Search:
Computing and Library Services - delivering an inspiring information environment

Items where Subject is "M Music and Books on Music > M Music"

Up a level
Export as [feed] RSS
Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping
1176 5.1 Action research aesthetic perception Aesthetics Alban Wesly amplification Andreas Moser anti-aesthetic anti-nationalism applied theatre Armistice Day Arnold Rose Arvo Part association audience participation Audio Audio Descriptors audio processing Audovisual performance auralisation Baroque performance baroque performing practice Baroque violin Bass viol Beatrice Harrison Beethoven Berlin Hochschule Black metal Bodycoder Brahms Brain-Computer Interface Brass Band Brecht broadcasting Broadwood call centre Carols celebrity Cellist Cello CeReNeM chamber ensemble Chamber Music Cikada Ensemble CD clairaudience Classical Style co-creativity CollabHub collaboration commemoration communicative discourse composition compression compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET compressors computer-mediated music concerts Contemporary American Music Literature Mass media Performing arts Literature contemporary composition contemporary metal contemporary music contemporary opera Cormac McCarthy creative practice research creative process creativity critical listening rooms dbx165 diaries digital humanities digital archives digital media Directionality reflections dissociation Distortion distributed creativity Distributed Creativity - Composition and Improvisation diva drama queens drum construction drum heads drum production drum shells drum tone drum tuning Dub reggae dynamic range compression dynamic stasis early recordings education Edward Elgar Electric guitar electroacoustic music electroacoustics Electronic Music Electronica – Parody/Self-Parody – Deviation – Cybernetic Transformation – Text – Image/Narrative – Display electronics embodiment England Ensemble Contrechamps Ensemble Modern Ensemble MusikFabrik enterprise Envelopment ephemera ephemeral Ethel Hobday everyday Experiment experimental music Laurence Crane music performance Expressiveness expressivity Extended Piano extreme metal Fairchild Felix Mendelssohn Ferdinand David Ensemble Field-Marshal Earl Haig Finnissy Piano music flute Four's Company Franz Schubert Gaspar Cassado generative transcriptions gesture Gorgoroth grains and swarms guitar Handel harmonics Harriet Cohen Haydn HCR Heaviness heavy metal hegemonic masculinity Hellerau European Centre for Contemporary Art heterophony Historical Performance Historically Informed Performance historically-informed performance History Huddersfield Contemporary Music Festival Huddersfield Contemporary Records identity image improvisation indeterminacy installation interactive Interactive music internationalism interplay and interchange of roles interthinking J.S.Bach James MacMillan Joachim John Foulds John Reith Joseph Joachim Jurg Frey Kinaeosonics kinaesonics Klindworth LA2A learning disability Leeds University Leipzig leisure linked data live brain-computer cinema performance living ornamentation LUCHIP Manuscripts map-making Marco Blaauw Marie Soldat mastering Maud MacCarthy Meiningen Ensemble Mendelssohn Metal Middle Ages mimetic-script mixed-media mixing Modern performing practice modernism modernity mortality multi-brain interaction multiculturalism multimodal multiphonic music Music and Consciousness music cognition music experimental performance Music Information Retrieval music of the First World War Music performance music performance Christian_Wolff experimental Music production music technology music theatre music theory Musical composition Musicology musikFabrik mycelium nationalism new music Niels Gade nineteenth-century performance non-sectarianism Objective Quality Measurment of Produced Music occultism open data Oper Koeln operatic career management orchestral works perception performance performance art performance history performance practice performing arts Performing practice Period instruments piano piano performance experimental Piano Quintet piano trio Plato Playability Politics popular music Popular Music Religion Trance power prehistory prima donna Production protest Protestantism Psychoacoustics Punch Clarity Objective Measurement Produced Music Loudness punch measurement punk Purcell re embodiment Regional Identity Reinecke Remixing representation reverse engineering ritual Rock Roman Catholicism room modes SAPI Sebastian Berweck sectarianism sexuality shell construction singer-songwriter singing small room acoustics Smetak Social History social psychology socialism sociocultural theory solo 'cello solo bassoon composition sonic signatures sound ambiguity sound at source sound painting soundpainting spatialisation spectral Spencer Dyke Quartet spiritualism Spohr SSML Stereophonic still life Strad strange attractor Stratton Quartet String Quartet Subjective testing Sufi poetry (Hafez) Surround Sound Technology Thalberg The Road theatre theosophy thermionic trace trance improvisation mix tubes tuning valves video games video sketch process Vietnam war violin violin concerto Virtuosity Vivaldi vocal music vocalisation vocals voice WERGO Working-class history Working-class Identity
Number of items at this level: 409.

