Items where School is "Music Technology and Production Research Group"

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Aitchison, Michael and Fenton, Steven (2010) Can Transistors Sound like Valves? In: Future Technologies in Computing and Engineering: Proceedings of Computing and Engineering Annual Researchers' Conference 2010: CEARC’10. University of Huddersfield, Huddersfield, pp. 20-26. ISBN 9781862180932

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Bentley, Peter J. and Wakefield, Jonathan P. (1997) Conceptual Evolutionary Design by a Genetic Algorithm. Engineering design and automation, 3 (2). pp. 119-131. ISSN 1077-2642

Bentley, Peter J. and Wakefield, Jonathan P. (1996) The Evolution of Solid Object Designs using Genetic Algorithms. In: Modern Heuristic Search Methods. John Wiley & Sons Inc., Chichester, pp. 199-215. ISBN 978-0-471-96280-9

Bentley, Peter J. and Wakefield, Jonathan P. (1998) Finding acceptable solutions in the pareto-optimal range using multiobjective genetic algorithms. In: Soft Computing in Engineering Design and Manufacturing. Springer-Verlag, pp. 231-240. ISBN 3-540-76214-0

Bentley, Peter J. and Wakefield, Jonathan P. (1996) Generic Representation of Solid-Object Geometry for Genetic Search. Microcomputers in Civil Engineering, 11 (3). pp. 153-161. ISSN 1093-9687

Bentley, Peter J. and Wakefield, Jonathan P. (1998) Generic evolutionary design. In: Soft Computing in Engineering Design and Manufacturing. Springer-Verlag, pp. 289-298. ISBN 3-540-76214-0

Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.

Bentley, Peter J. and Wakefield, Jonathan P. (1996) Overview of a Generic Evolutionary Design System. In: Proceedings of the 2nd On-line Workshop on Evolutionary Computation (WEC2), 4-22 March 1996, Nagoya University, Japan.

Bentley, Peter J. and Wakefield, Jonathan P. (1995) The Table: An Illustration of Evolutionary Design using Genetic Algorithms. In: Genetic Algorithms in Engineering Systems: Innovations and Applications, 1995. GALESIA. First International Conference on (Conf. Publ. No. 414). IEEE, London, pp. 412-418. ISBN 0-85296-650-4

Billington, Peter E., Barnes, Christopher M. and Wakefield, Jonathan P. (2001) Methods and systems of monitoring traffic flow. US 6177886.

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Choi, Tacksung, Yoon, Sungyong, Lee, Hyunkook, Hwang, Junghwan, Kim, Dongseok, Jeon, Byeongmoon and Sung, Jaewon (2014) Image display apparatus and method for operating the same. US8665321.

Clarke, Jade and Lee, Hyunkook (2016) The Effects of Decreasing the Magnitude of Elevationdependent notches in HRTFs on Median Plane Localisation. In: Interactive Audio Systems Symposium 2016, 23rd September 2016, University of York.

Cornish, Matthew T. and Wakefield, Jonathan P. (1996) Automatically Locating an Area of interest and Maintaining a Reference Image to Aid the Real-Time Tracking of Objects. In: British Machine Vision Conference, 1996, University of Edinburgh.

Crawford-Emery, Ryan and Lee, Hyunkook (2014) The subjective effect of BRIR length perceived headphone sound externalisation and tonal colouration. In: 136th Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany. (Unpublished)

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Davis, Lee and Lee, Hyunkook (2016) Echo Thresholds for a 3-D Loudspeaker Configuration. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Dewey, Christopher and Wakefield, Jonathan P. (2016) Audio interfaces should be designed based on data visualisation first principles. In: Proceedings of the 2nd AES Workshop on Intelligent Music Production. Audio Engineering Society.

Dewey, Christopher and Wakefield, Jonathan P. (2017) Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Dewey, Christopher and Wakefield, Jonathan P. (2013) Novel designs for the parametric peaking EQ user interface for single channel corrective EQ tasks. In: 134th Audio Engineering Society Convention, 4th-7th May, 2014, Rome, Italy.

