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Article

Ablinger, Peter (2009) Keine Überschreitung. Positionen. Texte zur aktuellen Musik, 78. p. 11.

Ablinger, Peter (2010) Kopfhören. Notizen über das Wahrnehmen. MusikTexte, 124. ISSN 0178-8884

Ablinger, Peter (2008) Schwarz und Weiss. Figurationen, 2. ISSN 1439-4367

Ablinger, Peter (2012) Überflüssiges, Zum Begriff des Experimentellen. Positionen, 90.

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composing and Archiving. International Computer Music Conference Proceedings, 2009. pp. 137-140. ISSN 2223-3881

Bellamy, Mary (2013) Developing instrumental sound resources through collaborative compositional practice. Search: Journal for New Music and Culture, 2013 (10).

Bokowiec, Mark and Wilson-Bokowiec, Julie (2003) Spiral fiction. Organised Sound, 8 (3). pp. 279-287. ISSN 1355-7718

Brooks, Julian, Brooks, Joanna and Tremblay, Pierre Alexandre (2012) Across The Great Divide. Journal of Music, Technology and Education, 5 (2). pp. 145-157. ISSN 1752-7066

Bryan, John (2011) Extended Play: Reflections of Heinrich Isaac's Music in Early Tudor England. The Journal of Musicology, 28 (1). pp. 118-141. ISSN 0277-9269

Bryan, John (2013) 'Their last foile and polishment': aspects of compositional refinement in the consort dances of Dowland and Holborne. Early Music, 41 (2). pp. 219-237. ISSN 0306-1078

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Calvert, Dave (2013) ‘Royal Pierrots’ and ‘White Coons’: the British Pierrot Troupe in the Racial and National Imaginary. New Theatre Quarterly, 29 (2). pp. 107-120. ISSN 0266-464X

Calvert, Dave (2014) ‘A person with some sort of learning disability’: the aetiological narrative and public construction of Susan Boyle. Disability and Society, 29 (1). pp. 101-114. ISSN 0968-7599

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10.

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1). ISSN 2317-9694

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review, 32 (4). pp. 305-323. ISSN 0749-4467

Clarke, E., Doffman, Mark and Lim, Liza (2013) Distributed Creativity and Ecological Dynamics in Liza Lim’s Tongue of the Invisible. Music and Letters. ISSN 0027-4224

Clarke, Michael (2012) Analysing Electroacoustic Music: an Interactive Aural Approach. Music Analysis, 31 (3). pp. 347-380. ISSN 0262-5245

Clarke, Michael and Manning, Peter (2009) Valuing Our Heritage: Exploring Spatialisation through Software Emulation of Stockhausen's Oktophonie. International Computer Music Conference Proceedings, 2009. p. 179. ISSN 2223-3881

Colton, Lisa (2010) A Unique Source of English Tablature from Seventeeth-Century Huddersfield. Music and Letters, 91 (1). pp. 39-50. ISSN 0027-4224

Colton, Lisa (2011) English Masses at home and abroad. Early Music, 39 (4). pp. 621-623. ISSN 03061078

Colton, Lisa (2010) The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir. Contemporary Music Review, 29 (3). pp. 277-289. ISSN 0749-4467

Colton, Lisa (2011) Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England. Early Music, 39 (3). pp. 315-326. ISSN 03061078

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa and Iddon, Martin (2010) Introduction: Recycling and Innovation in Contemporary Music. Contemporary Music Review, 29 (3). pp. 229-230. ISSN 0749-4467

Cox, Geoffrey (2011) Connecting hearing to viewing and knowing to feeling: Sound as evocation in non-fiction film with particular reference to No Escape. The Soundtrack, 4 (1). pp. 43-62. ISSN 1751-4193

Cox, Geoffrey (2013) Listen to Nice. The New Soundtrack, 3 (2). pp. 89-105. ISSN 2042-8855

Cummings, Graham (2005) Handel and the confus'd shepherdess: a case study of stylistic eclecticism. Early Music, 33 (4). pp. 575-590. ISSN 0306-1078

Cummings, Graham (1998) Handel's compositional methods in the London operas of the 1730s, and the unusual case of 'Poro, Re Dell'Indie' (1731). Music and Letters, 79 (3). pp. 346-367. ISSN 0027-4224

Cummings, Graham (1982) Reminiscence and Recall in Three Early Settings of Metastasio's Alessandro nell' Indie. Proceedings of the Royal Musical Association, 109 (1). pp. 80-104. ISSN 0269-0403

Devenney, Amy (2012) New Deposits of the University of Huddersfield Archives and Special Collections. Huddersfield Local History Society Journal. pp. 40-42.

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2006) Book review: The Creative College: Building a Successful Learning Culture in the Arts, G. Jeffery (Ed.). Thinking Skills and Creativity , 1 (2). pp. 156-157. ISSN 1871-1871

Dufeu, Frédéric and Roux, Sébastien (2010) L’environnement sonore recomposant l’espace d’écoute. Localisations et déplacements dans l’œuvre musicale de Sébastien Roux. Filigrane (12). ISSN 2261-7922

Fleming, Michael (2005) An 'old old viol' and 'other lumber': musical remains in Provincial, non-noble England c.1580-1660. The Galpin Society Journal, 58. pp. 89-99. ISSN 0072-0127

Fleming, Michael (2006) Book review: A Viola da Gamba Miscellanea. Articles from and inspired by viol symposiums organized by the Ensemble Baroque de Limoges, France, Susan Orlando (ed.). The Galpin Society Journal, 59. pp. 279-280. ISSN 0072-0127

Fleming, Michael (2005) Book review: Diego Ortiz: Trattado de Glosas, (Rome 1553), Annette Otterstedt, Kassel: Bärenreiter, 2003. The Galpin Society Journal, 58. pp. 269-270. ISSN 0072-0127

Fleming, Michael (2003) Book review: François-Xavier Tourte, Bow Maker, Stewart Pollens and Henryk Kaston, with M.E.D Laing, New York et al, 2001. The Galpin Society Journal, 56. p. 271. ISSN 0072-0127

Fleming, Michael (2002) Book review: Masterpieces of Italian Violin Making (1620-1850). Important stringed instruments from the collection at the Royal Academy of Music, 2nd edition, David Rattray, London, 2000. The Galpin Society Journal, 55. pp. 353-354. ISSN 0072-0127

Fleming, Michael (2006) Book review: The Baroque cello revival: an oral history,Paul Laird, Lantham: Scarecrow Press, 2004. The Galpin Society Journal, 59. pp. 276-277. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Viol: History of an Instrument, Annette Otterstedt, Kassel, 2002. The Galpin Society Journal, 56. pp. 269-271. ISSN 0072-0127

Fleming, Michael (2007) Book review: Un corpo alla ricerca dell'anima...Andrea Amati e la nascita del violino/ Andrea Amati and the birth of the violin, Renato Meucci (ed.). The Galpin Society Journal, 60. ISSN 0072-0127

Fleming, Michael (2004) Henry Jaye. Oxford Dictionary of National Biography.

Fleming, Michael (2003) How long is a piece of string? Understanding seventeenth-century descriptions of viols. Chelys, 31. pp. 18-35. ISSN 0952-8407

Fleming, Michael (2002) Instrument-makers named Hill and Hunt in Pepys's London. The Galpin Society Journal, 55. pp. 382-385. ISSN 0072-0127

Fleming, Michael (2004) Instrument-making in Oxford. The Galpin Society Journal, 57. pp. 246-251. ISSN 0072-0127

Fleming, Michael (1996) Paintings of viols in England c.1580-1660. Chelys, 25. pp. 3-21. ISSN 0952-8407

Fleming, Michael (2008) Phillippe Golledge: another Oxford musical instrument dealer? The Galpin Society Journal, 61. pp. 332-335. ISSN 0072-0127

Fleming, Michael (2000) Some points arising from a survey of wills and inventories. The Galpin Society Journal, 53. pp. 301-311. ISSN 0072-0127

Fleming, Michael (2000) Unpacking the 'Chest of Viols'. Chelys, 28. pp. 3-19. ISSN 0952-8407

Fleming, Michael (1989) Viol drawings. Chelys, 18. pp. 30-40. ISSN 0952-8407

Fleming, Michael (1999) The violin explained. Components, mechanism, and sound. The Galpin Society Journal, 52. pp. 325-327. ISSN 0072-0127

Fleming, Michael (1997) Book review: Antonio Stradivari: The Cremona Exhibition of 1987, Charles Beare. J.& A.Beare Ltd, 1994. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (1995) Book review: Art and Method of the Violin Maker: Principles and Practice, 2nd edition, Henry A. Strobel. Aumsville: Henry A. Strobel, 1993. The Galpin Society Journal, 48. p. 234. ISSN 0072-0127

Fleming, Michael (1997) Book review: Arte Liutaria, Analysis of Antique Instruments and Restoration Techniques, Carlo Vettori. Florence: Arte Liutaria, 1996. The Galpin Society Journal, 50. pp. 267-269. ISSN 0072-0127

Fleming, Michael (1998) Book review: Edward Withers Ltd. 230 years of Violin Craft in Soho, Adam Whone. Mill Hill publications, 1996. The Galpin Society Journal, 51. pp. 225-226. ISSN 0072-0127

Fleming, Michael (1992) Book review: Geometry, Proportion and the Art of Lutherie, Kevn Coates, (Clarendon Press, Oxford, 1991). Chelys, 21. pp. 90-91. ISSN 0952-8407

Fleming, Michael (1994) Book review: La Chélonomie, ou le parfait luthier..., Paris, 1812, Abbé SÉBASTIEN-ANDRÉ SIBIRE, Reimpression de l'edition de Bruxelles, 1823. Facsimile edition. Geneva: Minkoff, 1984. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1994) Book review: La Lutherie Lorraine et Française depuis ses Origines jusqu'à nos Jours, Albert Jacquot, Paris: Fischbacher, 1912. Facsimile edition. Geneva: Minkoff, 1985. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1997) Book review: Liuteria Musica e Cultura, 1996, Essays dedicated to John Henry van der Meer, Renato Meucci (ed.). Cremona, 1996. The Galpin Society Journal, 50. pp. 276-277. ISSN 0072-0127

Fleming, Michael (1994) Book review: Observations on the construction of stringed instruments and their adjustment, 1804, 1805, 1809, 1810, 1816, Count Ignazio Cozio di Salabue, translated from the original Italian by Andrew Dipper and David Woodrow Taynton, 1987. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1998) Book review: Research Papers in Violin Acoustics 1975-1993, Carleen Maley Hutchins. Woodbury, 1997. The Galpin Society Journal, 51. pp. 221-223. ISSN 0072-0127

Fleming, Michael (1997) Book review: Règles pour la construction des Violons Altis, Violoncelles et Basses de Viol, Antonio Bagatella. Turris, Cremona, 1995. The Galpin Society Journal, 50. pp. 259-260. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665, David Lasocki with Roger Prior, (Aldershot, Scolar Press, 1995). Chelys, 24. pp. 62-64. ISSN 0952-8407

Fleming, Michael (1995) Book review: The Complete Luthier's Library [Bibliography], Roberto Ragazzi. Bologna: Florenus Edizioni, 1990. The Galpin Society Journal, 48. pp. 214-215. ISSN 0072-0127

Fleming, Michael (1995) Book review: The Health of the Violin and the Viola and Cello: Practical Advice on the Acquisition, Maintenance, Adjustment and Conservation of Bowed Instruments, Lucien Greilsamer. Translated from the original French by Henry A. Strobel Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 233. ISSN 0072-0127

Fleming, Michael (1995) Book review: The History of the Viola, Maurice W. Riley. Ann Arbor: the author, 1993, 1991. The Galpin Society Journal, 48. pp. 228-231. ISSN 0072-0127

Fleming, Michael (2003) Book review: The Italian viola da gamba: Proceedings of the International Symposium on the Italian Viola da Gamba, Magnano, Italy, 29 April - 1 May 2000, ed. Susan Orlando (Solignac/Turin: Edition Ensemble Baroque de Iimoges/Edizioni Angolo Manzoni, 2002). Early Music, 31 (2). pp. 283-284. ISSN 0306-1078

Fleming, Michael (1994) Book review: The Shape of Stradivari Forms and Violins, David Woodrow, Taynton: Taynton Press, 1991. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1994) Book review: The Violin Forms of Antonio Stradivari, Stewart Pollens, London: Peter Biddulph, 1992. The Galpin Society Journal: for the study of musical instruments, 47. ISSN 0072-0127

Fleming, Michael (1997) Book review: Un secolo di liuteria Italiana 1860-1960. Vol.1. Emilia Romagna, Eric Blot. Cremona, 1994. The Galpin Society Journal, 50. pp. 269-270. ISSN 0072-0127

