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Article

Ablinger, Peter (2009) Keine Überschreitung. Positionen. Texte zur aktuellen Musik, 78. p. 11.

Ablinger, Peter (2010) Kopfhören. Notizen über das Wahrnehmen. MusikTexte, 124. ISSN 0178-8884

Ablinger, Peter (2008) Schwarz und Weiss. Figurationen, 2. ISSN 1439-4367

Ablinger, Peter (2012) Überflüssiges, Zum Begriff des Experimentellen. Positionen, 90.

Adkins, Monty (2015) Editorial: Beyond Pythagoras. Divergence Press (4). ISSN 20523467

Adkins, Monty (2015) Introduction to Issue 4. Divergence Press, 4 (1). ISSN 20523467

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Adkins, Monty (2015) Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback). Organised Sound, 20 (02). pp. 273-275. ISSN 1355-7718

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.5). Sonic Ideas, 1 (1). pp. 12-19. ISSN 2317-9694

Adkins, Monty (2009) The application of memetic analysis to electroacoustic music. Sonic Ideas, 1 (2). ISSN 2317-9694

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composing and Archiving. International Computer Music Conference Proceedings, 2009. pp. 137-140. ISSN 2223-3881

Adkins, Monty, Scott, Richard and Tremblay, Pierre Alexandre (2016) Post-Acousmatic Practice: Re-evaluating Schaeffer’s heritage. Organised Sound, 21 (02). pp. 106-116. ISSN 1355-7718

Baars, Girilal (2015) The Harmonic Sequencer: Mapping the Harmonic Series to a Sequencer. Divergence Press, 4 (1). ISSN 20523467

Bellamy, Mary (2013) Developing instrumental sound resources through collaborative compositional practice. Search: Journal for New Music and Culture, 2013 (10).

Brooks, Julian, Brooks, Joanna and Tremblay, Pierre Alexandre (2012) Across The Great Divide. Journal of Music, Technology and Education, 5 (2). pp. 145-157. ISSN 1752-7066

Brummer, Ludger, Dipper, Gotz, Wagner, David, Stenschke, Holger and Otto, Jochen Arne (2014) New developments for spatial music in the context of the ZKM Klangdom: A review of technologies and recent productions. Divergence Press, 3 (1). ISSN 20523467

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10.

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1). ISSN 2317-9694

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review, 32 (4). pp. 305-323. ISSN 0749-4467

Castro, Diego (2016) Parametric polyphony in recent guitar music. Divergence Press, 5. ISSN 20523467

Chamberlain, Franc (2016) Writing improvisation. Theatre, Dance and Performance Training, 7 (2). pp. 318-326. ISSN 1944-3927

Clarke, E., Doffman, Mark and Lim, Liza (2013) Distributed Creativity and Ecological Dynamics in Liza Lim’s Tongue of the Invisible. Music and Letters. ISSN 0027-4224

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

Clarke, Michael (2012) Analysing Electroacoustic Music: an Interactive Aural Approach. Music Analysis, 31 (3). pp. 347-380. ISSN 0262-5245

Clarke, Michael and Manning, Peter (2009) Valuing Our Heritage: Exploring Spatialisation through Software Emulation of Stockhausen's Oktophonie. International Computer Music Conference Proceedings, 2009. p. 179. ISSN 2223-3881

Clarke, Michael and Manning, Peter (2008) The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound, 13 (3). pp. 177-187. ISSN 13557718

Dufeu, Frédéric (2013) Comment développer des outils généraux pour l’étude des instruments de musique numériques ? Un prototype en JavaScript pour l’investigation de programmes Max [How to Develop General Tools for the Study of Digital Musical Instruments? A JavaScript protoype for the investigation of Max programs]. Revue Francophone d’Informatique Musicale (3).

Dufeu, Frédéric and Roux, Sébastien (2010) L’environnement sonore recomposant l’espace d’écoute. Localisations et déplacements dans l’œuvre musicale de Sébastien Roux. Filigrane (12). ISSN 2261-7922

Fell, Mark (2015) Patterns in Radical Spectra. Divergence Press, 4 (1). ISSN 20523467

Gauthier, Philippe-Aubert (2014) Multichannel sound and spatial sound creation at Sporobole: A short account of live performance, studio design, outdoor multichannel audio, and visiting artists. Divergence Press, 3 (1). ISSN 20523467

Glover, Richard (2015) Tuning Systems as Processual Material. Divergence Press, 4 (1). ISSN 20523467

Graham, Richard and Bridges, Brian (2014) Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design. Divergence Press, 3 (1). ISSN 20523467

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part One: Liza Lim. Resonate Magazine.

Gruchy, Jane and Lim, Liza (2007) Alchemical Journeys. Part Two: Liza Lim. Resonate Magazine.

Harrison, Bryn (2012) Scanning the Temporal Surface. CeReNem journal (3).

Harrison, Bryn (2011) The Tempo of Enclosed Spaces: A short, personal reflection on the ensemble music of Aldo Clementi. Contemporary Music Review, 30 (3-4). pp. 269-274. ISSN 0749-4467

Lee, Hyunkook and Rumsey, Francis (2013) Level and Time Panning of Phantom Images for Musical Sources. Journal of the Audio Engineering Society, 61 (12). pp. 978-988. ISSN 15494950

Leudar, Augustine (2014) An alternative approach to 3D audio recording and reproduction. Divergence Press, 3 (1). ISSN 20523467

Lim, Liza (2011) 3 Angels. Escalier du Chant (44). pp. 1-4.

Lim, Liza (2009) Staging an Aesthetics of Presence. Search: Journal for new music and culture (6).

Lyon, Eric (2014) Introduction to Issue #3. Divergence Press, 3 (1). ISSN 20523467

Macedo, Rederico (2014) Aural Territories: how phenomenology taught me how to compose electroacoustic spatial music. Divergence Press, 3 (1). ISSN 20523467

Mackay, Robert (2015) Strata Sequence: From Musical Rocks to Palaeo-Soundscapes. Divergence Press, 4 (1). ISSN 20523467

Manning, Peter and Clarke, Michael (2008) Editorial. Organised Sound, 13 (3). pp. 165-166. ISSN 13557718

McLaughlin, Scott and Tremblay, Pierre Alexandre (2010) SpectralConway: Cellular Automata Off The Grid. International Computer Music Conference Proceedings, 2010. pp. 68-71. ISSN 2223-3881

Olofsson, Kent (2015) Resonances and Responses. Divergence Press, 4 (1). ISSN 20523467

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Palme, Pia (2015) The Politics of Resonance. Divergence Press, 4 (1). ISSN 20523467

Parry, Nye (2014) Exploded sounds: spatialised partials in two recent multi-channel installations. Divergence Press, 3 (1). ISSN 20523467

Redgate, Chris (2016) Multiphonic Mobile. Divergence Press, 5. ISSN 20523467

Roche, Heather (2016) Communicative movement in contemporary chamber music: hand werk in the rehearsal of new works by Thierry Tidrow and Georgia Koumará. Divergence Press, 5. ISSN 20523467

Shaff, Stan (2014) Audium – sound-sculptured space. Divergence Press, 3 (1). ISSN 20523467

Sundin, Paulina E. (2015) Reinventing Harmony in Splintered Echoes (2014). Divergence Press, 4 (1). ISSN 20523467

Thomas, Philip (2007) Berio's Sequenza IV: Approaches to performance and interpretation. Contemporary Music Review, 26 (2). pp. 189-205. ISSN 0749-4467

Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467

Thomas, Philip (2016) Fingers, Fragility and Freedom – Christian Wolff’s Pianist: Pieces. Divergence Press, 5. ISSN 20523467

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722

Tremblay, Pierre Alexandre (2006) Pragmatic Considerations in Mixed Music: a Case Study of La Rage. Proceedings of the International Computer Music Conference. pp. 527-530. ISSN 0-9713192-4-3

Tremblay, Pierre Alexandre and Bassal, Dominique (2007) Le mixtering : modèle de travail pour une qualité sonore accrue en électroacoustique / Mixtering: A working model for an enhanced sound quality in electroacoustics. eContact!, 9 (3).

