Items where Subject is "PN2000 Dramatic representation. The Theater"

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Barnett, David (2000) Access Denied: Werner Schwab, the Explosion of Character and the Collapse of the Play-within-a-Play. In: German-Language Literature Today: International and Popular? Peter Lang, Oxford, pp. 281-294. ISBN 9783906764887

Barnett, David (2000) Collective Dramaturgy: A Marxist Challenge to the Modern Stage, Or: Heiner Müller's Political Theatre of Destruction. In: Heiner Müller: Probleme und Perspektiven. Amsterdamer Beiträge zur Neueren Germanistik (48). Rodopi, Amsterdam, Netherlands, pp. 45-55. ISBN 9789042015616

Barnett, David (2001) Documentation and its Discontents: The Case of Heinar Kipphardt. Forum for Modern Language Studies, 37 (3). pp. 272-285. ISSN 00158518

Barnett, David (2000) Dramaturgies of "Sprachkritik": Rainer Werner Fassbinder's "Blut am Hals der Katze" and Peter Handke's "Kaspar". The Modern Language Review, 95 (4). pp. 1053-1063. ISSN 00267937

Barnett, David (2002) Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments. Theatre Research International, 27 (1). pp. 49-57. ISSN 03078833

Barnett, David (2001) Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre and the Play The Europeans. Modern Drama, 44 (4). pp. 458-475. ISSN 0026-7694

Barnett, David (2001) Joseph Goebbels: Expressionist Dramatist as Nazi Minister of Culture. New Theatre Quarterly, 17 (2). pp. 161-169. ISSN 0266-464X

Beale, Chloe (2017) The Use of Meyerhold's Biomechanics Training and Principles of Composition in Contemporary Theatre. Doctoral thesis, University of Huddersfield.

Bent, Jacqi and Gavin, Helen (2010) The Maids, Mother and “The Other One” of the Discworld: Exploring the magical aspect of Terry Pratchett's Witches. In: 1st Global Conference: Magic and the Supernatural, 15 - 17 March 2010, Salzburg, Austria.

Bilenko, George (2019) An Exploration into the Use of Rhythm in Devising Movement for Theatre. Masters thesis, University of Huddersfield.

Bonner, John V.H. (2015) Lullaby - The singing bowl. [Video]

Borlik, Todd Andrew (2017) Review of Measure for Measure (directed by Yukio Ninagawa), Sainokuni Shakespeare Company. Shakespeare Bulletin, 35 (1). pp. 135-142. ISSN 0748-2558

Borlik, Todd Andrew (2017) Shakespeare's Insect Theatre: Fairy Lore as Elizabethan Folk Entomology. In: Performing Animals: History, Agency, Theater. Pennsylvania State University Press, Pennsylvania. ISBN 9780271078342

Bowler, Ruth (2016) Four Women and I’m Only Sleeping: An exploration into the experimental manipulation of the monologue leading to the creation of multi-narrative voiced performances. Masters thesis, University of Huddersfield.

Britton, John (2007) Movement improvisation in psychophysical training. In: Impro Continuums 2007, Royal Welsh School of Music and Drama. (Unpublished)

Britton, John (2011) Self-With-Others - a psychophysical approach to training performers in ensemble. [Web page]

Britton, John Spontaneous Combustion #1-#33 (Performance Series 2004-2009). In: UNSPECIFIED, 2004 to present.

Britton, John (2009) Stones have been known to move and trees to speak. In: Stones have been known to move and trees to speak, 8th-17th April 2009, Au Brana Cultural Centre, South of France.

