Up a level
Export as [feed] RSS
Group by: Creators | Date | Item Type | Uncontrolled Keywords | No Grouping
Number of items at this level: 81.

Alban Wesly

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

atmosphere

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Audio Score

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

authenticity

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

cerenem

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

Cikada Ensemble CD

Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]

City Colours

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

collaboration

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

composition

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

contemporary composition

Lim, Liza (2012) 3 Angels. [Composition]

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

contemporary music

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

contemporary opera

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

creative practice research

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

Deleuze& Guattari

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

distributed creativity

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Distributed Creativity - Composition and Improvisation

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

Drift Trilogy

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

electroacoustic music

Adkins, Monty (2008) [60]Project. [Audio]

Adkins, Monty (2009) Five Panels. [Audio]

Adkins, Monty (2006) Mondes inconnus. [Audio]

electronic composition

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

electronic music Roberto Gerhard

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Ensemble Modern

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

Ensemble MusikFabrik

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

Finnissy Piano music

Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]

Gender

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Harp

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Hellerau European Centre for Contemporary Art

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

iacc

Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.

improvisation

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

Interchannel crosstalk

Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.

live-ness

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Marco Blaauw

Lim, Liza (2013) Wild Winged-One. [Audio]

microphone technique multichannel surround sound

Lee, Hyunkook (2011) A New Multichannel Microphone Technique for Effective Perspective Control. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

Music & psychoanalysis

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Music and Consciousness

Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)

music experimental performance

Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]

music performance Christian_Wolff experimental

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.

Musical composition

Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)

Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC -­ 8th  ESCOM  Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)

Musical genetics

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

musikFabrik

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Lim, Liza (2013) Wild Winged-One. [Audio]

mycelium

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Nanomusic

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Nanosciences

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

new music

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

Oper Koeln

Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]

orchestral works

Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]

perception

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

performance

Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

performance practice

Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)

photography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

piano performance experimental

Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]

place

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Politics of Resonances

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

psychogeography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

psychosonography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

recording

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Smetak

Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]

social geography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

solo 'cello

Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]

solo bassoon composition

Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]

Sonic Objects

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Sufi poetry (Hafez)

Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]

surround microphone technique

Lee, Hyunkook (2012) Subjective Evaluations of Perspective Control Microphone Array (PCMA). In: 132nd Audio Engineering Society Convention, 26-29 April 2012, Budapest, Hungary.

surround sound

Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.

Time nanoprocesses

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Transducing

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Transversality

Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.

Viola d'amore

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

vocal music

Lim, Liza (2012) 3 Angels. [Composition]

WERGO

Lim, Liza (2013) Wild Winged-One. [Audio]

This list was generated on Wed Oct 9 13:46:03 2024 UTC.