Fleming, Michael (1995) Book review: Useful Measurements for Violin Makers, a Reference for Shop Use, 4th edition, Henry A Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 231. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Family and its Makers in the British Isles: an Illustrated History and Directory, Brian W Harvey. Oxford: OUP, 1995. The Galpin Society Journal, 49. pp. 240-244. ISSN 0072-0127

Fleming, Michael (1992) Book review: Violin Fraud, Brian W. Harvey, (Oxford, 1992). Chelys, 22. pp. 51-52. ISSN 0952-8407

Fleming, Michael (1995) Book review: Violin Maker's Notebook: a Companion Volume to Useful Measurements for Violin Makers, a Reference for Shop Use, 2nd edition, Henry A. Strobel. Aumsville, Oregon: H.A. Strobel, 1991. The Galpin Society Journal, 48. p. 232. ISSN 0072-0127

Fleming, Michael (1996) Book review: Violin Making Step by Step, Henry A. Strobel. Aumsville: Henry A. Strobel, 1994. The Galpin Society Journal, 49. p. 244. ISSN 0072-0127

Fleming, Michael (2009) The Identities of the Viols in the Ashmolean Museum. The Viola da Gamba Society Journal, 3 (2). pp. 117-130. ISSN 0507-0252

Fleming, Michael (2013) John Evelyn on Musical Instrument Wood. The Galpin Society Journal, 66. ISSN 0072-0127

Fleming, Michael (1999) A bridge to the past: Investigating an old viol bridge at Haddon Hall. Early Music, XXVII (2). pp. 235-248. ISSN 0306-1078

Fox, Christopher (2003) Hybrid temperaments and structural harmony: a personal history. Contemporary Music Review, 22 (1-2). pp. 123-139. ISSN 07494467

Fox, Christopher (2004) Tempestuous Times: The Recent Music of Thomas Ades. The Musical Times, 145 (1888). pp. 41-56. ISSN 0027-4666

Gavin, Helen (2001) Reconstructed Memories and Adult Musical Expertise. Music Education Research, 3 (1). pp. 51-61. ISSN 1461-3808

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Gibson, Ian (2010) Collaborative music software for mobile phones. International Journal of Research and Reviews in Applied Sciences, 2 (2). pp. 104-107. ISSN 2076-7366

Gibson, Ian and Dovey, Matthew (2006) A Collaborative Composition System Based On A Service Oriented Architecture. Proceedings of the International Computer Music Conference. pp. 401-404.

Gibson, Ian and Dovey, Matthew (2006) A web-based system for collaborative electro-acoustic composition. International Journal of Advanced Manufacturing Technology, 30 (9-10). pp. 968-973. ISSN 0268-3768

Gibson, Ian and Dovey, Matthew (2010) A wireless, real-time, social music performance system for mobile phones. International Computer Music Conference Proceedings.

Gibson, Ian and Howard, David (1995) Intuitive and dynamic control of synthesised sounds by voice. International Computer Music Conference Proceedings. pp. 228-229.

Gibson, Ian and Howard, David (1994) Sound processing control using voice and graphical information. Eurographics UK Chapter 12 Conference Proceedings. pp. 19-28.

Gibson, Ian and Howard, David (1994) Voice parameter estimation for sound processing control. Proceedings of the Institute of Acoustics, 16 (5). pp. 207-214. ISSN 0309-8117

Gibson, Ian and Howard, David (1998) A voice-controlled music synthesis system. Proceedings of the Institute of Acoustics, 20 (6). pp. 205-213. ISSN 0309-8117

Gibson, Ian, Howard, David and Tyrrell, Andrew (1998) Real-time singing synthesis using a parallel processing system. Proceedings of the IEE Colloquium on Audio And Music Technology. 8/1-8/6.

Glover, Richard (2010) Michael Pisaro’s pi and numerical representation. CeReNeM Journal (1).

Glover, Richard (2012) Phill Niblock: Identity through instability. MusikTexte, 132. ISSN 0178-8884

Glover, Richard (2012) Sustained Tones and the Auditory Experience. Leonardo Music Journal, 22 (22). pp. 56-57. ISSN 0961-1215

Graham, Gary and Hardaker, Glenn (2007) How the technology shock of the internet is radically changing the competitive dynamics of the online music market. International Journal of Electronic Marketing and Retailing, 1 (3). pp. 260-278. ISSN 1741-1025

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part One: Liza Lim. Resonate Magazine.

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part Two: Liza Lim. Resonate Magazine.

Hardaker, Glenn and Graham, Gary (2008) Community of self-organisation: supply chain perspective of Finnish electronic music. International Journal of Technology Management, 44 (1/2). pp. 93-114. ISSN 0267-5730

Harrison, Bryn (2011) The Tempo of Enclosed Spaces: A short, personal reflection on the ensemble music of Aldo Clementi. Contemporary Music Review, 30 (3-4). pp. 269-274. ISSN 0749-4467

Haworth, Catherine (2013) Book review: 'Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores'. By Peter Franklin, Oxford, 2011. Music and Letters, 94 (2). pp. 365-367. ISSN 0027-4224

Haworth, Catherine (2012) Detective Agency? Scoring the Amateur Female Investigator in 1940s Hollywood. Music and Letters, 93 (4). pp. 543-573. ISSN 0027-4224

Haworth, Catherine (2012) Introduction: Gender, Sexuality, and the Soundtrack. Music, Sound, and the Moving Image, 6 (2). pp. 113-135. ISSN 1753-0768

Haworth, Catherine (2008) John Barry and the James Bond sound. Programme note for 'James Bond: Shaken, not stirred' concert, Leeds Town Hall International Concert Season.

Jan, Steven (1996) Ave Verum Corpus: reminiscences in Mozart's late style. Choir and Organ, 4 (2). pp. 20-25. ISSN 0968-7262

Jan, Steven (2000) Replicating Sonorities: Towards a Memetics of Music. Journal of Memetics - Evolutionary Models of Information Transmission, 4 (1). ISSN 1366-4786

Jan, Steven (1992) X Marks the Spot: Schenkerian Perspectives on the Minor-Key Classical Development Section. Music Analysis, 11 (1). pp. 37-53. ISSN 0262-5245

Jan, Steven (2012) ‘The Heavens are Telling’: Memetic- Calvinian Readings of a Haydn Chord Progression. Interdisciplinary Science Reviews, 37 (2). pp. 113-130. ISSN 0308-0188

Jan, Steven (2004) Meme Hunting with the Humdrum Toolkit: Principles, Problems, and Prospects. Computer Music Journal, 28 (4). pp. 68-84. ISSN 0148-9267

Jan, Steven (2010) Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 14 (1). pp. 3-50. ISSN 1029-8649

Jan, Steven (2011) Music, Memory, and Memes in the Light of Calvinian Neuroscience. Music Theory Online, 17 (2). pp. 3-50. ISSN 1067-3040

Lewis, Gerard J., Hardaker, Glenn and Graham, Gary (2005) Evaluating the impact of the internet on barriers to entry in the music industry. Supply Chain Management: An International Journal, 10 (5). pp. 349-356. ISSN 1359-8546

Lim, Liza (2011) 3 Angels. Escalier du Chant (44). pp. 1-4.

Lim, Liza (2009) Staging an Aesthetics of Presence. Search: Journal for new music and culture (6).

Macklin, Graham (2013) ‘Onward Blackshirts!’ Music and the British Union of Fascists. Patterns of Prejudice, 47 (4-05). pp. 430-457. ISSN 0031-322X

Manning, Peter and Clarke, Michael (2008) Editorial. Organised Sound, 13 (3). pp. 165-166. ISSN 13557718

Manning, Peter and Clarke, Michael (2008) The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound, 13 (3). pp. 177-187. ISSN 13557718

Mawer, Deborah (2009) Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra. Twentieth-century music, 6 (2). pp. 155-182. ISSN 1478-5722

Mawer, Deborah (2008) ‘Parisomania’? Jack Hylton and the French Connection. Journal of the Royal Musical Association, 133 (2). pp. 270-317. ISSN 0269-0403

McLaughlin, Scott and Tremblay, Pierre Alexandre (2010) SpectralConway: Cellular Automata Off The Grid. International Computer Music Conference Proceedings, 2010. pp. 68-71. ISSN 2223-3881

McNichol, Al (2012) Exploring an extended sound universe for composing in 11-14 music curricula. Proceedings of the Electroacoustic Music Studies Network Conference (EMS12).

McNichol, Al (2010) Technology and creativity in the classroom: an opportunity missed? Proceedings of the International Computer Music Conference (ICMC). pp. 522-525.

Mee, Erin (2013) Hearing the Music of the Hemispheres. TDR: The Drama Review, 57 (3). pp. 148-150. ISSN 1054-2043

Miah, Shamim and Kalra, Virinder S. (2008) Muslim Hip-Hop: Politicisation of Kool Islam. South Asian Cultural Studies Journal, 2 (1). pp. 12-25. ISSN 1749-6764

Milsom, David (2005) Conditional gifts: the acoustic orchestral recordings of Edoard Colonne and Karl Muck and their testimony to late nineteenth-century performing practices. Early Music Performer (16). ISSN 1477-478X

Milsom, David (2009) Style and Sonority in Wagner String Performance. The Wagner Journal, 3 (2). ISSN 1755-0173

Milsom, David (2012) Practice and Principle: Perspectives upon the German ‘Classical’ School of Violin Playing in the Late Nineteenth Century. Nineteenth-Century Music Review, 9 (01). pp. 31-52. ISSN 1479-4098

Mynett, Mark (2012) Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music. Journal on the Art of Record Production (6). ISSN 1754-9892

Mynett, Mark (2009) Extreme metal: the SOS guide to recording & producing modern metal. Sound on Sound. pp. 120-133. ISSN 0951-6816

Mynett, Mark (2010) Get the perfect bass. Computer Music (159). ISSN 1463-6875

Mynett, Mark (2009) Mixing metal: The SOS Guide To Extreme Metal Production: Part 2. Sound on Sound. pp. 118-126. ISSN 0951-6816

Mynett, Mark (2010) The sound and the fury. Guitar World. pp. 71-80. ISSN 1045-6295

Mynett, Mark (2010) The sound and the fury: part 2. Guitar World. pp. 72-86. ISSN 1045-6295

Pople, Anthony, Russ, Michael, Cook, Nicholas and Cross, J. (2004) Editorial, completion and editing of Pople, A. 'Using complex set theory for tonal analysis: an introduction to the Tonalities Project'. Music Analysis, 23 (2-3). pp. 153-194. ISSN 0262-5245

Pulman, Mark (2006) Book review: Popular Music Genres: An Introduction By Stuart Borthwick and Ron Moy, 2004. Popular Music, 25 (2). pp. 340-342. ISSN 0261-1430

Pulman, Mark (2014) Popular Music Pedagogy: band rehearsals at British universities. International Journal of Music Education, 32 (2). ISSN 0255-7614 (In Press)

Pulman, Mark (2012) Round and round we go: an ‘action’ ride on the rehearsing and performing cycle. British Journal of Music Education, 29 (2). pp. 213-231. ISSN 02650517

Pulman, Mark (2009) Seeing yourself as others see you: developing personal attributes in the rehearsal. British Journal of Music Education, 26 (2). pp. 117-135. ISSN 02650517

Pulman, Mark and Davis, Robert (2001) Raising standards in performance. British Journal of Music Education, 18 (3). pp. 251-259. ISSN 02650517

Russ, Michael (2000) Accounting and Mediating: Modes, Genera, Voice-leading and Form in Milhaud. Music Analysis, 19 (2). pp. 233-255. ISSN 0262-5245

Russ, Michael (2004) Fishing in the right place: analytical examples from the Tonalities project. Music Analysis, 23 (2-3). pp. 195-244. ISSN 0262-5245

Russ, Michael (1994) Functions, scales, abstract systems and contextual hierarchies in the music of Bartok. Music and Letters, 75 (3). pp. 401-425. ISSN 0027-4224

Russ, Michael (1990) The Mysterious Thread in Musorgsky's 'Nursery'. Music Analysis, 9 (1). pp. 47-66. ISSN 0262-5245

Russ, Michael (1993) On Schenkerism: A Closed Circle of Elite Listeners? Music Analysis, 12 (2). pp. 266-285. ISSN 0262-5245

Russ, Michael (1988) Temporal and Pitch Structure in Webern's Orchestral Piece Op. 10, No. 2. Music Analysis, 7 (3). pp. 247-280. ISSN 0262-5245

Russ, Michael and Winterson, Julia (2007) Transition from School to University. Classroom Music, 4 (3). pp. 12-13.