Britton, John (2010) What is it? The 'it'-ness of ensemble. In: Encountering Ensemble, 16 September 2010, University of Huddersfield. (Unpublished)

Britton, John (2007) The pleasure principle: some principles for a psychophysical training. In: How to Act: an international conference, 14-17 February 2007, Central School of Speech and Drama. (Unpublished)

Britton, John (2010) The pursuit of pleasure. Journal of Theatre, Dance and Performance Training, 1 (1). pp. 36-54. ISSN 1944-3927

Britton, John, Elliott, Hilary, Middleton, Deborah K. and Moss, Tim (2008) Writing the Body, Dancing The Mind. In: 'Writing the Body, Dancing The Mind’ workshop, July 2008, National University of Mexico. (Unpublished)

Britton, John W (2011) Starting From Now: A Performer's Guide to Improvisation - A Performed Lecture. In: UNSPECIFIED, Thesasloniki, Greece.

Broadhead, Alastair (2015) Creativity and Embodied Fluid Movements. Masters thesis, University of Huddersfield.

Brown, Emily (2015) Task, Attention, Movement: An Exploration of Psychophysical Training Methods for Ensemble Performance. Masters thesis, University of Huddersfield.

Burr, Vivien (2010) Buffy as role model: her significance for female viewers. In: The Slayage Conference on the Whedonverses 4, June 3-6 2010, St Augustine, Florida, USA. (Unpublished)

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Calvert, Dave (2014) 'Actual Idiocy' and the Sublime Object of Susan Boyle. In: Žižek and Performance. Palgrave Macmillan, London, pp. 178-195. ISBN 9781137410900

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2009) Like the Special Olympics? The relationship of research to practice in theatre and learning disability. In: TaPRA Conference 2009, 7th - 9th September 2009, Plymouth University. (Unpublished)

Calvert, Dave (2015) Mind the Gap. In: British Theatre Companies: 1995-2014. Bloomsbury, London, UK, pp. 127-154. ISBN 9781408177273

Calvert, Dave (2008) Oh We Do Like To Redefine The Seaside. In: Performing Heritage, 3rd - 5th April 2008, University of Manchester. (Unpublished)

Calvert, Dave (2009) Re-claiming authority: the past and future of theatre and learning disability. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 75-78. ISSN 1470-112X

Calvert, David Anthony (2013) The rat pack and the British pierrot: negotiations of national identity, alienation and belonging in the aesthetics and influences of concerted troupes in popular entertainment. Masters thesis, University of Huddersfield.

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Christofides, R.M. (2015) What is Othello’s Secret? Identity papers: A journal of British and Irish studies, 1 (2). pp. 13-24. ISSN 2058-6205

Culpeper, Jonathan and McIntyre, Dan (2010) Activity types and characterisation in dramatic discourse. In: Characters in Fictional Worlds. Revisionen / Grundbegriffe der Literaturtheorie, 3 . De Gruyter. ISBN 9783110232417

Cunningham, Penelope (2012) Digital Theatre: Considerations and an Analysis of Live Performance Practice in Second Life. Masters thesis, University of Huddersfield.

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Elliott, Hilary (2010) Improvisation as Performance and Immediate Writing. In: TaPRA Conference 2010, Cardiff. (Unpublished)

Elliott, Hilary (2010) Playing with/in boundaries. Proximity, 13 (3). pp. 4-9. ISSN 1445-7830

Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)

Elliott, Hilary (2007) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Enhancing Performance', February 2007, University of Canberra.

Elliott, Hilary (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of 'Concoction', August 2009, Cecil Street Studio, Melbourne, Australia.

Elliott, Hilary (2007) Tracking and Mapping Improvisation. In: Improvisation Continuums: theorising practice across disciplines, April 2007, Cardiff. (Unpublished)

Elliott, Hilary and Britton, John (2006) Quiddity Nights. In: Quiddity Nights, Autumn 2006, University of Huddersfield.

Elliott, Hilary and Britton, John (2007) Spontaneous Combustion. In: Spontaneous Combustion, June 2007, Ada Studio und Bühne, Berlin, Germany..

Elliott, Hilary and Britton, John (2008) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Writing the Body and Dancing the Mind', March 2008, National University of Mexico.

Elliott, Hilary and Britton, John (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'The Week of Speakers', 22 June - 24 June 2009, University of Huddersfield.

