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Number of items at this level: 172.

Collins, Nick and d'Escrivan, Julio, eds. (2007) The Cambridge Companion to Electronic Music. The Cambridge Companions . Cambridge University Press, Cambridge. ISBN 978-0-521-86861-7

Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Adkins, Monty (2007) The Influence of Futurist painting in my music. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University. (Submitted)

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Adkins, Monty (2008) Towards a beautiful land: the influence of Mark Rothko on five panels no.5. In: Proceedings of the 2008 International Computer Music Conference. ICMA and SARC., Belfast, pp. 368-371. ISBN 0-9713192-6-X

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.1). In: 2nd SpACE-Net Spatial Audio Workshop, 23 January 2008, Music Research Centre, University of York. (Unpublished)

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.5). Sonic Ideas, 1 (1). pp. 12-19. ISSN 2317-9694

Adkins, Monty (2008) The application of memetic analysis to electroacoustic music. In: 5th Conference ‘EMS08’, 3-7 June 2008, University of the Sorbonne, Paris. (Unpublished)

Adkins, Monty (2009) The application of memetic analysis to electroacoustic music. Sonic Ideas, 1 (2). ISSN 2317-9694

Adkins, Monty and Dickens, Pip (2012) Shibusa: extracting beauty. University of Huddersfield Press, Huddersfield. ISBN 9781862181014

Adkins, Monty, Duque, Carlos and Karman, Gregorio (2012) The electronic music of Roberto Gerhard. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, pp. 22-29.

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places International Symposium, 18-20 July 2014, Viseu, Portugal. (Unpublished)

Angermüller, Rudolph and Stafford, William Nissen, Georg Nikolaus. In: Grove Music Online. Oxford University Press, Oxford.

Barrett, Richard and Steinitz, Richard (2002) Tributes to Iannis Xenakis (29 May 1922-4 February 2001). Contemporary Music Review, 21 (2-3). pp. 5-8. ISSN 07494467

Bayley, Amanda and Clarke, Michael (2008) Interactive strategies for analysing musical structure. In: Fouth Conference on Interdisciplinary Musicology, 2-6 July 2008, Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Sense and Sensation: the act of mediation and its effects. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec. (Submitted)

Bridle, Marcus (2011) Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis. Masters thesis, University of Huddersfield.

Bryan, John (2008) 'Verie sweete and artificiall': Lorenzo Costa and the earliest viols. Early Music, 36 (1). pp. 3-18. ISSN 03061078

Burnes, Bernard, Graham, Gary and Hardaker, Glenn (2002) The Peer-to-Peer Revolution: how the internet is transforming the supply chain for music. International Journal of New Product Development and Innovation Management, 4 (2). pp. 115-130. ISSN 1464-6684

Callingham, Andrew Edward (2007) Spontaneous music : the first generation British free improvisers. Doctoral thesis, University of Huddersfield.

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Chapman, Rob (2007) Stream of Consciousmess. In: The Art School Dance: Art into Pop, Pop into Art, 21-22 September 2007, Tate Liverpool. (Unpublished)

Chapman, Rob (2010) Syd Barrett: A Very Irregular Head. Faber and Faber. ISBN 9780571238545

Chapman, Rob (2011) A Critical Review Syd Barrett: A Very Irregular Head. Doctoral thesis, University of Huddersfield.

Chapman, Rob (2008) I Have Seen the Madness in my Area. In: Messing Up The Paintwork: A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May 2008, University of Salford. (Unpublished)

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

Clarke, Michael (2006) From Synthia to Calma to Sybil: developing strategies for interactive learning in music. In: Technology Supported Learning and Teaching: a Staff Perspective. Information Science, London, UK, pp. 111-143. ISBN 1-59140-962-4

Clarke, Michael (2007) Technology and the Spiritual in Jonathan Harvey’s Music. In: Study Day on Jonathan Harvey's Opera 'Wagner Dream', 1 June 2007, Institute of Musical Research, School of Advanced Study, University of London. (Submitted)

Clarke, Michael (2007) An interactive aural approach to musical analysis. In: Sixth European Music Analysis Conference, 10-14 October 2007, Freiburg. (Submitted)

Colton, Lisa (2005) The Age of Innocence: Chastity and the chanson de nonne in Late Medieval France. In: International Medieval Congress 2005, 11-14 July 2005, University of Leeds. (Submitted)

Colton, Lisa (2008) The Articulation of Virginity in the Medieval Chanson de nonne. Journal of the Royal Musical Association, 133 (2). pp. 159-188. ISSN 02690403