Tremblay, Pierre Alexandre and McLaughlin, Scott (2009) Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance. International Computer Music Conference Proceedings, 2009. pp. 379-386. ISSN 2223-3881

d'Escrivan, Julio and Adkins, Monty (2014) Stream-­Form and the loss of traditional virtuosity: thoughts and a method. MONO (2). ISSN 1646-7388

Book Chapter

Ablinger, Peter (2010) Due Pratiche. In: Neue Musik und andere Künste. Publications from the Institute of New Music and Musical Education, Darmstadt, 50 . Schott, Mainz, Germany. ISBN 978-3-7957-1840-4

Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Adkins, Monty (2017) Extending the Instrumental sound world using electronics. In: The Cambridge Companion to Electronic Music, 2nd edn. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 258-273. ISBN 9781107133556

Adkins, Monty (2014) Roberto Gerhard: Electronic Explorations from his Studio + the BBC Radiophonic Workshop 1958-1967. In: CD digipack + 28 pages booklet. Sub Rosa, Brussels, Belgium.

Adkins, Monty (2008) Towards a beautiful land: the influence of Mark Rothko on five panels no.5. In: Proceedings of the 2008 International Computer Music Conference. ICMA and SARC., Belfast, pp. 368-371. ISBN 0-9713192-6-X

Adkins, Monty and Duque, Carlos (2016) Claustrophilia: A musical gift from Roberto Gerhard to John Cage. In: Essays on Roberto Gerhard. Cambridge Scholars Publishing, Cambridge, pp. 261-278. ISBN 978-1-4438-1108-8

Adkins, Monty, Duque, Carlos and Karman, Gregorio (2012) The electronic music of Roberto Gerhard. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, pp. 22-29.

Adkins, Monty, Lewis, Chara, Pettican, Anneké and Mojsiewicz, Kristin (2017) Shadow Worlds | Writer’s Rooms: Freud’s House. In: Proceedings of the Fifth Conference on Computation, Communication, Aesthetics & X (xCoAx 2017). Universidade do Porto, pp. 273-280. ISBN 9789897461286

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Adkins, Monty and Segretier, Laurent (2015) Skyler and Bliss. In: xCoAx 2015: Proceedings of the Third Conferenc on Computation, Communication, Aesthetics and X. Universidade do Porto, Porto, p. 311. ISBN 978-989-746-066-1

Adkins, Monty and d'Escrivan, Julio (2013) Geometries of Flight: Remix as Nodal Practice. In: International Computer Music Conference Proceedings. Michigan Publishing, Ann Arbor, MI, pp. 220-225.

Bossis, Bruno and Dufeu, Frédéric (2009) De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay. In: Christian Marclay: Snap! Les Presses du Réel, Dijon. ISBN 978-2-84066-279-2

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2013) Le support sonore comme instrument de musique chez Christian Marclay [The Recording Medium As Instrument In Christian Marclay’s Works]. In: La musique et ses instruments - music and its instruments. Editions Delatour France, pp. 419-436. ISBN 9782752101594

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Chamberlain, Franc (2015) Michael Chekhov in England: Outside the Magic Circle. In: The Routledge Companion to Michael Chekhov. Routledge, pp. 207-218. ISBN 9780415710183

Chamberlain, Franc (2015) Rare Butterflies, Persecution, and Pinball Machines: Environment, Subjectivity, and Society in the Theatre of Arthur Adamov. In: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Methuen Drama. ISBN 9781472506672

Clarke, Michael (2006) From Synthia to Calma to Sybil: developing strategies for interactive learning in music. In: Technology Supported Learning and Teaching: a Staff Perspective. Information Science, London, UK, pp. 292-308. ISBN 1-59140-962-4

Clarke, Michael (2006) Jonathan Harvey’s ‘Mortuos Plango, Vivos Voco.’. In: Analytical Methods of Electroacoustic Music. Routledge, London, pp. 111-143. ISBN 9780415976299

Clarke, Michael (2010) Wind Chimes: An Interactive Aural Analysis. In: Denis Smalley: Polychrome Portraits. Polychrome Portraits . GRM de l'INA (Radio France), Paris, pp. 35-57. ISBN 9782869382114

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 218-223. ISBN 9780984527458

Dufeu, Frédéric (2010) L’instrument numérique comme objet d’analyse des musiques mixtes. In: Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Dufeu, Frédéric (2012) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres. In: Correspondances d'artistes:du brouillon à la lettre ouverte. Mot et le reste. ISBN 978-2-36054-060-0

Dufeu, Frédéric (2013) Mémoires numériques et comportements instrumentaux : quels dialogues entre le musicien et la machine? [Digital Memories And Instrumental Behaviours: Dialogues between musicians and machines]. In: Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Les presses du réel, pp. 105-113. ISBN 9782952235556

Dufeu, Frédéric (2012) Une interface graphique de manipulation d'unités modulaires dans SuperCollider. In: Proceedings of JIM2012 (Journées d’Informatique Musicale). Numediart, pp. 123-132.

Dufeu, Frédéric (2016) A permissive graphical patcher for supercollider synths. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 134-139. ISBN 9780984527458

Dufeu, Frédéric and Rabin, Julien (2016) De l’improvisation collective à son redéploiement électroacoustique : From collective improvisation to electroacoustic redeployment. In: L'Improvisation musicale collective : collective music improvisation. L'Harmattan. ISBN 978-2-343-07966-0

Dufeu, Frédéric and Rabin, Julien (2016) Les pratiques musicales provoquées par le numérique : quelles ruptures pour l’acte de creation? : The musical practices provoked by the digital: what breaks for the act of creation? In: Défier la décence Crise du sens et nouveaux visages du scandale dans l'art : Challenging decency Crisis of meaning and new faces of scandal in art. Artois Presses Université. ISBN 9782848322261

Gribben, Christopher and Lee, Hyunkook (2014) The Perceptual Effects of Horizontal and Vertical Interchannel Decorrelation, using the Lauridsen Decorrelator. In: AES 136th Convention. AES, p. 9027.