Dewey, Christopher and Wakefield, Jonathan P. (2014) A guide to the design and evaluation of new user interfaces for the audio industry. In: 136th Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2013) Methods and apparatuses for encoding and decoding object based audio signals. US8504376.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2014) Methods and apparatuses for encoding and decoding object-based audio signals. US8625808.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2013) Methods and apparatuses for encoding and decoding object-based audio signals. US8417531.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8296158.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8234122.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2012) Methods and apparatuses for encoding and decoding object-based audio signals. US8204756.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2011) Methods and apparatuses for encoding and decoding object-based audio signals. US7987096.

Dong Soo, Kim, Hee Suk, Pang, Jae Hyun, Lim, Sung Yong, Yoon and Lee, Hyunkook (2011) Methods and apparatuses for encoding and decoding object-based audio signals. US7979282.

Dong Soo, Kim, Sung Yong, Yoon, Lee, Hyunkook and Jae Hyun, Lim (2013) Method and an apparatus for processing an audio signal. US8380523.

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Fazenda, Bruno, Wankling, Matthew, Hargreaves, J. A., Elmer, L. A. and Hirst, J. (2012) Subjective preference of modal control methods in listening rooms. Journal of the Audio Engineering Society, 60 (5). pp. 338-349. ISSN 1549-4950

Fazenda, Bruno M., Stephenson, Matthew and Goldberg, Andrew (2015) Perceptual thresholds for the effects of room modes as a function of modal decay. The Journal of the Acoustical Society of America, 137 (3). pp. 1088-1098. ISSN 0001-4966

Fenton, Steven (2009) Objective Measurement of Sound Quality in Music Production. In: Annual Researchers' Conference 2009 (CEARC '09), Friday 11th December 2009, University Of Huddersfield. (Unpublished)

Fenton, Steven, Fazenda, Bruno and Wakefield, Jonathan P. (2009) Objective quality measurement of audio using multiband dynamic range analysis. In: Institute of Acoustics (IOA) Conference 2009 - Reproduced Sound, November 2009, Brighton.

Fenton, Steven and Lee, Hyunkook (2015) Towards a Perceptual Model of 'Punch' in Musical Signals. In: 139th International AES Convention, 29th October - 1st November 2015, New York, USA.

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2014) Elicitation and Objective Grading of ‘Punch’ Within Produced Music. In: 136th International Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany.

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.

Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2015) Hybrid Multiresolution Analysis Of ‘Punch’ In Musical Signals. In: 138th Annual Audio Engineering Society AES Convention, 7th-10th May 2015, Warsaw, Poland.

Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

Fisher, Michael and Gibson, Ian (2011) The autonomous post production of a piano recording. In: AES 130th Conference, 13th-16th May 2011, London, UK.

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Gibson, Ian (2010) Collaborative music software for mobile phones. International Journal of Research and Reviews in Applied Sciences, 2 (2). pp. 104-107. ISSN 2076-7366

Gibson, Ian (2014) CosMix. [Show/Exhibition]

Gibson, Ian (2010) A Wireless, Real-time, Distributed Music Composition and Performance System. The International Journal of the Arts in Society, 5 (1). pp. 303-310. ISSN 1833-1866

Gibson, Ian and Dovey, Matthew (2006) A Collaborative Composition System Based On A Service Oriented Architecture. Proceedings of the International Computer Music Conference. pp. 401-404.

Gibson, Ian and Dovey, Matthew (2006) A web-based system for collaborative electro-acoustic composition. International Journal of Advanced Manufacturing Technology, 30 (9-10). pp. 968-973. ISSN 0268-3768

Gibson, Ian and Dovey, Matthew (2010) A wireless, real-time, social music performance system for mobile phones. International Computer Music Conference Proceedings.

