Digital Music, Digital Distribution

This paper examines the EMS’14 conference theme regarding alternative forms to the concert of listening and distributing experimental electronic music. The paper presents ways in which current practitioners are engaging with new forms of technology to enhance the reception and appreciation of their music and provides two case studies by the authors as examples of this – Adams’ work in the duo ‘Hollow Mountain’ and Adkins’ Rift Patterns (Audiobulb 2014).