Harker, Alexander and Tremblay, Pierre Alexandre (2012) The HISSTools Impulse Response Toolbox: Convolution for the Masses. In: ICMC 2012: Non-cochlear Sound. The International Computer Music Association, pp. 148-155. ISBN 9780984527410

Harrison, Bryn (2009) Bryn Harrison. In: The Ashgate Research Companion to Experimental Music. Ashgate, London, UK, pp. 283-292. ISBN 9780754662822

Hewitt, Scott, Tremblay, Pierre Alexandre, Freeman, Samuel and Booth, Graham (2010) HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices. In: Proceedings of the International Computer Music Conference. ICMA, New York, pp. 304-307.

Lee, Hyunkook (2014) 2D to 3D Upmixing based on Perceptual Band Allocation (PBA). In: AES 136th Convention. AES, p. 9079.

Lim, Liza (2012) Patterns of Ecstasy. In: Darmstadt contributions to new music. Schott Musik, pp. 27-43. ISBN 9783795708160

Lim, Liza (2007) Red, White, Black: Three stages of illumination. In: Judith Wright: Conversations. Judith Wright, pp. 49-52. ISBN 9780646478203

Lim, Liza and Ford, Andrew (2008) Liza Lim. In: Talking to Kinky and Karlheinz. ABC Books, Sydney, Australia. ISBN 9780733320088

Schwarz, Diemo, Tremblay, Pierre Alexandre and Harker, Alexander (2014) Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, UK, pp. 247-250.

Scuda, Ulli, Stenzel, Hanne and Lee, Hyunkook (2010) Perception of Elevated Sound Image Recorded with 3D-Audio Microphone Arrays. In: Proceedings of International Conference on Spatial Audio 2014. ICSA 2014 . Verband Deutscher Tonmeister, Erlangen, Germany. ISBN ISBN 978-3-98 12830-4-4

Stenzel, Hanne, Scuda, Ulli and Lee, Hyunkook (2014) Localization and Masking Thresholds of Diagonally Positioned Sound Sources and Their Relationship to Interchannel Time and Level Differences. In: Proceedings of International Conference on Spatial Audio 2014. ICSA 2014 . Verband Deutscher Tonmeister, Erlangen, Germany. ISBN 978-3-98 12830-4-4

Sundin, Pauline, Adkins, Monty and Gierakowski, Adrian (2013) Beyond Pythagoras. In: International Computer Music Conference Proceedings. MPublishing, Ann Arbor, MI, pp. 383-386.

Thomas, Philip (2016) Abstruse Bagatelles: Music for solo piano by Christopher Fox. In: Perspectives on the Music of Christopher Fox: Straight lines in broken times. Routledge, Abingdon, Oxon, pp. 128-148. ISBN 9781472428240

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Thomas, Philip (2009) A Prescription for Action. In: The Ashgate Research Companion to Experimental Music. Ashgate, Farnham, pp. 77-98. ISBN 978-0-7546-6282-2

Tremblay, Pierre Alexandre and Schwarz, Diemo (2010) Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. In: Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. NIME, pp. 447-450.

Wallis, Rory and Lee, Hyunkook (2014) Investigation into Vertical Stereophonic Localisation in the Presence of Interchannel Crosstalk. In: AES 136th Convention. AES, p. 9026.

Wendl, Mark and Lee, Hyunkook (2014) The Effect of Dynamic Range Compression on Loudness and Quality Perception in Relation to Crest Factor. In: AES 136th Convention. AES, p. 9021.

Conference or Workshop Item

Adkins, Monty (2009) The [60]Project: an analytical and contextual critique. In: New York City Electroacoustic festival, 2-4 April 2009, Cuny Graduate Centre New York. (Unpublished)

Adkins, Monty (2007) The Influence of Futurist painting in my music. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University. (Submitted)

Adkins, Monty (2010) Metaphor, Abstraction and Temporality in Electroacoustic Music. In: ArtMusFair 2010, 22-26 September 2010, Chopin University, Warsaw, Poland. (Submitted)

Adkins, Monty (2014) Nodalism and creative practice. In: xCoAx 2014: Computation Communication Aesthetics and X, 26th-27h June 2014, Porto, Portugal.

Adkins, Monty (2007) Schaeffer est mort! Long live Schaeffer! In: EMS07 - Electroacoustic Music Studies, 12-15 June 2007, De Montfort University, Leicester, UK.

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.1). In: 2nd SpACE-Net Spatial Audio Workshop, 23 January 2008, Music Research Centre, University of York. (Unpublished)

Adkins, Monty (2008) The application of memetic analysis to electroacoustic music. In: 5th Conference ‘EMS08’, 3-7 June 2008, University of the Sorbonne, Paris. (Unpublished)

Adkins, Monty and Adams, Tom (2014) Digital Music, Digital Distribution. In: Electroacoustic Music Studies NetworkConference (EMS2014): Electroacoustic Music Beyond Performance, 10th - 14th June 2014, Berlin, Germany.

Adkins, Monty and Gatt, Michael (2009) [60]Project: Conception, Composition and Archiving. In: International Computer Music Conference (ICMC 2009), 16–21 August 2009, Montreal, Canada. (Unpublished)

Adkins, Monty and d'Escrivan, Julio (2013) Geometries of Flight: Remix as Nodal Practice. In: xCoAx 2013: a conference on Computation, Communication, Aesthetics and X, 26th - 28th June 2013, Bergamo, Italy.

Baldwin, Michael, Chamberlain, Franc, Elliott, Hilary and Morris, Eilon (2015) this is not natural [transfiguration]. In: Performers Insights into this is not natural [transfiguration], 28th and 29th of July 2014, University of Huddersfield.

Bayley, Amanda and Clarke, Michael (2008) Interactive strategies for analysing musical structure. In: Fouth Conference on Interdisciplinary Musicology, 2-6 July 2008, Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Bonardi, Alain, Bossis, Bruno, Couprie, Pierre, Dufeu, Frédéric, Malt, Mikhail and Pottier, Laurent (2013) Atelier: Outils pour l’analyse de la musique électroacoustique [Workshop: Tools for analysis of electroacoustic music]. In: JIM2013 (Journées d’Informatique Musicale) Conference, 13th - 15th May 2013, Paris, France.

