Items where School is "Drama Research Group"

Balduzzi, Massimiliano and Spatz, Ben (2010) PLAYWAR. In: PLAYWAR, 2009-2012.

Baldwin, Michael, Chamberlain, Franc, Elliott, Hilary and Morris, Eilon (2015) this is not natural [transfiguration]. In: Performers Insights into this is not natural [transfiguration], 28th and 29th of July 2014, University of Huddersfield.

Britton, John, Elliott, Hilary, Middleton, Deborah K. and Moss, Tim (2008) Writing the Body, Dancing The Mind. In: 'Writing the Body, Dancing The Mind’ workshop, July 2008, National University of Mexico. (Unpublished)

Calvert, Dave (2012) Carnival of the Mundane: Red Oktober at England’s National Tramway Museum. In: Performance Studies International, 27th June - 1st July 2012, Leeds University, Leeds, UK. (Unpublished)

Calvert, Dave (2014) 'Actual Idiocy' and the Sublime Object of Susan Boyle. In: Žižek and Performance. Palgrave Macmillan, London, pp. 178-195. ISBN 9781137410900

Calvert, Dave (2013) Book review: Drama, Disability and Education by Andy Kempe. Research in Drama Education: The Journal of Applied Theatre and Performance, 18 (4). pp. 417-418. ISSN 1356-9783

Calvert, Dave (2016) ‘Everything has a fucking value’: Negative Dialectics in the Work of Back to Back Theatre. Contemporary Theatre Review, 26 (2). pp. 134-152. ISSN 1048-6801

Calvert, Dave (2013) From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe. Popular Entertainment Studies, 4 (1). pp. 6-23. ISSN 1837-9303

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2015) Heroism and heroic action in applied and social theatre: a selection of provocations from TaPRA's Applied and Social Theatre working group. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (2). pp. 173-176. ISSN 1356-9783

Calvert, Dave (2014) Heroism as the aesthetic dimension of solidarity. In: TaPRA 2014 Theatre and Performance Research Association, 3rd - 5th September 2014, Royal Holloway, University of London. (Unpublished)

Calvert, Dave (2016) Jokes as performance text: a close reading of Rat Pack banter. Comedy Studies, 7 (1). pp. 38-47. ISSN 2040-610X

Calvert, Dave (2009) Like the Special Olympics? The relationship of research to practice in theatre and learning disability. In: TaPRA Conference 2009, 7th - 9th September 2009, Plymouth University. (Unpublished)

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Calvert, Dave (2015) MASHED and SHAMED: a new approach to the acronym. In: When the writing is on the wall: a discussion of the ecology of research, creativity, impact and value, 9th May 2015, Royal Central School of Speech and Drama. (Unpublished)

Calvert, Dave (2015) Mind the Gap. In: British Theatre Companies: 1995-2014. Bloomsbury, London, UK, pp. 127-154. ISBN 9781408177273

Calvert, Dave (2008) Oh We Do Like To Redefine The Seaside. In: Performing Heritage, 3rd - 5th April 2008, University of Manchester. (Unpublished)

Calvert, Dave (2012) The Rat Pack: Legacy and Influence. In: University of Huddersfield Diamond Jubilee Lecture Series, 6th June 2012, University Campus, Barnsley. (Unpublished)

Calvert, Dave (2009) Re-claiming authority: the past and future of theatre and learning disability. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 75-78. ISSN 1470-112X

Calvert, Dave (2013) ‘Royal Pierrots’ and ‘White Coons’: the British Pierrot Troupe in the Racial and National Imaginary. New Theatre Quarterly, 29 (2). pp. 107-120. ISSN 0266-464X

Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430

Calvert, Dave (2014) ‘A person with some sort of learning disability’: the aetiological narrative and public construction of Susan Boyle. Disability and Society, 29 (1). pp. 101-114. ISSN 0968-7599

Calvert, David Anthony (2013) The rat pack and the British pierrot: negotiations of national identity, alienation and belonging in the aesthetics and influences of concerted troupes in popular entertainment. Masters thesis, University of Huddersfield.

