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Number of items at this level: 251.

A

Adkins, Monty (1999) Acoustic Chains in Acousmatic Music. In: Imaginary Space: Proceedings of the 1999 Australasian Computer Music Conference. University of Wellington, Wellington, New Zealand.

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

Adkins, Monty (2015) Editorial: Beyond Pythagoras. Divergence Press (4). ISSN 20523467

Adkins, Monty (2007) The Influence of Futurist painting in my music. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University. (Submitted)

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Adkins, Monty (2015) Nick Collins, Margaret Schedel and Scott Wilson, Cambridge Introductions to Music: Electronic Music. Cambridge: Cambridge University Press, 2013. ISBN: 981107648173 (paperback); 9781107010923 (hardback). Organised Sound, 20 (02). pp. 273-275. ISSN 1355-7718

Adkins, Monty (2008) Towards a beautiful land: the influence of Mark Rothko on five panels no.5. In: Proceedings of the 2008 International Computer Music Conference. ICMA and SARC., Belfast, pp. 368-371. ISBN 0-9713192-6-X

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.1). In: 2nd SpACE-Net Spatial Audio Workshop, 23 January 2008, Music Research Centre, University of York. (Unpublished)

Adkins, Monty (2008) Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no.5). Sonic Ideas, 1 (1). pp. 12-19. ISSN 2317-9694

Adkins, Monty (2016) Utilitarian Electronics:Portrait mit Cage und Stockhausen (Barlow und Kagel sind auch dabei). In: Perspectives on the Music of Christopher Fox: Straight Lines in Broken Times. Routledge. ISBN 9781472428240

Adkins, Monty (2008) The application of memetic analysis to electroacoustic music. In: 5th Conference ‘EMS08’, 3-7 June 2008, University of the Sorbonne, Paris. (Unpublished)

Adkins, Monty (2009) The application of memetic analysis to electroacoustic music. Sonic Ideas, 1 (2). ISSN 2317-9694

Adkins, Monty and Dickens, Pip (2012) Shibusa: extracting beauty. University of Huddersfield Press, Huddersfield. ISBN 9781862181014

Adkins, Monty, Duque, Carlos and Karman, Gregorio (2012) The electronic music of Roberto Gerhard. In: International Computer Music Conference Proceedings. MPublishing, University of Michigan Library, Ann Arbor, MI, pp. 22-29.

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Angermüller, Rudolph and Stafford, William Nissen, Georg Nikolaus. In: Grove Music Online. Oxford University Press, Oxford.

B

Barrett, Richard and Steinitz, Richard (2002) Tributes to Iannis Xenakis (29 May 1922-4 February 2001). Contemporary Music Review, 21 (2-3). pp. 5-8. ISSN 07494467

Bayley, Amanda and Clarke, Michael (2008) Interactive strategies for analysing musical structure. In: Fouth Conference on Interdisciplinary Musicology, 2-6 July 2008, Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Bokowiec, Mark and Wilson-Bokowiec, Julie (2015) Sens et sensations : l’acte de médiation et ses effets in Théâtre et intermédialité (edited by Jean-Marc Larrue). In: Théâtre et intermédialité. Septentrion, France, pp. 383-399. ISBN 102757409077

Bokowiec, Mark and Wilson-Bokowiec, Julie (2007) Sense and Sensation: the act of mediation and its effects. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias / Intermediality, Theatricality, Performance, (Re)-presentation and the New Media, 24-29 May 2007, Montréal et Québec. (Submitted)

Bridle, Marcus (2011) Male Blues Lyrics 1920-1965: A Corpus Assisted Analysis. Masters thesis, University of Huddersfield.

Brummer, Ludger, Dipper, Gotz, Wagner, David, Stenschke, Holger and Otto, Jochen Arne (2014) New developments for spatial music in the context of the ZKM Klangdom: A review of technologies and recent productions. Divergence Press, 3 (1). ISSN 20523467

Bryan, John (2008) 'Verie sweete and artificiall': Lorenzo Costa and the earliest viols. Early Music, 36 (1). pp. 3-18. ISSN 03061078

Burnes, Bernard, Graham, Gary and Hardaker, Glenn (2002) The Peer-to-Peer Revolution: how the internet is transforming the supply chain for music. International Journal of New Product Development and Innovation Management, 4 (2). pp. 115-130. ISSN 1464-6684

C

Callingham, Andrew Edward (2007) Spontaneous music : the first generation British free improvisers. Doctoral thesis, University of Huddersfield.

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Chapman, Rob (2011) A Critical Review Syd Barrett: A Very Irregular Head. Doctoral thesis, University of Huddersfield.

