Items where School is "School of Music, Humanities and Media"

Butler, Lawrence A.S. and Morris, Richard K., eds. (1986) The Anglo-Saxon Church. Papers in honour of H M Taylor. Research Report, 60 . Council for British Archaeoology, London. ISBN 0 906780 54 3

Collins, Nick and d'Escrivan, Julio, eds. (2007) The Cambridge Companion to Electronic Music. The Cambridge Companions . Cambridge University Press, Cambridge. ISBN 978-0-521-86861-7

Doggett, C.M. and Thornton, Tim, eds. (2009) Changing Barnsley: from mining town to university town. Wharncliffe Books, Barnsley. ISBN 9781845631222

Arnold, John H. and Lewis, Katherine J., eds. (2004) A Companion to the Book of Margery Kempe. Boydell & Brewer, New York, USA, pp. 195-216. ISBN 9781843840305

Gill, David, ed. (2005) Doolally. PDG Books, Leeds. ISBN 978-1905519001

Kelly, Stephen, ed. (1992) The Kingswood book of football. Kingswood Press. ISBN 9780413657701

Rudrum, David, ed. (2006) Literature and philosophy : a guide to contemporary debates. Palgrave Macmillan, Basingstoke. ISBN 1 4039 4773 2

Rudrum, David, ed. (2006) Literature and philosophy: a guide to contemporary debates. Palgrave Macmillan. ISBN 9781403947734

Light, Robert, ed. (2010) No sand dunes in Featherstone: memories of West Yorkshire rugby league. London League Publications, London. ISBN 9781903659533

Norris Nicholson, Heather, ed. (2003) Screening Culture: Constructing Image and Identity. Lexington Books. ISBN 9780739105214

Barboutis, Christos and Klontzas, Michael, eds. (2001) The Sound Barrier: Dynamics of Greek Radio Broadcasting. Papazisis, Athens, Greece. ISBN 960-02-1266-X

Barboutis, Christos and Klontzas, Michael, eds. (2001) The Sound Barrier: Dynamics of Greek Radio Broadcasting. Papazisis, Athens, Greece, pp. 307-369. ISBN 960021266X

Doyle, Barry M., ed. (2007) Urban Politics and Space in the Nineteenth and Twentieth Centuries: Regional Perspectives. Cambridge Scholars Press, Newcastle. ISBN 9781847182920

Thornton, Tim and Taithe, Bertrand, eds. (1998) War: identities in conflicts, 1400 - 2000. Themes in History . Sutton Publishing, Stroud. ISBN 9780750916837

Gill, David, ed. (2005) You Can't Make a Hamlet Without Cracking a Few Heads. Bluetouch Publications, Leeds. ISBN 978-1905519019

Addyman, Peter V. and Morris, Richard K., eds. (1976) The archaeological study of churches. Research Report, 13 . Council for British Archaeology, London. ISBN 0900312351

Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.

Abeed, Manal (2017) News Representation in Times of Conflict: A Corpus-Based Critical Stylistic Analysis of the Libyan Revolution. Doctoral thesis, University of Huddersfield.

Ablinger, Peter (2015) 3 Places Leeds. [Composition]

Ablinger, Peter (2009) 33 - 127. [Audio]

Ablinger, Peter (2016) Antiautoritäre Etüde Weiss /Weisslich o. Nr. [Composition]

Ablinger, Peter (2010) Approach:ANNÄHERUNG. MusikTexte, Köln, Germany.

Ablinger, Peter (2010) Augmented Studies. [Composition]

Ablinger, Peter (2016) Augmented Study (2012) for 16 violins. [Audio]

Ablinger, Peter (2014) Augmented studies. [Audio]

Ablinger, Peter (2014) Ausduck / Sonate. In: Und+ Komponisten, ihre Musik und ihre anderen Künste. Schott Music (Verlag), Mainz, Germany. ISBN 978-3-7957-0880-1

Ablinger, Peter (2011) Bethen. [Composition]

Ablinger, Peter (2016) Blockflöte und Rauschen (Weiss/Weisslich 17n). [Composition]

Ablinger, Peter (2015) Book of returns 1985-2015. [Composition]

Ablinger, Peter (2011) Cityopera Buenos Aires in 7 Acts. [Composition]

Ablinger, Peter (2014) Cézanne and the music. Perception and its deficits. MusicTexte (140).

Ablinger, Peter (2015) Die durchscheinende Zeit 2014/15 "translucent time" an installation opera : different instrumentations, medias, collaborations and durations. [Composition]

Ablinger, Peter (2016) Die schönsten Schlager der 60er und 70er Jahre für Ensemble (The most beautiful hits of the 60s and 70s for ensemble). [Composition]

Ablinger, Peter (2010) Due Pratiche. In: Neue Musik und andere Künste. Publications from the Institute of New Music and Musical Education, Darmstadt, 50 . Schott, Mainz, Germany. ISBN 978-3-7957-1840-4

Ablinger, Peter (2015) Erzsébet 'Kokó' Kukta : from: "Voices and Piano". [Composition]

Ablinger, Peter (2015) Herdenglocken: Gedanken zu einer innerdeutschen Diskussion um die Konzeptmusik. MusikTexte (145). p. 43. ISSN 0178-8884

Ablinger, Peter (2016) IN G Cello and Environment, 16'41" 2009-2016. [Composition]

Ablinger, Peter (2009) Instruments &... [Composition]

Ablinger, Peter (2015) Instruments and phonographies. [Composition]

Ablinger, Peter (2015) Instruments and sketchbooks. [Composition]

Ablinger, Peter (2009) Kammersymphonie. [Composition]

Ablinger, Peter (2009) Keine Überschreitung. Positionen. Texte zur aktuellen Musik, 78. p. 11.

Ablinger, Peter (2015) Klavier und Alles (Weiss/Weisslich 17m). [Composition]

Ablinger, Peter (2010) Kopfhören. Notizen über das Wahrnehmen. MusikTexte, 124. ISSN 0178-8884

Ablinger, Peter (2014) Kreis für ado (Weiss/Weisslich 29). [Composition]

Ablinger, Peter (2009) Landscape Opera Ulrichsberg. [Composition]

Ablinger, Peter (2011) N.K. hallway piece. [Composition]

Ablinger, Peter (2014) Noise to energy (Weiss / Weisslich 32f). [Composition]

Ablinger, Peter (2014) Places Dublin. [Composition]

Ablinger, Peter (2014) Points and views. [Composition]

Ablinger, Peter (2014) Posaune und Rauschen (Weiss/Weisslich 17j). [Composition]

Ablinger, Peter (2008) Quadraturen III. [Audio]

Ablinger, Peter (2015) Quartz 2001-2015 a multi part installation, sand, quartz watch, electronics, video, paper, bed sheets, hour glass, other materials. [Composition]

Ablinger, Peter (2015) Quartz for high orchestra (2010-15) 2picc,2ob,2cl,2hrn,2trp,glsp,mba,harp,12vlI,10vlII,8va, tape, 11'. [Composition]

Ablinger, Peter (2016) Renate Fuczik (a 24-hour piece, from: "Voices and Piano"). [Composition]

Ablinger, Peter (2008) Schwarz und Weiss. Figurationen, 2. ISSN 1439-4367

Ablinger, Peter (2015) Serielles Arbeiten. In: Künstlerische Forschung. Ein Handbuch. The University of Chicago Press, Chicago, Illinois 60637 USA, pp. 205-209.

Ablinger, Peter (2010) Singdrossel. [Composition]

Ablinger, Peter (2010) Sitzen und hören 1-6. [Composition]

Ablinger, Peter (2015) Sopran und Rauschen (Weiss/Weisslich 17l). [Composition]

Ablinger, Peter (2010) Stars & stripes. [Composition]

Ablinger, Peter (2015) Unbequeme musik (inconvenient music). [Composition]

Ablinger, Peter (2013) Violoncello und Rauschen ("Kreuze") (Weiss/Weisslich 17k). [Composition]

Ablinger, Peter (2009) Voices and Piano. [Composition]

Ablinger, Peter (2016) Voices and Piano 12" LP. [Audio]

Ablinger, Peter (2009) Voices and piano. [Audio]

Ablinger, Peter (2009) Wachstum und massenmord. [Composition]

Ablinger, Peter (2011) Wachstum, massenmord. [Composition]

Ablinger, Peter (2014) Weisse Flucht. [Composition]

Ablinger, Peter (1999) Zeit Halbieren 'Bisecting Time', accordion (1997/99), 8'. [Composition]

Ablinger, Peter (2012) Überflüssiges, Zum Begriff des Experimentellen. Positionen, 90.

Ablinger, Peter (2014) The truth : How to teach the piano Chinese. [Composition]

Ablinger, Peter and Davis, Gareth (2011) Parker Notch. [Audio]

Abu-Elrob, Rula (2019) Doctor-patient interaction at a Jordanian university hospital: A conversation Analysis study. Doctoral thesis, University of Huddersfield.

Adams, Catherine, Coke, Roseanne, Crutchley, Alison, Hesketh, Anne and Reeves, David (2001) Assessment of Comprehension and Expression 6 - 11. NFER-Nelson, London. ISBN 9780708705612

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) The [60]Project: an analytical and contextual critique. In: New York City Electroacoustic festival, 2-4 April 2009, Cuny Graduate Centre New York. (Unpublished)

Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.

Adkins, Monty (2002) Aerial. [Composition]

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Adkins, Monty (2014) Between Lines. [Audio]

Adkins, Monty (2015) Borderlands. [Audio]

Adkins, Monty (1999) Breaking. [Composition]

Adkins, Monty (2012) Clapoutique. [Audio]

Adkins, Monty (2005) Cortex. [Composition] (Unpublished)

Adkins, Monty (2015) Editorial: Beyond Pythagoras. Divergence Press (4). ISSN 20523467

Adkins, Monty (2016) Editorial: Situating the Avant-Garde: conformity and oppositional culture. Organised Sound, 21 (2). pp. 95-96. ISSN 1355-7718

Adkins, Monty (2017) Extending the Instrumental sound world using electronics. In: The Cambridge Companion to Electronic Music, 2nd edn. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 258-273. ISBN 9781107133556

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2010) For Jana. [Audio]

Adkins, Monty (2012) Four Shibusa. [Audio]

Adkins, Monty (2015) Freud’s House: The Double. [Composition]

Adkins, Monty (2017) Glass Feathers. [Composition] (Unpublished)

Adkins, Monty (2007) The Influence of Futurist painting in my music. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University. (Submitted)

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Adkins, Monty (2010) Metaphor, Abstraction and Temporality in Electroacoustic Music. In: ArtMusFair 2010, 22-26 September 2010, Chopin University, Warsaw, Poland. (Submitted)

Adkins, Monty (2006) Mondes inconnus. [Audio]

Adkins, Monty (1997) Neurotransmission. [Composition]

Adkins, Monty (2015) Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback). Organised Sound, 20 (02). pp. 273-275. ISSN 1355-7718

Adkins, Monty (2014) Nodalism and creative practice. In: xCoAx 2014: Computation Communication Aesthetics and X, 26th-27h June 2014, Porto, Portugal.

Adkins, Monty (2000) Noumena. [Composition]

Adkins, Monty (2014) Residual Forms. [Audio]

Adkins, Monty (2014) Rift Patterns. [Audio]

Adkins, Monty (2014) Roberto Gerhard: Electronic Explorations from his Studio + the BBC Radiophonic Workshop 1958-1967. In: CD digipack + 28 pages booklet. Sub Rosa, Brussels, Belgium.

Adkins, Monty (2007) Schaeffer est mort! Long live Schaeffer! In: EMS07 - Electroacoustic Music Studies, 12-15 June 2007, De Montfort University, Leicester, UK.

Adkins, Monty (2017) Shadows and Reflections. [Composition]

Adkins, Monty (2005) Silk to steel. [Composition]

Adkins, Monty (2002) Still Time. [Composition]

Adkins, Monty (2012) Still Time. [Audio]

Adkins, Monty (2002) Symbiont. [Composition]

Adkins, Monty (2008) Towards a beautiful land: the influence of Mark Rothko on five panels no.5. In: Proceedings of the 2008 International Computer Music Conference. ICMA and SARC., Belfast, pp. 368-371. ISBN 0-9713192-6-X

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.1). In: 2nd SpACE-Net Spatial Audio Workshop, 23 January 2008, Music Research Centre, University of York. (Unpublished)

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.5). Sonic Ideas, 1 (1). pp. 12-19. ISSN 2317-9694

Adkins, Monty (2014) Tunturi: from Imperfect Forms - The Music of Kenneth Kirschner Remixed. [Audio]

Adkins, Monty (2015) Unfurling Streams. [Audio]

Adkins, Monty (2016) Using Experience Design in Curricula to Enhance Creativity and Collaborative Practice in Electronic Music. In: Music, Technology and Education: Critical Perspectives. Routledge. ISBN 9781472426208

Adkins, Monty (2016) Utilitarian Electronics:Portrait mit Cage und Stockhausen (Barlow und Kagel sind auch dabei). In: Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge. ISBN 9781472428240

Adkins, Monty (2014) With Hells Note. [Audio]

Adkins, Monty (2016) With Small Hands Waving. [Composition]

Adkins, Monty (2008) The application of memetic analysis to electroacoustic music. In: 5th Conference ‘EMS08’, 3-7 June 2008, University of the Sorbonne, Paris. (Unpublished)

Adkins, Monty (2009) The application of memetic analysis to electroacoustic music. Sonic Ideas, 1 (2). ISSN 2317-9694

Adkins, Monty (2011) fragile.flicker.fragment. [Audio]

Adkins, Monty (2016) grey orange red (monty adkins - auva remix). [Audio]

Adkins, Monty (2017) A year at usher's hill. [Composition]

Adkins, Monty and Adams, Tom (2014) Digital Music, Digital Distribution. In: Electroacoustic Music Studies NetworkConference (EMS2014): Electroacoustic Music Beyond Performance, 10th - 14th June 2014, Berlin, Germany.

Adkins, Monty and Duque, Carlos (2016) Claustrophilia: A musical gift from Roberto Gerhard to John Cage. In: Essays on Roberto Gerhard. Cambridge Scholars Publishing, Cambridge, pp. 261-278. ISBN 978-1-4438-1108-8

Adkins, Monty, Duque, Carlos and Karman, Gregorio (2012) The electronic music of Roberto Gerhard. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, pp. 22-29.

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composing and Archiving. International Computer Music Conference Proceedings, 2009. pp. 137-140. ISSN 2223-3881

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composition and Archiving. In: International Computer Music Conference (ICMC 2009), 16–21 August 2009, Montreal, Canada. (Unpublished)

Adkins, Monty and Harvey, Stephen (2015) Three studies for an altered form. [Composition]

Adkins, Monty and Hron, Terri (2016) Lepidoptera. [Composition]

Adkins, Monty, Lewis, Chara, Pettican, Anneké and Mojsiewicz, Kristin (2017) Shadow Worlds | Writer’s Rooms: Freud’s House. In: Proceedings of the Fifth Conference on Computation, Communication, Aesthetics & X (xCoAx 2017). Universidade do Porto, pp. 273-280. ISBN 9789897461286

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Adkins, Monty, Scott, Richard and Tremblay, Pierre Alexandre (2016) Post-Acousmatic Practice: Re-evaluating Schaeffer’s heritage. Organised Sound, 21 (02). pp. 106-116. ISSN 1355-7718

Adkins, Monty and Segretier, Laurent (2015) Skyler and Bliss. In: xCoAx 2015: Proceedings of the Third Conferenc on Computation, Communication, Aesthetics and X. Universidade do Porto, Porto, p. 311. ISBN 978-989-746-066-1

Adlington, Robert C. (2008) 1968 and New Music in the Netherlands. In: Music Cultures in The Revolt: Studies on Rock, Avantgarde and Classical In the Environment From "1968. Franz Steiner Verlag, Stuttgart, pp. 103-114. ISBN 978-3515090858

Adlington, Robert C. (2013) Communisms, Communist Musics. In: Red Strains: Music and Communism Outside the Communist Bloc. British Academy / Oxford University Press, London, pp. 1-19. ISBN 978-0197265390

Adlington, Robert C. (2013) Composing Dissent: Avant-garde Music in 1960s Amsterdam. Oxford University Press, New York. ISBN 978-0199981014

Adlington, Robert C. (2003) A Conversation with Harrison Birtwistle. In: Aspects of British Music in the 1990s. Ashgate, Aldershot, pp. 111-118. ISBN 9780754630418

Adlington, Robert C. (2001) Counting Time, Countering Time: Louis Andriessen’s De Tijd. Indiana Theory Review, 22. pp. 1-35. ISSN 0271-8022

Adlington, Robert C. (2016) The Crises of Sense: Listening to Berio’s Un re in ascolto. In: Le théâtre musical de Luciano Berio. L'Harmattan, Paris, pp. 53-78. ISBN 978-2336303871

Adlington, Robert C. (2014) Expressive Revolutions: 1968 and Music in the Netherlands. In: Music and Protest in 1968. Cambridge University Press, Cambridge, pp. 12-28. ISBN 978-1107504318

Adlington, Robert C. (2009) Forms of Opposition at the 'Politiek-Demonstratief Experimenteel' Concert. In: Sound Commitments: Avant-garde Music and the 1960s. Oxford University Press, New York, pp. 56-77. ISBN 978-0195336658

Adlington, Robert C. (2002) "Good Lodging": Harrison Birtwistle’s Reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Brewer, Cambridge, pp. 127-143. ISBN 978-0859917674

Adlington, Robert C. (2003) In the Shadows of Song: Birtwistle’s Nine Movements for String Quartet. In: Aspects of British Music of the 1990s. Ashgate, Aldershot. ISBN 9780754630418

Adlington, Robert C. (2004) Louis Andriessen, Hanns Eisler, and the Lehrstück. Journal of Musicology, 21 (3). pp. 381-417. ISSN 0277-9269

Adlington, Robert C. (2004) Louis Andriessen: De Staat. Ashgate, Aldershot. ISBN 978-0754609254

Adlington, Robert C. (2018) Modernism: The People’s Music? In: The Routledge Research Companion to Modernism in Music. Routledge. ISBN 9781472470409

Adlington, Robert C. (2003) Moving Beyond Motion: Metaphors for Changing Sound. Journal of the Royal Musical Association, 128 (2). pp. 297-318. ISSN 0269-0403

Adlington, Robert C. (2008) The Music of Harrison Birtwistle. Cambridge University Press, Cambridge. ISBN 978-0521027809

Adlington, Robert C. (2008) Music theatre since the 1960s. In: The Cambridge Companion to Twentieth-Century Opera. Cambridge University Press, Cambridge, pp. 225-243. ISBN 978-0521783934

Adlington, Robert C. (2008) Organizing Labor: Composers, Performers, and “the Renewal of Musical Practice” in the Netherlands, 1969–72. Musical Quarterly, 90 (3-4). pp. 539-577. ISSN 0027-4631

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

Adlington, Robert C. (2013) Red Strains: Music and Communism outside the Communist Bloc. British Academy / Oxford University Press, London. ISBN 978-0197265390

Adlington, Robert C. (2007) “A Sort of Guerrilla”: Che at the Opera. Cambridge Opera Journal, 19 (2). pp. 167-193. ISSN 0954-5867

Adlington, Robert C. (2009) Sound commitments : avant garde music and the 1960s. Oxford University Press, New York. ISBN 978-0195336658

Adlington, Robert C. (2001) Taking Soundings: Music, Non-Music and Slave Pianos. In: Slave Pianos: A Diagnosis, 1998-2001. Revolver, Frankfurt, pp. 7-15. ISBN 978-3934823174

Adlington, Robert C. (2009) Tuning in and Dropping Out: The Disturbance of the Dutch Premiere of Stockhausen's Stimmung. Music and Letters, 90 (1). pp. 94-112. ISSN 0027-4224

Adlington, Robert C. (2016) Whose Voices? The Fate of Luigi Nono’s Voci destroying muros. Journal of the American Musicological Society, 69 (1). pp. 179-236. ISSN 0003-0139

Ahmad, Saleh (2020) A Critical Stylistic Analysis into the Representation of Muslims on YouTube after the Manchester Arena Bombings. Masters thesis, University of Huddersfield.

Ahn, Soo H. (2017) Metropolis: music score for the film directed by Fritz Lang. Doctoral thesis, University of Huddersfield.

Aitken, Colin and Gold, Erica (2013) Evidence evaluation for discrete data. In: Proceedings of the 59th World Statistics Congress of the International Statistical Institute, 2013. International Statistical Institute. ISBN 978-90-73592-34-6

Aitken, Colin and Gold, Erica (2013) Evidence evaluation for discrete data. Forensic Science International, 230 (1-3). pp. 147-155. ISSN 0379-0738

Akama, Ryoko (2015) Exploring Emptiness: An Investigation of MA and MU in My Sonic Composition Practice. Doctoral thesis, University of Huddersfield.

Al-Badr, Ahmed (2009) The Musical Characteristics Of The Folk Songs In South Of Iraq. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Al-Badr, Ahmed (2012) The Social Context and Textual/Musical Characteristics of the Besta Genre of Southern Iraq. Doctoral thesis, University of Huddersfield.

Al-Owaidi, Muhtaram (2018) Investigating Speech Acts in English and Arabic Short News Interviews: A Cross-Cultural Pragmatic Study. Doctoral thesis, University of Huddersfield.

Al-Wandawi, Soran Fadhil Ali (2019) Father-daughter Relationships In Sylvia Plath's and Anne Sexton's Selected Poems: A Critical Stylistic Analysis. Masters thesis, University of Huddersfield.

Alderson, J. C. and McIntyre, Dan (2006) Implementing and evaluating a self-assessment mechanism for the web-based Language and Style course. Language and Literature, 15 (3). pp. 291-306. ISSN 0963-9470

Ali, Nafhesa (2010) Asian voices: first generation migrants. University of Huddersfield, Huddersfield. ISBN 9781862180895

Allen, Thomas (2015) The 1913 Mental Deficiency Act and its Implications for Meanwood Park Colony, Leeds. Masters thesis, University of Huddersfield.

Almbark, Rana (2014) Perception and Production of SSBE Vowels by Foreign Language Learners: Towards a Foreign Language Model. Concordia University Working Papers in Applied Linguistics (COPAL), 5. pp. 3-18. ISSN 2292-4248

Almbark, Rana (2012) The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model. Doctoral thesis, University of York.

Almbark, Rana (2011) Production and Perception of SSBE Vowels by Syrian Arabic Speakers. In: Achievements and in Perspectives SLA of Speech: New Sounds 2010. Peter Lang: International Verlag der Wissenschaften. ISBN 9783631607237

Almbark, Rana, Bouchhioua, N. and Hellmuth, S. (2014) Acquiring the Phonetics and Phonology of English Word Stress: Comparing Learners from Different L1 Backgrounds. Concordia University Working Papers in Applied Linguistics (COPAL), 5. pp. 19-35. ISSN 2292-4248

Almbark, Rana and Hellmuth, Sam (2015) Acoustic analysis of the Syrian vowel system. In: Proceedings of ICPhS 2015. University of Glasgow. ISBN 9780852619414

Almond, Liz (2002) The shut drawer. Arc, Todmorden. ISBN 1900072939

Alqatawna, Mohammad (2019) Heckling in the Jordanian Parliament House: A Conversation Analysis Approach. Doctoral thesis, University of Huddersfield.

Alsuweed, Muhammad (2015) Accessing Dickens’s style as an EFL learner: a corpus stylistic approach to lexical style. Doctoral thesis, University of Huddersfield.

Alvarez, Elias Merino (2014) Subflection. Masters thesis, University of Huddersfield.

Ameen, Hoshang Dara Hama (2017) The State and Society in the Iranian Public Sphere after the Islamic Revolution. Doctoral thesis, University of Huddersfield.

Anderson, Caroline (2021) An Examination of the Rise and Reception of Female Country Crossover Artists from 1990. Masters thesis, University of Huddersfield.

Anderson, Elizabeth J. (2009) Henry II and His Sons: the Maturation Process of Establishing Adult Masculine status in the Angevin Royal Family c. 1140 – c. 1200. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Anderson, Elizabeth Jane (2013) Establishing adult masculine identity in the Angevin royal family c.1140-c.1200. Doctoral thesis, University of Huddersfield.

Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.

Anderson, Simon Peter (2012) The Prepared Piano Music of John Cage: Towards an Understanding of Sounds and Preparations. Masters thesis, University of Huddersfield.

Andrews, Emma (2020) Representing Visual Foreshadowing in Audio Description. Doctoral thesis, University of Huddersfield.

Andrews, Emma (2015) "Yeah, it's funny how words can be so open to interpretation" - The effect of intralingual subtitling on characterisation in Breaking Bad. Masters thesis, University of Huddersfield.

Angermüller, Rudolph and Stafford, William Nissen, Georg Nikolaus. In: Grove Music Online. Oxford University Press, Oxford.

Archer, Dawn and McIntyre, Dan (2005) A computational approach to mind style. In: 25th Conference of the Poetics and Linguistics Association, 18th - 23rd July 2005, University of Huddersfield. (Unpublished)

Ashbridge, Sarah I. (2021) Military Identification: Identity discs 1914-18 and the recovery of fallen soldiers. Doctoral thesis, University of Huddersfield.

Ashby, Justine (2001) The Angry Young Man is Tired: Albert Finney and 1960s British Cinema. In: British Stars and Stardom: From Alma Taylor to Sean Connery. Manchester University press, Manchester, pp. 179-192. ISBN 9780719058417

Ashby, Justine (2003) 'Betty Box' and 'Muriel Box'. In: Encyclopedia of British Film. Methuen, London, pp. 76-77. ISBN 0413773019

Ashby, Justine (1996) Crossing thresholds: the contemporary British woman's film. In: Dissolving views: key writings on British cinema. Cassell. ISBN 9780304335282

Ashby, Justine (2009) 'It's been Emotional': reassessing the contemporary British woman's film. In: British women's cinema. British Popular Cinema . Routledge. ISBN 9780415466967

Ashby, Justine (2002) Jane Campion. In: Fifty Key Contemporary Filmmakers. Routledge, London, pp. 90-98. ISBN 978-0-415-18973-6

Ashby, Justine (2005) Postfeminism in the British Frame. Cinema Journal, 44 (2). pp. 127-132. ISSN 00097101

Ashby, Justine and Higson, Andrew (2000) British cinema: past and present. Routledge. ISBN 0415220610

Ashby, Justine and Higson, Andrew (2000) The lady in charge, Betty Box: negotiating space for a woman producer in Post-War British cinema. In: British cinema, past and present. Routledge. ISBN 0415220610

Asswae, May (2018) Politeness in Libyan Arabic: A Third-Wave Perspective. Doctoral thesis, University of Huddersfield.

Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701

Atkinson, Paul (2008) On the Origin of PCs. Doctoral thesis, University of Huddersfield.

Atkinson, Paul (2013) Review of: Victoria Kelley, Soap and Water: Cleanliness, Dirt and the Working Classes in Victorian and Edwardian Britain (London: I. B. Tauris, 2010). Labour history review, 78 (2). pp. 237-238. ISSN 0961-5652

Atkinson, Paul, Marshall, Justin, Unver, Ertu and Dean, Lionel Theodore (2011) I did it my way: user engagement in post industrial manufacturing. In: SIM 2011 Sustainable Intelligent Manufacturing. IST Press, Leiria, Portugal, pp. 679-687. ISBN 978-989-8481-03-0

Atkinson, Paul David (2010) Cultural Causes of the Nineteenth-Century Fertility Decline: A Study of Three Yorkshire Towns. Doctoral thesis, University of Leeds.

Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974

Aucott, Paula J., von Lunen, Alexander and Southall, Humphrey (2009) Exposing the history of Europe: the creation of a structure to enable time‐spatial searching of historical resources within a European framework. OCLC Systems & Services: International digital library perspectives, 25 (4). pp. 270-286. ISSN 1065-075X

Aulich, John (2016) Defying Objecthood: tracing the beginnings of a political aesthetic in my recent work. Masters thesis, University of Huddersfield.

Backhouse, Jed (2011) A Multi-Platform, Procedural Approach to Graphical Composition. Masters thesis, University of Huddersfield.

Bagigni, Ainas (2016) The Role of English in Libya and its Implications for Syllabus Design in Libyan Higher Education. Doctoral thesis, University of Huddersfield.

Bagnall, James (2014) The strength of Timbre and why it can be an invaluable tool to a Moving Image Composer. Masters thesis, University of Huddersfield.

Baker, Alexander J. (2016) An exploration of the relationship between touch and sound. Masters thesis, University of Huddersfield.

Baker, Andrew (2015) ‘Pulling the Heads off Rats’: Exploring the Factors that Limit the Performance of Contemporary Music by Amateur Musicians in British Brass Bands. Masters thesis, University of Huddersfield.

Baker, David and Morris, Richard K. (2001) Last orders? Antiquity, 75 (289). pp. 608-611. ISSN 0003-598X

Balduzzi, Massimiliano and Spatz, Ben (2010) PLAYWAR. In: PLAYWAR, 2009-2012.

Baldwin, Anne (2009) Electing Women as County Councillors 1919 - 1939. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Baldwin, Anne (2012) Progress and patterns in the election of women as councillors, 1918 – 1938. Doctoral thesis, University of Huddersfield.

Baldwin, Michael (2012) Reflections on Ephemerality and Notation in my Recent Work. Masters thesis, University of Huddersfield.

Baldwin, Michael, Chamberlain, Franc, Elliott, Hilary and Morris, Eilon (2015) this is not natural [transfiguration]. In: Performers Insights into this is not natural [transfiguration], 28th and 29th of July 2014, University of Huddersfield.

Baldwin, Michael S. (2017) Effaced/reflected/being: documents and/of/as musicking bodies. Doctoral thesis, University of Huddersfield.

Bargiela-Chiappini, Francesca and Kádár, Daniel Z. (2010) Politeness Across Cultures. Palgrave Macmilan, Hampshire, UK. ISBN 9780230236486

Barker, Anna (2016) Green Fiction: Ecocriticism of the Contemporary Novel. Doctoral thesis, University of Huddersfield.

Barnett, David (2000) Access Denied: Werner Schwab, the Explosion of Character and the Collapse of the Play-within-a-Play. In: German-Language Literature Today: International and Popular? Peter Lang, Oxford, pp. 281-294. ISBN 9783906764887

Barnett, David (2000) Collective Dramaturgy: A Marxist Challenge to the Modern Stage, Or: Heiner Müller's Political Theatre of Destruction. In: Heiner Müller: Probleme und Perspektiven. Amsterdamer Beiträge zur Neueren Germanistik (48). Rodopi, Amsterdam, Netherlands, pp. 45-55. ISBN 9789042015616

Barnett, David (2001) Documentation and its Discontents: The Case of Heinar Kipphardt. Forum for Modern Language Studies, 37 (3). pp. 272-285. ISSN 00158518

Barnett, David (2000) Dramaturgies of "Sprachkritik": Rainer Werner Fassbinder's "Blut am Hals der Katze" and Peter Handke's "Kaspar". The Modern Language Review, 95 (4). pp. 1053-1063. ISSN 00267937

Barnett, David (2002) Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments. Theatre Research International, 27 (1). pp. 49-57. ISSN 03078833

Barnett, David (2000) The Holocaust and Documentary Metadrama: Heinar Kipphardt's Bruder Eichmann. In: Jews in German Literature since 1945: German-Jewish Literature? German Monitor (53). Rodopi, Amsterdam, Netherlands, pp. 587-598. ISBN 9789042014633

Barnett, David (2001) Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre and the Play The Europeans. Modern Drama, 44 (4). pp. 458-475. ISSN 0026-7694

Barnett, David (2001) Joseph Goebbels: Expressionist Dramatist as Nazi Minister of Culture. New Theatre Quarterly, 17 (2). pp. 161-169. ISSN 0266-464X

Barrett, John Wilson (2012) The Idle, Immoral and Profligate Poor: The condition of the poor and the ‘taint of pauperism’ in Huddersfield between 1834 and 1874, with particular reference to the ‘undeserving poor’. Doctoral thesis, University of Huddersfield.

Barrett, Richard and Steinitz, Richard (2002) Tributes to Iannis Xenakis (29 May 1922-4 February 2001). Contemporary Music Review, 21 (2-3). pp. 5-8. ISSN 07494467

Bashford, Christina, Cowgill, Rachel and McVeigh, Simon (2003) The Concert Life in Nineteenth-Century London Database Project. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 2 . Ashgate, Aldershot, 1 -12. ISBN 9780754636144

Bastow, Sarah L. (2012) An Abortive Attempt to Defend an Episcopal Reputation: The Case of Archbishop Edwin Sandys and the Innkeeper's Wife. History, 97 (327). pp. 380-401. ISSN 0018-2648

Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.

Bastow, Sarah L. (2011) Book Review: Chris Evans, Slave Wales: The Welsh and Atlantic Slavery 1660-1850 (Cardiff: University of Wales Press, 2010). North American Journal of Welsh Studies, 6 (1). pp. 62-63. ISSN 1554-8112

Bastow, Sarah L. (2007) Book review of 'Religious women in the Golden Age Spain: the permeable cloister', Elizabeth A. Lehfeldt. Women's history review, 16 (2). pp. 271-272. ISSN 0961-2025

Bastow, Sarah L. (2001) The Catholic Gentry and the Catholic Community of the City of York, 1536-1642: The focus of a Catholic county? York Historian (18). pp. 13-22. ISSN 0309-3743

Bastow, Sarah L. (2004) The Catholic gentlemen of the North: Unreformed in the age of Reformation. In: Holiness and Masculinity in the Middle Ages. University of Wales Press, Cardiff, UK, pp. 206-221. ISBN 0708318851

Bastow, Sarah L. (2007) The Catholic gentry of Yorkshire 1536-1642: Resistance and accommodation. Edwin Mellen Press, Lewiston. ISBN 0-7734-5325-3

Bastow, Sarah L. (2018) Edwin Sandys and the Defence of the Faith: 'I think it my duty to exhort you ... defend the faith of Christ even until blood and unto death'. In: Defending the Faith: John Jewel and the Church of England. Penn State University Press, pp. 224-241. ISBN 9780271082080

Bastow, Sarah L. (2013) Edwin Sandys, Archbishop of York 1577-88, ‘Stiff-Necked, Wilful And Obstinate’. Northern history: a review of the history of the North of England., 50 (2). pp. 239-256. ISSN 0078-172X

Bastow, Sarah L. (2002) Gentlemen behaving badly: disputes and disagreements amongst the Yorkshire gentry. In: International Medieval Congress 2002: Special Thematic Strand: Exile, 8th - 11th July 2002, University of Leeds. (Unpublished)

Bastow, Sarah L. (2012) A Manner of Apology: Sir Robert Stapleton and Archbishop Edwin Sandys in an Elizabethan Cause Célèbre. Textile History, 43 (2). pp. 147-160. ISSN 0040-4969

Bastow, Sarah L. (2017) The Piety of Thomas Meynell: 'no thinge was spared how holy soever it was'. Reading Medieval Studies, XLIII. pp. 29-54. ISSN 0950-3129

Bastow, Sarah L. (2000) Prophecy and rebellion in the North of England. In: International Medieval Congress, 10 - 13 July 2000, Leeds. (Unpublished)

Bastow, Sarah L. (2001) "Worth nothing but very wilful": Catholic Recusant women of Yorkshire, 1536-1642. Recusant history, 25. p. 591. ISSN 0034-1932

Bastow, Sarah L. (2003) Yorkshire nunneries on the eve of the Dissolution. In: From History to Her Story Colloquium, 5 April 2003, University of Huddersfield. (Unpublished)

Bastow, Sarah L. (2009) The life of Edwin Sandys. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Bastow, Sarah Louise (2015) Sin and Salvation in the sermons of Edwin Sandys: ‘Be this sin against the Lord far from me, that I should cease to pray for you’. In: Sin and Salvation in Reformation England. St Andrews Studies in Reformation History . Ashgate, pp. 209-222. ISBN 9781472437365

Bates, Catherine (2005) Autobiography as Decoy in Robert Kroetsch’s The Puppeteer. In: Canadian Studies in Europe: The Making of Canada. Canadian Studies in Europe/Études canadiennes en Europe, 4 . Masaryk Press, Masaryk, Czech Republic, pp. 29-40. ISBN 8021037865

Bates, Catherine (2010) Dancing Discard: Michael Ondaatje’s Elimination Dance. Moving Worlds, 10 (2). pp. 19-30. ISSN 1474-4600

Bates, Catherine (2006) Ghosting as a Way to Mourn Responsibly in Frank Davey’s Elegies “Dead in France” and “Dead in Canada”. Open Letter: A Canadian Journal of Writing and Theory, 12 (8). pp. 60-78.