Bonardi, Alain and Dufeu, Frédéric (2013) Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des œuvres de Philippe Manoury [How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works]. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2009) Le support sonore comme instrument de musique chez Christian Marclay. In: CIM09, Music and its Instruments: 5th Conference on Interdisciplinary Musicology, 26th - 29th October 2009, Paris, France. (Unpublished)

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Clarke, Michael (2009) Extending Interactive Aural Analysis: Acousmatic Music. In: Electroacoustic Music Studies Network EMS 09: Heritage and Future, 22nd - 25th June 2009, Buenos Aires, Argentina. (Unpublished)

Clarke, Michael (2007) Technology and the Spiritual in Jonathan Harvey’s Music. In: Study Day on Jonathan Harvey's Opera 'Wagner Dream', 1 June 2007, Institute of Musical Research, School of Advanced Study, University of London. (Submitted)

Clarke, Michael (2007) An interactive aural approach to musical analysis. In: Sixth European Music Analysis Conference, 10-14 October 2007, Freiburg. (Submitted)

Clarke, Michael and Dufeu, Frédéric (2013) An Introduction to the TIAALS software (Tools for Interactive Aural Analysis). In: 4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”, 11th July 2013, Leicester, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis). In: Interactive Music Notation and Representation workshop, 14th International Conference on New Interfaces for Musical Expression (NIME 2014), 30th June 2014, Goldsmiths, University of London, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) From technological investigation and software emulation to music analysis: an integrated approach to Barry Truax's riverrun. In: the ICMC / SMC 2014 (40th International Computer Music Conference joint with the 11th Sound and Music Computing conference), 14th - 20th September 2014, Athens, Greece.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) The Impact of Technology on the Creative Processes of Composing Electroacoustic Music. In: Royal Musical Association Annual Conference 2013, 19th - 21st September 2013, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Introducing TaCEM and the TIAALS software. In: 2013 ICMC International Computer Music Conference, 11th - 17th August 2013, Perth, Australia. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music]. In: JAM13, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale, 3rd - 5th April 2013, Rennes, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project. In: Performance Studies Network Fourth International Conference, 14-17th July 2016, Newton Park, Burton Upon Trent. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project. In: Royal Musical Association 50th Annual Conference, 4th - 6th September 2014, Leeds, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology. In: EuroMAC2014: Eighth European Music Analysis Conference, 17th - 20th September 2014, Leuven, Belgium. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Towards incorporating computer-aided techniques to interactive aural analysis. In: 1st Conference on Computer Simulation of Musical Creativity, 17-19th June 2016, University of Huddersfield. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project. In: Tracking the Creative Process in Music (TCPM), 10th - 12th October 2013, Montreal, Canada. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Working with the TIAALS Software. In: Ircam Forum Workshop, 20th - 22nd November 2013, Paris, France. (Unpublished)

Clarke, Michael and Rodet, Xavier (2003) Real-time FOF and FOG synthesis in MSP and its integration with PSOLA. In: International Computer Music Conference 2003, 29 October - 4 November 2003, Singapore.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2004) Sybil: Synthesis by Interactive Learning. In: International Computer Music Conference 2004, 1-6 November 2004, Miami.

Crawford-Emery, Ryan and Lee, Hyunkook (2014) The subjective effect of BRIR length perceived headphone sound externalisation and tonal colouration. In: 136th Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany. (Unpublished)

Dufeu, Frédéric (2011) Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider. In: 7th European Music Analysis Conference (VII EUROMAC), 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Dufeu, Frédéric (2013) De l’outil d’expression musicale à l’environnement d’analyse musicologique, la segmentation comme principe d’articulation [From the tool for musical expression to the environment for musical analysis, segmentation as a principle for articulation]. In: Analyse par segmentation des musiques électroacoustiques seminar, 21st January 2013, Saint-Etienne, France. (Unpublished)

Dufeu, Frédéric (2011) Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési. In: Electroacoustic Music Studies Network EMS11, Sforzando!, 14th - 18th June 2011, New York, New York, USA. (Unpublished)

Dufeu, Frédéric (2010) Entre composition et improvisation : analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: "Analyze Improvisation" Colloquium, 12th February 2010, Paris, France. (Unpublished)

Dufeu, Frédéric (2013) L’instrument improvisé. Perspectives ouvertes par les technologies pour la constitution du dispositif de jeu dans le temps de la performance [The improvised instrument. Perspectives opened up by technology for the constitution of playing devices in performance time]. In: Les caprices de l’improvisation dans la musique [The vagaries of improvisation in art music] savante #2 seminar,, 21st March 2013, Paris, France. (Unpublished)

Dufeu, Frédéric (2009) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des oeuvres. In: La forme dialogique des écrits d’artistes : les correspondances seminar, 23rd October 2009, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) Partitions virtuelles et nouvelles lutheries. Questions d’interprétation dans l’œuvre électroacoustique de Philippe Manoury. In: Manifeste Festival 2012, 1st June - 1st July 2012, Paris, France. (Unpublished)

Dufeu, Frédéric (2008) Temps réel et temps différé dans l’instrument de musique numérique. In: EMS08 - Electroacoustic Music Studies - Conference Theme: Musique concrète - 60 years later, 3rd - 7th June 2008, Paris, France. (Unpublished)

Dufeu, Frédéric and Bonardi, Alain (2014) Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2014) Elicitation and Objective Grading of ‘Punch’ Within Produced Music. In: 136th International Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany.

Glover, Richard and Harrison, Bryn (2013) Memory and trace in minimal experimental music. In: Time and Trace: 15th Triennial Conference of the International Society for the Study of Time, 30 June - 6 July 2013, Orthodox Academy of Crete, Greece. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Phenomenology and temporality in the composition of experimental minimal music. In: Philosophy and Music Conference: Time Theories and Music, 27-29 April 2012, Ionian University, Corfu, Greece.

Harker, Alexander and Tremblay, Pierre Alexandre (2013) Rethinking the Box: Approaches to the Reality of Electronic Music Performance. In: IRCAM Forum, 20-22 November 2013, IRCAM, Paris. (Submitted)

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Kassier, Rafael, Lee, Hyunkook, Brookes, Tim and Rumsey, Francis (2005) An informal comparison between surround microphone techniques. In: Audio Engineering Society 118th Convention, 28-31 May 2005, Barcelona, Spain.

Lee, Hyunkook (2013) Apparent Source Width and Listener Envelopment in Relation to Source-Listener Distance. In: AES 52nd International Conference - Sound Field Control, 2nd-4th September 2013, Guildford, UK.

Lee, Hyunkook (2011) A New Multichannel Microphone Technique for Effective Perspective Control. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

Lee, Hyunkook (2011) The Relationship between Interchannel Time and Level Differences in Vertical Localisation and Masking. In: 131st Audio Engineering Society Convention.

Lee, Hyunkook (2012) Subjective Evaluations of Perspective Control Microphone Array (PCMA). In: 132nd Audio Engineering Society Convention, 26-29 April 2012, Budapest, Hungary.

Lee, Hyunkook (2010) A new time and intensity trade-off function for localisation of natural sound sources. In: Audio Engineering Society 128th Convention, 22-25 May 2010, London, UK. (Unpublished)

Lee, Hyunkook and Gribben, Christopher (2013) On the optimum microphone array configuration for height channels. In: Audio Engineering Society134th International AES Convention, 4-7 May 2013, Rome, Italy.

Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.

Lee, Hyunkook and Rumsey, Francis (2004) Elicitation and Grading of Subjective Attributes of 2-channel Phantom Images. In: Audio Engineering Society 116th Convention, 8-11 May 2004, Berlin, Germany.

Lee, Hyunkook and Rumsey, Francis (2005) Investigation into the Effect of Interchannel Crosstalk in Multichannel Microphone Technique. In: Audio Engineering Society 118th Convention, 28-31 May 2005, Barcelona, Spain.