Chapman, Rob (2008) I Have Seen the Madness in my Area. In: Messing Up The Paintwork: A Conference on the Aesthetics and Politics of Mark E. Smith and the Fall, 9 May 2008, University of Salford. (Unpublished)

Chapman, Rob (2007) Stream of Consciousmess. In: The Art School Dance: Art into Pop, Pop into Art, 21-22 September 2007, Tate Liverpool. (Unpublished)

Chapman, Rob (2010) Syd Barrett: A Very Irregular Head. Faber and Faber. ISBN 9780571238545

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

Clarke, Michael (2006) From Synthia to Calma to Sybil: developing strategies for interactive learning in music. In: Technology Supported Learning and Teaching: a Staff Perspective. Information Science, London, UK, pp. 292-308. ISBN 1-59140-962-4

Clarke, Michael (2007) Technology and the Spiritual in Jonathan Harvey’s Music. In: Study Day on Jonathan Harvey's Opera 'Wagner Dream', 1 June 2007, Institute of Musical Research, School of Advanced Study, University of London. (Submitted)

Clarke, Michael (2007) An interactive aural approach to musical analysis. In: Sixth European Music Analysis Conference, 10-14 October 2007, Freiburg. (Submitted)

Colton, Lisa (2005) The Age of Innocence: Chastity and the chanson de nonne in Late Medieval France. In: International Medieval Congress 2005, 11-14 July 2005, University of Leeds. (Submitted)

Colton, Lisa (2016) Angel song: medieval English music in history. Routledge, Abingdon, UK. ISBN 9781472425683

Colton, Lisa (2008) The Articulation of Virginity in the Medieval Chanson de nonne. Journal of the Royal Musical Association, 133 (2). pp. 159-188. ISSN 02690403

Colton, Lisa (2008) Book Reviews. Studies in Musical Theatre, 1 (3). pp. 309-324. ISSN 17503159

Colton, Lisa (2008) Breaking into song. Early Music, 36 (3). pp. 507-508. ISSN 03061078

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2014) Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright.The Eton Choirbook: Facsimile and IntroductoryvStudy. Ed. by Magnus Williamson. Songs in British Sources c.1150–1300. Ed. by Helen Deeming. Music and Letters, 95 (4). pp. 648-650. ISSN 0027-4224

Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430

Colton, Lisa (2008) Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England. In: Medieval and Renaissance Music Conference, 24 - 27 July 2008, University of Bangor, Wales. (Submitted)

Colton, Lisa (2008) Listening to Hildegard. In: Second Early Music Festival, 8-10 February 2008, University of Leeds. (Submitted)

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2018) Medievalism, music and agency in The Wicker Man (1973). In: Recomposing the Past: Early Music on Stage and Screen. Routledge, Abingdon, UK. ISBN 978-1138287471 (In Press)

Colton, Lisa (2003) Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12 (1). pp. 71-88. ISSN 09611371

Colton, Lisa (2017) Music in the Margins: Queerness in the Clerical Imagination, 1200–1500. In: The Oxford Handbook of Music and Queerness. Oxford University Press, Oxford, UK. (In Press)

Colton, Lisa (2017) Music, text and structure in fourteenth-century English polyphony: the case of Ave miles celestis curie. Early Music. ISSN 0306-1078

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: Text, Music, and Gender in the Office of Saint Ursula. In: International Congress on Medieval Studies, 8-11 May 2008, Western Michigan University, Kalamazoo MI. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: The cult of the Eleven Thousand Virgins in medieval York. In: PMMS Conference 2008: Ave/Eva: Text, Music and Gender in the Middle Ages, 26 April 2008, University of Bristol. (Submitted)

Colton, Lisa (2006) Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96. Early Music, 34 (4). pp. 675-677. ISSN 03061078

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Colton, Lisa (2016) Song in space and space in song: physical and conceptual boundaries in English devotional music, 1250–1500. In: Devotional Interaction in Medieval England and its Afterlives. Brill, Leiden, Netherlands. (In Press)

Colton, Lisa (2016) “Sowndys and melodiis”: Perceptions of Sound and Music in Late Medieval England. In: Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, Abingdon, UK, pp. 19-30. ISBN 9781409444398

Colton, Lisa (2014) Sumer is icumen in. Grove Music Online. Oxford Music Online..

Colton, Lisa (2014) Who's calling? Telephone songs, female vocal empowerment and signfication. In: Lady Gaga and Popular Music: Peforming Gender, Fashion, and Culture. Routledge Studies in Popular Music . Routledge, New York, pp. 67-81. ISBN 9780415824521

Colton, Lisa (2005) The age of innocence: chastity and the chanson de nonne in the Montpellier Codex. In: Medieval and Renaissance Music Conference, 13-16 July 2005, Centre d’Études Supérieures de la Renaissance, University of Tours, France. (Submitted)

Colton, Lisa (2005) The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005),  60/$110. Early Music, 33 (4). pp. 707-708. ISSN 03061078

Cowgill, Rachel, Biddle, Ian, Colton, Lisa, Holliday, Ruth and Attinello, Paul (2006) Roundtable: ‘Music and Queer Theory’. In: RMA Research Students' Conference 2006, 4-7 January 2006, School of Music, University of Leeds. (Unpublished)

Cox, Geoffrey (2010) A Return to the Future or Forward to the Past? Contemporary Music Review, 29 (3). pp. 251-264. ISSN 0749-4467

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Sound, Music and the Moving Image, 10-12 September 2007, Institute of Musical Research, Senate House. (Submitted)

Cox, Geoffrey and Marley, Keith (2007) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Interdisciplinary Music Research Conference, 13 October 2007, Roehampton University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Cider Makers: an exploration of the relationship between sound and image within documentary filmmaking. In: Negotiating the Mediascape: Theory and Practice Interchange in Contemporary Media, 2 May 2008, Canterbury Christ Church University. (Submitted)

Cox, Geoffrey and Marley, Keith (2008) Looking and listening. In: CineMusic? Constructing the Film Score. Cambridge Scholars Publishing, Newcastle, pp. 51-68. ISBN 9781847185938

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Crump, Simon Richard (2014) My Elvis Blackout and Neverland: Truth, Fiction and Celebrity in the Postmodernist Heterobiographical Composite Novel. Doctoral thesis, University of Huddersfield.