Gibson, Ian and England, Richard (2004) Fragmentary Collaboration in a Virtual World: The Educational Possibilities of Multi-user, Three-Dimensional Worlds. In: Advances in E-engineering and Digital Enterprise Technology-1: Proceedings of the Fourth International Conference on E-Engineering and Digital Enterprise Technology (e-ENGDET), Leeds Metropolitan University, UK, 1-3 September 2004. John Wiley and Sons, London, UK, pp. 299-304. ISBN 9781860584671

Gibson, Ian and Howard, David (1995) Intuitive and dynamic control of synthesised sounds by voice. International Computer Music Conference Proceedings. pp. 228-229.

Gibson, Ian and Howard, David (1994) Sound processing control using voice and graphical information. Eurographics UK Chapter 12 Conference Proceedings. pp. 19-28.

Gibson, Ian and Howard, David (1994) Voice parameter estimation for sound processing control. Proceedings of the Institute of Acoustics, 16 (5). pp. 207-214. ISSN 0309-8117

Gibson, Ian and Howard, David (1998) A voice-controlled music synthesis system. Proceedings of the Institute of Acoustics, 20 (6). pp. 205-213. ISSN 0309-8117

Gibson, Ian, Howard, David and Tyrrell, Andrew (1998) Real-time singing synthesis using a parallel processing system. Proceedings of the IEE Colloquium on Audio And Music Technology. 8/1-8/6.

Gibson, Ian, Middleton, Deborah K. and Adkins, Monty (2014) Borderlands CosMixed. [Show/Exhibition]

Gibson, Ian, Newell, Christopher and Edwards, Alistair (2007) The "Call Centre" Installation. In: Digital Music Research Network (DMRN) Summer Conference, 7-8 July 2007, Leeds Metropolitan University.

Gribben, Christopher and Lee, Hyunkook (2017) A Comparison between Horizontal and Vertical Interchannel Decorrelation. Applied Sciences, 7 (11). p. 1202. ISSN 2076-3417

Gribben, Christopher and Lee, Hyunkook (2016) The Perception of Vertical Image Spread by Interchannel Decorrelation. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Gribben, Christopher and Lee, Hyunkook (2017) The Perceptual Effect of Vertical Interchannel Decorrelation on Vertical Image Spread at Different Azimuth Positions. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Gribben, Christopher and Lee, Hyunkook (2014) The Perceptual Effects of Horizontal and Vertical Interchannel Decorrelation, using the Lauridsen Decorrelator. In: AES 136th Convention. AES, p. 9027.

Gribben, Christopher and Lee, Hyunkook (2015) Towards the development of a universal listening test interface generator in Max. In: 138th Annual Audio Engineering Society AES Convention, 7th-10th May 2015, Warsaw, Poland.

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Hargreaves, J.A. and Wankling, Matthew (2011) Implementing wave field synthesis in an ITU spec listening room part 2: Bass without modes. In: Reproduced Sound RS 2011: Sound Systems Engineering or Art, 16th-18th November 2011, Brighton, UK. (Unpublished)

Hughes, Braham C. and Wakefield, Jonathan P. (2015) An Investigation Into Plausibility In the Mixing of Foley Sounds In Film And Television. In: 138th International Audio Engineering Society Convention 2015, 7th - 10th May 2015, Warsaw, Poland.

Hughes, Braham C. and Wakefield, Jonathan P. (2012) User Interface Evaluation for Discrete Sound Placement in Film and TV Post-Production. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.

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Johnson, Dale, Harker, Alexander and Lee, Hyunkook (2015) HAART: a new impulse response toolbox for spatial audio research. In: 138th Annual Audio Engineering Society AES Convention, 7th-10th May 2015, Warsaw, Poland.

Johnson, Dale and Lee, Hyunkook (2016) Investigation into the Perceptual Effects of Image Source Method Order. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Johnson, Dale and Lee, Hyunkook (2017) Just Noticeable Difference in Apparent Source Width Depending on the Direction of a Single Reflection. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Johnson, Dale and Lee, Hyunkook (2016) Taking advantage of geometric acoustics modeling using metadata. In: Interactive Audio Systems Symposium 2016, 23rd September 2016, University of York.