Bates, Catherine (2012) In the hope of making a connection: Rereading Archival Bodies, Responses and Love in Marian Engel’s Bear and Alice Munro’s ‘Meneseteung’. In: Basements and Attics, Closets and Cyberspace Explorations in Canadian Women’s Archives. Life Writing . Wilfrid Laurier University Press, Waterloo, pp. 85-106. ISBN 978155458632-5

Bates, Catherine (2008) Messing with the Archive: Backdoors, Rubbish and Traces in Robert Kroetsch’s The Hornbooks of Rita K. SubStance, 37 (2). pp. 8-24. ISSN 0049-2426

Bates, Catherine (2013) Sustainable Urban Foragings in the Canadian Metropolis: Rummaging through Rita Wong’s Forage and Nicholas Dickner’s Nikolski. British Journal of Canadian Studies, 26 (2). pp. 191-212. ISSN 0269-9222

Bates, Catherine (2012) Teaching Queer Theory: Judith Butler, Shakespeare and She’s the Man in Teaching Gender. In: Teaching Gender. Teaching the New English . Palgrave, Basingstoke, UK, pp. 47-62. ISBN 9780230252516

Bates, Catherine (2013) Waste-full Crossings: Thomas King’s Rubbishy Border. In: Parallel Encounters: Culture and the Canada-US Border. Wilfrid Laurier University Press, Waterloo, Canada, pp. 1-25. ISBN 9781554589845

Bates, Catherine and Barton, Anna (2013) ‘Beautiful things’: nonsense and the Museum. In: Literary Bric-a-Brac and The Victorians: Oddities and Commodities. The Nineteenth Century Series . Ashgate, London, UK, pp. 49-65. ISBN 978-1-4094-3990-5

Bates, Catherine, Huggan, Graham, Marinkova, Milena and Orr, Jeffrey (2007) Canadian Studies in Europe/Études canadiennes en Europe. Visions of Canada/Visions du Canada., 6 . Masaryk University Press, Brno, Czech Republic. ISBN 978-80-210-4243-8.

Bates, Catherine, Huggan, Graham, Marinkova, Milena and Orr, Jeffrey (2007) Introduction to: Canadian Studies in Europe/Études canadiennes en Europe. In: Canadian Studies in Europe/Études canadiennes en Europe. Visions of Canada/Visions du Canada., 6 . Masaryk University Press, Brno, Czech Republic, ix-xx. ISBN 978-80-210-4243-8.

Bates, Catherine and Hussain, Nasser (2010) Talking Trash/Trashing Talk: Cliché in the poetry of bpNichol and Christopher Dewdney. In: Trash Culture: Objects and Obsolescence in Cultural Perspective. Cultural Interactions: Studies in the Relationship Between the Arts, 11 . Peter Lang, Bern, Switzerland, pp. 165-183. ISBN ISBN 978-3-03911-553-2 pb

Bates, Catherine and Matthewman, Abi (2009) Studying Arts and Humanities. Palgrave Study Skills . Palgrave, Basingstoke. ISBN 9780230205475

Bax, Marcel and Kádár, Daniel Z. (2012) Understanding Historical (Im)Politeness: Relational linguistic practice over time and across cultures. Benjamins Current Topics (41). John Benjamins, Amsterdam, The Netherlands. ISBN 9789027202604

Bax, Marcel and Kádár, Daniel Z. (2011) The historical understanding of historical (im)politeness: Introductory notes. Journal of Historical Pragmatics, 12 (1). pp. 1-24. ISSN 15665852

Bayley, Amanda and Clarke, Michael (2011) Evolution and Collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet. Palatine.

Bayley, Amanda and Clarke, Michael (2008) Interactive strategies for analysing musical structure. In: Fouth Conference on Interdisciplinary Musicology, 2-6 July 2008, Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Beale, Chloe (2017) The Use of Meyerhold's Biomechanics Training and Principles of Composition in Contemporary Theatre. Doctoral thesis, University of Huddersfield.

Bell, Alan R, Martin, Janette and McCausland, Sigrid (2005) Labour’s Memory: A Comparison of Labour History Archives in Australia, England, Wales and Scotland. Labour History, 88. pp. 25-44.

Bellamy, Mary (2011) Abrasion, solo cello (2011). [Composition]

Bellamy, Mary (2002) Celestine. [Composition] (Submitted)

Bellamy, Mary (2013) Developing instrumental sound resources through collaborative compositional practice. Search: Journal for New Music and Culture, 2013 (10).

Bellamy, Mary (2016) Dispersion, Oboe, 15', 2016. [Composition] (Unpublished)

Bellamy, Mary (2001) Earth and Sky Reflect Each Other. [Composition] (Submitted)

Bellamy, Mary (2011) Enveloped, cello and contrabass recorder (2011). [Composition]

Bellamy, Mary (2008) Harmony and Resonance. [Composition] (Submitted)

Bellamy, Mary (2012) Mary Bellamy: Abrasion, Semblance, Enveloped. [Audio]

Bellamy, Mary (2008) Quartet. In: Reading of New Compositions Workshop, 12-14 February 2008, 26 Willow Place, Brooklyn. (Submitted)

Bellamy, Mary (2011) Semblance, solo bassflute (2011). [Composition]

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Bellamy, Mary (2011) Translucent River (2011). [Composition]

Bellamy, Mary (2005) Within Dreams. [Composition] (Submitted)

Bellamy, Mary (2017) The other side of air. [Composition]

Bellamy, Mary and Beall, T. (2008) Double Blind. [Composition] (Submitted)

Bellamy, Mary and Beall, T. (2006) Light Blind. [Composition] (Submitted)

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]

Bellard-Thomson, Carol (2009) Joining The Stylistics Discourse Community: an empirical study of student development in learning stylistic analysis. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Benincasa-Sharman, Caterina (2020) Identities of Place: The 1951 Festival of Britain in York and Liverpool. Doctoral thesis, University of Huddersfield.

Benjamin, Mira (2019) Thick Relationality: Microtonality and the Technique of Intonation in 21st Century String Performance. Doctoral thesis, University of Huddersfield.

Bensimon, Fabrice, Laybourn, Keith, Betts, Paul, Hannam, June, Roll, Jarod and Davies, Aled (2015) Book Review: Robert Forrant and Jurg Siegenthaler (eds), The Great Lawrence Textile Strike of 1912: New Scholarship on the Bread & Roses Strike, Amityville, New York: Baywood Publishing Company, 2014, pp. v + 252, p/b, $49, ISBN 978 089503 8623. Labour history review, 80 (2). pp. 201-214. ISSN 0961-5652

Berweck, Sebastian (2009) Extended Piano. [Audio]

Berweck, Sebastian (2012) It worked yesterday: On (re-)performing electroacoustic music. Doctoral thesis, University of Huddersfield.

Bhana, Aliyah (2020) A posthuman exploration of the robot in contemporary science fiction films. Masters thesis, University of Huddersfield.

Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.

Bilenko, George (2019) An Exploration into the Use of Rhythm in Devising Movement for Theatre. Masters thesis, University of Huddersfield.

Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield.

Billam, Gregory (2019) For Country, For Class: Nationalism, Empire and Identity in the Communist Party of Great Britain: 1935-1945. Masters thesis, University of Huddersfield.

Bingham-Davis, Connor (2020) Flight of the Empress: The collapse of antiquity and its modern-day echoes as demonstrated through a piece of historical fiction. Masters thesis, University of Huddersfield.

Birkby, Peter R. (2009) Eurovision Song Contest 2009 Theme Music. In: UNSPECIFIED.

Birkby, Peter R. (2008) Mutual Marimba Music- Part of the programme on the Autumn Recital Tour performed by Dave Danford. [Composition]

Birkby, Peter R. (2011) Peter R. Birkby 30th Anniversary Concert Programme. [Show/Exhibition]

Birkby, Peter R. (2016) A twenty-first century light music composer: sailing on: composing light music in the twenty-first century. Doctoral thesis, University of Huddersfield.

Black, Jeremy and Woodfine, Philip (1988) The British Navy and the use of Naval power in the Eighteenth century. Leicester University Press, Leicester. ISBN 0718513088

Blackwell, Kane (2018) SOCIAL MEDIA, NEWS, AND YOUTHS: HOW YOUNG ADULTS CONSTRUCT AND ENGAGE NEWS CONTENT ON FACEBOOK. Masters thesis, University of Huddersfield.

Blakeley, Georgina (2002) Civil society. In: Contemporary political concepts: a critical introduction. Pluto Press, London, pp. 90-107. ISBN 9780745317960

Blakeley, Georgina (2001) Clientism in the building of state and civil society in Spain. In: Clientelism, interests, and democratic representation: The European experience in historical and comparative perspective. Cambridge Studies in Comparative Politics . Cambridge University Press, Cambridge, pp. 77-100. ISBN 9780521804776

Blakeley, Georgina (2001) Creating spaces of deliberation in Barcelona: it's good to talk? In: Challenges to democracy : ideas, involvement and institutions. PSA yearbook . Palgrave, Basingstoke, pp. 153-168. ISBN 0333789822

Blakeley, Georgina (2002) Decentralisation and participation in Barcelona. In: Public participation and innovations in community governance. Ashgate, Aldershot. ISBN 0754615669

Blakeley, Georgina (2002) Social Capital. In: Contemporary political concepts: a critical introduction. Pluto Press, London, pp. 198-214. ISBN 9780745317960

Blakeley, Georgina and Evans, Brendan (2010) Citizen Participation in East Manchester: From Practice to Theory. Representation, 46 (3). pp. 325-338. ISSN 0034-4893

Blakeley, Georgina and Evans, Brendan (2013) The Regeneration of East Manchester: A Political Analysis. Manchester University Press, Manchester. ISBN 9780719084409

Blakeley, Georgina and Evans, Brendan (2009) Who Participates, How and Why in Urban Regeneration Projects? The Case of the New ‘City’ of East Manchester. Social Policy and Administration, 43 (1). pp. 15-32. ISSN 0144-5596

Blunt, Andrew (2012) Citizenship in the United Kingdom Higher Education Sector: The Overlooked Opportunity of Students’ Unions. Masters thesis, University of Huddersfield.

Boam, Harry (2016) An autoethnographical study on how creative sound work is affected by commercialisation and the professional media industry. Masters thesis, University of Huddersfield.

Boehringer, Jorge W. (2019) Situated Sound and Compositional Circumstance in My Recent Musical Practices. Doctoral thesis, University of Huddersfield.

Bokowiec, Mark (2014) Dialogue (2014) for Prosthetic Spine & Cello. In: International Computer Music Conference, 14 - 20 September 2014, Athens, Greece, Onassis Centre for the Arts.

Bokowiec, Mark (2011) Interconnecting forms of expressivity as a compositional process: the evolution of an interactive practice with specific reference to the Bodycoder System. Mark A. Doctoral thesis, University of Huddersfield.

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Amera, Etch, Hand to Mouth, Chimera. In: Live Arts Courses, 19 November 2007, Doncaster College.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Bodycoder - Voice. In: Bodycoder - Voice, 22 November 2007, The Watermans, Brentford, London.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Etch. In: Residency at Confederation Centre for the Arts, 13 June 2007, Prince Edward island, Nova Scotia.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2015) Sens et sensations : l’acte de médiation et ses effets in Théâtre et intermédialité (edited by Jean-Marc Larrue). In: Théâtre et intermédialité. Septentrion, France, pp. 383-399. ISBN 102757409077

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Sense and Sensation: the act of mediation and its effects. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec. (Submitted)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2003) Spiral fiction. Organised Sound, 8 (3). pp. 279-287. ISSN 1355-7718

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The Suicided Voice and Etch. In: Music & Sound Technology Practice in Education Conference 2008, 7-9 July 2008, Doncaster College.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The Suicided Voice, Etch. In: 8th International Conference New Interfaces For Musical Expression, 5 - 7 June 2008, Genova, Italy.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The suicided voice and Etch. In: New interfaces for musical expression, 5-7 June 2008, Genova Italy.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The suicided voice. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec.

Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.

Bonardi, Alain, Bossis, Bruno, Couprie, Pierre, Dufeu, Frédéric, Malt, Mikhail and Pottier, Laurent (2013) Atelier: Outils pour l’analyse de la musique électroacoustique [Workshop: Tools for analysis of electroacoustic music]. In: JIM2013 (Journées d’Informatique Musicale) Conference, 13th - 15th May 2013, Paris, France.

Bonardi, Alain and Dufeu, Frédéric (2013) Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des œuvres de Philippe Manoury [How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works]. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Booth, Graham (2010) Inclusive Interconnections: Towards Open-Ended Parameter-Sharing for Laptop Ensemble. Masters thesis, University of Huddersfield.

Borlik, Todd Andrew (2016) Hellish Falls: Faustus’s Dismemberment, Phaeton’s Limbs and Other Renaissance Aviation Disasters – Part I. English Studies, 97 (3). pp. 254-276. ISSN 0013-838X

Borlik, Todd Andrew (2016) Hellish Falls: Faustus’s Dismemberment, Phaeton’s Limbs and Other Renaissance Aviation Disasters – Part II. English Studies, 97 (4). pp. 351-361. ISSN 0013-838X

Borlik, Todd Andrew (2013) 'Caliban and the Fen Demons of Lincolnshire: The Englishness of Shakespeare's Tempest'. Shakespeare: Journal of the British Shakespeare Association, 9 (1). pp. 21-51. ISSN 1745-0918

Borlik, Todd Andrew (2009) "Chameleon's Dish: Shakespeare and the Omnivore's Dilemma". Early Modern Studies Journal, 2. pp. 1-25.

Borlik, Todd Andrew (2011) "Cori Spezzati and the Echo Scene in Duchess of Malfi". Notes & Queries, 58 (2). pp. 289-292.

Borlik, Todd Andrew (2017) Magic as Technological Dominion: Hydragogy and the Draining of the Fens in Ben Jonson's The Devil is an Ass. Neophilologus. ISSN 0028-2677 (In Press)

Borlik, Todd Andrew (2007) "'Painting of a Sorrow': Visual Culture and the Performance of Stasis in David Garrick's Hamlet". Shakespeare Bulletin, 25 (1). pp. 3-32. ISSN 0748-2558

Borlik, Todd Andrew (2015) A Possible Allusion by Middleton to Shakespeare's Death? Notes and Queries, 62 (1). pp. 130-133. ISSN 0029-3970

Borlik, Todd Andrew (2017) Post-Human Hamlets: Ghosts in the Machine. In: Shakespeare's Hamlet in an Era of Textual Exhaustion. Routledge Studies in Shakespeare (25). Routledge, pp. 29-45. ISBN 9781138291270

Borlik, Todd Andrew (2013) 'Reading Hamlet Upside Down: The Shakespeare Criticism of Natsume Soseki'. Shakespeare: Journal of the British Shakespeare Association, 9 (4). pp. 383-403. ISSN 1745-0918

Borlik, Todd Andrew (2017) Review of Measure for Measure (directed by Yukio Ninagawa), Sainokuni Shakespeare Company. Shakespeare Bulletin, 35 (1). pp. 135-142. ISSN 0748-2558

Borlik, Todd Andrew (2011) 'A Season in Intercultural Limbo: Ninagawa Yukio's Doctor Faustus--Theatre Cocoon, Tokyo'. Shakespeare Quarterly, 62 (3). pp. 444-456. ISSN 0037-3222

Borlik, Todd Andrew (2017) Shakespeare's Insect Theatre: Fairy Lore as Elizabethan Folk Entomology. In: Performing Animals: History, Agency, Theater. Pennsylvania State University Press, Pennsylvania. ISBN 9780271078342

Borlik, Todd Andrew (2015) “Shakespeare’s Mulberry Tree: Ecomaterialism and ‘Living On.’”. Shakespearean International Yearbook, 15. pp. 123-145. ISSN 1465-5098

Borlik, Todd Andrew (2012) "The Specter of Female Suffrage in Shakespeare's Revelations by Shakespeare's Spirit". Shakespeare Survey, 65. pp. 337-344. ISSN 0080-9152

Borlik, Todd Andrew (2014) Stellifying Shakespeare: Celestial Imperialism and the Advent of Universal Genius. Shakespeare in Southern Africa, 26. pp. 1-12. ISSN 1011-582X

Borlik, Todd Andrew (2017) 'Uncolting Falstaff: The Oats Complex and Energy Usage in 1 Henry IV'. Shakespeare Jahrbuch, 153. pp. 81-99.

Borlik, Todd Andrew (2016) Unheard Harmonies: The Merchant of Venice and the Lost Play of Pythagoras. Medieval and Renaissance Drama in England, 29. pp. 191-224. ISSN 0731-3403

Borlik, Todd Andrew (2012) "The Way to Study Death: New Light on a Variant in F2 Macbeth". Explicator, 70 (2). pp. 144-148. ISSN 0014-4940

Borlik, Todd Andrew and Egan, Clare (2018) Angling for the "Powte": a Jacobean Environmental Protest Poem. English Literary Renaissance, 48 (2). pp. 256-289. ISSN 0013-8312

Bossis, Bruno and Dufeu, Frédéric (2009) De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay. In: Christian Marclay: Snap! Les Presses du Réel, Dijon. ISBN 978-2-84066-279-2

Bossis, Bruno, Dufeu, Frédéric and Rabin, Julien (2010) Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2009) Le support sonore comme instrument de musique chez Christian Marclay. In: CIM09, Music and its Instruments: 5th Conference on Interdisciplinary Musicology, 26th - 29th October 2009, Paris, France. (Unpublished)

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2013) Le support sonore comme instrument de musique chez Christian Marclay [The Recording Medium As Instrument In Christian Marclay’s Works]. In: La musique et ses instruments - music and its instruments. Editions Delatour France, pp. 419-436. ISBN 9782752101594

Botting, Nicola, Conti-Ramsden, Gina and Crutchley, Alison (1997) Concordance between teacher/therapist opinion and formal language assessment scores in children with language impairment. International Journal of Language & Communication Disorders, 32 (3). pp. 317-327. ISSN 13682822

Bougaïeff, Nicolas (2013) An Approach to Composition Based on a Minimal Techno Case Study. Doctoral thesis, University of Huddersfield.

Bousfield, Derek (2007) Beginnings, middles and ends: A biopsy of the dynamics of impolite exchanges. Journal of Pragmatics, 39 (12). pp. 2185-2216. ISSN 0378-2166

Bousfield, Derek (2007) Impoliteness, preference organization and conducivity. Multilingua: Journal of Cross-Cultural and Interlanguage Communication, 26 (1). pp. 1-33. ISSN 1613-3684

Bousfield, Derek (2005) Review of Saeko Fukushima, Requests and Culture: Politeness in British English and Japanese. Journal of Pragmatics, 37 (7). pp. 1117-1127. ISSN 0378-2166

Bousfield, Derek, Jeffries, Lesley, McIntyre, Dan and Short, Mick (2007) Reader responses to interpreting poetry. In: 27th Conference of the Poetics and Linguistics Association, 31st July - 4th August 2007, Kansai-Gaidai University, Hirakata, Osaka, Japan. (Unpublished)

Bousfield, Derek and McIntyre, Dan (2011) Emotion and empathy in Martin Scorsese’s Goodfellas: a case study of the “funny guy” scene. In: Telecinematic Discourse: Approaches to the Language of Films and Television Series. John Benjamins, Amsterdam, The Netherlands, pp. 105-123. ISBN 978 90 272 8515 7

Bowler, Ruth (2016) Four Women and I’m Only Sleeping: An exploration into the experimental manipulation of the monologue leading to the creation of multi-narrative voiced performances. Masters thesis, University of Huddersfield.

Bowling, Calum (2019) Recording Skint: How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist. Masters thesis, University of Huddersfield.

Bradbury, James (2021) Harnessing Content-Aware Programs for Computer-Aided Composition in a Studio-Based Workflow. Doctoral thesis, University of Huddersfield.

Bradley, Craig and Gill, David (2004) Humbugs. Relish Books, Yorkshire, UK. ISBN 9780954784409

Bradley, Simon (2016) Archaeology of the Voice: Exploring Oral History, Locative Media, Audio Walks, and Sound Art as Sitespecific Displacement Activities. Doctoral thesis, University of Huddersfield.

Bradley, Simon (2012) History to go: oral history, audiowalks and mobile media. Oral History, 40 (1). pp. 99-110. ISSN 0143-0955

Brennan, Katie (2019) Moral Architecture? The Nineteenth Century Asylum environment. A study of the West Riding Pauper Lunatic Asylum 1819-1866. Masters thesis, University of Huddersfield.

Bridle, Marcus (2011) Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis. Masters thesis, University of Huddersfield.

Britton, John (2007) Movement improvisation in psychophysical training. In: Impro Continuums 2007, Royal Welsh School of Music and Drama. (Unpublished)

Britton, John (2007) OK, you've had your fun.....: placing pleasure at the heart of pedagogy. In: Teaching and Learning Conference, 14 September 2007, University of Huddersfield. (Unpublished)

Britton, John (2011) Self-With-Others - a psychophysical approach to training performers in ensemble. [Web page]

Britton, John Spontaneous Combustion #1-#33 (Performance Series 2004-2009). In: UNSPECIFIED, 2004 to present.

Britton, John (2009) Stones have been known to move and trees to speak. In: Stones have been known to move and trees to speak, 8th-17th April 2009, Au Brana Cultural Centre, South of France.

Britton, John (2010) What is it? The 'it'-ness of ensemble. In: Encountering Ensemble, 16 September 2010, University of Huddersfield. (Unpublished)

Britton, John (2007) The pleasure principle: some principles for a psychophysical training. In: How to Act: an international conference, 14-17 February 2007, Central School of Speech and Drama. (Unpublished)

Britton, John (2010) The pursuit of pleasure. Journal of Theatre, Dance and Performance Training, 1 (1). pp. 36-54. ISSN 1944-3927

Britton, John, Elliott, Hilary, Middleton, Deborah K. and Moss, Tim (2008) Writing the Body, Dancing The Mind. In: 'Writing the Body, Dancing The Mind’ workshop, July 2008, National University of Mexico. (Unpublished)

Britton, John W (2011) Starting From Now: A Performer's Guide to Improvisation - A Performed Lecture. In: UNSPECIFIED, Thesasloniki, Greece.

Brooks, Julian (2016) Being sound: FLOSS, flow and event in the composition and ensemble performance of free open computer music. Doctoral thesis, University of Huddersfield.

Brooks, Julian, Brooks, Joanna and Tremblay, Pierre Alexandre (2012) Across The Great Divide. Journal of Music, Technology and Education, 5 (2). pp. 145-157. ISSN 1752-7066

Brown, Clive and Milsom, David (2006) The 19th-Century Legacy of the Viotti School: Editions of the Violin Concerto No. 22. In: Giovanni Battista Viotti : a composer between the two revolutions. Ad Parnassum Studies (2). UT Orpheus, Bologna, italy, pp. 157-198. ISBN 9788881094578

Brown, Emily (2015) Task, Attention, Movement: An Exploration of Psychophysical Training Methods for Ensemble Performance. Masters thesis, University of Huddersfield.

Brown, Katherine Laura (2012) Attending to Presence - An Investigation into the Training of Scenic Presence. Masters thesis, University of Huddersfield.

Brown, Stephen, Coupland, Simon, Croft, David, Shell, Jethro and von Lunen, Alexander (2014) Where are the pictures? Linking photographic records across collections using fuzzy logic. In: Museums & the Web: Selected Papers from Two International Conferences. Museums and the Web LLC, Silver Spring, pp. 117-128.

Brown, Tony and Foard, Glenn (1994) The making of a county history: John Bridges' Northamptonshire. Wildflower Series, 5 . Leicester University, Leicester, UK. ISBN 9780947590208

Brumby, Alice (2015) From "Pauper Lunatics" to "Rate-Aided Patients": Removing the Stigma of Mental Health Care? 1888-1938. Doctoral thesis, University of Huddersfield.

Bryan, John (2014) Adoramus Te: Motets, songs and consort music by William Byrd and Peter Philips. [Audio]

Bryan, John (2011) Alessandro Striggio: Missa Ecco si beato giorno in 40 parts. [Audio]

Bryan, John (2003) Alfonso Ferrabosco. [Composition]

Bryan, John (2010) Alpha and Omega. [Audio]

Bryan, John (2010) American Garden/English Roses. In: American Garden/English Roses, 23 February 2010, Corpus Christi Church, New York, USA. (Submitted)

Bryan, John (2016) Apt for Viols as Voyces. In: Apt for Viols as Voyces, 11 June 2016, St John's Church, Chichester, Sussex. (Unpublished)

Bryan, John (2009) Ayres & Fancies. In: Evening Concerts: Spring 2009, 3 March 2009, University of Sheffield, Firth Hall.

Bryan, John (2009) ‘Ayres & Fancies’: Purcell’s incomparable fantazias, with songs by Dowland & Byrd. In: Ayres & Fancies, 10 February 2009, St. Mary’s Church, Warwick.

Bryan, John (2013) BBC Radio 3 In Tune. [Audio]

Bryan, John (2013) BBC Radio 3 The Early Music Show. [Audio]

Bryan, John (2009) Celebrating Henry Purcell. [Audio]

Bryan, John (2012) Competing, Consenting, Consorting. In: Competing, Consenting, Consorting, 13 July 2012, National Centre for Early Music, York. (Submitted)

Bryan, John (2010) Composed after the Italian vaine. In: Composed after the Italian vaine, 19 February 2010, First Congregational Church, Cambridge, Mass. USA. (Submitted)

Bryan, John (2009) Divisions, Ayres and Fancies. In: Divisions, Ayres and Fancies, 26 November 2009, Queen's University, Belfast. (Submitted)

Bryan, John (2011) The Early Music Show. [Audio]

Bryan, John (2011) An Emerald in a Work of Gold. In: An Emerald in a Work of Gold, 11 June 2011, St John's Church, Chichester, Sussex. (Submitted)

Bryan, John (2012) An Emerald in a Work of Gold. [Audio]

Bryan, John (2012) An Emerald in a Work of Gold: Music from the Dow Partbooks. [Audio]

Bryan, John (2007) English Anthems and Consort Music for Voices and Viols. In: Pan-Pacific Gamba Gathering, 30 July 2007, English Anthems and Consort Music for Voices and Viols. (Submitted)

Bryan, John (2011) Extended Play: Reflections of Heinrich Isaac's Music in Early Tudor England. The Journal of Musicology, 28 (1). pp. 118-141. ISSN 0277-9269

Bryan, John (2007) Four Gentleman of the Chapel Royal. In: Greenwich International Early Music Festival & Exhibition 2007, 10 November 2007, Old Royal Naval College Chapel Greenwich. (Submitted)

Bryan, John (2007) Four Gentleman of the Chapel Royal. In: Pan-Pacific Gamba Gathering, 2 August 2007, Orvis Auditorium, University of Hawaii. (Submitted)

Bryan, John (2008) Four Gentleman of the Chapel Royal. [Audio]

Bryan, John (2009) From Bologna to Britannia. In: From Bologna to Britannia, 25 October 2009, Early Music Colorado Fall Festival, Boulder, USA. (Submitted)

Bryan, John (2013) 'Full of Art, and Profundity': The Five-Part Consort Pavan as a Medium for Sophiosticated Musical Expression and Compositional Cross-Reference in Late Renaissance England' in 'Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries. In: Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries'. Ashgate, Farnham, UK, pp. 203-214. ISBN 9781472411983

Bryan, John (2009) Henry Purcell Fantazias and In Nomines. In: Henry Purcell Fantazias and In Nomines, 6 & 9 October 2009, Abbazia de Maguzzano, Lake Garda, Italy. (Submitted)

Bryan, John (2009) London Street Cries. In: London Street Cries, 09 February 2009, Ripon Cathedral, Ripon.

Bryan, John (2016) Long Live Fair Oriana. In: Long Live Fair Oriana, 8 September 2016, Rathaus, St Veit, Austria: Trigonale Festival. (Unpublished)

Bryan, John (2007) Lullaby, my Sweet Little Baby. In: York Early Music Christmas Festival, 7 December 2007, National Centre for Early Music. (Submitted)

Bryan, John (2008) ‘Lullaby, my sweet little baby’: Elizabethan & Jacobean Music for Christmas. In: Lullaby, my sweet little baby, 4 December 2008, Bunyan Meeting Free Church, Mill Street, Bedford.

Bryan, John (2004) Madame d’Amours – Songs, Dances & Consort Music for the Six Wives of Henry VIII. [Composition]

Bryan, John (2011) Music and Politics in the Life of Cosimo de' Medici. In: Music and Politics in ther Life of Cosimo de' Medici, 26 October 2011, Uffizi Gallery, Florence. (Submitted)

Bryan, John (2016) Music from 16th Century Venice. In: Music from 16th Century Venice, 12 July 2016, Benslow Music, Hitchin, Herts.. (Unpublished)

Bryan, John (2016) Music from Elizabethan Choirboy Dramas. In: Music from Elizabethan Choirboy Dramas, 9 July 2016, St Olave's Church, York: York Early Music Festival. (Unpublished)

Bryan, John (2016) Music from Tudor Partbooks. In: Rose Consort of Viols concert, 18 February 2016, Brunswick Street Methodist Church, Newcastle.

Bryan, John (2011) Musicke to content every humour. In: Musicke to content every humour, 3 December 2011, Holywell Music Room, Oxford. (Submitted)

Bryan, John (2014) Mynstrelles with Straunge Sounds. In: York Early Music Festival, 11 July 2014, St Olave's Church, York.

Bryan, John (2007) Not unlike a confused singing of birds in a grove: An Introduction to the In Nomine. Viol (6). pp. 15-19.

Bryan, John (2007) Perfect and Sweet Harmony. In: Nottingham University Concert Series, 6 December 2007, Djanogly Concert Hall, Lakeside Arts Centre. (Submitted)

Bryan, John Performing Dowland: Dance Music, Songs and 'Lachrimae' Pavans. In: Celebrating John Dowland, 5 May 2013, Auditorium, Fitzwilliam College, University of Cambridge.

Bryan, John (2011) Peter Philips and his Musical Circle. In: Peter Philips and his Musical Circle, 3 March 2011, King's College Chapel, University of Aberdeen. (Submitted)

Bryan, John (2008) Renaissance Choral Music: works by Allegri, Palestrina, and Byrd. [Audio]

Bryan, John (2012) Rose Consort of Viols: 'A European Grand Tour'. In: Christmas Concert : A European Grand Tour, 21 December 2012, National Gallery, London.

Bryan, John (2012) Rose Consort of Viols: 'Fair Britain Isle'. In: Royal Greenwich International Early Music Festival : Fair Britain Isle, 10 November 2012, Old Royal Naval College, London.

Bryan, John (2013) Semana de Musica Religiosa, Cuenca, Spain: Gesualdo and Raval. In: Music by Gesualdo and Raval, 28 March 2013, Semana de Musica Reliugiosa, Cuenca, Spain.

Bryan, John (2014) Serenissima: Music from Renaissance Europe on Venetian Viols. [Audio]

Bryan, John (2004) A Songbook for Isabella: music from the circle of Isabella d’Este. [Composition]

Bryan, John (2012) Songs and Cries by Orlando Gibbons. In: Songs and Cries by Orlando Gibbons, 23 July 2012, Cadagon Hall, London, BBC Proms.

Bryan, John (2008) Songs without Words. In: Inaugural Lecture-Recital: ‘Songs without Words’, 7 Oct 2008, University of Huddersfield, Phipps Concert Hall.

Bryan, John (2007) Songs without Words: Consort Music from the Age of Elizabeth I. In: Lancaster International Concert Series, 29 November 2007, Great Hall, Lancaster University. (Submitted)

Bryan, John (2012) Striggio: Missa Ecco si beato giorno/Tallis Spem in alium. In: Striggio Missa Ecco si beato, 9 July 2012, Tewklesbury Abbey.

Bryan, John (2008) The Swan and the Nightingale. In: Huddersfield Music Society, 6 October 2008, St Paul’s Hall, University of Huddersfield.

Bryan, John (2008) Sweet Delightful Ayres and Sublime Discourses. In: Dartington International Summer School, 29 July 2008, Great Hall, Dartington.

Bryan, John (2012) Teares and Lamentacions: Music for the death of Prince Henry. In: Teares and Lamentacions: music for the death of Prince Henry, 16 June 2012, Church of ST Peter & St Paul, North Curry, Somerset. (Submitted)

Bryan, John (2013) 'Their last foile and polishment': aspects of compositional refinement in the consort dances of Dowland and Holborne. Early Music, 41 (2). pp. 219-237. ISSN 0306-1078

Bryan, John (2016) 'These Distracted Times'. In: These Distracted Times, 7 September 2016, St George am Langsee, Austria: Trigonale Festival. (Unpublished)

Bryan, John (2008) Three Britons in Brussels. In: York Early Music Festival, 8 July 2008, The National Centre for Early Music, York.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Amersham Festival of Music, 8 April 2008, St Mary’s Parish Church, Old Amersham.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Trickling Tears and Ruthless Rage, 14 May 2008, Ottery St Mary Church, Devon.

Bryan, John (2008) Trickling Tears and Ruthless Rage. In: Gower Festival, 18 July 2008, St Mary’s Church, Rhossili.

Bryan, John (2008) ‘Trickling Tears and Ruthless Rage’: Elizabethan Dramatic Songs, Dances & Fantasias. In: Milverton Concert Society 22nd Series, 12 December 2008, Milverton Paris Church.

Bryan, John (2003) Upon a Bank with Roses. [Composition]

Bryan, John (2013) A Variety of Viols. In: Royal Academy of Music, London, 15 April 2013, Museum, London, UK.

Bryan, John (2008) 'Verie sweete and artificiall': Lorenzo Costa and the earliest viols. Early Music, 36 (1). pp. 3-18. ISSN 03061078

Bryan, John (2013) Vlaamse Radio: Dowland 'Lachrimae' Pavans. [Audio]

Bryan, John (2007) William Byrd and his English precursors. In: Dartington International Summer School, 23 July 2007, The Great Hall, Dartington. (Submitted)

Bryan, John (2007) William Byrd: loyal servant of the Crown and devout Catholic. In: York Early Music Festival, 11 July 2007, The National Centre for Early Music, York. (Submitted)

Bryan, John (2011) The World Tonight. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Adoramus Te: motets, songs and consort music by William Byrd and Peter Phillips. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Byrd Songs. In: Byrd Songs, 9 May 2015, Oude Abdij, Drongen, Belgium.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) The Eclectic English. In: The Eclectic English, 15 July 2014, Little Benslow Hills, Hitchin.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) An Emerald in a Work of Gold: songs and fantasias from the part-books of Robert Dow. In: An Emerald in a Work of Gold, 23 May 2015, Dominican Church, Regensburg, Germany.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Flights of Fancy. In: Flights of Fancy, 6th February 2015, Barber Concert Hall, University of Birmingham.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2015) Mynstrelles with Straunge Sounds: the earliest consort music for viols. [Audio]

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Mynstrelles with Straunge Sounds: the first viols in England. In: Mynstrelles with Straunge Sounds, 11 July 2014, St Olave's Church, York.

Bryan, John, Aziz, Ibi, Crum, Alison, Kerr, Andrew, Marks, Roy and Wendland, Peter (2014) Serenissima: music from sixteenth century Italy, France, Germany and England performed on viols after Francesco Linarol. [Audio]

Bryan, John and Bott, Catherine (2007) William Byrd: Loyal Servant of the Crown and Devout Catholic. [Audio]

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Bullett, Maggie (2019) Collective lay support for late-Reformation preaching in the South Pennines. The Journal of Ecclesiastical History. ISSN 1469-7637

Bullett, Margaret (2016) Post-Reformation Preaching in the Pennines: Space, Identity and Affectivity. Doctoral thesis, University of Huddersfield.

Bullett, Margaret (2011) The Reception of the Elizabethan Religious Settlement in Three Yorkshire Parishes, 1559 - 1572. Northern history: a review of the history of the North of England., 48 (2). pp. 225-252. ISSN 0078-172X

Bullman, Lee (2016) Nothing but the truth? Truth, true-crime, genre and 'Blowback'. Doctoral thesis, University of Huddersfield.

Burgess, Kieran (2013) Examining the use of theatrical technologies in creating an immersive Micro-Scene. Masters thesis, University of Huddersfield.