Cummings, Graham (2005) Handel and the confus'd shepherdess: a case study of stylistic eclecticism. Early Music, 33 (4). pp. 575-590. ISSN 0306-1078

Cummings, Graham (2007) Handel’s Organ Concertos (HWV 290 – 93) and Operatic Rivalry. GFH Journal, 1. pp. 1-29.

Cummings, Graham (2007) Lübeck to London: a much travelled fugue subject. In: Händel-Jahrbuch. Bärenreiter, Kassel, pp. 331-345. ISBN 978-3-7618-1447-5

D

Devenney, Amy (2012) New Deposits of the University of Huddersfield Archives and Special Collections. Huddersfield Local History Society Journal. pp. 40-42.

Dobson, Elizabeth (2009) Interdisciplinary collaboration and studio based music composers in Higher Education: a longitudinal case study of practice and discussion of emerging themes. In: Collaborative Processes in Music Making: Pedagogy and Practice, 11 November 2009, Department of Music and Recording, University of Surrey. (Unpublished)

Dobson, Elizabeth (2009) Serious Misunderstandings: Challenging the Educational and Creative Value of Collaboration for Music Technology Undergraduates. In: Forum for Innovation in Music Production and Composition (FIMPaC), 20 February 2009, Leeds College of Music. (Unpublished)

d'Escrivan, Julio (2011) Anotaciones sobre Interactividad entre las artes del sonido y la performance audiovisual, partiendo del ‘Live Cinema’. En El Límite, 2 (2). pp. 89-95. ISSN 2250-6136 (Submitted)

d'Escrivan, Julio (2007) Electronic music and the moving image. In: The Cambridge Companion to Electronic Music. Cambridge University Press, Cambridge, UK, pp. 156-170. ISBN 9780521688659

d'Escrivan, Julio (2007) Imaginary Listening. In: EMS07 - The ‘languages’ of electroacoustic music - Leicester, 2007, Leicester, UK.

d'Escrivan, Julio (2012) Live Cinema? A composer’s thoughts about a musical new media approach to the performing of audiovisuals. Seminário Música Ciência Tecnologia (4). ISSN 1982-9604

d'Escrivan, Julio (1989) Reflections on the poetics of time in electroacoustic music. Contemporary Music Review, 3 (1). pp. 197-201. ISSN 0749-4467

d'Escrivan, Julio (2006) To Sing the Body Electric: Instruments and Effort in the Performance of Electronic Music. Contemporary Music Review, 25 (1-2). pp. 183-191. ISSN 0749-4467

d’Escriván, Julio (2009) Sound Art (?) on/in Film. Organised Sound, 14 (1). pp. 65-73. ISSN 1355-7718

E

Einbond, Aaron (2013) Subtractive Synthesis: noise and digital (un)creativity. In: Noise In And As Music. University of Huddersfield Press, Huddersfield, pp. 57-75. ISBN 9781862181182

Einbond, Aaron (2012) (Un)original(ity). In: Summer Composition Institute, Harvard Music Department, 25th - 26th August 2012, Cambridge, MA, USA.

Eisen, Cliff, Rieger, Eva, Sadie, Stanley, Angermüller, Rudolph, Oldman, C.B. and Stafford, William Mozart. In: Grove Music Online. Oxford University Press, Oxford.

F

Fabbri, Franco (2012) Genre theories and their applications in the historical and analytical study of popular music: a commentary on my publications. Doctoral thesis, University of Huddersfield.

Fleming, Michael and Bryan, John (2016) Early English Viols: Instruments, Makers and Music. Routledge. ISBN 978-1472468543

Fox, Christopher Clarke, James. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Darmstadt School. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Johnson, Steven, ed.: The New York schools of music and visual arts, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher (2001) Life is beautiful: Richard Ayres in focus. Musical times, 142 (1875). pp. 39-52.

Fox, Christopher Neue Einfachheit (Ger.: ‘New Simplicity’). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher New Complexity. In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher Newman, Chris(topher). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2002) Nicholls, David, ed.: The Cambridge companion to John Cage, reviewed by Christopher Fox. The Musical Times, 143 (1881). pp. 73-76. ISSN 0027-4666

Fox, Christopher Redgate, Roger (John). In: Grove Music Online. Oxford University Press, Oxford.