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Kassier, Rafael, Lee, Hyunkook, Brookes, Tim and Rumsey, Francis (2005) An informal comparison between surround microphone techniques. In: Audio Engineering Society 118th Convention, 28-31 May 2005, Barcelona, Spain.

Kim, Dong Soo, Pang, Hee Suk, Lim, Jae Hyun, Yoon, Sung Yong and Lee, Hyunkook (2014) Methods and apparatuses for encoding and decoding object-based audio signals. US8756066.

Kim, Dong Soo, Pang, Hee Suk, Lim, Jae Hyun, Yoon, Sung Yong and Lee, Hyunkook (2014) Methods and apparatuses for encoding and decoding object-based audio signals. US8762157.

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Lee, Hyunkook, Dong Soo, Kim, Sung Yong, Yoon and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8258849.

Lee, Hyunkook, Sung Yong, Yoon, Dong Soo, Kim and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8135585.

Lee, Hyunkook (2014) 2D to 3D Upmixing based on Perceptual Band Allocation (PBA). In: AES 136th Convention. AES, p. 9079.

Lee, Hyunkook (2013) Apparent Source Width and Listener Envelopment in Relation to Source-Listener Distance. In: AES 52nd International Conference - Sound Field Control, 2nd-4th September 2013, Guildford, UK.

Lee, Hyunkook (2016) Capturing and Rendering 360º VR Audio Using Cardioid Microphones. In: AES Conference on Audio for Augmented and Virtual Reality, 30 Sep - 1 Oct 2016, Los Angeles, USA.

Lee, Hyunkook (2006) Effects of Interchannel Crosstalk in Multichannel Microphone Technique. Doctoral thesis, Institute of Sound Recording, University of Surrey.

Lee, Hyunkook (2015) Evaluation of the Phantom Image Effect for Phantom Images. In: 3rd International Conference on Spatial Audio (ICSA), 18-20 Sep 2015, Graz, Austria.

Lee, Hyunkook (2015) Investigation on the Phantom Image Elevation Effect. In: 139th Audio Engineering Society Convention, 29th October - 1st November 2015, New York City.

Lee, Hyunkook (2011) A New Multichannel Microphone Technique for Effective Perspective Control. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

Lee, Hyunkook (2015) Perceptual Band Allocation (PBA) for the rendering of vertical image spread. In: 138th Annual Audio Engineering Society AES Convention, 7th-10th May 2015, Warsaw, Poland. (Unpublished)

Lee, Hyunkook (2016) Perceptual Signal Processing for 3D Sound Recording. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Lee, Hyunkook (2016) Perceptually Motivated 3D Diffuse Field Upmixing. In: 2016 AES International Conference on Sound Field Control, 18th - 20th July 2016, Guildford, UK.

Lee, Hyunkook (2017) Perceptually Motivated Amplitude Panning (PMAP) for Accurate Phantom Image Localization. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Lee, Hyunkook (2016) Phantom Image Elevation Explained. In: Audio Engineering Society the 141st International Convention, 29 Sep - 2 Oct, Los Angeles, USA.

Lee, Hyunkook (2011) The Relationship between Interchannel Time and Level Differences in Vertical Localisation and Masking. In: 131st Audio Engineering Society Convention.

Lee, Hyunkook (2017) Sound Source and Loudspeaker Base Angle Dependency of the Phantom Image Elevation Effect. Journal of the Audio Engineering Society, 65 (9). pp. 733-748. ISSN 1549-4950

Lee, Hyunkook (2012) Subjective Evaluations of Perspective Control Microphone Array (PCMA). In: 132nd Audio Engineering Society Convention, 26-29 April 2012, Budapest, Hungary.

Lee, Hyunkook (2016) Towards the development of intelligent microphone array designer. In: The 2nd AES Workshop on Intelligent Music Production, 13th September 2016, Willoughby Lecture Theatre, Charterhouse Square, EC1M 6BQ Charterhouse Square London.

