Items where Subject is "PN1993 Motion Pictures"

Article

Ashby, Justine (2005) Postfeminism in the British Frame. Cinema Journal, 44 (2). pp. 127-132. ISSN 00097101

Bradley, Catherine (2005) Where is Donnie? A discusion of the imaginary and the symbolic in Donnie Darko (2001). Crash Cinema, 4. ISSN 1743-4459

Burr, Vivien (2003) Buffy and the BBC: moral questions and how to avoid them. Slayage: the online international journal of Buffy studies, 8.

Burr, Vivien (2003) 'It all seems so real': intertextuality in the Buffyverse. Refratory: a journal of entertainment media, 2. ISSN 1447-4905

Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101

Fink, Janet (2011) For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction. Women's History Review, 20 (1). pp. 145-160. ISSN 0961-2025

Fink, Janet (2012) Questions of innocence and guilt: child abduction and the representation of mothers in post-war British cinema. Families, Relationships and Societies, 1 (2). pp. 191-206. ISSN 2046-7435

Fink, Janet and Holden, Katherine (1999) Pictures from the Margins of Marriage: Representations of Spinsters and Single Mothers in the mid-Victorian Novel, Inter-war Hollywood Melodrama and British Film of the 1950s and 1960s. Gender and History, 11 (2). pp. 233-255. ISSN 0953-5233

Ibrahim, Yahaya Makarfi, Kaka, Ammar P., Aouad, Ghassan and Kagioglou, Mike (2008) As-built Documentation of Construction Sequence by Integrating Virtual Reality with Time-lapse Movies. Architectural Engineering and Design Management, 4 (2). pp. 73-84. ISSN 17452007

Klontzas, Michael (2013) Book Review: The Economics of Television in a Digital World: What Economics Tells Us for Future Policy Debates, Patrick Barwise and Robert G. Picard, Reuters Institute for the Study of Journalism, Oxford University. International Journal of Digital Television, 4 (3). pp. 357-364. ISSN 2040-4182

Lugea, Jane (2013) Embedded dialogue and dreams: the worlds and accessibility relations of Inception. Language and Literature, 22 (2). pp. 133-153. ISSN 0963-9470

Marinkova, Milena (2010) Framing Fame: Michael Ondaatje’s Cinema of Affection and Liminality. Moving Worlds: a Journal of Transcultural Writings, 10 (2). pp. 7-19.

Marinkova, Milena (2010) Po-co-co Balkans: Dancing Bears and Lovesick Donkeys, Bouncing Mines and Ethnic Conflict in Two Films from the Region. Third Text, 24 (4). pp. 457-469. ISSN 0952-8822

Marinkova, Milena (2007) Review: Annick Hillger, Not needing all the words: Michael Ondaatje's literature of silence. Moving Worlds: a Journal of Transcultural Writings, 7 (2). pp. 135-136.

Norris Nicholson, Heather (2004) At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. GeoJournal, 59 (4). pp. 323-333. ISSN 0343-2521

Norris Nicholson, Heather (2001) ‘At the centre of it all are the children’: Aboriginal Childhoods and the National Film Board. London Journal of Canadian Studies, 17. pp. 73-100. ISSN 0267-2200

Norris Nicholson, Heather (2003) British Holiday Films of the Mediterranean: At Home and Abroad with Home Movies, ca. 1925-1936. Film History, 15 (2). pp. 102-116. ISSN 0892-2160

Norris Nicholson, Heather (1997) In amateur hands: framing time and space in home-movies. History Workshop Journal (43). pp. 198-213. ISSN 1363-3554

Norris Nicholson, Heather (2009) Journeys into Seeing: Amateur Film-making and Tourist Encounters in Soviet Russia, c. 1932. New Readings, 10. pp. 57-71. ISSN 1359-7485

Norris Nicholson, Heather (2002) Picturing the Past: Archival Film and Historical Landscape Change. Landscapes, 3 (1). pp. 81-100. ISSN 1466-2035

Norris Nicholson, Heather (1999) Reconstructing memories: indigenous film-making, place-names and identities in Le Grand Petit European. British Journal of Canadian Studies, 14 (1). pp. 21-34. ISSN 0269-9222