Elliott, Hilary and Britton, John (2010) Spontaneous Combustion. In: Spontaneous Combustion, Ballettakademien, Stockholm, Sweden..

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Harper, Kayleigh (2019) Immersive Theatre: An educational intervention for Mental Health. Masters thesis, University of Huddersfield.

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). pp. 59-78. ISSN 1468-2761

Hetzler, Eric T (2010) The actor's awareness: an empirical examination from the survey of the actor's experience. In: Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing, Cambridge, pp. 46-65. ISBN 1445816493

Horley, Rachel (2014) An enquiry into the relevance of the practices of Commedia Dell'Arte to contemporary feminist theatre making. Masters thesis, University of Huddersfield.

Hubery, Rebecca (2019) What Are the Impacts of Buddhism on the Japanese Performance Style of Noh Theatre? Masters thesis, University of Huddersfield.

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Jannise II, Raymond Paul (2021) Embodying Shakespeare: A Psychophysical Approach to OP Rehearsal & Performance. Doctoral thesis, University of Huddersfield.

Jarvis, Christine (2012) The re-appearance of the disappearing heroine. The case of Buffy Summers and Bella Swan. In: Slayage 5 on the Whedonverses, 12th - 15th July 2012, University of British Columbia, Vancouver, British Columbia. (Unpublished)

Jurs-Munby, Karen (2005) Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy. Theatre Research International, 30 (1). pp. 19-35. ISSN 0307-8833

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Kirillov, Andrei and Chamberlain, Franc (2013) Rehearsal protocols for Hamlet by William Shakespeare at the Second Moscow Art Theatre. Theatre, Dance and Performance Training (Special Issue: Michael Chekhov), 4 (2). pp. 237-242. ISSN 1944-3927

Krawczyk, Ilona (2021) EMBODYING VOICE IN TRAINING AND PERFORMANCE: A PROCESS-ORIENTED APPROACH. Doctoral thesis, University of Huddersfield.

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Malay, Jessica L. (2010) Prophecy and Sibylline imagery in the Renaissance: Shakespeare’s Sibyls. Routledge Studies in Renaissance Literature and Culture . Routledge. ISBN 9780415877923

Malay, Jessica L. (2010) Shakespeare’s Tudor Sibyl: Sibylline Discourse in the Portrayal of Queen Margaret in Richard III. In: Représentations et identités sexuelles dans le théâtre de Shakespeare. Presses Universitaires de Rennes, Rennes, France, pp. 61-78. ISBN 9782753511637

McIntyre, Dan (2006) Humour, politeness and multiple meanings in Peter Cook’s “One Leg Too Few”. In: 4th Conference of the International Association of Literary Semantics: In Search of (Non)Sense: Literary Semantics and the Related Fields and Disciplines, 12 October – 14 October 2006, Institute of English Philology, The Jagiellonian University of Kraków, Poland. (Unpublished)

McIntyre, Dan (2008) Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III. Language and Literature, 17 (4). pp. 309-334. ISSN 0963-9470

McIntyre, Dan (2004) Point of View in Drama: A Socio-Pragmatic Analysis of Dennis Potter’s Brimstone and Treacle. Language and Literature, 13 (2). pp. 139-160. ISSN 09639470

McIntyre, Dan (2008) Point of view in drama: an analysis of 'Brimstone and Treacle'. In: The language and literature reader. Routledge, pp. 219-229. ISBN 9780415410021

McIntyre, Dan (2002) Viewpoint and characterisation in Dennis Potter's 'Brimstone and Treacle'. In: Textuak secrets: the message of the medium. Eotvos Lorand University, Budapest, pp. 423-429. ISBN 9789634635994

McIntyre, Dan and Culpeper, Jonathan (2007) Activity types and characterisation in dramatic discourse. In: Symposium on Characters in Fictional Worlds, 28th February - 2nd March 2007, Bielefeld University. (Unpublished)