Burrow, Merrick (2013) Conan Doyle's gothic materialism. Nineteenth-Century Contexts, 35 (3). pp. 309-323. ISSN 0890-5495

Burrow, Merrick (2004) Dialectical Fairyland, Cosmic Advertising and the Mimetic Faculty in The Arcades Project. New formations (54). pp. 108-125. ISSN 0950-2378

Burrow, Merrick (2013) The Filth and the Purity: Policing Dirt in Late-Victorian Detective Fiction. Journal of Victorian Culture, 18 (4). pp. 562-564. ISSN 1355-5502

Burrow, Merrick (2016) Healing Victorian Masculinities. Papers on Language and Literature, 52 (2). pp. 198-206. ISSN 0031-1294

Burrow, Merrick (2017) Holmes and the History of Detective Fiction. In: The Cambridge Companion to Sherlock Holmes. Cambridge University Press. (Submitted)

Burrow, Merrick (2013) The Imperial Souvenir: Things and Masculinities in H. Rider Haggard's King Solomon's Mines and Allan Quatermain. Journal of Victorian Culture, 18 (1). pp. 72-92. ISSN 1355-5502

Burrow, Merrick (2012) Oscar Wilde and the Plaistow Matricide: Competing Critiques of Influence in the Formation of Late-Victorian Masculinities. Culture, Society and Masculinities, 4 (2). pp. 133-147. ISSN 1941-5583

Burrow, Merrick (2013) Queer Clubs and Queer Trades: G.K. Chesterton, Homosociality and the City. In: G.K. Chesterton, London and Modernity. Bloomsbury Studies in the City . Bloomsbury, London. ISBN 9781780937069

Burrow, Merrick, Farnell, Gary and Jardine, Mick (2004) 'Construction Site': On Reading Benjamin's Arcades. New formations (54). pp. 7-12. ISSN 0950-2378

Busse, B, McIntyre, D, Nørgaard, N and Toolan, M (2010) John McGahern’s stylistic and narratological art. Lexis, 5. pp. 101-131.

Busse, Beatrix and McIntyre, Dan (2010) Language, literature and stylistics. In: Language and Style. Palgrave, Basingstoke, UK, pp. 3-14. ISBN 9780230231566

Butler, L.A.S. and Morris, Richard K. (1986) The Anglo-Saxon Church. Research Reports (60). Council for British Archaeology, London.

Butler, Philip, Cowgill, Rachel, Duffy, Celia, Hand, Richard J. and Price, Deborah (2006) Multi-Disciplinary Perspectives on the British Library's Archival Sound Recordings Project. Performance Research, 11 (4). pp. 117-126. ISSN 1469-9990

Butterick, Keith J. (2015) Collusion and Complacency: A Critical Introduction to Business and Financial Journalism. Pluto Press, London, UK. ISBN 9780745332031

Butterick, Keith J. (2011) Introducing Public Relations Theory and Practice. SAGE Publications, London. ISBN 9781412921145

Byroms, Richard (2015) William Fairbairn - experimental engineer and mill-builder. Doctoral thesis, University of Huddersfield.

Caballero, Ian (2016) Two novel performance pieces intended to explore musicality within gestural mapping and game-data interpretation. Masters thesis, University of Huddersfield.

Callaghan, Leanne (2018) The crisis years of Antioch 1130- 1136; a discussion into the portrayal of Alice of Antioch. Masters thesis, University of Huddersfield.

Callingham, Andrew Edward (2007) Spontaneous music : the first generation British free improvisers. Doctoral thesis, University of Huddersfield.

Calvert, Dave (2012) Carnival of the Mundane: Red Oktober at England’s National Tramway Museum. In: Performance Studies International, 27th June - 1st July 2012, Leeds University, Leeds, UK. (Unpublished)

Calvert, Dave (2014) 'Actual Idiocy' and the Sublime Object of Susan Boyle. In: Žižek and Performance. Palgrave Macmillan, London, pp. 178-195. ISBN 9781137410900

Calvert, Dave (2016) Book Review: Applied Theatre - Aesthetics, edited by Gareth White. New Theatre Quarterly, 32 (2). pp. 199-200. ISSN 0266-464X

Calvert, Dave (2017) Book Review: Disability Theatre and Modern Drama by Kirsty Johnston. New Theatre Quarterly, 33 (1). pp. 92-93. ISSN 0266-464X

Calvert, Dave (2013) Book review: Drama, Disability and Education by Andy Kempe. Research in Drama Education: The Journal of Applied Theatre and Performance, 18 (4). pp. 417-418. ISSN 1356-9783

Calvert, Dave (2012) Carnival of the Mundane: Red Oktober at England’s National Tramway Museum. In: PSi #18, 27th June - 1st July 2012, University of Leeds. (Unpublished)

Calvert, Dave (2016) Disability, care and debility: radically reframing the collaboration between non-disabled and learning disabled theatre makers. In: Disability, Arts and Health, 1st - 2nd September 2016, Bergen, Norway. (Unpublished)

Calvert, Dave (2016) ‘Everything has a fucking value’: Negative Dialectics in the Work of Back to Back Theatre. Contemporary Theatre Review, 26 (2). pp. 134-152. ISSN 1048-6801

Calvert, Dave (2013) From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe. Popular Entertainment Studies, 4 (1). pp. 6-23. ISSN 1837-9303

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2015) Heroism and heroic action in applied and social theatre: a selection of provocations from TaPRA's Applied and Social Theatre working group. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 173-176. ISSN 1356-9783

Calvert, Dave (2014) Heroism as the aesthetic dimension of solidarity. In: TaPRA 2014 Theatre and Performance Research Association, 3rd - 5th September 2014, Royal Holloway, University of London. (Unpublished)

Calvert, Dave (2016) Jokes as performance text: a close reading of Rat Pack banter. Comedy Studies, 7 (1). pp. 38-47. ISSN 2040-610X

Calvert, Dave (2009) Like the Special Olympics? The relationship of research to practice in theatre and learning disability. In: TaPRA Conference 2009, 7th - 9th September 2009, Plymouth University. (Unpublished)

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Calvert, Dave (2015) MASHED and SHAMED: a new approach to the acronym. In: When the writing is on the wall: a discussion of the ecology of research, creativity, impact and value, 9th May 2015, Royal Central School of Speech and Drama. (Unpublished)

Calvert, Dave (2015) Mind the Gap. In: British Theatre Companies: 1995-2014. Bloomsbury, London, UK, pp. 127-154. ISBN 9781408177273

Calvert, Dave (2008) Oh We Do Like To Redefine The Seaside. In: Performing Heritage, 3rd - 5th April 2008, University of Manchester. (Unpublished)

Calvert, Dave (2012) The Rat Pack: Legacy and Influence. In: University of Huddersfield Diamond Jubilee Lecture Series, 6th June 2012, University Campus, Barnsley. (Unpublished)

Calvert, Dave (2009) Re-claiming authority: the past and future of theatre and learning disability. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 75-78. ISSN 1470-112X

Calvert, Dave (2013) ‘Royal Pierrots’ and ‘White Coons’: the British Pierrot Troupe in the Racial and National Imaginary. New Theatre Quarterly, 29 (2). pp. 107-120. ISSN 0266-464X

Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430

Calvert, Dave (2014) ‘A person with some sort of learning disability’: the aetiological narrative and public construction of Susan Boyle. Disability and Society, 29 (1). pp. 101-114. ISSN 0968-7599

Calvert, David Anthony (2013) The rat pack and the British pierrot: negotiations of national identity, alienation and belonging in the aesthetics and influences of concerted troupes in popular entertainment. Masters thesis, University of Huddersfield.

Cambridge, Eric and Morris, Richard K. (1989) Beverley Minster before the early thirteenth century. In: Medieval art and architecture in the East Riding of Yorkshire. British Archaeological Association Conference Transactions (9). British Archaeological Association, London, pp. 9-32. ISBN 978 0 901286 23 9

Cameli, Francesco (2021) Omni and Alga: new DSLs for audio programming and live coding. Masters thesis, University of Huddersfield.

Campbell, Kayleigh A. (2019) Please Alight Here: A collection of poems that explore aspects of life in modern Britain, through the medium of the Northern Rail system. Masters thesis, University of Huddersfield.

Carby, Lucy (2021) An investigation into the development of the baritone saxophone and selected published solo works, from its invention to the 21st century. Masters thesis, University of Huddersfield.

Carlton, Katharine and Thornton, Tim (2011) Illegitimacy and Authority in the North of England, c. 1450-1640. Northern history: a review of the history of the North of England., 48 (1). pp. 23-40. ISSN 0078-172X

Carr, Emily (2019) An exploratory analysis and creative interpretation of female performers in the traditional travelling circus. Masters thesis, University of Huddersfield.

Carrera, Alessandro (2016) The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications. Doctoral thesis, University of Huddersfield.

Carvalhais, Miguel, Tudela, Pedro and Tremblay, Pierre Alexandre (2011) @c - Homem Fantasma. [Audio]

Cassidy, Aaron (2014) Noise and the Voice: Exploring the thresholds of vocal transgression. In: performing voice Vokalität im Fokus angewandter Interpretationsforschung, 27th-29th November 2014, Musik-Akademie Basel, Switzerland.

Cassidy, Aaron (2014) APOFIR-REDUX. [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). In: UNSPECIFIED, March 15th 2010, Kings Place, London.

Cassidy, Aaron (2013) Asphyxia for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, October 23 2011, Villa Elisabeth, Berlin, Germany.

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10.

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

Cassidy, Aaron (2009) The Crutch of Memory. In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2016) Gestural Modelling and Compositional Constraints. In: Noise and the Voice: Open master class with composer Aaron Cassidy, 7th-8th March 2016, Norwegian Academy of Music, Norway. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, 2nd December 2015, Colombia University, New York, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Undergraduate Masterclass, 30th November 2015, Harvard University Department of Music, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, September 2015, Royal Melbourne Institute of Technology, Australia. (Unpublished)

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1). ISSN 2317-9694

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 19th May 2015, Northwestern University, Chicago, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 18th May 2015, The University of Chicago, Chicago, USA. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, October 2014, Magdalene College, University of Oxford, UK. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, September 2014, SEGi College, Subang Jaya, Malaysia. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints: the Articulation of Accident as Creative Method. In: Invited Lecture, 1st September 2014, Yong Siew Toh Conservatory, National University of Singapore. (Unpublished)

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, February 18th 2010, Wartesaal, Cologne, Germany.

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, 2nd November 2009, Kings Place, London, UK.

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2015) Imagining a Non-Geometrical Rhythm. In: Imagining a Non-Geometrical Rhythm — Inaugural Professorial Lecture, 23rd March 2015, University of Huddersfield. (Unpublished)

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

Cassidy, Aaron (2008) Portrait Concert. In: Portrait Concert: ELISION Ensemble, 27th July 2008, ABC Ferry Road Studios, Brisbane, Australia.

Cassidy, Aaron (2011) Second String Quartet. In: Ultraschall Festival, 20th-30th January 2011, Berlin, Germany.

Cassidy, Aaron (2010) Second String Quartet. In: Donaueschinger Musiktage, October 16th 2010, Donaueschinger, Germany.

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2011) Second string quartet. In: Extended Play: SONiC Festival, October 16, 2011, Miller Theatre, NY, USA.

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2010) String Quartet. In: International Summer Course for New Music, July 23rd 2010, Darmstadt, Germany.

Cassidy, Aaron (2010) String Quartet. In: New Music Ensemble JACK Quartet Debuts in the Kimmel Center’s Innovation Studio, January 23rd 2010, Kimmel Center, Philadelphia, USA.

Cassidy, Aaron (2009) String Quartet. In: UNSPECIFIED, 14th September 2009, Le Poisson Rouge, New York, USA.

Cassidy, Aaron (2008) String Quartet. In: Festival Internacional Chihuahua 2008, 19th-28th September 2008, Chihuahua, Mexico.

Cassidy, Aaron (2011) String Quartet and Second String Quartet. In: Monday Evening Concerts, 14th February 2011, Los Angeles, USA.

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review, 32 (4). pp. 305-323. ISSN 0749-4467

Cassidy, Aaron (2008) String quartet. In: Festival Internacional Chihuahua 2008 at Festival Internacional Chihuahua 2008, Sunday September 28 2008, Chihuahua, Mexico.

Cassidy, Aaron (2009) [Various]. In: New Music Up Late, 28 February 2009, Brisbane.

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Sendesaal Bremen, June 15th 2010, Bremen, Germany.

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2009) asphyxia. In: World Saxophone Congress XV, 9th July 2009, Bangkok, Thailand.

Cassidy, Aaron (2008) asphyxia. In: UNSPECIFIED, 13th July 2008, Government House, Sydney, Australia.

Cassidy, Aaron (2003) the green is either. [Composition]

Cassidy, Aaron (2011) the green is either. In: UNSPECIFIED.

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) memento/memorial. In: UNSPECIFIED, June 7th 2010, Kings Place, London.

Cassidy, Aaron (2010) memento/memorial. In: Ensemble SurPlus, February 28th 2010, E-Werk, Freiburg, Germany.

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. In: Hear and Now, 18th August 2012, South Bank Centre, Purcell Room, London, UK.

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (2014-16) [ 2 tr solo, cl/bs cl, sax, tbn, elec lap steel gtr, double bass, 5.1 channel electronics ]. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (5.1 channel fixed media). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (electric lap steel guitar and 5.1 channel electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (lap steel & electronics). In: Metropolis New Music Festival 2016: Sacred Cities, 10 May 2016, Melbourne Recital Centre, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries for 5.1 channel electronics. In: The 2016 Alba New Music Festival, Friday 7th – Saturday 8th October 2016, St Giles Cathedral, High Street, Edinburgh.

Cassidy, Aaron (2016) The wreck of former boundaries for electric lap-steel guitar and electronics (2015). In: ELISION Ensemble Concert: The Surface Project, 21st September 2016, RMIT Gallery, RMIT University, Melbourne VIC 3000, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries. In: BIFEM: How Forests Think, 3 September 2016, The Capital, Bendigo VIC 3550, Australia.

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Cassidy, Aaron and Castro, Diego (2015) The Pleats of Matter/The Matter of Pleats. In: The Dark Precursor: International Conference on Deleuze and Artistic Research (DARE 2015), 9th - 11th November 2015, Orpheus Institute, Ghent, Belgium. (Unpublished)

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Cassidy, Aaron, Weeks, James, Harrison, Bryn, Chase, Stephen, Bailie, Joanna, Glover, Richard and Molitor, Claudia (2013) Exposure. [Audio]

Catterall, Stephen (2018) James ‘Jim’Hammond (1907-1980), Miners' Leader. In: Dictionary of Labour Biography. Palgrave Macmillan, pp. 145-159. ISBN 9781137457424

Catterall, Stephen and Gildart, Keith (2019) Did Wigan have a Northern Soul? In: Sounds and the City. Leisure Studies in a Global Era, 2 . Palgrave Macmillan, pp. 369-387. ISBN 9783319940809

Catterall, Stephen and Gildart, Keith (2020) Keeping the Faith: A History of Northern Soul. Manchester University Press, Manchester. ISBN 978-0-7190-9710-2

Cave, Martin, van Eijk, Nico, Prosperetti, Luigi, Collins, Richard, de Streel, Alexandre, Larouche, Pierre and Valletti, Tommaso M. (2009) Statement by European Academics on the Inappropriateness of Imposing Increased Internet Regulation in the EU. SSRN Electronic Journal. ISSN 1556-5068

Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield.

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2015) Michael Chekhov in England: Outside the Magic Circle. In: The Routledge Companion to Michael Chekhov. Routledge, pp. 207-218. ISBN 9780415710183

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2013) Michael Chekhov's Ensemble Feeling. In: Encountering Ensemble. Performance Books . Bloomsbury Methuen, London, UK, pp. 78-93. ISBN 978-1-4081-5200-3

Chamberlain, Franc (2012) “Paper Without a Title”. In: Annual Postgraduate Conference in the Arts, 10th - 12th September 2012, Northampton, UK. (Unpublished)

Chamberlain, Franc (2012) Playing With Awareness/Who's Aware? In: Body and Awareness, 25th - 27th May 2012, University of Zadar, Croatia. (Unpublished)

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2015) Rare Butterflies, Persecution, and Pinball Machines: Environment, Subjectivity, and Society in the Theatre of Arthur Adamov. In: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Methuen Drama. ISBN 9781472506672

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc (2016) Writing improvisation. Theatre, Dance and Performance Training, 7 (2). pp. 318-326. ISSN 1944-3927

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. University of Bucharest Review. Literary and Cultural Studies Series, 14 (1). pp. 6-38. ISSN 2069-8658

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. In: (M)other Nature? Inscriptions, Locations, Revolutions, the 14th Annual Conference of the English Department, Literature and Cultural Studies Section, University of Bucharest, 31st May - 2nd June 2012, Bucharest, Romania. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc, Middleton, Deborah K. and Pla, Daniel (2014) Buddhist Mindfulness and Psychophysical Performance. In: International Symposium for Contemplative Studies, October 30 - November 2 2014, Boston, MA. (Unpublished)

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Chapelhow, Claudia (2020) Eighteenth-Century ‘Historically Inspired Performance’ on the Modern Clarinet. Masters thesis, University of Huddersfield.

Chaplin, Sue (2001) How the sublime comes to matter in Eighteenth Century legal discourse – an irigarayan critique of Hobbes, Locke and Burke. Feminist Legal Studies, 9 (3). pp. 199-220. ISSN 0966-3622

Chaplin, Sue (2000) Memory, imagination and the mother: an irigarayan reading of Charlotte Bronte's villette. In: Body matters : feminism, textuality, corporeality. Manchester University Press, Manchester, pp. 225-233. ISBN 9780719054693

Chaplin, Sue (1999) Terror, transcendence and control in Charlotte Dacre's Zofloya, or the Moor. In: The influence and anxiety of the British romantics: spectres of romanticism. Mellen Studies in Literature: Romantic Reassessment (153). Edwin Mellen, Ceredigion. ISBN 978-0-7734-7999-9

Chapman, Rob (2011) A Critical Review Syd Barrett: A Very Irregular Head. Doctoral thesis, University of Huddersfield.

Chapman, Rob (2008) Dusk Music. Flambard Press, Newcastle upon Tyne. ISBN 978-1-873226-95-7

Chapman, Rob (2008) I Have Seen the Madness in my Area. In: Messing Up The Paintwork: A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May 2008, University of Salford. (Unpublished)

Chapman, Rob (2007) Stream of Consciousmess. In: The Art School Dance: Art into Pop, Pop into Art, 21-22 September 2007, Tate Liverpool. (Unpublished)

Chapman, Rob (2010) Syd Barrett: A Very Irregular Head. Faber and Faber. ISBN 9780571238545

Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Chatfield, Darius Alexander Johnston (2017) Techniques for Virtual Instrument Development. Masters thesis, University of Huddersfield.

Chaudary, Fariha (2013) Hiding and Seeking Identity: The Female Figure in the Novels of Pakistani Female Writers in English: A Feminist Approach. Doctoral thesis, University of Huddersfield.

Chaudhary, Fariha (2009) Femininity And Image Construction. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Cheetham, Andrew J. (2014) The Baroque Concertato in England, 1625–c.1660 Volume I & II. Doctoral thesis, University of Huddersfield.

Chew, Grace (2015) Vietnamese Terms of Address and Person-References: Ideological Change and Stability. Doctoral thesis, University of Huddersfield.

Chippendale, Kerry (2020) In-Yer-Face Theatre: Myth or Movement. Masters thesis, University of Huddersfield.

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

Chorley, Jack (2016) Orwell's Perfect Murder: The Culture of Victorian Crime. Masters thesis, University of Huddersfield.

Christensen, Matilde (2016) 'Use me as your slave!': Masochean masochism in Richard Marsh's The Beetle, Bram Stoker's Dracula, and the Mordern Gothic. Masters thesis, University of Huddersfield.

Christofides, Roger M. (2010) Iago and Equivocation: The Seduction and Damnation of Othello. Early Modern Literary Studies, 15 (1). ISSN 1201-2459

Christofides, Roger M. (2010) The Politics of Language Use in Postcolonial Cyprus: Textual Seduction in the Mediterranean. Interventions: The International Journal of Postcolonial Studies, 12 (3). pp. 415-427. ISSN 1369-801X

Christofides, Roger M. (2012) Shakespeare and the Apocalypse. Continuum Shakespeare Studies . Continuum, London, UK. ISBN 9781441179944

Christofides, Roger M. (2012) Speech and Writing in Cyprus: Language, Identity, and the British Context. In: Islands and Britishness: A Global Perspective. Cambridge Scholars Press, Cambridge, UK, pp. 91-104. ISBN 978-1-4438-3516-9

Clarke, E., Doffman, Mark and Lim, Liza (2013) Distributed Creativity and Ecological Dynamics in Liza Lim’s Tongue of the Invisible. Music and Letters. ISSN 0027-4224

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Clarke, Michael (2012) Analysing Electroacoustic Music: an Interactive Aural Approach. Music Analysis, 31 (3). pp. 347-380. ISSN 0262-5245

Clarke, Michael (2015) Editorial: Fields: journal of Huddersfield student research. Fields: journal of Huddersfield student research, 1 (1). e1. ISSN 2057-0163

Clarke, Michael (2013) Enmeshed 3. [Composition]

Clarke, Michael (2005) Enmeshed I and II. [Composition] (Submitted)

Clarke, Michael (2007) Enmeshed II. [Composition] (Submitted)

Clarke, Michael (2008) Enmeshed IIb. [Composition] (Submitted)

Clarke, Michael (2009) Extending Interactive Aural Analysis: Acousmatic Music. In: Electroacoustic Music Studies Network EMS 09: Heritage and Future, 22nd - 25th June 2009, Buenos Aires, Argentina. (Unpublished)

Clarke, Michael (2006) From Synthia to Calma to Sybil: developing strategies for interactive learning in music. In: Technology Supported Learning and Teaching: a Staff Perspective. Information Science, London, UK, pp. 292-308. ISBN 1-59140-962-4

Clarke, Michael (2006) Jonathan Harvey’s ‘Mortuos Plango, Vivos Voco.’. In: Analytical Methods of Electroacoustic Music. Routledge, London, pp. 111-143. ISBN 9780415976299

Clarke, Michael (2007) Technology and the Spiritual in Jonathan Harvey’s Music. In: Study Day on Jonathan Harvey's Opera 'Wagner Dream', 1 June 2007, Institute of Musical Research, School of Advanced Study, University of London. (Submitted)

Clarke, Michael (2013) Tim(br)e 2. [Composition]

Clarke, Michael (2010) Wind Chimes: An Interactive Aural Analysis. In: Denis Smalley: Polychrome Portraits. Polychrome Portraits . GRM de l'INA (Radio France), Paris, pp. 35-57. ISBN 9782869382114

Clarke, Michael (2007) An interactive aural approach to musical analysis. In: Sixth European Music Analysis Conference, 10-14 October 2007, Freiburg. (Submitted)

Clarke, Michael and Dufeu, Frédéric (2013) An Introduction to the TIAALS software (Tools for Interactive Aural Analysis). In: 4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”, 11th July 2013, Leicester, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis). In: Interactive Music Notation and Representation workshop, 14th International Conference on New Interfaces for Musical Expression (NIME 2014), 30th June 2014, Goldsmiths, University of London, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project. In: Electroacoustic Music Studies Network Conference (EMS15): The Art of Electroacoustic Music, 23rd - 26th June 2015, Sheffield, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) From technological investigation and software emulation to music analysis: an integrated approach to Barry Truax's riverrun. In: the ICMC / SMC 2014 (40th International Computer Music Conference joint with the 11th Sound and Music Computing conference), 14th - 20th September 2014, Athens, Greece.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) The Impact of Technology on the Creative Processes of Composing Electroacoustic Music. In: Royal Musical Association Annual Conference 2013, 19th - 21st September 2013, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Interactive tools for the study of electroacoustic music composition methods: resources for teaching and learning from the TaCEM software. In: Innovative Tools and Methods to Teach Music and Signal Processing Conference, 2nd November 2015, Saint-Étienne, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The Interrelation of Technology and Creativity in the Analysis of Electroacoustic Music: A comparative study of Barry Truax’s Riverrun and Trevor Wishart’s Imago. Musurgia, XXII (1). pp. 27-44. ISSN 2271-1856

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Introducing TaCEM and the TIAALS software. In: 2013 ICMC International Computer Music Conference, 11th - 17th August 2013, Perth, Australia. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music]. In: JAM13, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale, 3rd - 5th April 2013, Rennes, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project. In: Performance Studies Network Fourth International Conference, 14-17th July 2016, Newton Park, Burton Upon Trent. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project. In: Royal Musical Association 50th Annual Conference, 4th - 6th September 2014, Leeds, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The TaCEM Project: Technology and Creativity in Electroacoustic Music. In: Being Human. A festival of the humanities, Humanising Music Technology, 16th November 2015, Kingston University, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) TaCEM: Technology and Creativity in Electroacoustic Music. In: National Association for Music in Higher Education (NAMHE) Annual Conference: Music – Learning – Technology, 5th May 2015, Glasgow, Scotland. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works. In: Ircam Forum Workshop, 25th November 2015, Paris, France.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology. In: EuroMAC2014: Eighth European Music Analysis Conference, 17th - 20th September 2014, Leuven, Belgium. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Towards incorporating computer-aided techniques to interactive aural analysis. In: 1st Conference on Computer Simulation of Musical Creativity, 17-19th June 2016, University of Huddersfield. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project. In: Tracking the Creative Process in Music (TCPM), 10th - 12th October 2013, Montreal, Canada. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Tracking the creative process in Trevor Wishart’s Imago. In: 3rd Tracking the Creative Process in Music conference (TCPM), 8th - 10th October 2015, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 218-223. ISBN 9780984527458

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Working with the TIAALS Software. In: Ircam Forum Workshop, 20th - 22nd November 2013, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977). In: Computer Simulation of Musical Creativity study day, 27th June 2015, Huddersfield, UK. (Unpublished)

Clarke, Michael and Manning, Peter (2009) Valuing Our Heritage: Exploring Spatialisation through Software Emulation of Stockhausen's Oktophonie. International Computer Music Conference Proceedings, 2009. p. 179. ISSN 2223-3881

Clarke, Michael and Manning, Peter (2008) The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound, 13 (3). pp. 177-187. ISSN 13557718

Clarke, Michael and Rodet, Xavier (2003) Real-time FOF and FOG synthesis in MSP and its integration with PSOLA. In: International Computer Music Conference 2003, 29 October - 4 November 2003, Singapore.

Clarke, Michael and Rodet, Xavier (2002) fofb~ and fog~ objects for Max/MSP software and accompanying demonstration/tutorial materials. IRCAM, Paris.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2006) Sybil software. University of Huddersfield, Huddersfield.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2004) Sybil: Synthesis by Interactive Learning. In: International Computer Music Conference 2004, 1-6 November 2004, Miami.

Clarkson, Joshua (2021) AN ATYPICAL NORTHERN TOWN: WHY WAS THE KEIGHLEY INDEPENDENT LABOUR PARTY (ILP) UNABLE TO GAIN AN MP UNTIL 1922? Masters thesis, University of Huddersfield.

Clay, Caroline (2018) Rock, Breath, Skin – An Approach to Training for Performing Land. Masters thesis, University of Huddersfield.

Clewes, Hannah Rachel (2020) The Presentation of Culture and Identity in the Contemporary Film Musical Soundtrack: An Exploration of Moulin Rouge! and Burlesque. Masters thesis, University of Huddersfield.

Cliff, David (1994) Lincoln c. 850-1100 : a study in economic and urban growth. Doctoral thesis, University of Huddersfield.

Coates, Alexander (2018) What was the Significance of Lay Support for the Success of the Military Orders During the Crusades? Masters thesis, University of Huddersfield.

Coates, Bethan (2018) Genii Loci and Ecocriticism from Mythology to Fantasy. Masters thesis, University of Huddersfield.

Coffey, Laura (2009) Evaluations of Masculinity in Women’s Magazines. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Coffey, Laura (2013) “Innocent Until Proven Filthy”: A Corpus-Based Critical Stylistic Analysis Of Representations Of Men In Women’s Magazines. Doctoral thesis, University of Huddersfield.

Coley, Jacob John Timothy (2019) Historical-Poetic Transformations of the Legend of Lucretia and Benjamin Britten’s The Rape of Lucretia. Masters thesis, University of Huddersfield.

Collette, Christine F. and Laybourn, Keith (2003) Modern Britain since 1979: a reader. I. B. Tauris, London, UK. ISBN 9781860645976

Collins, Richard (2012) Accountability, Citizenship and Public Media. In: Routledge Handbook of Media Law. Routledge, pp. 219-233. ISBN 978-0-415-68316-6

Collins, Richard (2012) The Bermuda agreement on telecommunications 1945. Media History, 18 (2). pp. 191-205. ISSN 1368-8804

Collins, Richard (2007) Compulsory loyalty? Accountability, citizenship and the BBC. Civitas - Revista de Ciências Sociais, 7 (2). pp. 81-107. ISSN 1519-6089

Collins, Richard (2011) Content online and the end of public media? The UK, a canary in the coal mine? Media, Culture & Society, 33 (8). pp. 1202-1219. ISSN 0163-4437

Collins, Richard (2009) Die BBC, das Internet und “Public Value”. Aus Politik und Zeitgeschichte (9-10). pp. 32-38.

Collins, Richard (2010) From Public Service Broadcasting to Public Service Communication. In: The Public in Public Service Media. Nordicom, pp. 53-69. ISBN 9789189471948

Collins, Richard (2008) Hierarchy to homeostasis? Hierarchy, markets and networks in UK media and communications governance. Media, Culture & Society, 30 (3). pp. 295-317. ISSN 0163-4437

Collins, Richard (2009) Media in Transition: Social changes, economic upheavals, content developments. In: Lost in Transition: Überlebenstrategien für das private Fernsehen. Vistas, pp. 27-48. ISBN 9783891585047

Collins, Richard (2009) Misrecognitions: Associative and Communalist Visions in EU Media Policy and Regulation. In: Media, Democracy and European Culture. Intellect, pp. 334-361. ISBN 9781841502472

Collins, Richard (2008) Online and legacy media in the UK, Part One: The changing: data and doubts. Economia della Cultura (4). pp. 523-535. ISSN 1122-7885

Collins, Richard (2009) Online and legacy media in the UK. Part Two. A half full or half empty glass? Economia della Cultura (1). pp. 53-68. ISSN 1122-7885

Collins, Richard (2009) Paradigm Found: The Peacock Report and the Genesis of a New Model UK Broadcasting Policy. In: The Peacock Committee and UK Broadcasting Policy. Palgrave, pp. 146-164. ISBN 9780230524743

Collins, Richard (2011) Public Value, the BBC and Humpty Dumpty Words – does Public Value Management Mean What it Says? In: Exporting the Public Value Test. The Regulation of Public Broadcasters’ New Media Services Across Europe. Nordicom, pp. 49-57. ISBN 9789186523268

Collins, Richard (2012) The Reith Mission: Global Telecommunications and The Decline of The British Empire. Historical Journal of Film, Radio and Television, 32 (2). pp. 167-185. ISSN 0143-9685

Collins, Richard (2009) Three Myths of Internet Governance: Making Sense of Networks, Governance and Regulation. Intellect. ISBN 9781841502335

Collins, Richard (2009) Trust and Trustworthiness in the Fourth and Fifth Estates. International Journal of Communication, 3. pp. 61-86. ISSN 1932-8036

Collins, Richard (2008) Trust in the Digital World: The Return of the Kings of Old. Communications & Strategies (71). pp. 57-78. ISSN 1157-8637

Collins, Richard (2008) Vertrauenswürdige Anbieter: Wer bietet verlässliche und vielfältige Informationen in der digitalen Welt, und wie finden Nutzer den Zugang zu diesen Informationen? Unterschiedliche Arten von Anbietern und ihre Funktion für die öffentliche Kommunikation. In: Mehr Vertrauen in Inhalte: Das Potenzial von Ko- und Selbstregulierung in den digitalen Medien. Vistas, pp. 59-90. ISBN 9783891584798

Collins, Richard (2008) e-Governance and the Governance of the Internet. In: e-Governance: Managing or Governing? Routledge eBusiness . Routledge, pp. 53-70. ISBN 9780415965187

Collins, Richard and Armstrong, Chris (2011) Digital turmoil for South African TV. International Journal of Digital Television, 2 (1). pp. 7-29. ISSN 2040-4182

Collins, Richard and Cave, Martin (2013) Media pluralism and the overlapping instruments needed to achieve it. Telecommunications Policy, 37 (4-5). pp. 311-320. ISSN 0308-5961

Collins, Richard and Schulz, Wolfgang (2008) Schlussfolgerungen. In: Mehr Vertrauen in Inhalte: Das Potenzial von Ko- und Selbstregulierung in den digitalen Medien. Vistas, pp. 91-92. ISBN 9783891584798

Colton, Lisa (2005) The Age of Innocence: Chastity and the chanson de nonne in Late Medieval France. In: International Medieval Congress 2005, 11-14 July 2005, University of Leeds. (Submitted)

Colton, Lisa (2016) Angel song: medieval English music in history. Routledge, Abingdon, UK. ISBN 9781472425683

Colton, Lisa (2008) The Articulation of Virginity in the Medieval Chanson de nonne. Journal of the Royal Musical Association, 133 (2). pp. 159-188. ISSN 02690403

Colton, Lisa (2008) Book Reviews. Studies in Musical Theatre, 1 (3). pp. 309-324. ISSN 17503159

Colton, Lisa (2010) Book review: Christopher Page, The Christian West and its Singers. Early Music Performer, 27. pp. 23-24. ISSN 1477-478X

Colton, Lisa (2008) Breaking into song. Early Music, 36 (3). pp. 507-508. ISSN 03061078

Colton, Lisa (2005) Choral Music in York, 1400-1540. In: Mass and Parish in Late Medieval England: The Use of York. Spire Books, Reading, pp. 41-56. ISBN 1904965024

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2011) English Masses at home and abroad. Early Music, 39 (4). pp. 621-623. ISSN 03061078

Colton, Lisa (2010) The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir. Contemporary Music Review, 29 (3). pp. 277-289. ISSN 0749-4467

Colton, Lisa (2014) Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright.The Eton Choirbook: Facsimile and IntroductoryvStudy. Ed. by Magnus Williamson. Songs in British Sources c.1150–1300. Ed. by Helen Deeming. Music and Letters, 95 (4). pp. 648-650. ISSN 0027-4224

Colton, Lisa (2016) Fourteenth-Century Music. Early Music, 44 (1). pp. 165-166. ISSN 0306-1078

Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430

Colton, Lisa (2008) Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England. In: Medieval and Renaissance Music Conference, 24 - 27 July 2008, University of Bangor, Wales. (Submitted)

Colton, Lisa (2011) Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England. Early Music, 39 (3). pp. 315-326. ISSN 03061078

Colton, Lisa (2008) Listening to Hildegard. In: Second Early Music Festival, 8-10 February 2008, University of Leeds. (Submitted)

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2018) Medievalism, music and agency in The Wicker Man (1973). In: Recomposing the Past: Early Music on Stage and Screen. Routledge, Abingdon, UK, pp. 213-228. ISBN 978-1138287471

Colton, Lisa (2009) Music and Identity in Medieval Bury St Edmunds. In: St Edmund, King and Martyr: Changing Images of a Medieval Saint. York Medieval Press, Woodbridge. ISBN 9781903153260

Colton, Lisa (2003) Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12 (1). pp. 71-88. ISSN 09611371

Colton, Lisa (2019) Music in the Margins: Queerness in the Clerical Imagination, 1200–1500. In: The Oxford Handbook of Music and Queerness. Oxford University Press, Oxford, UK. ISBN 9780199793525

Colton, Lisa (2017) Music, text and structure in fourteenth-century English polyphony: the case of Ave miles celestis curie. Early Music. ISSN 0306-1078

Colton, Lisa (2017) Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins. In: Oxford Handbook on Music and Medievalism. Oxford University Press, Oxford. (In Press)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: Text, Music, and Gender in the Office of Saint Ursula. In: International Congress on Medieval Studies, 8-11 May 2008, Western Michigan University, Kalamazoo MI. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: The cult of the Eleven Thousand Virgins in medieval York. In: PMMS Conference 2008: Ave/Eva: Text, Music and Gender in the Middle Ages, 26 April 2008, University of Bristol. (Submitted)

Colton, Lisa (2006) Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96. Early Music, 34 (4). pp. 675-677. ISSN 03061078

Colton, Lisa (2016) Review of Laura Seddon, British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century. Gender and History, 28 (1). pp. 237-238. ISSN 0953-5233

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Colton, Lisa (2018) Song in space and space in song: physical and conceptual boundaries in English devotional music, 1250–1500. In: Devotional Interaction in Medieval England and its Afterlives. Brill, Leiden, Netherlands, pp. 208-238. ISBN 9789004365834

Colton, Lisa (2016) “Sowndys and melodiis”: Perceptions of Sound and Music in Late Medieval England. In: Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, Abingdon, UK, pp. 19-30. ISBN 9781409444398

Colton, Lisa (2014) Sumer is icumen in. Grove Music Online. Oxford Music Online..