Colton, Lisa (2008) Book Reviews. Studies in Musical Theatre, 1 (3). pp. 309-324. ISSN 17503159

Colton, Lisa (2008) Breaking into song. Early Music, 36 (3). pp. 507-508. ISSN 03061078

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2008) Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England. In: Medieval and Renaissance Music Conference, 24 - 27 July 2008, University of Bangor, Wales. (Submitted)

Colton, Lisa (2008) Listening to Hildegard. In: Second Early Music Festival, 8-10 February 2008, University of Leeds. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: Text, Music, and Gender in the Office of Saint Ursula. In: International Congress on Medieval Studies, 8-11 May 2008, Western Michigan University, Kalamazoo MI. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: The cult of the Eleven Thousand Virgins in medieval York. In: PMMS Conference 2008: Ave/Eva: Text, Music and Gender in the Middle Ages, 26 April 2008, University of Bristol. (Submitted)

Colton, Lisa (2006) Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96. Early Music, 34 (4). pp. 675-677. ISSN 03061078

Colton, Lisa (2005) The age of innocence: chastity and the chanson de nonne in the Montpellier Codex. In: Medieval and Renaissance Music Conference, 13-16 July 2005, Centre d’Études Supérieures de la Renaissance, University of Tours, France. (Submitted)

Colton, Lisa (2005) The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005), 60/$110. Early Music, 33 (4). pp. 707-708. ISSN 03061078

Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2003) Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12 (1). pp. 71-88. ISSN 09611371

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Colton, Lisa (2014) Who's calling? Telephone songs, female vocal empowerment and signfication. In: Lady Gaga and Popular Music: Peforming Gender, Fashion, and Culture. Routledge Studies in Popular Music . Routledge, New York, pp. 67-81. ISBN 9780415824521

Cowgill, Rachel, Biddle, Ian, Colton, Lisa, Holliday, Ruth and Attinello, Paul (2006) Roundtable: ‘Music and Queer Theory’. In: RMA Research Students' Conference 2006, 4-7 January 2006, School of Music, University of Leeds. (Unpublished)

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Sound, Music and the Moving Image, 10-12 September 2007, Institute of Musical Research, Senate House. (Submitted)

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Interdisciplinary Music Research Conference, 13 October 2007, Roehampton University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Negotiating the Mediascape: Theory and Practice Interchange in Contemporary Media, 2 May 2008, Canterbury Christ Church University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Looking and listening. In: CineMusic? Constructing the Film Score. Cambridge Scholars Publishing, Newcastle, pp. 51-68. ISBN 9781847185938

Cox, Geoffrey (2010) A Return to the Future or Forward to the Past? Contemporary Music Review, 29 (3). pp. 251-264. ISSN 0749-4467

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Cummings, Graham (2005) Handel and the confus'd shepherdess: a case study of stylistic eclecticism. Early Music, 33 (4). pp. 575-590. ISSN 0306-1078

Cummings, Graham (2007) Handel’s Organ Concertos (HWV 290 – 93) and Operatic Rivalry. GFH Journal, 1. pp. 1-29.

Cummings, Graham (2007) Lübeck to London: a much travelled fugue subject. In: Händel-Jahrbuch. Bärenreiter, Kassel, pp. 331-345. ISBN 978-3-7618-1447-5

Devenney, Amy (2012) New Deposits of the University of Huddersfield Archives and Special Collections. Huddersfield Local History Society Journal. pp. 40-42.

Dobson, Elizabeth (2009) Interdisciplinary collaboration and studio based music composers in Higher Education: a longitudinal case study of practice and discussion of emerging themes. In: Collaborative Processes in Music Making: Pedagogy and Practice, 11 November 2009, Department of Music and Recording, University of Surrey. (Unpublished)

Dobson, Elizabeth (2009) Serious Misunderstandings: Challenging the Educational and Creative Value of Collaboration for Music Technology Undergraduates. In: Forum for Innovation in Music Production and Composition (FIMPaC), 20 February 2009, Leeds College of Music. (Unpublished)

Einbond, Aaron (2013) Subtractive Synthesis: noise and digital (un)creativity. In: Noise In And As Music. University of Huddersfield Press, Huddersfield, pp. 57-75. ISBN 9781862181182

Einbond, Aaron (2012) (Un)original(ity). In: Summer Composition Institute, Harvard Music Department, 25th - 26th August 2012, Cambridge, MA, USA.

Eisen, Cliff, Rieger, Eva, Sadie, Stanley, Angermüller, Rudolph, Oldman, C.B. and Stafford, William Mozart. In: Grove Music Online. Oxford University Press, Oxford.