Fox, Christopher (2003) Rzewski, Frederic: Rzewski plays Rzewski: piano works 1975–1999, reviewed by Christopher Fox. The Musical Times, 144 (1882). pp. 65-68. ISSN 0027-4666

Fox, Christopher (2003) Sharp practice: Gavin Bryars at 60. The Musical Times, 144 (1884). pp. 15-25. ISSN 0027-4666

Fox, Christopher (2002) Under the lens: Michael Finnissy’s History of Photography in Sound. The Musical Times, 143 (1879). pp. 26-35. ISSN 0027-4666

Fox, Christopher (2001) The extended clarinet: four contemporary approaches. Musical Performance, 3 (1). pp. 67-79. ISSN 1049-8869

Fox, Christopher and Osmond-Smith, David Scelsi, Giacinto. In: Grove Music Online. Oxford University Press, Oxford.

G

Gauthier, Philippe-Aubert (2014) Multichannel sound and spatial sound creation at Sporobole: A short account of live performance, studio design, outdoor multichannel audio, and visiting artists. Divergence Press, 3 (1). ISSN 20523467

Glover, Richard (2010) Corradiation. [Composition] (Unpublished)

Glover, Richard (2012) The Experience of Sustained Tone Music. In: Proceedings of the 12th International Conference on Music Perception and Cognition (ICMPC) and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). European Society for the Cognitive Sciences of Music (ESCOM). ISBN 960-99854-1-7

Glover, Richard (2011) Influence of sustained tone minimalism in my recent music. In: Third International Conference on Music and Minimalism, 12th-15th October 2011, Katholieke Universiteit Leuven, Belgium. (Submitted)

Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495

Glover, Richard (2009) Phill Niblock and identity in reductionism. In: Second International Conference on Minimalist Music, 2nd-6th September 2009, University of Missouri, Kansas, USA.

Glover, Richard (2012) Phill Niblock through the Ages. In: MuGI conference on 'Gender, Musical Creativity and Age', 6th - 7th October 2012, University of Huddersfied. (Unpublished)

Glover, Richard (2012) Phill Niblock: Identity through instability. MusikTexte, 132. ISSN 0178-8884

Glover, Richard (2013) Phill Niblock: Identity through instability. In: Phill Niblock: Working Title. Les presses du réel, Dijon, France. ISBN 9782840664239

Glover, Richard (2008) Violin with Clarinet and Piano. [Composition] (Unpublished)

Glover, Richard (2010) The compositional use of numerals in music notation. In: Music and numbers 2010 conference proceedings. Canterbury Christchurch University, Canterbury, UK. ISBN ISBN 978-1-899253-76-0

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM 2012 Joint Conference, 23-28 July 2012, Aristotle University of Thessaloniki.

Glover, Richard (2012) The experience of sustained tone music. In: ICMPC-ESCOM Book of Abstracts. Aristotle University of Thessaloniki, Thessaloniki, pp. 122-123. ISBN 960998451-7

Glover, Richard (2013) The use of grid structures in contemporary notational practice. In: Time Stands Still: Notation in Musical Practice, 5-6 April 2013, Wesleyan University, Connecticut, USA. (Unpublished)

Glover, Richard and Harrison, Bryn (2013) Overcoming Form: reflections on immersive listening. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-120-5

Graham, Gary and Hardaker, Glenn (2003) Impact of on-line technologies for e-music supplier networks. Journal of Services Research, 3 (1). p. 5. ISSN 0972-4702

Graham, Gary, Hardaker, Glenn, Lewis, Gerard J. and Lewis, Mark (2004) Creative destruction: transformation in the music industry. BeyondLabels Press, Huddersfield. ISBN 1905031009

Graham, Richard and Bridges, Brian (2014) Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design. Divergence Press, 3 (1). ISSN 20523467

H

Haley, Margaret Anne (2010) Drawing Sound in Time: A Commentary on my Recent Music. Doctoral thesis, University of Huddersfield.

Harrison, Bryn (2011) Five Distances (2011) 10’ Mezzo-soprano voice and piano. [Composition]

Haworth, Catherine (2008) Review of 'Film's Musical Moments' ed. by Ian Conrich and Estella Tincknell (Edinburgh University Press, 2006). Music, Sound and the Moving Image, 2 (1). pp. 83-90. ISSN 1753-0768

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. Ashgate, Farnham. ISBN 978-1-4724-3085-4

Head, Matthew, Cowgill, Rachel, Cusick, Suzanne, Fuller, Sophie and Colton, Lisa (2003) Round Table: Lesbian Historiography. In: 39th RMA Annual Conference 2003: Music Historiography, 12–14 September 2003, School of Music, Cardiff University. (Unpublished)

Herbst, Jan-Peter (2013) 18 and Life (Skid Row). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Akkordstrukturen im verzerrten Rockgitarrenriff: Eine experimental-analytische Studie zur Auswirkung von physikalischen und psycho-akustischen Faktoren [Chord structures in the distorted rock guitar riff: An experimental and analytic study on the effects of physical and psychoacoustic factors]. Samples, 15. ISSN 1216-8001

