Items where Subject is "M Music and Books on Music > M Music"

Alban Wesly

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

amplification

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

anti-aesthetic

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

applied theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Audio

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

auralisation

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Black metal

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

call centre

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

co-creativity

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

collaboration

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

communicative discourse

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

composition

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Contemporary American Music Literature Mass media Performing arts Literature

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

contemporary composition

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio] (In Press)

contemporary metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

creativity

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

critical listening rooms

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

diaries

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Directionality reflections

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

distributed creativity

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th ESCOM Joint Conference , 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Distributed Creativity - Composition and Improvisation

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

drum construction

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum heads

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum production

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum shells

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum tone

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum tuning

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

education

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

electroacoustic music

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

Electronica – Parody/Self-Parody – Deviation – Cybernetic Transformation – Text – Image/Narrative – Display

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

everyday

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Extended Piano

Berweck, Sebastian (2009) Extended Piano. [Audio]

extreme metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Gorgoroth

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

guitar

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

harmonics

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

HCR

Berweck, Sebastian (2009) Extended Piano. [Audio]

heavy metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

hegemonic masculinity

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Huddersfield Contemporary Music Festival

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Huddersfield Contemporary Records

Berweck, Sebastian (2009) Extended Piano. [Audio]

improvisation

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th ESCOM Joint Conference , 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

indeterminacy

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

installation

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

learning disability

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

leisure

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

multiphonic

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

music

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

music technology

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Musical composition

Bellamy, Mary (2010) Transference, solo cello (2010). [Composition] (Unpublished)

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th ESCOM Joint Conference , 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

musikFabrik

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Objective Quality Measurment of Produced Music

Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: AES 130th Conference, 13th-16th May, Hosted in London, UK., 13-16 May 2011, London.

orchestral works

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio] (In Press)

perception

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

performing arts

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Popular Music Religion Trance

Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091

power

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

production

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Punch Clarity Objective Measurement Produced Music Loudness

Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

punk

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

room modes

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

SAPI

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Sebastian Berweck

Berweck, Sebastian (2009) Extended Piano. [Audio]

sexuality

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

shell construction

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

small room acoustics

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

social psychology

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

sociocultural theory

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

solo bassoon composition

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

sound at source

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

spectral

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

SSML

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

strange attractor

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Subjective testing

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Sufi poetry (Hafez)

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

thermionic

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

tubes

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

tuning

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

valves

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

vocal music

Lim, Liza (2012) 3 Angels. [Composition]