Fabbri, Franco (2012) Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications. Doctoral thesis, University of Huddersfield.

Fox, Christopher Clarke, James. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Darmstadt School. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Johnson, Steven, ed.: The New York schools of music and visual arts, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher (2001) Life is beautiful: Richard Ayres in focus. Musical times, 142 (1875). pp. 39-52.

Fox, Christopher Neue Einfachheit (Ger.: ‘New Simplicity’). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher New Complexity. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Newman, Chris(topher). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Nicholls, David, ed.: The Cambridge companion to John Cage, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher Redgate, Roger (John). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Rzewski, Frederic: Rzewski plays Rzewski: piano works 1975–1999, reviewed by Christopher Fox. The Musical Times, 144 (1882). pp. 65-68. ISSN 0027-4666

Fox, Christopher (2003) Sharp practice: Gavin Bryars at 60. The Musical Times, 144 (1884). pp. 15-25. ISSN 0027-4666

Fox, Christopher (2002) Under the lens: Michael Finnissy’s History of Photography in Sound. The Musical Times, 143 (1879). pp. 26-35. ISSN 0027-4666

Fox, Christopher (2001) The extended clarinet: four contemporary approaches. Musical Performance, 3 (1). pp. 67-79. ISSN 1049-8869

Fox, Christopher and Osmond-Smith, David Scelsi, Giacinto. In: Grove Music Online. Oxford University Press, Oxford.

Glover, Richard (2010) Corradiation. [Composition] (Unpublished)

Glover, Richard (2012) The Experience of Sustained Tone Music. In: Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). European Society for the Cognitive Sciences of Music (ESCOM). ISBN 960-99854-1-7

Glover, Richard (2011) Influence of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Submitted)

Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music , 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock through the Ages. In: MuGI conference on 'Gender, Musical Creativity and Age', 6th - 7th October 2012, University of Huddersfied. (Unpublished)

Glover, Richard (2012) Phill Niblock: Identity through instability. MusikTexte, 132. ISSN 0178-8884

Glover, Richard (2013) Phill Niblock: Identity through instability. In: Phill Niblock: Working Title. Les presses du réel, Dijon, France. ISBN 9782840664239

Glover, Richard (2008) Violin with Clarinet and Piano. [Composition] (Unpublished)

Glover, Richard (2010) The compositional use of numerals in music notation. In: Music and numbers 2010 conference proceedings. Canterbury Christchurch University, Canterbury, UK. ISBN ISBN 978-1-899253-76-0

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM Book of Abstracts. Aristotle University of Thessaloniki, Thessaloniki, pp. 122-123. ISBN 960998451-7

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM 2012 Joint Conference, 23-28 July 2012, Aristotle University of Thessaloniki.

Glover, Richard (2013) The use of grid structures in contemporary notational practice. In: Time Stands Still: Notation in Musical Practice, 5-6 April 2013, Wesleyan University, Connecticut, USA. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Overcoming Form: reflections on immersive listening. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-120-5

Graham, Gary and Hardaker, Glenn (2003) Impact of on-line technologies for e-music supplier networks. Journal of Services Research, 3 (1). p. 5. ISSN 0972-4702

Graham, Gary, Hardaker, Glenn, Lewis, Gerard J. and Lewis, Mark (2004) Creative destruction: transformation in the music industry. BeyondLabels Press, Huddersfield. ISBN 1905031009

Haley, Margaret Anne (2010) Drawing Sound in Time: A Commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Harrison, Bryn (2011) Five Distances (2011) 10’ Mezzo-soprano voice and piano. [Composition]

Haworth, Catherine (2008) Review of 'Film's Musical Moments' ed. by Ian Conrich and Estella Tincknell (Edinburgh University Press, 2006). Music, Sound and the Moving Image, 2 (1). pp. 83-90. ISSN 1753-0768

Head, Matthew, Cowgill, Rachel, Cusick, Suzanne, Fuller, Sophie and Colton, Lisa (2003) Round Table: Lesbian Historiography. In: 39th RMA Annual Conference 2003: Music Historiography, 12–14 September 2003, School of Music, Cardiff University. (Unpublished)

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

Jan, Steven (1995) Aspects of Mozart's music in G minor: toward the identification of common structural and compositional characteristics. Outstanding Dissertations in Music from British Universities . Garland. ISBN 0185318928

Jan, Steven (2005) The Illusory Mozart: Selfish Memes in the Priests’ Marches from Idomeneo and Die Zauberflöte. Goldberg Forum.

