepherd, John (2008) Book Review: Downing Street diary: with James Callaghan in No.10. History today, 58 (12). p. 63. ISSN 0018-2753

Shepherd, John (2007) Book Review: Lloyd George and Churchill: rivals for greatness. History today, 57 (6). pp. 65-66. ISSN 0018-2753

Shepherd, John (2010) Book Review: Speak for Britain. History today, 60 (6). p. 59. ISSN 0018-2753

Shepherd, John (2010) Book Review: Squires in the Slums: Settlements and Missions in Late Victorian London. Journal of Victorian Culture, 15 (3). pp. 415-418. ISSN 1355-5502

Shepherd, John (2005) Book Review: The ragged trousered philanthropists. BBC History Magazine, 6 (8). p. 57. ISSN 1469-8552

Shepherd, John (2003) Book review: Emmeline Pankhurst. Tribune. p. 18. ISSN 0041-2821

Shepherd, John (2002) Book review: The last crusade - the Palestine campaign in the First World War. Tribune. p. 19. ISSN 0041-2821

Shepherd, John (2013) Crisis? What crisis? The Callaghan government and the British ‘winter of discontent’. Manchester University Press, Manchester, UK. ISBN 9780719082474

Shepherd, John (2004) Crooks, William [Will] (1852–1921). In: The Oxford Dictionary of National Biography. Oxford University Press, Oxford, UK, pp. 400-402. ISBN 978-0-19-861411-1

Shepherd, John (2013) The Fall of the Callaghan Government 1979. In: How Labour Governments Fall. Palgrave Macmillan, London, UK, pp. 113-141. ISBN 9780230361805

Shepherd, John (2010) The Flight from the Liberal Party: Liberals who joined Labour, 1914-31. Journal of Liberal History (67). pp. 24-34. ISSN 1479-9642

Shepherd, John (2007) A Gentleman at the Foreign Office : influences shaping Ramsay MacDonald’s internationalism in 1924. In: The British Labour Party and the Wider World: Domestic Politics, Internationalism and Foreign Policy. I.B. Tauris, London, UK, pp. 25-47. ISBN 9781845114015

Shepherd, John (1998) George Lansbury and the Bow and Bromley by-election of 1921. East London Record (19). pp. 2-8. ISSN 0950625825

Shepherd, John (2004) George Lansbury: at the heart of old Labour. Oxford University Press, Oxford. ISBN 978-0-19-927364-5

Shepherd, John (2002) Labour Party in perspective, The (1937). In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 363. ISBN 9780198601340

Shepherd, John (1991) Labour and Parliament: the Lib.-Labs. as the first working-class MPs, 1885-1906. In: Currents of Radicalism: Popular Radicalism, Organised Labour and Party Politics in Britain, 1850–1914. Cambridge University Press, Cambridge, UK, pp. 187-213. ISBN 9780521394550

Shepherd, John (2003) Labour and the trade Unions: George L. Lansbury and the leadership crisis of 1935. In: On the Move Essays in Labour and Transport History, Presented To Philip Bagwell. The Hambledon Press, London, UK, p. 204. ISBN 9781852850609

Shepherd, John (2008) Labour wasn't working. History today, 59 (1). pp. 43-49. ISSN 0018-2753

Shepherd, John (2002) Labour's immediate programme (1937). In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 367. ISBN 9780198601340

Shepherd, John (2007) The Lad from Lossiemouth. History today, 57 (11). pp. 31-33. ISSN 0018-2753

Shepherd, John (2002) Lansbury, George (1859-1940). In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 366. ISBN 9780198601340

Shepherd, John (2004) Lansbury, George (1859–1940),. In: The Oxford Dictionary of National Biography. Oxford University Press, Oxford, UK, pp. 540-542. ISBN 978-0-19-861411-1

Shepherd, John (2002) Let's go with Labour for a new Britain (1964). In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 377. ISBN 9780198601340

Shepherd, John (2002) Let's us face the future (1945). In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 377. ISBN 9780198601340

Shepherd, John (2005) London. In: Lefties Guide to Britain. Politicos, London, UK, pp. 77-117. ISBN 9781842751442