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Meza, Mauricio and Dufeu, Frédéric (2012) Doppelgänger_Oblivion: Timeline. An interactive multimedia installation for collective in situ composition. In: The Global Composition, Conference on Sound, Media, and the Environment, 25th - 28th July 2012, Darmstadt and Dieburg, Germany.

Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Tremblay, Pierre Alexandre (2012) Considérations pragmatiques en musique mixtes: une approche systémique de l’inter-influence entre la composition, l'interprétation et la technique. In: Symposium: Sixty years of mixed music, 22nd - 23rd November 2012, Paris, France. (Unpublished)

Tremblay, Pierre Alexandre (2012) Mixing the Immiscible: Improvisation within Fixed-Media Composition. In: Electroacoustic Music Studies Conference Meaning and Meaningfulness in Electroacoustic Music, 11th - 15th June 2012, Stockholm, Sweden.

Tremblay, Pierre Alexandre (2017) Tuning to Trust: System Calibration as Creative Enabler. In: 43rd International Computer Music Conference 2017, 15-20 October 2017, Shanghai Conservatory of Music.

Tremblay, Pierre Alexandre, Boucher, Nicolas and Pohu, Sylvain (2007) Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup. In: International Computer Music Conference ‘07, 27-31 August 2007, Copenhagen. (Unpublished)

Book

Adkins, Monty and Dickens, Pip (2012) Shibusa: extracting beauty. University of Huddersfield Press, Huddersfield. ISBN 9781862181014

Bossis, Bruno, Dufeu, Frédéric and Rabin, Julien (2010) Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Glover, Richard and Harrison, Bryn (2013) Overcoming Form: reflections on immersive listening. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-120-5

Russ, Michael and Adkins, Monty (2015) Perspectives on Gerhard: Selected Proceedings of the 2nd and 3rd International Roberto Gerhard Conferences. University of Huddersfield, Huddersfield. ISBN 978-1-86218-128-1

Russ, Michael and Adkins, Monty (2013) The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Thesis

Fox, James Anthony (2017) Sound within an Alternative Medium. Masters thesis, University of Huddersfield.

Lee, Hyunkook (2006) Effects of Interchannel Crosstalk in Multichannel Microphone Technique. Doctoral thesis, Institute of Sound Recording, University of Surrey.

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Patent

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2013) Methods and apparatuses for encoding and decoding object based audio signals. US8504376.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2014) Methods and apparatuses for encoding and decoding object-based audio signals. US8625808.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2013) Methods and apparatuses for encoding and decoding object-based audio signals. US8417531.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8296158.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8234122.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8204756.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2011) Methods and apparatuses for encoding and decoding object-based audio signals. US7987096.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2011) Methods and apparatuses for encoding and decoding object-based audio signals. US7979282.

Dong Soo, Kim, Sung Yong, Yoon, Lee, Hyunkook and Jae Hyun, Lim (2013) Method and an apparatus for processing an audio signal. US8380523.

Lee, Hyunkook, Dong Soo, Kim, Sung Yong, Yoon and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8258849.

Lee, Hyunkook, Kim, Dongsoo, Yoon, Sungyong, Pang, Heesuk and Lim, Jaehyun (2010) An apparatus for processing an audio signal and method thereof. WO 2010/036061.

Lee, Hyunkook, Kim, Dongsoo, Yoon, Sungyong, Pang, Heesuk and Lim, Jaehyun (2009) A method and an apparatus for processing an audio signal. WO 2009/078681.

Lee, Hyunkook, Sung Yong, Yoon, Dong Soo, Kim and Jae Hyun, Lim (2013) Method and an apparatus for processing a signal. US8346379.

Lee, Hyunkook, Sung Yong, Yoon, Dong Soo, Kim and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8135585.

Lee, Hyunkook, Sung Yong, Yoon, Dong Soo, Kim and Jae Hyun, Lim (2013) Method and and apparatus for processing a signal. US8346380.

Lee, Hyunkook, Yoon, Sungyong, Kim, Dongsoo and Lim, Jaehyun (2010) A method and an apparatus for processing a signal. WO 2010/036059.

Sung Yong, Yoon, Hee Suk, Pang, Dong Soo, Kim, Lee, Hyunkook and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8044830.

Sung Yong, Yoon, Lee, Hyunkook, Dong Soo, Kim and Jae Hyun, Lim (2013) Apparatus and method for processing a time domain audio signal with a noise filling flag. US8364471.

Yoon, Sungyong, Pang, Heesuk, Lee, Hyunkook, Kim, Dongsoo and Lim, Jaehyun (2008) Methods and apparatuses for encoding and decoding object-based audio signals. WO 2008/039043.

Composition

Ablinger, Peter (2015) 3 Places Leeds. [Composition]

Ablinger, Peter (2016) Antiautoritäre Etüde Weiss /Weisslich o. Nr. [Composition]

Ablinger, Peter (2010) Augmented Studies. [Composition]

Ablinger, Peter (2011) Bethen. [Composition]

Ablinger, Peter (2016) Blockflöte und Rauschen (Weiss/Weisslich 17n). [Composition]

Ablinger, Peter (2015) Book of returns 1985-2015. [Composition]

Ablinger, Peter (2011) Cityopera Buenos Aires in 7 Acts. [Composition]

Ablinger, Peter (2015) Die durchscheinende Zeit 2014/15 "translucent time" an installation opera : different instrumentations, medias, collaborations and durations. [Composition]

Ablinger, Peter (2016) Die schönsten Schlager der 60er und 70er Jahre für Ensemble (The most beautiful hits of the 60s and 70s for ensemble). [Composition]

Ablinger, Peter (2015) Erzsébet 'Kokó' Kukta : from: "Voices and Piano". [Composition]

Ablinger, Peter (2016) IN G Cello and Environment, 16'41" 2009-2016. [Composition]

Ablinger, Peter (2009) Instruments &... [Composition]

Ablinger, Peter (2015) Instruments and phonographies. [Composition]

Ablinger, Peter (2015) Instruments and sketchbooks. [Composition]

Ablinger, Peter (2009) Kammersymphonie. [Composition]

Ablinger, Peter (2015) Klavier und Alles (Weiss/Weisslich 17m). [Composition]

Ablinger, Peter (2014) Kreis für ado (Weiss/Weisslich 29). [Composition]

Ablinger, Peter (2009) Landscape Opera Ulrichsberg. [Composition]

Ablinger, Peter (2011) N.K. hallway piece. [Composition]

Ablinger, Peter (2014) Noise to energy (Weiss / Weisslich 32f). [Composition]

Ablinger, Peter (2014) Places Dublin. [Composition]

Ablinger, Peter (2014) Points and views. [Composition]

Ablinger, Peter (2014) Posaune und Rauschen (Weiss/Weisslich 17j). [Composition]

Ablinger, Peter (2015) Quartz 2001-2015 a multi part installation, sand, quartz watch, electronics, video, paper, bed sheets, hour glass, other materials. [Composition]

Ablinger, Peter (2015) Quartz for high orchestra (2010-15) 2picc,2ob,2cl,2hrn,2trp,glsp,mba,harp,12vlI,10vlII,8va, tape, 11'. [Composition]

