Items where Subject is "M Music and Books on Music > M Music"

Library of Congress Subject Areas (1450)
- M Music and Books on Music (1450)
  - M Music (1450)

Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping

1176 5.1 Action research aesthetic perception Aesthetics afterlife Alban Wesly amplification analysis Andreas Moser anti-aesthetic anti-nationalism applied theatre Armistice Day Arnold Rose artificial creativity Arvo Part association audience participation Audio Audio Descriptors audio processing Audovisual performance auralisation Baroque performance baroque performing practice Baroque violin Bass viol Beatrice Harrison Beethoven Berlin Hochschule Black metal Bodycoder Brahms Brain-Computer Interface Brass Band Brecht broadcasting Broadwood call centre Cancel Culture Carols celebrity Cellist Cello CeReNeM chamber ensemble Chamber Music Chords Cikada Ensemble CD clairaudience Classical Style co-creativity CollabHub collaboration commemoration communicative discourse composition compositional practice compression compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET compressors computational design computational musicology computer-mediated music concept concerts Contemporary American Music Literature Mass media Performing arts Literature contemporary composition contemporary metal contemporary music contemporary opera Cormac McCarthy creative coding creative collaboration creative practice research creative process creativity critical listening rooms dbx165 death Deleuze& Guattari design diaries digital humanities digital archives digital media Directionality reflections dissociation Distortion distributed creativity Distributed Creativity - Composition and Improvisation diva Drake drama queens drum construction drum heads drum production drum shells drum tone drum tuning Dub reggae dynamic range compression dynamic stasis early recordings education Edward Elgar Electric guitar electroacoustic music electroacoustics Electronic Music Electronica – Parody/Self-Parody – Deviation – Cybernetic Transformation – Text – Image/Narrative – Display electronics embodiment England Ensemble Contrechamps Ensemble Modern Ensemble MusikFabrik enterprise Envelopment ephemera ephemeral Ethel Hobday everyday Experiment experimental music Laurence Crane music performance Expressiveness expressivity Extended Piano extreme metal Fairchild Felix Mendelssohn Female Fandom Feminism in Music Ferdinand David Ensemble Field-Marshal Earl Haig Finnissy Piano music flute Four's Company Fourth-Wave Feminism fragment fragmentation Franz Schubert Gaspar Cassado generative generative transcriptions gesture Gorgoroth grains and swarms guitar Handel Harmonic structures harmonics Harriet Cohen Haydn HCR Heaviness heavy metal hegemonic masculinity Hellerau European Centre for Contemporary Art heterophony Hip-Hop Feminism Historical Performance Historically Informed Performance historically-informed performance History Huddersfield Contemporary Music Festival Huddersfield Contemporary Records identity idiomatic writing image improvisation independent indeterminacy installation interactive Interactive music internationalism interplay and interchange of roles interthinking J.S.Bach James MacMillan Joachim John Foulds John Reith Joseph Joachim Jurg Frey Kinaeosonics kinaesonics Klindworth LA2A learning disability Leeds University Leipzig leisure linked data live brain-computer cinema performance living ornamentation LUCHIP Manuscripts map-making Marco Blaauw Marie Soldat mastering material Maud MacCarthy Meiningen Ensemble Mendelssohn Metal Middle Ages Millennial Hip-Hop mimetic-script mixed-media mixing Modern performing practice modernism modernity mortality multi-brain interaction multiculturalism multimodal multiphonic music Music & psychoanalysis Music and Consciousness music cognition music experimental performance Music Information Retrieval music of the First World War Music performance music performance Christian_Wolff experimental Music production music technology music theatre Music theory Musical composition Musical genetics Musicology musikFabrik mycelium Nanomusic Nanosciences nationalism neo-tribe network networks new music Niels Gade nineteenth-century performance non-sectarianism Objective Quality Measurment of Produced Music occultism open data Oper Koeln operatic career management orchestral works perception performance performance art performance history performance practice Performative Feminism performer performing arts Performing practice Period instruments piano piano performance experimental Piano Quintet piano trio Plato Playability Politics popular music Popular Music Religion Trance post-subculture power practice-based research prehistory prima donna Problematic Fandom Production protest Protestantism Psychoacoustics Punch Clarity Objective Measurement Produced Music Loudness punch measurement punk Purcell re embodiment recursion recycling Regional Identity Reinecke Remixing representation reverse engineering ritual Rock Roman Catholicism room modes SAPI Sebastian Berweck sectarianism sexuality shell construction singer-songwriter singing small room acoustics Smetak Social History social psychology socialism sociocultural theory solo 'cello solo bassoon composition sonic signatures sound ambiguity sound at source sound painting soundpainting spatial computing spatialisation spectral Spencer Dyke Quartet spiritualism Spohr SSML Stereophonic still life Strad strange attractor Stratton Quartet String Quartet Subjective testing Sufi poetry (Hafez) Surround Sound system Technology Thalberg The Road theatre theosophy thermionic Time nanoprocesses trace trance improvisation mix transcultural practice transformation transmission Transversality tubes tuning valves video games video sketch process Vietnam war violin violin concerto Virtuosity Vivaldi vocal music vocalisation vocals voice WERGO Working-class history Working-class Identity ‘in-betweenness’

Number of items at this level: 474.