Jan, Steven (2007) The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. Ashgate, Aldershot. ISBN 978-0-7546-5594-7

Jan, Steven (1999) The selfish meme: Particularity, replication, and evolution in musical style. International Journal of Musicology, 8. pp. 9-76. ISSN 0941-9535

Jan, Steven (2003) The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fuhl's'. Journal of the Royal Musical Association, 128 (1). pp. 30-70. ISSN 02690403

King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield.

Lim, Liza and Ford, Andrew (2008) Liza Lim. In: Talking to Kinky and Karlheinz. ABC Books, Sydney, Australia. ISBN 9780733320088

Marley, Keith and Cox, Geoffrey (2008) Looking and listening. In: Sounding Out 4, 4-6 September 2008, University of Sunderland. (Submitted)

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Mee, Erin (2013) Hearing the Music of the Hemispheres. TDR: The Drama Review, 57 (3). pp. 148-150. ISSN 1054-2043

Milsom, David (2014) A-Z of string players. Naxos Educational. ISBN 9781843798101

Persson, Roland S. (1993) The subjectivity of musical performance : an exploratory music-psychological real world enquiry into the determinants and education of musical reality. Doctoral thesis, University of Huddersfield.

Russ, Michael (1990) Atonality, modality, symmetry and tonal hierarchy in Bartok's improvisation Op. 20 No. 2. In: Musicology in Ireland. Irish musical studies, 1 . Irish Academic Press, pp. 278-294. ISBN 9780716524564

Russ, Michael (1992) Musorgsky: pictures at an exhibition. Cambridge music handbooks . Cambridge University Press. ISBN 9780521386074

Russ, Michael (1993) On Schenkerism: A Closed Circle of Elite Listeners? Music Analysis, 12 (2). pp. 266-285. ISSN 0262-5245

Russ, Michael (2000) Ravel and the orchestra. In: The Cambridge companion to Ravel. Cambridge Companion . Cambridge University Press, Cambridge. ISBN 9780521648561

Russ, Michael (2007) Some Observations on Pm,n Relations within Set Classes. Music Analysis, 26 (1-2). pp. 111-158. ISSN 02625245

Russ, Michael (2012) Bartók, Beethoven and the Sonata for Two Pianos and Percussion. Journal of the Royal Musical Association, 137 (2). pp. 307-349. ISSN 0269-0403

Russ, Michael (1996) "Be Bored": Reading a Mussorgsky Song. 19th-Century Music, 20 (1). pp. 27-45. ISSN 0148-2076

Russ, Michael (2009) Book Review: Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. By Michiel Schuijer. Music and Letters, 90 (4). pp. 722-725. ISSN 0027-4224

Russ, Michael (2011) Book review : Evan Jones (ed.), Intimate Voices: the Twentieth-Century String Quartet. Journal of the Society for Musicology in Ireland, 6. pp. 101-112. ISSN 1649-7341

Russ, Michael (2013) Composing with Sets: Roberto Gerhard’s Concerto for Piano and String Orchestra. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (2013) Formal Structure in the Finale of Bartok’s Sonata for Two Pianos and Percussion. In: Irish Musical Analysis. Irish Musical Studies, 11 . Four Courts Press, Dublin. ISBN 978-1-84682-368-8 (In Press)

Russ, Michael (2013) Music as Autobiography: Roberto Gerhard’s Violin Concerto. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael and Adkins, Monty (2013) The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Smith, Adam (2012) The Influence of Literature in 1960s British Popular Music: Approaches to Popular Composition. Masters thesis, University of Huddersfield.

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

Stafford, William (2003) The Evolution of Mozartian biography. In: The Cambridge companion to Mozart. Cambridge University Press, Cambridge. ISBN 0521807344

Stafford, William (2006) Genius. In: The Cambridge Mozart Encyclopedia. Cambridge University Press, Cambridge, pp. 190-195. ISBN 9780511134098

Stafford, William (2006) Mozart and genius. Apropos Mozart.

Steinitz, Richard (2001) Andrzej Panufnik. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1808-1811. ISBN 1579581358

Steinitz, Richard Crumb, George. In: Grove Music Online. Oxford University Press, Oxford.