Shepherd, John (2002) Popularism. In: Oxford Companion to Twentieth-Century British Politics. Oxford University Press, Oxford, UK, p. 518. ISBN 9780198601340

Shepherd, John (2001) Poverty and popular rebellion. BBC History Magazine, 2 (10). pp. 20-22. ISSN 1469-8552

Shepherd, John (2009) Review Essay: Michael Foot. Labour History Review, 74 (2). pp. 207-212. ISSN 0961-5652

Shepherd, John (2006) Review: A very British strike: the General Strike of 1926. BBC History Magazine, 7 (5). p. 59. ISSN 1469-8552

Shepherd, John (2004) Symons, Jelinger Cookson (1809–1860). In: The Oxford Dictionary of National Biography. Oxford University Press, Oxford, UK, pp. 608-609. ISBN 978-0-19-861411-1

Shepherd, John (1998) The birth of social anthropology? The Cambridge anthropological expedition to the Torres Strait 1898-1899. The historian (3). pp. 21-26. ISSN 0265-1076

Shepherd, John (2004) A life on the Left: George Lansbury. Labour History (87). pp. 147-165. ISSN 0023-6942

Shepherd, John (2000) A pioneer, by George. Tribune. p. 3. ISSN 0041-2821

Shepherd, John and Davis, Johnathan (2012) Introduction. In: The second Labour government: a reappraisal. Manchester University Press, Manchester, UK, pp. 1-15. ISBN 9780719086144

Shepherd, John and Laybourn, Keith (2013) Britain's First Labour Government. Palgrave Macmillan, Basingstoke. ISBN 9781403915726

Shepherd, John and Laybourn, Keith (2004) Labour's Red Letter day. BBC History Magazine, 5 (12). pp. 22-25. ISSN 1469-8552

Shepherd, John and Shepherd, Janet (2010) 1920s Britain. Shire Publications, Oxford, UK. ISBN 9780747807926

Sheridan, Jayne (2010) Fashion, Media, Promotion: The New Black Magic. Wiley-Blackwell, Chichester. ISBN 978-1-4051-9421-1

Sherouse, Braxton (2019) navigating an intertwingularity: computational ambivalence in experimental music practice. Doctoral thesis, University of Huddersfield.

Short, Mick (2012) Discourse presentation and speech (and writing, but not thought) summary. Language and Literature, 21 (1). pp. 18-32. ISSN 0963-9470

Short, Mick (2009) Language in literature: stylistics. In: English Language: Description, variation and context. Palgrave, Basingstoke, pp. 464-476. ISBN 9781403945891

Short, Mick (2008) ‘“Where are you going to my pretty maid?” “For detailed analysis”, sir, she said’. In: The State of Stylistics. Rodopi, Amsterdam/New York, pp. 1-29. ISBN 978-90-420-2428-1

Short, Mick (2011) A teaching career in three chapters: why I teach stylistics, how I teach it and why I enjoy it. In: Teaching Stylistics. Teaching the New English . Palgrave, Basingstoke, pp. 30-51. ISBN 9780230235878

Short, Mick, Busse, Beatrix, Plummer, Patricia and McIntyre, Dan (2005) E-learning and stylistics: the language and Style web-based course investigation and what we can learn from it. In: 25th Conference of the Poetics and Linguistics Association, 18th - 23rd July 2005, University of Huddersfield. (Unpublished)

Short, Mick, McIntyre, Dan, Bousfield, Derek and Jeffries, Lesley (2006) Interpretation. In: 26th Conference of the Poetics and Linguistics Association, 26th - 29th July 2006, University of Joensuu, Finland. (Unpublished)

Short, Mick, McIntyre, Dan, Jeffries, Lesley and Bousfield, Derek (2011) Processes of interpretation: using meta-analysis to inform pedagogic practice. In: Teaching Stylistics. Teaching the New English . Palgrave, Basingstoke, UK, pp. 69-94. ISBN 9780230235878

Short, Mick and Semino, Elena (2008) Evaluation and stylistic analysis. In: The Quality of Literature: Linguistic studies in literary evaluation. John Benjamins Publishing Company, Amsterdam, The Netherlands, pp. 117-138. ISBN 978 90 272 3336 3

Short, Mick, Semino, Elena, McEnery, T., Heywood, John and McIntyre, Dan (2003) A corpus-based investigation into speech and thought presentation in spoken British English. In: 23rd Conference of the Poetics and Linguistics Association, 23rd - 26th June 2003, Bogazici University, Istanbul, Turkey. (Unpublished)

Smith, Adam (2012) The Influence of Literature in 1960s British Popular Music: Approaches to Popular Composition. Masters thesis, University of Huddersfield.