Middleton, Deborah K. (2012) “Arriving” with Others: A Contemplative Approach to Ensemble Creativity. In: Fourth Annual Association for Contemplative Mind in Higher Education Conference Contemplative Approaches in the Diverse Academic Community: Inquiry, Connection, Creativity, and Insight, 21st - 23rd September 2012, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2012) Cultivating change: personal challenge in psychophysical training. Theatre, Dance and Performance Training, 3 (1). pp. 41-54. ISSN 1944-3927

Middleton, Deborah K. (2007) Electrical Kites and Fire in the Head. [Video]

Middleton, Deborah K. (2004) Electrical Kites and Fire in the Head. In: Electrical Kites and Fire in the Head, 2004, Lawrence Batley Theatre, Huddersfield.

Middleton, Deborah K. (2000) Flight of the Heart. Total Theatre Magazine, 12 (4). ISSN 0960-6106

Middleton, Deborah K. (1996) Foreword. In: Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam, xiii-xv. ISBN 9783718657100

Middleton, Deborah K. (2009) From Poland to Huddersfield via Mexico. In: British Grotowski Conference 2009: 'Grotowski: Theatre and Beyond', 11th - 14th June 2009, University of Kent. (Unpublished)

Middleton, Deborah K. (2011) "Sacralidad secular" en el teatro ritual delTallerde Investigacion Teatral de la UNAM [Secular sacredness]. In: Jerzy Grotowski. Miradas desde Latinoamérica. Universidad Veracruzana. ISBN 978-607-502-079-2

Middleton, Deborah K. (2008) Secular sacredness in the ritual theatre of Nicolas Nunez. Performance Research, 13 (3). pp. 41-54. ISSN 1469-9990

Middleton, Deborah K. (1996) Theatre in the Cosmos. Total Theatre Magazine, 8 (3). ISSN 0960-6106

Middleton, Deborah K. (2011) Towards A Contemplative Creativity. In: Third Annual Association for Contemplative Mind in Higher Education Conference: The Contemplative Campus, 11th - 13th November 2011, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. and Adkins, Monty (2014) Borderlands. [Artefact]

Middleton, Deborah K. and Chamberlain, Franc (2012) Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3 (1). ISSN 2157-4049

Middleton, Deborah K. and Debbie, Hoyle (2007) Building Creative Capacity in Staff and Students. [Web page]

Middleton, Deborah K. and Moss, Tim (2007) Cowboy Manifesto: A Writers’ Guide to the Wild West. [Video]

Miller, Liz and Zompetti, Joseph P. (2015) After the Prestige: A Postmodern Analysis of Penn and Teller. Journal of performance magic, 3 (1). pp. 3-24. ISSN 2051-6037

Morris, Eilon (2009) Principles Of Rhythm In Pre-Expressive Performance Training. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Morris, Eilon (2013) VIA RHYTMÓS : An Investigation of Rhythm in Psychophysical Actor Training. Doctoral thesis, University of Huddersfield.

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

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Nicholson, Steve (2003) The censorship of British drama, 1900-1968. 1900-1932. Exeter performance studies . University of Exeter Press, Exeter. ISBN 0859896382

Ntaltagianni, Savvina (2013) Examining the pedagogical philosophy and ethos of dance training in Greece through the lens of John Britton's physical theatre training "self-with-others". Masters thesis, University of Huddersfield.

Núñez, Nicolás (1996) Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam. ISBN 9783718657100

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Orr, Gareth J. (2019) An Investigation into Michael Chekhov’s Psychological Gesture, Through the Contemporary Framework of Conceptual Blending Theory. Masters thesis, University of Huddersfield.

O’Donnell, Emily (2018) The ‘Theatre of Horror’: exploring the underutilised horror genre in modern theatre. Masters thesis, University of Huddersfield.

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Pratt, Jacob Lewis (2017) 'Don't be an Artist': An Exploration into the Career Viability of UK Theatre Companies in the Socio-Political Landscape of the 21st Century. Masters thesis, University of Huddersfield.