Colton, Lisa (2010) A Unique Source of English Tablature from Seventeeth-Century Huddersfield. Music and Letters, 91 (1). pp. 39-50. ISSN 0027-4224

Colton, Lisa (2014) Who's calling? Telephone songs, female vocal empowerment and signfication. In: Lady Gaga and Popular Music: Peforming Gender, Fashion, and Culture. Routledge Studies in Popular Music . Routledge, New York, pp. 67-81. ISBN 9780415824521

Colton, Lisa (2007) The York Masses A Performing Edition. [Composition]

Colton, Lisa (2005) The age of innocence: chastity and the chanson de nonne in the Montpellier Codex. In: Medieval and Renaissance Music Conference, 13-16 July 2005, Centre d’Études Supérieures de la Renaissance, University of Tours, France. (Submitted)

Colton, Lisa (2005) The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005),  60/$110. Early Music, 33 (4). pp. 707-708. ISSN 03061078

Colton, Lisa and Cook, James (2017) Editorial : Facing the Music of Medieval England. Early Music. ISSN 0306-1078

Colton, Lisa and Iddon, Martin (2010) Introduction: Recycling and Innovation in Contemporary Music. Contemporary Music Review, 29 (3). pp. 229-230. ISSN 0749-4467

Colton, Lisa and Shephard, Tim (2016) Makers, Owners and Users of Music Sources Before 1600: Sources of Identity. Epitome musicale . Brepols, Leuven, Belgium. ISBN 9782503567785

Connor-Slater, Poppy (2015) Another Land. Masters thesis, University of Huddersfield.

Conti-Ramsden, Gina, Crutchley, Alison and Botting, Nicola (1997) The Extent to Which Psychometric Tests Differentiate Subgroups of Children With SLI. Journal of Speech, Language, and Hearing Research, 40 (4). pp. 765-777. ISSN 1092-4388

Cook, Alexandra (2015) Human Tissue: An Exploration into How the Gothic and the Vampire Figure Can Be Used for Coping Mechanisms for Trauma. Masters thesis, University of Huddersfield.

Cook, Andrew J. (2020) Britain’s Other D-Day: The Politics of Decimalisation. Doctoral thesis, University of Huddersfield.

Cooper, Martin (2015) Brazil: Modernity and Mobility. Mobility in History, 6. pp. 97-104. ISSN 978-1-78238-814-2

Cooper, Martin (2011) Brazilian Railway Culture. Cambridge Scholars Publishing, Newcastle Upon Tyne. ISBN 978-1-4438-3191-8

Cooper, Martin (2002) Museum review: Brazilian railway heritage in search of an audience. The Journal of Transport History, 23 (2). pp. 184-187. ISSN 0022-5266

Cooper, Martin (2009) Railway Museums in Brazil: State Politics and the Rise of the Volunteer Museum. Journal of the International Association of Transport and Communications Museums, 28 (1). pp. 51-56. ISSN 9783936240245

Cooper, Martin (2011) Re-presenting the railways of São Paulo state, Brazil, through media texts 1865-2003. TsT Revista (21). pp. 172-194. ISSN 1578-5777

Cooper, Martin (2011) The railway in Brazilian fiction: Negotiating modernity, 1888-1980. The Journal of Transport History, 32 (1). pp. 66-82. ISSN 0022-5266

Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504

Coote, Lesley and Thornton, Tim (2001) Merlin, Erceldoune, Nixon : a tradition of popular political prophecy. In: New Medieval Literatures. Oxford University Press, Oxford, pp. 117-137. ISBN 0-19-818738-6

Coote, Lesley and Thornton, Tim (2000) Richard, Son of Richard: Richard III and Political Prophecy. Historical Research, 73 (182). pp. 321-330. ISSN 09503471

Corcoran, Rosemary (2020) Wise Woman/Mad Woman. Masters thesis, University of Huddersfield.

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

Courtier, Benjamin (2017) Analysing the Masculinity of the Knights of the Military Orders: Warrior Monks or Pious Knights? The Developing Identity of the Military Orders. Masters thesis, University of Huddersfield.

Cowgill, Rachel (2012) 'Attitudes with a Shawl': Femininity, Performance, and Spectatorship at the Italian Opera in early nineteenth-century London. In: The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York, pp. 217-251. ISBN 9780195365870

Cowgill, Rachel (2009) Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Novello; Peploe, Mrs. In: Oxford Composer Companions: Haydn. Oxford University Press, Oxford, UK. ISBN 9780199554522

Cowgill, Rachel (2004) Billington, Elizabeth; Stephens, Catherine. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford, UK. ISBN 9780198614111

Cowgill, Rachel (2001) Braham, John; Catalani, Angelica; Corri family; Crouch, Anna Maria; Harrison family; Kelly, Michael; Linley family; Mara, Gertrud Elisabeth; Mozart, Wolfgang Amadeus; Ries, Ferdinand; Singing. In: An Oxford Companion to the Romantic Age: British Culture 1776-1832. Oxford University Press, Oxford, UK. ISBN 9780199245437

Cowgill, Rachel (1999) Burney, Charles; Opera, English. In: The Reader's Guide to Music: History, Theory, Criticism. Fitzroy Dearborn/Routledge, Chicago, USA. ISBN 9781579581435

Cowgill, Rachel (2002) The Business of Music in Late Georgian and Victorian Halifax. Transactions of the Halifax Antiquarian Society, 10. pp. 77-95. ISSN 1351-5705

Cowgill, Rachel (2006) Callas, Maria; Female cross-dressing; Lang, k.d.; Opera; Opera queens; Sutherland, Joan. In: The Routledge International Encyclopaedia of Queer Culture. Routledge, London. ISBN 9780415306515

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Cowgill, Rachel (2005) The Cradle of Music in Ireland, review of Barra Boydell, A History of Music at Christ Church Cathedral, Dublin. Early Music, 33 (3). pp. 514-515. ISSN 03061078

Cowgill, Rachel (2007) Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club. In: Music in the British Provinces, 1690-1914. Ashgate, Aldershot, pp. 87-113. ISBN 9780754631606

Cowgill, Rachel (2007) Elgar's War Requiem. In: Elgar and His World. The Bard Music Festival . Princeton University Press, Princeton, NJ, pp. 317-362. ISBN 9781400832101

Cowgill, Rachel (2009) Germondo and Vittorino: Genre and Politics in the London Reception of Goldoni's Libretti in the 1770s. Problemi di Critica Goldoniana, 14. pp. 231-265. ISSN 1127-2570

Cowgill, Rachel (2006) 'Hence, base intruder, hence': Rejection and Assimilation in the Early English Reception of Mozart's Requiem. In: Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain . Ashgate, Aldershot, pp. 9-30. ISBN 9780754652083

Cowgill, Rachel (1992) Le nozzi di Figaro voor het voetlicht te London, 1786-1813. Musica Antiqua. pp. 168-177.

Cowgill, Rachel (1998) The London Apollonicon Recitals, 1817-32: A Case Study in Bach, Mozart, and Haydn Reception. Journal of the Royal Musical Association, 123 (2). pp. 190-228. ISSN 0269-0403

Cowgill, Rachel (2006) Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830. In: Operatic Migrations: Transforming Works and Crossing Boundaries. Ashgate, Aldershot, pp. 145-186. ISBN 9780754650980

Cowgill, Rachel (2010) New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflöte. In: Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Boydell & Brewer, Woodbridge, pp. 194-221. ISBN 9781843835677

Cowgill, Rachel (2010) Of Science and Nature: Mozart versus the Modern Bel Canto in early nineteenth-century London. In: Mozart, Marcos Portugal e o seu tempo [Mozart, Marcos Portugal and their Times]. Edições Colibri/Centro de Estudos da Sociologia e Estética Musica, Universidade Nova de Lisboa, Lisbon, pp. 35-51. ISBN 9789727729593

Cowgill, Rachel (2012) On the Beat: The Victorian Policeman as Musician. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, pp. 221-246. ISBN 9781409405832

Cowgill, Rachel (2000) The Papers of C.I. Latrobe: New Light on Musicians, Music, and the Christian Family in Late Eighteenth-Century England. In: Music in Eighteenth-Century Britain. Ashgate, Aldershot, pp. 234-258. ISBN 9781840146882

Cowgill, Rachel (2012) Performance Alfresco: Music-Making in English Pleasure Gardens. In: The Pleasure Garden: From Vauxhall to Coney Island. Penn Studies in Landscape Architecture . University of Pennsylvania Press, Philadelphia, pp. 100-126. ISBN 9780812244380

Cowgill, Rachel (2016) ‘Proofs of Genius’: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London. In: Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. Oxford University Press, New York, pp. 511-549. ISBN 9780199685851

Cowgill, Rachel (1998) Re-Gendering the Libertine; or, The Taming of the Rake: Lucy Vestris as Don Giovanni on the Early Nineteenth-Century London Stage. Cambridge Opera Journal, 10 (1). pp. 45-66. ISSN 0954-5867

Cowgill, Rachel (2002) Review of Brian Robins, The John Marsh Journals: The Life and Times of a Gentleman Composer (1752-1828). Early Music, 30 (3). pp. 470-471. ISSN 0306-1078

Cowgill, Rachel (2001) Savage, Jane; Weichsel, Charles. In: New Grove Dictionary of Music & Musicians. Macmillan, London, UK. ISBN 9780333608005

Cowgill, Rachel (2008) 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London. In: The Opera Orchestra in 18th-and 19th-Century Europe: Vol. II The Orchestra in the Theatre - Composers, Works, and Performance. Musical Life in Europe, 1600-1900: Circulation, Institutions and Representation, 1/2 . Berliner Wissenschafts-Verlag, Berlin, pp. 1-20. ISBN 9783830514886

Cowgill, Rachel (2002) An Unknown Handel Arrangement by Mozart?: The Halifax Judas. Musical Times, 143. pp. 19-36. ISSN 0027-4666

Cowgill, Rachel (2000) 'Wise Men from the East': Mozart's Operas and their Advocates in Early Nineteenth-Century London. In: Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford University Press, Oxford, pp. 39-64. ISBN 9780198167303

Cowgill, Rachel (2000) 'The most musical spot for its size in the kingdom': Music in Georgian Halifax. Early Music, 28 (4). pp. 557-575. ISSN 0306-1078

Cowgill, Rachel, Biddle, Ian, Colton, Lisa, Holliday, Ruth and Attinello, Paul (2006) Roundtable: ‘Music and Queer Theory’. In: RMA Research Students' Conference 2006, 4-7 January 2006, School of Music, University of Leeds. (Unpublished)

Cowgill, Rachel, Cooper, David and Brown, Clive (2010) Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Boydell & Brewer, Woodbridge. ISBN 9781843835677

Cowgill, Rachel and Dideriksen, Gabriella (2008) Opera Orchestras in Georgian and Early Victorian London. In: The Opera Orchestra in 18th-and 19th-Century Europe: Vol. I The Orchestra in Society. Berliner Wissenschafts-Verlag, Berlin, pp. 259-321. ISBN 9783830514879

Cowgill, Rachel and Holman, Peter (2007) Music in the British Provinces, 1690-1914. Ashgate, Aldershot. ISBN 9780754631606

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Cowgill, Rachel and Rushton, Julian (2006) Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in 19th-Century Britain . Ashgate, Aldershot. ISBN 9780754652083

Cox, Geoffrey (2013) Listen to Nice. The New Soundtrack, 3 (2). pp. 89-105. ISSN 2042-8855

Cox, Geoffrey (2014) ‘Sounding and Resounding’. Planting sounds: poetry, feeling, place in Tree People, the story of the Colne Valley Tree Society. In: Music for Audio-Visual Media Conference 2014, 4-6 Sep 2014, University of Leeds. (Unpublished)

Cox, Geoffrey (2015) ‘Sounding and Resounding’. Planting sounds: poetry, feeling, place in Tree People, the story of the Colne Valley Tree Society. In: Sound and the Screen Symposium, 20 Nov 2015, University of West London. (Unpublished)

Cox, Geoffrey (2017) ‘There must be a poetry of sound that none of us knows…’: Early British documentary film and the prefiguring of musique concrète. Organised Sound, 22 (2). pp. 172-186. ISSN 1355-7718

Cox, Geoffrey (2016) ‘There must be a poetry of sound that none of us knows…’ Early British documentary film and the prefiguring of musique concrète. In: Alternative Histories of Electronic Music Conference, 14-16 Apr 2016, The Science Museum Research Centre, Queen’s Gate, London. (Unpublished)

Cox, Geoffrey (2011) Connecting hearing to viewing and knowing to feeling: Sound as evocation in non-fiction film with particular reference to No Escape. The Soundtrack, 4 (1). pp. 43-62. ISSN 1751-4193

Cox, Geoffrey (2011) Listen to Nice. In: Politics, Poetics and Practice, New paradigms for theory-practice interchange in creative media production, Department of Media, Canterbury Christ Church University. (Unpublished)

Cox, Geoffrey (2010) Live performance in my film, No Escape. In: Cinesonika: Celebrating the Soundtrack, 12-14th November 2010, Simon Frazer University, Surrey Campus, Vancouver, Canada.. (Unpublished)

Cox, Geoffrey (2009) No Escape. [Composition] (Unpublished)

Cox, Geoffrey (2011) No Escape. In: Leeds Film Music Conference, 6-8 September 2011, University of Leeds, Clothworkers Concert Hall.

Cox, Geoffrey (2010) No Escape. In: GEM Days, 27 January 2010, Phipps Hall, University of Huddersfield.

Cox, Geoffrey (2010) A Return to the Future or Forward to the Past? Contemporary Music Review, 29 (3). pp. 251-264. ISSN 0749-4467

Cox, Geoffrey (2014) Tree People. [Video]

Cox, Geoffrey (2015) Tree People: the story of the Colne Valley Tree Society. [Video]

Cox, Geoffrey and Corner, John (2018) Soundings: documentary film and the listening experience. University of Huddersfield Press, University of Huddersfield. ISBN 978-1-86218-154-0

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Sound, Music and the Moving Image, 10-12 September 2007, Institute of Musical Research, Senate House. (Submitted)

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Interdisciplinary Music Research Conference, 13 October 2007, Roehampton University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Negotiating the Mediascape: Theory and Practice Interchange in Contemporary Media, 2 May 2008, Canterbury Christ Church University. (Submitted)

Cox, Geoffrey and Marley, Keith (2011) Deconstructing Voices. [Show/Exhibition]

Cox, Geoffrey and Marley, Keith (2012) Deconstructing voices at NAWE. In: NAWE Conference, 9th - 11th November 2012, York, UK. (Unpublished)

Cox, Geoffrey and Marley, Keith (2010) A Film About Nice. [Video]

Cox, Geoffrey and Marley, Keith (2011) From Nice to Toxteth. In: i-Docs: an international symposium on interactive documentary, 25th March 2011, The Watershed, University of the West of England, Bristol. (Unpublished)

Cox, Geoffrey and Marley, Keith (2010) Liveness and Documentary Performance. In: Documentary Now!, 15-16th January 2010, Burbeck College, London. (Unpublished)

Cox, Geoffrey and Marley, Keith (2008) Looking and listening. In: CineMusic? Constructing the Film Score. Cambridge Scholars Publishing, Newcastle, pp. 51-68. ISBN 9781847185938

Cox, Geoffrey and Marley, Keith (2011) Nothing but the hours. [Video]

Cox, Geoffrey and Marley, Keith (2009) Performing Documentary. In: MeCCSA Conference, 14th - 16th January 2009, National Media Museum, University of Bradford. (Unpublished)

Cox, Geoffrey and Marley, Keith (2011) Reduced Viewing, Enhanced Listening. In: ¡Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30th January 2011, University of Westminster, 309 Regent Street, London. (Unpublished)

Coxall, Katie- Louise (2018) Eliciting Phonetic Data and Metadata during Linguistic Field Research. Masters thesis, University of Huddersfield.

Crackle, James (2019) Composing the Coda: An Empirical Study Identifying Prototypical Symphonic Sonata-Form Codas in the Works of Haydn, Mozart and Beethoven. Doctoral thesis, University of Huddersfield.

Crichton, Colin (2013) Composing for Instruments and Electronics; a commentary on my recent music. Masters thesis, University of Huddersfield.

Crick, Martin John (1988) To make twelve o'clock at eleven. The history of the social-democratic federation. Doctoral thesis, University of Huddersfield.

Crines, Andrew (2012) Book review: Political Writing: A Guide to the Essentials. Adam Garfinkle. M.E. Sharpe. May 2012. [Web page]

Crines, Andrew (2013) Book review: Whatever Happened To Tory Scotland? David Torrance, Edinburgh University Press, 2012. [Web page]

Crines, Andrew (2012) The Conservatives in Coalition: “How the Tories are opposing Miliband’s Labour Party”. [Web page]

Crines, Andrew (2012) The London Mayoral election will be won by the most effective orator – and this currently favours Boris Johnson. [Web page]

Crines, Andrew (2011) Michael Foot and the Labour Leadership. Cambridge Scholars Publishing. ISBN 9781443831598

Crines, Andrew (2012) Rhetoric and the Advancement of Progressive Neoliberalism. In: 62nd Political Studies Association Annual Conference, 3rd - 5th April 2012, Belfast. (Unpublished)

Crines, Andrew (2013) The Rhetoric of the Coalition: Governing in the National Interest? Representation, 49 (2). pp. 207-218. ISSN 0034-4893

Crines, Andrew (2012) The rhetorical shift in Labour ideology could denote a return of socialist values to British politics. [Web page]

Crines, Andrew and Hayton, Richard (2012) ‘Emotional, logical... credible?’ The Art of Labour Oratory. In: 62nd Political Studies Association Annual Conference, 3rd - 5th April 2012, Belfast. (Unpublished)

Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Crines, Andrew and Laybourn, Keith (2015) The oratory of Aneurin Bevan. In: Labour orators from Bevan to Miliband. Manchester University Press, pp. 14-30. ISBN 9780719089800

Croft, Quinn (2020) Phantasms of the Modern Age: Rewriting the ghost story for the 21st century. Masters thesis, University of Huddersfield.

Cronin, Reece (2018) The Making of a Modern Fingerstyle Album: Exploring Relevant Techniques and Fingerstyle History. Masters thesis, University of Huddersfield.

Crooke, Tom, Gill, Rebecca and Taithe, Bertrand (2010) Evil, Barbarism and Empire: Britain and Abroad, c1830-2000. Palgrave Macmillan, Basingstoke, UK. ISBN 0230241271

Crump, Simon (2002) Monkey's Birthday. Bloomsbury. ISBN 9780747557692

Crump, Simon (2001) My Elvis Blackout. Bloomsbury. ISBN 9780747553762

Crump, Simon (2010) Neverland. Old Street Publishing. ISBN 978-1905847372

Crump, Simon (2006) Twilight Time. Bloomsbury. ISBN 9780747581819

Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7

Crutchley, Alison (2000) Bilingual children in language units: does having 'well-informed' parents make a difference? International Journal of Language & Communication Disorders, 35 (1). pp. 65-81. ISSN 13682822

Crutchley, Alison (1999) Bilingual children with SLI attending language units: getting the bigger picture. Child Language Teaching and Therapy, 15 (3). pp. 201-217. ISSN 0265-6590

Crutchley, Alison (2015) Bilingual compound verbs in children’s Panjabi-English codeswitched narratives. Linguistic Approaches to Bilingualism, 5 (1). pp. 2-29. ISSN 1879-9264

Crutchley, Alison (2007) Comprehension of idiomatic verb + particle constructions in 6- to 11-year-old children. First Language, 27 (3). pp. 203-226. ISSN 0142-7237

Crutchley, Alison (2004) 'If She Had of Shutted the Cage, the Rabbit Wouldn't Escape': Past Counterfactuals Elicited from 6-to 11-Year-Old Children. First Language, 24 (2). pp. 209-240. ISSN 0142-7237

Crutchley, Alison (1999) Professional Attitudes and Experience in Relation to Bilingual Children Attending Language Units. British Educational Research Journal, 25 (3). pp. 371-387. ISSN 01411926

Crutchley, Alison (2013) Structure of child and adult past counterfactuals, and implications for acquisition of the construction. Journal of Child Language, 40 (2). pp. 438-468. ISSN 0305-0009

Crutchley, Alison, Botting, Nicola and Conti-Ramsden, Gina (1997) Bilingualism and specific language impairment in children attending language units. International Journal of Language & Communication Disorders, 32 (2). pp. 267-276. ISSN 13682822

Crutchley, Alison, Conti-Ramsden, Gina and Botting, Nicola (1997) Bilingual Children with Specific Language Impairment and Standardized Assessments: Preliminary Findings from a Study of Children in Language Units. International Journal of Bilingualism, 1 (2). pp. 117-134. ISSN 1367-0069

Csengei, Ildiko (2018) Book Review: NEIL RAMSEY, The Military Memoir and Romantic Literary Culture, 1780-1835 (Farnham: Ashgate, 2011). Romanticism, 23 (1). pp. 110-112. ISSN 1354-991X

Csengei, Ildiko (2017) Book review : Matthew Green, Aftershock: The Untold Story of Surviving Peace. Portobello Books, 2015. British Journal for Military History, 3 (3). pp. 153-154. ISSN 2057-0422

Csengei, Ildiko (2017) “The Fever of Vain Longing:” Emotions of War in Byron’s Childe Harold’s Pilgrimage, Canto III. Romanticism. ISSN 1354-991X (Submitted)

Csengei, Ildiko (2009) Godwin’s Case: Melancholy Mourning in the Empire of Feeling. Studies in Romanticism, 48 (3). pp. 491-519. ISSN 0039-3762

Csengei, Ildiko (2008) ‘I Will Not Weep’: Reading through the Tears of Henry Mackenzie’s Man of Feeling’. Modern Language Review, 103 (4). pp. 952-968. ISSN 0026-7937

Csengei, Ildiko (2008) 'She Fell Senseless on His Corpse': The Woman of Feeling and the Sentimental Swoon in Eighteenth-Century Fiction. Romantic Circles Praxis Series. ISSN 1528-8129

Csengei, Ildiko (2011) Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print . Palgrave Macmillan, Hampshire, UK. ISBN 9780230308442

Csengei, Ildiko (2015) The emotions of war in Romantic Poetry. [Audio]

Cullum, Pat (1992) 'And hir name was Charite': charitable giving by and for women in late Medieval Yorkshire. In: Woman is a worthy wight: women in English society c. 1200-1500. Alan Sutton, Stroud, pp. 182-211. ISBN 9780862998646

Cullum, Pat (2004) Boy/man into clerk/priest: the making of the late medieval clergy. In: Rites of Passage: Cultures of Transition in the Fourteenth Century. Boydell & Brewer, New York, USA, pp. 51-65. ISBN 9781903153154

Cullum, Pat (1999) Clergy, masculinity and trangression in late Medieval England. In: Masculinity in Medieval Europe. Women and men in history . Pearson, Harlow. ISBN 9780582316454

Cullum, Pat (2002) Gendering Charity in late Medieval Hagiography. In: Gender and holiness : men, women and saints in late medieval Eu. Routledge, London, pp. 135-151. ISBN 0415258219

Cullum, Pat (2004) Introduction: holiness and masculinity in Medieval Europe. In: Holiness and Masculinity in the Middle Ages. University of Wales Press, Cardiff, UK, pp. 1-7. ISBN 0-7083-1894-0

Cullum, Pat (2003) Learning to be a Man, Learning to be a Priest, in late Medieval England. In: Learning and literacy in medieval England and abroad. Brepols, Turnhout, Belgium, pp. 135-153. ISBN 2503510760

Cullum, Pat (2003) Life-Cycle and Life-Course in a Clerical and Celibate Milieu: Northern England in the Later Middle Ages. In: Time and Eternity: The Medieval Discourse, International Medieval Research. Brepols, Turnhout, Belgium, pp. 271-282.

Cullum, Pat (2008) Medieval colleges and charity. In: The Late Medieval English College and its context. Boydell & Brewer, Woodbridge, pp. 140-153. ISBN 9781903153222

Cullum, Pat (2007) 'Virginitas' and 'virilitas' in the life and cult of Richard Scrope. In: Richard Scrope: archbishop, rebel, martyr. Shaun Tyas Publishing, Donington, pp. 86-99. ISBN 9781900289849

Cullum, Pat (1996) Vowesses and veiled widows: Medieval female piety in the province of York. Northern history: a review of the history of the North of England., 32. pp. 21-41. ISSN 0078-172X

Cullum, Pat (2004) `Yf lak of charyte be not ower hynderawnce': Margery Kempe, Lynn, and the practice of the spiritual and bodily works of mercy. In: A Companion to the Book of Margery Kempe. Boydell & Brewer, New York, USA, pp. 177-193. ISBN 9781843840305

Cullum, Pat and Goldberg, P.J.P. (1993) Charitable provision in late Medieval York: 'To the Praise of God and the use of the Poor'. Northern history: a review of the history of the North of England., 29. pp. 24-39. ISSN 0078-172X

Cullum, Pat and Lewis, Katherine J. (2004) Holiness and masculinity in the middle ages. University of Wales Press, Wales, UK. ISBN 0-7083-1894-0

Cullum, Pat and Lewis, Katherine J. (2013) Religious Men and Masculine Identity in the Middle Ages. Gender in the Middle Ages, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843838630

Cullum, Patricia (2013) ‘Feasting not fasting: men’s devotion to the Eucharist in the Middle Ages. In: Religious Men and Masculine Identities in the Middle Ages. Gender in the Middle Ages . Boydell and Brewer, Woodbridge. ISBN 9781843838630

Cullum, Patricia (2013) ‘Give me chastity’: Masculinity and attitudes to chastity and celibacy in the Middle Ages. Gender and History, 25 (3). pp. 621-636. ISSN 0953-5233

Cullum, Patricia (2013) My Lord Bishop: Chronicles and the Construction of Episcopal Identity in late medieval England. International journal of regional and local History, 8 (1). pp. 40-53. ISSN 2051-4530

Cully, Eleanor (2016) Composing the Surface. Masters thesis, University of Huddersfield.

Culpeper, Jonathan, Bousfield, Derek and Wichmann, Anne (2003) Impoliteness revisited: with special reference to dynamic and prosodic aspects. Journal of Pragmatics, 35 (10-11). pp. 1545-1579. ISSN 03782166

Culpeper, Jonathan and Demmen, Jane (2011) Nineteenth-century English politeness: Negative politeness, conventional indirect requests and the rise of the individual self. Journal of Historical Pragmatics, 12 (1/2). pp. 49-81. ISSN 1566-5852

Culpeper, Jonathan and Demmen, Jane (2011) The development of play-texts: From manuscript to print. In: Communicating Early English Manuscripts. Studies in English Language . Cambridge University Press, Cambridge, UK, pp. 162-177. ISBN 978-0-521-19329-0

Culpeper, Jonathan, Haugh, Michael and Kádár, Daniel Z. (2017) Introduction. In: The Palgrave Handbook of Linguistic (Im)Politeness. Palgrave Macmillan, pp. 1-8. ISBN 9781137375070

Culpeper, Jonathan, Haugh, Michael and Kádár, Daniel Z. (2017) The Palgrave Handbook of Linguistic (Im) Politeness. Palgrave Macmillan, London, UK. ISBN 9781137375070

Culpeper, Jonathan and Kádár, Daniel Z. (2010) Historical (Im)politeness. :Linguistic Insights, 65 . Peter Lang, Oxford, UK. ISBN 9783039114962

Culpeper, Jonathan and McIntyre, Dan (2010) Activity types and characterisation in dramatic discourse. In: Characters in Fictional Worlds. Revisionen / Grundbegriffe der Literaturtheorie, 3 . De Gruyter. ISBN 9783110232417

Culpeper, Jonathan and McIntyre, Dan (2015) Historical linguistics. In: Exploring Language and Linguistics. Cambridge University Press, Cambridge, pp. 245-273. ISBN 978-1107662506

Cummings, Graham (2009) Admeto and the rival Queens (featured opera Admeto). In: Göttingen International Handel Festival, 29th May 2009, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Belshazzar, a most operatic oratorio. In: Göttingen International Handel Festival, May 2007, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2014) G.F.Handel : Italian Opera : Poro Re dell' Indie. In: The Halle Handel Edition (HHA). Bärenreiter Verlag.

Cummings, Graham (2013) Handel and operatic rivalry in the London season 1733-34. In: Department of Music research seminar, 13th March 2013, University of York. (Unpublished)

Cummings, Graham (2012) Handel and operatic rivalry in the London season 1733-34. In: The Handel Institute Conference : Handel at Court, 24-25th November 2012, The Foundling Museum, London. (Unpublished)

Cummings, Graham (1999) Handel and the Confus'd Shepherdess: a case study of stylistic eclecticism. In: The Handel Institute Conference 1999: Great among the Nations: Handel and National Musical Styles, 20th - 21st November 1999, Kings College, London, UK. (Unpublished)

Cummings, Graham (2011) Handel and the confus'd shepherdess : a case study of stylistic eclecticism. In: Handel. The Baroque Composers . Ashgate, pp. 575-589. ISBN 9780754628859

Cummings, Graham (2005) Handel and the confus'd shepherdess: a case study of stylistic eclecticism. Early Music, 33 (4). pp. 575-590. ISSN 0306-1078

Cummings, Graham (2013) Handel under attack by the opera of the nobility. In: Music Research Forum, 26th November 2013, University of Huddersfield. (Unpublished)

Cummings, Graham (2008) Handel's Concerto Organ in 1735-36. In: British Institute of Organ Studies Conference 2008: The Organ in Stuart and Georgian England: Its Role through change to the Handel Commemoration, 10th - 13th April 2008, Merton College, Oxford, UK. (Unpublished)

Cummings, Graham (1993) Handel's compositional methods in Poro, Rè dell' Indie (1731). In: The Handel Institute Conference 1993: Handel in the 1730s, November 1993, Kings College, London, UK. (Unpublished)

Cummings, Graham (2010) Handel's compositional methods in his London operas of the 1730s and the unusual case of Poro, Re dell' Indie (1731). In: Opera Remade, 1700-1750. Ashgate Library of Essays in Opera Studies . Ashgate, pp. 469-490. ISBN 9780754629009

Cummings, Graham (1998) Handel's compositional methods in the London operas of the 1730s, and the unusual case of 'Poro, Re Dell'Indie' (1731). Music and Letters, 79 (3). pp. 346-367. ISSN 0027-4224

Cummings, Graham (2003) Handel's messiah : the most finished piece of musick. In: Huddersfield Organists Association Event, 25th March 2003, Recital hall, University of Huddersfield. (Unpublished)

Cummings, Graham (2007) Handel's rulers and heroes. In: Göttingen International Handel Festival, May 2007, Rathaus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2010) Handel, Hanover and George I. In: Göttingen International Handel Festival, 23rd May 2010, Holbornsches Haus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2009) Handel, Metastasio and Poro Re dell Indie. [Audio] (Unpublished)

Cummings, Graham (2000) Handel, Telemann and Metastasio, and the Hamburg Cleofida. In: Händel-Jahrbuch. Baerenreiter Verlag, pp. 335-73. ISBN 978-3-7618-1441-3

Cummings, Graham (2013) Handel, the Orient and his opera Siroe, Re di Persia. In: Göttingen International Handel Festival, 10-12th May 2013, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Handel’s Organ Concertos (HWV 290 – 93) and Operatic Rivalry. GFH Journal, 1. pp. 1-29.

Cummings, Graham (2007) Hasse's Neopolitan Cleopatra. In: York Early Music Festival, July 2007, York. (Unpublished)

Cummings, Graham (2010) Johann Hiller and Handel's Messiah. In: Göttingen International Handel Festival, 22nd - 23rd May 2010, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2012) L'Olimpiade : Metastasio and the Olympic Games. In: York early Music Festival, 6-14th July 2012, Mansion House, York. (Unpublished)

Cummings, Graham (1982) The London Performances of Handel's Opera Poro. In: Problems of Händelschen opera (especially the example of Poro) ̈. Convention and meeting reports of the Martin-Luther-University Halle-Wittenberg . Halle (Saale), pp. 62-81.

Cummings, Graham (2007) Lübeck to London: a much travelled fugue subject. In: Händel-Jahrbuch. Bärenreiter, Kassel, pp. 331-345. ISBN 978-3-7618-1447-5

Cummings, Graham (2009) Metastasio transformed in Handel's Poro. In: Purcell, Handel & Literature, 19-21st November 2009, Senate House, University of London. (Unpublished)

Cummings, Graham (2007) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: London Handel Festival, 20th March - 26th April 2007, Royal College of Music, London. (Unpublished)

Cummings, Graham (2006) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: Göttingen International Handel Festival, June 2006, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2006) Metastasio, Handel und Poro, Re dell' Indie. In: Internationale Handel Festspiele Göttingen 2006 : Programme Texte Werkeinführungen. Internationale Händel-Festspiele Göttingen, pp. 78-81.

Cummings, Graham (2008) Operatic rivalry and Handel's organ concertos in the 1734-35 season. In: Music Research Forum, January 2008, University of Huddersfield. (Unpublished)

Cummings, Graham (2008) Orlando or the jealous madness. In: Göttingen International Handel Festival, May 2008, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2009) Pietro Metastasio. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (2006) Poro CD recording: co-production of Göttinger Händel-Gesellschaft and Norddeutscher Rundfunk, made using Dr Cummings’ new score. [Composition] (Submitted)

Cummings, Graham (2009) 'Poro, Rè dell' Indie'. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (1982) Reminiscence and Recall in Three Early Settings of Metastasio's Alessandro nell' Indie. Proceedings of the Royal Musical Association, 109 (1). pp. 80-104. ISSN 0269-0403

Cummings, Graham (1982) Reminiscence and recall in three early settings of Metastasio's Alessandro nell' Indie. In: The Royal Musical Association Conference, November 1982, Kings College, University of London. (Unpublished)

Cummings, Graham (2011) Teseo : Handel's 'Maverick' opera. In: Göttingen International Handel Festival, 12-13th June 2011, Deutsches Theater, Göttingen. (Unpublished)

Cunningham, Penelope (2012) Digital Theatre: Considerations and an Analysis of Live Performance Practice in Second Life. Masters thesis, University of Huddersfield.

Daber, Jodie (2009) Trojan Hogs. Masters thesis, University of Huddersfield.

Dahm, Robert (2012) Framing Intention: Perceptual Agency in the Compositional Process of Recent Pieces. Masters thesis, University of Huddersfield.

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Daley-Yates, Sue (2009) An investigation into the efficacy of SmartStart: exploring the impact of pre-sessional support on achievement and retention. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Dalton, Adam (2018) The sub-genres of fantasy literature: Where does ‘metaphysical fantasy’, as exemplified by A J Dalton's novel Empire of the Saviours, sit in relation to traditional ‘high fantasy’ and other second-world sub-genres of fantasy literature? Doctoral thesis, University of Huddersfield.

Dalton, Raymond David (2000) Labour and the municipality : Labour politics in Leeds 1900-1914. Doctoral thesis, University of Huddersfield.

Daly, Andrew (2017) A Compositional Investigation into Style and Genre Fusion Utilising Popular Electronic and Alternative Rock Music. Masters thesis, University of Huddersfield.

Dashwood, Richard (2011) Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. Masters thesis, University of Huddersfield.

Dashwood, Sarah (2020) Gender, Sex, and Execution: The Analysis of Elizabeth Barton (1506-1534) and Anne Askew (1521-1546) Prior to their Executions for Treason. Masters thesis, University of Huddersfield.

Davies, Matt (2008) Oppositions in News Discourse: the ideological construction of us and them in the British press. Doctoral thesis, University of Huddersfield.

Davies, Natalie (2011) Composing with graphic scores and the influence they can have on music, education and the deaf community. Masters thesis, University of Huddersfield.

Davies, Peter J. (1999) 70 activities for tutor groups. Gower, Aldershot. ISBN 978-0-566-08000-5

Davies, Peter J. (2001) Active learning in seminars: humanities. [Teaching Resource]

Davies, Peter J. (2008) Bowling maidens over: 1931 and the beginnings of women's cricket in a Yorkshire town. Sport in History, Volume (Issue). 280 -298. ISSN 1746-0263

Davies, Peter J. (2004) Dangerous Liaisons: Collaboration and World War Two. Longman. ISBN 978-0582772274

Davies, Peter J. (2004) Dangerous liaisons. Pearson Longman, London, pp. 9-29. ISBN 978-0582772274

Davies, Peter J. (2000) France and the Second World War. Introductions to History . Routledge, London. ISBN 0-415-23897-8

Davies, Peter J. (2000) France and the Second World War : occupation, collaboration and resistance. Routledge, London. ISBN 978-0-415-23896-0

Davies, Peter J. (2004) From Magdalen to Merger: a short history of Oxford University Cricket Club. Church in the Market Place Publications, Buxton. ISBN 1899147403

Davies, Peter J. (2004) From Queen’s to Kings: the extraordinary story of an asian cricket club from Halifax. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2003) Home soil: exploring and celebrating the cricket grounds of Halifax and Calderdale. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2005) Jean-Marie Le Pen and anti-semitism. Encyclopedia of Anti-Semitism. ISSN 978-1-85109-439-4

Davies, Peter J. (1993) Napoleon III: progressive or reactionary? Huddersfield Pamphlets in History and Politics. ISSN 0905434404

Davies, Peter J. (1999) The National Front in France. Routledge, London. ISBN 0-415-15866-4

Davies, Peter J. (1996) 'On a gagne!': Jean-Marie Le Pen and the 1995 presidential elections. Contemporary Politics, 2 (2). pp. 43-57. ISSN 1356-9775

Davies, Peter J. (2004) Pennine pitch: a cricketing journey through Huddersfield and South Kirklees. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. (2003) Practical ideas for enhancing lectures. [Teaching Resource]

Davies, Peter J. (1997) Providence, saviour figures and would-be gods: Prophecy and the French extreme right. In: Prophecy: the power of inspired language in history, 1300 - 2000. Themes in History . Sutton Publishing, Stroud, pp. 181-201. ISBN 0750913320

Davies, Peter J. (2009) Pubs, police stations and post offices: bowling a local community over with a cricket heritage project. Social History in Museums.