Herbst, Jan-Peter (2015) ”Busby Berkeley: Höhepunkte der Choreographie des Broadway Musicals der 1930er Jahre“ [Busby Berkeley: Highlights of 1930s Broadway musical choreography]. In: Lecture series in Music and Arts, 4 November 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Das Konzeptalbum im Wandel der Zeit: Transmediale Schnittstellen als zeitgemäße ästhetische wie auch ökonomische Strategien?!“ [Concept albums in the change of time: Transmedial interfaces as aesthetic and economic strategies?! In: Lecture series in Music and Arts, 20th April 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Das virtuelle Mischpult als Instrument [The virtual mixing desk as an instrument]. Musikunterricht und Computer, 5. pp. 28-37. ISSN 1617-5816

Herbst, Jan-Peter (2016) “Der Einfluss von Verzerrung auf die Wahrnehmung verschiedener Gitarrenakkorde: Eine quantitative Studie auf Grundlage psychoakustischer Messungen” [The effect of distortion on the perception of guitar chord structures: A quantitative study based on a psychoacoustic experiment]. In: Akustik und musikalische Hörwahrnehmung, 1-11 September 2016, Vienna University, Austria. (Unpublished)

Herbst, Jan-Peter (2013) “Didaktik der Populären Musik: Sound und aktuelle Herausforderungen“ [Popular Music Education: Sound and contemporary challenges]. In: Musik lernen und vermitteln: Grundfragen und Perspektiven der Musikpädagogik, 13 January 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2011) Die Form macht’s: Angewandte Formenlehre in der Erarbeitung populärer Musik [The form matters: Applied music theory in popular music education]. Ueben und Musizieren, 2011 (6). pp. 34-37. ISSN 0174-6065

Herbst, Jan-Peter (2016) Die Gitarrenverzerrung in der Rockmusik: Studien zu Spielweise und Ästhetik [The guitar distortion in rock music: A study on playability and aesthetics]. Populaere Kultur und Medien, 12 . LIT, Muenster. ISBN 978-3-643-13553-7

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des E-Gitarrenspiels in der Rockmusik“ [Distortion as an expressive tool for rock guitar playing]. In: Transcultural and Popular Music Research, 29 January 2016, Weimar College of Music, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Die Verzerrung als Gestaltungsmerkmal des Gitarrenspiels: Methodische Grundlagen und praktische Anwendungen“ [The distortion as an expressive means of guitar playing: Methodical basics and practical application]. In: Stromgitarren, 16 June 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2013) Don’t Stop Believin’ (Journey). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2015) “Dub Reggae: Das Mischpult als Instrument“ [Dub reggae: the mixing desk as an instrument]. In: Lecture series in Music and Arts, 2nd December 2015, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Faszination Gitarre: Der gemeinsame Song im Gitarrenorchester [Guitar fascination: The guitar orchestra]. Praxis des Musikunterrichts, 127. pp. 34-39. ISSN 1436-1949

Herbst, Jan-Peter (2015) Faszination Gitarre: Die Grundlagen der Tonerzeugung [Guitar fascination: The basics of tone production]. Praxis des Musikunterrichts, 123. pp. 36-43. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Grundlagen der akkordischen Liedbegleitung [Guitar fascination: Basics of rhythm guitar]. Praxis des Musikunterrichts, 126. pp. 38-47. ISSN 1436-1949

Herbst, Jan-Peter (2016) Faszination Gitarre: Phrasierung und die ersten Melodien [Guitar fascination: Phrasing and melodies]. Praxis des Musikunterrichts, 125. pp. 38-44. ISSN 1436-1949

Herbst, Jan-Peter (2017) “Gear Acquisition Syndrome”: A Survey of Electric Guitar Players. In: Popular Music Studies Today. Proceedings of the 19th conference of the International Association for the Study of Popular Music. Systematische Musikwissenschaft . Springer, Wiesbaden, pp. 139-148. ISBN 978-3658177393

Herbst, Jan-Peter (2016) “George Martin: Eine Rückschau auf seine Arbeit mit den Beatles und seinen Einfluss auf die Musikwelt“ [George Martin: A retrospect on his work with the Beatles and his influence on the world of music]. In: Lecture series in Music and Arts, 1 June 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). ISSN 20524005 (In Press)

Herbst, Jan-Peter (2017) “Heaviness” and the metal music guitar. Interactions between harmonic structure and sound from acoustic and perceptual perspectives. In: Musik und Bewegung, 15-17 September 2017, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2015) He’s a Pirate: Ein höranalytischer Vergleich des Film-Soundtracks mit einer Interpretation David Garretts [An audiological comparison of film soundtracks with the interpretations of David Garrett]. Musik und Bildung, 2014 (2). pp. 8-11. ISSN 0027-4747

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2012) Hump de Bump (The Red Hot Chili Peppers). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2017) Influence of distortion on guitar chord structures: Acoustic effects and perceptual correlates. In: Akustik und musikalische Wahrnehmung. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie (27). Hogrefe, Goettingen. (In Press)