Smith, Eleanor (2016) Breaking the Mould: gender, stereotypes, and coding in the musical scoring of Disney’s female characters. Masters thesis, University of Huddersfield.

Smith, Eleanor Katie . (2021) Music, Madness & Memory: Victorian Constructions of Madness & Musical Horror Tropes in Contemporary Film & Television. Doctoral thesis, University of Huddersfield.

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

Smith, Jennifer (2016) The musical parameters of immersion and flow: involving the player, emotionally and physically, in a video-game. Masters thesis, University of Huddersfield.

Smith, Joseph (2015) Cricket Writing Culture: How the Interwar Works of J.M. Kilburn for the Yorkshire Post Transcended the Boundary Between ‘Journalism’ and ‘Literature’. Masters thesis, University of Huddersfield.

Smith, Rommi (2005) Mornings and Midnights. Peopletree. (Unpublished)

Smith, Sarah (2018) Addicted to Violence: A Network of Extreme Masculinity in Irvine Welsh’s Francis Begbie. Masters thesis, University of Huddersfield.

Smithhurst, Peter (2008) Gun displays in museums - who calls the shots? In: On a Knife Edge: the Ethics of Weapons Display, 21st October 2008, The Royal Armouries Museum, Leeds. (Unpublished)

Smithurst, Peter (2000) Colt in London. In: The history of Colt firearms. Salamander, London. ISBN 1840651709

Smithurst, Peter (1987) The Cutlery Industry. Shire Albums . Shire Publications. ISBN 978-0852638705

Smithurst, Peter (2007) The Pattern 1853 rifled musket — Genesis. Arms and Armour, 4 (2). pp. 123-140. ISSN 17416124

Smithurst, Peter and Williams, David (2004) Christopher Spencer: the manufacturing technology of his repeating rifle. Arms and Armour, 1 (2). ISSN 17416124

Sosin, Dawid (2019) The Mega-field of Science Fiction Film: Studying Fans' Negotiations of Cultural Value via Canonical, Art-house and Blockbuster SF Movies. Masters thesis, University of Huddersfield.

Southall, Humphrey Vision of Britain Through Time. [Web page]

Southall, Humphrey, Aucott, Paula, von Lunen, Alexander and Westwood, John (2013) PastPlace: the historical gazetteer service from the people who brought you A Vision of Britain through Time. In: UK Archives Discovery Forum, 7th March 2013, National Archives, Kew, London.

Southall, Humphrey, von Lunen, Alexander and Aucott, Paula (2009) On the Organisation of Geographical Knowledge: data models for gazetteers and historical GIS. In: 2009 5th IEEE International Conference on E-Science Workshops. Institute of Electrical and Electronics Engineers (IEEE), Oxford, UK, pp. 162-166. ISBN 9781424459469

Spatz, Ben (2013) Book Review of Emergency INDEX 2011. TDR: The Drama Review, 57 (2). pp. 185-186. ISSN 1054-2043

Spatz, Ben (2010) Book Review: Practice-as-Research in Performance and Screen, and: Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Theatre Journal, 62 (3). pp. 490-491. ISSN 0192-2882

Spatz, Ben (2017) Choreography as Research: Iteration, Object, Context. In: Contemporary Choreography: A Critical Reader (2nd ed.). Routledge, London, UK. ISBN 9781138679979

Spatz, Ben (2013) Citing musicality: Performance knowledge in the Gardzienice archive. Studies in Musical Theatre, 7 (2). pp. 221-235. ISSN 17503159

Spatz, Ben (2017) Colors like Knives: Embodied Research and Phenomenotechnique in *Rite of the Butcher*. Contemporary Theatre Review, 27 (2). pp. 195-215. ISSN 1048-6801

Spatz, Ben (2016) Embodied Research: An Epistemic Context for Martial Arts Practice. [Video]