Russ, Michael (2012) Bartók, Beethoven and the Sonata for Two Pianos and Percussion. Journal of the Royal Musical Association, 137 (2). pp. 307-349. ISSN 0269-0403

Russ, Michael (1996) "Be Bored": Reading a Mussorgsky Song. 19th-Century Music, 20 (1). pp. 27-45. ISSN 0148-2076

Russ, Michael (2009) Book Review: Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. By Michiel Schuijer. Music and Letters, 90 (4). pp. 722-725. ISSN 0027-4224

Russ, Michael (2011) Book review : Evan Jones (ed.), Intimate Voices: the Twentieth-Century String Quartet. Journal of the Society for Musicology in Ireland, 6. pp. 101-112. ISSN 1649-7341

Schwarz, Diemo, Tremblay, Pierre Alexandre and Harker, Alexander (2014) Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression 2014. (In Press)

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722

Till, Rupert (2006) The Nine O'clock Service: Mixing Club Culture And Postmodern Christianity. Culture and Religion, 7 (1). pp. 93-110. ISSN 0143-8301

Till, Rupert (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon. Implicit Religion: Journal of the Centre for the Study of Implicit Religion and Contemporary Spirituality , 13 (2). pp. 151-160. ISSN 1463 9955

Till, Rupert (2010) Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince. Journal of Beliefs and Values: Studies in Religion and Education, 31 (1). pp. 69-80. ISSN 1361-7672

Till, Rupert (2010) Songs of the Stones: an investigation into the musical history and culture of Stonehenge. IASPM: International Association for the Study of Popular Music Journal, 1 (2). pp. 1-18. ISSN 2079-3871

Tremblay, Pierre Alexandre (2006) Pragmatic Considerations in Mixed Music: a Case Study of La Rage. Proceedings of the International Computer Music Conference. pp. 527-530. ISSN 0-9713192-4-3

Tremblay, Pierre Alexandre and McLaughlin, Scott (2009) Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance. International Computer Music Conference Proceedings, 2009. pp. 379-386. ISSN 2223-3881

Williamson, Sarah (2005) Music hath charms. Rapal, 57. ISSN 1747-5600

Wilsmore, R, Alix, C and Dobson, E (2010) Collaborative Art Practices in HE: Mapping and Developing Pedagogical Models. Higher Education Academy Resources Centre.

Wilson-Bokowiec, Julie and Bokowiec, Mark (2006) Kinaesonics: The intertwining relationship of body and sound. Contemporary Music Review, 25 (1/2). pp. 47-57. ISSN 0749-4467

d'Escrivan, Julio and Adkins, Monty (2014) Stream-­Form and the loss of traditional virtuosity: thoughts and a method. MONO (2). ISSN 1646-7388

d’Escriván, Julio and Collins, Nick (2011) Musical Goals, Graphical Lure and Narrative Drive: VisualAudio in Games. Journal of Visual Culture, 10 (2). pp. 238-246. ISSN 1470-4129

Book Chapter

Ablinger, Peter (2010) Due Pratiche. In: Neue Musik und andere Künste. Publications from the Institute of New Music and Musical Education, Darmstadt, 50 . Schott, Mainz, Germany. ISBN 978-3-7957-1840-4

Adkins, Monty and d'Escrivan, Julio (2013) Geometries of Flight: Remix as Nodal Practice. In: International Computer Music Conference Proceedings. MPublishing, Ann Arbor, MI , pp. 220-225. (In Press)

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

Bossis, Bruno and Dufeu, Frédéric (2009) De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay. In: Christian Marclay: Snap! Les Presses du Réel, Dijon. ISBN 978-2-84066-279-2

Brown , Clive and Milsom, David (2006) The 19th-Century Legacy of the Viotti School: Editions of the Violin Concerto No. 22. In: Giovanni Battista Viotti : a composer between the two revolutions. Ad Parnassum Studies (2). UT Orpheus, Bologna, italy, pp. 157-198. ISBN 9788881094578

Bryan, John (2013) 'Full of Art, and Profundity': The Five-Part Consort Pavan as a Medium for Sophiosticated Musical Expression and Compositional Cross-Reference in Late Renaissance England' in 'Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries. In: Networks of Music and Culture in the Late Sixteenth and Early Secenteenth Centuries'. Ashgate, Farnham, UK, pp. 203-214. ISBN 9781472411983

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Clarke, Michael (2006) Jonathan Harvey’s ‘Mortuos Plango, Vivos Voco.’. In: Analytical Methods of Electroacoustic Music. Routledge, London, pp. 111-143. ISBN 9780415976299

Clarke, Michael (2010) Wind Chimes: An Interactive Aural Analysis. In: Denis Smalley: Polychrome Portraits. Polychrome Portraits . GRM de l'INA (Radio France), Paris, pp. 35-57. ISBN 9782869382114

Colton, Lisa (2005) Choral Music in York, 1400-1540. In: Mass and Parish in Late Medieval England: The Use of York. Spire Books, Reading, pp. 41-56. ISBN 1904965024

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2009) Music and Identity in Medieval Bury St Edmunds. In: St Edmund, King and Martyr: Changing Images of a Medieval Saint. York Medieval Press, Woodbridge. ISBN 9781903153260

Cummings, Graham (2009) Pietro Metastasio. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (2009) 'Poro, Rè dell' Indie'. In: The Cambridge Handel Encyclopedia. Cambridge University Press. ISBN 9780521881920

Cummings, Graham (2014) G.F.Handel : Italian Opera : Poro Re dell' Indie. In: The Halle Handel Edition (HHA). Bärenreiter Verlag. (In Press)

Cummings, Graham (2011) Handel and the confus'd shepherdess : a case study of stylistic eclecticism. In: Handel. The Baroque Composers . Ashgate, pp. 575-589. ISBN 9780754628859

Cummings, Graham (2010) Handel's compositional methods in his London operas of the 1730s and the unusual case of Poro, Re dell' Indie (1731). In: Opera Remade, 1700-1750. Ashgate Library of Essays in Opera Studies . Ashgate, pp. 469-490. ISBN 9780754629009

Cummings, Graham (2000) Handel, Telemann and Metastasio, and the Hamburg Cleofida. In: Händel-Jahrbuch. Baerenreiter Verlag, pp. 335-73. ISBN 978-3-7618-1441-3

Cummings, Graham (1982) The London Performances of Handel's Opera Poro. In: Problems of Händelschen opera (especially the example of Poro) ̈. Convention and meeting reports of the Martin-Luther-University Halle-Wittenberg . Halle (Saale), pp. 62-81.

Cummings, Graham (2006) Metastasio, Handel und Poro, Re dell' Indie. In: Internationale Handel Festspiele Göttingen 2006 : Programme Texte Werkeinführungen. Internationale Händel-Festspiele Göttingen, pp. 78-81.

Dufeu, Frédéric (2013) Le support sonore comme instrument de musique chez Christian Marclay [The Recording Medium As Instrument In Christian Marclay’s Works]. In: La musique et ses instruments - music and its instruments. Editions Delatour France, pp. 419-436. ISBN 9782752101594

Dufeu, Frédéric (2010) L’instrument numérique comme objet d’analyse des musiques mixtes. In: Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Dufeu, Frédéric (2012) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres. In: Correspondances d'artistes:du brouillon à la lettre ouverte. Mot et le reste. ISBN 978-2-36054-060-0

Dufeu, Frédéric (2013) Mémoires numériques et comportements instrumentaux : quels dialogues entre le musicien et la machine? [Digital Memories And Instrumental Behaviours: Dialogues between musicians and machines]. In: Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Les presses du réel, pp. 105-113. ISBN 9782952235556

Dufeu, Frédéric (2012) Une interface graphique de manipulation d'unités modulaires dans SuperCollider. In: Proceedings of JIM2012 (Journées d’Informatique Musicale). Numediart, pp. 123-132.

Einbond, Aaron (2013) Subtractive Synthesis: noise and digital (un)creativity. In: Noise In And As Music. University of Huddersfield Press, Huddersfield, pp. 57-75. ISBN 9781862181182

Epstein, David and Mawer, Deborah (2010) Encountering La Valse: Perspectives and Pitfalls. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 138-164. ISBN 9780521886970

Fleming, Michael (2011) Viols. In: Musical Instruments in the Ashmolean Museum: The Complete Collection. Oxford Musical Instrument Publishing LLP, Berkhamsted. ISBN 9780956767905

Glover, Richard (2012) The Experience of Sustained Tone Music. In: Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). European Society for the Cognitive Sciences of Music (ESCOM). ISBN 960-99854-1-7

Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495

Glover, Richard (2013) Phill Niblock: Identity through instability. In: Phill Niblock: Working Title. Les presses du réel, Dijon, France. ISBN 9782840664239

Glover, Richard (2010) The compositional use of numerals in music notation. In: Music and numbers 2010 conference proceedings. Canterbury Christchurch University, Canterbury, UK. ISBN ISBN 978-1-899253-76-0

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM Book of Abstracts. Aristotle University of Thessaloniki, Thessaloniki, pp. 122-123. ISBN 960998451-7

Harker, Alexander and Tremblay, Pierre Alexandre (2012) The HISSTools Impulse Response Toolbox: Convolution for the Masses. In: ICMC 2012: Non-cochlear Sound. The International Computer Music Association, pp. 148-155. ISBN 9780984527410

Harrison, Bryn (2009) Bryn Harrison. In: The Ashgate Research Companion to Experimental Music. Ashgate, London, UK, pp. 283-292. ISBN 9780754662822

Haworth, Catherine (2008) Shades of grey: suspense, subjectivity and the soundtrack in Hitchcock's 'Notorious'. In: Cinemusic? Constructing the Film Score. Cambridge Scholars Publishing, Cambridge, UK, pp. 113-125. ISBN 1847185932

Hewitt, Scott, Tremblay, Pierre Alexandre, Freeman, Samuel and Booth, Graham (2010) HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices. In: Proceedings of the International Computer Music Conference. ICMA, New York, pp. 304-307.

Jan, Steven (2011) Replication, Parataxis, and Evolution: Meme Journeys through the First Movement of a Mozart Sonata. In: A-Life for Music: Music and Computer Models of Living Systems. Computer Music and Digital Audio Series, 24 . A-R Editions, pp. 217-260. ISBN 9780895796738

Lim, Liza (2012) Patterns of Ecstasy. In: Darmstadt contributions to new music. Schott Musik, pp. 27-43. ISBN 9783795708160

Mawer, Deborah (2010) Crossing borders II: Ravel's theory and practice of jazz. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 114-137. ISBN 9780521886970

Mawer, Deborah (2010) Introduction: the growth of Ravel studies. In: Ravel Studies. Cambridge Composer Studies . Cambridge University Press, pp. 1-8. ISBN 9780521886970

Mawer, Deborah (2008) Jolivet’s Search for a New French Voice: Spiritual “Otherness” in Mana (1935). In: French Music, Culture, and National Identity, 1870-1939. Eastman Studies in Music . University of Rochester Press, pp. 172-193. ISBN 9781580462723

Milsom, David (2007) Elevated aspirations versus limitations of reality: string playing style and practice in Victorian England. In: Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies (9). Leeds Trinity University College, Leeds. ISBN 9780954015985

Milsom, David (2008) Joseph Joachim: Evoking his style and Practice in Historically-Informed Performance. In: Echoes 2008: Joseph Joachim (1831-1907): European citizens, composer, pianist. Vienna Yearbook of Musicology . Mille Tre Verlag, Vienna, Austria. ISBN 9783900198190

Milsom, David (2008) Mendelssohn and the orchestra. In: Mendelssohn in Performance. Indiana University Press, pp. 98-113. ISBN 9780253351999

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Pulman, Mark (2004) Peer assessment in popular music. In: How am I doing? Valuing and rewarding learning in musical performance in higher education. University of Ulster, Ulster, UK, pp. 69-87. ISBN 1859231780

Rogers, Andrew and Gibson, Ian (2012) Emotional Impact of Musical/Visual Synchrony Variation in Film. In: Proceedings of 12th International Conference on Music Perception and Cognition (ICMPC). ICMPC, Thessaloniki, Greece, pp. 848-852. ISBN 9789609984515

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

Russ, Michael (1990) Atonality, modality, symmetry and tonal hierarchy in Bartok's improvisation Op. 20 No. 2. In: Musicology in Ireland. Irish musical studies, 1 . Irish Academic Press, pp. 278-294. ISBN 9780716524564

Russ, Michael (2000) Ravel and the orchestra. In: The Cambridge companion to Ravel. Cambridge Companion . Cambridge University Press, Cambridge. ISBN 9780521648561

Russ, Michael (2003) Some Observations on Form-Building Processes in Twentieth-Century Music: Shaping time in Ian Wilson’s ‘Rich Harbour: Concerto for Organ and Orchestra’. In: Irish Music in the Twentieth Century. Irish Musical Studies (7). Four Courts Press, Dublin, pp. 109-133. ISBN 1-85182-647-5

Russ, Michael (2013) Composing with Sets: Roberto Gerhard’s Concerto for Piano and String Orchestra. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (2013) Formal Structure in the Finale of Bartok’s Sonata for Two Pianos and Percussion. In: Irish Musical Analysis. Irish Musical Studies, 11 . Four Courts Press, Dublin. ISBN 978-1-84682-368-8 (In Press)

Russ, Michael (2013) Music as Autobiography: Roberto Gerhard’s Violin Concerto. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Sundin, Pauline, Adkins, Monty and Gierakowski, Adrian (2013) Beyond Pythagoras. In: International Computer Music Conference Proceedings. MPublishing, Ann Arbor, MI, pp. 383-386. (In Press)

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Till, Rupert (2009) Popular Music as Religion: from trance dancing to worshipping popular music icons. In: Faith is. Searching for Faith and Religion. Lars Muller Publishers. ISBN 9783037781449

Till, Rupert (2009) Songs of the stones: the acoustics of Stonehenge. In: The Sounds of Stonehenge. Centre for the History of Music in Britain, the Empire and the Commonwealth. CHOMBEC Working Papers No. 1 . Hadrian Books. ISBN 9781407306308

Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091

Till, Rupert (2001) Clubbing - a new performance tradition. In: Changing Sounds: New Directions and Configurations in Popular Music. University of Technology, Sydney, Sydney, Australia. ISBN 9781863653640

Till, Rupert (2012) Metal and the Beast: The adoption of apocalyptic imagery in heavy metal music. In: Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Bible in the Modern World (42). Sheffield Phoenix Press, Sheffield. ISBN 978-1-907534-34-8

Till, Rupert (2013) Paganism, Popular Music and Stonehenge. In: Pop pagans: paganism and popular music. Studies in Contemporary and Historical Paganism . Acumen Publishing, London, pp. 51-78. ISBN 9781844656479

Tremblay, Pierre Alexandre and Schwarz, Diemo (2010) Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. In: Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. NIME, pp. 447-450.