Herbst, Jan-Peter (2015) “Informelles Lernen lehren: Eine aktuelle Problemstellung der Didaktik populärer Musik“ [Teaching informal learning: A contemporary challenge of popular music education]. In: Popular Music Education in Practice, 7 April 2015, University of Applied Sciences Osnabrueck, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Kommunikation und Wissenskonstruktion in der Vorlesung: Eine quantitative Studie zur Emergenz fachlichen Grundlagenwissens durch kommunikationsanregende Methoden“ [Communication and construction of knowledge: A quantitative study on the emergence of knowledge by teaching methods]. In: Tag der Lehre, 16 February 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2015) “Kommunikative Musikdidaktik im Spannungsfeld von Kontingenz und Kompetenz: Eine empirische Studie zu konstruktivistisch-interaktiven Lernarrangements in musikpädagogischer Theorie und Praxis“ [Communicative music education between contingency and competence: An empirical study on contructivist and interactive learning situations]. In: Empirical Music Education, 21 May 2015, Mozarteum Salzburg, Austria. (Unpublished)

Herbst, Jan-Peter (2016) “Methoden der Klanganalyse und ihre Anwendung in Musikpsychologie und -analyse" [Methods of sound analysis and its use for music psychology and analysis]. In: Funktionen und Wirkungen von Musik, 19 April 2016, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2018) Moonlight Shadows: ”Licht und Schatten“ in Pink Floyds The Dark Side Of The Moon [Light and shadow in Pink Floyd’s The Dark Side Of The Moon]. In: Vom Schatten aus. Denk- und Handlungsräume in Kunst und Kunstpädagogik. Fabrico, Flensburg. (In Press)

Herbst, Jan-Peter (2017) “Musikalische Darstellungsweisen der Elemente am Beispiel des Konzeptalbums 'The Alchemy Index' von Thrice“ [Musical presentation of the natural elements in Thrice’s concept album The Alchemy Index]. In: Lecture series in Arts and Music, 3 March 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) “Musikpädagogik und Musiktechnologie: Eine Fallstudie aus der Praxis am Beispiel von Dub Reggae” [Music Technology and Music Education: A practice-based case study on dub reggae]. In: Jugend musiziert – musikkulturelle Vielfalt im Diskurs, 28-29 September 2017, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2014) Netzwerk Sound: Eine didaktische Herausforderung der populären Musik [Network sound: An educational challenge of popular music]. Forum Musikpädagogik, 129 . Wißner, Augsburg. ISBN 9783896399724

Herbst, Jan-Peter (2013) “Netzwerk Sound: Hören, Kultur, Praxis“ [Network sound: Listening, culture, practice]. In: Postgraduate Research Conference, 19 February 2013, Paderborn University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology from a production perspective. In: The Future Sound of Pop Music, 30 November - 02 December 2017, University of the Arts Bern, Switzerland. (Unpublished)

Herbst, Jan-Peter (2016) “Para-Sonic 3.0: Eine Klang-Körper-Interaktion“ [Para-sonic 3.0: A sound and body interaction]. In: Lecture series in Music and Arts, 11 November 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Herbst, Jan-Peter (2014) ”Rethinking sound – an ontological perspective“. In: Sonic Signatures, 9-11 April 2014, Aalborg University, Denmark. (Unpublished)

Herbst, Jan-Peter (2012) Rosanna (Toto). Songlexikon/Encyclopedia of Songs.

Herbst, Jan-Peter (2016) ”Shredding, Two-Hand-Tapping, Feedback: Eine experimental-analytische Studie zur Auswirkung von Gitarrenverzerrung auf das Solospiel im Rock und Metal” [An experimental and analytic study on the effects of guitar distortion on solo playing in rock and metal]. In: Schneller, höher, lauter. Virtuosität in populären Musiken, 18-20 November 2016, Hamburg University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Herbst, Jan-Peter (2017) ”Transkulturelle Musikpädagogik: Ziele, Methoden und Potenziale für ästhetische Bildung“ [Transcultural music education: aims, methods and potentials for aesthetic education]. In: Strategien in der ästhetischen Bildung, 17 January 2017, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter (2016) “Verzerrung und Noise: Formen, Intentionen und Geschichte des Heavy Metal Sounds“ [Distortion and noise: Forms, intentions and history of heavy metal sounds]. In: Musik, Kultur und Geschichte des Heavy Metal, 28 June 2016, Siegen University, Germany. (Unpublished)

Herbst, Jan-Peter (2017) Virtuoses Gitarrenspiel im Rock und Metal: Zum Einfluss von Verzerrung auf das ‚Shredding’ [Virtuoso solo guitar in rock and metal music: About the influence of distortion on ’shredding']. In: Schneller, höher, lauter. Virtuosität in populären Musiken. Beiträge zur Popularmusikforschung (43). Transcript, Bielefeld, pp. 131-152. ISBN 978-3837635928

Herbst, Jan-Peter (2015) “What’s that Sound?” Sound als didaktische Herausforderung der populären Musik [Sound as an educational challenge of popular music]. In: Popmusik-Vermittlung: Zwischen Schule, Universität und Beruf. Theorie und Praxis der Musikvermittlung (14). LIT, pp. 133-152. ISBN 9783643129970

Herbst, Jan-Peter (2016) “Wir brauchen Licht: Musikalische und performative Umsetzung des Finalstückes aus dem Musical ‚Next to Normal’“ [We need light: music and performance in the final song of the musical ’Next to Normal’]. In: Summer School Music Education, 12-15 September 2016, Bielefeld University, Germany. (Unpublished)

Herbst, Jan-Peter and Holthaus, Jan (2017) Music studio operators from Germany’s “Ruhrpott”: Role, services and resources. Etnomusikologian vuosikirja, 29. ISSN 0783-6821 (In Press)

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

J

Jan, Steven (1995) Aspects of Mozart's music in G minor: toward the identification of common structural and compositional characteristics. Outstanding Dissertations in Music from British Universities . Garland. ISBN 0185318928

Jan, Steven (2003) The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fuhl's'. Journal of the Royal Musical Association, 128 (1). pp. 30-70. ISSN 02690403

Jan, Steven (2005) The Illusory Mozart: Selfish Memes in the Priests’ Marches from Idomeneo and Die Zauberflöte. Goldberg Forum.