Spatz, Ben (2017) Embodiment as First Affordance: Tinkering, Tuning, Tracking. Performance Philosophy, 2 (2). pp. 257-271. ISSN 2057-7176

Spatz, Ben (2016) Epistemic Objects. Theatre, Dance and Performance Training, 7 (2). pp. 274-277. ISSN 1944-3927

Spatz, Ben (2008) Iphigenia in Aulis at La Mama: Microculture and Musicality in the Work of Gardzienice. Slavic and Eastern European Performance, 28 (2). pp. 81-89. ISSN 1047-0019

Spatz, Ben (2014) Massimiliano Balduzzi: Physical Training for Performers. [Video]

Spatz, Ben (2014) Massimiliano Balduzzi: Research in Physical Training for Performers. Theatre, Dance and Performance Training, 5 (3). pp. 270-290. ISSN 1944-3927

Spatz, Ben (2015) Out from the Egg of Silence: For a Topology of Song. In: T H E D A R K P R E C U R S O R International Conference on Deleuze and Artistic Research, 9-11 November 2015, Ghent, Belgium.

Spatz, Ben (2011) Practice as Research: Foundations for a Community of Knowledge. Congress on Research in Dance, 2011. pp. 48-57. ISSN 2049-1255

Spatz, Ben (2011) Rite of the Butcher. In: Rite of the Butcher, 2010-2013.

Spatz, Ben (2015) “Sequence of Four Exercise-Actions” (physical training led by Ben Spatz). [Video]

Spatz, Ben (2009) A Series of Openings: The Year of Grotowski in New York. Slavic and Eastern European Performance, 29 (3). pp. 18-25.

Spatz, Ben (2016) Singing Research: Judaica 1 at the British Library. Journal of Interdisciplinary Voice Studies, 1 (2). pp. 161-172. ISSN 2057-0341

Spatz, Ben (2014) Stanislavsky's Threshold: Tracking a Historical Paradigm Shift in Acting. Journal of Dramatic Theory and Criticism, 29 (1). pp. 81-95. ISSN 2165-2686

Spatz, Ben (2012) Tales of the Hasidim. In: Tales of the Hasidim, July 2012-2013.

Spatz, Ben (2010) This Extraordinary Power: Authority, Submission, and Freedom in the Actor-Director Relationship. Ecumenica, 3 (2). pp. 43-61.

Spatz, Ben (2008) To Open a Person: Song and Encounter at Gardzienice and the Workcenter. Theatre Topics, 18 (2). pp. 205-222. ISSN 1054-8378

Spatz, Ben (2016) Touching Landscape: Intersections of Embodied and Ecological Pedagogy. In: Inspire Conference 2016, 21st June 2016, University of Huddersfield. (Unpublished)

Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548

Spatz, Ben (2015) What a Body Can Do: Technique as Knowledge, Practice as Research. Routledge, London and New York. ISBN 978-1-13-885410-9

Spatz, Ben (2017) What do we document? Dense video and the epistemology of practice. In: Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury Methuen Drama, London, UK. ISBN 9781472588203

Spatz, Ben and Pianta, Lane (2009) Changing the Space: An Interview with Ben Spatz of Urban Research Theater by Lane Pianta. In: New York Theater Review 2009. Black Wave Press, New York, pp. 45-64. ISBN 9780578022840

Spencer, Hannah (2011) Semantic Prosody in Literary Analysis: A Corpus‐based Stylistic Study of H. P. Lovecraft’s stories. Masters thesis, University of Huddersfield.

Spencer-Oatey, Helen and Daniel Z., Kadar (2016) The bases of (im)politeness evaluations: Culture, the moral order and the East–West debate. East Asian Pragmatics, 1 (1). pp. 73-106. ISSN 2055-7760

Stacey, Laura (2013) Between Axiomatic Equality and Agonistic Pluralism: reconsidering the interpersonal relations between performer and director roles in performance collaboration. Masters thesis, University of Huddersfield.