Ablinger, Peter (2016) Renate Fuczik (a 24-hour piece, from: "Voices and Piano"). [Composition]

Ablinger, Peter (2010) Singdrossel. [Composition]

Ablinger, Peter (2010) Sitzen und hören 1-6. [Composition]

Ablinger, Peter (2015) Sopran und Rauschen (Weiss/Weisslich 17l). [Composition]

Ablinger, Peter (2010) Stars & stripes. [Composition]

Ablinger, Peter (2015) Unbequeme musik (inconvenient music). [Composition]

Ablinger, Peter (2013) Violoncello und Rauschen ("Kreuze") (Weiss/Weisslich 17k). [Composition]

Ablinger, Peter (2009) Voices and Piano. [Composition]

Ablinger, Peter (2009) Wachstum und massenmord. [Composition]

Ablinger, Peter (2011) Wachstum, massenmord. [Composition]

Ablinger, Peter (2014) Weisse Flucht. [Composition]

Ablinger, Peter (1999) Zeit Halbieren 'Bisecting Time', accordion (1997/99), 8'. [Composition]

Ablinger, Peter (2014) The truth : How to teach the piano Chinese. [Composition]

Adkins, Monty (2002) Aerial. [Composition]

Adkins, Monty (1999) Breaking. [Composition]

Adkins, Monty (2005) Cortex. [Composition] (Unpublished)

Adkins, Monty (2017) Glass Feathers. [Composition] (Unpublished)

Adkins, Monty (1997) Neurotransmission. [Composition]

Adkins, Monty (2000) Noumena. [Composition]

Adkins, Monty (2017) Shadows and Reflections. [Composition]

Adkins, Monty (2005) Silk to steel. [Composition]

Adkins, Monty (2002) Still Time. [Composition]

Adkins, Monty (2002) Symbiont. [Composition]

Adkins, Monty (2017) A year at usher's hill. [Composition]

Bellamy, Mary (2011) Abrasion, solo cello (2011). [Composition]

Bellamy, Mary (2002) Celestine. [Composition] (Submitted)

Bellamy, Mary (2001) Earth and Sky Reflect Each Other. [Composition] (Submitted)

Bellamy, Mary (2011) Enveloped, cello and contrabass recorder (2011). [Composition]

Bellamy, Mary (2008) Harmony and Resonance. [Composition] (Submitted)

Bellamy, Mary (2011) Semblance, solo bassflute (2011). [Composition]

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Bellamy, Mary (2011) Translucent River (2011). [Composition]

Bellamy, Mary (2005) Within Dreams. [Composition] (Submitted)

Bellamy, Mary (2017) The other side of air. [Composition]

Bellamy, Mary and Beall, T. (2008) Double Blind. [Composition] (Submitted)

Bellamy, Mary and Beall, T. (2006) Light Blind. [Composition] (Submitted)

Cassidy, Aaron (2014) APOFIR-REDUX. [Composition]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2003) the green is either. [Composition]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (2014-16) [ 2 tr solo, cl/bs cl, sax, tbn, elec lap steel gtr, double bass, 5.1 channel electronics ]. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (5.1 channel fixed media). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (alto saxophone and live electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (electric lap steel guitar and 5.1 channel electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (piccolo trumpet, quartertone flugelhorn, and trombone). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (solo B-flat clarinet). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (solo contrabass). [Composition]

Clarke, Michael (2013) Enmeshed 3. [Composition]

Clarke, Michael (2005) Enmeshed I and II. [Composition] (Submitted)

Clarke, Michael (2007) Enmeshed II. [Composition] (Submitted)

Clarke, Michael (2008) Enmeshed IIb. [Composition] (Submitted)

Clarke, Michael (2013) Tim(br)e 2. [Composition]

Harker, Alexander (2011) Fractures. [Composition] (Unpublished)

Harrison, Bryn (2014) 1.Receiving the Approaching Memory (2011/14). [Composition]

Harrison, Bryn (2012) Eight Voices. [Composition]

Harrison, Bryn (2011) Five Distances (2011) 10’ Mezzo-soprano voice and piano. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts. [Composition]

Harrison, Bryn (2008) Five Miniatures in Three Parts (2008) (8'). [Composition]

Harrison, Bryn (2009) Gently Rising. [Composition]

Harrison, Bryn (2002) Low time patterns [#1-5] for 7 players (mixed ensemble). [Composition]

Harrison, Bryn (2010) M.C.E. (2010) 20’ Solo classical guitar. [Composition]

Harrison, Bryn (2007) Plane Image (2007) 8'. [Composition]

Harrison, Bryn (2008) Quietly Rising (Piano piece December 2008)(4'). [Composition]

Harrison, Bryn (2008) Repetitions in Extended Time. [Composition]

Harrison, Bryn (2006) Shifting Light (7 minutes). [Composition]

Harrison, Bryn (2016) Things are more like they are now than they ever have been before. [Composition]

Harrison, Bryn (2012) Vessels for solo piano (76’). [Composition]

Harrison, Bryn (2016) A form in search of itself (2016). [Composition]

Harrison, Bryn (2006) four cycles for large ensemble (15 players). [Composition]

Harrison, Bryn (2007) a leaf falls on loneliness (2007) (15'). [Composition]

Harrison, Bryn (2008) an oblique. [Composition]

Harrison, Bryn (2005) six symmetries for large ensemble (17 players). [Composition]

Harrison, Bryn (2009) surface forms (repeating)(10'30''). [Composition]

Harrison, Bryn (2008) to be (an ever opening flower). [Composition]

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2010) Ehwaz (journeying). [Composition]

Lim, Liza (2009) The Four Seasons (after Cy Twombly). [Composition]

Lim, Liza (2010) The Guest. [Composition]

Lim, Liza (2011) Gyfu (gift), 2011. [Composition]

Lim, Liza (2016) How Forests think, for sheng & ensemble, 40', Ricordi Berlin Sy4484/01. [Composition]

Lim, Liza (2009) Invisibility. [Composition]

Lim, Liza (2008) The Navigator. [Composition]

Lim, Liza (2008) Ochred string. [Composition]

Lim, Liza (2010) Pearl, Ochre, Hair String. [Composition]

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Lim, Liza (2008) Sensorium. [Composition]

Lim, Liza (2008) Sonorous Body. [Composition]

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

Lim, Liza (2014) The Weaver's Knot, score for string quartet, Ricordi Berlin Sy.4352. [Composition]

Lim, Liza (2007) Weaver-of-fictions. [Composition]

Lim, Liza (2008) Well of Dreams. [Composition]

Lim, Liza (2007) Wild-winged one. [Composition]

Lim, Liza (2014) Winding Bodies: 3 Knots for ensemble, Ricordi Berlin, Sy.4378/01. [Composition]

Lim, Liza (2008) The long forgetting. [Composition]

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

Lim, Liza (2016) The turning dance of the bee, for ensemble, 15', Ricordi Berlin, Sy4454/01. [Composition]

Sundin, Paulina E., Adkins, Monty and Axelsson, Jonny (2014) Splintered Echoes. [Composition]

Tremblay, Pierre Alexandre (2006) Alter Ego. [Composition] (Submitted)