Davies, Peter J. (2008) Pubs, police stations and post offices: bowling a local community over with a cricket heritage project. In: Social History Curators Conference, July 2008. (Unpublished)

Davies, Peter J. (2006) Resistance and Secret Operations Executive. In: The International Encyclopedia of Military History. Routledge. ISBN 0415936616

Davies, Peter J. (2006) Various encyclopedia entries on fascism/the far right. In: World Fascism: A Historical Encyclopedia. ABC-Clio. ISBN 13: 9781576079409

Davies, Peter J. (2006) [Various entries]. In: World Fascism: A Historical Encyclopedia. ABC-CLIO, Oxford. ISBN 978-1-57607-940-9

Davies, Peter J. (2006) The debate on the French Revolution. Issues in Historiography . Manchester University Press, Manchester. ISBN 0 7190 7177 5

Davies, Peter J. (2002) The extreme right in France, 1789 to the present. Routledge, London. ISBN 0-415-23982-6

Davies, Peter J. (1993) The political symbolism of Joan of Arc in front national discourse. Politics, 13 (2). pp. 10-17. ISSN 02633957

Davies, Peter J. (2004) www.ckcricketheritage.org.uk. [Web page]

Davies, Peter J., Conneelly, Janet, Davies, Rhys and Lynch, Derek (2000) Imaginative ideas for teaching and learning. In: The Practice of University History Teaching. Manchester University Press, Manchester, pp. 112-124. ISBN 9780719054921

Davies, Peter J., Davies, Rhys and Lynch, Derek (2002) Enlivening secondary history: 40 classroom activities for teachers and pupils. Routledge, London. ISBN 9780415253499

Davies, Peter J. and Jackson, Paul (2008) The far right in Europe: an encyclopedia. Greenwood, Oxford. ISBN 978-1-84645-003-7

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - Calderdale. Sigma, Newbury. ISBN 1-905291-04-3

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - North Kirklees. Sigma, Newbury. ISBN 1-905291-05-1

Davies, Peter J. and Light, Rob (2006) 180 not out: a pictorial history of cricket in Halifax, Huddersfield, Dewsbury and district - South Kirklees. Sigma, Newbury. ISBN 1-905291-06-X

Davies, Peter J. and Light, Rob (2005) The development of cricket in Kirklees c.1700-2000: an overview. Cricket Heritage Publications, Huddersfield.

Davies, Peter J. and Lynch, Derek (2002) The Routledge companion to fascism and the far right. Routledge, London. ISBN 0-415-21494-7

De Vos, Zegar (2017) Narrative through texture: shaping sound through abstract painting in my practice of ambient music. Masters thesis, University of Huddersfield.

Deegan, Alison and Foard, Glenn (2008) Mapping Ancient Landscapes in Northamptonshire. English Heritage, London, UK. ISBN 1905624425

Demmen, Jane (2014) Book review: Michaela Mahlberg. Corpus stylistics and Dickens’s fiction. Functions of Language, 21 (2). pp. 248-258. ISSN 0929-998X

Demmen, Jane, Semino, Elena, Demjen, Zofia, Koller, Veronika, Hardie, Andrew, Rayson, Paul and Payne, Sheila (2015) A computer-assisted study of the use of Violence metaphors for cancer and end of life by patients, family carers and health professionals. International Journal of Corpus Linguistics, 20 (2). pp. 205-231. ISSN 1384-6655

Dey, Ayesha R. (2019) Contemporary Action Heroines: The Quest for Emancipation from The Male Gaze. Masters thesis, University of Huddersfield.

Dickson, Brian (2011) Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. Masters thesis, University of Huddersfield.

Diggle, Nicole (2017) To What Extent Does the Debate Over Vestments Represent the Wider Tensions in the Elizabethan Era Regarding the Nature of Reformed Religion? Masters thesis, University of Huddersfield.

Dix, Alan, Bashford, Christina, Cowgill, Rachel, McVeigh, Simon and Ridgewell, Rupert (2016) Spreadsheets as User Interfaces. In: Proceedings of AVI 2016 (the International Working Conference on Advanced Visual Interfaces), 7-10 June 2016. ACM, Italy: Bari, pp. 192-195. ISBN 978-1-4503-4131-8

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Dobson, Elizabeth (2006) Book review: The Creative College: Building a Successful Learning Culture in the Arts, G. Jeffery (Ed.). Thinking Skills and Creativity, 1 (2). pp. 156-157. ISSN 1871-1871

Dobson, Elizabeth (2009) Interdisciplinary collaboration and studio based music composers in Higher Education: a longitudinal case study of practice and discussion of emerging themes. In: Collaborative Processes in Music Making: Pedagogy and Practice, 11 November 2009, Department of Music and Recording, University of Surrey. (Unpublished)

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Dobson, Elizabeth (2006) Research on music composition: Issues of creativity and collaboration. In: Centre for Excellence in Teaching and Learning: Teaching, learning and performing music conference, 1 July 2006, Royal Northern College of Music, Manchester, UK. (Unpublished)

Dobson, Elizabeth (2009) Serious Misunderstandings: Challenging the Educational and Creative Value of Collaboration for Music Technology Undergraduates. In: Forum for Innovation in Music Production and Composition (FIMPaC), 20 February 2009, Leeds College of Music. (Unpublished)

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Dockray, Keith and Laybourn, Keith (1999) Introduction: D.G. Wright (1937 - 95). In: The representation and reality of war, the British experience: essays in honour of David Wright. Sutton Publishing, Stroud, pp. 1-15. ISBN 0750918616

Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.

Dodd, Lindsey (2016) French Children under the Allied Bombs, 1940-45: An Oral History. Manchester University Press, Manchester. ISBN 978-0719097041

Dodd, Lindsey (2013) It did not traumatise me at all: childhood ‘trauma’ in French oral narratives of wartime bombing. Oral History, 41 (2). pp. 37-48. ISSN 0143-0955

Dodd, Lindsey (2013) La ville éventrée; or, how bombing turned the city inside out. In: The Blitz and its Legacy: Wartime Destruction to Post-war Reconstruction. Ashgate, Farnham, pp. 17-30. ISBN 9781409436980

Dodd, Lindsey (2009) ‘Partez Partez’, Again And Again: The Efficacy of Evacuation as a Means of Protecting Children from Bombing in France 1939-45. Children in War: The International Journal of Evacuee and War Child Studies, 1 (6). pp. 7-20. ISSN 1745-7211

Dodd, Lindsey (2015) Raconter les bombardements: interprétations, expériences, mémoires. In: Récits de Guerre France-Italie : Débarquement en Normandie et Ligne gothique en Toscane. Editions Indigo & Côté-femmes, pp. 159-172. ISBN 978-2352601265

Dodd, Lindsey (2011) Relieving Sorrow and Misfortune'? State, Charity, Ideology and Aid in Bombed-out France. In: Bombing, States and Peoples in Western Europe 1940-1945. Continuum, London, pp. 75-98. ISBN 9781441185686

Dodd, Lindsey (2013) Small fish, big pond: using a single oral narrative to reveal broader social change. In: Memory and History: Understanding Memory as Source and Subject. Routledge Guides to Using Historical Sources . Routledge, Abingdon, pp. 34-49. ISBN 9780415677110

Dodd, Lindsey and Knapp, Andrew (2008) 'How many Frenchmen did you kill?' British bombing policy towards France (1940-1945). French History, 22 (4). pp. 469-492. ISSN 0269-1191

Dodd, Lindsey and Wiggam, Marc (2011) Civil Defence as a Harbinger of War in France and Britain during the Interwar Period. Synergies Royaume Uni et Irlande (4). pp. 139-150. ISSN 1961-9464

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

Donnelly, Siobhan (2016) The man who disappeared: exploring dementia in short fiction. Masters thesis, University of Huddersfield.

Dorril, Stephen (2007) Agent BIN 1120 - MI6 and Fleet Street. In: Spooked: Cultures Of Intelligence In Britain, 1945-2007, 12th May 2007, Warwick University. (Unpublished)

Dorril, Stephen (2008) Archive Hour: The King and Dr Cannon. [Audio]

Dorril, Stephen (2007) Blackshirt: Sir Oswald Mosley and British Fascism. Penguin/Viking, London, UK. ISBN 9780140258219

Dorril, Stephen (2010) A Critical Review: MI6: Fifty years of special operations. Doctoral thesis, University of Huddersfield.

Dorril, Stephen (2002) MI6 Inside the Covert World of Her Majesty's Secret Intelligence Service. Simon & Schuster, New York, USA. ISBN 9780743217781

Dorril, Stephen (2000) MI6: Fifty Years of Special Operations. Fourth Estate, London. ISBN 9781857020939

Dorril, Stephen (2016) Mosley, Sir Oswald (1896-1980). In: The Wiley-Blackwell Encyclopedia of Race, Ethnicity and Nationalism. Wiley-Blackwell, London, UK. ISBN 978-1405189781

Dorril, Stephen (2015) "Russia Accuses Fleet Street": Journalists and MI6 during the Cold War. The International Journal of Press/Politics, 20 (2). pp. 204-227. ISSN 1940-1612

Dorril, Stephen (1993) The Silent Conspiracy: The Intelligence Services in the 1990s. William Heinemann, London. ISBN 9780434201624

Dorril, Stephen (2006) Sir Oswald Mosley and British Fascism. Viking, London, UK. ISBN 0670869996

Dorril, Stephen (2007) Sir Oswald Mosley and the New Movement. In: Oswald Mosley's New Party Conference, 18th September 2007, Reading University. (Unpublished)

Dorril, Stephen (2004) Spies and Lies. In: Tell Me Lies: Propaganda and Media Distortion in the Attack on Iraq. Pluto Press, London, pp. 108-114. ISBN 0745322018

Dorril, Stephen (2008) The truth about MI6. The Daily Express.

Dorril, Stephen and Ramsay, Robin (1992) Smear: Wilson and the Secret State. Grafton HarperCollins Publishers. ISBN 9780586217139

Dow, Todd (2021) The Migration of Mod: Analysing the Mod Subculture in the North of England. Masters thesis, University of Huddersfield.

Doyle, Barry M. (2005) Book Review: Ideology, Discourse, and Locality: New Histories of Urban Public Health. Journal of Urban History, 31 (2). pp. 241-248. ISSN 0096-1442

Doyle, Barry M. (2003) Broadcasting. In: Reader's Guide to British History. Routledge, New York. ISBN 1579582427

Doyle, Barry M. (1994) 'Business, Liberalism and dissent in Norwich, 1900-1930'. Baptist Quarterly, XXXV (5). ISSN 0005- 576X

Doyle, Barry M. (1995) Class, Gender and Congregational Culture in Early Twentieth Century Norwich. Journal of the United Reformed Church Historical Society, 5 (6). pp. 317-335. ISSN 0049-5433

Doyle, Barry M. (2007) Competition and Cooperation in Hospital Provision in Middlesbrough, 1918-48. Medical History, 51 (3). pp. 337-356. ISSN 0025-7273

Doyle, Barry M. (1995) Conference Report: The Urban History Group, Edinburgh, 30/31 March 1995. Urban history, 22 (2). pp. 272-275. ISSN 0963-9268

Doyle, Barry M. (2007) Corus – Men of Steel. In: Middlesbrough and Teesside Memories. True North Books Ltd, Halifax. ISBN 9781903204979

Doyle, Barry M. (2012) A Crisis of Urban Conservatism? Politics and Organisation in Edwardian Norwich. Parliamentary History, 31 (3). pp. 396-418. ISSN 0264-2824

Doyle, Barry M. (2009) A Decade of Urban History: The Historical Urban Studies Series. Urban history, 36 (3). pp. 498-512. ISSN 0963-9268

Doyle, Barry M. (1996) Education and the Liberal rank and file in Edwardian England: The case of Sir George White. Liberal Democrat History Group Newsletter (12). pp. 7-9. ISSN 1479-9642

Doyle, Barry M. (2018) English First Aid Organisations and the Provisional IRA Mainland Bombing Campaign of 1974. The historian (136). ISSN 0265-1076

Doyle, Barry M. (2003) The Geography of Cinema Going in Great Britain, 1934-94: A Comment. Historical Journal of Film, Radio, and Television, 23 (1). pp. 59-71. ISSN 0143-9685

Doyle, Barry M. (1998) H.G. Wells’ Time Machine then and now. London Magazine. ISSN 0024-6085

Doyle, Barry M. (2016) Healthcare before Welfare States: Hospitals in Early Twentieth Century England and France. Canadian Bulletin of Medical History, 33 (1). pp. 174-204. ISSN 0823-2105

Doyle, Barry M. (2007) Introduction: Urban Politics and Space in the Nineteenth and Twentieth Centuries: Regional Perspectives. In: Urban Politics and Space in the Nineteenth and Twentieth Centuries: Regional Perspectives. Cambridge Scholars Press, Newcastle, pp. 1-29. ISBN 9781847182920

Doyle, Barry M. (2016) ‘La prise en charge médicale des victimes d’accidents industriels, sa gestion et son financement en Angleterre, 1860-1914’ [‘Managing, funding and caring for industrial accidents in late nineteenth century England’]. In: Risques et accidents industriels (fin XVIIe -­ fin XIXe siècle). Presses Universitaires de Rennes, Rennes, France, pp. 207-226. ISBN 978-2-75354999-9

Doyle, Barry M. (2010) Labour and hospitals in three Yorkshire towns: Middlesbrough, Leeds, Sheffield, 1919-1938. Social History of Medicine, 23 (2). pp. 374-392. ISSN 0951-631X

Doyle, Barry M. (2010) Managing and contesting industrial pollution in Middlesbrough, 1880-1940. Northern history: a review of the history of the North of England., 47 (1). pp. 135-154. ISSN 0078-172X

Doyle, Barry M. (2001) Mapping slums in an historic city: representing working class communities in Edwardian Norwich. Planning Perspectives, 16 (1). pp. 47-65. ISSN 0266-5433

Doyle, Barry M. (1999) McKenna, Reginald. In: The Dictionary of Liberal Biography. Methuen, London. ISBN 9781902301099

Doyle, Barry M. (1998) Modernity or morality? George White, Liberalism and the Nonconformist Conscience in Edwardian England. Historical Research, 71 (176). pp. 324-340. ISSN 0951-3471

Doyle, Barry M. (2005) More than a dance hall, more a way of life: Northern Soul, masculinity and working Class culture in 1970s Britain. In: Between Marx and Coca-Cola. Youth Cultures in Changing European Societies, 1960-1980. Berghahn Books, Oxford, pp. 313-327. ISBN 9781845453336

Doyle, Barry M. (1996) New Labour, old “New Liberalism”? History today, 46 (7). pp. 5-8. ISSN 0018-2753

Doyle, Barry M. (1990) Parks and gardens in the nineteenth century. In: Gardens in Norfolk, 1550-1900. University of East Anglia Centre of East Anglian Studies, Norwich, pp. 40-50. ISBN 9780906219287

Doyle, Barry M. (2014) The Politics of Hospital Provision in Early Twentieth Century Britain. Studies for the Society for the Social History of Medicine . Pickering and Chatto, London. ISBN 9781848934337

Doyle, Barry M. (2004) Politics, 1830-1945. In: Norwich since 1550. Hambledon & London, London, pp. 343-360. ISBN 9781852854508

Doyle, Barry M. (2007) Power and Accountability in the Voluntary Hospitals of Middlesbrough, 1900-1948. In: Medicine, Charity and Mutual Aid: The Consumption of Health and Welfare, c.1550-1950. Historical Urban Studies Series . Ashgate, Aldershot, pp. 207-224. ISBN 9780754651482

Doyle, Barry M. (2007) Rehabilitating the retailer: Shopkeepers in urban government 1900-1950. In: In Control of the City: Local Elites and the Dynamics of Urban Politics, 1800-1960. Groningen Studies in Cultural Change (28). Peeters Publishers, Leuven, pp. 41-52. ISBN 9789042919419

Doyle, Barry M. (1997) Religion, politics and remembrance: A free church community and its Great War dead. In: War and Memory in the Twentieth Century. Berg Publishers, Oxford, pp. 223-238. ISBN 9781859731994

Doyle, Barry M. (1998) Research in Urban History: A review of Recent Theses. Urban history, 25 (2). pp. 244-257. ISSN 0963-9268

Doyle, Barry M. (1999) Research in Urban History: A review of Recent Theses. Urban history, 26 (2). pp. 273-288. ISSN 0963-9268

Doyle, Barry M. (2000) Research in Urban History: A review of Recent Theses. Urban history, 27 (2). pp. 283-291. ISSN 0963-9268

Doyle, Barry M. (2001) Research in Urban History: A review of Recent Theses. Urban history, 28 (2). pp. 292-302. ISSN 0963-9268

Doyle, Barry M. (1997) Research in urban history: a review of recent theses. Urban history, 24 (2). pp. 242-255. ISSN 0963-9268

Doyle, Barry M. (1998) Return of the Super-Cinema. History today, 48 (2). pp. 2-5. ISSN 0018-2753

Doyle, Barry M. (2004) Sir George White M.P., 1840-1912. In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Doyle, Barry M. (1996) Temperance and modernity: The impact of local experience on rank and file Liberal attitudes to alcohol. The Journal of Regional and Local Studies, 16 (2). pp. 1-10. ISSN 0265-7325

Doyle, Barry M. (1996) "Through the windows of a Baptist Meeting House": Religion, politics and the Nonconformist Conscience in the life of Sir George White, M.P. Baptist Quarterly, XXXVI (6). ISSN 0005-576X

Doyle, Barry M. (1995) 'Urban Liberalism and the "Lost Generation": Politics and middle-class culture in Norwich, 1900-1935'. Historical Journal, 38 (3). pp. 617-634. ISSN 0018-246X

Doyle, Barry M. (2001) Voluntary hospital finance in North-east England: the case of North Ormesby Hospital, Middlesbrough, 1900-1947. Cleveland History (80). pp. 5-19. ISSN 0966-0704

Doyle, Barry M. (2001) Voluntary hospitals in Edwardian Middlesbrough: A preliminary report. North East History, 34. pp. 5-34. ISSN 1474-3248

Doyle, Barry M. (1994) 'Who paid the price of patriotism? The funding of Charles Stanton during the Merthyr Boroughs by-election of 1915'. English Historical Review, CIX (434). pp. 1215-1222. ISSN 0013-8266

Doyle, Barry M. (2001) The changing functions of urban government: Councillors, officials and pressure groups, 1835-1950. In: The Cambridge Urban History of Britain. The Cambridge Urban History of Britain, 3 (184 . Cambridge University Press, Cambridge, pp. 287-313. ISBN 9780521417075

Doyle, Barry M. (1998) A conflict of interests? The local and national dimensions of middle class Liberalism, 1900-1935. Parliamentary History, 17 (1). pp. 131-140. ISSN 0264-2824

Doyle, Barry M. (1997) The development of the Norwich Chamber of Commerce, 1896-1930. Norfolk Archaeology, 42 (4). pp. 468-480. ISSN 0142-7962

Doyle, Barry M. (2012) The economics, culture and politics of hospital contributory schemes: The case of inter war Leeds. Labour History Review, 77 (3). pp. 289-315. ISSN 0961-5652

Doyle, Barry M. (2002) A history of hospitals in Middlesbrough. South Tees NHS Hospitals Trust, Middlesbrough. ISBN 0952881489

Doyle, Barry M. (1990) The kitchen garden in Norfolk. In: Gardens in Norfolk, 1550-1900. University of East Anglia Centre of East Anglian Studies, Norwich, pp. 51-61. ISBN 9780906219287

Doyle, Barry M. (1998) “The only fair policy to adopt”: Responses to manpower problems and conscription within the Norwich business community, 1914-15. Journal of regional and local studies, 18 (1). pp. 1-10. ISSN 0265-7325

Doyle, Barry M. (2008) The rank and file and the Liberal government 'crisis' of 1912: a note. Journal of Liberal History (59).

Doyle, Barry M. (1997) The structure of elite power in the early twentieth century city: Norwich 1900-1935. Urban history, 24 (2). pp. 179-199. ISSN 0963-9268

Doyle, Barry M. and Hayes, Nick (2013) Eggs, rags and whist drives: popular munificence and the development of provincial medical voluntarism between the wars. Historical Research, 86 (234). pp. 712-740. ISSN 1468-2281

Doyle, Barry M. and McElligott, Anthony (2011) The Rise and Fall of European Municipal Power since 1800. International Journal of Regional and Local Studies, 7 (1 & 2). pp. 8-35. ISSN 1750-0478

Drapan, Michael (2019) Home from Home: The history of an émigré Ukrainian community based in the heart of Yorkshire – Huddersfield, 1948-2018. Masters thesis, University of Huddersfield.

Drew, Paul and Holt, Elizabeth (1998) Figures of speech: Figurative expressions and the management of topic transition in conversation. Language in society, 27 (4). pp. 495-522. ISSN 0047-4045

Droljc, Tadej (2018) COMPOSING WITH ISOMORPHIC AUDIOVISUAL GESTALTS. Doctoral thesis, University of Huddersfield.

Duckett, Charlotte Daisy (2021) A Critical Edition of Arie, scherzi e madrigali a una e due voci by Giovanni Pietro Bucchianti (1608-1627). Masters thesis, University of Huddersfield.

Dufeu, Frédéric (2011) Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider. In: 7th European Music Analysis Conference (VII EUROMAC), 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Dufeu, Frédéric (2013) Comment développer des outils généraux pour l’étude des instruments de musique numériques ? Un prototype en JavaScript pour l’investigation de programmes Max [How to Develop General Tools for the Study of Digital Musical Instruments? A JavaScript protoype for the investigation of Max programs]. Revue Francophone d’Informatique Musicale (3).

Dufeu, Frédéric (2013) De l’outil d’expression musicale à l’environnement d’analyse musicologique, la segmentation comme principe d’articulation [From the tool for musical expression to the environment for musical analysis, segmentation as a principle for articulation]. In: Analyse par segmentation des musiques électroacoustiques seminar, 21st January 2013, Saint-Etienne, France. (Unpublished)

Dufeu, Frédéric (2011) Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési. In: Electroacoustic Music Studies Network EMS11, Sforzando!, 14th - 18th June 2011, New York, New York, USA. (Unpublished)

Dufeu, Frédéric (2010) Entre composition et improvisation : analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: "Analyze Improvisation" Colloquium, 12th February 2010, Paris, France. (Unpublished)

Dufeu, Frédéric (2015) Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: Penser l’improvisation. Culture et cognition musicale . Éditions Delatour France, Sampzon. ISBN 9782752102485

Dufeu, Frédéric (2013) L’instrument improvisé. Perspectives ouvertes par les technologies pour la constitution du dispositif de jeu dans le temps de la performance [The improvised instrument. Perspectives opened up by technology for the constitution of playing devices in performance time]. In: Les caprices de l’improvisation dans la musique [The vagaries of improvisation in art music] savante #2 seminar,, 21st March 2013, Paris, France. (Unpublished)

Dufeu, Frédéric (2010) L’instrument numérique comme objet d’analyse des musiques mixtes. In: Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Dufeu, Frédéric (2009) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des oeuvres. In: La forme dialogique des écrits d’artistes : les correspondances seminar, 23rd October 2009, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres. In: Correspondances d'artistes:du brouillon à la lettre ouverte. Mot et le reste. ISBN 978-2-36054-060-0

Dufeu, Frédéric (2013) Mémoires numériques et comportements instrumentaux : quels dialogues entre le musicien et la machine? [Digital Memories And Instrumental Behaviours: Dialogues between musicians and machines]. In: Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Les presses du réel, pp. 105-113. ISBN 9782952235556

Dufeu, Frédéric (2012) Partitions virtuelles et nouvelles lutheries. Questions d’interprétation dans l’œuvre électroacoustique de Philippe Manoury. In: Manifeste Festival 2012, 1st June - 1st July 2012, Paris, France. (Unpublished)

Dufeu, Frédéric (2008) Temps réel et temps différé dans l’instrument de musique numérique. In: EMS08 - Electroacoustic Music Studies - Conference Theme: Musique concrète - 60 years later, 3rd - 7th June 2008, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) Une interface graphique de manipulation d'unités modulaires dans SuperCollider. In: Proceedings of JIM2012 (Journées d’Informatique Musicale). Numediart, pp. 123-132.

Dufeu, Frédéric (2016) A permissive graphical patcher for supercollider synths. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 134-139. ISBN 9780984527458

Dufeu, Frédéric and Bonardi, Alain (2014) Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Dufeu, Frédéric and Rabin, Julien (2016) De l’improvisation collective à son redéploiement électroacoustique : From collective improvisation to electroacoustic redeployment. In: L'Improvisation musicale collective : collective music improvisation. L'Harmattan. ISBN 978-2-343-07966-0

Dufeu, Frédéric and Rabin, Julien (2016) Les pratiques musicales provoquées par le numérique : quelles ruptures pour l’acte de creation? : The musical practices provoked by the digital: what breaks for the act of creation? In: Défier la décence Crise du sens et nouveaux visages du scandale dans l'art : Challenging decency Crisis of meaning and new faces of scandal in art. Artois Presses Université. ISBN 9782848322261

Dufeu, Frédéric and Roux, Sébastien (2010) L’environnement sonore recomposant l’espace d’écoute. Localisations et déplacements dans l’œuvre musicale de Sébastien Roux. Filigrane (12). ISSN 2261-7922

Dukali, Aisha Ali (2016) Difficulties Encountered by Libyan University Students of English as a Foreign Language in the Use of Lexical Collocations. Doctoral thesis, University of Huddersfield.

Dunn, Lawrence (2019) Melody by way of itself: Compositions 2015-17. Doctoral thesis, University of Huddersfield.

Dunne, Shawni (2018) THE GAPS BETWEEN: MATERNAL AMBIVALENCE, INTERGENERATIONAL TRAUMA, AND THE CONTEMPORARY CHICK NOIR NOVEL. Doctoral thesis, University of Huddersfield.

Earnshaw, Katherine (2020) A forensic phonetic investigation of regional variation and accommodation in West Yorkshire. Doctoral thesis, University of Huddersfield.

Ebshaina, Asma (2019) Investigating Three-part Sequence in Classroom interaction: A Case study of Pre-Sessional Program (PSP) as English for Academic Purposes(EAP). Doctoral thesis, University of Huddersfield.

Einarsson, Einar (2012) Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. Doctoral thesis, University of Huddersfield.

Einbond, A. and Schwarz, D. (2010) Spatializing Timbre with Corpus-Based Concatenative Synthesis. International Computer Music Conference Proceedings, 2010. pp. 72-75. ISSN 2223-3881

Einbond, A., Schwarz, D. and Bresson, J. (2009) Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. International Computer Music Conference Proceedings, 2009. pp. 223-226. ISSN 2223-3881

Einbond, Aaron (2008) Break. [Composition]

Einbond, Aaron (2012) Just Like Starting Over. [Audio]

Einbond, Aaron (2010) Le Cabinet des Signes. [Composition]

Einbond, Aaron (2011) Music of the Hemispheres. In: Music of the Hemispheres, 29 November 2011, Issue Project Room, Brooklyn, New York.

Einbond, Aaron (2011) Palaeontolgie. [Composition]

Einbond, Aaron (2010) Passagework. [Audio]

Einbond, Aaron (2011) Post-Paleontology. [Composition]

Einbond, Aaron (2012) Resistance. [Composition]

Einbond, Aaron (2012) Sound Studies Lecture No. 35. In: Sound Studies Lecture No. 35, 12 November 2012, Universität der Künste, Berlin.

Einbond, Aaron (2013) Subtractive Synthesis: noise and digital (un)creativity. In: Noise In And As Music. University of Huddersfield Press, Huddersfield, pp. 57-75. ISBN 9781862181182

Einbond, Aaron (2011) Temper. In: International Computer Music Conference, 31 July - 5 August 2011, CeReNeM, University of Huddersfield.

Einbond, Aaron (2012) Timbre Spaces: New Graphical Models for Analysis and Composition. In: Society for Music Theory, 1-4 November 2012, New Orleans, LA, USA.

Einbond, Aaron (2012) (Un)original(ity). In: Summer Composition Institute, Harvard Music Department, 25th - 26th August 2012, Cambridge, MA, USA.

Einbond, Aaron (2009) What the Blind See. [Composition]

Einbond, Aaron (2008) What the Blind See. [Show/Exhibition]

Einbond, Aaron (2012) Without Words. [Composition]

Einbond, Aaron, Trapani, Christopher and Schwarz, Diemo (2012) Precise Pitch Control in Real Time Corpus-Based Concatenative Synthesis. International Computer Music Conference Proceedings, 2012. pp. 584-588. ISSN 2223-3881

Eisen, Cliff, Rieger, Eva, Sadie, Stanley, Angermüller, Rudolph, Oldman, C.B. and Stafford, William Mozart. In: Grove Music Online. Oxford University Press, Oxford.

Ekpe, Bassey (2005) Theories of collective intelligence and decision-making: Towards a viable united nations intelligence system. Doctoral thesis, University of Huddersfield.

El Madawi, Stefanie (2020) Approaching Contemporary Cinematic I-Witnessing. Doctoral thesis, University of Huddersfield.

El Madawi, Stephanie (2015) Truth and Pain: The Affective Discourse of Fauxtobiography. Masters thesis, University of Huddersfield.

Elder, Catriona, Pratt, Angela and Ellis, Cath (2006) Running Race: Reconciliation, Nationalism and the Sydney 2000 Olympic Games. International Review for the Sociology of Sport, 41 (2). pp. 181-200. ISSN 1012-6902

Elliott, Hilary (2016) Book Review: Remaking Memory : Autoethnography, memoir and the ethics of self John Freeman With contributions by Rebekka Kill, Nazar Jabour, Kate Rice, Steph Brocken and Jamie Coull. Performance Research, 21 (6). pp. 138-139. ISSN 1469-9990

Elliott, Hilary (2012) "Composing Vision": A demonstration of practice-led research into solo performance improvisation. In: Studio Matejka: The Human/Body as a 'Cultural Actor' Research Symposium and Work Demonstration, 1 June 2012, University of Salford. (Unpublished)

Elliott, Hilary (2014) Experienced Space. In: Galway Dance Days/CORP_REAL symposium, 28/3/14 - 30/3/14, NUI Galway, Ireland. (Unpublished)

Elliott, Hilary (2014) ‘”The Fifth Appendage”: investigating the role of vision in solo improvisational dance training’. Theatre, Dance and Performance Training, 5 (1). pp. 31-44. ISSN 1944-3927

Elliott, Hilary (2017) I CAN. In: Labanarium Launch Symposium, University of Surrey, 6th January 2017, University of Surrey. (Unpublished)

Elliott, Hilary (2010) Improvisation as Performance and Immediate Writing. In: TaPRA Conference 2010, Cardiff. (Unpublished)

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

Elliott, Hilary (2013) THE PLACE FROM WHICH I SEE: a practice-led investigation into the role of vision in understanding solo performance improvisation as a form of composition. Doctoral thesis, University of Huddersfield.

Elliott, Hilary (2015) The Philosopher and The Dancer. In: The Twenty-first Century Body: Annual Gathering of the Merleau-Ponty Circle, 1st - 3rd October 2015, Massachusetts, USA.

Elliott, Hilary (2010) Playing with/in boundaries. Proximity, 13 (3). pp. 4-9. ISSN 1445-7830

Elliott, Hilary (2016) The Point of Contact. In: Inspire Conference, 21st June 2016, University of Huddersfield. (Unpublished)

Elliott, Hilary (2016) The Sensational Facts. Theatre, Dance and Performance Training Blog.

Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)

Elliott, Hilary (2007) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Enhancing Performance', February 2007, University of Canberra.

Elliott, Hilary (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of 'Concoction', August 2009, Cecil Street Studio, Melbourne, Australia.

Elliott, Hilary (2007) Tracking and Mapping Improvisation. In: Improvisation Continuums: theorising practice across disciplines, April 2007, Cardiff. (Unpublished)

Elliott, Hilary (2016) Transformation. In: Improvisation & transformative processes: A participatory research salon. TransDisciplinary Improvisation Network (TIN)., July 6 2016, Middlesex University, UK.

Elliott, Hilary and Britton, John (2006) Quiddity Nights. In: Quiddity Nights, Autumn 2006, University of Huddersfield.

Elliott, Hilary and Britton, John (2007) Spontaneous Combustion. In: Spontaneous Combustion, June 2007, Ada Studio und Bühne, Berlin, Germany..

Elliott, Hilary and Britton, John (2008) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Writing the Body and Dancing the Mind', March 2008, National University of Mexico.

Elliott, Hilary and Britton, John (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'The Week of Speakers', 22 June - 24 June 2009, University of Huddersfield.

Elliott, Hilary and Britton, John (2010) Spontaneous Combustion. In: Spontaneous Combustion, Ballettakademien, Stockholm, Sweden..

Ellis, Cath (2013) Broadening the Scope and Increasing the Usefulness of Learning Analytics: The Case for Assessment Analytics. British Journal of Educational Technology, 44 (4). pp. 662-664. ISSN 0007-1013

Ellis, Cath (1999) 'Come in Spinner'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 145. ISBN 9780521495257

Ellis, Cath (2004) Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom. Australian Literary Studies, 21 (4). pp. 149-164. ISSN 0004-9697

Ellis, Cath (1999) 'Intimate strangers'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 342. ISBN 9780521495257

Ellis, Cath (1999) 'Miss Peabody's inheritance'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, pp. 435-436. ISBN 9780521495257

Ellis, Cath (1999) 'Monkey grip'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 442. ISBN 9780521495257

Ellis, Cath (1996) Re-writing Feminism in Katharine Susannah Prichard's 'Intimate strangers'. In: Crossing lines: formations of Australian culture. Association for the Study of Australian Literature, Adelaide, pp. 208-212. ISBN 9780646281827

Ellis, Cath (1998) Socialist realism in the Australian literary context: with specific reference to the writing of Katharine Susannah Prichard. In: The Point of Change: Marxism, Australia, History, Theory. University of Queensland, pp. 137-144. ISBN 9780867767520

Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595

Ellis, Cath (1999) 'Sugar heaven'. In: The Cambridge guide to women's writing in English. Cambridge University Press, Cambridge, p. 610. ISBN 9780521495257

Ellis, Cath (2003) The Triumph of Ideology: Katharine Susannah Prichard’s Goldfields Trilogy. In: Frank Hardy & the Literature of Commitment. Vulgar Press, Victoria, Australia, pp. 199-219. ISBN 0 9580794 1 2

Ellis, Cath (2008) ‘You Can’t Do That in a Classroom!’: How Distributed Learning Can Assist in the Widespread Adoption of Hybrid Learning Strategies. In: International Conference on Hybrid Learning 2008 (ICHL 2008), 13th - 15th August 2008, Hong Kong. (Unpublished)

Ellis, Cath (2008) ‘You Can’t Do That in a Classroom!’: how distributed learning can assist in the widespread adoption of hybrid learning strategies. In: Hybrid learning and education. Lecture Notes in Computer Science, 14 . Springer, pp. 1-16. ISBN 9783540851691

Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825

Ellis, Cath (2000) A strange case of double vision. Overland (158). pp. 75-79. ISSN 1444-3163

Ellis, Cath (1995) A tragic convergence: a reading of Katherine Susannah Prichard's 'Coonardoo'. Westerly, 40 (2). pp. 63-71. ISSN 0043-342X

Ellis, Cath and Elder, Catriona (2002) Achieving objectives and overcoming obstacles through online teaching and learning. UniTeaching, 3 (1). pp. 1-3.