Jan, Steven (2007) The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture. Ashgate, Aldershot. ISBN 978-0-7546-5594-7

Jan, Steven (1999) The selfish meme: Particularity, replication, and evolution in musical style. International Journal of Musicology, 8. pp. 9-76. ISSN 0941-9535

K

King, Martin S (2009) "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles". Doctoral thesis, University of Huddersfield.

L

Leudar, Augustine (2014) An alternative approach to 3D audio recording and reproduction. Divergence Press, 3 (1). ISSN 20523467

Lim, Liza and Ford, Andrew (2008) Liza Lim. In: Talking to Kinky and Karlheinz. ABC Books, Sydney, Australia. ISBN 9780733320088

Lyon, Eric (2014) Introduction to Issue #3. Divergence Press, 3 (1). ISSN 20523467

M

Macedo, Rederico (2014) Aural Territories: how phenomenology taught me how to compose electroacoustic spatial music. Divergence Press, 3 (1). ISSN 20523467

Marley, Keith and Cox, Geoffrey (2008) Looking and listening. In: Sounding Out 4, 4-6 September 2008, University of Sunderland. (Submitted)

Martin, Toby (2011) ‘Country Music Capital: The Past in Tamworth’. History Australia, 8 (1). pp. 153-174. ISSN 1449-0854

Martin, Toby (2016) The Prairie is a Lonesome Place at Night: The absent sweethearts of hillbilly music. In: The Popular Culture of Romantic Love. Black Swan Press, Perth, Australia. (In Press)

Martin, Toby and Bellanta, Melissa (2012) ‘Sins of the Son: Country Music and Masculine Sentimentality in 1930s and 1940s Australia’. Australian Feminist Studies, 27 (74). pp. 355-372. ISSN 0816-4649

Martin, William, Toby (2016) Music Making in Western Sydney: A reflection on intercultural exchange and artistic practice. In: IASPM UK and Ireland Biennial Conference, 8-10 September, 2016, Brighton, UK. (Unpublished)

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Mee, Erin (2013) Hearing the Music of the Hemispheres. TDR: The Drama Review, 57 (3). pp. 148-150. ISSN 1054-2043

Milsom, David (2014) A-Z of string players. Naxos Educational. ISBN 9781843798101

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

P

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Parry, Nye (2014) Exploded sounds: spatialised partials in two recent multi-channel installations. Divergence Press, 3 (1). ISSN 20523467

Persson, Roland S. (1993) The subjectivity of musical performance : an exploratory music-psychological real world enquiry into the determinants and education of musical reality. Doctoral thesis, University of Huddersfield.

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Russ, Michael (1990) Atonality, modality, symmetry and tonal hierarchy in Bartok's improvisation Op. 20 No. 2. In: Musicology in Ireland. Irish musical studies, 1 . Irish Academic Press, pp. 278-294. ISBN 9780716524564

Russ, Michael (2012) Bartók, Beethoven and the Sonata for Two Pianos and Percussion. Journal of the Royal Musical Association, 137 (2). pp. 307-349. ISSN 0269-0403

Russ, Michael (1996) "Be Bored": Reading a Mussorgsky Song. 19th-Century Music, 20 (1). pp. 27-45. ISSN 0148-2076

Russ, Michael (2009) Book Review: Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. By Michiel Schuijer. Music and Letters, 90 (4). pp. 722-725. ISSN 0027-4224

Russ, Michael (2011) Book review : Evan Jones (ed.), Intimate Voices: the Twentieth-Century String Quartet. Journal of the Society for Musicology in Ireland, 6. pp. 101-112. ISSN 1649-7341

Russ, Michael (2013) Composing with Sets: Roberto Gerhard’s Concerto for Piano and String Orchestra. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (2014) Formal Structure in the Finale of Bartok’s Sonata for Two Pianos and Percussion. In: Irish Musical Analysis. Irish Musical Studies, 11 . Four Courts Press, Dublin. ISBN 978-1-84682-368-8

Russ, Michael (2013) Music as Autobiography: Roberto Gerhard’s Violin Concerto. In: The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

Russ, Michael (1992) Musorgsky: pictures at an exhibition. Cambridge music handbooks . Cambridge University Press. ISBN 9780521386074

Russ, Michael (1993) On Schenkerism: A Closed Circle of Elite Listeners? Music Analysis, 12 (2). pp. 266-285. ISSN 0262-5245

Russ, Michael (2000) Ravel and the orchestra. In: The Cambridge companion to Ravel. Cambridge Companion . Cambridge University Press, Cambridge. ISBN 9780521648561