1176

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

5.1

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Action research

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

aesthetic perception

Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.

Aesthetics

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

afterlife

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Alban Wesly

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

amplification

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

analysis

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

Andreas Moser

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

anti-aesthetic

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

anti-nationalism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

applied theatre

Armistice Day

Arnold Rose

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

artificial creativity

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

Arvo Part

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

association

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

audience participation

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

Audio

Audio Descriptors

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

audio processing

Audovisual performance

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

auralisation

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Baroque performance

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

baroque performing practice

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

Baroque violin

Bass viol

Beatrice Harrison

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Beethoven

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Berlin Hochschule

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Black metal

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Bodycoder

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Brahms

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Brain-Computer Interface

Brass Band

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Brecht

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

broadcasting

Broadwood

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

call centre

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Cancel Culture

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Carols

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

celebrity

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Cellist

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

Cello

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

CeReNeM

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

chamber ensemble

d'Escrivan, Julio (2016) Visual OP. [Composition]

Chamber Music

Chords

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Cikada Ensemble CD

Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]

clairaudience

Classical Style

co-creativity

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

CollabHub

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

collaboration

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

commemoration

communicative discourse

composition

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

compositional practice

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

compression

compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET

Moore, Austin and Wakefield, Jonathan (2017) An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.

compressors

computational design

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

computational musicology

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

computer-mediated music

concept

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

concerts

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Contemporary American Music Literature Mass media Performing arts Literature

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

contemporary composition

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

contemporary metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

contemporary music

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

contemporary opera

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

Cormac McCarthy

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

creative coding

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

creative collaboration

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

creative practice research

creative process

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

creativity

critical listening rooms

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

dbx165

death

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Deleuze& Guattari

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

design

Lindley, Jonathan (2020) Sunbird Records: A Post-Subcultural Design. Doctoral thesis, University of Huddersfield.

diaries

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

digital humanities

digital archives

digital media

Directionality reflections

dissociation

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

Distortion

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

distributed creativity

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Distributed Creativity - Composition and Improvisation

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

diva

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Drake

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

drama queens

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

drum construction

drum heads

drum production

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

drum shells

drum tone

drum tuning

Dub reggae

dynamic range compression

dynamic stasis

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

early recordings

education

Edward Elgar

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Electric guitar

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

electroacoustic music

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

electroacoustics

d'Escrivan, Julio (2016) Visual OP. [Composition]

Electronic Music

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

Electronica – Parody/Self-Parody – Deviation – Cybernetic Transformation – Text – Image/Narrative – Display

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

electronics

d'Escrivan, Julio (2016) Visual OP. [Composition]

embodiment

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

England

Ensemble Contrechamps

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Ensemble Modern

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Ensemble MusikFabrik

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

enterprise

Envelopment

ephemera

ephemeral

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Ethel Hobday

everyday

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Experiment

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

experimental music Laurence Crane music performance

Thomas, Philip (2016) The Music of Laurence Crane and a Post-Experimental Performance Practice. Tempo, 70 (275). pp. 5-21. ISSN 0040-2982

Expressiveness

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

expressivity

Extended Piano

Berweck, Sebastian (2009) Extended Piano. [Audio]

extreme metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Fairchild

Felix Mendelssohn

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Female Fandom

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Feminism in Music

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Ferdinand David Ensemble

Field-Marshal Earl Haig

Finnissy Piano music

Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]

flute

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Four's Company

Fourth-Wave Feminism

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

fragment

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

fragmentation

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Franz Schubert

Gaspar Cassado

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

generative

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

generative transcriptions

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

gesture

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Gorgoroth

grains and swarms

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

guitar

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Handel

Harmonic structures

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

harmonics

Harriet Cohen

Haydn

HCR

Berweck, Sebastian (2009) Extended Piano. [Audio]

Heaviness

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

heavy metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

hegemonic masculinity

Hellerau European Centre for Contemporary Art

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

heterophony

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

Hip-Hop Feminism

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Historical Performance

Historically Informed Performance

historically-informed performance

History

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Huddersfield Contemporary Music Festival

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Huddersfield Contemporary Records