Lee, Hyunkook (2010) A new time and intensity trade-off function for localisation of natural sound sources. In: Audio Engineering Society 128th Convention, 22-25 May 2010, London, UK. (Unpublished)

Lee, Hyunkook and Gribben, Christopher (2013) On the optimum microphone array configuration for height channels. In: Audio Engineering Society134th International AES Convention, 4-7 May 2013, Rome, Italy.

Lee, Hyunkook, Gribben, Christopher and Wallis, Rory (2014) Psychoacoustic Considerations in Surround Sound with Height. In: 28th Tonmeistertagung: tmt 28, 20th-23rd November 2014, Cologne, Germany.

Lee, Hyunkook, Johnson, Dale and Mironovs, Maksims (2017) An Interactive and Intelligent Tool for Microphone Array Design. In: Audio Engineering Society 143rd international convention, 18-21st October 2017, New York.

Lee, Hyunkook, Johnson, Dale and Mironovs, Maksims (2016) A New Response Method for Auditory Localization and Spread Tests. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Lee, Hyunkook, Kim, Dong Soo, Yoon, Sung Yong, Pang, Hee Suk and Lim, Jae Hyun (2016) Method and apparatus for processing audio signal using spectral data of audio signal. US 9275648 B2.

Lee, Hyunkook, Kim, Dongsoo, Yoon, Sungyong, Pang, Heesuk and Lim, Jaehyun (2010) An apparatus for processing an audio signal and method thereof. WO 2010/036061.

Lee, Hyunkook, Kim, Dongsoo, Yoon, Sungyong, Pang, Heesuk and Lim, Jaehyun (2009) A method and an apparatus for processing an audio signal. WO 2009/078681.

Lee, Hyunkook, Mason, Russell and Rumsey, Francis (2007) Perceptually modelled effects of interchannel crosstalk in multichannel microphone technique. In: Audio Engineering Society 123rd Convention, 5-8 Oct 2007, New York, USA.

Lee, Hyunkook and Millns, Connor (2017) Microphone Array Impulse Response (MAIR) Library for Spatial Audio Research. In: Audio Engineering Society 143rd international convention, 18-21st October 2017, New York.

Lee, Hyunkook and Rumsey, Francis (2005) Investigation into the Effect of Interchannel Crosstalk in Multichannel Microphone Technique. In: Audio Engineering Society 118th Convention, 28-31 May 2005, Barcelona, Spain.

Lee, Hyunkook and Rumsey, Francis (2013) Level and Time Panning of Phantom Images for Musical Sources. Journal of the Audio Engineering Society, 61 (12). pp. 978-988. ISSN 15494950

Lee, Hyunkook, Sung Yong, Yoon, Dong Soo, Kim and Jae Hyun, Lim (2013) Method and and apparatus for processing a signal. US8346380.

Lee, Hyunkook, Yoon, Sungyong, Kim, Dongsoo and Lim, Jaehyun (2010) A method and an apparatus for processing a signal. WO 2010/036059.

Lim, Jae Hyun, Kim, Dong Soo, Lee, Hyunkook, Yoon, Sung Yong and Pang, Hee Suk (2017) Method and an apparatus for processing an audio signal. US 9659568 B2.

Lunn, Paul and Hunt, Andy (2011) Listening to the invisible: Sonification as a tool for astronomical discovery. In: Making visible the invisible: art, design and science in data visualisation, 10th-11th March 2011, Huddersfield, UK.

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McCormack, Leo and Lee, Hyunkook (2015) Immersive Audio Renderer (IAR). University of Huddersfield, Huddersfield, UK. (Unpublished)

Millea, Timothy A. and Wakefield, Jonathan P. (2010) Automating the Composition of Popular Music: The Search For a Hit. In: EvoPhD (EvoStar 2010), 7-9 April 2010, Istanbul Technical University, Istanbul, Turkey. (Submitted)

Millea, Timothy A. and Wakefield, Jonathan P. (2009) Automating the composition of popular music : the search for a hit. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 45-50. ISBN 9781862180857

Mironovs, Maksims and Lee, Hyunkook (2017) The Influence of Source Spectrum and Loudspeaker Azimuth on Vertical Amplitude Panning. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Mironovs, Maksims and Lee, Hyunkook (2016) Vertical Amplitude Panning for Various Types of Sound Sources. In: Interactive Audio Systems Symposium 2016, 23rd September 2016, University of York.