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Wilson, Scott and d'Escrivan, Julio (2011) Composing with SuperCollider. In: The SuperCollider Book. The MIT Press, USA, pp. 81-104. ISBN 978-0-262-23269-2

Monograph

Felstead, Alan, Bishop, Dan, Fuller, Alison, Jewson, Nick, Lee, Tracey and Unwin, Lorna (2006) Moving to the Music: Learning Processes, Training and Productive Systems – The Case of Exercise to Music Instruction. Other. Cardiff University, Cardiff, UK. (Unpublished)

Unwin, Lorna, Felstead, Alan, Fuller, Alison, Lee, Tracey, Butler, Peter and Ashton, David (2005) Worlds within Worlds: The Relationship between Context and Pedagogy in the Workplace. Other. University of Leicester, Leicester, UK. (Unpublished)

Winterson, Julia and Russ, Michael (2008) Understanding the transition from school to university in music and related subjects. Project Report. University of Huddersfield, Huddersfield. (Submitted)

Conference or Workshop Item

Adkins, Monty (2009) The [60]Project: an analytical and contextual critique. In: New York City Electroacoustic festival, 2-4 April 2009, Cuny Graduate Centre New York. (Unpublished)

Adkins, Monty (2010) Metaphor, Abstraction and Temporality in Electroacoustic Music. In: ArtMusFair 2010, 22-26 September 2010, Chopin University, Warsaw, Poland. (Submitted)

Adkins, Monty (2014) Nodalism and creative practice. In: xCoAx 2014: Computation Communication Aesthetics and X, 26th-27h June 2014, Porto, Portugal.

Adkins, Monty (2007) Schaeffer est mort! Long live Schaeffer! In: EMS07 - Electroacoustic Music Studies, 12-15 June 2007, De Montfort University, Leicester, UK.

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composition and Archiving. In: International Computer Music Conference (ICMC 2009), 16–21 August 2009, Montreal, Canada. (Unpublished)

Adkins, Monty and d'Escrivan, Julio (2013) Geometries of Flight: Remix as Nodal Practice. In: xCoAx 2013: a conference on Computation, Communication, Aesthetics and X, 26th - 28th June 2013, Bergamo, Italy.

Al, McNichol (2009) Music Technology in the Key Stage 3 Music: an opportunity for creativty? In: University of Huddersfield Research Festival 2008, 25 Feb-13 March 2008, Huddersfield. (Unpublished)

Al-Badr, Ahmed (2009) The Musical Characteristics Of The Folk Songs In South Of Iraq. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Benincasa, Caterina (2010) Pigeons not Doves: Liverpool’s Contribution to the Festival of Britain, 1951. In: Modern British History Conference, 22nd - 23rd JUne 2010, St Andrews University, Scotland. (Unpublished)

Benincasa-Sharman, Caterina Amanda (2011) The 1951 Festival of Britain: A Northern Perspective. In: York Festival, July 12th 2011, Bedern Hall, York. (Unpublished)

Bonardi, Alain, Bossis, Bruno, Couprie, Pierre, Dufeu, Frédéric, Malt, Mikhail and Pottier, Laurent (2013) Atelier: Outils pour l’analyse de la musique électroacoustique [Workshop: Tools for analysis of electroacoustic music]. In: JIM2013 (Journées d’Informatique Musicale) Conference, 13th - 15th May 2013, Paris, France.

Bonardi, Alain and Dufeu, Frédéric (2013) Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des œuvres de Philippe Manoury [How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works]. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2009) Le support sonore comme instrument de musique chez Christian Marclay. In: CIM09, Music and its Instruments: 5th Conference on Interdisciplinary Musicology, 26th - 29th October 2009, Paris, France. (Unpublished)

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2012) The Rat Pack: Legacy and Influence. In: University of Huddersfield Diamond Jubilee Lecture Series, 6th June 2012, University Campus, Barnsley. (Unpublished)

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th ESCOM Joint Conference , 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Clarke, Michael (2009) Extending Interactive Aural Analysis: Acousmatic Music. In: Electroacoustic Music Studies Network EMS 09: Heritage and Future, 22nd - 25th June 2009, Buenos Aires, Argentina. (Unpublished)

Clarke, Michael and Dufeu, Frédéric (2013) An Introduction to the TIAALS software (Tools for Interactive Aural Analysis). In: 4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”, 11th July 2013, Leicester, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) The Impact of Technology on the Creative Processes of Composing Electroacoustic Music. In: Royal Musical Association Annual Conference 2013, 19th - 21st September 2013, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Introducing TaCEM and the TIAALS software. In: 2013 ICMC International Computer Music Conference, 11th - 17th August 2013, Perth, Australia. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music]. In: JAM13, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale, 3rd - 5th April 2013, Rennes, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Cox, Geoffrey and Marley, Keith (2009) Performing Documentary. In: MeCCSA Conference, 14th - 16th January 2009, National Media Museum, University of Bradford. (Unpublished)

Cox, Geoffrey (2011) Listen to Nice. In: Politics, Poetics and Practice, New paradigms for theory-practice interchange in creative media production, Department of Media, Canterbury Christ Church University. (Unpublished)

Cox, Geoffrey (2010) Live performance in my film, No Escape. In: Cinesonika: Celebrating the Soundtrack, 12-14th November 2010, Simon Frazer University, Surrey Campus, Vancouver, Canada. . (Unpublished)

Cox, Geoffrey and Marley, Keith (2011) From Nice to Toxteth. In: i-Docs: an international symposium on interactive documentary, 25th March 2011, The Watershed, University of the West of England, Bristol. (Unpublished)

Cox, Geoffrey and Marley, Keith (2010) Liveness and Documentary Performance. In: Documentary Now! , 15-16th January 2010, Burbeck College, London. (Unpublished)

Cox, Geoffrey and Marley, Keith (2011) Reduced Viewing, Enhanced Listening. In: ¡Documentary Now! A Conference on the Contemporary Contexts and Possibilities of the Documentary, 28-30th January 2011, University of Westminster, 309 Regent Street, London. (Unpublished)

Cummings, Graham (1999) Handel and the Confus'd Shepherdess: a case study of stylistic eclecticism. In: The Handel Institute Conference 1999: Great among the Nations: Handel and National Musical Styles, 20th - 21st November 1999, Kings College, London, UK. (Unpublished)

Cummings, Graham (2008) Handel's Concerto Organ in 1735-36. In: British Institute of Organ Studies Conference 2008: The Organ in Stuart and Georgian England: Its Role through change to the Handel Commemoration, 10th - 13th April 2008, Merton College, Oxford, UK. (Unpublished)

Cummings, Graham (1993) Handel's compositional methods in Poro, Rè dell' Indie (1731). In: The Handel Institute Conference 1993: Handel in the 1730s, November 1993, Kings College, London, UK. (Unpublished)

Cummings, Graham (2009) Admeto and the rival Queens (featured opera Admeto). In: Göttingen International Handel Festival, 29th May 2009, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Belshazzar, a most operatic oratorio. In: Göttingen International Handel Festival, May 2007, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2013) Handel and operatic rivalry in the London season 1733-34. In: Department of Music research seminar, 13th March 2013, University of York. (Unpublished)

Cummings, Graham (2012) Handel and operatic rivalry in the London season 1733-34. In: The Handel Institute Conference : Handel at Court, 24-25th November 2012, The Foundling Museum, London. (Unpublished)

Cummings, Graham (2013) Handel under attack by the opera of the nobility. In: Music Research Forum, 26th November 2013, University of Huddersfield. (Unpublished)

Cummings, Graham (2003) Handel's messiah : the most finished piece of musick. In: Huddersfield Organists Association Event, 25th March 2003, Recital hall, University of Huddersfield. (Unpublished)

Cummings, Graham (2007) Handel's rulers and heroes. In: Göttingen International Handel Festival, May 2007, Rathaus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2010) Handel, Hanover and George I. In: Göttingen International Handel Festival, 23rd May 2010, Holbornsches Haus, Göttingen, Germany. (Unpublished)

Cummings, Graham (2013) Handel, the Orient and his opera Siroe, Re di Persia. In: Göttingen International Handel Festival, 10-12th May 2013, Göttingen, Germany. (Unpublished)

Cummings, Graham (2007) Hasse's Neopolitan Cleopatra. In: York Early Music Festival, July 2007, York. (Unpublished)

Cummings, Graham (2010) Johann Hiller and Handel's Messiah. In: Göttingen International Handel Festival, 22nd - 23rd May 2010, Stadthalle, Göttingen, Germany. (Unpublished)

Cummings, Graham (2012) L'Olimpiade : Metastasio and the Olympic Games. In: York early Music Festival, 6-14th July 2012, Mansion House, York. (Unpublished)

Cummings, Graham (2009) Metastasio transformed in Handel's Poro. In: Purcell, Handel & Literature, 19-21st November 2009, Senate House, University of London. (Unpublished)

Cummings, Graham (2007) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: London Handel Festival, 20th March - 26th April 2007, Royal College of Music, London. (Unpublished)

Cummings, Graham (2006) Metastasio's Alessandro to Handel's Poro : a change of dramatic emphasis. In: Göttingen International Handel Festival, June 2006, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (2008) Operatic rivalry and Handel's organ concertos in the 1734-35 season. In: Music Research Forum, January 2008, University of Huddersfield. (Unpublished)

Cummings, Graham (2008) Orlando or the jealous madness. In: Göttingen International Handel Festival, May 2008, Deutsches Theater, Göttingen, Germany. (Unpublished)

Cummings, Graham (1982) Reminiscence and recall in three early settings of Metastasio's Alessandro nell' Indie. In: The Royal Musical Association Conference, November 1982, Kings College, University of London. (Unpublished)

Cummings, Graham (2011) Teseo : Handel's 'Maverick' opera. In: Göttingen International Handel Festival, 12-13th June 2011, Deutsches Theater, Göttingen. (Unpublished)

Dobson, Elizabeth (2006) Research on music composition: Issues of creativity and collaboration. In: Centre for Excellence in Teaching and Learning: Teaching, learning and performing music conference, 1 July 2006, Royal Northern College of Music, Manchester, UK. (Unpublished)

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

Dufeu, Frédéric (2011) Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider. In: 7th European Music Analysis Conference (VII EUROMAC), 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Dufeu, Frédéric (2013) De l’outil d’expression musicale à l’environnement d’analyse musicologique, la segmentation comme principe d’articulation [From the tool for musical expression to the environment for musical analysis, segmentation as a principle for articulation]. In: Analyse par segmentation des musiques électroacoustiques seminar, 21st January 2013, Saint-Etienne, France. (Unpublished)

Dufeu, Frédéric (2011) Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési. In: Electroacoustic Music Studies Network EMS11, Sforzando!, 14th - 18th June 2011, New York, New York, USA. (Unpublished)

Dufeu, Frédéric (2010) Entre composition et improvisation : analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: "Analyze Improvisation" Colloquium, 12th February 2010, Paris, France. (Unpublished)

Dufeu, Frédéric (2013) L’instrument improvisé. Perspectives ouvertes par les technologies pour la constitution du dispositif de jeu dans le temps de la performance [The improvised instrument. Perspectives opened up by technology for the constitution of playing devices in performance time]. In: Les caprices de l’improvisation dans la musique [The vagaries of improvisation in art music] savante #2 seminar,, 21st March 2013, Paris, France. (Unpublished)

Dufeu, Frédéric (2009) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des oeuvres. In: La forme dialogique des écrits d’artistes : les correspondances seminar, 23rd October 2009, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) Partitions virtuelles et nouvelles lutheries. Questions d’interprétation dans l’œuvre électroacoustique de Philippe Manoury. In: Manifeste Festival 2012, 1st June - 1st July 2012, Paris, France. (Unpublished)

Dufeu, Frédéric (2008) Temps réel et temps différé dans l’instrument de musique numérique. In: EMS08 - Electroacoustic Music Studies - Conference Theme: Musique concrète - 60 years later, 3rd - 7th June 2008, Paris, France. (Unpublished)

Einbond, Aaron (2012) Sound Studies Lecture No. 35. In: Sound Studies Lecture No. 35, 12 November 2012, Universität der Künste, Berlin.