Steinitz, Richard (2003) Gyorgy Ligeti. Faber and Faber, London. ISBN 9780571176311

Steinitz, Richard (2001) Gyorgy Ligeti. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1432-1433. ISBN 1579581358

Steinitz, Richard (2004) John Tavener: the protecting veil. In: The BBC Proms Guide to Great Orchestral Works. Faber and Faber, London, pp. 262-265. ISBN 9780571220977

Steinitz, Richard (2003) Living with Ligeti. BBC music magazine, 11 (9). pp. 31-33. ISSN 0966-7180

Steinitz, Richard (2001) On the receiving end. In: Changing platforms : 30 years of the Contemporary Music Network. Unknown Public (13). Unknown Public. ISBN 0954154800

Steinitz, Richard (2001) Sofia Gubaidulina. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1002-1003. ISBN 1579581358

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Thomas, Philip (2007) Berio's Sequenza IV: Approaches to performance and interpretation. Contemporary Music Review, 26 (2). pp. 189-205. ISSN 0749-4467

Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467

Thomas, Philip (2009) A Prescription for Action. In: The Ashgate Research Companion to Experimental Music. Ashgate, Farnham, pp. 77-98. ISBN 978-0-7546-6282-2

Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722

Till, Rupert (2006) Mixing experimental and popular musics. In: Art Of Record Production 2006 Conference, 8-10 September 2006, University of Edinburgh.

Till, Rupert (2009) Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community. In: Exploring Religion and the Sacred in a Media Age. Ashgate, Farnham, pp. 169-188. ISBN 978-0-7546-6527-4

Till, Rupert (2007) The blues blueprint: the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin. In: Cross the Water Blues: African American Music in Europe. University Press of Mississippi, Jackson, Miss., pp. 183-202. ISBN 1-57806-960-2

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Townsend, Peter (2001) Free Jazz: Musical Style and Liberationist Ethic, 1956-1965. In: Media, Culture, and the Modern African American Freedom Struggle. University Press of Florida, Gainesville, FL, pp. 145-160. ISBN 978-0-8130-2074-7

Townsend, Peter (2000) Jazz in American culture. Edinburgh University Press, Edinburgh. ISBN 9781853312045

Tremblay, Pierre Alexandre and Bassal, Dominique (2007) Le mixtering : modèle de travail pour une qualité sonore accrue en électroacoustique / Mixtering: A working model for an enhanced sound quality in electroacoustics. eContact!, 9 (3).

Tremblay, Pierre Alexandre, Boucher, Nicolas and Pohu, Sylvain (2007) Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup. In: International Computer Music Conference ‘07, 27-31 August 2007, Copenhagen. (Unpublished)

Webb, Barrie (2007) Introduction. Contemporary Music Review, 26 (2). p. 127. ISSN 0749-4467

Webb, Barrie (2007) Partners in creation. Contemporary Music Review, 26 (2). pp. 255-281. ISSN 0749-4467

Webb, Barrie (2007) Performing Berio's Sequenza V. Contemporary Music Review, 26 (2). pp. 207-218. ISSN 0749-4467

Webb, Barrie (2007) Richard Barrett's 'imaginary trombone'. Contemporary Music Review, 26 (2). pp. 151-177. ISSN 0749-4467

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Wilson-Bokowiec, Julie and Bokowiec, Mark (2008) Sense and Sensation: the act of mediation and its effects. Intermédialités (12).

Winterson, Julia and Russ, Michael (2009) Understanding the Transition from School to University in Music and Music Technology. Arts and Humanities in Higher Education, 8 (3). pp. 339-354. ISSN 1474-0222

d'Escrivan, Julio (2011) Anotaciones sobre Interactividad entre las artes del sonido y la performance audiovisual, partiendo del ‘Live Cinema’. En El Límite, 2 (2). pp. 89-95. ISSN 2250-6136 (Submitted)

d'Escrivan, Julio (2007) Electronic music and the moving image. In: The Cambridge Companion to Electronic Music. Cambridge University Press, Cambridge, UK, pp. 156-170. ISBN 9780521688659

d'Escrivan, Julio (2007) Imaginary Listening. In: EMS07 - The ‘languages’ of electroacoustic music - Leicester, 2007, Leicester, UK.

d'Escrivan, Julio (2012) Live Cinema? A composer’s thoughts about a musical new media approach to the performing of audiovisuals. Seminário Música Ciência Tecnologia (4). ISSN 1982-9604

d'Escrivan, Julio (1989) Reflections on the poetics of time in electroacoustic music. Contemporary Music Review, 3 (1). pp. 197-201. ISSN 0749-4467

d'Escrivan, Julio (2006) To Sing the Body Electric: Instruments and Effort in the Performance of Electronic Music. Contemporary Music Review, 25 (1-2). pp. 183-191. ISSN 0749-4467

d’Escriván, Julio (2009) Sound Art (?) on/in Film. Organised Sound, 14 (1). pp. 65-73. ISSN 1355-7718

This list was generated on Fri Oct 24 20:34:24 2014 IST.

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