Items where School is "School of Music, Humanities and Media > CeReNeM"
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- University of Huddersfield (506)
- School of Music, Humanities and Media (506)
- CeReNeM (506)
- School of Music, Humanities and Media (506)
Alban Wesly
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
atmosphere
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Audio Score
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
authenticity
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
cerenem
Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467
Cikada Ensemble CD
Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]
City Colours
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
collaboration
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
composition
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
contemporary composition
Lim, Liza (2012) 3 Angels. [Composition]
Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]
contemporary music
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]
contemporary opera
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
creative practice research
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
Deleuze& Guattari
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
distributed creativity
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Distributed Creativity - Composition and Improvisation
Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]
Drift Trilogy
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
electroacoustic music
Adkins, Monty (2008) [60]Project. [Audio]
Adkins, Monty (2009) Five Panels. [Audio]
Adkins, Monty (2006) Mondes inconnus. [Audio]
electronic composition
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
electronic music Roberto Gerhard
Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888
Ensemble Modern
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
Ensemble MusikFabrik
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
Finnissy Piano music
Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]
Gender
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Harp
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Hellerau European Centre for Contemporary Art
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
iacc
Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.
improvisation
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
Interchannel crosstalk
Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.
live-ness
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Marco Blaauw
Lim, Liza (2013) Wild Winged-One. [Audio]
microphone technique multichannel surround sound
Lee, Hyunkook (2011) A New Multichannel Microphone Technique for Effective Perspective Control. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.
Music & psychoanalysis
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
Music and Consciousness
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
music experimental performance
Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]
music performance Christian_Wolff experimental
Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.
Musical composition
Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Musical genetics
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
musikFabrik
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
Lim, Liza (2013) Wild Winged-One. [Audio]
mycelium
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Nanomusic
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
Nanosciences
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
new music
Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467
Oper Koeln
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
orchestral works
Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]
perception
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
performance
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467
performance practice
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
photography
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
piano performance experimental
Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]
place
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Politics of Resonances
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
psychogeography
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
psychosonography
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
recording
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Smetak
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
social geography
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
solo 'cello
Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]
solo bassoon composition
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
Sonic Objects
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Sufi poetry (Hafez)
Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]
surround microphone technique
Lee, Hyunkook (2012) Subjective Evaluations of Perspective Control Microphone Array (PCMA). In: 132nd Audio Engineering Society Convention, 26-29 April 2012, Budapest, Hungary.
surround sound
Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.
Time nanoprocesses
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
Transducing
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Transversality
Maida, Clara (2016) For a "nanomusic" - Sound nanomachines and elastic space-time: A transversal approach to music composition. Doctoral thesis, University of Huddersfield.
Viola d'amore
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
vocal music
Lim, Liza (2012) 3 Angels. [Composition]
WERGO
Lim, Liza (2013) Wild Winged-One. [Audio]