Russ, Michael (2007) Some Observations on Pm,n Relations within Set Classes. Music Analysis, 26 (1-2). pp. 111-158. ISSN 02625245

Russ, Michael and Adkins, Monty (2015) Perspectives on Gerhard: Selected Proceedings of the 2nd and 3rd International Roberto Gerhard Conferences. University of Huddersfield, Huddersfield. ISBN 978-1-86218-128-1

Russ, Michael and Adkins, Monty (2013) The Roberto Gerhard Companion. Ashgate. ISBN 9781409445159

S

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Shaff, Stan (2014) Audium – sound-sculptured space. Divergence Press, 3 (1). ISSN 20523467

Smith, Adam (2012) The Influence of Literature in 1960s British Popular Music: Approaches to Popular Composition. Masters thesis, University of Huddersfield.

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

Stafford, William (2003) The Evolution of Mozartian biography. In: The Cambridge companion to Mozart. Cambridge University Press, Cambridge. ISBN 0521807344

Stafford, William (2006) Genius. In: The Cambridge Mozart Encyclopedia. Cambridge University Press, Cambridge, pp. 190-195. ISBN 9780511134098

Stafford, William (2006) Mozart and genius. Apropos Mozart.

Steinitz, Richard (2001) Andrzej Panufnik. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1808-1811. ISBN 1579581358

Steinitz, Richard Crumb, George. In: Grove Music Online. Oxford University Press, Oxford.

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Steinitz, Richard (2003) Gyorgy Ligeti. Faber and Faber, London. ISBN 9780571176311

Steinitz, Richard (2001) Gyorgy Ligeti. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1432-1433. ISBN 1579581358

Steinitz, Richard (2004) John Tavener: the protecting veil. In: The BBC Proms Guide to Great Orchestral Works. Faber and Faber, London, pp. 262-265. ISBN 9780571220977

Steinitz, Richard (2003) Living with Ligeti. BBC music magazine, 11 (9). pp. 31-33. ISSN 0966-7180

Steinitz, Richard (2001) On the receiving end. In: Changing platforms : 30 years of the Contemporary Music Network. Unknown Public (13). Unknown Public. ISBN 0954154800

Steinitz, Richard (2001) Sofia Gubaidulina. In: Censorship : a world encyclopedia. Fitzroy Dearborn, London, pp. 1002-1003. ISBN 1579581358

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Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2007) Berio's Sequenza IV: Approaches to performance and interpretation. Contemporary Music Review, 26 (2). pp. 189-205. ISSN 0749-4467

Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Thomas, Philip (2009) A Prescription for Action. In: The Ashgate Research Companion to Experimental Music. Ashgate, Farnham, pp. 77-98. ISBN 978-0-7546-6282-2

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722

Till, Rupert (2006) Mixing experimental and popular musics. In: Art Of Record Production 2006 Conference, 8-10 September 2006, University of Edinburgh.

Till, Rupert (2009) Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community. In: Exploring Religion and the Sacred in a Media Age. Ashgate, Farnham, pp. 169-188. ISBN 978-0-7546-6527-4

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Till, Rupert (2007) The blues blueprint: the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin. In: Cross the Water Blues: African American Music in Europe. University Press of Mississippi, Jackson, Miss., pp. 183-202. ISBN 1-57806-960-2

Townsend, Peter (2001) Free Jazz: Musical Style and Liberationist Ethic, 1956-1965. In: Media, Culture, and the Modern African American Freedom Struggle. University Press of Florida, Gainesville, FL, pp. 145-160. ISBN 978-0-8130-2074-7

Townsend, Peter (2000) Jazz in American culture. Edinburgh University Press, Edinburgh. ISBN 9781853312045

Tremblay, Pierre Alexandre and Bassal, Dominique (2007) Le mixtering : modèle de travail pour une qualité sonore accrue en électroacoustique / Mixtering: A working model for an enhanced sound quality in electroacoustics. eContact!, 9 (3).

Tremblay, Pierre Alexandre, Boucher, Nicolas and Pohu, Sylvain (2007) Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup. In: International Computer Music Conference ‘07, 27-31 August 2007, Copenhagen. (Unpublished)

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Webb, Barrie (2007) Introduction. Contemporary Music Review, 26 (2). p. 127. ISSN 0749-4467

Webb, Barrie (2007) Partners in creation. Contemporary Music Review, 26 (2). pp. 255-281. ISSN 0749-4467

Webb, Barrie (2007) Performing Berio's Sequenza V. Contemporary Music Review, 26 (2). pp. 207-218. ISSN 0749-4467

Webb, Barrie (2007) Richard Barrett's 'imaginary trombone'. Contemporary Music Review, 26 (2). pp. 151-177. ISSN 0749-4467

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Wilson-Bokowiec, Julie and Bokowiec, Mark (2008) Sense and Sensation: the act of mediation and its effects. Intermédialités (12).

Winterson, Julia and Russ, Michael (2009) Understanding the Transition from School to University in Music and Music Technology. Arts and Humanities in Higher Education, 8 (3). pp. 339-354. ISSN 1474-0222

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