Norris Nicholson, Heather (2001) Regionally Specific, Globally Significant: Who's Responsible for the Regional Record? The Moving Image, 1 (2). pp. 152-163. ISSN 1532-3978

Norris Nicholson, Heather (2001) Seeing how it was?: childhood geographies and memories in home movies. Area, 33 (2). pp. 128-140. ISSN 0004-0894

Norris Nicholson, Heather (2006) Shooting in Paradise: Conflict, Compassion and Amateur Filmmaking During the Spanish Civil War. Journal of Intercultural Studies, 27 (3). pp. 313-330. ISSN 0725-6868

Norris Nicholson, Heather (2009) Through the Balkan States: Home movies as travel texts and tourism histories in the Mediterranean, c.1923-39. Panoptikum, 8 (15).

Norris Nicholson, Heather (2001) Two tales of a city: Salford in regional filmmaking, 1957-1973. Manchester Region History Review, 15. pp. 41-53. ISSN 0952-4320

Woodcock, Pete (2008) Gender, Politicians and Public Health: Using The Simpsons to Teach Politics. European Political Science, 7 (2). pp. 153-164. ISSN 1680-4333

Woodcock, Pete (2006) The Polis of Springfield: The Simpsons and the Teaching of Political Theory. Politics, 26 (3). p. 192. ISSN 0263-3957

Book Chapter

Ashby, Justine (2001) The Angry Young Man is Tired: Albert Finney and 1960s British Cinema. In: British Stars and Stardom: From Alma Taylor to Sean Connery. Manchester University press, Manchester, pp. 179-192. ISBN 9780719058417

Ashby, Justine (2003) 'Betty Box' and 'Muriel Box'. In: Encyclopedia of British Film. Methuen, London, pp. 76-77. ISBN 0413773019

Ashby, Justine (1996) Crossing thresholds: the contemporary British woman's film. In: Dissolving views: key writings on British cinema. Cassell. ISBN 9780304335282

Ashby, Justine (2009) 'It's been Emotional': reassessing the contemporary British woman's film. In: British women's cinema. British Popular Cinema . Routledge. ISBN 9780415466967

Ashby, Justine (2002) Jane Campion. In: Fifty Key Contemporary Filmmakers. Routledge, London, pp. 90-98. ISBN 978-0-415-18973-6

Ashby, Justine and Higson, Andrew (2000) The lady in charge, Betty Box: negotiating space for a woman producer in Post-War British cinema. In: British cinema, past and present. Routledge. ISBN 0415220610

Fink, Janet (2012) "They don't really care what happens to me": divorce, family life and children's emotional worlds in 1950s' British cinema. In: Portrayals of Children in Popular Culture: Fleeting Images. Lexington Books, New York, pp. 153-169. ISBN 0739167480

Hiles, David (2008) Examining the Boundaries Between Fiction and Fact in the Narrative Cinema. In: Narrative and Fiction: an Interdisciplinary Approach. University of Huddersfield, Huddersfield, pp. 33-43.

Jarvis, Christine (2012) Fiction and Film and Transformative Learning. In: The Handbook of Transformative Learning: Theory, Research, and Practice. Jossey-Bass, pp. 486-502. ISBN 9780470590720

McAra, Catriona (2012) Longing for Endor: Little People and the Ideological Colonization of the European Fantasy Genre. In: Exploring the Cultural History of Continental European Freak Shows and ‘Enfreakment’. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 266-282.

McAra, Catriona (2013) A Natural History of "The Dark Crystal": The Conceptual Design of Brian Froud. In: The Wider Worlds of Jim Henson. McFarland, Jefferson, pp. 101-116.

Nicholson, Heather (2010) 'Old World Traditions…and Modernity' in Cunard's Transatlantic Films, c.1920-35: Making Connections between Early Promotional Films and Urban Change. In: The City and the Moving Image. Palgrave Macmillan, pp. 21-35. ISBN 9780230243385

Norris Nicholson, Heather (2007) “As If by Magic”: Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931–1949. In: Mining the Home Movie Excavations in Histories and Memories. University of California Press, pp. 214-230. ISBN 9780520248076

Norris Nicholson, Heather (1994) "At Ilkley they sell lovely": regional memory and experience in amateur movies. In: You Can't See What You Don't Know: Amateur Film as Evidence. Association Européenne Inédits Colloquium.

