Abstract
A year at usher’s hill is the final part of a trilogy of releases – following on from Rift Patterns (Audiobulb) and Residual Forms (Cronica), based on psychogeography and psychosonology. The fifty minute album was started in July 2016 and completed in July 2017 and is highly autobiographical, charting events, places, and most importantly the people associated with these experiences. For me, the process of creating this album was a re-discovery of memories and the connections between them across time. Composing became a reflective and meditative process: teasing out the meaning of events, celebrating the happenstance, and the pleasure of the moment.
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