Ellis, Cath, Elder, Catriona and Pratt, Angela (2001) Papering over the differences: Australian nationhood and the normative discourse of reconciliation. In: Reconciliation, multiculturalism, identities: difficult dialogues, sensible solutions. Common Ground, pp. 135-147. ISBN 9781863350792

Ellis, Cath, Elder, Catriona and Pratt, Angela (2006) Unity in diversity: indigenous spaces in the Parliamentary Zone. In: Sharing Spaces: Indigenous and non-Indigenous Responses to Story, Country and Rights. The Australian Public Intellectual Network, Australia. ISBN 9781920845209

Ellis, Cath, Elder, Catriona and Pratt, Angela (2004) Whiteness in constructions of Australian nationhood: Indigenes, immigrants and governmentality. In: Whitening Race: essays in social and cultural criticism. Aboriginal Studies Press, Canberra, pp. 208-221. ISBN 9780855754655

Ellis, Cath and Folley, Susan (2008) Getting a grip on quality: validation and eLearning in a quality assurance culture. In: HERDSA 2008, 1st - 4th July 2008, Rotorua, New Zealand. (Unpublished)

Ellis, Cath and Folley, Susan (2008) Seeing what’s invisible: exploring the further potential of the contributing student approach. In: ALT-C 2008: Rethinking the digital divide, 9 - 11 September 2008, University of Leeds, Leeds. (Unpublished)

Ellis, Cath and Folley, Susan (2010) Using Student Assessment Choice and eAssessment to Achieve Self Regulated Learning. In: Fostering Self-Regulated Learning through ICT. IGI Global, Hershey, PA, pp. 89-104. ISBN 9781616929015

Ellis, Cath and McPherson, Joanne (1997) The master's apprentices. In: Disciplining Rita: Symposium Proceedings : how does a woman impact our research teaching, administration and other professional activities within Academe? University of New England, pp. 23-27. ISBN 9781863894364

Ellis, Cath and Percy, Alisa (2000) Building online essay writing support tools. In: Flexible Learning for a Flexible Society: ASET/HERDSA 2000 Joint International Conference, 2 - 5 July 2000, University of Southern Queensland, Toowoomba, Australia.

Ellis, Cath and Shoemaker, A. (2001) The Empire of British Airways. In: Compr(om)ising Post/colonialism(s): Challenging Narratives and Practices. Dangaroo Press, Sydney, Australia, pp. 159-173. ISBN 0864186460

Ellis, Robert (2013) Asylums and Sport: Participation, Isolation and the Role of Cricket in the Treatment of the Insane. The International Journal of the History of Sport, 30 (1). pp. 83-101. ISSN 0952-3367

Ellis, Robert (2011) Asylums, isolation and sport. In: What is the Future of Sport History in Academia?: a symposium, Wednesday 29th June 2011, University of Huddersfield. (Unpublished)

Ellis, Robert (2017) Heritage and Stigma. Co-producing and communicating the histories of mental health and learning disability. Medical Humanities, 43 (2). pp. 92-98. ISSN 1468-215X

Ellis, Robert (2013) Madge Gill: an outsider artist in historical context. In: Madge Gill Medium & Visionary. Orleans House Gallery, pp. 71-74. ISBN 978-1902643175

Ellis, Robert (2015) 'Without decontextualisation': the Stanley Royd Museum and the progressive history of mental health care. History of Psychiatry, 26 (3). pp. 332-347. ISSN 0957-154X

Ellis, Robert (2013) 'A constant irritation to the townspeople'? Local, Regional and National Politics and London's County Asylums at Epsom. Social History of Medicine. ISSN 0951-631X

Ellis, Robert (2001) A field of practise or a mere house of detention? : the asylum and its integration, with special reference to the county asylums of Yorkshire, c.1844-1888. Doctoral thesis, University of Huddersfield.

Ellis, Robert and Allan, Robert (2010) Raising aspiration and widening participation: diversity, science and learning styles in context. Journal of Further and Higher Education, 34 (1). pp. 23-33. ISSN 0309-877X

Ellis, Robert, Allan, Robert and Jensen, Kathrine (2011) Transitions, inventories and aspirations. New learners and their longer-term learning goals. Research in Post-Compulsory Education, 16 (3). pp. 303-314. ISSN 1359-6748

Ellis, Robert and Gabriel, Tim (2010) Context‐based learning for beginners: CBL and non‐traditional students. Research in Post-Compulsory Education, 15 (2). pp. 129-140. ISSN 1359-6748

Ely, Steve (2015) Beasts of Eden : Ted Hughes and influence. The Dark Horse, 35. pp. 50-58.

Ely, Steve (2017) Bloody, proud and murderous men, adulterers and enemies of God. The High Window Press.

Ely, Steve (2014) 'Deir ez-Zor', 'Work', 'Interhamwe' and 'Fasayil'. Poetry Review, 104 (1). ISSN 0032-2156

Ely, Steve (2015) Englaland. Smokestack Books. ISBN 978-0992958145

Ely, Steve (2014) How dear is life. In: The Pity. The Poetry Society, pp. 10-27.

Ely, Steve (2017) Incendium amoris. Smokestack Books. ISBN 978-0995563551

Ely, Steve (2013) Oswald's book of hours. Smokestack Books. ISBN 978-0957172234

Ely, Steve (2014) Prayers in time of great hunger. London Review of Books, 36 (8). ISSN 0260-9592

Ely, Steve (2012) Ratmen. Blackheath Books. ISBN 9781906099206

Ely, Steve (2016) Six poems from sufficient unto the day. Poetry Review, 106 (3). ISSN 0032-2156

Ely, Steve (2016) Tales of the Tribe: Modern epic, guerrilla-pastoral and utopian yeoman-anarchism in Oswald’s Book of Hours and Englaland. Doctoral thesis, University of Huddersfield.

Ely, Steve (2013) Ted Hughes's South Yorkshire. The Ted Hughes Society Journal, 3 (1). pp. 30-39. ISSN 2051-7270

Ely, Steve (2015) Ted Hughes's South Yorkshire: Made in Mexborough. AIAA. ISBN 978-1137499349 (Unpublished)

Ely, Steve (2016) Werewolf. Calder Valley Poetry.

Ely, Steve (2015) Werewolf. London Review of Books, 35 (5). ISSN 0260-9592

Ely, Steve (2016) The importance of Edna Wholey to the poetic development of Ted Hughes. The Ted Hughes Society Journal, 5 (1). pp. 25-33. ISSN 2051-7270

Ely, Steve (2015) 'The white hart', 'Hugo of Fyslake' and 'Eofor'. Poetry Review. ISSN 0032-2156

Epstein, David and Mawer, Deborah (2010) Encountering La Valse: Perspectives and Pitfalls. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 138-164. ISBN 9780521886970

Eslamhesari, Amirhossein (2014) The revitalization of national consciousness through ethno-symbolic nationalism : the study of The Blind Owl, Between The Acts, Once Upon A Time and Dubliners. Masters thesis, University of Huddersfield.

Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.

Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Etheridge, Stephen (2009) Social And Musical Influences In The Creation Of Working-Class Cultural And Regional Identities. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Ette, Mercy (2000) Agent of Change or Stability?: The Nigerian Press Undermines Democracy. The Harvard International Journal of Press/Politics, 5 (3). pp. 67-86. ISSN 1081180X

Ette, Mercy (2014) Book Review: Gender, War, and Conflict by Laura Sjoberg. Polity Press. 9780745660028. [Web page]

Ette, Mercy (2014) Book Review: Waging Gendered Wars: U.S. Military Women in Afghanistan and Iraq by Paige Whaley Eager. Ashgate. [Web page]

Ette, Mercy (2016) Condensational symbols in British press coverage of Boko Haram. International Communication Gazette. ISSN 1748-0485

Ette, Mercy (2007) Empowerment. In: The impact of feminism on political concepts and debates. Manchester University Press, Manchester, pp. 146-160. ISBN 9780719075117

Ette, Mercy (2013) Gendered Frontlines: British Press Coverage of Servicewomen Killed in Iraq. Media, War & Conflict, 6 (3). pp. 249-262. ISSN 1750-6352

Ette, Mercy (2009) How Nigeria can win the ICT race in Africa. Newswatch magazine.

Ette, Mercy (2007) Marriage of the spoken and written word. Newswatch magazine.

Ette, Mercy (2012) 'Nigeria as a country of interest in terrorism': Newspaper framing of Farouk Abdulmutallab, the underwear bomber. Journal of African Media Studies, 4 (1). pp. 45-59. ISSN 2040-199X

Ette, Mercy (2008) Shifted focus: newspaper coverage of female military personnel as casualties of war. Estudos em Comunicação (3). pp. 195-214. ISSN 1646-4974

Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)

Ette, Mercy (2013) The press and democratic consolidation in Nigeria. In: Media/Democracy. Cambridge Scholars Publishing, Newcastle upon tyne, pp. 103-123. ISBN 9781443848398

Ette, Mercy and Stoker, Ruth (2015) Exploring experiential learning through blogging. Journalism Education, 3 (2). pp. 91-103.

Evanoff, Raymond (2012) Survey of a Woven Landscape. Doctoral thesis, University of Huddersfield.

Evans, Brendan (1997) Employment Policy. In: Contemporary Britain: An Annual Review 1996. Ashgate. ISBN 9781855219007

Evans, Brendan (1996) Employment Policy. In: Contemporary Britain: An Annual Review 1995. Ashgate. ISBN 9781855216457

Evans, Brendan (1993) Employment Policy. In: Contemporary Britain: An Annual Review 1993. Ashgate.

Evans, Brendan (1992) Employment Policy. In: Contemporary Britain: An Annual Review 1992. Ashgate.

Evans, Brendan (1991) Employment Policy. In: Contemporary Britain: An Annual Review 1991. Ashgate.

Evans, Brendan (2005) Equality. In: Marx and other four letter words. Pluto Press. ISBN 9780745322520

Evans, Brendan (1982) Further Education Pressure Groups: The Campaign for Continued and Technical Education in 1944. History of Education, 11 (1). pp. 45-55. ISSN 0046-760X

Evans, Brendan (1990) The Ideological Basis of British Politics in the 1990's. Huddersfield Pamphlets in History & Politics (7). University of Huddersfield. ISBN 9780905434292

Evans, Brendan (1984) Ideology. In: Updating British Politics. Hansard Society.

Evans, Brendan (2008) The Ideology of the Far Right. In: The Far Right in Europe: An Encyclopedia. Greenwood Press. ISBN 9781846450037

Evans, Brendan (2007) Labour and the West Riding of Yorkshire: 1945-2006, the Heartland challenged. In: Sons and daughters of labour: a history and recollection of the Labour Party within the historic boundaries of the West Riding of Yorkshire. University of Huddersfield, Huddersfield, pp. 53-84. ISBN 186218058X

Evans, Brendan (1994) Neo-Liberalism and Training Policy 1979-1992: a Rejoinder to Desmond King. Political Studies, 42 (3). pp. 480-485. ISSN 0032-3217

Evans, Brendan (1992) The Politics Of the Training Market: From Manpower Services Commission to Training and Enterprise Councils. Routledge. ISBN 9780415000161

Evans, Brendan (1987) Radical adult education: a political critique. Radical forum on adult education series . Croom Helm. ISBN 9780709909422

Evans, Brendan, Laybourn, Keith, Lancaster, John and Haigh, Brian (2007) Sons and daughters of labour: a history and recollection of the Labour Party within the historic boundaries of the West Riding of Yorkshire. University of Huddersfield, Huddersfield. ISBN 186218058X

Evans, Brendan and Taylor, Andrew J. (1984) The Rise and Fall of Two-Party Electoral Co-operation. Political Studies, 32 (2). pp. 257-272. ISSN 0032-3217

Evans, Brendan and Taylor, Andrew J. (1994) The Rise of the Intermediate level Institution in British Public Administration: the case of the Arts and Training. Public Administration, 72 (4). pp. 551-572. ISSN 0033-3298

Evans, Eleri Ann (2016) Extending techniques: developing the saxophone’s capacity for lower-end dynamics and microtonal playing. Doctoral thesis, University of Huddersfield.

Evans, Matthew (2016) A critical stylistic analysis of the textual meanings of 'feminism', 'feminist(s)' and 'feminist' in UK national newspapers, 2000-2009. Doctoral thesis, University of Huddersfield.

Fabbri, Franco (2012) Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications. Doctoral thesis, University of Huddersfield.

Fadia, Safiyyah (2018) The influence of Gujarati on the VOT of English stops. Masters thesis, University of Huddersfield.

Fairclough, Mary (2010) ‘John Thelwall and the Politics of Sympathy’. Literature Compass, 7 (9). pp. 763-772. ISSN 1741-4113

Fairclough, Mary (2011) ‘John Thelwall and the Politics of the Picturesque’. Romantic Circles Praxis Series. ISSN 1528-8129

Fairclough, Mary (2010) Radical sympathy: Periodical Circulation and the Peterloo Massacre. Romanticism and Victorianism on the Net (RaVoN), 57-58. ISSN 1916-1441

Fairclough, Mary (2013) The Romantic Crowd: Sympathy, Controversy and Print Culture. Studies in Romanticism . Cambridge University press, Cambridge. ISBN 9781107031692

Fairclough, Mary (2008) The Sympathy of Popular Opinion: Representations of the Crowd in Britain 1770-1849. Doctoral thesis, University of York.

Fairclough, Mary (2012) The Telegraph: Radical Transmission in the 1790s. Eighteenth Century Life. ISSN 1086-3192 (Submitted)

Fairclough, Mary and Green, Georgina (2010) Disciplining Thelwall: a review of Thelwall studies. Romanticism, 16 (2). pp. 197-206. ISSN 1354-991X

Falcus, Sarah (2013) Addressing Age in Michèle Roberts's Reader, I Married Him. Contemporary Women's Writing, 7 (1). pp. 18-34. ISSN 1754-1476

Falcus, Sarah (2015) Alternative futures: Ageing and Identity in Contemporary Women’s Writing. In: Conditioned Identities: Wished-for and Unwished-for Identities. Peter Lang, pp. 303-322. ISBN 978-3034316187

Falcus, Sarah (2007) 'A Complex Mixture of Fascination and Distaste': Relationships between Women in Pat Barker's Blow Your House Down, Liza's England and Union Street. Journal of Gender Studies, 16 (3). pp. 249-261. ISSN 09589236

Falcus, Sarah (2013) Contesting gender in The Wasp Factory (1984), Whit (1995) and The Business (1999). In: The Transgressive Iain Banks: Essays on a Writer Beyond Borders. McFarland. ISBN 978-0-7864-4225-6

Falcus, Sarah (2010) Delivering the Songs of the Sibyls in Michele Roberts's The Book of Mrs Noah. Topic: The Washington and Jefferson College Review, 56. pp. 95-108. ISSN 0049-4127

Falcus, Sarah (2003) Her Odyssey, Herstory in Michèle Roberts's Fair Exchange. Critique: Studies in Contemporary Fiction, 44 (3). pp. 237-250. ISSN 0011-1619

Falcus, Sarah (2011) Luce Irigaray. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2006) Michèle Roberts: Impossible Saints. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2007) Michèle Roberts: Myths, Mothers and Memories. Peter Lang, Oxford. ISBN 9783039110544

Falcus, Sarah (2006) Michèle Roberts: The Mistress Class. The literary encyclopedia. ISSN 1747-678X

Falcus, Sarah (2007) Michèle Roberts: histories and herstories in In the Red Kitchen, Fair Exchange and The Looking Glass’. In: Metafiction and Metahistory in Contemporary Women's Writing. Palgrave Macmillan, Basingstoke. ISBN 9780230005044

Falcus, Sarah (2014) Storying Alzheimer's Disease in Lisa Genova's Still Alice. Entertext, 11. ISSN 14723085

Falcus, Sarah (2002) Truth and Lies, History and Fiction, in Michèle Roberts’s The Looking Glass. Ecloga (2). ISSN 1473-2777

Falcus, Sarah (2012) Unsettling ageing in three novels by Pat Barker. Ageing and Society, 32 (8). pp. 1382-1398. ISSN 0144-686X

Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536

Falcus, Sarah and Sako, Katsura (2014) ‘I Must Learn to Grow Old before I Die’: Women, Ageing and Travels to Italy. Women: A Cultural Review, 25 (2). pp. 194-214. ISSN 0957-4042

Falcus, Sarah and Sako, Katsura (2015) Representing Dementia and Care in Post-war Japan: The Twilight Years, Memories of Tomorrow and Pecoross’ Mother and Her Days. Feminist Review, 111 (1). pp. 88-108. ISSN 0141-7789

Falcus, Sarah and Sako, Katsura (2014) Women, Travelling and Later Life. In: Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, Basingstoke, UK, pp. 203-218. ISBN 9781137376527

Falcus, Sarah J. (2015) Fall[ing] out of the Past: Time, Ageing and Generations in Where Are the Snows. In: Maggie Gee: Critical Essays. Gylphi, Canterbury, pp. 79-99. ISBN 978-1780240336

Falcus, Sarah J. (2015) Literature and aging. In: Routledge Handbook of Cultural Gerontology. Routledge, London, pp. 53-60. ISBN 978-0415631143

Falcus, Sarah J. (2016) Wicked Weldon: The ‘F Word’ and the Older Woman. In: Literary Creativity and the Older Woman Writer. Peter Lang, pp. 273-294. ISBN 978-3034321990

Falk, Ben (2019) Are You There, Robert Downey Jr.? It’s Me, Your Biographer: Mainstreaming entertainment journalism across literary genres. Doctoral thesis, University of Huddersfield.

Fang, Xueyang (2019) Sound from Antiquity: A Music Archaeological Study of Chime Stones in Ancient China (Ca. 2400 BCE - 8 CE). Doctoral thesis, University of Huddersfield.

Fawcus, Jamie (2012) Resonant Spaces: Electroacoustic Music and Ritual: A commentary on my recent music. Doctoral thesis, University of Huddersfield.

Fawkes, Johanna (2012) Saints and sinners: Competing identities in public relations ethics. Public Relations Review, 38 (5). pp. 865-872. ISSN 0363-8111

Fazenda, Bruno, Scarre, Chris, Till, Rupert, Pasalodos, Raquel J., Guerra, Manuel R., Tejedor, Cristina, Peredo, Roberto O., Watson, Aaron, Wyatt, Simon, Benito, Carlos G., Drinkall, Helen and Foulds, Frederick (2017) Cave acoustics in prehistory: exploring the association of Palaeolithic visual motifs and acoustic response. Journal of the Acoustical Society of America (JASA), 142 (3). pp. 1332-1349. ISSN 1520-8524

Felix, Joel (2021) DissTraktors: Deconstructing YouTube’s Emergent Diss Culture and its Music, Economic and Cultural Impact within the Platform. Masters thesis, University of Huddersfield.

Fell, Simon (2017) A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75. Doctoral thesis, University of Huddersfield.

Ferrari, Nicolo (2020) Settings of the Ordinary in the Late Fifteenth Century: The Masses of Firminus Caron. Doctoral thesis, University of Huddersfield.

Firth, Gary, Laybourn, Keith and Hagerty, James (1982) Yorkshire at play: a guide to historical sources and their uses. University of Leeds School of Education, Leeds.

Firth, Gary, Laybourn, Keith and O'Connell, J. (1980) Yorkshire Labour movements c.1780 - 1926: a guide to historical sources and their uses. University of Leeds School of Education, Leeds.

Flanagan, Beavan (2017) Intersections Between Subjects and Objects in my Compositions from 2013 to 2016. Doctoral thesis, University of Huddersfield.

Fleming, Michael (2003) Another juggler: instruments and instrumentalists in early modern Oxford. In: The American Musical Instrument Society Conference on Musical Instruments, 3 - 9 August 2003, Oxford - London - Edinburgh.

Fleming, Michael (1998) Are English string instruments all they are not cracked up to be? In: 32nd RMA Research Students Conference, 14th December 1998, University of York, UK. (Unpublished)

Fleming, Michael (2006) Book review: A Viola da Gamba Miscellanea. Articles from and inspired by viol symposiums organized by the Ensemble Baroque de Limoges, France, Susan Orlando (ed.). The Galpin Society Journal, 59. pp. 279-280. ISSN 0072-0127

Fleming, Michael (1997) Book review: Antonio Stradivari: The Cremona Exhibition of 1987, Charles Beare. J.& A.Beare Ltd, 1994. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (1995) Book review: Art and Method of the Violin Maker: Principles and Practice, 2nd edition, Henry A. Strobel. Aumsville: Henry A. Strobel, 1993. The Galpin Society Journal, 48. p. 234. ISSN 0072-0127

Fleming, Michael (1997) Book review: Arte Liutaria, Analysis of Antique Instruments and Restoration Techniques, Carlo Vettori. Florence: Arte Liutaria, 1996. The Galpin Society Journal, 50. pp. 267-269. ISSN 0072-0127

Fleming, Michael (2005) Book review: Diego Ortiz: Trattado de Glosas, (Rome 1553), Annette Otterstedt, Kassel: Bärenreiter, 2003. The Galpin Society Journal, 58. pp. 269-270. ISSN 0072-0127

Fleming, Michael (1998) Book review: Edward Withers Ltd. 230 years of Violin Craft in Soho, Adam Whone. Mill Hill publications, 1996. The Galpin Society Journal, 51. pp. 225-226. ISSN 0072-0127

Fleming, Michael (2003) Book review: François-Xavier Tourte, Bow Maker, Stewart Pollens and Henryk Kaston, with M.E.D Laing, New York et al, 2001. The Galpin Society Journal, 56. p. 271. ISSN 0072-0127

Fleming, Michael (1992) Book review: Geometry, Proportion and the Art of Lutherie, Kevn Coates, (Clarendon Press, Oxford, 1991). Chelys, 21. pp. 90-91. ISSN 0952-8407

Fleming, Michael (1994) Book review: La Chélonomie, ou le parfait luthier..., Paris, 1812, Abbé SÉBASTIEN-ANDRÉ SIBIRE, Reimpression de l'edition de Bruxelles, 1823. Facsimile edition. Geneva: Minkoff, 1984. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1994) Book review: La Lutherie Lorraine et Française depuis ses Origines jusqu'à nos Jours, Albert Jacquot, Paris: Fischbacher, 1912. Facsimile edition. Geneva: Minkoff, 1985. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1997) Book review: Liuteria Musica e Cultura, 1996, Essays dedicated to John Henry van der Meer, Renato Meucci (ed.). Cremona, 1996. The Galpin Society Journal, 50. pp. 276-277. ISSN 0072-0127

Fleming, Michael (2002) Book review: Masterpieces of Italian Violin Making (1620-1850). Important stringed instruments from the collection at the Royal Academy of Music, 2nd edition, David Rattray, London, 2000. The Galpin Society Journal, 55. pp. 353-354. ISSN 0072-0127

Fleming, Michael (1994) Book review: Observations on the construction of stringed instruments and their adjustment, 1804, 1805, 1809, 1810, 1816, Count Ignazio Cozio di Salabue, translated from the original Italian by Andrew Dipper and David Woodrow Taynton, 1987. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1998) Book review: Research Papers in Violin Acoustics 1975-1993, Carleen Maley Hutchins. Woodbury, 1997. The Galpin Society Journal, 51. pp. 221-223. ISSN 0072-0127

Fleming, Michael (1997) Book review: Règles pour la construction des Violons Altis, Violoncelles et Basses de Viol, Antonio Bagatella. Turris, Cremona, 1995. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (2006) Book review: The Baroque cello revival: an oral history,Paul Laird, Lantham: Scarecrow Press, 2004. The Galpin Society Journal, 59. pp. 276-277. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665, David Lasocki with Roger Prior, (Aldershot, Scolar Press, 1995). Chelys, 24. pp. 62-64. ISSN 0952-8407

Fleming, Michael (1995) Book review: The Complete Luthier's Library [Bibliography], Roberto Ragazzi. Bologna: Florenus Edizioni, 1990. The Galpin Society Journal, 48. pp. 214-215. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Health of the Violin and the Viola and Cello: Practical Advice on the Acquisition, Maintenance, Adjustment and Conservation of Bowed Instruments, Lucien Greilsamer. Translated from the original French by Henry A. Strobel Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 233. ISSN 0072-0127

Fleming, Michael (1995) Book review: The History of the Viola, Maurice W. Riley. Ann Arbor: the author, 1993, 1991. The Galpin Society Journal, 48. pp. 228-231. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Italian viola da gamba: Proceedings of the International Symposium on the Italian Viola da Gamba, Magnano, Italy, 29 April - 1 May 2000, ed. Susan Orlando (Solignac/Turin: Edition Ensemble Baroque de Iimoges/Edizioni Angolo Manzoni, 2002). Early Music, 31 (2). pp. 283-284. ISSN 0306-1078

Fleming, Michael (1994) Book review: The Shape of Stradivari Forms and Violins, David Woodrow, Taynton: Taynton Press, 1991. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Viol: History of an Instrument, Annette Otterstedt, Kassel, 2002. The Galpin Society Journal, 56. pp. 269-271. ISSN 0072-0127

Fleming, Michael (1994) Book review: The Violin Forms of Antonio Stradivari, Stewart Pollens, London: Peter Biddulph, 1992. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (2007) Book review: Un corpo alla ricerca dell'anima...Andrea Amati e la nascita del violino/ Andrea Amati and the birth of the violin, Renato Meucci (ed.). The Galpin Society Journal, 60. ISSN 0072-0127

Fleming, Michael (1997) Book review: Un secolo di liuteria Italiana 1860-1960. Vol.1. Emilia Romagna, Eric Blot. Cremona, 1994. The Galpin Society Journal, 50. pp. 269-270. ISSN 0072-0127

Fleming, Michael (1995) Book review: Useful Measurements for Violin Makers, a Reference for Shop Use, 4th edition, Henry A Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 231. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Family and its Makers in the British Isles: an Illustrated History and Directory, Brian W Harvey. Oxford: OUP, 1995. The Galpin Society Journal, 49. pp. 240-244. ISSN 0072-0127

Fleming, Michael (1992) Book review: Violin Fraud, Brian W. Harvey, (Oxford, 1992). Chelys, 22. pp. 51-52. ISSN 0952-8407

Fleming, Michael (1995) Book review: Violin Maker's Notebook: a Companion Volume to Useful Measurements for Violin Makers, a Reference for Shop Use, 2nd edition, Henry A. Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 232. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Making Step by Step, Henry A. Strobel. Aumsville: Henry A. Strobel, 1994. The Galpin Society Journal, 49. p. 244. ISSN 0072-0127

Fleming, Michael (2012) Early English viol makers' tools and resources. In: CordeFactum Festival 2012, 18th - 20th May 2012, Hingene, Belgium. (Unpublished)

Fleming, Michael (2004) Henry Jaye. Oxford Dictionary of National Biography.

Fleming, Michael (2003) How long is a piece of string? Understanding seventeenth-century descriptions of viols. Chelys, 31. pp. 18-35. ISSN 0952-8407

Fleming, Michael (2009) The Identities of the Viols in the Ashmolean Museum. The Viola da Gamba Society Journal, 3 (2). pp. 117-130. ISSN 0507-0252

Fleming, Michael (2002) Instrument-makers named Hill and Hunt in Pepys's London. The Galpin Society Journal, 55. pp. 382-385. ISSN 0072-0127

Fleming, Michael (2004) Instrument-making in Oxford. The Galpin Society Journal, 57. pp. 246-251. ISSN 0072-0127

Fleming, Michael (2013) John Evelyn on Musical Instrument Wood. The Galpin Society Journal, 66. ISSN 0072-0127

Fleming, Michael (2011) Obfuscation or illumination: what ‘early English viols’ tell us about early English viols. In: The American Musical Instrument Society Conference on Musical Instruments, 18th - 21st May 2011, Phoenix, AZ, USA. (Unpublished)

Fleming, Michael (1996) Paintings of viols in England c.1580-1660. Chelys, 25. pp. 3-21. ISSN 0952-8407

Fleming, Michael (2008) Phillippe Golledge: another Oxford musical instrument dealer? The Galpin Society Journal, 61. pp. 332-335. ISSN 0072-0127

Fleming, Michael (2012) Robert Dow's viols: a lamentable lacuna. In: Medieval and Renaissance Music seminar series, 8th November 2012, All Souls College, Oxford. (Unpublished)

Fleming, Michael (2000) Some points arising from a survey of wills and inventories. The Galpin Society Journal, 53. pp. 301-311. ISSN 0072-0127

Fleming, Michael (2000) Unpacking the 'Chest of Viols'. Chelys, 28. pp. 3-19. ISSN 0952-8407

Fleming, Michael (1999) Viol design = painting by numbers? In: The British Society for the History of Mathematics Research in Progress Day, 27th February 1999, Wolfson College, Oxford, UK. (Unpublished)

Fleming, Michael (1989) Viol drawings. Chelys, 18. pp. 30-40. ISSN 0952-8407

Fleming, Michael (2001) Viol-Making in England c.1580-1660. Doctoral thesis, Open University.

Fleming, Michael (2011) Viols. In: Musical Instruments in the Ashmolean Museum: The Complete Collection. Oxford Musical Instrument Publishing LLP, Berkhamsted. ISBN 9780956767905

Fleming, Michael (1999) Viols and other lumber. In: The Galpin Society Conference on Musical Instruments, 9-11 July 1999, University of Edinburgh.

Fleming, Michael (2006) What we can and cannot learn from English images of viols. In: CordeFactum 2006, June 2006, Belgium.

Fleming, Michael (2000) Who made the viols `by’ Henry Jaye ? In: Symposium on Bowed String Musical Instruments, 2-3 June 2000, Faculty of Music, University of Edinburgh.

Fleming, Michael (2012) Woodwork Tools in Early Modern Oxford. Oxoniensia, 77. pp. 107-116. ISSN 0308–5562

Fleming, Michael (2010) Woodworking Tools in Sixteenth-Century Oxford. In: Technology and craft of early stringed instruments, c. 500-1550, 6th November 2010, University of London. (Unpublished)

Fleming, Michael (1999) A bridge to the past: Investigating an old viol bridge at Haddon Hall. Early Music, XXVII (2). pp. 235-248. ISSN 0306-1078

Fleming, Michael (1995) The fantasy viol. In: The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell, 7th - 9th July 1995, University of York, UK. (Unpublished)

Fleming, Michael (2005) An 'old old viol' and 'other lumber': musical remains in Provincial, non-noble England c.1580-1660. The Galpin Society Journal, 58. pp. 89-99. ISSN 0072-0127

Fleming, Michael (2009) The viol displayed, the iconographer dismayed. In: Making the British Sound, Conference, 6 - 11 July 2009, London - Edinburgh. (Unpublished)

Fleming, Michael (1999) The violin explained. Components, mechanism, and sound. The Galpin Society Journal, 52. pp. 325-327. ISSN 0072-0127

Fleming, Michael and Bryan, John (2016) Early English Viols: Instruments, Makers and Music. Routledge. ISBN 978-1472468543

Foard, Glenn (2004) Anglo-Saxon Northamptonshire. In: The archaeology of Northamptonshire. Northamptonshire Archaeological Society. ISBN 9780950715124

Foard, Glenn (2012) Battlefield Archaeology of the English Civil War. Archaeopress, Oxford, UK. ISBN 9781407310442

Foard, Glenn (2010) Bosworth uncovered. BBC History Magazine, 11 (3). pp. 23-30. ISSN 1469-8552

Foard, Glenn (1994) Colonel John Pickering's Regiment of Foot 1644-1645. Pryor Publications, Kent, UK. ISBN 9780946014256

Foard, Glenn (2010) Discovering Bosworth. British Archaeology, 112. pp. 26-31. ISSN 1357-4442

Foard, Glenn (1995) The Early Topography of Northampton and its Suburbs. Northamptonshire archaeology, 26. pp. 109-122.

Foard, Glenn (1993) Ecton, its lost village and landscape park. Northamptonshire past and present, 8 (5). pp. 335-353. ISSN 0140-9131

Foard, Glenn (2009) English battlefields 991-1685: A review of problems and potentials. In: Fields of Conflict: Battlefield Archaeology from the Roman Empire to the Korean War. Potomac Books, pp. 133-159. ISBN 9781597972765

Foard, Glenn (2004) Field offensive. British Archaeology, 79. pp. 10-15. ISSN 1357-4442

Foard, Glenn (1995) Flights into the past: education resource pack on aerial archaeology. Northamtonshire County Council, Northamtonshire, UK.

Foard, Glenn (2014) Guns on the Battlefields of Late Medieval Europe: Archeological Evidence for the Origins of Firepower. In: Fields of Conflict 2014, Eighth Biennial Conference on Battlefield Archaeology, 11-16th March 2014, Columbia, USA. (Unpublished)

Foard, Glenn (2005) History from the field : the Edgehill battlefield survey. Battlefields annual review.

Foard, Glenn (2004) Medieval Northamptonshire. In: The archaeology of Northamptonshire. Northamptonshire Archaeological Society. ISBN 9780950715124

Foard, Glenn (1991) The Medieval Pottery Industry of Rockingham Forest. Medieval ceramics, 15. pp. 13-20. (Unpublished)

Foard, Glenn (2001) Medieval Woodland, Agriculture and Industry in Rockingham Forest, Northamptonshire. Medieval archaeology, 45. pp. 41-95. ISSN 0076-6097

Foard, Glenn (1995) Naseby: The Decisive Campaign. Pryor Publications, Kent, UK. ISBN 9780946014415

Foard, Glenn (1984) Raunds: manorial and village origins. In: Studies in Late Anglo-Saxon Settlement. Oxford University Department for External Studies, Oxford, UK, pp. 81-100. ISBN 9780903736176

Foard, Glenn (2005) Rockingham : the destruction of a forest. Landscape archaeology and ecology, 5. pp. 23-40.

Foard, Glenn (1991) The Saxon bounds of oundle. Northamptonshire past and present, 8 (3). pp. 179-186. ISSN 0140-9131

Foard, Glenn (2003) Sedgemoor 1685 : historic terrain, the archaeology of battles and the revision of military history. Lansdcapes, 4 (2). pp. 5-15. ISSN 1466-2035

Foard, Glenn (1978) Systematic fieldwalking and the investigation of Saxon settlement in Northamptonshire. World Archaeology, 9 (3). pp. 357-374. ISSN 1470-1375

Foard, Glenn (1985) The administrative organisation of Northamptonshire in the Saxon period. Anglo-Saxon Studies in Archaeology and History, 4. pp. 185-222. ISSN 0264-5254

Foard, Glenn (2001) The archaeology of attack : battles and sieges of the English civil war. In: Fields of conflict. Archaeopress. ISBN 9781841712499

Foard, Glenn (1994) The civil war defences of Northampton. Northamptonshire past and present, 9 (1). pp. 1-44. ISSN 0140-9131

Foard, Glenn (1988) A framework for Saxon evidence from Northamptonshire. In: First MIllennium papers. BAR international series, 401 . B.A.R., pp. 259-271. ISBN 9780860545163

Foard, Glenn (1992) The great re-planning? In: The origins of the Midland village. Economic History Society.

Foard, Glenn and Britnell, Tracey (2002) Fotheringhay : a new perspective from the 1640's. Northamptonshire Archaeology, 30. pp. 140-143.

Foard, Glenn and Brown, Anthony E (1998) The Saxon landscape : a regional perspective. In: The Archaeology of landscape. Manchester University Press, pp. 67-94. ISBN 9780719047671

Foard, Glenn and Curry, Anne (2013) Bosworth 1485: A Battlefield Rediscovered. Oxbow Books, Oxford. ISBN 9781782971733

Foard, Glenn, Hall, David and Partida, Tracey (2009) Rockingham Forest: An Atlas of the medieval and early- modern landscape. Northamtonshire Record Society, Northamtonshire, UK. ISBN 0901275670

Foard, Glenn, Hall, David and Partida, Tracey (2005) Rockingham forest : the evolution of a landscape. Lansdcapes, 6 (2). pp. 1-29. ISSN 1466-2035

Foard, Glenn and Jackson, Dennis (1994) Anglo-Saxon Occupation at Yardley Hastings, Northants. Northamptonshire Archaeology, 25. pp. 93-98.

Foard, Glenn and Morris, Richard K. (2012) The archaeology of English battlefields. CBA Research Report (168). Council for British Archaeology, York, UK. ISBN 9781902771885

Foard, Glenn and Partida, Tracey The archaeology of medieval and early modern battlefields in Flanders. Monumenten, Landschappen & Archaeologie. (Submitted)

Foard, Glenn and Partida, Tracey (2005) A legacy of kings : the story of Rockingham forest. Rockingham forest trust.

Foard, Glenn and Rippon, S (1999) Book review : The register of landscapes of outstanding historic interest in Wales. Landscape history, 21. ISSN 0143-3768

Folley, Susan and Ellis, Cath (2008) Harnessing the Power of Distributed Learning: the potential benefits for Higher Education in the United Kingdom. In: Solstice Conference 2008: elearning and learning environments for the future, 5th June 2008, Edge Hill University, Ormskirk, UK. (Unpublished)

Foster, Lauren (2019) Increasing The Accessibility of Battlefield Heritage: Considering Whether Battlefield Interpretation Would Be Improved Through the Use of Mobile Applications. Masters thesis, University of Huddersfield.