Norris Nicholson, Heather (2014) Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England. In: Amateur Filmmaking The Home Movie, the Archive, the Web. Bloomsbury, pp. 67-80. ISBN 9781441139054

Norris Nicholson, Heather (2009) Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period. In: Moving Pictures/Stopping Places: Hotels & Motels on Film. Lexington Books, pp. 49-71. ISBN 9780739128558

Norris Nicholson, Heather (2009) Framing the view: holiday recording and Britain’s amateur film movement c.1925-1950. In: Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Publishing, pp. 93-127. ISBN 9781443813440

Norris Nicholson, Heather (2013) Legends, Romance, and the Intelligent Knowledge of History: Storytelling on Film and Imagining the Past. In: Bringing History to Life through Film The Art of Cinematic Storytelling. Film and History . Rowman & Littlefield Publishers, pp. 89-109. ISBN 978-1-4422-2963-1

Norris Nicholson, Heather (2012) Looking Beyond the Moving Moments: Adaptation, Digitization and Amateur Film Footage as Visual Histories. In: The Adaptation of History: Essays on Ways of Telling the Past. McFarland, pp. 196-206. ISBN 9780786472543

Norris Nicholson, Heather (2012) Manchester’s Moving Memories: Tales from Moss Side and Hulme: archive film and community history-making. In: Tourists and Nomads. Amateur Images of Migration. Jonas-Verlag. ISBN 9783894454647

Norris Nicholson, Heather (1997) Moving memories: image and identity in home movies. In: The Jubilee book: essays on amatuer film. Association européene des inédits, Charleroi.

Norris Nicholson, Heather (2009) Moving pictures, moving memories: framing the interpretative gaze. In: Private Eyes and the Public Gaze - The Manipulation and Valorisation of Amateur Images. Kliomedia. ISBN 9783898901369

Norris Nicholson, Heather (2008) ”Old world traditions… and modernity” in Cunard’s transatlantic films, c.1920 – 35: making connections between early promotional films and urban change. In: Cities In Film: Architecture, Urban Space And The Moving Image Conference Proceedings. University of Liverpool, pp. 163-169. ISBN 9780955788413

Norris Nicholson, Heather (2006) Sites of Meaning: picturing Mediterranean and other landscapes in British home movies, c. 1928-1965. In: Landscape and Film. AFI Film Readers . Routledge, pp. 167-188. ISBN 9780415975551

Norris Nicholson, Heather (2002) Telling travellers’ tales: framing the world in home movies, c.1935 – 1967. In: Engaging Film: Geographies of Mobility and Identity. Rowman & Littlefield Publishers, pp. 47-68. ISBN 978-0-7425-0884-2

Rudrum, David (2005) Silent dialogue: philosophising with Jan Svankmajer. In: Film as Philosophy. Palgrave Macmillan, Hampshire, UK, pp. 114-132. ISBN 9781403949004

Stansbie, Lisa (2009) Connecting the Unconnected. In: Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 125-134. ISBN 978-1-4438-0532-2

Conference or Workshop Item

Burr, Vivien (2005) The Big Group Sing: academic and fan identities at the Slayage Conference on Buffy the Vampire Slayer. In: “Bring Your Own Subtext”: Social life, human experience and the works of Joss Whedon, 29 June - 1 July 2005, University of Huddersfield. (Unpublished)

Burr, Vivien (2004) Bringing Your Own Subtext: Individual Differences in Viewers' Responses to Buffy. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Burr, Vivien (2006) Narrative and storytelling. In: Slayage Conference on the Whedonverses 2, 25th - 28th May 2006, Gordon College, Georgia, USA. (Unpublished)

Burr, Vivien (2004) Performing the Imaginative Variation: Using Buffy to Teach Sartre. In: SC1: The Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Gfader, Verina (2010) Garden lecture. In: Visual Thinking 01:Kate Davis and the Subjectivity and Feminisms research group, 11 January 2009 - 07 March 2010, Camden, UK. (Unpublished)