Preece, Bronwyn (2019) PERFORMING EMBODIMENT: IMPROVISATIONAL INVESTIGATIONS INTO THE INTERSECTIONS OF ECOLOGY AND DISABILITY. Doctoral thesis, University of Huddersfield.

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Reinhart, Martin (2015) Spirited Away. Journal of performance magic, 3 (1). pp. 25-35. ISSN 2051-6037

Rudrum, David (2008) Murder - A Dying Art? George Orwell, Raymond Chandler, and the Mysterious Death of English Crime Writing. In: Crime Cultures: Figuring Criminality in Literature, Media and Film International Conference, 14th - 16th July 2008, University of Portsmouth. (Unpublished)

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Sewell, Sean (2018) The Use Of Circus Elements To Illuminate The Text Within Sophocles’ Antigone. Masters thesis, University of Huddersfield.

Sharpe, James (2021) An Examination of Propositionality and Immersion in Theatre. Doctoral thesis, University of Huddersfield.

Song, Hanqun (2016) Theatrical performance in the tourism industry: An Importance-Satisfaction Analysis. Journal of Vacation Marketing, 22 (2). pp. 129-141. ISSN 1356-7667

Song, Hanqun and Cheung, Catherine (2010) Attributes affecting the level of tourist satisfaction with and loyalty towards theatrical performance in China: Evidence from a qualitative study. International Journal of Tourism Research, 12 (6). pp. 665-679. ISSN 1099-2340

Song, Hanqun and Cheung, Catherine (2010) Factors Affecting Tourist Satisfaction with Theatrical Performances: A Case Study of 'The Romance of the Song Dynasty' in Hangzhou, China. Journal of Travel & Tourism Marketing, 27 (7). pp. 708-722. ISSN 1054-8408

Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548

Stewart, Michael (2002) Bambiha. n/a. (Submitted)

Stewart, Michael (2007) The Cleaners. n/a. (Submitted)

Stewart, Michael (2007) Excluded. [Audio]

Stewart, Michael (2001) Karry Owky. n/a. (Submitted)

Stewart, Michael (2011) The Shadow Of Your Hand. [Artefact]

Sycamore, Lucy (2015) Ways of Viewing: A Cognitive and Neuroscientific Investigation and Analysis of Theatre Spectatorship. Masters thesis, University of Huddersfield.

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Taylor, Nik and Nolan, Stuart (2015) Letter from the editors. Journal of performance magic, 3 (1). pp. 1-2. ISSN 2051-6037

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

Taylor, Linda (2007) Contemporary Political Theatre and the Collaborative Making Process. In: At the Sharp End, 15th September 2007, University of Portsmouth. (Unpublished)

Taylor, Linda (2009) From ideology critique to communicative action: new approaches for political theatres. In: Silent Voices Forbidden Lives: Censorship and Performance (FIRT/IFTR Annual International Conference, 12th - 18th July 2009, Lisbon, Portugal. (Unpublished)

Taylor, Linda (2008) Multiple Dialogue; a reflection on the influences of Goat Island’s use of dialogue and response on my work as a teacher and practitioner within Higher Education. In: Goat Island: Lastness, raiding the archive, and pedagogical practices in performance, 29th February - 2nd March 2008, Lancaster University. (Unpublished)

Taylor, Linda (2008) Multiple dialogues; a reflection on the influences of Goat Island's use of dialogue and respose on my work as a teacher and practitioner within higher education. In: Goat Island : Lastness, raiding the archive, and pedagogical practices, Saturday 1 March 2008 to Sunday 2 March 2008, Nuffield Theatre, Lancaster, UK. (Unpublished)

Taylor, Linda (2007) Multiple dialogues; a reflection on the influences of Goat Island's use of dialogue and respose on my work as a teacher and practitioner within higher education. In: The Lastmaker Symposium, 23-24 October 2007, Leeds, UK. (Unpublished)

Taylor, Linda (2009) Operations of dialogue. In: Silent Voices Forbidden Lives: Censorship and Performance (FIRT/IFTR Annual International Conference, 12th - 18th July 2009, Lisbon, Portugal. (Unpublished)

Taylor, Nik (2013) The Bizarnival of the Strange. Mystic Menagerie: The Journal of Bizarre Magic, 1 (13). pp. 10-12.