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2015) Michael Chekhov in England: Outside the Magic Circle. In: The Routledge Companion to Michael Chekhov. Routledge, pp. 207-218. ISBN 9780415710183

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2013) Michael Chekhov's Ensemble Feeling. In: Encountering Ensemble. Performance Books . Bloomsbury Methuen, London, UK, pp. 78-93. ISBN 978-1-4081-5200-3

Chamberlain, Franc (2012) “Paper Without a Title”. In: Annual Postgraduate Conference in the Arts, 10th - 12th September 2012, Northampton, UK. (Unpublished)

Chamberlain, Franc (2012) Playing With Awareness/Who's Aware? In: Body and Awareness, 25th - 27th May 2012, University of Zadar, Croatia. (Unpublished)

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2015) Rare Butterflies, Persecution, and Pinball Machines: Environment, Subjectivity, and Society in the Theatre of Arthur Adamov. In: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Methuen Drama. ISBN 9781472506672

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc (2016) Writing improvisation. Theatre, Dance and Performance Training, 7 (2). pp. 318-326. ISSN 1944-3927

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. University of Bucharest Review. Literary and Cultural Studies Series, 14 (1). pp. 6-38. ISSN 2069-8658

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. In: (M)other Nature? Inscriptions, Locations, Revolutions, the 14th Annual Conference of the English Department, Literature and Cultural Studies Section, University of Bucharest, 31st May - 2nd June 2012, Bucharest, Romania. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc, Middleton, Deborah K. and Pla, Daniel (2014) Buddhist Mindfulness and Psychophysical Performance. In: International Symposium for Contemplative Studies, October 30 - November 2 2014, Boston, MA. (Unpublished)

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Elliott, Hilary (2012) "Composing Vision": A demonstration of practice-led research into solo performance improvisation. In: Studio Matejka: The Human/Body as a 'Cultural Actor' Research Symposium and Work Demonstration, 1 June 2012, University of Salford. (Unpublished)

Elliott, Hilary (2014) Experienced Space. In: Galway Dance Days/CORP_REAL symposium, 28/3/14 - 30/3/14, NUI Galway, Ireland. (Unpublished)

Elliott, Hilary (2014) ‘”The Fifth Appendage”: investigating the role of vision in solo improvisational dance training’. Theatre, Dance and Performance Training, 5 (1). pp. 31-44. ISSN 1944-3927

Elliott, Hilary (2010) Improvisation as Performance and Immediate Writing. In: TaPRA Conference 2010, Cardiff. (Unpublished)

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

Elliott, Hilary (2013) THE PLACE FROM WHICH I SEE: a practice-led investigation into the role of vision in understanding solo performance improvisation as a form of composition. Doctoral thesis, University of Huddersfield.

Elliott, Hilary (2015) The Philosopher and The Dancer. In: The Twenty-first Century Body: Annual Gathering of the Merleau-Ponty Circle, 1st - 3rd October 2015, Massachusetts, USA.

Elliott, Hilary (2010) Playing with/in boundaries. Proximity, 13 (3). pp. 4-9. ISSN 1445-7830

Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)

Elliott, Hilary (2007) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Enhancing Performance', February 2007, University of Canberra.

Elliott, Hilary (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of 'Concoction', August 2009, Cecil Street Studio, Melbourne, Australia.

Elliott, Hilary (2007) Tracking and Mapping Improvisation. In: Improvisation Continuums: theorising practice across disciplines, April 2007, Cardiff. (Unpublished)

Elliott, Hilary and Britton, John (2006) Quiddity Nights. In: Quiddity Nights, Autumn 2006, University of Huddersfield.

Elliott, Hilary and Britton, John (2007) Spontaneous Combustion. In: Spontaneous Combustion, June 2007, Ada Studio und Bühne, Berlin, Germany..

Elliott, Hilary and Britton, John (2008) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'Writing the Body and Dancing the Mind', March 2008, National University of Mexico.

Elliott, Hilary and Britton, John (2009) Spontaneous Combustion. In: Spontaneous Combustion, as part of the research project 'The Week of Speakers', 22 June - 24 June 2009, University of Huddersfield.

Elliott, Hilary and Britton, John (2010) Spontaneous Combustion. In: Spontaneous Combustion, Ballettakademien, Stockholm, Sweden..