Stafford, William (2002) English feminists and their opponents in the 1790s : unsex'd and proper females. Manchester University Press, Manchester. ISBN 0719060826

Stafford, William (2003) The Evolution of Mozartian biography. In: The Cambridge companion to Mozart. Cambridge University Press, Cambridge. ISBN 0521807344

Stafford, William (2006) Genius. In: The Cambridge Mozart Encyclopedia. Cambridge University Press, Cambridge, pp. 190-195. ISBN 9780511134098

Stafford, William (2004) Is Mill's "liberal" feminism "masculinist"? Journal of political ideologies, 9 (2). pp. 159-179. ISSN 1356-9317

Stafford, William (2006) Mozart and genius. Apropos Mozart.

Stafford, William (2000) Shall we take the linguistic turn? British radicalism in the era of the French revolution. The Historical journal, 43 (2). pp. 583-594. ISSN 0018-246X

Stafford, William (2003) The gender of the place: building and landscapes in women-authored texts in England in the 1790s. Transactions of the Royal Historical Society, 13. pp. 305-318. ISSN 0080-4401

Stafford, William (2002) A short introduction of five works of John Stuart Mill. British Heritage Database, Cultural Resources, Penzance, Cornwall. ISBN 1903807158

Stanford, Terence George (2007) The metropolitan police 1850-1914: targeting, harassment and the creation of a criminal class. Doctoral thesis, University of Huddersfield.

Stavris, Nicholas (2018) Apocalyptic Worlds: A Contemporary Critique of the Post-traumatological Novel at the Beginning of the Twenty-First Century. Doctoral thesis, University of Huddersfield.

Stavris, Nicholas Charles (2012) Going Beyond the Postmodern in Contemporary Literature. Masters thesis, University of Huddersfield.

Steinitz, Richard (2001) Andrzej Panufnik. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1808-1811. ISBN 1579581358

Steinitz, Richard Crumb, George. In: Grove Music Online. Oxford University Press, Oxford.

Steinitz, Richard (2003) Gyorgy Ligeti. Faber and Faber, London. ISBN 9780571176311

Steinitz, Richard (2001) Gyorgy Ligeti. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1432-1433. ISBN 1579581358

Steinitz, Richard (2004) John Tavener: the protecting veil. In: The BBC Proms Guide to Great Orchestral Works. Faber and Faber, London, pp. 262-265. ISBN 9780571220977

Steinitz, Richard (2003) Living with Ligeti. BBC music magazine, 11 (9). pp. 31-33. ISSN 0966-7180

Steinitz, Richard (2001) On the receiving end. In: Changing platforms : 30 years of the Contemporary Music Network. Unknown Public (13). Unknown Public. ISBN 0954154800

Steinitz, Richard (2001) Sofia Gubaidulina. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1002-1003. ISBN 1579581358

Stewart, Michael (2011) The Bald Men. Tears in the Fence (49). ISSN 0266-5816

Stewart, Michael (2002) Bambiha. n/a. (Submitted)

Stewart, Michael (2000) Bath. HQ Poetry Magazine (23/24). ISSN 0960 3638

Stewart, Michael (2007) A Better Devil. Brand literary magazine (1). ISSN 1754-0593

Stewart, Michael (2013) The Blue & The Dim & The Dark Cloths. In: The Blue & The Dim & The Dark Cloths. Galley Beggar Press, http://www.galleybeggar.co.uk/book-store/ebook/the-blue-the-dim-the-dark-cloths-by-michael-stewart-ebook-single/.

Stewart, Michael (2015) Café Assassin. Bluemoose Books, Hebden Bridge, UK. ISBN 9781910422052

Stewart, Michael (2012) Castaway. [Audio]

Stewart, Michael (2011) Clean. In: Not Only the Dark: 160 Poems on the Theme of Survival. Categorical Books. ISBN 978-1904662150

Stewart, Michael (2007) The Cleaners. n/a. (Submitted)

Stewart, Michael (2012) A Complicated Way of Being Ignored. Grist Books. ISBN 978-0956309921

Stewart, Michael (2012) Couples. Albatross Magazine (1). p. 15. ISSN 2042-5406

Stewart, Michael (2013) Couples. Valley Press. ISBN 9781908853226

Stewart, Michael (2013) Dead Man’s Suit. [Audio]

Stewart, Michael (2004) A Dog in a Bag. In: Naked City. Route Online. ISBN 978-1901927238

Stewart, Michael (2008) Everyone Remembers Where They Were. Wellhouse Publications. ISBN 0954782259