Taylor, Nik (2011) Collective Delusion and the Madness of Crowds. In: Occult Magic 2: Into The Darkness. Valentine Entertainments, pp. 43-47.

Taylor, Nik (2007) England's Home of Mystery. In: England's Home of Mystery, 17-18 December 2007, Milton Theatre, University of Huddersfield.

Taylor, Nik (2015) The Fairy Goblet of Eden Hall to Hunting Mammoths in the Rain - experiencing the paraxial through performance magic and mystery entertainment. In: Tales Beyond Borders, 24-25 April 2015, The University of Leeds. (Unpublished)

Taylor, Nik (2014) The Gift of Hermes. In: Hester Reeve - YMEDACA, 30 Aug 2014, Yorkshire Sculpture Park.

Taylor, Nik (2011) Host / MC. In: Scrambling Your Mind, 16th April 2011, The University of Huddersfield.

Taylor, Nik (2010) How Psychic are you? In: Halloween Happening 2010, 30th October 2010, The Lawrence Batley Theatre, Huddersfield.

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Taylor, Nik (2011) Introduction. In: Scripting & Storytelling for Paranormal Entertainers. Aken Productions, ix.

Taylor, Nik (2009) Many Magics. In: Many Magics, 19 March 2009, Milton Theatre, University of Huddersfield.

Taylor, Nik (2011) More Than Just Tricks. In: Tabula Mentis, 16th April 2011, The University of Huddersfield. (Unpublished)

Taylor, Nik (2014) Out of Tricks. In: The Magiculum. EyeCorner Press, London, UK, pp. 101-111. ISBN 9788792633279

Taylor, Nik (2009) A Performance of Bizarre Magick. In: The Ninth Biannual Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Taylor, Nik (2016) “Strange Ceremonies”: Creating Imaginative Spaces in Bizarre Magick. The Luminary (7). pp. 54-63. ISSN 2056-9238

Taylor, Nik (2010) Throw Six to Start. Mystic Menagerie: The Journal of Bizarre Magic (3).

Taylor, Nik and Hoedt, Madelon (2012) Magic and the M-word. In: Liber Mentis. PSYCRETS, London, pp. 262-276. ISBN 9781291107326

Thorley, Emily Victoria Jayne (2021) Angry Young Women: An Exploration of Feminist Feeling in the Nineteen-Nineties. Masters thesis, University of Huddersfield.

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WOOD, MOLLIE J. (2021) AN EXPLORATION INTO THE REPRESENTATION OF FEMALE DEATH IN CONTEMPORARY PERFORMANCE OF SHAKESPEAREAN TRAGEDY. Masters thesis, University of Huddersfield.

Wedderburn, Eve (2006) Borderline cases. Total Theatre Magazine, 18 (2). pp. 20-22. ISSN 0960-6106

Wedderburn, Eve (2008) Employability as Product: The Effect of Product Driven Work on Creativity. In: Explore the future of the performing arts curriculum and help us to fill in the ( ), Wednesday 26 March-Friday 28 March 2008, Liverpool Institute of Performing Arts, UK. (Unpublished)

Wedderburn, Eve (2008) Writing ‘the Body’: reconsidering physicality through ‘French’ theatre discourse. Masters thesis, University of Exeter.

Whittington, Amanda (2016) Bad Girls and Blonde Bombshells: Lived Feminism in Popular Theatre. Doctoral thesis, University of Huddersfield.

Wilcock, Sean (2015) The Source of Magic. Journal of performance magic, 3 (1). pp. 36-56. ISSN 2051-6037

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Winston, Liam (2011) A Critical Evaluation of Careful and Liam Winston Presents: An Evening of Comedy for the Everyday Man and Woman In Relation To Satire and Silence within Comedy. Masters thesis, University of Huddersfield.