Gibson, Ian, Middleton, Deborah K. and Adkins, Monty (2014) Borderlands CosMixed. [Show/Exhibition]

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). pp. 59-78. ISSN 1468-2761

Hetzler, Eric T (2010) The actor's awareness: an empirical examination from the survey of the actor's experience. In: Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing, Cambridge, pp. 46-65. ISBN 1445816493

Kirillov, Andrei and Chamberlain, Franc (2013) Rehearsal protocols for Hamlet by William Shakespeare at the Second Moscow Art Theatre. Theatre, Dance and Performance Training (Special Issue: Michael Chekhov), 4 (2). pp. 237-242. ISSN 1944-3927

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

Low, Katharine E. and Calvert, Dave (2015) Conference Review: Heroism and the Heroic in Applied and Social Theatre. Journal of Arts and Communities, 20 (2). pp. 173-176. ISSN 1757-1936

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K. (2012) “Arriving” with Others: A Contemplative Approach to Ensemble Creativity. In: Fourth Annual Association for Contemplative Mind in Higher Education Conference Contemplative Approaches in the Diverse Academic Community: Inquiry, Connection, Creativity, and Insight, 21st - 23rd September 2012, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2017) Book review: Dancing with Dharma: Essays on Movement and Dance in Western Buddhism. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K. (2012) Cultivating change: personal challenge in psychophysical training. Theatre, Dance and Performance Training, 3 (1). pp. 41-54. ISSN 1944-3927

Middleton, Deborah K. (2007) Electrical Kites and Fire in the Head. [Video]

Middleton, Deborah K. (2004) Electrical Kites and Fire in the Head. In: Electrical Kites and Fire in the Head, 2004, Lawrence Batley Theatre, Huddersfield.

Middleton, Deborah K. (2000) Flight of the Heart. Total Theatre Magazine, 12 (4). ISSN 0960-6106

Middleton, Deborah K. (1996) Foreword. In: Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam, xiii-xv. ISBN 9783718657100

Middleton, Deborah K. (2009) From Poland to Huddersfield via Mexico. In: British Grotowski Conference 2009: 'Grotowski: Theatre and Beyond', 11th - 14th June 2009, University of Kent. (Unpublished)

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K. (2004) Precious. In: Lost found time. Apple Pie, Manchester. ISBN 978-0953936724

Middleton, Deborah K. (2011) "Sacralidad secular" en el teatro ritual delTallerde Investigacion Teatral de la UNAM [Secular sacredness]. In: Jerzy Grotowski. Miradas desde Latinoamérica. Universidad Veracruzana. ISBN 978-607-502-079-2

Middleton, Deborah K. (2008) Secular sacredness in the ritual theatre of Nicolas Nunez. Performance Research, 13 (3). pp. 41-54. ISSN 1469-9990

Middleton, Deborah K. (1996) Theatre in the Cosmos. Total Theatre Magazine, 8 (3). ISSN 0960-6106

Middleton, Deborah K. (2011) Towards A Contemplative Creativity. In: Third Annual Association for Contemplative Mind in Higher Education Conference: The Contemplative Campus, 11th - 13th November 2011, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. and Adkins, Monty (2014) Borderlands. [Artefact]

Middleton, Deborah K. and Chamberlain, Franc (2012) Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3 (1). ISSN 2157-4049

Middleton, Deborah K. and Debbie, Hoyle (2007) Building Creative Capacity in Staff and Students. [Web page]

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Middleton, Deborah K. and Moss, Tim (2007) Cowboy Manifesto: A Writers’ Guide to the Wild West. [Video]

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

Moss, Tim (2010) The Making of Faulty Optic's Dead Wedding: Inertia, Chaos and Adaptation. In: Devising in Process. Palgrave Macmillan, Basingstoke, pp. 74-92. ISBN 978-0-230-57367-3

Moss, Tim, Thresher, Mike, Mills, Jimmy and Johnson, Nick (2013) Falling. [Audio] (Unpublished)

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2013) Kelter@Picturedrome Holmfirth [Performance with Peter Hook and The Light (ex-Joy Division and New Order)]. In: Kelter, 15th April 2013, Holmfirth, UK.

Moss, Tim, Thresher, Mike, Morris, Eilon and Johnson, Nick (2012) Kelter@Sound Control, Manchester [Performance with Altered Sky and White Clouds and Gunfire]. In: White Clouds and Gunfire Tour, 29th October 2012, Sound Control, Manchester.

Orr, Gareth J. (2019) An Investigation into Michael Chekhov’s Psychological Gesture, Through the Contemporary Framework of Conceptual Blending Theory. Masters thesis, University of Huddersfield.

Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Spatz, Ben (2013) Book Review of Emergency INDEX 2011. TDR: The Drama Review, 57 (2). pp. 185-186. ISSN 1054-2043

Spatz, Ben (2010) Book Review: Practice-as-Research in Performance and Screen, and: Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Theatre Journal, 62 (3). pp. 490-491. ISSN 0192-2882

Spatz, Ben (2013) Citing musicality: Performance knowledge in the Gardzienice archive. Studies in Musical Theatre, 7 (2). pp. 221-235. ISSN 17503159

Spatz, Ben (2008) Iphigenia in Aulis at La Mama: Microculture and Musicality in the Work of Gardzienice. Slavic and Eastern European Performance, 28 (2). pp. 81-89. ISSN 1047-0019

Spatz, Ben (2014) Massimiliano Balduzzi: Physical Training for Performers. [Video]

Spatz, Ben (2014) Massimiliano Balduzzi: Research in Physical Training for Performers. Theatre, Dance and Performance Training, 5 (3). pp. 270-290. ISSN 1944-3927

Spatz, Ben (2011) Practice as Research: Foundations for a Community of Knowledge. Congress on Research in Dance, 2011. pp. 48-57. ISSN 2049-1255

Spatz, Ben (2011) Rite of the Butcher. In: Rite of the Butcher, 2010-2013.

Spatz, Ben (2009) A Series of Openings: The Year of Grotowski in New York. Slavic and Eastern European Performance, 29 (3). pp. 18-25.

Spatz, Ben (2014) Stanislavsky's Threshold: Tracking a Historical Paradigm Shift in Acting. Journal of Dramatic Theory and Criticism, 29 (1). pp. 81-95. ISSN 2165-2686

Spatz, Ben (2012) Tales of the Hasidim. In: Tales of the Hasidim, July 2012-2013.

Spatz, Ben (2010) This Extraordinary Power: Authority, Submission, and Freedom in the Actor-Director Relationship. Ecumenica, 3 (2). pp. 43-61.

Spatz, Ben (2008) To Open a Person: Song and Encounter at Gardzienice and the Workcenter. Theatre Topics, 18 (2). pp. 205-222. ISSN 1054-8378

Spatz, Ben (2015) What a Body Can Do: Technique as Knowledge, Practice as Research. Routledge, London and New York. ISBN 978-1-13-885410-9

Spatz, Ben and Pianta, Lane (2009) Changing the Space: An Interview with Ben Spatz of Urban Research Theater by Lane Pianta. In: New York Theater Review 2009. Black Wave Press, New York, pp. 45-64. ISBN 9780578022840

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Taylor, Nik (2018) Call for papers. Journal of performance magic, 5 (1). ISSN 2051-6037

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

Taylor, Nik (2013) The Bizarnival of the Strange. Mystic Menagerie: The Journal of Bizarre Magic, 1 (13). pp. 10-12.

Taylor, Nik (2011) Collective Delusion and the Madness of Crowds. In: Occult Magic 2: Into The Darkness. Valentine Entertainments, pp. 43-47.

Taylor, Nik (2007) England's Home of Mystery. In: England's Home of Mystery, 17-18 December 2007, Milton Theatre, University of Huddersfield.

Taylor, Nik (2015) The Fairy Goblet of Eden Hall to Hunting Mammoths in the Rain - experiencing the paraxial through performance magic and mystery entertainment. In: Tales Beyond Borders, 24-25 April 2015, The University of Leeds. (Unpublished)

Taylor, Nik (2014) The Gift of Hermes. In: Hester Reeve - YMEDACA, 30 Aug 2014, Yorkshire Sculpture Park.

Taylor, Nik (2011) Host / MC. In: Scrambling Your Mind, 16th April 2011, The University of Huddersfield.

Taylor, Nik (2010) How Psychic are you? In: Halloween Happening 2010, 30th October 2010, The Lawrence Batley Theatre, Huddersfield.

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Taylor, Nik (2011) Introduction. In: Scripting & Storytelling for Paranormal Entertainers. Aken Productions, ix.

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

Taylor, Nik (2009) Many Magics. In: Many Magics, 19 March 2009, Milton Theatre, University of Huddersfield.

Taylor, Nik (2011) More Than Just Tricks. In: Tabula Mentis, 16th April 2011, The University of Huddersfield. (Unpublished)

Taylor, Nik (2014) Out of Tricks. In: The Magiculum. EyeCorner Press, London, UK, pp. 101-111. ISBN 9788792633279

Taylor, Nik (2009) A Performance of Bizarre Magick. In: The Ninth Biannual Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Taylor, Nik (2010) Throw Six to Start. Mystic Menagerie: The Journal of Bizarre Magic (3).

Taylor, Nik and Hoedt, Madelon (2012) Magic and the M-word. In: Liber Mentis. PSYCRETS, London, pp. 262-276. ISBN 9781291107326

Wilson, Tray (2017) Book review: A Korean Approach to Actor Training. Performance and Mindfulness, 1 (1). ISSN 2398-3566