Einbond, Aaron (2012) Timbre Spaces: New Graphical Models for Analysis and Composition. In: Society for Music Theory, 1-4 November 2012, New Orleans, LA, USA.

Einbond, Aaron (2012) (Un)original(ity). In: Summer Composition Institute, Harvard Music Department, 25th - 26th August 2012, Cambridge, MA, USA.

Etheridge, Stephen (2009) Social And Musical Influences In The Creation Of Working-Class Cultural And Regional Identities. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Fenton, Steven (2009) Objective Measurement of Sound Quality in Music Production. In: Annual Researchers' Conference 2009 (CEARC '09), Friday 11th December 2009, University Of Huddersfield. (Unpublished)

Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: AES 130th Conference, 13th-16th May, Hosted in London, UK., 13-16 May 2011, London.

Fleming, Michael (2003) Another juggler: instruments and instrumentalists in early modern Oxford. In: The American Musical Instrument Society Conference on Musical Instruments, 3 - 9 August 2003, Oxford - London - Edinburgh.

Fleming, Michael (1999) Viols and other lumber. In: The Galpin Society Conference on Musical Instruments, 9-11 July 1999, University of Edinburgh.

Fleming, Michael (2006) What we can and cannot learn from English images of viols. In: CordeFactum 2006, June 2006, Belgium.

Fleming, Michael (2000) Who made the viols `by’ Henry Jaye ? In: Symposium on Bowed String Musical Instruments, 2-3 June 2000, Faculty of Music, University of Edinburgh.

Fleming, Michael (2009) The viol displayed, the iconographer dismayed. In: Making the British Sound, Conference, 6 - 11 July 2009, London - Edinburgh. (Unpublished)

Fleming, Michael (1998) Are English string instruments all they are not cracked up to be? In: 32nd RMA Research Students Conference, 14th December 1998, University of York, UK. (Unpublished)

Fleming, Michael (2012) Early English viol makers' tools and resources. In: CordeFactum Festival 2012, 18th - 20th May 2012, Hingene, Belgium. (Unpublished)

Fleming, Michael (2011) Obfuscation or illumination: what ‘early English viols’ tell us about early English viols. In: The American Musical Instrument Society Conference on Musical Instruments , 18th - 21st May 2011, Phoenix, AZ, USA. (Unpublished)

Fleming, Michael (2012) Robert Dow's viols: a lamentable lacuna. In: Medieval and Renaissance Music seminar series , 8th November 2012, All Souls College, Oxford. (Unpublished)

Fleming, Michael (1999) Viol design = painting by numbers? In: The British Society for the History of Mathematics Research in Progress Day, 27th February 1999, Wolfson College, Oxford, UK. (Unpublished)

Fleming, Michael (2010) Woodworking Tools in Sixteenth-Century Oxford. In: Technology and craft of early stringed instruments, c. 500-1550, 6th November 2010, University of London. (Unpublished)

Fleming, Michael (1995) The fantasy viol. In: The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell, 7th - 9th July 1995, University of York, UK. (Unpublished)

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Glover, Richard (2013) Approaches to microtonality in my own music. In: EUROMicroFest, 2-3 Feb 2013, Kunsthochschule für Medien, Köln. (Unpublished)

Glover, Richard (2010) The Compositional Use of Numerals in Music Notation. In: Off the Staves: Writing Music Before and After Conventional Notation, 26th-27th March 2010, Bangor, Wales. (Unpublished)

Glover, Richard (2011) Influence of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Submitted)

Glover, Richard (2011) Influences of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Unpublished)

Glover, Richard (2012) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27th-29th April 2012, Ionian University, Corfu, Greece. (Unpublished)

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music , 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music , 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock through the Ages. In: MuGI conference on 'Gender, Musical Creativity and Age', 6th - 7th October 2012, University of Huddersfied. (Unpublished)

Glover, Richard (2011) Pitch specificity in text scores. In: Word Event: a verbal notation symposium, 21st September 2011, Bath, UK. (Unpublished)

Glover, Richard (2011) The evolution of notation in sustained tone music. In: INTIME2011 Symposium Interrogations into Music Experimentation Experimental Approaches: new insights into performance and composition, 24th-25th September 2011, Coventry, UK. (Unpublished)

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM 2012 Joint Conference, 23-28 July 2012, Aristotle University of Thessaloniki.

Glover, Richard (2013) The use of grid structures in contemporary notational practice. In: Time Stands Still: Notation in Musical Practice, 5-6 April 2013, Wesleyan University, Connecticut, USA. (Unpublished)

Glover, Richard (2010) The use of numerals in experimental notation. In: Music and Numbers Conference 2010, 14th-15th May 2010, Canterbury Christ Church, UK.

Glover, Richard and Harrison, Bryn (2013) Memory and trace in minimal experimental music. In: Time and Trace: 15th Triennial Conference of the International Society for the Study of Time, 30 June - 6 July 2013, Orthodox Academy of Crete, Greece. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27-29 April 2012, Ionian University, Corfu, Greece.

Hales, Derek (2003) Artificial paradises. In: Ultrasound 2003, 27th-29th November 2003, Canal Side East Lecture Theatre, University of Huddersfield. (Unpublished)

Hales, Derek, Hurtado, Enrike and Magnusson, Thor (2002) Ultrasound 2002. In: Ultrasound 2002, 28th-30th November 2002, The Media Centre, The Camel Club, University of Huddersfield. (Unpublished)

Hales, Derek (2011) Ways of Hearing in Cyborgian Geographies. In: Ways of Hearing, March - June 2011, Opera North, Leeds. (Unpublished)

Hardaker, Glenn and Graham, Gary (2002) The impact of the internet on the structure and conduct of the music market. In: 12th International conference on cultural economics, 13th - 15th June 2002, Rotterdam.

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

Harker, Alexander and Tremblay, Pierre Alexandre (2013) Rethinking the Box: Approaches to the Reality of Electronic Music Performance. In: IRCAM Forum, 20-22 November 2013, IRCAM, Paris. (Submitted)

Haworth, Catherine (2010) After all, do I look like a murderer? Music and the subjective art of detection in 'Suspicion'. In: RMA Research Students' Conference, January 2010, University of York. (Unpublished)

Haworth, Catherine (2011) Dangerous dames and Siren songs: Music and the 'criminal' woman in 1940s Hollywood. In: Women in Research, July 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2005) Dark as night and twice as deadly: music, gender and film noir. In: Research seminar, November 2005, Department of Music, University of East Anglia. (Unpublished)

Haworth, Catherine (2009) Detective agency? Music, sound, and the female investigator in 1940s Hollywood. In: International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Haworth, Catherine (2005) Gender and subversion in Roy Webb's score for 'The Spiral Staircase'. In: RMA Research Students' Conference, March 2005, University of Durham. (Unpublished)

Haworth, Catherine (2011) I remember clearly everything that happened that night...: voiceover, music and subjectivity in classical Hollywood. In: Film Music Conference, September 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2013) "It may sound like music to her…": Inter-American politics, 'Latin' scores, and the 1940s femme fatale in 'The Leopard Man'. In: British Association of American Studies conference, April 2013, University of Exeter, UK. (Unpublished)

Haworth, Catherine (2013) Million-dollar legs and a desire for the "primitive": Taming Ann Miller’s virtuosic body in and around 'Prehistoric Man'. In: The Performing Body in the Hollywood Film Musical, 4th-6th April 2013, Colgate University, Hamilton, NY USA. (Unpublished)

Haworth, Catherine (2006) Music, suspense, and subjectivity in 'Notorious'. In: RMA Research Students' Conference 2006, January 2006, University of Leeds. (Unpublished)

Haworth, Catherine (2011) Nancy, Nancy, what'll you do to him now?: music, subjectivity and the femme fatale in 'The Locket'. In: Music and the Moving Image VI, May 20 – May 22, 2011, New York University. (Unpublished)

Haworth, Catherine (2014) Prescriptive audio: gender, medicine and musical control in the 1940s gaslight film. In: Music and Screen Media, 25-26th June 2014, University of Liverpool. (Unpublished)

Haworth, Catherine (2011) She must be quite a dame...: Music and the femme fatale in 'Out of the Past'. In: International Conference on Music Since 1900, 28–31 July 2011, Lancaster University. (Unpublished)

Haworth, Catherine (2012) Something beneath the flesh: medicine, music and masculinity in the 1940s gaslight thriller. In: Bodies of Evidence: Crime, Gender and Representation, 2 April 2012, Newcastle University. (Unpublished)

Haworth, Catherine (2012) "There isn't any other song": Reading Monroe's 'Kiss' in and after 'Niagara'. In: The Afterlife of the Film Song, 8 December 2012, Bristol University. (Unpublished)

Haworth, Catherine (2007) There isn't any other song: music, Monroe, and female agency in 'Niagara'. In: Sound, Music and the Moving Image, 10–12 September 2007, Institute of Musical Research, University of London. (Unpublished)

Haworth, Catherine (2006) There's nothing like a love song to give you a good laugh: music and subjectivity in 'Notorious'. In: Bradford Film Festival Film Music Conference, March 2006, National Media Museum, Bradford. (Unpublished)

Haworth, Catherine (2005) There's nothing like a love song to give you a good laugh: music, 'Notorious', and the boundaries of noir. In: Cherchez la Femme. The cinematic femme fatale, her history and transmissions, September 2005, University of Exeter. (Unpublished)

Haworth, Catherine (2010) They wouldn't send a woman, would they? Musical approaches to the female detective in 1940s Hollywood. In: Crime Across Cultures, 9-10 September 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2014) "Wallowing in Latin glamor": inter-American politics, Hollywood film music, and the 1940s femme fatale. In: Music and the Moving Image IX, 30th May - 1st June 2014, New York University. (Unpublished)

Haworth, Catherine (2009) What do you know of law and trials and all those things? Music and the female investigator in 1940s Hollywood. In: Research seminar, October 2009, School of Music, University of Leeds. (Unpublished)

Haworth, Catherine (2012) A bad town for blondes? Hollywood film music and inter-American politics in "The Leopard Man". In: Music and Music Technology Research Forum, March 2012, University of Huddersfield. (Unpublished)

Haworth, Catherine (2013) “A bad town for blondes”: Identity, inter-American politics, and ‘Latin’ film music in 'The Leopard Man'. In: International Conference on Music Since 1900, September 2013, Liverpool Hope University. (Unpublished)

Haworth, Catherine (2010) A voice with hormones: power, desire, and musical performance in 'A Woman's Secret'. In: School of Music Research Day, May 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2011) A voice with hormones: the singer, the diva, and the femme fatale in 'A Woman's Secret'. In: The Diva: An Interdisciplinary Conference, 5-8 July 2011, Liverpool Hope University. (Unpublished)

Hewitt, Scott (2009) The Laptop As An Ensemble Instrument-Methods And Concerns. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Jan, Steven (2009) Evolutionary Thought in Music Theory and Analysis: A Corrective to ‘Babelization’? In: L'analyse Musicale aujord'hui: crise ou (R)evolution?/Music Analysis Today: Crisis or (R)evolution? International Conference 2009, 19th - 21st November 2009, Strasbourg, France. (Unpublished)

Jan, Steven (2003) Meme hunting with the Humdrum Toolkit: principles, problems, and prospects. In: Hull University Music Analysis Conference (HUMAC) 2003, 10th - 13th July 2003, University of Hull, UK. (Unpublished)

Jan, Steven (2000) The Memetics of Music and its implications for Psychology. In: 6th International Conference on Music Perception and Cognition(ICMPC) , 5th - 10th August 2000, Keele University, Staffordshire, UK.

Jan, Steven (2011) A Memetic Analysis of a Phrase by Beethoven: Calvinian Perspectives on Segmentation, Similarity and Lexicon-Abstraction. In: 7th European Music Analysis Conference, 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Jansch, Adam (2009) Distributable Open Form Music. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument” , 6-7 January 2012, University of Oxford. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Meza, Mauricio and Dufeu, Frédéric (2012) Doppelgänger_Oblivion: Timeline. An interactive multimedia installation for collective in situ composition. In: The Global Composition, Conference on Sound, Media, and the Environment, 25th - 28th July 2012, Darmstadt and Dieburg, Germany.

