Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]
Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]