Jarvis, Christine (2004) Buffy's contribution to anti-oppressive practice. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Jarvis, Christine (2006) Shifting perspectives on death: using BtVS with 1st year undergraduates considering renaissance attitudes towards mortality. In: Slayage Conference on the Whedonverses 2, 25th - 28th May 2006, Gordon College, Georgia, USA. (Unpublished)

Jarvis, Christine (2004) "Wow, They're All So Identical": Choosing Conformity or Death as an Adult Learner in the Buffyverse. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Jarvis, Christine (2008) A monster ate my teacher: the demon-teacher interface in BtVS. In: The Supernatural Diegesis in Popular Fiction Annual Conference Association for Research in Popular Fictions 2008, Saturday 22nd-Sunday 23rd November 2008, Liverpool, UK. (Unpublished)

Jarvis, Christine and Adams, Don (2005) Dressed to kill: fashion and leadership in Buffy the Vampire Slayer. In: “Bring Your Own Subtext”: Social life, human experience and the works of Joss Whedon, 29 June - 1 July 2005, University of Huddersfield. (Unpublished)

Jarvis, Christine and Burr, Vivien (2004) "Friends Are the Family We Choose for Ourselves": Young People and Families in BtVS. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

McIntyre, Dan (2006) Towards a stylistics of film. In: 26th Conference of the Poetics and Linguistics Association, 26th - 29th July 2006, University of Joensuu, Finland. (Unpublished)

Rudrum, David (2008) Murder - A Dying Art? George Orwell, Raymond Chandler, and the Mysterious Death of English Crime Writing. In: Crime Cultures: Figuring Criminality in Literature, Media and Film International Conference, 14th - 16th July 2008, University of Portsmouth. (Unpublished)

Sheridan, Jayne (2010) Audrey Hepburn and the “Funny Face” of Post-World War II Humanism. In: 2nd Interdisciplinary Fashion Conference, Thursday 23rd September – Sunday 26th September 2010, Oriel College, Oxford. (Unpublished)

Book

Norris Nicholson, Heather, ed. (2003) Screening Culture: Constructing Image and Identity. Lexington Books. ISBN 9780739105214

Ashby, Justine and Higson, Andrew (2000) British cinema: past and present. Routledge. ISBN 0415220610

Norris Nicholson, Heather (2012) Amateur Film: Meaning and Practice, c. 1927 - 77. Studies in Popular Culture . Manchester University Press, Manchester. ISBN 978-0-7190-7773-9

Thesis

Ahn, Soo H. (2017) Metropolis: music score for the film directed by Fritz Lang. Doctoral thesis, University of Huddersfield.

Beaumont, Jason Lee (2014) Back in the saddle…again: a re-imagining of masculinity in the post 9/11 western. Masters thesis, University of Huddersfield.

Bhana, Aliyah (2020) A posthuman exploration of the robot in contemporary science fiction films. Masters thesis, University of Huddersfield.

El Madawi, Stefanie (2020) Approaching Contemporary Cinematic I-Witnessing. Doctoral thesis, University of Huddersfield.

Nikki, Carthy (2013) Deconstructing Offenders' Narratives. Doctoral thesis, University of Huddersfield.

Smith, Eleanor (2016) Breaking the Mould: gender, stereotypes, and coding in the musical scoring of Disney’s female characters. Masters thesis, University of Huddersfield.

Sosin, Dawid (2019) The Mega-field of Science Fiction Film: Studying Fans' Negotiations of Cultural Value via Canonical, Art-house and Blockbuster SF Movies. Masters thesis, University of Huddersfield.

Walters, Anthony (2020) Developing a Personal Glitch Aesthetic for Moving Image. Masters thesis, University of Huddersfield.

Wilkinson, Ryan Gerald (2013) Working class films for middle class desires: power distribution, escape and damage in Billy Elliot, Brassed Off and the Full Monty. Masters thesis, University of Huddersfield.

Artefact

Lycett, Robert (2004) re:draw. [Artefact]

Swann, David and Woolcock, Marcus (2008) Sci-fi gadgets for the film Babylon A.D. [Artefact]

Show/Exhibition

Dutton, Steve and Swindells, Steve (2004) Host 4. [Show/Exhibition]