Millea, Timothy A. and Wakefield, Jonathan P. (2010) Automating the Composition of Popular Music: The Search For a Hit. In: EvoPhD (EvoStar 2010), 7-9 April 2010, Istanbul Technical University, Istanbul, Turkey. (Submitted)

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Pulman, Mark (2008) Personal attributes and rehearsing in a band. In: Research Fora, 2nd December 2008, University of Huddersfield. (Unpublished)

Pulman, Mark (2002) Winning the crowd vote. In: Sheffield Hallam University Research Forum, 29th April 2002, Sheffield Hallam University. (Unpublished)

Pulman, Mark (2009) Learning about yourself in the band rehearsal. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Pulman, Mark (2002) Peer assessment in popular music group performance. In: Assessing Musical Performance, 11-12th September 2002, Carrickfergus, University of Ulster. (Unpublished)

Rodet, Xavier and Clarke, Michael (2003) Real-time FOF and FOG synthesis in MSP and its integration with PSOLA. In: International Computer Music Conference 2003, 29 October - 4 November 2003, Singapore.

Taylor, Andrew, Unver, Ertu and Till, Rupert (2010) Modelling Stonehenge: An interdisciplinary digital approach to 3D interactive storytelling. In: TAG 2010: The 32nd Annual Conference of the Theoretical Archaeology Group, 17-19 December 2010, University of Bristol, UK. (Unpublished)

Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Till, Rupert, Taylor, Andrew and Unver, Ertu (2011) Stonehenge Ritual Sound. In: Palaeophonics: a live multimedia performance event , 27 May 2011, George Square Theatre, Edinburgh.UK. (Unpublished)

Tremblay, Pierre Alexandre (2012) Considérations pragmatiques en musique mixtes: une approche systémique de l’inter-influence entre la composition, l'interprétation et la technique. In: Symposium: Sixty years of mixed music, 22nd - 23rd November 2012, Paris, France. (Unpublished)

Tremblay, Pierre Alexandre (2012) Mixing the Immiscible: Improvisation within Fixed-Media Composition. In: Electroacoustic Music Studies Conference Meaning and Meaningfulness in Electroacoustic Music, 11th - 15th June 2012, Stockholm, Sweden.

Velardo, Valerio and Vallati, Mauro (2014) GenoMeMeMusic: a Memetic-based Framework for Discovering the Musical Genome. In: The 40th International Computer Music Conference, 14-20th September 2014, Athens, Greece. (Unpublished)

Wakefield, Jonathan P. (2003) Artificial music. In: Modular 2003, 10th - 12th September, 2003, The London College of Music and Media, Thames Valley University, London, UK. (Unpublished)

Waterhouse, Janet (2012) British Music Collection: University of Huddersfield Music Library. In: IAML(UK & Irl) Annual Study Weekend, 13-16 April 2012, Cardiff University School of Music. (Unpublished)

Watkins, A., Adkins, Monty, Bokowiec, Mark and Clarke, Michael (2004) Sybil: Synthesis by Interactive Learning. In: International Computer Music Conference 2004, 1-6 November 2004, Miami.

Wilson, Thomas R and Fenton, Steven (2014) Two Dimensional Gestural Control of Audio Processing. In: 136th International AES Convention, 26th - 29th April 2014, Berlin, Germany.

Winterson, Julia and Russ, Michael (2008) Are A Levels a good preparation for university? In: ‘Doing University’: Student Transitions and Skills in Higher Education, 19 March 2008, University of Huddersfield. (Submitted)

Winterson, Julia and Russ, Michael (2007) From school to university: how well prepared are today’s music technology undergraduates? In: International Music Technology Education Conference 2007, 19-20 October 2007, Leeds College of Music. (Submitted)

Book

Adkins, Monty (2014) Rift Patterns. Audiobulb , London, UK.

Bossis, Bruno, Dufeu, Frédéric and Rabin, Julien (2010) Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Francis, P. A. (2012) Drums and bass: for tomorrow's rhythm section. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-104-5

Francis, P. A. (2012) Grooves for guitar. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-105-2

Jan, Steven (1995) Aspects of Mozart's music in G minor: toward the identification of common structural and compositional characteristics. Outstanding Dissertations in Music from British Universities . Garland. ISBN 0185318928

Milsom, David (2011) Classical and Romantic Music. The library of essays on music performance practice . Ashgate. ISBN 9780754628590

Pearson, Lesley-Anne (2005) The challenges for secondary school music teachers following the transition of pupils from key stage 2 into key stage 3. University of Leeds (School of Education), Leeds.

Russ, Michael (1992) Musorgsky: pictures at an exhibition. Cambridge music handbooks . Cambridge University Press. ISBN 9780521386074

Russ, Michael and Adkins, Monty (2013) The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Till, Rupert (2010) Pop Cult: Religion in Popular Music. Continuum Publishing, London, UK. ISBN 9780826432360

Thesis

Al-Badr, Ahmed (2012) The Social Context and Textual/Musical Characteristics of the Besta Genre of Southern Iraq. Doctoral thesis, University of Huddersfield.

Anderson, Simon Peter (2012) The Prepared Piano Music of John Cage: Towards an Understanding of Sounds and Preparations. Masters thesis, University of Huddersfield.

Backhouse, Jed (2011) A Multi-Platform, Procedural Approach to Graphical Composition. Masters thesis, University of Huddersfield.

Baldwin, Michael (2012) Reflections on Ephemerality and Notation in my Recent Work. Masters thesis, University of Huddersfield.

Berweck, Sebastian (2012) It worked yesterday: On (re-)performing electroacoustic music. Doctoral thesis, University of Huddersfield.

Bokowiec, Mark (2011) Interconnecting forms of expressivity as a compositional process: the evolution of an interactive practice with specific reference to the Bodycoder System. Mark A. Doctoral thesis, University of Huddersfield.

Booth, Graham (2010) Inclusive Interconnections: Towards Open-Ended Parameter-Sharing for Laptop Ensemble. Masters thesis, University of Huddersfield.

Bougaïeff, Nicolas (2013) An Approach to Composition Based on a Minimal Techno Case Study. Doctoral thesis, University of Huddersfield.

Bridle, Marcus (2011) Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis. Masters thesis, University of Huddersfield.

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Chapman, Rob (2011) A Critical Review Syd Barrett: A Very Irregular Head. Doctoral thesis, University of Huddersfield.

Crichton, Colin (2013) Composing for Instruments and Electronics; a commentary on my recent music. Masters thesis, University of Huddersfield.

Dahm, Robert (2012) Framing Intention: Perceptual Agency in the Compositional Process of Recent Pieces. Masters thesis, University of Huddersfield.

Dashwood, Richard (2011) Composing With Anthropology: The Manifestation of Influence in Interactions between Western and Non-Western Music. Masters thesis, University of Huddersfield.

Davies, Natalie (2011) Composing with graphic scores and the influence they can have on music, education and the deaf community. Masters thesis, University of Huddersfield.

Dickson, Brian (2011) Developmental Techniques as Structural Tools: A Commentary on Their Application in My Recent Music. Masters thesis, University of Huddersfield.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Einarsson, Einar (2012) Non-Identity as a Compositional Principle: Exploration of Multiplicities, Nonlinearity and Desiring-Machines. Doctoral thesis, University of Huddersfield.

Evanoff, Raymond (2012) Survey of a Woven Landscape. Doctoral thesis, University of Huddersfield.

Evans, Benjamin Peter (2012) A Review of Automatic Music Transcription Low Level Processing Techniques and the evaluation and Optimisation of Multiresolution FFT Parameters. Masters thesis, University of Huddersfield.

Fabbri, Franco (2012) Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications. Doctoral thesis, University of Huddersfield.

Fawcus, Jamie (2012) Resonant Spaces: Electroacoustic Music and Ritual: A commentary on my recent music. Doctoral thesis, University of Huddersfield.

Fisher, Michael (2012) Research and Development of a VST Plug-in for the Autonomous Post Production of a Stereo Piano Recording. Masters thesis, University of Huddersfield.

Fleming, Michael (2001) Viol-making in England c1580-1660. Doctoral thesis, Open University.

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

Glover, Richard (2010) Music of Sustained Tones. Doctoral thesis, University of Huddersfield.

Haley, Margaret Anne (2010) Drawing Sound in Time: A Commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Harrison, Iain (2012) An exploration into the uses of extended techniques in works for the saxophone, and how their application may be informed by a contextual understanding of the works themselves. Doctoral thesis, University of Huddersfield.

Hawkett, Andrew (2013) An empirical investigation of the concept of memes in music using mass data analysis of string quartets. Doctoral thesis, University of Huddersfield.

Hellstrom, Sten-Olof (2013) Algorithmically driven synthesis and feedback systems: an investigation into the aesthetic and technical processes in my compositional practice. Doctoral thesis, University of Huddersfield.

Hobman, Jason (2011) Instrumentality in Electronic Music. Masters thesis, University of Huddersfield.

Holbrook, David (2010) Noise: Using Location Recordings for Computer Compositions. Masters thesis, University of Huddersfield.

Horseman, Samantha Marie (2012) Dynamic Relationships between the Sonic Artist, the Sonic Artwork and its Audience: an Investigation through Theoretically Informed Creative Practice. Doctoral thesis, University of Huddersfield.

Humphries, Christopher C.H. (2010) Developing interactive strategies for three dimensional sound spatialization. Masters thesis, University of Huddersfield.

Isaac, Andrew (2013) The construction of constricted soundworlds through limited materials, cyclic processes, interference and extended tunings. Masters thesis, University of Huddersfield.

Jansch, Adam (2011) Towards the open outcome record: a portfolio of works exploring strategies of freeing the record from fixity. Doctoral thesis, University of Huddersfield.

King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield.

Kudirka, Joseph (2012) Extending the Invitation: Composing Notated Experimental Music for Performance. Doctoral thesis, University of Huddersfield.

Lee, Chie Tsang Isaiah (2012) Chinese Calligraphic Thinking in my Compositional Work. Masters thesis, University of Huddersfield.

McCormack, Timothy (2010) Instrumental mechanism and physicality as compositional resources. Masters thesis, University of Huddersfield.

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Mistry, Jaydev (2012) The Mistry-­Hyper Guitar. Masters thesis, University Of Huddersfield.

Moore, David J. (2009) The development of a design tool for 5-speaker surround sound decoders. Doctoral thesis, University of Huddersfield.

Morishita, Chikako (2011) A Musical Engagement with ‘Ma’ – Japanese Aesthetics Of Space and Time. Masters thesis, University of Huddersfield.

Morris, Eilon (2013) VIA RHYTMÓS : An Investigation of Rhythm in Psychophysical Actor Training. Doctoral thesis, University of Huddersfield.

Mynett, Mark (2013) Contemporary Metal Music Production. Doctoral thesis, University of Huddersfield.

Pulman, Mark (2008) ‘Knowing yourself through others’: peer assessment in popular music group work. Doctoral thesis, Sheffield Hallam University.

Rich, Jonathan (2010) Exploring the Synthesis of Musique Concrète and Visual Media in Popular Culture. Masters thesis, University of Huddersfield.

Roche, Heather (2011) Dialogue and Collaboration in the Creation of New Works for Clarinet. Doctoral thesis, University of Huddersfield.

Ruffoni, Christopher (2012) A Turn to Listening: How New Understandings of the Listening Process Affect Approaches to Sound Art and Experimental Music. Masters thesis, University of Huddersfield.

Sahota, Hardeep (2011) The Search for the ‘Essence’ of Bhangra through Panjabi heritage. Masters thesis, University of Huddersfield.

Sergeant, Matthew (2013) the churches of lalibela: erosion and encrustation as transformative musical processes. Doctoral thesis, University of Huddersfield.

Smith, Adam (2012) The Influence of Literature in 1960s British Popular Music: Approaches to Popular Composition. Masters thesis, University of Huddersfield.

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

Sundin, Paulina E. (2010) Re-inventing Harmony in Electroacoustic Music: A commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Sweeton, Michael (2011) Development of Compositional Tools in Max/MSP. Masters thesis, University of Huddersfield.

Thomas, Robin (2013) The evolution of the jazz vocal song: what comes after the Great American Song Book? Masters thesis, University of Huddersfield.

Tucker, Colin (2011) Character, Ground, And Contradiction In My Recent Music. Masters thesis, University of Huddersfield.

Wall, Ben (2011) Inca Roads - The Musical Worlds of Frank Zappa. Masters thesis, University of Huddersfield.

Whelan, Edward (2013) Issues of noise in my recent compositions. Masters thesis, University of Huddersfield.