Fox, Christopher Clarke, James. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Darmstadt School. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Hybrid temperaments and structural harmony: a personal history. Contemporary Music Review, 22 (1-2). pp. 123-139. ISSN 07494467

Fox, Christopher (2002) Johnson, Steven, ed.: The New York schools of music and visual arts, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher (2001) Life is beautiful: Richard Ayres in focus. Musical times, 142 (1875). pp. 39-52.

Fox, Christopher Neue Einfachheit (Ger.: ‘New Simplicity’). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher New Complexity. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Newman, Chris(topher). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Nicholls, David, ed.: The Cambridge companion to John Cage, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher Redgate, Roger (John). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Rzewski, Frederic: Rzewski plays Rzewski: piano works 1975–1999, reviewed by Christopher Fox. The Musical Times, 144 (1882). pp. 65-68. ISSN 0027-4666

Fox, Christopher (2003) Sharp practice: Gavin Bryars at 60. The Musical Times, 144 (1884). pp. 15-25. ISSN 0027-4666

Fox, Christopher (2004) Tempestuous Times: The Recent Music of Thomas Ades. The Musical Times, 145 (1888). pp. 41-56. ISSN 0027-4666

Fox, Christopher (2002) Under the lens: Michael Finnissy’s History of Photography in Sound. The Musical Times, 143 (1879). pp. 26-35. ISSN 0027-4666

Fox, Christopher (2001) The extended clarinet: four contemporary approaches. Musical Performance, 3 (1). pp. 67-79. ISSN 1049-8869

Fox, Christopher and Osmond-Smith, David Scelsi, Giacinto. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Richard Bramwell (2016) Identity, Representation and Transcultural Adaptation in Delius's Koanga. Masters thesis, University of Huddersfield.

Francis, P. A. (2012) Drums and bass: for tomorrow's rhythm section. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-104-5

Francis, P. A. (2012) Grooves for guitar. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-105-2

Francis, Paul Alexander (2019) Devising Drum Kit Repertoire for Higher Instrumental Popular Music Education (HIPME):Towards a Collaborative Learning Model. Doctoral thesis, University of Huddersfield.

Franks, Suzanne and O'Neill, Deirdre (2016) Women reporting sport: Still a man's game? Journalism: Theory, Practice and Criticism, 17 (4). pp. 474-492. ISSN 1741-3001

Freer, Lewis (2020) The Lost Cause Narrative in Three Southern Novels Published between 1880 and 1936. Masters thesis, University of Huddersfield.

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

Gardiner, Nicholas (2020) Dead as a Doornail: New Materialism and the Corpse in Contemporary Fiction. Doctoral thesis, University of Huddersfield.

Gaukroger, Alan (2008) The Director of Financial Enquiries A Study of the Treasury Career of R. G. Hawtrey, 1919-1939. Doctoral thesis, University of Huddersfield.

Gaunt, Sarah K. (2018) English Political Propaganda, 1377–1485. Doctoral thesis, The University of Huddersfield.

Georgiou, Dion and Litherland, Benjamin (2015) Sport’s Relationship with Other Leisure Industries II -- Products, Imagery and Spectacle. Sport in History, 35 (3). pp. 323-334. ISSN 1746-0263

Ghgam, Aziza Ibrahim (2015) An investigation into face to face feedback for second language writing in the Libyan higher education context. Doctoral thesis, University of Huddersfield.

Gibson, Ian, Middleton, Deborah K. and Adkins, Monty (2014) Borderlands CosMixed. [Show/Exhibition]

Gibson, Ryan Markus (2015) The Role of Accent in Popular Music: An Interdisciplinary Approach. Masters thesis, University of Huddersfield.

Gill, David (2002) The Amateur Yorksherman. Redbeck Press, Bradford. ISBN 0946980918

Gill, David (2002) CDA to CDA – from Critical Discourse Analysis to Creative Discourse Analysis. In: PALA Annual Conference 2002, 4 - 6 April 2002, University of Birmingham. (Unpublished)

Gill, David (2008) The poetics of popular song lyrics. In: PALA Annual Conference 2008, 23rd - 26th July 2008, University of Sheffield. (Unpublished)

Gill, David, Bradley, C. and Holmes, G. (2003) Poetry On The Rocks. Diamond Street Press.

Gill, David and Stewart, Michael (2008) The Intelligent Woman's Guide to Socialising, Fadism and Commonism. PDG Books. ISBN 9781905519040

Gill, Rebecca (2004) Book review: ‘Pulling the Devils Kingdom Down: The Salvation Army in Modern Britain’, by Pamela J. Walker, 2001. European Review of History, 11 (3). pp. 450-452. ISSN 1350-7486

Gill, Rebecca (2007) 'Calculating Compassion' in the South African War, 1899-1902: A Case Study in the History of the Origins of Humanitarian Relief. In: University of Sheffield Imperial History Discussion Group, 10 May 2007, University of Sheffield. (Unpublished)

Gill, Rebecca (2013) Calculating Compassion: Humanity and Relief in War, Britain 1870 - 1914. Humanitarianism: Key Debates and New Approaches . Manchester University Press. ISBN 9780719078101

Gill, Rebecca (2007) Fertility and Female Sexuality: Revisiting the ‘Sexual Revolution’: Book review: ‘The Long Sexual Revolution: English Women, Sex and Contraception, 1800-1975’ by Hera Cook, 2004. Metascience, 16 (1). pp. 101-105. ISSN 0815-0796

Gill, Rebecca (2012) Networks of concern, boundaries of compassion: British relief in the South African War. Journal of Imperial and Commonwealth History, 40 (5). pp. 827-844. ISSN 0308-6534

Gill, Rebecca (2009) “The Rational Administration of Compassion”: The Origins of British Relief in War. Le Mouvement Social, 227 (2). pp. 9-26. ISSN 0027-2671

Gill, Rebecca (2004) The imperial anxieties of a nineteenth century bigamy case. History workshop journal, 57. pp. 58-78. ISSN 1363-3554

Gill, Rebecca (2014) The origins of the British Red Cross Society and the politics and practices of relief in war, 1870-1906. Asclepio, 66 (1). pp. 1-13. ISSN 0210-4466

Gill, Rebecca (2006) A very Moses in the House of Lords: Disraeli, nationality and the Bulgarian atrocities. In: Parcours Judaiques. Universite Paris X Nanterre, Paris, France, pp. 57-75. ISBN 2-909980-08-1

Gill, Rebecca and Leeworthy, Daryl (2015) Moral minefields: Save the Children Fund and the moral economies of nursery schooling in the South Wales coalfield in the 1930s. Journal of Global Ethics, 11 (2). pp. 218-232. ISSN 1744-9626

Gillies, Samuel (2020) Composing with Frames and Spaces: Cinematic Virtual Reality as an Audiovisual Compositional Practice. Doctoral thesis, University of Huddersfield.

Gledhill, Jennifer (2016) Modernism and Magic. Masters thesis, University of Huddersfield.

Gledhill, Jonathan (2013) From Shire to Barony in Scotland: The Case of Eastern Lothian. In: Norman Expansion: Connections, Continuities and Contrasts. Ashgate, London, UK, pp. 87-114. ISBN 9781409448389

Gledhill, Jonathan (2012) Locality and Allegiance: English Lothian, 1296-1318. In: England and Scotland at War, c.1296-c.1513. Brill, Leiden, pp. 157-182. ISBN 9789004229822

Glenn, Phillip and Holt, Elizabeth (2013) Introduction. In: Studies of Laughter in Interaction. Continuum Press. ISBN 9781441164797

Glenn, Phillip and Holt, Elizabeth (2015) Laughter. In: The International Encyclopedia of Language and Social Interaction. Wiley. ISBN 9781118611463

Glenn, Phillip and Holt, Elizabeth (2013) Studies of laughter in interaction. Continuum Press. ISBN 9781441164797

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music, 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock: Identity through instability. MusikTexte, 132. ISSN 0178-8884

Glover, Richard (2013) Phill Niblock: Identity through instability. In: Phill Niblock: Working Title. Les presses du réel, Dijon, France. ISBN 9782840664239

Glover, Richard and Harrison, Bryn (2013) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27-29 April 2012, Ionian University, Corfu, Greece.

Glover, Mark (2020) Shakespeare, Brexit and Henry V : A proper place in the Curriculum? Masters thesis, University of Huddersfield.

Glover, Richard (2013) Approaches to microtonality in my own music. In: EUROMicroFest, 2-3 Feb 2013, Kunsthochschule für Medien, Köln. (Unpublished)

Glover, Richard (2007) Black Space. [Composition] (Unpublished)

Glover, Richard (2010) The Compositional Use of Numerals in Music Notation. In: Off the Staves: Writing Music Before and After Conventional Notation, 26th-27th March 2010, Bangor, Wales. (Unpublished)

Glover, Richard (2010) Corradiation. [Composition] (Unpublished)

Glover, Richard (2012) The Experience of Sustained Tone Music. In: Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). European Society for the Cognitive Sciences of Music (ESCOM). ISBN 960-99854-1-7

Glover, Richard (2009) Gradual music. [Composition] (Unpublished)

Glover, Richard (2011) Influence of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Submitted)

Glover, Richard (2011) Influences of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Unpublished)

Glover, Richard (2009) Lithosphere. [Composition] (Unpublished)

Glover, Richard (2009) Lithosphere, for quarter-tone trumpet, eighth-tone trumpet and quarter-tone horn. [Composition] (Unpublished)

Glover, Richard (2013) Logical Harmonies. [Audio]

Glover, Richard (2007) Loose Change. [Composition] (Unpublished)

Glover, Richard (2009) Malkans. [Composition] (Unpublished)

Glover, Richard (2010) Michael Pisaro’s pi and numerical representation. CeReNeM Journal (1).

Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495

Glover, Richard (2010) Music of Sustained Tones. Doctoral thesis, University of Huddersfield.

Glover, Richard (2012) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27th-29th April 2012, Ionian University, Corfu, Greece. (Unpublished)

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music, 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock through the Ages. In: MuGI conference on 'Gender, Musical Creativity and Age', 6th - 7th October 2012, University of Huddersfied. (Unpublished)

Glover, Richard (2011) Pitch specificity in text scores. In: Word Event: a verbal notation symposium, 21st September 2011, Bath, UK. (Unpublished)

Glover, Richard (2012) Portrait concert. In: UNSPECIFIED, 10th February 2012, Le théâtre de l'Espace, Besancon, France.

Glover, Richard (2010) Seventh Inversions. [Composition]

Glover, Richard (2008) Sound unbroken. [Composition] (Unpublished)

Glover, Richard (2007) Spiral chaotic. [Composition] (Unpublished)

Glover, Richard (2012) Sustained Tones and the Auditory Experience. Leonardo Music Journal, 22 (22). pp. 56-57. ISSN 0961-1215

Glover, Richard (2008) Violin with Clarinet and Piano. [Composition] (Unpublished)

Glover, Richard (2008) Virtual fusion. [Composition] (Unpublished)

Glover, Richard (2010) The compositional use of numerals in music notation. In: Music and numbers 2010 conference proceedings. Canterbury Christchurch University, Canterbury, UK. ISBN ISBN 978-1-899253-76-0

Glover, Richard (2011) The evolution of notation in sustained tone music. In: INTIME2011 Symposium Interrogations into Music Experimentation Experimental Approaches: new insights into performance and composition, 24th-25th September 2011, Coventry, UK. (Unpublished)

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM 2012 Joint Conference, 23-28 July 2012, Aristotle University of Thessaloniki.

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM Book of Abstracts. Aristotle University of Thessaloniki, Thessaloniki, pp. 122-123. ISBN 960998451-7

Glover, Richard (2013) The use of grid structures in contemporary notational practice. In: Time Stands Still: Notation in Musical Practice, 5-6 April 2013, Wesleyan University, Connecticut, USA. (Unpublished)

Glover, Richard (2010) The use of numerals in experimental notation. In: Music and Numbers Conference 2010, 14th-15th May 2010, Canterbury Christ Church, UK.

Glover, Richard and Harrison, Bryn (2013) Memory and trace in minimal experimental music. In: Time and Trace: 15th Triennial Conference of the International Society for the Study of Time, 30 June - 6 July 2013, Orthodox Academy of Crete, Greece. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Overcoming Form: reflections on immersive listening. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-120-5

Gold, Erica, Earnshaw, Kate and Ross, Sula (2016) An introduction to the West Yorkshire Regional English Database. Transactions of the Yorkshire Dialect Society. ISSN 0954-6316

Gold, Erica and French, Peter (2011) International Practices in Forensic Speaker Comparison. International Journal of Speech Language and the Law, 18 (2). ISSN 1748-8885

Gold, Erica and French, Peter (2011) An international investigation of forensic speaker comparison practices. In: 17th International Congress of Phonetic Sciences, 17th-21st August 2011, Hong Kong.

Gold, Erica, French, Peter and Harrison, Philip (2013) Clicking behavior as a possible speaker discriminant in English. Journal of the International Phonetic Association, 43 (3). pp. 339-349. ISSN 0025-1003

Gold, Erica, French, Peter and Harrison, Philip (2013) Examining long-term formant distributions as a discriminant in forensic speaker comparisons under a likelihood ratio framework. Proceedings of Meetings on Acoustics (POMA), 19 (1). 060041-060041. ISSN 1939-800X

Gold, Erica and Hughes, Vincent (2015) Front-end approaches to the issue of correlations in forensic speaker comparison. In: Proceedings of the 18th International Congress of Phonetic Sciences. University of Glasgow. ISBN 978-0-85261-941-4

Gold, Erica and Hughes, Vincent (2014) Issues and opportunities: The application of the numerical likelihood ratio framework to forensic speaker comparison. Science and Justice, 54 (4). pp. 292-299. ISSN 1355-0306

Gold, Erica and McIntyre, Dan (2017) What the /fᴧk/? An acoustic pragmatic-analysis of meaning in The Wire. In: Pragmatics and Literature. John Benjamins. (Submitted)

Gold, Erica and McIntyre, Dan (2017) What the fuck? Making sense of expletives in The Wire. Babel: The Language Magazine, 19. pp. 28-31. ISSN 2051-7297

Gomez, Jorge (2020) What Is It Like to Be a PNG? Masters thesis, University of Huddersfield.

Gray, Jonathan, Sandvoss, Cornel and Harrington, Lee (2007) Fandom: Identities and Communities in a Mediated World. NYU Press. ISBN 9780814731826

Gray, Jonathan, Sandvoss, Cornel and Harrington, Lee (2007) Why study fans? In: Fandom: Identities and Communities in a Mediated World. NYU Press, pp. 1-18. ISBN 9780814731826

Green, Keith, Christie, Chris and Kádár, Daniel Z. (2007) Book reviews : Diachronic perspectives on address term systems. Journal of Politeness Research Language Behaviour Culture, 3 (1). pp. 159-164. ISSN 1612-5681

Green-Mateu, Susan (2018) The Tesseract: using the body’s movement to shape my compositional practice. Masters thesis, University of Huddersfield.

Gregory, Jodi (2018) Integration experiences of international students: A situated case-study. Doctoral thesis, University of Huddersfield.

Griffiths, Sam and von Lunen, Alexander (2016) Spatial Cultures: Towards a New Social Morphology of Cities Past and Present. Design and the Built Environment Series . Routledge, London. ISBN 9781472450296

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part One: Liza Lim. Resonate Magazine.

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part Two: Liza Lim. Resonate Magazine.

Gurden, Damian (2016) The Trumpet: The Soloist That Time Forgot: An Examination of the Solo Writing for the Trumpet in an Orchestral Context and a Solo Setting Between 1860-1950. Masters thesis, University of Huddersfield.

Hale, Cohen (2020) How cocaine influenced British rock and metal culture from 1964-1980. Masters thesis, University of Huddersfield.

Haley, Margaret Anne (2010) Drawing Sound in Time: A Commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Hall, D, Foard, Glenn and Britnell, T (2004) The historic landscape of Rockingham forest. Northamptonshire past and present, 57. ISSN 0140-9131

Hall, Rachel A. (2002) When is a wife not a wife? Some observations on the immigration experiences of South Asian women in West Yorkshire. Contemporary Politics, 8 (1). pp. 55-68. ISSN 13569775

Halliday, Steven (2017) Klangsteine: exploring the sound stones of Hannes Fessmann. Masters thesis, University of Huddersfield.

Hammond, Richard (2018) THE EVOLUTION OF PAUL McCARTNEY’S BASS PLAYING 1965-67. Masters thesis, University of Huddersfield.

Hanlin, Bruce and Klontzas, Michael (2009) Public Service Broadcasting v2.0: an emerging paradigm in the UK. In: The Ends of Television: Logics/Perspectives/Entanglements, 29th June – 1st July 2009, Amsterdam School for Cultural Analysis (ASCA) and Department of Media Studies of the Universiteit van Amsterdam. (Unpublished)

Harcup, Tony and O'Neill, Deirdre (2001) What Is News? Galtung and Ruge revisited. Journalism Studies, 2 (2). pp. 261-280. ISSN 1461-670X

Harcup, Tony and O'Neill, Deirdre (2016) What is news? News values revisited (again). Journalism Studies. ISSN 1461-670X

Hargreaves, John A. (2010) Book review : POINTERS TO THE PAST The historical landscape of Hebden Township, Upper Wharfedale edited Heather Beaumont Yorkshire Archaeological Society Occasional Papers 5 2006 vii+57pp ISBN 1903564557. The Local Historian, 40 (1). ISSN 0024-5585

Hargreaves, John A. (1999) Evangelical piety and Gallic flippancy : Religion and popular protest in Halifax parish in the age of revolution. In: The Representation and Reality of War: The British Experience. Sutton Publishing. ISBN 978-0750918619

Hargreaves, John A. (2003) Halifax. Carnegie Publishing. ISBN 9781859361092

Hargreaves, John A. (2010) ‘“Hat’s Off”: Methodism and Popular Protest in the West Riding of Yorkshire in the Chartist era: a case study of Benjamin Rushton (1785-1853) of Halifax’. Wesley Historical Society. Proceedings, 57 (5). ISSN 0043-2873

Hargreaves, John A. (1999) Methodism and Electoral Politics in Halifax, 1832–1848. Northern history: a review of the history of the North of England., 35 (1). pp. 139-160. ISSN 0078-172X

Hargreaves, John A. (1990) Methodism and Luddism in Yorkshire, 1812–1813. Northern history: a review of the history of the North of England., 26 (1). pp. 160-185. ISSN 0078-172X

Hargreaves, John A. (2013) Methodists at the Parish Pump: Methodism and Parochial, Township and Municipal Politics in Halifax, c.1825−c.1850. In: Yorkshire Methodism Essays to Commemorate the Jubilee Year of the Wesley Historical Society (Yorkshire). Wesley Historical Society. ISBN 9780957493308

Hargreaves, John A. (2014) The Minster Church of John the Baptist, Halifax, West Yorkshire : The Medieval Foundations. In: A Fresh Approach: Essays Presented to Colin Platt in Celebration of His Eightieth Birthday 11 November 2014. Trouser Press.

Hargreaves, John A. (2013) Out and About in Halifax 1863-2013. The historian. pp. 31-35. ISSN 0265-1076

Hargreaves, John A. (1991) Religion and society in the parish of Halifax, c. 1740-1914. Doctoral thesis, Huddersfield Polytechnic.

Hargreaves, John A. (2014) Towards the provinces? Metropolitan press coverage of the first British royal visit to Halifax 1863. In: Towards the Metropolis?: Approaches to the modern city. Leeds Working Papers in Victorian Studies (14). Leeds Centre for Victorian Studies.

Hargreaves, John A. (2014) Wakefield Court Roll 1812-13. Wakefield Court Rolls Series, 16 . Yorkshire Archaeological Society. ISBN 9781903564172

Hargreaves, John A. (2012) Yorkshire Luddism : image and reality 1812-2012. The Local Historian, 42 (3). ISSN 0024-5585

Hargreaves, John A. (1992) A metropolis of discontent. In: Huddersfield : A most handsome town. Kirklees Metropolitan Council Cultural Services. ISBN 9780900746529

Hargreaves, John A. and Haigh, E. A. Hilary (2012) Slavery in Yorkshire: Richard Oastler and the campaign against child labour in the Industrial Revolution. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-107-6

Hargreaves, John A., Laybourn, Keith and Toye, Richard (2017) Introduction. In: Liberal Reform and Industrial Relations: J.H. Whitley (1866-1935), Halifax Radical and Speaker of the House of Commons. Routledge, pp. 1-6. ISBN 9781138293984

Hargreaves, John A., Laybourn, Keith and Toye, Richard (2017) Liberal Reform and Industrial Relations: J.H. Whitley (1866-1935), Halifax Radical and Speaker of the House of Commons. Routledge. ISBN 9781138293984

Hargreaves, Michael (2019) The Mirrored City: creating claustrophobia and pace in overpopulation through prose. Masters thesis, University of Huddersfield.

Harker, Alexander (2011) AHarker Externals. Alexander J. Harker. (Unpublished)

Harker, Alexander (2011) Fluence. [Audio]

Harker, Alexander (2010) Fluence. In: Ergodos Festival MMX, 2nd April 2010, Project Arts Centre, Dublin.

Harker, Alexander (2011) Fluence. In: International Computer Music Conference 2011, 31st July - 5th August 2011, University of Huddersfield.

Harker, Alexander (2012) Fluence. In: 9th Sound and Music Computing Conference 2012, 11th - 14th July 2012, Aalborg University, Copenhagen, Denmark.

Harker, Alexander (2012) Fluence. In: Nachtstrom, Gare du Nord, 8th November 2012, Basel, Switzerland.

Harker, Alexander (2012) Fluence. In: Huddersfield Contemporary Music Festival 2012, 16th - 25th November 2012, Huddersfield, UK.

Harker, Alexander (2010) Fluence. [Composition] (Unpublished)

Harker, Alexander (2011) Fractures. [Composition] (Unpublished)

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

Harker, Alexander, Kanno, Kanno and Newton, Michael (2016) Octet Violins (Modeling a Virtual Violin). University of Huddersfield. (Unpublished)

Harker, Alexander and Tremblay, Pierre Alexandre (2012) The HISSTools Impulse Response Toolbox: Convolution for the Masses. In: ICMC 2012: Non-cochlear Sound. The International Computer Music Association, pp. 148-155. ISBN 9780984527410

Harker, Alexander and Tremblay, Pierre Alexandre (2013) Rethinking the Box: Approaches to the Reality of Electronic Music Performance. In: IRCAM Forum, 20-22 November 2013, IRCAM, Paris. (Submitted)

Harling, Katie (2018) Bio-Queening and Body Art: An Autoethnographic Investigation into Hybrid Performance Making. Masters thesis, University of Huddersfield.

Harper, Kayleigh (2019) Immersive Theatre: An educational intervention for Mental Health. Masters thesis, University of Huddersfield.

Harrington, George Henry (2019) Voices that ‘don’t fit’: case studies in the reception of ‘queer’ high male singing voices. Masters thesis, University of Huddersfield.

Harrison, Bryn (2014) 1.Receiving the Approaching Memory (2011/14). [Composition]

Harrison, Bryn (2009) Bryn Harrison. In: The Ashgate Research Companion to Experimental Music. Ashgate, London, UK, pp. 283-292. ISBN 9780754662822

Harrison, Bryn (2012) Eight Voices. [Composition]

Harrison, Bryn (2011) Five Distances (2011) 10’ Mezzo-soprano voice and piano. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts (2008) (8'). [Composition]

Harrison, Bryn (2009) Gently Rising. [Composition]

Harrison, Bryn (2002) Low time patterns [#1-5] for 7 players (mixed ensemble). [Composition]

Harrison, Bryn (2010) M.C.E. (2010) 20’ Solo classical guitar. [Composition]

Harrison, Bryn (2007) Plane Image (2007) 8'. [Composition]

Harrison, Bryn (2008) Quietly Rising (Piano piece December 2008)(4'). [Composition]

Harrison, Bryn (2008) Repetitions in Extended Time. [Composition]

Harrison, Bryn (2012) Scanning the Temporal Surface. CeReNem journal (3).

Harrison, Bryn (2006) Shifting Light (7 minutes). [Composition]

Harrison, Bryn (2011) The Tempo of Enclosed Spaces: A short, personal reflection on the ensemble music of Aldo Clementi. Contemporary Music Review, 30 (3-4). pp. 269-274. ISSN 0749-4467

Harrison, Bryn (2016) Things are more like they are now than they ever have been before. [Composition]

Harrison, Bryn (2012) Vessels for solo piano (76’). [Composition]

Harrison, Bryn (2016) A form in search of itself (2016). [Composition]

Harrison, Bryn (2006) four cycles for large ensemble (15 players). [Composition]

Harrison, Bryn (2007) a leaf falls on loneliness (2007) (15'). [Composition]

Harrison, Bryn (2008) an oblique. [Composition]

Harrison, Bryn (2009) an oblique. [Audio]

Harrison, Bryn (2005) six symmetries for large ensemble (17 players). [Composition]

Harrison, Bryn (2009) surface forms (repeating)(10'30''). [Composition]

Harrison, Bryn (2008) to be (an ever opening flower). [Composition]

Harrison, Chloe, Nuttall, Louise, Stockwell, Peter and Yuan, Wenjuan (2014) Cognitive Grammar in Literature. Linguistic Approaches to Literature, 17 . John Benjamins, Amsterdam, The Netherlands. ISBN 978 90 272 3404 9

Harrison, Iain (2012) An exploration into the uses of extended techniques in works for the saxophone, and how their application may be informed by a contextual understanding of the works themselves. Doctoral thesis, University of Huddersfield.

Hartley, Allegra (2018) MOTHERS IN A MAN’S WORLD: MASCULINITY, MATERNITY, AND SCIENCE IN CHARLOTTE HALDANE’S INTERWAR FICTION. Doctoral thesis, University of Huddersfield.

Harvey, Stephen (2019) Aurality & the modern urban landscape: Invoking the flâneur - tracing a relationship between creativity and the city in my practice-research. Doctoral thesis, University of Huddersfield.

Hassan, Sawsan Hazim (2019) Media Portrayals of Abrahamic Religions in Broadsheet Newspapers: A Corpus-Based Critical Stylistic Analysis. Doctoral thesis, University of Huddersfield.

Hatton Baldwin, Lydia (2018) Interdisciplinary Modernism: Ezra Pound’s Le Testament de Villon and his approach to opera. Masters thesis, University of Huddersfield.

Haugh, Michael, Chang, W. and Kádár, Daniel Z. (2012) Identities and relational practices in Chinese online discussion boards. Language@Internet. ISSN 1860-2029

Haugh, Michael and Kádár, Daniel Z. (2017) Intercultural (Im)politeness. In: The Palgrave Handbook of Linguistic (Im)Politeness. Palgrave Macmillan, pp. 601-632. ISBN 9781137375070

Haugh, Michael, Kádár, Daniel Z. and Mills, Sara (2013) Interpersonal pragmatics: Issues and debates. Journal of Pragmatics, 58. pp. 1-11. ISSN 0378-2166

Haughey, Laura (2013) Practical Proprioception: An Examination of a Core Physiological Foundation for Physical Performance Training. Doctoral thesis, University of Huddersfield.

Hawkett, Andrew (2013) An empirical investigation of the concept of memes in music using mass data analysis of string quartets. Doctoral thesis, University of Huddersfield.

Haworth, Catherine (2010) After all, do I look like a murderer? Music and the subjective art of detection in 'Suspicion'. In: RMA Research Students' Conference, January 2010, University of York. (Unpublished)

Haworth, Catherine (2015) Bodies of evidence: performing women and the politics of representation in classical Hollywood. In: Research seminar: Bodies of Evidence, January 2015, Canterbury Christ Church University. (Unpublished)

Haworth, Catherine (2017) Book Review: Olivia Bloechl, Melanie Lowe and Jeffrey Kallberg (eds), 'Rethinking Difference in Music Scholarship' (2015). Journal of the Society for Musicology in Ireland, 12. pp. 71-73. ISSN 1649-7341

Haworth, Catherine (2013) Book review: 'Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores'. By Peter Franklin, Oxford, 2011. Music and Letters, 94 (2). pp. 365-367. ISSN 0027-4224

Haworth, Catherine (2013) Book review: 'The Private Eye: Detectives in the Movies'. By Bran Nicol, Reaktion Books, 2013. Viewfinder: The Journal of the British Universities Film and Video Council, 93. p. 27. ISSN 0952-4444

Haworth, Catherine (2011) Dangerous dames and Siren songs: Music and the 'criminal' woman in 1940s Hollywood. In: Women in Research, July 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2005) Dark as night and twice as deadly: music, gender and film noir. In: Research seminar, November 2005, Department of Music, University of East Anglia. (Unpublished)

Haworth, Catherine (2012) Detective Agency? Scoring the Amateur Female Investigator in 1940s Hollywood. Music and Letters, 93 (4). pp. 543-573. ISSN 0027-4224

Haworth, Catherine (2009) Detective agency? Music, sound, and the female investigator in 1940s Hollywood. In: International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Haworth, Catherine (2005) Gender and subversion in Roy Webb's score for 'The Spiral Staircase'. In: RMA Research Students' Conference, March 2005, University of Durham. (Unpublished)

Haworth, Catherine (2015) How music became so core to James Bond that someone bet £15,000 on the theme. The Conversation. ISSN 2044-5032

Haworth, Catherine (2011) I remember clearly everything that happened that night...: voiceover, music and subjectivity in classical Hollywood. In: Film Music Conference, September 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2012) Introduction: Gender, Sexuality, and the Soundtrack. Music, Sound, and the Moving Image, 6 (2). pp. 113-135. ISSN 1753-0768

Haworth, Catherine (2013) "It may sound like music to her…": Inter-American politics, 'Latin' scores, and the 1940s femme fatale in 'The Leopard Man'. In: British Association of American Studies conference, April 2013, University of Exeter, UK. (Unpublished)

Haworth, Catherine (2008) John Barry and the James Bond sound. Programme note for 'James Bond: Shaken, not stirred' concert, Leeds Town Hall International Concert Season.

Haworth, Catherine (2017) Listening to the detectives: towards inclusive analysis of The Falcon's adventures at RKO. In: Sources and Archives in Screen Sound Studies, 1st-2nd June 2017, University of Huddersfield, UK. (Unpublished)

Haworth, Catherine (2013) Million-dollar legs and a desire for the "primitive": Taming Ann Miller’s virtuosic body in and around 'Prehistoric Man'. In: The Performing Body in the Hollywood Film Musical, 4th-6th April 2013, Colgate University, Hamilton, NY USA. (Unpublished)

Haworth, Catherine (2017) Music for a gentleman adventurer: scoring the Falcon at RKO Radio Pictures. In: Newland Lecture in Music, 17 October 2017, University of Hull. (Unpublished)

Haworth, Catherine (2006) Music, suspense, and subjectivity in 'Notorious'. In: RMA Research Students' Conference 2006, January 2006, University of Leeds. (Unpublished)

Haworth, Catherine (2013) Musical scores and female detectives of the 1940s. [Web page]

Haworth, Catherine (2011) Nancy, Nancy, what'll you do to him now?: music, subjectivity and the femme fatale in 'The Locket'. In: Music and the Moving Image VI, May 20 – May 22, 2011, New York University. (Unpublished)

Haworth, Catherine (2016) On the beat with the Falcon: scoring the adventure programmer at RKO Radio Pictures. In: Music Research Seminar, October 20th, 2016 — September 20th, 2016, University of Leeds, School of Music. (Unpublished)

Haworth, Catherine (2014) Prescriptive audio: gender, medicine and musical control in the 1940s gaslight film. In: Music and Screen Media, 25-26th June 2014, University of Liverpool. (Unpublished)

Haworth, Catherine (2015) Pussy Galore: women and music in 'Goldfinger'. In: For his eyes only? The women of James Bond. Wallflower Press, New York, USA, pp. 160-170. ISBN 9780231176149

Haworth, Catherine (2008) Review of 'Film's Musical Moments' ed. by Ian Conrich and Estella Tincknell (Edinburgh University Press, 2006). Music, Sound and the Moving Image, 2 (1). pp. 83-90. ISSN 1753-0768

Haworth, Catherine (2008) Shades of grey: suspense, subjectivity and the soundtrack in Hitchcock's 'Notorious'. In: Cinemusic? Constructing the Film Score. Cambridge Scholars Publishing, Cambridge, UK, pp. 113-125. ISBN 1847185932

Haworth, Catherine (2014) Shapely gams and jazz hands: taming Ann Miller's virtuosic body in and around 'Prehistoric Man'. In: Music for Audio-Visual Media, September 2014, University of Leeds, UK. (Unpublished)

Haworth, Catherine (2011) She must be quite a dame...: Music and the femme fatale in 'Out of the Past'. In: International Conference on Music Since 1900, 28–31 July 2011, Lancaster University. (Unpublished)

Haworth, Catherine (2012) Something beneath the flesh: medicine, music and masculinity in the 1940s gaslight thriller. In: Bodies of Evidence: Crime, Gender and Representation, 2 April 2012, Newcastle University. (Unpublished)

Haworth, Catherine (2014) Something beneath the flesh: music, gender, and medical discourse in the 1940s female gothic film. Journal of the Society for American Music, 8 (3). pp. 338-370. ISSN 1752-1963

Haworth, Catherine (2017) Star quality? Song, celebrity and the jukebox musical in 'Mamma Mia!'. In: Contemporary Musical Film. Edinburgh University Press, Edinburgh, pp. 107-122. ISBN 9781474413121

Haworth, Catherine (2017) Synchronicity and subjectivity in film music studies. In: Popular Music Study Day, 25th May 2017, Oxford Brookes University, UK. (Unpublished)

Haworth, Catherine (2012) "There isn't any other song": Reading Monroe's 'Kiss' in and after 'Niagara'. In: The Afterlife of the Film Song, 8 December 2012, Bristol University. (Unpublished)

Haworth, Catherine (2007) There isn't any other song: music, Monroe, and female agency in 'Niagara'. In: Sound, Music and the Moving Image, 10–12 September 2007, Institute of Musical Research, University of London. (Unpublished)

Haworth, Catherine (2006) There's nothing like a love song to give you a good laugh: music and subjectivity in 'Notorious'. In: Bradford Film Festival Film Music Conference, March 2006, National Media Museum, Bradford. (Unpublished)

Haworth, Catherine (2005) There's nothing like a love song to give you a good laugh: music, 'Notorious', and the boundaries of noir. In: Cherchez la Femme. The cinematic femme fatale, her history and transmissions, September 2005, University of Exeter. (Unpublished)

Haworth, Catherine (2010) They wouldn't send a woman, would they? Musical approaches to the female detective in 1940s Hollywood. In: Crime Across Cultures, 9-10 September 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2014) "Wallowing in Latin glamor": inter-American politics, Hollywood film music, and the 1940s femme fatale. In: Music and the Moving Image IX, 30th May - 1st June 2014, New York University. (Unpublished)

Haworth, Catherine (2009) What do you know of law and trials and all those things? Music and the female investigator in 1940s Hollywood. In: Research seminar, October 2009, School of Music, University of Leeds. (Unpublished)

Haworth, Catherine (2012) A bad town for blondes? Hollywood film music and inter-American politics in "The Leopard Man". In: Music and Music Technology Research Forum, March 2012, University of Huddersfield. (Unpublished)

Haworth, Catherine (2013) “A bad town for blondes”: Identity, inter-American politics, and ‘Latin’ film music in 'The Leopard Man'. In: International Conference on Music Since 1900, September 2013, Liverpool Hope University. (Unpublished)

Haworth, Catherine (2010) A voice with hormones: power, desire, and musical performance in 'A Woman's Secret'. In: School of Music Research Day, May 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2011) A voice with hormones: the singer, the diva, and the femme fatale in 'A Woman's Secret'. In: The Diva: An Interdisciplinary Conference, 5-8 July 2011, Liverpool Hope University. (Unpublished)

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. Ashgate, Farnham. ISBN 978-1-4724-3085-4

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. In: Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 1-6. ISBN 978-1-4724-3085-4

Hazell, Joseph C. N. (2018) A Rise in Conservatism? West Yorkshire politics 1979-87 and the aftermath of the Winter of Discontent: A comprehensive study of election results in West Yorkshire from 1982-87. Masters thesis, University of Huddersfield.

He, Yun (2006) Analysing English translations of tourism texts about ethnic cultures in SW China. Journal of Yunnan University of Nationalities (Supplement). pp. 186-190.