Berweck, Sebastian (2009) Extended Piano. [Audio]

identity

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

idiomatic writing

image

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

improvisation

independent

Lindley, Jonathan (2020) Sunbird Records: A Post-Subcultural Design. Doctoral thesis, University of Huddersfield.

indeterminacy

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

installation

interactive

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Interactive music

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

internationalism

interplay and interchange of roles

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

interthinking

J.S.Bach

James MacMillan

Joachim

John Foulds

John Reith

Joseph Joachim

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Jurg Frey

Thomas, Philip (2015) Grizzana. [Audio]

Thomas, Philip (2015) Jürg Frey - Circles and Landscapes. [Audio]

Kinaeosonics

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

kinaesonics

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Klindworth

LA2A

learning disability

Leeds University

Leipzig

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

leisure

linked data

live brain-computer cinema performance

living ornamentation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

LUCHIP

Manuscripts

map-making

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Marco Blaauw

Lim, Liza (2013) Wild Winged-One. [Audio]

Marie Soldat

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

mastering

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

material

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

Maud MacCarthy

Meiningen Ensemble

Mendelssohn

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Metal

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Middle Ages

Millennial Hip-Hop

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

mimetic-script

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

mixed-media

mixing

Modern performing practice

modernism

modernity

mortality

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

multi-brain interaction

multiculturalism

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

multimodal

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

multiphonic

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

music

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Music & psychoanalysis

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Music and Consciousness

music cognition

music experimental performance

Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]

Music Information Retrieval

music of the First World War

Music performance

music performance Christian_Wolff experimental

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.

Music production

music technology

music theatre

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

Music theory

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Musical composition

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Musical genetics

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Musicology

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

musikFabrik

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2013) Wild Winged-One. [Audio]

mycelium

Nanomusic

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Nanosciences

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

nationalism

neo-tribe

Lindley, Jonathan (2020) Sunbird Records: A Post-Subcultural Design. Doctoral thesis, University of Huddersfield.

network

Lindley, Jonathan (2020) Sunbird Records: A Post-Subcultural Design. Doctoral thesis, University of Huddersfield.

networks

Hart, Jacob (2021) Performance cartography, performance cartology: Musical networks for computational musicological analysis. Doctoral thesis, University of Huddersfield.

new music

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

d'Escrivan, Julio (2016) Visual OP. [Composition]

Niels Gade

nineteenth-century performance

non-sectarianism

Objective Quality Measurment of Produced Music

Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

occultism

open data

Oper Koeln

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

operatic career management

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

orchestral works

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

perception

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

performance

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

performance art

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

performance history

performance practice

Performative Feminism

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

performer

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

performing arts

Performing practice

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Period instruments

piano

piano performance experimental

Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]

Piano Quintet

piano trio

Plato

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Playability

Politics

popular music

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913

Popular Music Religion Trance

Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091

post-subculture

Lindley, Jonathan (2020) Sunbird Records: A Post-Subcultural Design. Doctoral thesis, University of Huddersfield.

power

practice-based research

prehistory

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

prima donna

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Problematic Fandom

Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.

Production

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

protest

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

Protestantism

Psychoacoustics

Punch Clarity Objective Measurement Produced Music Loudness

Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

punch measurement

punk

Purcell

re embodiment

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

recursion

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

recycling

Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.

Regional Identity

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Reinecke

Remixing

representation

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

reverse engineering

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

ritual

Rock

Roman Catholicism

room modes

SAPI

Sebastian Berweck

Berweck, Sebastian (2009) Extended Piano. [Audio]

sectarianism

sexuality

shell construction

singer-songwriter

singing

small room acoustics

Smetak

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Social History

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

social psychology

socialism

sociocultural theory

solo 'cello

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

solo bassoon composition

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

sonic signatures

sound ambiguity

sound at source

sound painting

soundpainting

d'Escrivan, Julio (2016) Visual OP. [Composition]

spatial computing

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

spatialisation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

spectral

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Spencer Dyke Quartet

spiritualism

Spohr

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

SSML

Stereophonic

still life

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Strad

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

strange attractor

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Stratton Quartet

String Quartet

Subjective testing

Sufi poetry (Hafez)

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Surround Sound

system

Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.

Technology

Thalberg

The Road

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

theatre

theosophy

thermionic

Time nanoprocesses

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

trace

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

trance improvisation mix

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

transcultural practice

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

transformation

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

transmission

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

Transversality

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

tubes

tuning

valves

video games

video sketch process

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Vietnam war

Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403

violin

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

violin concerto

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Virtuosity

Vivaldi

vocal music

Lim, Liza (2012) 3 Angels. [Composition]

vocalisation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

vocals

voice

Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

WERGO

Lim, Liza (2013) Wild Winged-One. [Audio]

Working-class history

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Working-class Identity

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

‘in-betweenness’

Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.

This list was generated on Fri Apr 19 06:02:56 2024 UTC.

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