Williams, Nicholas Allan (2009) Strategies of postminimalism in my recent music. Doctoral thesis, University of Huddersfield.

Williams, Paul (2010) A research project exploring selected post-punk influences and their relevance to my contemporary compositional work. Masters thesis, University of Huddersfield.

Show/Exhibition

Betts, Tom and Hales, Derek (2002) QQQ. [Show/Exhibition]

Birkby, Peter R. (2011) Peter R. Birkby 30th Anniversary Concert Programme. [Show/Exhibition]

Cox, Geoffrey and Marley, Keith (2011) Deconstructing Voices. [Show/Exhibition]

Einbond, Aaron (2008) What the Blind See. [Show/Exhibition]

Composition

Ablinger, Peter (2010) Augmented Studies. [Composition]

Ablinger, Peter (2011) Bethen. [Composition]

Ablinger, Peter (2011) Cityopera Buenos Aires in 7 Acts. [Composition]

Ablinger, Peter (2009) Instruments &... [Composition]

Ablinger, Peter (2009) Kammersymphonie. [Composition]

Ablinger, Peter (2009) Landscape Opera Ulrichsberg. [Composition]

Ablinger, Peter (2011) N.K. hallway piece. [Composition]

Ablinger, Peter (2010) Singdrossel. [Composition]

Ablinger, Peter (2010) Sitzen und hören 1-6. [Composition]

Ablinger, Peter (2010) Stars & stripes. [Composition]

Ablinger, Peter (2009) Voices and Piano. [Composition]

Ablinger, Peter (2009) Wachstum und massenmord. [Composition]

Ablinger, Peter (2011) Wachstum, massenmord. [Composition]

Adkins, Monty (2002) Aerial. [Composition]

Adkins, Monty (1999) Breaking. [Composition]

Adkins, Monty (2005) Cortex. [Composition] (Unpublished)

Adkins, Monty (1997) Neurotransmission. [Composition]

Adkins, Monty (2000) Noumena. [Composition]

Adkins, Monty (2005) Silk to steel. [Composition]

Adkins, Monty (2002) Still Time. [Composition]

Adkins, Monty (2002) Symbiont. [Composition]

Bellamy, Mary (2002) Celestine. [Composition] (Submitted)

Bellamy, Mary (2001) Earth and Sky Reflect Each Other. [Composition] (Submitted)

Bellamy, Mary (2008) Harmony and Resonance. [Composition] (Submitted)

Bellamy, Mary (2005) Within Dreams. [Composition] (Submitted)

Bellamy, Mary and Beall, T. (2008) Double Blind. [Composition] (Submitted)

Bellamy, Mary and Beall, T. (2006) Light Blind. [Composition] (Submitted)

Bellamy, Mary (2011) Abrasion, solo cello (2011). [Composition]

Bellamy, Mary (2011) Enveloped, cello and contrabass recorder (2011). [Composition]

Bellamy, Mary (2011) Semblance, solo bassflute (2011). [Composition]

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Bellamy, Mary (2011) Translucent River (2011). [Composition]

Birkby, Peter R. (2008) Mutual Marimba Music- Part of the programme on the Autumn Recital Tour performed by Dave Danford. [Composition]

Bryan, John (2003) Alfonso Ferrabosco. [Composition]

Bryan, John (2004) Madame d’Amours – Songs, Dances & Consort Music for the Six Wives of Henry VIII. [Composition]

Bryan, John (2004) A Songbook for Isabella: music from the circle of Isabella d’Este. [Composition]

Bryan, John (2003) Upon a Bank with Roses. [Composition]

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2003) the green is either. [Composition]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Clarke, Michael (2005) Enmeshed I and II. [Composition] (Submitted)

Clarke, Michael (2007) Enmeshed II. [Composition] (Submitted)

Clarke, Michael (2008) Enmeshed IIb. [Composition] (Submitted)

Clarke, Michael (2013) Tim(br)e 2. [Composition]

Colton, Lisa (2007) The York Masses A Performing Edition. [Composition] (Submitted)

Cox, Geoffrey (2009) No Escape. [Composition] (Unpublished)

Cummings, Graham (2006) Poro CD recording: co-production of Göttinger Händel-Gesellschaft and Norddeutscher Rundfunk, made using Dr Cummings’ new score. [Composition] (Submitted)

Einbond, Aaron (2008) Break. [Composition]

Einbond, Aaron (2010) Le Cabinet des Signes. [Composition]

Einbond, Aaron (2011) Palaeontolgie. [Composition]

Einbond, Aaron (2011) Post-Paleontology. [Composition]

Einbond, Aaron (2012) Resistance. [Composition]

Einbond, Aaron (2009) What the Blind See. [Composition]

Einbond, Aaron (2012) Without Words. [Composition]

Glover, Richard (2007) Black Space. [Composition] (Unpublished)

Glover, Richard (2010) Corradiation. [Composition] (Unpublished)

Glover, Richard (2009) Gradual music. [Composition] (Unpublished)

Glover, Richard (2009) Lithosphere. [Composition] (Unpublished)

Glover, Richard (2009) Lithosphere, for quarter-tone trumpet, eighth-tone trumpet and quarter-tone horn. [Composition] (Unpublished)

Glover, Richard (2007) Loose Change. [Composition] (Unpublished)

Glover, Richard (2009) Malkans. [Composition] (Unpublished)

Glover, Richard (2010) Seventh Inversions. [Composition]

Glover, Richard (2008) Sound unbroken. [Composition] (Unpublished)

Glover, Richard (2007) Spiral chaotic. [Composition] (Unpublished)

Glover, Richard (2008) Violin with Clarinet and Piano. [Composition] (Unpublished)

Glover, Richard (2008) Virtual fusion. [Composition] (Unpublished)

Harker, Alexander (2010) Fluence. [Composition] (Unpublished)

Harker, Alexander (2011) Fractures. [Composition] (Unpublished)

Harrison, Bryn (2008) Five Miniatures in Three Parts. [Composition]

Harrison, Bryn (2009) Gently Rising. [Composition]

Harrison, Bryn (2002) Low time patterns [#1-5] for 7 players (mixed ensemble). [Composition]

Harrison, Bryn (2006) Shifting Light (7 minutes). [Composition]

Harrison, Bryn (2006) four cycles for large ensemble (15 players). [Composition]

Harrison, Bryn (2008) an oblique. [Composition]

Harrison, Bryn (2005) six symmetries for large ensemble (17 players). [Composition]

Harrison, Bryn (2008) to be (an ever opening flower). [Composition]

Harrison, Bryn (2012) Eight Voices. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts (2008) (8'). [Composition]

Harrison, Bryn (2010) M.C.E. (2010) 20’ Solo classical guitar. [Composition]

Harrison, Bryn (2007) Plane Image (2007) 8'. [Composition]

Harrison, Bryn (2008) Quietly Rising (Piano piece December 2008)(4'). [Composition]

Harrison, Bryn (2008) Repetitions in Extended Time. [Composition]

Harrison, Bryn (2012) Vessels for solo piano (76’). [Composition]

Harrison, Bryn (2007) a leaf falls on loneliness (2007) (15'). [Composition]

Harrison, Bryn (2009) surface forms (repeating)(10'30''). [Composition]

Lim, Liza (2010) Ehwaz (journeying). [Composition]

Lim, Liza (2009) The Four Seasons (after Cy Twombly). [Composition]

Lim, Liza (2010) The Guest. [Composition]

Lim, Liza (2009) Invisibility. [Composition]

Lim, Liza (2008) The Navigator. [Composition]

Lim, Liza (2008) Ochred string. [Composition]

Lim, Liza (2010) Pearl, Ochre, Hair String. [Composition]

Lim, Liza (2008) Sensorium. [Composition]

Lim, Liza (2008) Sonorous Body. [Composition]

Lim, Liza (2007) Weaver-of-fictions. [Composition]

Lim, Liza (2008) Well of Dreams. [Composition]

Lim, Liza (2007) Wild-winged one. [Composition]

Lim, Liza (2008) The long forgetting. [Composition]

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2011) Gyfu (gift), 2011. [Composition]

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Lim, Liza (2014) The Weaver's Knot, score for string quartet, Ricordi Berlin Sy.4352. [Composition]

Lim, Liza (2014) Winding Bodies: 3 Knots for ensemble, Ricordi Berlin, Sy.4378/01. [Composition]

Sundin, Paulina E., Adkins, Monty and Axelsson, Jonny (2014) Splintered Echoes. [Composition]

Till, Rupert (2007) Nanotechnology and the iPod. [Composition]

Till, Rupert (2010) Soundtrack, European Spallation Source (ESS) short film. [Composition]

Till, Rupert Soundtrack, IPod and Nanotechnology short film. [Composition]

Till, Rupert, Brooks, Andrew and Howat, Tom (2001) Solid Water. [Composition]

Till, Rupert and Garner, Anne (2004) Beauty. [Composition]

Tremblay, Pierre Alexandre (2006) Alter Ego. [Composition] (Submitted)

Tremblay, Pierre Alexandre (2005) La rage for drummer and electronics. [Composition] (Submitted)

Tremblay, Pierre Alexandre (2008) Billows in a Ladle. [Composition]

Tremblay, Pierre Alexandre (2010) Ces énigmes lumineuses. [Composition]

Tremblay, Pierre Alexandre (2008) De passage. [Composition]

Tremblay, Pierre Alexandre (2010) For Ever Now Soon an End. [Composition]

Tremblay, Pierre Alexandre (2010) La nuée. [Composition]

Tremblay, Pierre Alexandre (2011) La rupture inéluctable. [Composition]

Tremblay, Pierre Alexandre (2008) Le tombeau des fondeurs. [Composition]

Tremblay, Pierre Alexandre (2010) Les trois petits c... [Composition]

Tremblay, Pierre Alexandre (2013) Mono no aware. [Composition]

Tremblay, Pierre Alexandre (2009) Quelques courtes contemplations: I. craquer une allumette dans le noir, puis regarder la flamme danser. [Composition]

Tremblay, Pierre Alexandre (2009) Reflets de notre société crépusculaire. [Composition]

Tremblay, Pierre Alexandre (2008) Sandbox#2. [Composition]

Tremblay, Pierre Alexandre (2009) Sandbox#3. [Composition]

Tremblay, Pierre Alexandre (2009) Stase. [Composition]

Tremblay, Pierre Alexandre (2013) Still, Again. [Composition]

Tremblay, Pierre Alexandre (2010) Trois lents effondrements. [Composition]

Tremblay, Pierre Alexandre (2009) Un clou, son marteau, et le béton. [Composition]

Tremblay, Pierre Alexandre (2006) Walk That Way. Tuesday, Turn. [Composition]

d'Escrivan, Julio (2013) FLIX. [Composition]

d'Escrivan, Julio (2011) Reveron. [Composition]

d'Escrivan, Julio (2011) Terra Nova. [Composition] (Unpublished)

d'Escrivan, Julio (2012) Villanueva: El Diablo. [Composition] (Submitted)

d'Escrivan, Julio (2011) fusil. [Composition]

Performance

Bellamy, Mary (2008) Quartet. [Performance] (Submitted)

Birkby, Peter R. (2009) Eurovision Song Contest 2009 Theme Music. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Amera, Etch, Hand to Mouth, Chimera. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Bodycoder - Voice. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Etch. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The Suicided Voice and Etch. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2008) The suicided voice and Etch. [Performance] (Unpublished)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The suicided voice. [Performance]

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) The Suicided Voice, Etch. [Performance]

Bryan, John (2009) Ayres & Fancies. [Performance] (Unpublished)

Bryan, John (2009) ‘Ayres & Fancies’: Purcell’s incomparable fantazias, with songs by Dowland & Byrd. [Performance] (Unpublished)

Bryan, John (2007) English Anthems and Consort Music for Voices and Viols. [Performance] (Submitted)

Bryan, John (2007) Four Gentleman of the Chapel Royal. [Performance] (Submitted)

Bryan, John (2007) Four Gentleman of the Chapel Royal. [Performance] (Submitted)

Bryan, John (2009) London Street Cries. [Performance] (Unpublished)

Bryan, John (2007) Lullaby, my Sweet Little Baby. [Performance] (Submitted)

Bryan, John (2008) ‘Lullaby, my sweet little baby’: Elizabethan & Jacobean Music for Christmas. [Performance] (Unpublished)

Bryan, John (2007) Perfect and Sweet Harmony. [Performance] (Submitted)

Bryan, John (2008) Songs without Words. [Performance] (Unpublished)

Bryan, John (2007) Songs without Words: Consort Music from the Age of Elizabeth I. [Performance] (Submitted)

Bryan, John (2008) The Swan and the Nightingale. [Performance] (Unpublished)

Bryan, John (2008) Sweet Delightful Ayres and Sublime Discourses. [Performance] (Unpublished)

Bryan, John (2008) Three Britons in Brussels. [Performance] (Unpublished)