Moore, David, Mair, Quentin and Wakefield, Jonathan P. (2011) Ambisonic Audio System Optimization Using a HPC Cluster. In: 9th International Conference on Manufacturing Research, 6-8th September 2011, Glasgow Caledonian University, Scotland, UK.

Moore, David J. and Wakefield, Jonathan P. (2010) A Design Tool to Produce Optimised Ambisonic Decoders. In: 40th International Audio Engineering Society Conference - Spatial Audio, 8-10 October 2010, Tokyo, Japan.

Moore, David J. and Wakefield, Jonathan P. (2011) Designing Ambisonic Decoders for Improved Surround Sound Playback in Constrained Listening Spaces. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.

Moore, David J. and Wakefield, Jonathan P. (2008) Exploiting human spatial resolution in surround sound decoder design. In: 125th Audio Engineering Society Convention, 2-5 October 2008, San Francisco, USA.

Moore, David J. and Wakefield, Jonathan P. (2010) Optimisation of the Localisation Performance of Irregular Ambisonic Decoders for Multiple Off-Centre Listeners. In: 128th Audio Engineering Society Convention, 22-25 May 2010, London, UK.

Moore, David J. and Wakefield, Jonathan P. (2009) The Potential of High Performance Computing in Audio Engineering. In: 126th Audio Engineering Society Convention, 7-10 May 2009, Munich, Germany. (Unpublished)

Moore, David J. and Wakefield, Jonathan P. (2007) Surround Sound for Large Audiences: What are the Problems? In: Proceedings of Computing and Engineering Annual Researchers' Conference 2007: CEARC’07. University of Huddersfield, Huddersfield, pp. 1-7.

Moore, David J. and Wakefield, Jonathan P. (2007) The design and analysis of first order ambisonic decoders for the ITU layout. In: 122nd Audio Engineering Society Convention, 5th-8th May, 2007, Vienna, Austria.

Moore, David J. and Wakefield, Jonathan P. (2008) The design of ambisonic decoders for the ITU 5.1 layout with even performance characteristics. In: 124th Audio Engineering Society Convention, 17-20 May 2008, Amsterdam, The Netherlands.

Moore, David J. and Wakefield, Jonathan P. (2007) The design of improved first order ambisonic decoders by the application of range removal and importance in a heuristic search algorithm. In: 31st Audio Engineering Society International Conference, 25th-27th June 2007, London, UK.

Moore, John David and Wakefield, Jonathan P. (2006) An enhanced approach to surround sound decoder design. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2006: CEARC’06. University of Huddersfield, Huddersfield, pp. 1-6.

Mynett, Mark (2012) Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music. Journal on the Art of Record Production (6). ISSN 1754-9892

Mynett, Mark (2009) Extreme metal: the SOS guide to recording & producing modern metal. Sound on Sound. pp. 120-133. ISSN 0951-6816

Mynett, Mark (2010) Get the perfect bass. Computer Music (159). ISSN 1463-6875

Mynett, Mark (2009) Mixing metal: The SOS Guide To Extreme Metal Production: Part 2. Sound on Sound. pp. 118-126. ISSN 0951-6816

Mynett, Mark (2010) The sound and the fury. Guitar World. pp. 71-80. ISSN 1045-6295

Mynett, Mark (2010) The sound and the fury: part 2. Guitar World. pp. 72-86. ISSN 1045-6295

Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

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Raine Clarke, Jade and Lee, Hyunkook (2017) The Effects of Decreasing the Magnitude of Elevation-Dependent Notches in HRTFs on Median Plane Localization. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Rice, Thomas (2020) An Investigation into Non-linear Distortion Pedals with a Focus on Establishing a Lexicon to Accurately Describe Them. Masters thesis, University of Huddersfield.

Robotham, Thomas, Stephenson, Matthew and Lee, Hyunkook (2016) The Effect of a Vertical Reflection on the Relationship between Preference and Perceived Change in Timbre and Spatial Attributes. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Rogers, Andrew and Gibson, Ian (2012) Audiovisual Coalescence: The Effect of Synchrony in Film Score. In: 9th International Symposium on Computer Modeling and Retrieval, 19th-22nd June 2012, London, UK. (Unpublished)

Rogers, Andrew and Gibson, Ian (2013) Audiovisual synchrony: Cross-modal transient structure and tempo. In: Sixth International Conference of Students of Systematic Musicology, September 12th-14th 2013, Genoa, Italy. (Unpublished)

Rogers, Andrew and Gibson, Ian (2012) Emotional Impact of Musical/Visual Synchrony Variation in Film. In: Proceedings of 12th International Conference on Music Perception and Cognition (ICMPC). ICMPC, Thessaloniki, Greece, pp. 848-852. ISBN 9789609984515

Rogers, Andrew and Gibson, Ian (2014) Transient Analysis for Music and Moving Images: Consideration for Television Advertising. In: Proceedings of the 40th International Computer Music Conference and the 11th Sound & Music Computing conference. ICMC/SMC 2014 . ICMC/SMC, Athens, Greece, pp. 1226-1232.

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Scuda, Ulli, Stenzel, Hanne and Lee, Hyunkook (2010) Perception of Elevated Sound Image Recorded with 3D-Audio Microphone Arrays. In: Proceedings of International Conference on Spatial Audio 2014. ICSA 2014 . Verband Deutscher Tonmeister, Erlangen, Germany. ISBN ISBN 978-3-98 12830-4-4

Stenzel, Hanne, Scuda, Ulli and Lee, Hyunkook (2014) Localization and Masking Thresholds of Diagonally Positioned Sound Sources and Their Relationship to Interchannel Time and Level Differences. In: Proceedings of International Conference on Spatial Audio 2014. ICSA 2014 . Verband Deutscher Tonmeister, Erlangen, Germany. ISBN 978-3-98 12830-4-4

Stephenson, Matthew (2012) Assessing the quality of low frequency audio reproduction in critical listening spaces. Doctoral thesis, University of Salford.

Sung Yong, Yoon, Hee Suk, Pang, Dong Soo, Kim, Lee, Hyunkook and Jae Hyun, Lim (2012) Method and an apparatus for processing a signal. US8044830.

Sung Yong, Yoon, Lee, Hyunkook, Dong Soo, Kim and Jae Hyun, Lim (2013) Apparatus and method for processing a time domain audio signal with a noise filling flag. US8364471.

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Wakefield, Jonathan P. (2003) Artificial music. In: Modular 2003, 10th - 12th September, 2003, The London College of Music and Media, Thames Valley University, London, UK. (Unpublished)

Wakefield, Jonathan P. (1994) A Framework for Generic Computer Vision. Doctoral thesis, Univeristy of Huddersfield.

Wakefield, Jonathan P. and Dewey, Christopher (2015) Evaluation of an Algorithm for the Automatic Detection of Salient Frequencies in Individual tracks of Multi-track Musical Recording. In: 138th International AES Convention, 7th - 10th May 2015, Warsaw, Poland.

Wakefield, Jonathan P. and Dewey, Christopher (2015) An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings. In: 138th International AES Convention, 7th - 10th May 2015, Warsaw, Poland.

Wakefield, Jonathan P., Dewey, Christopher and Gale, William (2017) LAMI: A gesturally controlled three-dimensional stage Leap (Motion-based) Audio Mixing Interface. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.

Wakefield, Jonathan P. and Lawlor, Ian (2010) Profiling of Academically Successful and Unsuccessful Students on Music Technology and Production Degree Courses. In: Forum for Innovation in Music Production and Composition (FIMPaC), 20-21 May 2010, Leeds College of Music, Leeds, UK. (Unpublished)

Wallis, Rory and Lee, Hyunkook (2015) Directional bands revisited. In: 138th Annual AES Convention, 7th-10th May 2015, Warsaw, Poland. (Unpublished)

Wallis, Rory and Lee, Hyunkook (2015) The Effect of Interchannel Time Difference on Localisation in Vertical Stereophony. Journal of the Audio Engineering Society, 63 (10). pp. 767-776. ISSN 1549-4950

Wallis, Rory and Lee, Hyunkook (2014) Investigation into Vertical Stereophonic Localisation in the Presence of Interchannel Crosstalk. In: AES 136th Convention. AES, p. 9026.

Wallis, Rory and Lee, Hyunkook (2017) The Reduction of Vertical Interchannel Crosstalk: The Analysis of Localisation Thresholds for Natural Sound Sources. Applied Sciences, 7 (3). ISSN 2076-3417

Wallis, Rory and Lee, Hyunkook (2016) The Reduction of Vertical Interchannel Crosstalk: The Analysis of Localization Thresholds for Musical Sources. In: Audio Engineering Society 140th International Convention, 4th - 7th June 2016, Paris, France.

Wallis, Rory and Lee, Hyunkook (2016) The frequency dependency of localisation thresholds in the presence of reflections. In: TMT Proceedings 2016. VDT. ISBN 978-3-9812830-7-5

Wankling, Matthew and Fazenda, Bruno (2009) Studies in modal density – its effect at low frequencies. In: Proceedings of the Institute of Acoustics. 25th Reproduced Sound Conference 2009: REPRODUCED SOUND 25: The Audio Explosion, 31 . Instute of Acoustics, Brighton, UK, pp. 62-73. ISBN 978-1-61567-685-9

Wankling, Matthew, Fazenda, Bruno and Davies, W.J. (2012) The assessment of low-frequency room acoustic parameters using descriptive analysis. Journal of the Audio Engineering Society, 60 (5). pp. 325-337. ISSN 15494950

Wankling, Matthew, Fazenda, Bruno and Davies, William (2010) Improving the Assessment of Low Frequency Room Acoustics using Descriptive Analysis. In: 129th Convention of the Audio Engineering Society, 4th-7th November. 2010, San Francisco, USA.

Wendl, Mark and Lee, Hyunkook (2014) The Effect of Dynamic Range Compression on Loudness and Quality Perception in Relation to Crest Factor. In: AES 136th Convention. AES, p. 9021.

Wendl, Mark and Lee, Hyunkook (2015) The effect of dynamic range compression for octave bands of pink noise in relation to crest factor. In: 138th Annual Audio Engineering Society AES Convention, 7th-10th May 2015, Warsaw, Poland.

Wilson, Thomas R and Fenton, Steven (2016) A Semantically Motivated Gestural Interface for the Control of Audio Dynamic Range. In: Interactive Audio Systems Symposium 2016, 23/09/16, University of York. (Unpublished)

Wilson, Thomas R and Fenton, Steven (2014) Two Dimensional Gestural Control of Audio Processing. In: 136th International Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany.

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Yoon, Sung Yong, Pang, Hee Suk, Kim, Dong Soo, Lee, Hyunkook and Lim, Jae Hyun (2015) Method and an apparatus for processing a signal. US9031851.

Yoon, Sung Yong, Choi, Tack Sung and Lee, Hyunkook (2017) Apparatus for processing a signal and method thereof for determining an LPC coding degree based on reduction of a value of LPC residual. US 9613630 B2.

Yoon, Sungyong, Pang, Heesuk, Lee, Hyunkook, Kim, Dongsoo and Lim, Jaehyun (2008) Methods and apparatuses for encoding and decoding object-based audio signals. WO 2008/039043.