Stewart, Michael (2007) Excluded. [Audio]

Stewart, Michael (2012) From Object to Subject. Albatross Magazine (1). p. 30. ISSN 2042-5406

Stewart, Michael (2009) The Grist Anthology of New Writing. Grist Books. ISBN 978-0956309907

Stewart, Michael (2008) He Was Going Out. In: The Intelligent Woman's Guide to Socialising, Fadism and Commonism. PDG Books, Leeds. ISBN 9781905519040

Stewart, Michael (2008) A Homecoming. Wellhouse Publications. ISBN 0954782259

Stewart, Michael (2001) Karry Owky. n/a. (Submitted)

Stewart, Michael (2011) King Crow. Bluemoose Books, Hebden Bridge. ISBN 9780956687616

Stewart, Michael (2009) Monkeys. Brand Magazine (4). ISSN 1754-0593

Stewart, Michael (2013) Mr Jolly. In: Mr Jolly. The Reader, The Reader. ISBN 9780956786296

Stewart, Michael (2016) Mr Jolly. Valley Press, Scarborough, UK. ISBN 9781908853608

Stewart, Michael (2011) Outside the Asylum. Grist Books. ISBN 978-0956309914

Stewart, Michael (2012) Point of View: a conclusion. Leaf Writer's Magazine (6). ISSN 2043-8850

Stewart, Michael (2011) Point of View: first person, the problem and power of partiality’. Leaf Writer's Magazine (4). ISSN 2043-8850

Stewart, Michael (2012) Point of View: second person, why are you are reading this? Leaf Writer's Magazine (5). ISSN 2043-8850

Stewart, Michael (2010) Point of View: the perils and pitfalls. Leaf Writer's Magazine (2). ISSN 2043-8850

Stewart, Michael (2011) Point of View: third person, a default setting? Leaf Writer's Magazine (3). ISSN 2043-8850

Stewart, Michael (2016) Rebooting the Lyrical Story: Experimenting with Viewpoint. Short Fiction in Theory and Practice, 6 (2). pp. 225-237. ISSN 2043-0701

Stewart, Michael (2015) Rebooting the Lyrical Story: Structure, Viewpoint and Aspects of Realism in Short Fiction. Doctoral thesis, University of Huddersfield.

Stewart, Michael (2011) The Shadow Of Your Hand. [Artefact]

Stewart, Michael (2000) Shark. HQ Poetry Magazine (23/24). ISSN 0960 3638

Stewart, Michael (2008) A Small Boy. Wellhouse Publications. ISBN 0954782259

Stewart, Michael (2010) Story Without Meaning. In: We're Crème de la Crem. Biscuit Prize Winners . Biscuit Publishing. ISBN 978-1-903914-44-1

Stewart, Michael (2007) Third Person. In: The Light That Remains and Other Stories. Leaf Books. ISBN 9781905599349

Stewart, Michael (2007) This Enchanted Isle. Aesthetica Magazine (15). ISSN 1743-2715

Stewart, Michael (2006) A Turner for our Time. Aesthetica Magazine (12). ISSN 1743-2715

Stewart, Michael (2000) The Unnamable Mirror: The Reflective Identity in Beckett's Prose. In: Poetry and Other Prose. Samuel Beckett Today, 8 . Rodopi. ISBN 978-90-420-0700-0

Stewart, Michael (2011) You Are Going Back. Tears in the Fence (48). ISSN 0266 5816

Stewart, Michael (2013) the man in the white coat. Riptide, 8.

Stewart, Michael (2009) The phone call. Aesthetica Creative Works Annual 2009. ISSN 1758-9932

Stiegler, Thomas and Ablinger, Peter (2014) ANFANGEN (:AUFHÖREN). [Audio]

Stoker, Ruth (2015) An investigation into blogging as an opportunity for work-integrated learning for journalism students. Higher Education, Skills and Work-based Learning, 5 (2). pp. 168-180. ISSN 2042-3896

Stoker, Ruth (2020) An investigation into the learning of journalism ethics by early career journalists in the workplace. Doctoral thesis, University of Huddersfield.