Tremblay, Pierre Alexandre (2015) BWV1080:1(detail). [Composition]

Tremblay, Pierre Alexandre (2008) Billows in a Ladle. [Composition]

Tremblay, Pierre Alexandre (2010) Ces énigmes lumineuses. [Composition]

Tremblay, Pierre Alexandre (2008) De passage. [Composition]

Tremblay, Pierre Alexandre (2010) For Ever Now Soon an End. [Composition]

Tremblay, Pierre Alexandre (2010) La nuée. [Composition]

Tremblay, Pierre Alexandre (2005) La rage for drummer and electronics. [Composition] (Submitted)

Tremblay, Pierre Alexandre (2011) La rupture inéluctable. [Composition]

Tremblay, Pierre Alexandre (2008) Le tombeau des fondeurs. [Composition]

Tremblay, Pierre Alexandre (2014) Les pâleurs de la lune. [Composition]

Tremblay, Pierre Alexandre (2010) Les trois petits c... [Composition]

Tremblay, Pierre Alexandre (2013) Mono no aware. [Composition]

Tremblay, Pierre Alexandre (2015) Multitudes synchrones. [Composition]

Tremblay, Pierre Alexandre (2009) Quelques courtes contemplations: I. craquer une allumette dans le noir, puis regarder la flamme danser. [Composition]

Tremblay, Pierre Alexandre (2009) Reflets de notre société crépusculaire. [Composition]

Tremblay, Pierre Alexandre (2008) Sandbox#2. [Composition]

Tremblay, Pierre Alexandre (2009) Sandbox#3. [Composition]

Tremblay, Pierre Alexandre (2009) Stase. [Composition]

Tremblay, Pierre Alexandre (2013) Still, Again. [Composition]

Tremblay, Pierre Alexandre (2010) Trois lents effondrements. [Composition]

Tremblay, Pierre Alexandre (2009) Un clou, son marteau, et le béton. [Composition]

Tremblay, Pierre Alexandre (2006) Walk That Way. Tuesday, Turn. [Composition]

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough1. [Composition]

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough2. [Composition]

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough3. [Composition]

Tremblay, Pierre Alexandre (2016) asinglewordisnotenough4. [Composition]

Performance

Bellamy, Mary (2008) Quartet. In: Reading of New Compositions Workshop, 12-14 February 2008, 26 Willow Place, Brooklyn. (Submitted)

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). In: UNSPECIFIED, March 15th 2010, Kings Place, London.

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, October 23 2011, Villa Elisabeth, Berlin, Germany.

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2009) The Crutch of Memory. In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, February 18th 2010, Wartesaal, Cologne, Germany.

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, 2nd November 2009, Kings Place, London, UK.

Cassidy, Aaron (2008) Portrait Concert. In: Portrait Concert: ELISION Ensemble, 27th July 2008, ABC Ferry Road Studios, Brisbane, Australia.

Cassidy, Aaron (2011) Second String Quartet. In: Ultraschall Festival, 20th-30th January 2011, Berlin, Germany.

Cassidy, Aaron (2010) Second String Quartet. In: Donaueschinger Musiktage, October 16th 2010, Donaueschinger, Germany.

Cassidy, Aaron (2011) Second string quartet. In: Extended Play: SONiC Festival, October 16, 2011, Miller Theatre, NY, USA.

Cassidy, Aaron (2010) String Quartet. In: International Summer Course for New Music, July 23rd 2010, Darmstadt, Germany.

Cassidy, Aaron (2010) String Quartet. In: New Music Ensemble JACK Quartet Debuts in the Kimmel Center’s Innovation Studio, January 23rd 2010, Kimmel Center, Philadelphia, USA.

Cassidy, Aaron (2009) String Quartet. In: UNSPECIFIED, 14th September 2009, Le Poisson Rouge, New York, USA.

Cassidy, Aaron (2008) String Quartet. In: Festival Internacional Chihuahua 2008, 19th-28th September 2008, Chihuahua, Mexico.

Cassidy, Aaron (2011) String Quartet and Second String Quartet. In: Monday Evening Concerts, 14th February 2011, Los Angeles, USA.

Cassidy, Aaron (2008) String quartet. In: Festival Internacional Chihuahua 2008 at Festival Internacional Chihuahua 2008, Sunday September 28 2008, Chihuahua, Mexico.

Cassidy, Aaron (2009) [Various]. In: New Music Up Late, 28 February 2009, Brisbane.

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Sendesaal Bremen, June 15th 2010, Bremen, Germany.

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2009) asphyxia. In: World Saxophone Congress XV, 9th July 2009, Bangkok, Thailand.

Cassidy, Aaron (2008) asphyxia. In: UNSPECIFIED, 13th July 2008, Government House, Sydney, Australia.

Cassidy, Aaron (2011) the green is either. In: UNSPECIFIED.

Cassidy, Aaron (2010) memento/memorial. In: UNSPECIFIED, June 7th 2010, Kings Place, London.

Cassidy, Aaron (2010) memento/memorial. In: Ensemble SurPlus, February 28th 2010, E-Werk, Freiburg, Germany.

Cassidy, Aaron (2012) A painter of figures in rooms. In: Hear and Now, 18th August 2012, South Bank Centre, Purcell Room, London, UK.

Harker, Alexander (2010) Fluence. In: Ergodos Festival MMX, 2nd April 2010, Project Arts Centre, Dublin.

Harker, Alexander (2011) Fluence. In: International Computer Music Conference 2011, 31st July - 5th August 2011, University of Huddersfield.

Harker, Alexander (2012) Fluence. In: 9th Sound and Music Computing Conference 2012, 11th - 14th July 2012, Aalborg University, Copenhagen, Denmark.

Harker, Alexander (2012) Fluence. In: Nachtstrom, Gare du Nord, 8th November 2012, Basel, Switzerland.

Harker, Alexander (2012) Fluence. In: Huddersfield Contemporary Music Festival 2012, 16th - 25th November 2012, Huddersfield, UK.

Thomas, Philip (2002) The Art of Touch – the piano music of Morton Feldman. In: The Art of Touch – the piano music of Morton Feldman, 25-27 October 2002, Mappin Art Gallery, Sheffield. (Submitted)

Thomas, Philip (2013) Canada Connections. In: Canada Connections, April 2013, Canadian tour.

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.

Thomas, Philip (2005) Comprovisation. In: Comprovisation, 9-10 December 2005, Persistence Works, Sheffield.

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. In: UNSPECIFIED.

Thomas, Philip (2008) For Pianist: the piano music of Christian Wolff. In: For Pianist: the piano music of Christian Wolff, 24-26 January 2008, Persistence Works, Sheffield.

Thomas, Philip (2011) IGNM Basel - 'Comprovisation'. In: Comprovisation, 23 January 2011, Gare du Nord, Basel, Switzerland.

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). In: UNSPECIFIED.

Thomas, Philip (2007) Long Piano(Peace March 11). In: Huddersfield Contemporary Music Festival, 16-25 November 2007, Huddersfield.