1176

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

5.1

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Action research

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

aesthetic perception

Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.

Aesthetics

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Alban Wesly

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

amplification

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

Andreas Moser

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

anti-aesthetic

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

anti-nationalism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

applied theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Armistice Day

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Arnold Rose

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Arvo Part

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

association

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

audience participation

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

Audio

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

Audio Descriptors

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

audio processing

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

Audovisual performance

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

auralisation

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Baroque performance

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

baroque performing practice

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

Baroque violin

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Bass viol

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Beatrice Harrison

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Beethoven

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Berlin Hochschule

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Black metal

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Bodycoder

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Brahms

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Brain-Computer Interface

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

Brass Band

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Brecht

Adlington, Robert C. (2017) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

broadcasting

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Broadwood

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

call centre

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Carols

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

celebrity

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Cellist

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

Cello

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

CeReNeM

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

chamber ensemble

d'Escrivan, Julio (2016) Visual OP. [Composition]

Chamber Music

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Cikada Ensemble CD

Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]

clairaudience

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Classical Style

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

co-creativity

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

CollabHub

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

collaboration

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

commemoration

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

communicative discourse

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

composition

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

compression

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET

Moore, Austin and Wakefield, Jonathan (2017) An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.

compressors

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

computer-mediated music

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

concerts

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Contemporary American Music Literature Mass media Performing arts Literature

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

contemporary composition

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

contemporary metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

contemporary music

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

contemporary opera

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

Cormac McCarthy

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

creative practice research

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

creative process

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

creativity

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

critical listening rooms

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

dbx165

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

diaries

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

digital humanities

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

digital archives

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

digital media

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

Directionality reflections

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

dissociation

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

Distortion

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

distributed creativity

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Distributed Creativity - Composition and Improvisation

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

diva

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

drama queens

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

drum construction

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum heads

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum production

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum shells

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum tone

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

drum tuning

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Dub reggae

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

dynamic range compression

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

dynamic stasis

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

early recordings

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

education

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Edward Elgar

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

Electric guitar

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

electroacoustic music

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

electroacoustics

d'Escrivan, Julio (2016) Visual OP. [Composition]

Electronic Music

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

Electronica – Parody/Self-Parody – Deviation – Cybernetic Transformation – Text – Image/Narrative – Display

Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)

electronics

d'Escrivan, Julio (2016) Visual OP. [Composition]

embodiment

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

England

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Ensemble Contrechamps

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Ensemble Modern

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Ensemble MusikFabrik

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

enterprise

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Envelopment

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

ephemera

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

ephemeral

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Ethel Hobday

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

everyday

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

Experiment

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

experimental music Laurence Crane music performance

Thomas, Philip (2016) The Music of Laurence Crane and a Post-Experimental Performance Practice. Tempo, 70 (275). pp. 5-21. ISSN 0040-2982

Expressiveness

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

expressivity

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Extended Piano

Berweck, Sebastian (2009) Extended Piano. [Audio]

extreme metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Fairchild

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

Felix Mendelssohn

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Ferdinand David Ensemble

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Field-Marshal Earl Haig

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Finnissy Piano music

Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]

flute

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Four's Company

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

Franz Schubert

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Gaspar Cassado

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

generative transcriptions

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

gesture

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Gorgoroth

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

grains and swarms

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

guitar

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Handel

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

harmonics

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

Harriet Cohen

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

Haydn

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

HCR

Berweck, Sebastian (2009) Extended Piano. [Audio]

Heaviness

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

heavy metal

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

hegemonic masculinity

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Hellerau European Centre for Contemporary Art

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

heterophony

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

Historical Performance

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Historically Informed Performance

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

historically-informed performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

History

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Huddersfield Contemporary Music Festival

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Huddersfield Contemporary Records

Berweck, Sebastian (2009) Extended Piano. [Audio]

identity

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

image

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

improvisation

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

indeterminacy

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

installation

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

interactive

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Interactive music

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

internationalism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

interplay and interchange of roles

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

interthinking

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

J.S.Bach

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

James MacMillan

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

Joachim

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

John Foulds

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

John Reith

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Joseph Joachim

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Jurg Frey

Thomas, Philip (2015) Grizzana. [Audio]

Thomas, Philip (2015) Jürg Frey - Circles and Landscapes. [Audio]