Stone, Duncan (2009) Amateurism and Identity in England: How being ‘competitive’ became the point of distinction between northern and southern cricket. In: British Society of Sports History Conference, April 2009, Stirling, UK. (Unpublished)

Stone, Duncan (2013) Cricket, Competition and the Amateur Ethos: Surrey and the Home Counties 1870-1970. Doctoral thesis, University of Huddersfield.

Stone, Duncan (2008) Cricket’s Regional Identities: the Development of Cricket and Identity in Yorkshire and Surrey. In: Association of Cricket Statisticians and Historians Conference, 25 October 2008, University of Huddersfield.

Stone, Duncan (2008) Cricket’s Regional Identities: the Development of Cricket and Identity in Yorkshire and Surrey. In: The British Society of Sports History Annual Conference 2008, 5-7 September 2008, Chelsea School, University of Brighton, in Eastbourne.

Stone, Duncan (2010) ‘Gilligan’s Island?’: The Club Cricket Conference, Amateurism and the Evening Standard in Post-War Britain. In: Faculty of Arts and Society School of Cultural Studies Lecture Series, 17 November 2010, Leeds Metropolitan University. (Unpublished)

Stone, Duncan (2009) Regional Cricket Identities: The construction of class narratives and their relationship to contemporary supporters. In: Recording Leisure Lives, 2009, Bolton, UK. (Unpublished)

Stone, Duncan (2009) Regional Cricket Identities: The development of cricket and identity in Yorkshire and Surrey. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Stone, Duncan (2017) Suburbanization and cultural change: the case of club cricket in Surrey, 1870–1939. Urban history, 44 (01). pp. 44-68. ISSN 0963-9268

Stone, Duncan, Hugheson, John and Ellis, Robert (2015) New Directions in Sport History. Sport in the Global Society - Historical perspectives . Routledge. ISBN 978-1-13-885363-8

Stripe, Adelle (2016) Writing Andrea Dunbar: framing the non-fiction novel in the literary north. Doctoral thesis, University of Huddersfield.

Summers, Anthony and Dorril, Stephen (1987) Honeytrap: The secret worlds of Stephen Ward. Weidenfeld & Nicolson, London. ISBN 0297791222

Sun, Hao and Kádár, Daniel Z. (2008) It's the Dragon's Turn: Chinese Institutional Discourses. Peter Lang, Berne, Switzerland. ISBN 9783039111756

Sun, Hao and Kádár, Daniel Z. (2008) Preface. In: It's the Dragon's Turn: Chinese Institutional Discourses. Peter Lang, Berne, Switzerland, pp. 7-16. ISBN 9783039111756

Sundin, Paulina E. (2010) Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Sundin, Paulina E. and Adkins, Monty (2015) Rondures for saxophone quartet and electronics. In: Studio 53 featuring Paulina Sundin & Monty Adkins and the Mexican group naff, 25th April 2015, Stockholm, Sweden.

Sundin, Paulina E., Adkins, Monty and Axelsson, Jonny (2014) Splintered Echoes. [Composition]

Sundin, Paulina E., Hellstrom, Sten-Olof, Dodd, Rose, Elison, Barbara, Bernier, Nicolas, Fawcus, Jamie, Thibault, J.F. and Bokowiec, Mark (2011) In search of the miraculous. [Audio]

Sundin, Pauline, Adkins, Monty and Gierakowski, Adrian (2013) Beyond Pythagoras. In: International Computer Music Conference Proceedings. MPublishing, Ann Arbor, MI, pp. 383-386.

Swailes, Jonny (2018) A PHENOMENOLOGICAL CASE STUDY OF COMPUTER-BASED MUSICAL CREATIVITIES. Masters thesis, University of Huddersfield.

Swallow, Reuben (2021) Defining Consonance and Dissonance in Metal Music. Masters thesis, University of Huddersfield.

Sweetinburgh, Sheila (2011) Anglo-Saxon saints and a Norman archbishop: ‘imaginative memory’ and institutional identity at St Gregory’s Priory, Canterbury. In: The Regular Canons in the British Isles in the Middle Ages. Medieval Church Studies (19). Brepols Publishers, Turnhout, Belgium, pp. 19-40. ISBN 978-2-503-53248-6

Sweetinburgh, Sheila (2008) The Austin Friars in late medieval Canterbury: negotiating spaces.