Thomas, Philip (2011) Merce Cunningham Dance Company - 'Antic Meet' with John Cage 'Concert for piano and orchestra'. In: Merce Cunningham Dance Company Legacy Tour, 5th october, 2011, Barbican, London.

Thomas, Philip (2009) Michael Pisaro's 'pi (1-2954)'. In: Michael Pisaro 'pi (1-2954)', 23-27 November 2009, Huddersfield Contemporary Music Festival.

Thomas, Philip (2013) Overcoming form: reflections on immersive listening: CD and book launch concert. In: Bryn Harrison & Richard Glover CD and book launch concert, Tuesday 3rd December, St Paul's Hall, University of Huddersfield.

Thomas, Philip (2010) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. In: Sol LeWitt: Artist’s Books, 8th - 29th May 2010, Site Gallery, Sheffield.

Thomas, Philip (2010) Performances to accompany 'Sol LeWitt: Artist's Books' exhibition, Site Gallery, Sheffield. In: Sol LeWitt: Artist's Books, 8-29 May, 2010, Site Gallery, Sheffield.

Thomas, Philip (2009) Small Preludes, aytoods and other new music from America. In: Small Preludes, aytoods and other new music from America, 24/11/2009, Huddersfield Contemporary Music Festival.

Thomas, Philip (2003) Something New, Something Old, Something Else. In: Something new something old something else, 2003–4, Firth Hall, Sheffield.

Thomas, Philip (2009) Something New, Something Old, Something Else (2). In: five40five series, 6 May and 15 July 2009, Sheffield City Hall.

Thomas, Philip (2010) Toy Pianos, Piano Toy. In: five40five 2010, 22nd September 2010, Sheffield.

Thomas, Philip (2014) Wolff at 80 and Finnissy's Beats. In: Wolff at 80 and Finnissy's Beats, 22nd November 2014, St.Paul's Hall, Huddersfield.

Video

Lim, Liza and Defilla, Peider A. (2010) Music Viva, Forum der Gegenwarts musik, Musica Viva: Pearl, Ochre, Hair String. [Video]

Tremblay, Pierre Alexandre (2009) Le Cauchemar De L'horloger. [Video]

Audio

Ablinger, Peter (2009) 33 - 127. [Audio]

Ablinger, Peter (2008) Quadraturen III. [Audio]

Ablinger, Peter (2009) Voices and piano. [Audio]

Ablinger, Peter and Davis, Gareth (2011) Parker Notch. [Audio]

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2014) Between Lines. [Audio]

Adkins, Monty (2015) Borderlands. [Audio]

Adkins, Monty (2012) Clapoutique. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2010) For Jana. [Audio]

Adkins, Monty (2012) Four Shibusa. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

Adkins, Monty (2014) Residual Forms. [Audio]

Adkins, Monty (2014) Rift Patterns. [Audio]

Adkins, Monty (2012) Still Time. [Audio]

Adkins, Monty (2015) Unfurling Streams. [Audio]

Adkins, Monty (2014) With Hells Note. [Audio]

Adkins, Monty (2011) fragile.flicker.fragment. [Audio]

Bellamy, Mary (2012) Mary Bellamy: Abrasion, Semblance, Enveloped. [Audio]

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]

Carvalhais, Miguel, Tudela, Pedro and Tremblay, Pierre Alexandre (2011) @c - Homem Fantasma. [Audio]

Cassidy, Aaron (2013) Asphyxia for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2016) The wreck of former boundaries (B-flat clarinet). [Audio]

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Cassidy, Aaron, Weeks, James, Harrison, Bryn, Chase, Stephen, Bailie, Joanna, Glover, Richard and Molitor, Claudia (2013) Exposure. [Audio]

Harker, Alexander (2011) Fluence. [Audio]

Harrison, Bryn (2009) an oblique. [Audio]

Johansson, Sven Ake and Ablinger, Peter (2009) Danish border. [Audio]

Lim, Liza (2016) City of Falling Angels on CD7, Darmstadt Aural Documents, Box 3. [Audio]

Lim, Liza (2010) Invisibility. [Audio]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

Lim, Liza (2009) Ochred String. [Audio]

Lim, Liza (2015) Solitude. [Audio]

Lim, Liza (2010) Songs found in dream. [Audio]

Lim, Liza (2011) Sonorous Body. [Audio]

Lim, Liza (2013) Tongue of the Invisible, WERGO WER68592. [Audio]

Lim, Liza (2016) The Weaver's Knot on 'Arditti String Quartet, Gifts and Greetings'. [Audio]

Lim, Liza (2008) Weaver-of-fictions. [Audio]

Lim, Liza (2010) Wild Winged One. [Audio]

Lim, Liza (2013) Wild Winged-One. [Audio]

Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]

Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]

Thomas, Philip (2014) Christopher Fox - Works for piano. [Audio]

Thomas, Philip (2007) Comprovisation. [Audio]

Thomas, Philip (2008) Concert: Reclaimed. [Audio]

Thomas, Philip (2010) Fields Have Ears. [Audio]

Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]

Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]

Thomas, Philip (2014) Piano Piece No.23 - Ethiopian Distance Runners. [Audio]

Thomas, Philip (2010) Tim Parkinson 'piano piece piano piece'. [Audio]

Thomas, Philip (2012) Wandelweiser und so weiter. [Audio]

Thomas, Philip, Burn, Chris and Fell, Simon (2009) The middle distance. [Audio]

Thomas, Philip and Harrison, Bryn (2013) Bryn Harrison - Vessels. [Audio]

Tremblay, Pierre Alexandre (2008) Heiko ou l’apparition du héros. [Audio]

Tremblay, Pierre Alexandre (2013) La marée. [Audio]

Tremblay, Pierre Alexandre (2011) Quelques reflets. [Audio]

Tremblay, Pierre Alexandre and Bonney, Alex (2012) light.box. [Audio]

Tremblay, Pierre Alexandre and Constanzo, Rodrigo (2009) Drum and bass and the horse you ride in on. [Audio]

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2011) Splice - Lab. [Audio]

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2013) Splice: Silent Spoke. [Audio]

Tremblay, Pierre Alexandre and Pohu, Sylvain (2011) de type inconnu. [Audio]

Tremblay, Pierre Alexandre, Stephan, Nicolas and Brun, Sébastien (2006) ars circa musicæ. [Audio]

Other

Bayley, Amanda and Clarke, Michael (2011) Evolution and Collaboration: the composition, rehearsal and performance of Finnissy’s Second String Quartet. Palatine.

Clarke, Michael and Rodet, Xavier (2002) fofb~ and fog~ objects for Max/MSP software and accompanying demonstration/tutorial materials. IRCAM, Paris.

Clarke, Michael, Watkins, A., Adkins, Monty and Bokowiec, Mark (2006) Sybil software. University of Huddersfield, Huddersfield.

Harker, Alexander (2011) AHarker Externals. Alexander J. Harker. (Unpublished)

Harker, Alexander, Kanno, Kanno and Newton, Michael (2016) Octet Violins (Modeling a Virtual Violin). University of Huddersfield. (Unpublished)

This list was generated on Tue Oct 19 01:22:05 2021 UTC.

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