He, Yun (2012) Book review: Pan, Yuling and Dániel Z. Kádár. 2011. Politeness in Historical and Contemporary Chinese. London and New York: Continuum. ISBN 978-1-8470-6275-8; 224 pp. Journal of Politeness Research: Language Behaviour Culture, 8 (2). pp. 282-286. ISSN 1612-5681

He, Yun (2008) ‘Buzz off’ or ‘Thank you’? Responses to Compliments in Contemporary Chinese. In: 4th International Symposium on Politeness 'East meets West', 2nd - 4th July 2008, Budapest, Hungary. (Unpublished)

He, Yun (2010) Complimenting as intended: from the perspectives of the investigator, hearer and speaker. In: 5th International Symposium on Politeness, 30th June - 2nd July 2010, Basel, Switzerland. (Unpublished)

He, Yun (1998) Compliments in cross-cultural communication. In: Social Sciences and Education. Inner Mongolian Publishing House, Hohhot, pp. 266-273.

He, Yun (2011) Constructing group identity through politeness strategies in dinner party conversations. In: 12th International Pragmatics Conference, 3rd - 8th July 2011, Manchester, UK. (Unpublished)

He, Yun (2012) Different generations, different face? A discursive approach to naturally occurring compliment responses in Chinese. Journal of Politeness Research: Language Behaviour Culture, 8 (1). pp. 29-51. ISSN 1612-5681

He, Yun (1998) English speech sounds in context. Journal of Foreign Languages in Colleges, 1.

He, Yun (2007) Exploring the Inconsistent Translations of Lüyoujü: Also on Chinese-English Lexicography. Journal of Yunan Normal University(Teaching and Research on Chinese as A Foreign Language　Edition), 5 (1). pp. 45-48. ISSN 1672-1306

He, Yun (2009) Face and politeness: compliment rejection in contemporary Chinese. In: International Symposium on Face and Politeness, 10th July 2009, Brisbane, Australia. (Unpublished)

He, Yun (2006) Reflections on Multiculturalism under the Worldwide Spread of English. Journal of Yunan Normal University (Teaching and Research on Chinese as A Foreign Language　Edition), 4 (4). pp. 70-74. ISSN 1672-1306

He, Yun (2002) Verbal taboo in English and Chinese from a sociolinguistic perspective. Academic Research (2). pp. 146-148.

He, Yun (1998) An appraisal of Peter Newmark’s theories on communicational and semantic translation. In: Social Sciences and Education. Inner Mongolian Publishing House, Hohhot, pp. 66-70.

He, Yun (2006) A note on English translations of China’s institutional names. Journal of Qujing Normal University, 25 (2). pp. 125-126. ISSN 1008-2743

He, Yun and Zhuang, Cheng-yu (2006) Discussion about Some Biographical Mistranslations of Historical Figures in Yunnan. Journal of Honghe University (4). pp. 29-32. ISSN 1008-9128

He, Yun and Zhuang, Cheng-yu (2004) The Reasons for and Effects of the Globalization of English. Journal of Yunnan Normal University (Teaching and Research on Chinese as a Foreign Language Edition) (6). pp. 60-64. ISSN 1672-1306

He, Yun and Zhuang, Cheng-yu (2001) A comparative study on associative meanings of colour terms and words for plants and animals in English and Chinese. Journal of Yunnan University of Nationalities (Supplement). pp. 137-139.

He, Yun and Zhuang, Cheng-yu (2000) A contrastive analysis of values in intercultural communication between native speakers of English and Chinese. In: Language Teaching and Culture Research. China Wenlian Press, Beijing, pp. 84-87.

Head, Matthew, Cowgill, Rachel, Cusick, Suzanne, Fuller, Sophie and Colton, Lisa (2003) Round Table: Lesbian Historiography. In: 39th RMA Annual Conference 2003: Music Historiography, 12–14 September 2003, School of Music, Cardiff University. (Unpublished)

Healy, Kristine (2018) Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. Doctoral thesis, University of Huddersfield.

Hedgecock, James (2020) The extended drum kit: A study of techniques and approaches in free improvisational contexts and their influence on contemporary compositions. Masters thesis, University of Huddersfield.

Hellmuth, Sam, Almbark, Rana, Chlaihani, Basma and Louriz, Nabila (2015) F0 peak alignment in Moroccan Arabic polar questions. In: Proceedings of ICPhS 2015. University of Glasgow. ISBN 9780852619414

Hellstrom, Sten-Olof (2013) Algorithmically driven synthesis and feedback systems: an investigation into the aesthetic and technical processes in my compositional practice. Doctoral thesis, University of Huddersfield.

Heptinstall, Thomas (2016) From Snider-Enfield, to Martini-Henry, to the Magazine Lee-Metford: An Historical and Technical Overview of the Development of British Military Rifles from 1866 to 1895. Masters thesis, University of Huddersfield.

Herbst, Jan (2018) The Art of Record Production: Technologies, practices and styles of popular music production. In: Postgraduate seminar on popular music analysis, 26-29 March 2018, Paderborn University, Germany. (Unpublished)

Herbst, Jan (2018) “Put It Up to Eleven”: An Experimental Study on Distorted Solo Guitar Techniques in Sixty Years of Rock Music. Vox Popular, 3. ISSN 2531-7059 (In Press)

Herbst, Jan and Boer, Daniela (2018) Impulse aus der Musik kreativ in Bewegungen umsetzen und für Kommunikationsanlaesse nutzen [Musical Impulses Creatively Expressed Through Movement and Used for Communicative Purposes]. Sportpaedagogik, 67 (9). pp. 403-407. ISSN 0171-4953

Herbst, Jan-Peter (2013) 18 and Life (Skid Row). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Akkordstrukturen im verzerrten Rockgitarrenriff: Eine experimental-analytische Studie zur Auswirkung von physikalischen und psycho-akustischen Faktoren [Chord structures in the distorted rock guitar riff: An experimental and analytic study on the effects of physical and psychoacoustic factors]. Samples, 15. ISSN 1216-8001

Herbst, Jan-Peter (2015) ”Busby Berkeley: Höhepunkte der Choreographie des Broadway Musicals der 1930er Jahre“ [Busby Berkeley: Highlights of 1930s Broadway musical choreography]. In: Lecture series in Music and Arts, 4 November 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Das Konzeptalbum im Wandel der Zeit: Transmediale Schnittstellen als zeitgemäße ästhetische wie auch ökonomische Strategien?!“ [Concept albums in the change of time: Transmedial interfaces as aesthetic and economic strategies?! In: Lecture series in Music and Arts, 20th April 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Das virtuelle Mischpult als Instrument [The virtual mixing desk as an instrument]. Musikunterricht und Computer, 5. pp. 28-37. ISSN 1617-5816

Herbst, Jan-Peter (2016) “Der Einfluss von Verzerrung auf die Wahrnehmung verschiedener Gitarrenakkorde: Eine quantitative Studie auf Grundlage psychoakustischer Messungen” [The effect of distortion on the perception of guitar chord structures: A quantitative study based on a psychoacoustic experiment]. In: Akustik und musikalische Hörwahrnehmung, 1-11 September 2016, Vienna University, Austria. (Unpublished)

Herbst, Jan-Peter (2013) “Didaktik der Populären Musik: Sound und aktuelle Herausforderungen“ [Popular Music Education: Sound and contemporary challenges]. In: Musik lernen und vermitteln: Grundfragen und Perspektiven der Musikpädagogik, 13 January 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2011) Die Form macht’s: Angewandte Formenlehre in der Erarbeitung populärer Musik [The form matters: Applied music theory in popular music education]. Ueben und Musizieren, 2011 (6). pp. 34-37. ISSN 0174-6065

Herbst, Jan-Peter (2016) Die Gitarrenverzerrung in der Rockmusik: Studien zu Spielweise und Ästhetik [The guitar distortion in rock music: A study on playability and aesthetics]. Populaere Kultur und Medien, 12 . LIT, Muenster. ISBN 978-3-643-13553-7

Herbst, Jan-Peter (2011) Die Metapher als „Medium“ des Musikverstehens (Conference report). In: Die Metapher als „Medium“ des Musikverstehens, 17-19 June 2011, Osnabrueck University. (Unpublished)

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des E-Gitarrenspiels in der Rockmusik“ [Distortion as an expressive tool for rock guitar playing]. In: Transcultural and Popular Music Research, 29 January 2016, Weimar College of Music, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des Gitarrenspiels: Methodische Grundlagen und praktische Anwendungen“ [The distortion as an expressive means of guitar playing: Methodical basics and practical application]. In: Stromgitarren, 16 June 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2013) Don’t Stop Believin’ (Journey). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2015) “Dub Reggae: Das Mischpult als Instrument“ [Dub reggae: the mixing desk as an instrument]. In: Lecture series in Music and Arts, 2nd December 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Eigenes und Fremdes: Differenz als Chance für die (interkulturelle) Musikpädagogik” [I and the other: Difference as opportunity for intercultural music education]. In: Music and Arts Education, 10 January 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Faszination Gitarre: Der gemeinsame Song im Gitarrenorchester [Guitar fascination: The guitar orchestra]. Praxis des Musikunterrichts, 127. pp. 34-39. ISSN 1436-1949

Herbst, Jan-Peter (2015) Faszination Gitarre: Die Grundlagen der Tonerzeugung [Guitar fascination: The basics of tone production]. Praxis des Musikunterrichts, 123. pp. 36-43. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Grundlagen der akkordischen Liedbegleitung [Guitar fascination: Basics of rhythm guitar]. Praxis des Musikunterrichts, 126. pp. 38-47. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Phrasierung und die ersten Melodien [Guitar fascination: Phrasing and melodies]. Praxis des Musikunterrichts, 125. pp. 38-44. ISSN 1436-1949

Herbst, Jan-Peter (2017) “Gear Acquisition Syndrome”: A Survey of Electric Guitar Players. In: Popular Music Studies Today. Proceedings of the 19th conference of the International Association for the Study of Popular Music. Systematische Musikwissenschaft . Springer, Wiesbaden, pp. 139-148. ISBN 978-3658177393

Herbst, Jan-Peter (2016) “George Martin: Eine Rückschau auf seine Arbeit mit den Beatles und seinen Einfluss auf die Musikwelt“ [George Martin: A retrospect on his work with the Beatles and his influence on the world of music]. In: Lecture series in Music and Arts, 1 June 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) “Heaviness im modernen Metal. Eine produktionstechnische Annäherung an ein genrespezifisches Qualitätskriterium” [Heaviness in modern metal music. A production-technological approach to a genre-specific quality criterion]. In: “Modern rock and metal music” postgraduate symposium, 21 October 2017, University of the Arts Bern, Switzerland. (Unpublished)

Herbst, Jan-Peter (2017) “Heaviness” and the metal music guitar. Interactions between harmonic structure and sound from acoustic and perceptual perspectives. In: Musik und Bewegung, 15-17 September 2017, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2015) He’s a Pirate: Ein höranalytischer Vergleich des Film-Soundtracks mit einer Interpretation David Garretts [An audiological comparison of film soundtracks with the interpretations of David Garrett]. Musik und Bildung, 2014 (2). pp. 8-11. ISSN 0027-4747

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2012) Hump de Bump (The Red Hot Chili Peppers). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Influence of distortion on guitar chord structures: Acoustic effects and perceptual correlates. In: Akustik und musikalische Wahrnehmung. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie (27). Hogrefe, Goettingen.

Herbst, Jan-Peter (2015) “Informelles Lernen lehren: Eine aktuelle Problemstellung der Didaktik populärer Musik“ [Teaching informal learning: A contemporary challenge of popular music education]. In: Popular Music Education in Practice, 7 April 2015, University of Applied Sciences Osnabrueck, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Kommunikation und Wissenskonstruktion in der Vorlesung: Eine quantitative Studie zur Emergenz fachlichen Grundlagenwissens durch kommunikationsanregende Methoden“ [Communication and construction of knowledge: A quantitative study on the emergence of knowledge by teaching methods]. In: Tag der Lehre, 16 February 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825

Herbst, Jan-Peter (2015) “Kommunikative Musikdidaktik im Spannungsfeld von Kontingenz und Kompetenz: Eine empirische Studie zu konstruktivistisch-interaktiven Lernarrangements in musikpädagogischer Theorie und Praxis“ [Communicative music education between contingency and competence: An empirical study on contructivist and interactive learning situations]. In: Empirical Music Education, 21 May 2015, Mozarteum Salzburg, Austria. (Unpublished)

Herbst, Jan-Peter (2016) “Methoden der Klanganalyse und ihre Anwendung in Musikpsychologie und -analyse" [Methods of sound analysis and its use for music psychology and analysis]. In: Funktionen und Wirkungen von Musik, 19 April 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Musikalische Darstellungsweisen der Elemente am Beispiel des Konzeptalbums 'The Alchemy Index' von Thrice“ [Musical presentation of the natural elements in Thrice’s concept album The Alchemy Index]. In: Lecture series in Arts and Music, 3 March 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Musikpädagogik und Musiktechnologie: Eine Fallstudie aus der Praxis am Beispiel von Dub Reggae” [Music Technology and Music Education: A practice-based case study on dub reggae]. In: Jugend musiziert – musikkulturelle Vielfalt im Diskurs, 28-29 September 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2014) Netzwerk Sound: Eine didaktische Herausforderung der populären Musik [Network sound: An educational challenge of popular music]. Forum Musikpädagogik, 129 . Wißner, Augsburg. ISBN 9783896399724

Herbst, Jan-Peter (2013) “Netzwerk Sound: Hören, Kultur, Praxis“ [Network sound: Listening, culture, practice]. In: Postgraduate Research Conference, 19 February 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology from a production perspective. In: The Future Sound of Pop Music, 30 November - 02 December 2017, University of the Arts Bern, Switzerland. (Unpublished)

Herbst, Jan-Peter (2016) “Para-Sonic 3.0: Eine Klang-Körper-Interaktion“ [Para-sonic 3.0: A sound and body interaction]. In: Lecture series in Music and Arts, 11 November 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Herbst, Jan-Peter (2017) Resonanz [Resonance]. In: Irgendwie anders: Inklusionsaspekte in den künstlerischen Fächern und der ästhetischen Bildung. Fabrico, Hannover, pp. 217-222. ISBN 9783946320135

Herbst, Jan-Peter (2014) ”Rethinking sound – an ontological perspective“. In: Sonic Signatures, 9-11 April 2014, Aalborg University, Denmark. (Unpublished)

Herbst, Jan-Peter (2016) Review of Forsbach, Beate (2015): Fächerübergreifender Musikunterricht: Konzepte und Modelle für die Unterrichtspraxis (Edition Forsbach Verlag). Musik und Unterricht, 122. p. 75. ISSN 0937-9568

Herbst, Jan-Peter (2012) Rosanna (Toto). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2016) ”Shredding, Two-Hand-Tapping, Feedback: Eine experimental-analytische Studie zur Auswirkung von Gitarrenverzerrung auf das Solospiel im Rock und Metal” [An experimental and analytic study on the effects of guitar distortion on solo playing in rock and metal]. In: Schneller, höher, lauter. Virtuosität in populären Musiken, 18-20 November 2016, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Herbst, Jan-Peter (2017) ”Transkulturelle Musikpädagogik: Ziele, Methoden und Potenziale für ästhetische Bildung“ [Transcultural music education: aims, methods and potentials for aesthetic education]. In: Strategien in der ästhetischen Bildung, 17 January 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Verzerrung und Noise: Formen, Intentionen und Geschichte des Heavy Metal Sounds“ [Distortion and noise: Forms, intentions and history of heavy metal sounds]. In: Musik, Kultur und Geschichte des Heavy Metal, 28 June 2016, Siegen University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Virtuoses Gitarrenspiel im Rock und Metal: Zum Einfluss von Verzerrung auf das ‚Shredding’ [Virtuoso solo guitar in rock and metal music: About the influence of distortion on ’shredding']. In: Schneller, höher, lauter. Virtuosität in populären Musiken. Beiträge zur Popularmusikforschung (43). Transcript, Bielefeld, pp. 131-152. ISBN 978-3837635928

Herbst, Jan-Peter (2015) “What’s that Sound?” Sound als didaktische Herausforderung der populären Musik [Sound as an educational challenge of popular music]. In: Popmusik-Vermittlung: Zwischen Schule, Universität und Beruf. Theorie und Praxis der Musikvermittlung (14). LIT, pp. 133-152. ISBN 9783643129970

Herbst, Jan-Peter (2016) “Wir brauchen Licht: Musikalische und performative Umsetzung des Finalstückes aus dem Musical ‚Next to Normal’“ [We need light: music and performance in the final song of the musical ’Next to Normal’]. In: Summer School Music Education, 12-15 September 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) The formation of the German metal scene and the question of a “Teutonic” power metal sound. In: HardWired VI: So far, so good… so what? Approaching the Metal Realities, 3-5 May 2018, University of Siegen, Germany. (Unpublished)

Herbst, Jan-Peter, Czedik-Eysenberg, Isabella and Reuter, Christoph (2018) Guitar profiling technology in metal music production: public reception, capability, consequences and perspectives. Metal Music Studies, 4 (3). pp. 481-506. ISSN 2052-3998

Herbst, Jan-Peter and Holthaus, Jan (2017) Music studio operators from Germany’s “Ruhrpott”: Role, services and resources. Etnomusikologian vuosikirja, 29. ISSN 0783-6821

Herbst, Jan-Peter and Kathke, Petra (2017) Musik und Kunst – ein Überblick [Music and Arts – an overview]. Musik und Unterricht, 126. pp. 18-20. ISSN 0937-9568

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). pp. 59-78. ISSN 1468-2761

Hetzler, Eric T (2010) The actor's awareness: an empirical examination from the survey of the actor's experience. In: Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing, Cambridge, pp. 46-65. ISBN 1445816493

Hewitt, Martin (2012) Beyond scientific spectacle: image and word in nineteenth century popular lecturing. In: Popular Exhibitions, Science and Showmanship, 1840-1910. Science and Culture in the Nineteenth Century (15). Pickering & Chatto, London, UK, pp. 79-95. ISBN 9781848933064

Hewitt, Martin (2013) The Dawn of the Cheap Press in Victorian Britain: The End of the 'Taxes on Knowledge', 1849-1869. Bloomsbury Academic, London, UK. ISBN 9781472511546

Hewitt, Martin (2012) Introduction: Victorian milestones. In: The Victorian World. Routledge Worlds . Taylor and Francis, London, UK, pp. 1-53. ISBN 978-0-415-49187-7

Hewitt, Martin (2017) The Law and the Press. In: Journalism and the Periodical Press in Nineteenth Century Britain. Cambridge University Press, Cambridge, UK. ISBN 978-1107085732

Hewitt, Martin (2008) Max O’Rell and the performance of Frenchness on the late nineteenth-century Anglo-American lecture platform. In: Regards des Anglo-Saxons sur La France au cours du long Dix-Neuvième Siècle. Cahiers du CICC (22). L’Harmattan, Paris, France, pp. 147-180. ISBN 978-2-296-06628-1

Hewitt, Martin (2012) Preaching from the platform: popular religious lecturing and the challenge of churching the masses. In: Oxford Handbook of the British Sermon, 1689-1901. Oxford Handbooks in Religion and Theology . Oxford University Press, London, UK, pp. 79-96. ISBN 978-0-19-958359-1

Hewitt, Martin (2012) The Victorian world. Routledge Worlds . Taylor and Francis, London, UK. ISBN 9780415491877

Hewitt, Martin (2014) ‘“A little bit of a Victorian?”: Asa Briggs and Victorian Studies’. In: The Age of Asa. Lord Briggs, Public Life and History in Britain since 1945 . Palgrave, pp. 46-78. ISBN 9781137392572

Hewitt, Martin and Cowgill, Rachel (2007) Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9 . Leeds Trinity & All Saints/Leeds Centre for Victorian Studies/Leeds University Centre for English Music, Leeds. ISBN 0954015983

Hewitt, Scott (2009) The Laptop As An Ensemble Instrument-Methods And Concerns. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Hewitt, Scott, Tremblay, Pierre Alexandre, Freeman, Samuel and Booth, Graham (2010) HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices. In: Proceedings of the International Computer Music Conference. ICMA, New York, pp. 304-307.

Hickling, Luke (2021) Building an Immersive World. Masters thesis, University of Huddersfield.

Higgins, Peter (2017) The Wolfhound Century Trilogy: World Building through Genre and Allusion. Doctoral thesis, University of Huddersfield.

Hill, Pat (2004) Am I being a pedant when I say that acknowledging my students different literacy practices won't get them a job? In: WDHE 2004: Valuing and Evaluating Writing in HE, 11th-12th May 2004, Sheffield Hallam University.

Hill, Pat (2001) Feedback on feedback. In: Teaching Writing in Higher Education, 26th-27th March 2001, Warwick University.

Hill, Pat (2010) Horses for Courses. In: 7th LDHEN Symposium "Celebrating Partnerships in Learning", 29-31 March 2010, Nottingham Trent University. (Unpublished)

Hill, Pat (2009) Invisible writing. In: European Association for Teachers of Academic Writing (EATAW) 2009 Conference, 30th June-2nd July 2009, Coventry University. (Unpublished)

Hill, Pat (2004) What do students really want from higher education?: but will it get me more marks? In: The Eleventh International Literacy and Education Research Network Conference on Learning, 27th-30th June 2004, Centro De Convenciones Pedagogicas De Cojimar, Havana, Cuba.

Hill, Pat and Mullen, Jane (2007) Writing Skills - An integrated approach. In: 4th LDHEN Symposium: "How do students engage with learning?", 12 April 2007, Bournemouth University. (Unpublished)

Hill, Pat and Tinker, Amanda (2017) Academic skills provision and learning development: situation, synergy and sustainability. In: Exploring Academic Skills Provision at UK HIgher Education Institutions, 23 April 2017, Cardiff Metropolitan University, UK. (Unpublished)

Hill, Pat and Tinker, Amanda (2011) Embedding skills: what does it mean to learning developers, lecturers and students? In: 8th ALDinHE Conference. "Engaging Students - Engaging Learning", 18-20 April 2011, Queen's University, Belfast. (Unpublished)

Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X

Hill, Pat, Tinker, Amanda and Catterall, Stephen (2010) From Deficiency to Development: the evolution of academic skills provision at one UK university. Journal of Learning Development in Higher Education (2). ISSN 1759667X

Hill, Patricia Ann (2008) Making writing invisible: A Study into the Complexities of Standard Written English Acquisition in Higher Education. Doctoral thesis, University of Huddersfield.

Hinchliffe, Jade L. (2019) The Representation of Surveillance in Dystopian Fiction of the Twentieth and Twenty-First Centuries. Masters thesis, University of Huddersfield.

Hindley, Francesca (2020) How was the classical Hollywood film score utilised to manipulate societal perceptions of soldier identities in the Second World War period? Masters thesis, University of Huddersfield.

Ho, Yufang (2011) Book Review: Directions in Empirical Literary Studies: in Honor of Willie van Peer. Language and Literature, 20 (4). pp. 365-368. ISSN 0963-9470

Ho, Yufang (2006) Book Review: Narrating Knowledge in Flannery O’Connor’s Fiction. Language and Literature, 15 (2). pp. 208-211. ISSN 0963-9470

Ho, Yufang (2011) Corpus Stylistics in Principles and Practice: a stylistic exploration of John Fowles’ The Magus. Continuum. ISBN 9780826426178

Ho, Yufang (2008) Measuring Text Similarity between the Two Editions of John Fowles’s The Magus. In: The State of Stylistics. Rodopi, Amsterdam-New York, pp. 207-228. ISBN 9789042024281

Ho, Yufang (2014) Pedagogical Stylistic Strategies in the teaching/learning of Edgar Allan Poe’s tales of terror. Soochow Journal of Foreign Languages and Literatures, 38. pp. 21-52.

Ho, Yufang (2010) Stylistics and its Relevance to the Study of Literature: Edgar Allan Poe’s “The Tell-Tale Heart” as an Illustration. Journal of National Taiwan Normal University: Linguistics and Literature, 55 (2). pp. 137-157.

Hobman, Jason (2011) Instrumentality in Electronic Music. Masters thesis, University of Huddersfield.

Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.

Hodgson-Wright, Stephanie (2003) Jane, Lady Lumley, Euripides' Iphigenia at Aulis (c. 1554): commentary. In: Reading Early Modern Women. Routledge, London, UK, pp. 326-329. ISBN 978-0-415-96645-0

Holbrook, David (2010) Noise: Using Location Recordings for Computer Compositions. Masters thesis, University of Huddersfield.

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

Holmes, David (2010) Crowned in shamrocks erin't Broad Acres: The emergence of the Irish Catholic community in Yorkshire, and the evolution of the West Riding's forgotten Irish Rugby clubs, 1860-c 1920. Doctoral thesis, University of Huddersfield.

Holmes, Sophie (2020) What Elements of Dramatherapy and Dance Movement Therapy Lend Themselves Particularly Well to Treating Social Anxiety Disorder? Masters thesis, University of Huddersfield.

Holroyde, Andrew (2019) Sheltered Employment and Disability in the Classic Welfare State: Remploy c.1944-1979. Doctoral thesis, University of Huddersfield.

Holt, Elizabeth (2010) Book review: Metaphor in Discourse, by Elena Semino, 2008. Cambridge: Cambridge University Press, pp. 247. ISBN 9780521686969. Language and Literature, 19 (3). pp. 330-333. ISSN 0963-9470

Holt, Elizabeth (2013) Conversation Analysis and Laughter. In: The Encyclopedia of Applied Linguistics. Blackwell Publishing. ISBN 9781405198431

Holt, Elizabeth (2002) Enacting impropriety: Reported speech and laughter in conversation. In: ICCA 2002 (International Conference on Conversation Analysis), 17th - 21st May 2002, University of Copenhagen, Denmark.

Holt, Elizabeth (1998) I asked him why and he said "wel it's because...": The sequential position and interactional functions of direct and indirect reported speech in conversation. In: 6th International Pragmatics Conference, 19th - 24th July 1998, Reims, France.

Holt, Elizabeth (1992) Idioms and topic termination. In: Proceedings of Idioms: International Conference on Idioms. Institute for Language Technology and Artificial Intelligence. ISBN 9789074029056

Holt, Elizabeth (2015) Indirect reported speech in interaction. In: Indirect Reports and Pragmatics: Interdisciplinary Studies (Perspectives in Pragmatics, Philosophy & Psychology). Perspectives in Pragmatics, Philosophy & Psychology . Springer, pp. 167-187. ISBN 978-3319213941

Holt, Elizabeth (2017) Indirect reported speech in storytelling: its position, design and uses. Research on Language and Social Interaction, 50 (2). pp. 171-187. ISSN 0835-1813

Holt, Elizabeth (1999) Just gassing: An analysis of direct reported speech in a conversation between employees of a gas supply company. Text: an interdisciplinary journal for the study of discourse, 19 (4). pp. 505-537. ISSN 0165-4888

Holt, Elizabeth (2007) Laughter and laughables in conversation. In: 10th International Pragmatics Conference, 8 - 13 July 2007, Goteborg, Sweden. (Unpublished)

Holt, Elizabeth (2016) Laughter at Last: Playfulness and laughter in interaction. Journal of Pragmatics. ISSN 0378-2166

Holt, Elizabeth (2011) On the nature of 'laughables' : laughter as a response to overdone figurative phrases. Pragmatics, 21 (3). pp. 393-410. ISSN 1018-2101

Holt, Elizabeth (2009) Reported speech. In: The Pragmatics of Interaction. Handbook of Pragmatics Highlights (4). John Benjamins Publishing Company, pp. 190-205. ISBN 9789027207814

Holt, Elizabeth (1999) Reported speech and recipients’ reactions in interaction. In: Pragmatics in 1998: selected papers from the 6th International Pragmatics Conference. International Pragmatics Association, Antwerp, pp. 261-275. ISBN 9789080114838

Holt, Elizabeth (2000) Reporting and Reacting: Concurrent Responses to Reported Speech. Research on Language and Social Interaction, 33 (4). pp. 425-454. ISSN 08351813

Holt, Elizabeth (1996) Reporting on talk: the use of direct reported speech in conversation. Research on Language and Social Interaction, 29 (3). pp. 219-245. ISSN 0835-1813

Holt, Elizabeth (1996) Reporting on talk: the use of direct reported speech in conversation. In: 5th International Pragmatics Conference, 4th - 9th July 1996, Mexico City, Mexico.

Holt, Elizabeth (2011) There's many a true word spoken in jest : on the seriousness and non-seriousness in interaction. In: Laughter and Humor in Interaction Conference, 23-24th June 2011, Emmerson College, Boston, USA. (Unpublished)

Holt, Elizabeth (2011) There's many a true word spoken in jest : on the seriousness and non-seriousness in interaction. In: 12th International pragmatics conference, 3-8th July 2011, University of Manchester. (Unpublished)

Holt, Elizabeth (2013) ‘There’s many a true word said in jest’: Seriousness and non-seriousness in interaction. In: Studies of Laughter in Interaction. Continuum Press, pp. 69-89. ISBN 9781441164797

Holt, Elizabeth (2017) "This system's so slow" : Negotiating sequences of laughter and laughables in call-centre interaction. In: Multiple Perspectives on Language Play (Language Play and Creativity). De Gruyter Mouton, pp. 93-118. ISBN 978-1501511844

Holt, Elizabeth (2012) Using Laugh Responses to Defuse Complaints. Research on Language and Social Interaction, 45 (4). pp. 430-448. ISSN 0835-1813

Holt, Elizabeth (2010) The last laugh: Shared laughter and topic termination. Journal of Pragmatics, 42 (6). pp. 1513-1525. ISSN 0378-2166

Holt, Elizabeth (2009) The last laugh: laughter in topic termination. In: International Conference on Laughter and Humour in Interaction, 24th - 25th June 2009, University of Huddersfield, UK. (Unpublished)

Holt, Elizabeth (1993) The structure of death announcements: Looking on the bright side of death. Text: an interdisciplinary journal for the study of discourse, 13 (2). pp. 189-212. ISSN 0165-4888

Holt, Elizabeth (2000) The use of direct reported speech in 'institutional talk' and 'ordinary conversation'. In: 7th International Pragmatics Conference, 9-14 July 2000, Budapest. (Unpublished)

Holt, Elizabeth and Clift, Rebecca (2007) Reporting talk: reported speech in interaction. Studies in Interactional Sociolinguistics (24). Cambridge University Press, Cambridge, UK. ISBN 9780521824835

Holt, Elizabeth and Drew, Paul (1988) Complainable matters: the use of idiomatic expressions in making complaints. Social Problems, 35 (4). pp. 398-417. ISSN 0037-7791

Holt, Elizabeth and Drew, Paul (2005) Figurative Pivots: The Use of Figurative Expressions in Pivotal Topic Transitions. Research on Language and Social Interaction, 38 (1). pp. 35-61. ISSN 0835-1813

Holt, Elizabeth and Drew, Paul (2006) Figures of speech. In: Conversation analysis: Turn design and action formation. SAGE Benchmarks in Social Research Methods series, 3 . Sage, pp. 117-149. ISBN 9781412918480

Holt, Elizabeth and Drew, Paul (1995) Idiomatic expressions and their role in the organization of topic transition in conversation. In: Idioms: structural and psychological perspectives. Lawrence Erlbaum Associates, pp. 117-131. ISBN 9780805815054

Holt, Elizabeth and Drew, Paul (2001) Idiomatic expressions as topical pivots. In: Interdisciplinary Workshop on Corpus-Based & Processing Approaches to Figurative Language (part of Corpus Linguistics Conference 2001), 30th March - 2nd April 2001, Lancaster University.

Holt, Elizabeth and Glenn, Phillip (2015) Laughter. In: Handbook of Pragmatics. John Benjamins, pp. 1-20. ISBN 9789027233295

Holt, Elizabeth and Johnson, Alison (2006) Formulating the facts: Responses to storytelling in police/suspect interviews. In: International Conference on Conversation Analysis, 10 - 14 May 2006, Helsinki. (Unpublished)

Holt, Elizabeth and Johnson, Alison (2010) Socio-pragmatic aspects of legal talk: police interviews and trial discourse. In: The Routledge Handbook of Forensic Linguistics. Routledge Handbooks in Applied Linguistics . Routledge, pp. 21-36. ISBN 9780415463096

Horseman, Samantha Marie (2012) Dynamic Relationships between the Sonic Artist, the Sonic Artwork and its Audience: an Investigation through Theoretically Informed Creative Practice. Doctoral thesis, University of Huddersfield.

Howell, Colin D. and Leeworthy, Daryl (2009) Borderlands. In: Routledge Companion to Sports history. Routledge International Handbooks . Routledge, London, UK, pp. 71-84. ISBN 978-0-415-77339-3

Hubery, Rebecca (2019) What Are the Impacts of Buddhism on the Japanese Performance Style of Noh Theatre? Masters thesis, University of Huddersfield.

Hudson, Claire (2017) How do the Representations and Functions of Chivalric Narratives Express the Nature of Chivalry During the Middle Ages? Masters thesis, University of Huddersfield.

Huggett, Benjamin (2017) Ambient Music & Improvisation: An Exploration of a Catalytic Union through Composition and Analysis. Masters thesis, University of Huddersfield.

Hughes, Vincent, Brereton, Ashley and Gold, Erica (2013) Reference Sample Size and the Computation of Numerical Likelihood Ratios Using Articulation Rate. York Papers in Linguistics (13). ISSN 1758-0315

Hulme, Pamela (2020) Manipulating Musical Surface: Perception as compositional material in live looping and organ with electronics. Masters thesis, University of Huddersfield.

Humphries, Christopher C.H. (2010) Developing interactive strategies for three dimensional sound spatialization. Masters thesis, University of Huddersfield.

Hurdley, Michael (2018) Solo Tuned Percussion: A perspective upon 21st century percussion. Masters thesis, University of Huddersfield.

Hussain, Sairish (2019) The Family Tree: A Counter-Narrative. Challenging Muslim Stereotypes in Popular Fiction and Media. Doctoral thesis, University of Huddersfield.

Hussain, Sairish (2015) Rethinking Muslim Narratives: Replacing Stereotypes With Human Stories in a Novel Titled "Missing". Masters thesis, University of Huddersfield.

Ibrahim, Mahmood (2018) The Construction of the Speaker and Fictional World in The Small Mirrors: Critical Stylistic Analysis. Doctoral thesis, University of Huddersfield.

Igo, William (2019) A Case Study of Musical Elements and Musical Development of Eschatological Scenes within South Park from 1997-2000. Masters thesis, University of Huddersfield.

Ince, Can (2019) Programming For Music: Explorations in Abstraction. Masters thesis, University of Huddersfield.

Ingham, Sara (2020) Constructing characters: a revised cognitive stylistic approach to characterisation. Doctoral thesis, University of Huddersfield.

Irvine, Chris (2009) Times Online, Chris Irvine's Rugby League Blog. [Web page]

Isaac, Andrew (2013) The construction of constricted soundworlds through limited materials, cyclic processes, interference and extended tunings. Masters thesis, University of Huddersfield.

Iveson, Stephen (2018) Exploring the Concepts of Immersion and why Headphones Enhance the Player Experience in 21st Century Online Competitive Video Games. Masters thesis, University of Huddersfield.

Jamal, Fatima (2019) A New Life in Huddersfield: The Memories of Partition and Migration. What is the legacy of Partition in the diaspora community in the UK? Masters thesis, University of Huddersfield.

Jan, Steven (2015) Evolutionary Thought in Music Theory and Analysis: A Corrective to “Babelization”? In: L’analyse musicale aujourd’hui/Music Analysis Today. Éditions Delatour, pp. 55-75. ISBN 9782752102430

Jan, Steven (2015) Memetic Perspectives on the Evolution of Tonal Systems. Interdisciplinary Science Reviews, 40 (2). pp. 145-167. ISSN 0308-0188

Jan, Steven (2016) Understood at Last?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’. In: Lecture Notes in Computer Science. 11th International Symposium, CMMR 2015, 9617 . Springer, Plymouth, UK, pp. 420-437. ISBN 978-3-319-46281-3

Jan, Steven (1995) Aspects of Mozart's music in G minor: toward the identification of common structural and compositional characteristics. Outstanding Dissertations in Music from British Universities . Garland. ISBN 0185318928

Jan, Steven (1996) Ave Verum Corpus: reminiscences in Mozart's late style. Choir and Organ, 4 (2). pp. 20-25. ISSN 0968-7262

Jan, Steven (2014) Book review: William Kinderman, The Creative Process in Music from Mozart to Kurtág (Urbana, Chicago and Springfield: University of Illinois Press, 2012) 978-0-252-03716-0. Music Analysis, 33 (1). pp. 99-112. ISSN 0262-5245

Jan, Steven (2015) Computer Simulation of Musical Evolution: A Lesson from Whales. In: Study Day on Computer Simulation of Musical Creativity, 27th June 2015, University of Huddersfield, UK.