Kinaeosonics

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

kinaesonics

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

Klindworth

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

LA2A

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

learning disability

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Leeds University

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Leipzig

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

leisure

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

linked data

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

live brain-computer cinema performance

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

living ornamentation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

LUCHIP

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Manuscripts

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

map-making

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Marco Blaauw

Lim, Liza (2013) Wild Winged-One. [Audio]

Marie Soldat

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

mastering

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

Maud MacCarthy

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Meiningen Ensemble

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Mendelssohn

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Metal

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Middle Ages

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

mimetic-script

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

mixed-media

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

mixing

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

Modern performing practice

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

modernism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

modernity

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

mortality

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

multi-brain interaction

Zioga, Polina, Chapman, Paul, Ma, Minhua and Pollick, Frank (2016) Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. ISSN 1462-6268

multiculturalism

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

multimodal

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

multiphonic

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

music

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Music and Consciousness

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

music cognition

Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.

music experimental performance

Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]

Music Information Retrieval

Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)

music of the First World War

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Music performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

music performance Christian_Wolff experimental

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.

Music production

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

music technology

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

music theatre

Adlington, Robert C. (2017) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

music theory

Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.

Musical composition

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Musicology

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

musikFabrik

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2013) Wild Winged-One. [Audio]

mycelium

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

nationalism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

new music

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

d'Escrivan, Julio (2016) Visual OP. [Composition]

Niels Gade

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

nineteenth-century performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

non-sectarianism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Objective Quality Measurment of Produced Music

Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

occultism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

open data

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

Oper Koeln

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

operatic career management

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

orchestral works

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

perception

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

Gavin, Helen (2006) Intrusive music: The perception of everyday music explored by diaries. The Qualitative Report, 11 (3). pp. 550-565. ISSN 1052-0147

performance

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

performance art

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)

performance history

Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.

performance practice

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

performing arts

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

Performing practice

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Period instruments

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

piano

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

piano performance experimental

Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]

Piano Quintet

Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

piano trio

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.

Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)

Plato

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Playability

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Politics

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

popular music

Adlington, Robert C. (2017) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913

Popular Music Religion Trance

Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091

power

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

prehistory

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

prima donna

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

Production

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

protest

Adlington, Robert C. (2017) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

Protestantism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Psychoacoustics

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Punch Clarity Objective Measurement Produced Music Loudness

Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

punch measurement

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

punk

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Purcell

Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)

re embodiment

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

Regional Identity

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Reinecke

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Remixing

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

representation

Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870

reverse engineering

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

ritual

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Rock

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Roman Catholicism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

room modes

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

SAPI

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Sebastian Berweck

Berweck, Sebastian (2009) Extended Piano. [Audio]

sectarianism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

sexuality

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

shell construction

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

singer-songwriter

Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913

singing

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

small room acoustics

Romero-Perez, Julian and Fazenda, Bruno (2009) Characterisation of the directionality of reflections in small room acoustics. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 58-63. ISBN 9781862180857

Smetak

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Social History

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

social psychology

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

socialism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

sociocultural theory

Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.

Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884

Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.

solo 'cello

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

solo bassoon composition

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

sonic signatures

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

sound ambiguity

Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.

sound at source

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

sound painting

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

soundpainting

d'Escrivan, Julio (2016) Visual OP. [Composition]

spatialisation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

spectral

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Spencer Dyke Quartet

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

spiritualism

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

Spohr

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

SSML

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Stereophonic

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

still life

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

Strad

Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049

Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049

strange attractor

McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.

Stratton Quartet

Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)

String Quartet

Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)

Subjective testing

Wankling, Matthew and Fazenda, Bruno (2009) An auralisation method for real time subjective testing of modal parameters. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 51-57. ISBN 9781862180857

Sufi poetry (Hafez)

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Surround Sound

Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.

Technology

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Thalberg

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

The Road

Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163

theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

theosophy

Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020

thermionic

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

trace

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

trance improvisation mix

Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.

tubes

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

tuning

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

valves

Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

video games

d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364

video sketch process

Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.

Vietnam war

Adlington, Robert C. (2017) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

violin

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

violin concerto

Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]

Virtuosity

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Vivaldi

Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)

vocal music

Lim, Liza (2012) 3 Angels. [Composition]

vocalisation

Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.

vocals

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

voice

Bokowiec, Mark (2016) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: CYBERNETICS. Leonardo Books . MIT Press. (In Press)

Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

WERGO

Lim, Liza (2013) Wild Winged-One. [Audio]

Working-class history

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

Working-class Identity

Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.

This list was generated on Sat Dec 16 11:14:44 2017 UTC.

University of Huddersfield, Queensgate, Huddersfield, HD1 3DH Copyright and Disclaimer All rights reserved ©