Bryan, John (2008) Trickling Tears and Ruthless Rage. [Performance] (Unpublished)

Bryan, John (2008) Trickling Tears and Ruthless Rage. [Performance] (Unpublished)

Bryan, John (2008) Trickling Tears and Ruthless Rage. [Performance] (Unpublished)

Bryan, John (2008) ‘Trickling Tears and Ruthless Rage’: Elizabethan Dramatic Songs, Dances & Fantasias. [Performance] (Unpublished)

Bryan, John (2007) William Byrd and his English precursors. [Performance] (Submitted)

Bryan, John (2007) William Byrd: loyal servant of the Crown and devout Catholic. [Performance] (Submitted)

Bryan, John (2010) American Garden/English Roses. [Performance] (Submitted)

Bryan, John (2012) Competing, Consenting, Consorting. [Performance] (Submitted)

Bryan, John (2010) Composed after the Italian vaine. [Performance] (Submitted)

Bryan, John (2009) Divisions, Ayres and Fancies. [Performance] (Submitted)

Bryan, John (2011) An Emerald in a Work of Gold. [Performance] (Submitted)

Bryan, John (2009) From Bologna to Britannia. [Performance] (Submitted)

Bryan, John (2009) Henry Purcell Fantazias and In Nomines. [Performance] (Submitted)

Bryan, John (2011) Music and Politics in the Life of Cosimo de' Medici. [Performance] (Submitted)

Bryan, John (2011) Musicke to content every humour. [Performance] (Submitted)

Bryan, John (2011) Peter Philips and his Musical Circle. [Performance] (Submitted)

Bryan, John (2012) Rose Consort of Viols: 'A European Grand Tour'. [Performance] (Unpublished)

Bryan, John (2012) Rose Consort of Viols: 'Fair Britain Isle'. [Performance] (Unpublished)

Bryan, John (2012) Songs and Cries by Orlando Gibbons. [Performance]

Bryan, John (2012) Striggio: Missa Ecco si beato giorno/Tallis Spem in alium. [Performance]

Bryan, John (2012) Teares and Lamentacions: Music for the death of Prince Henry. [Performance] (Submitted)

Cassidy, Aaron (2008) String quartet. [Performance] (Unpublished)

Cassidy, Aaron (2009) [Various]. [Performance]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. [Performance]

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) The Crutch of Memory. [Performance]

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. [Performance]

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. [Performance]

Cassidy, Aaron (2008) Portrait Concert. [Performance]

Cassidy, Aaron (2011) Second String Quartet. [Performance]

Cassidy, Aaron (2010) Second String Quartet. [Performance]

Cassidy, Aaron (2011) Second string quartet. [Performance]

Cassidy, Aaron (2010) String Quartet. [Performance]

Cassidy, Aaron (2010) String Quartet. [Performance]

Cassidy, Aaron (2009) String Quartet. [Performance]

Cassidy, Aaron (2008) String Quartet. [Performance]

Cassidy, Aaron (2011) String Quartet and Second String Quartet. [Performance]

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) asphyxia. [Performance] (Unpublished)

Cassidy, Aaron (2008) asphyxia. [Performance]

Cassidy, Aaron (2011) the green is either. [Performance] (Unpublished)

Cassidy, Aaron (2010) memento/memorial. [Performance]

Cassidy, Aaron (2010) memento/memorial. [Performance] (Unpublished)

Cassidy, Aaron (2012) A painter of figures in rooms. [Performance]

Cox, Geoffrey (2011) No Escape. [Performance] (Unpublished)

Cox, Geoffrey (2010) No Escape. [Performance] (Unpublished)

Einbond, Aaron (2011) Music of the Hemispheres. [Performance]

Einbond, Aaron (2011) Temper. [Performance]

Glover, Richard (2012) Portrait concert. [Performance] (Unpublished)

Harker, Alexander (2010) Fluence. [Performance]

Harker, Alexander (2011) Fluence. [Performance]

Harker, Alexander (2012) Fluence. [Performance]

Harker, Alexander (2012) Fluence. [Performance]

Harker, Alexander (2012) Fluence. [Performance]

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2013) Kelter@Picturedrome Holmfirth [Performance with Peter Hook and The Light (ex-Joy Division and New Order)]. [Performance] (Unpublished)

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2012) Kelter@Sound Control, Manchester [Performance with Altered Sky and White Clouds and Gunfire]. [Performance]

Thomas, Philip (2002) The Art of Touch – the piano music of Morton Feldman. [Performance] (Submitted)

Thomas, Philip (2007) Long Piano(Peace March 11). [Performance] (Unpublished)

Thomas, Philip (2013) Canada Connections. [Performance]

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. [Performance] (Unpublished)

Thomas, Philip (2005) Comprovisation. [Performance] (Unpublished)

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. [Performance] (Unpublished)

Thomas, Philip (2008) For Pianist: the piano music of Christian Wolff. [Performance] (Unpublished)

Thomas, Philip (2011) IGNM Basel - 'Comprovisation'. [Performance] (Unpublished)

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). [Performance] (Unpublished)

Thomas, Philip (2011) Merce Cunningham Dance Company - 'Antic Meet' with John Cage 'Concert for piano and orchestra'. [Performance] (Unpublished)

Thomas, Philip (2009) Michael Pisaro's 'pi (1-2954)'. [Performance] (Unpublished)

Thomas, Philip (2013) Overcoming form: reflections on immersive listening: CD and book launch concert. [Performance]

Thomas, Philip (2010) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. [Performance]

Thomas, Philip (2010) Performances to accompany 'Sol LeWitt: Artist's Books' exhibition, Site Gallery, Sheffield. [Performance] (Unpublished)

Thomas, Philip (2009) Small Preludes, aytoods and other new music from America. [Performance] (Unpublished)

Thomas, Philip (2003) Something New, Something Old, Something Else. [Performance] (Unpublished)

Thomas, Philip (2009) Something New, Something Old, Something Else (2). [Performance] (Unpublished)

Thomas, Philip (2010) Toy Pianos, Piano Toy. [Performance] (Unpublished)

Webb, Barrie (2008) Below the Star-Stretched Sky: New Music from Australia and Korea. [Performance] (Submitted)

Webb, Barrie (2007) [New works from Australia and Korea]. [Performance] (Submitted)

Webb, Barrie (2004) René Leibowitz Concertino for Trombone. [Performance] (Submitted)

Video

Bayley, Amanda and Clarke, Michael (2011) Evolution and Collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet. [Video]

Cox, Geoffrey and Marley, Keith (2010) A Film About Nice. [Video]

Cox, Geoffrey and Marley, Keith (2011) Nothing but the hours. [Video]

Lim, Liza and Defilla, Peider A. (2010) Music Viva, Forum der Gegenwarts musik, Musica Viva: Pearl, Ochre, Hair String. [Video]

Payne, Jason (2010) Remnant. [Video]

Tremblay, Pierre Alexandre (2009) Le Cauchemar De L'horloger. [Video]

d'Escrivan, Julio (2008) Ensayo Sobre La Bicicleta (Essay on the bicycle): composition. [Video] (Unpublished)

Audio

Ablinger, Peter (2009) 33 - 127. [Audio]

Ablinger, Peter (2008) Quadraturen III. [Audio]

Ablinger, Peter (2009) Voices and piano. [Audio]

Ablinger, Peter and Davis, Gareth (2011) Parker Notch. [Audio]

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2012) Clapoutique. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2010) For Jana. [Audio]

Adkins, Monty (2012) Four Shibusa. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

Adkins, Monty (2014) Residual Forms. [Audio]

Adkins, Monty (2012) Still Time. [Audio]

Adkins, Monty (2014) With Hells Note. [Audio]

Adkins, Monty (2011) fragile.flicker.fragment. [Audio]

Bellamy, Mary (2012) Mary Bellamy: Abrasion, Semblance, Enveloped. [Audio]

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]

Berweck, Sebastian (2009) Extended Piano. [Audio]

Bryan, John (2008) Four Gentleman of the Chapel Royal. [Audio]

Bryan, John (2008) Renaissance Choral Music: works by Allegri, Palestrina, and Byrd. [Audio]

Bryan, John and Bott, Catherine (2007) William Byrd: Loyal Servant of the Crown and Devout Catholic. [Audio]

Bryan, John (2011) Alessandro Striggio: Missa Ecco si beato giorno in 40 parts. [Audio]

Bryan, John (2010) Alpha and Omega. [Audio]

Bryan, John (2009) Celebrating Henry Purcell. [Audio]

Bryan, John (2011) The Early Music Show. [Audio]

Bryan, John (2012) An Emerald in a Work of Gold. [Audio]

Bryan, John (2011) The World Tonight. [Audio]

Carvalhais, Miguel, Tudela , Pedro and Tremblay, Pierre Alexandre (2011) @c - Homem Fantasma. [Audio]

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Cassidy, Aaron, Weeks, James, Harrison, Bryn, Chase, Stephen, Bailie, Joanna, Glover, Richard and Molitor, Claudia (2013) Exposure. [Audio]

Cummings, Graham (2009) Handel, Metastasio and Poro Re dell Indie. [Audio] (Unpublished)

Einbond, Aaron (2012) Just Like Starting Over. [Audio]

Einbond, Aaron (2010) Passagework. [Audio]

Glover, Richard (2013) Logical Harmonies. [Audio]

Harker, Alexander (2011) Fluence. [Audio]

Harrison, Bryn (2009) an oblique. [Audio]

Johansson, Sven Ake and Ablinger, Peter (2009) Danish border. [Audio]

Lim, Liza (2009) Ochred String. [Audio]

Lim, Liza (2008) Weaver-of-fictions. [Audio]

Lim, Liza (2010) Invisibility. [Audio]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

Lim, Liza (2010) Songs found in dream. [Audio]

Lim, Liza (2011) Sonorous Body. [Audio]

Lim, Liza (2013) Tongue of the Invisible, WERGO WER68592. [Audio]

Lim, Liza (2010) Wild Winged One. [Audio]

Lim, Liza (2013) Wild Winged-One. [Audio]

Moss, Tim, Thresher, Mike, Mills, Jimmy and Johnson, Nick (2013) Falling. [Audio] (Unpublished)

Sundin, Paulina E., Hellstrom, Sten-Olof, Dodd, Rose, Elison, Barbara, Bernier, Nicolas, Fawcus, Jamie, Thibault, J.F. and Bokowiec, Mark (2011) In search of the miraculous. [Audio]

Thomas, Philip (2007) Comprovisation. [Audio]

Thomas, Philip, Burn, Chris and Fell, Simon (2009) The middle distance. [Audio]

Thomas, Philip (2008) Concert: Reclaimed. [Audio]

Thomas, Philip (2010) Fields Have Ears. [Audio]

Thomas, Philip (2011) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. [Audio]

Thomas, Philip (2010) Tim Parkinson 'piano piece piano piece'. [Audio]

Thomas, Philip (2012) Wandelweiser und so weiter. [Audio]

Tremblay, Pierre Alexandre (2008) Heiko ou l’apparition du héros. [Audio]

Tremblay, Pierre Alexandre and Constanzo, Rodrigo (2009) Drum and bass and the horse you ride in on. [Audio]

Tremblay, Pierre Alexandre (2013) La marée. [Audio]

Tremblay, Pierre Alexandre (2011) Quelques reflets. [Audio]

Tremblay, Pierre Alexandre and Bonney, Alex (2012) light.box. [Audio]

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2011) Splice - Lab. [Audio]

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2013) Splice: Silent Spoke. [Audio]

Tremblay, Pierre Alexandre and Pohu, Sylvain (2011) de type inconnu. [Audio]

Tremblay, Pierre Alexandre, Stephan, Nicolas and Brun, Sébastien (2006) ars circa musicæ. [Audio]

Web page

Haworth, Catherine (2013) Musical scores and female detectives of the 1940s. [Web page]

Milsom, David (2013) W.A. Mozart Violin and Viola Duos K. 423 & 424: The Ferdinand David ‘Uppingham’ Copies in Context and Performance. [Web page]

Winterson, Julia and Russ, Michael (2008) Understanding the transition from school to university in music and related subjects. [Web page]

Other

Betts, Tom, Gilmore, Joe and Hales, Derek (2003) Rand. UNSPECIFIED. (Unpublished)

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Harker, Alexander (2011) AHarker Externals. Alexander J. Harker. (Unpublished)

Lycett, Robert and McLaughlin, Scott (2011) untitled {2011}. Robert Lycett. (Unpublished)

Rodet, Xavier and Clarke, Michael (2002) fofb~ and fog~ objects for Max/MSP software and accompanying demonstration/tutorial materials. IRCAM, Paris.

Watkins, A., Adkins, Monty, Bokowiec, Mark and Clarke, Michael (2006) Sybil software. University of Huddersfield, Huddersfield.

This list was generated on Wed Aug 20 13:20:46 2014 IST.

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