Jump to: 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005
Number of items: 54.

2017

Tremblay, Pierre Alexandre (2017) Tuning to Trust: System Calibration as Creative Enabler. In: 43rd International Computer Music Conference 2017, 15-20 October 2017, Shanghai Conservatory of Music.

2016

Adkins, Monty, Scott, Richard and Tremblay, Pierre Alexandre (2016) Post-Acousmatic Practice: Re-evaluating Schaeffer’s heritage. Organised Sound, 21 (02). pp. 106-116. ISSN 1355-7718

Tremblay, Pierre Alexandre (2016) asinglewordisnotenough4. [Composition]

2015

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough3. [Composition]

Tremblay, Pierre Alexandre (2015) BWV1080:1(detail). [Composition]

Tremblay, Pierre Alexandre (2015) Multitudes synchrones. [Composition]

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough2. [Composition]

Tremblay, Pierre Alexandre (2015) asinglewordisnotenough1. [Composition]

2014

Schwarz, Diemo, