Abrate, Enrico, Ais Larizgoitia, José Ramon, del Amo, Yolanda, Serrano, Louis Artus, Aubert, Vincent, Baek, Mi Jeong, Rayenes, Yessica Barrera, Barrish, Christopher Jordan, Barthes, Raymond, Basurto Casado, Rosa, Bernáldez, Cannon, Bibel, Nora, Bruah, Jessica, Burton, Millie, Cañabate, Pepe, Capurso, Manuel, Castro, Quino, Clarkson, Garry, Cohen, Jordi, Cuevas, José Luis, Chrisikakis, Nikolaos, Chung, Hee Seung, Dubuisson, Emile Hyperion and Pérez, Arguiñe Escandón (2008) Descubrimientos PHE 08. Photo España / La Fabrica Editorial / Brizzoles, Madrid, Spain.
Adamson, Glenn, Belford, Trish, Collet, Carole, Horn, Andy, Nicol, Karen, Niedderer, Kristina, Olding, Simon, Perren, Nicola and Schwarz, Tilleke (2010) Foreword. In: Sample. University of Huddersfield, Huddersfield, p. 2. ISBN 9781862180871
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Andrews, Ian and Dossett, M.H. (1977) [Diffraction halo]. [Image]
Bailey, Rowan (2011) Art Collaboration between Phil Welding and Rowan Bailey: The Effects of Involuntary Thinking in the Workplace. [Show/Exhibition]
Baraklianou, Stella (2013) Pasearse. Duration and the act of photographing. In: Bergson and the art of immanence. Painting, photography, film, performance. University of Edinburgh Press, Edinburgh. ISBN 9780748670222
Baraklianou, Stella (2016) Container II. [Artefact]
Baraklianou, Stella (2015) Grand Art Projects III. [Show/Exhibition]
Baraklianou, Stella (2010) Let down your hair. [Show/Exhibition]
Baraklianou, Stella (2016) New Materiality, Banff Arts Centre. [Artefact]
Baraklianou, Stella (2011) Pasearse. Duration and the act of photographing. In: Bergson and his post-modern legacies, Courtauld Institute of Art, February 25th - 26th 2011, London, UK. (Unpublished)
Baraklianou, Stella (2016) Photography is Magic. [Show/Exhibition]
Baraklianou, Stella (2010) Picture from window. WIP (Work in Progress) online photographic magazine (8). pp. 24-29.
Baraklianou, Stella (2012) Pixel. Philosophy of Photography, 3 (2). pp. 305-309. ISSN 2040-3682
Baraklianou, Stella (2011) Projections of Animality- Responding to Phillip Warnell's film Outlandish. In: Unruly Creatures, Symposium on art, politics, the animal. London Graduate School and Natural History Museum, London, 14th June 2011, London, UK. (Unpublished)
Baraklianou, Stella (2015) Snail Time. [Show/Exhibition]
Baraklianou, Stella (2008) Space of Time. [Show/Exhibition]
Baraklianou, Stella (2008) Thread of light: the paradoxical nature of the photographic frame. In: Derrida Today, University of Macquarie, July 10th - 12th 2008, Sydney, Australia. (Unpublished)
Baraklianou, Stella (2011) The photograph as pulsating event. In: Symposium Rhythm and Event, London Graduate School and Kingston, London, October 29th 2011, London, UK. (Unpublished)
Beldea, Alex (2015) Last Shift. Fields: journal of Huddersfield student research, 1 (1). e2. ISSN 2057-0163
Beldea, Alexandru-Mircea (2017) Alternative photographic practice in Syria: the use of citizen photographs and social media within the Syrian Civil War. Masters thesis, University of Huddersfield.
Benincasa, Caterina (2007) Strawberries and sinners: Lilian Ream’s photographs of migrant East End labour and the Wishbech Fruiting Campaign. In: Inter War Rural History Research Group International Conference, 4-6 January 2007, Royal Holloway University of London, Egham, England. (Unpublished)
Biró, Eszter, Butler, Jacqueline, Calvo, Mirian, Coelho, Inês Bento, Keehan, Allyson, MacLellan, Fiona Jane, Weir, Catherine M., Worsley, Dawn, Zakari, Hanan Makki, Zioga, Polina and Checchia, Viviana (2016) Whereabouts you are. [Show/Exhibition]
Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]
Clarkson, G (2007) [5 photographs in O'Connor, Matt, Fathers 4 Justice: the Inside Story]. [Image]
Clarkson, Garry (2016) Le début du tunnel. 27 juin 2016 – Liberation. [Image]
Clarkson, Garry (2010) 'Photo Nite' Photo Month Kraków . [Show/Exhibition]
Clarkson, Garry and Buckley, Christine (2017) Photography: 'Story Behind the Picture' Interview and Photograph: Journalist Magazine June 2017. [Image]
Clarkson, Garry and Gendron, Guillaume (2016) REPORTAGE Editorial Photo spread: Brexit : et au milieu coule l’Angleterre in Libération (France) Photographs © Garry Clarkson with journalist Guillaume Gendron, Envoyé spécial à Leeds et à Follifoot — 17 May 2016. [Image]
Clarkson, Garry and Olivier, Estèves (2017) Après Manchester, arrêtons d’accuser les modèles d’intégration photo © Garry Clarkson with article by Olivier Estèves, Professeur à l’université de Lille. 30 May 2017. [Image]
Clarkson, Garry, Savage, Michael and Elliott, Francis (2015) Leftwingers ready to seize Labour jobs on economy. Times newspaper article featuring photographs of Jeremy Corbyn's rally in Leeds in 2015. Photographs © Garry Clarkson Michael Savage, Chief Political Correspondent and Francis Elliott, Political Editor. [Image]
Commons, Daniel William (2021) Coercion and Consent: The Mediation of Ideology in Photographic Practices. Masters thesis, University of Huddersfield.
Devlin, Liam (2015) In sight, In visible, In situ... In: High-rise. Ffotogallery, Cardiff, pp. 88-93. ISBN 978-1-872771-97-7
Devlin, Liam (2017) Myth, Montage & Magic Realism: Rethinking the Photograph as a Discursive Document. In: 54th Society for Photographic Education (SPE) Annual Conference 2017, 9-12 March 2017, Orlando, Florida. (Unpublished)
Devlin, Liam (2016) Myth, Montage and Magic Realsim. In: Society of Photographic Education 2017 National Conference, 9th - 12th March 2017, Orlando, Florida. (Submitted)
Devlin, Liam (2012) Occupy The Image. In: Eitherand. National Media Museum, London.
Dhimish, Mahmoud, Holmes, Violeta, Dales, Mark, Mather, Peter, Sibley, Martin J.N., Chong, Benjamin and Zhang, Li (2017) The impact of cracks on the performance of photovoltaic modules. In: PowerTech, 2017 IEEE Manchester. IEEE. ISBN 978-1-5090-4237-1
Dhimish, Mahmoud, Holmes, Violeta, Dales, Mark and Mehrdadi, Bruce (2017) Effect of micro cracks on photovoltaic output power: case study based on real time long term data measurements. Micro & Nano Letters, 12 (10). pp. 803-807. ISSN 1750-0443
Dhimish, Mahmoud, Holmes, Violeta, Mehrdadi, Bruce and Dales, Mark (2017) The impact of cracks on photovoltaic power performance. Journal of Science: Advanced Materials and Devices, 2 (2). pp. 199-209. ISSN 2468-2179
Dhimish, Mahmoud, Holmes, Violeta, Mehrdadi, Bruce, Dales, Mark and Mather, Peter (2017) Output Power Enhancement for Hot Spotted Polycrystalline Photovoltaic Solar Cells. IEEE Transactions on Device and Materials Reliability. ISSN 1558-2574
Dhimish, Mahmoud, Holmes, Violeta, Mehrdadi, Bruce, Dales, Mark and Mather, Peter (2018) PV output power enhancement using two mitigation techniques for hot spots and partially shaded solar cells. Electric Power Systems Research, 158. pp. 15-25. ISSN 0378-7796
Dhimish, Mahmoud, Holmes, Violeta, Mehrdadi, Bruce, Dales, Mark and Mather, Peter (2017) Photovoltaic fault detection algorithm based on theoretical curves modelling and fuzzy classification system. Energy, 140 (1). pp. 276-290. ISSN 0360-5442
Evans, Adrian (2006) Queensgate Market. [Image]
Evans, Adrian Queensgate Market Huddersfield. [Image]
Franceschini, Enrico and Clarkson, Garry (2004) La carica dei papà supereroi (The Charge of the superhero dad) by Enrico Franceschini. [Image]
Gander, Ryan (2012) Ampersand. [Show/Exhibition]
Gander, Ryan (2009) We Are Constant. [Show/Exhibition]
Gfader, Verina (2011) Tranquil hills fragile apparatus: Landscape film, migrational subjects, and diagrams of power. In: The Art Theatre Guild of Japan: Spaces for Intercultural and Intermedial Cinema Symposium, 30th-31st July 2011, Birkbeck College, University of London. (Unpublished)
Hepworth, Georgia (2021) Narcissus, Self-Surveillance, and the Virtual Doppelgänger: To what extent do these terms exist in selfie and photographic culture, and what psychological and sociological influences do they have? Masters thesis, University of Huddersfield.
Higginbottom, Richard (2017) The erotics of knowledge and the seduction of aesthetics. Masters thesis, University of Huddersfield.
Kelly, Stephen (1991) Victorian Lakeland photographers. Swan Hill Press. ISBN 1853102334
Lake, David John (2022) Capitalist Structures of Production: In the age of digital reproduction, how closely does the digitally generated photograph mirror global economics? Doctoral thesis, University of Huddersfield.
Lake, David John (2015) Photographing the Tintignac Carnyx. European Music Archaeology Project 2016-2018. [Image] (Unpublished)
Leitch, Bethany Kate (2021) A Zen Lens: An alternative way of thinking about a group of contemporary landscape photographers. Masters thesis, University of Huddersfield.
Lewis, Chara, Mojsiewicz, Kristin and Pettican, Anneké (2005) 2LIVE. [Show/Exhibition]
Lister, Graham (2014) My Altermodern Everyday: Glasgow - Solo Exhibition - The New Glasgow Society. [Show/Exhibition]
Lomax, Helen and Fink, Janet (2010) Interpreting images of motherhood: the contexts and dynamics of collective viewing. Sociological Research Online, 15 (3). ISSN 1360-7804
Maguire, Jennifer (2020) Depicting the Macabre: The lasting influence of German Expressionism on Photography. Masters thesis, University of Huddersfield.
McAra, Catriona (2013) Conteuses: An Evening with Kate Bernheimer. In: Conteuses: An Evening with Kate Bernheimer, curated by Catriona McAra, hosted by Danielle Arnaud with contributions from Samantha Sweeting and Tessa Farmer, Friday 7 June 2013, Danielle Arnaud Gallery, 123 Kennington Road, London. (Unpublished)
McAra, Catriona (2012) Of Paper Cut-Outs and Other Worlds. Inklings Jahrbuch für Literatur und Ästhetik, 29. pp. 98-120. ISSN 0176-3733
Mee, Erin (2013) Hearing the Music of the Hemispheres. TDR: The Drama Review, 57 (3). pp. 148-150. ISSN 1054-2043
Mountain, Gemma (2010) Exploration of cinematic conventions within a contemporary gallery space. Masters thesis, University of Huddersfield.
Mulhearn, Richard (2017) Kerb - Photographs by Richard Mulhearn - February 2017. [Artefact]
Mulhearn, Richard (2017) ‘A home we don’t recognize as ours’ Home and the Subjective State. In: Visualising the Home, 13-14 July 2017, University of Cumbria. (Unpublished)
Mulhearn, Richard, Devlin, Liam, Beldea, Alexandru-Mircea, Sailor, Layla, Eyre, Sarah, Higginbottom, Richard and Kurtis, Seba (2017) Discursive Documents. [Show/Exhibition]
Nolan, MIchael (2020) An Egalitarian Gaze: Photographic Representations of Working People in Britain, 1919- 1939. Doctoral thesis, University of Huddersfield.
Pasternak, Gil (2009) Covering Horror: Family Photographs in Israeli Reportage on Terrorism. Object, 11. pp. 87-104.
Pasternak, Gil (2012) “… And I will Live Forever”: The Intimate Politics of Family Photographs. In: “… And I will Live Forever”: The Intimate Politics of Family Photographs, 18 September 2012, The Photographer's Gallery, London. (Unpublished)
Pasternak, Gil (2012) Artistic Occupation: Camouflaging Difference in Photographic Imagery of the Middle East. In: Visual Communication and Globalization Symposium, 19 September 2012, University of Leeds. (Unpublished)
Pasternak, Gil (2012) Beyond Intimacy: The Radical Conventions of Family Photography. In: Beyond Intimacy: The Radical Conventions of Family Photography, 3 October 2012, The Musée Nicephore Niepce, Chalon sur Saône, France.
Pasternak, Gil (2010) “The Brownies in Palestina”: Politicising Geographies in Family Photographs. In: Emerging Landscapes: Between Production and Representation, June 2010, University of Westminster, London. (Submitted)
Pasternak, Gil (2013) “The Brownies in Palestina”: Politicising Geographies in Family Photographs. Photography and Culture, 6 (1). pp. 41-64. ISSN 1751-4525 1751-4517
Pasternak, Gil (2009) Covering Horror: Family Photographs in Israeli Reportage on Terrorism. In: History of Photography, 11 March 2009, The Courtauld Institute of Art. (Unpublished)
Pasternak, Gil (2003) Dispertion. [Show/Exhibition]
Pasternak, Gil (2011) An Innocent Politics? In: Writing Photography: An Innocent Politics?, 20th September 2011, The Photographers' Gallery, London. (Unpublished)
Pasternak, Gil (2011) Intimate Conflicts: Family Photographs, Politics and State Ideology. Radar, 1 (2). pp. 13-14. ISSN 2049-4327
Pasternak, Gil (2012) Jewish Soldiers of the Time: Ethos, Pathos and Logos in Rineke Dijkstra’s “Israel Portraits”. In: Insight Palestina Images, Discourses, and the Image of Discourse, 7 June 2012, University of Leeds. (Unpublished)
Pasternak, Gil (2011) Playing Soldiers: Posing Militarism in the Domestic Sphere. In: Visual Conflicts: On the Formation of Political Memory in the History of Art and Visual Cultures. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 139-168. ISBN 9781443831727
Pasternak, Gil (2009) Playing Soldiers: Posing Militarism in the Domestic Sphere. In: Hebrew and Jewish Studies, 9 December 2009, Department of Hebrew and Jewish Studies, University College London.
Pasternak, Gil (2010) Posthumous Interruptions: The Political Life of Family Photographs in Israeli Military Cemeteries. Photography and Culture, 3 (1). 41-63(23). ISSN 1751-4525
Pasternak, Gil (2008) Posthumous Interruptions: The Political Life of Family Photographs in Israeli Military Cemeteries. In: Association of Art Historians Annual Conference (AAH 2008), April 2008, Tate Britain, London.
Pasternak, Gil (2013) Récits d’un territoire (Ground Narratives). In: Territoires de l’attente. Diaphane éditions, Paris, pp. 67-76. ISBN 978-2-919077-15-1
Pasternak, Gil (2012) Scabbed Pictures: On the Familial Birth of National Postmemories. In: Urban Encounters: The Image of Public Space, 6 October 2012, Tate Britain.
Pasternak, Gil (2005) Slim & Stutter. [Show/Exhibition]
Pasternak, Gil (2004) Slim & Stutter. [Show/Exhibition]
Pasternak, Gil (2009) Supplementary Histories: On the Subversive Power of Family Photographs. In: Supplementary Histories: On the Subversive Power of Family Photographs, 13 May 2009, Chelsea College of Art and Design. (Unpublished)
Pasternak, Gil (2005) Untitled 2003. [Show/Exhibition]
Pasternak, Gil (2004) Untitled 2003. [Show/Exhibition]
Pasternak, Gil (2004) Untitled 2003. [Show/Exhibition]
Pasternak, Gil (2003) Untitled 2003. [Show/Exhibition]
Pasternak, Gil (2003) Untitled Digital Drawings 2002/3. [Show/Exhibition]
Pasternak, Gil and Fox, Paul (2011) Visual Conflicts: On the Formation of Political Memory in the History of Art and Visual Cultures. Cambridge Scholars Publishing, Newcastle Upon Tyne, UK. ISBN 9781443831727
Pettican, Anneké, Lewis, Chara and Mojsiewicz, Kristin (2015) Brass Art in Conversation with Roger Malbert. In: In Conversation / Brass Art with Roger Malbert, 29th October 2015, The International 3, Salford, UK. (Unpublished)
Pettican, Anneké, Lewis, Chara and Mojsiewicz, Kristin (2016) Brass Art, R<connecting Senses, Artists-in-Labs, Hong Kong. Artists in Labs, Switzerland - Hong Kong.
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2013) The Air which Held Them. [Show/Exhibition]
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2015) Brass Art: Freud’s House: The Double Mirror (2015). [Artefact]
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2014) ‘Brass Art: Submerged and Disrupted Identities’. CHArt (Computers and the History of Art) Annual Conference, Kings College London. In: Brass Art: Submerged and Disrupted Identities’. In: Conformity, Process and Deviation: Digital Arts as 'Outsider' CHArt [Computers and the History of Art],, 18th October 2014, King's College London Arts & Humanities Festival. (Unpublished)
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2015) The Festival of the Unconscious: The Unconscious Revisited at the Freud Museum, London. [Show/Exhibition]
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2015) Folds in Time: Artists' Responses to the Temporal and the Uncanny. An international conference, convened by Brass Art in association with the Freud Museum London, as part of the Festival of the Unconscious 2015. In: Folds in Time: Artists' Responses to the Temporal and the Uncanny, 4th July 2015, Freud Museum London.
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2014) Last dark music of the painted night Group Exhibition Screening Brass Art | Karen Donnellan | Michelle Hannah | Alexa Hare | Serena Korda | Modern Edinburgh Film School | Craig Mulholland. [Show/Exhibition]
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2014) The Manchester Contemporary: Brass Art Courtesy of International3. [Show/Exhibition]
Pettican, Anneké, Mojsiewicz, Kristin and Lewis, Chara (2013) Mirrors of the Mind. [Show/Exhibition]
Pettican, Anneké, Mojsiewicz, Kristin, Lewis, Chara and MacDonald, Alistair (2013) Brass Art with Alistair MacDonald, The Imagining of Things, Hear and Now, BBC Radio 3. [Audio]
Pettican, Anneké and Roberts, Spencer (2014) Dreams of East Asia. [Show/Exhibition]
Read, Ailsa (2020) The Re-envisaging Of The Pendle Witches. Doctoral thesis, University of Huddersfield.
Richards, James (2022) Gay on Instagay: A Critical Examination of the Instagram Safe Space used by Male Gay Communities through Portraiture Photography and Gay Iconography Analysis. Masters thesis, University of Huddersfield.
Richardson, Craig (2016) Dirty Museum. Journal of Visual Art Practice. ISSN 1470-2029
Robinson, David (2002) Using Photographs to Elicit Narrative Accounts. In: Narrative, Memory and Life Transitions. University of Huddersfield, Huddersfield, pp. 179-187.
Rowley, Alison (2015) Four Portraits of Sarah Lucas as an Artist. In: Shifting Subjects: Contemporary Women and Self Portraiture, 20th October 2015, Leeds City Art Gallery. (Unpublished)
Rowley, Alison (1995) Robert Mapplethorpe as Lisa Lyons, Politics of Skin. In: Robert Mapplethorpe Symposium, 1995, Art Gallery of Western Australia. (Unpublished)
Santamas, Mihalis (2015) The Space Between: Time, Memory and Transcendence in Audio-Photographic Art. Doctoral thesis, University of Huddersfield.
Stansbie, Lisa (2010) Art for Everyone Exhibition curated by Axis. [Show/Exhibition]
Stansbie, Lisa (2014) The Beach. [Audio]
Stansbie, Lisa (2011) A Century of Artists Film. [Show/Exhibition]
Stansbie, Lisa (2012) Channel Swimwear Rules. [Show/Exhibition]
Stansbie, Lisa (2012) Contemporary Art and The Open Water. In: 2012 Global Open Water Swimming Conference, 21-23 September, HMS Queen Mary, Los Angeles, California.. (Unpublished)
Stansbie, Lisa (2014) Exploring Bodies in Time and Space: The Performance of the Channel Swimmer: Time-Based Rituals and Technology. In: Exploring Bodies in Time and Space. Interdisciplinary Press, Oxford, UK, pp. 263-272. ISBN 978-1-84888-246-1
Stansbie, Lisa (2012) Flight (ROTOR). [Show/Exhibition]
Stansbie, Lisa (2011) Hunter Gatherer. [Show/Exhibition]
Stansbie, Lisa (2014) Nothing Great Is Easy. [Show/Exhibition]
Stansbie, Lisa (2013) The Performance of the Channel Swimmer: Time-based Rituals and Technology. In: Time, Space and The Body Global Conference, 10th - 13th February 2013, Mercure Hotel, Sydney, Australia. (Submitted)
Stansbie, Lisa (2011) Portmanteau. [Show/Exhibition]
Stansbie, Lisa (2012) Sandettie Lightship and Shipping Lane. Corridor 8: The Fast Slow Edition (3). ISSN 9780955267260
Stansbie, Lisa (2012) Testing the Limits: Contemporary Art and Channel Swimming. In: Endurance Sport, 11 September 2012, Wolfson Research Exchange, The University of Warwick. (Unpublished)
Stansbie, Lisa (2010) Totemic Objects. [Show/Exhibition]
Stansbie, Lisa (2007) The cloud collector. UNSPECIFIED.
Stansbie, Lisa (2010) /seconds issue 12: ARCHETYPE: GOING UNDERGROUND / THE CRUEL SCENE OF THE IMAGE. [Show/Exhibition]
Stansbie, Lisa and Borlescu, Ana Maria (2013) Reflections on Narrative: Interdisciplinary Storytelling. Interdisciplinary Press, Oxford. ISBN 978-1-84888-245-4
Sweeney, Clair (2010) Editorial. In: Sample. University of Huddersfield, Huddersfield, p. 3. ISBN 9781862180871
Taylor, Andrew, Unver, Ertu and Ball, Andrew (2016) Interdisciplinary 3d Mobile Scanning Technology Case Studies: Canvasman, Faro, Artec & Structure Sensor For Ipad. In: School of Art, Design & Architecture Research Conference 2016, 14th January 2016, University of Huddersfield.
Tian, Gui Yun, Gledhill, Duke and Taylor, D. (2002) Colour correction for panoramic imaging. Proceedings of the Sixth International Conference on Information Visualisation, IV'02. pp. 483-488. ISSN 1093-9547
Tinker, Amanda (2014) Creating order from chaos: A classificatory approach to retrieval in a local history photographic archive. Journal of Writing in Creative Practice, 7 (3). pp. 427-445. ISSN 1753-5190
Townsley, Jill (2011) Fulford in Fog. [Show/Exhibition]
Tsegmid, Tsendpurev, MacDonald, Juliet, Smith, Megan L, Morgan, Jill, Andersson, Asa, Stansbie, Lisa and Heald, Karen (2007) Odoo/Current. [Show/Exhibition]
Weldon, Simon (2021) The Transformative Potential of Photographic Archives: How Investigating the Power Dynamics and Veracity Within Photographic Archives Can Establish a Collaborative Practice that Readdresses the Past. Masters thesis, University of Huddersfield.
Williamson, Sarah (2016) Raising awareness of current affairs through photography. In: BSA Sociology of the Arts Study Group: Using the Arts in Teaching and Research, 14th June 2016, University of Sheffield, UK. (Unpublished)
Williamson, Sarah (2017) Witness / Eyewitness: Exploring the transformative potential of photography to develop an inclusive view of the world and society. In: SCUTREA 2017, 4-6th July 2017, Edinburgh University.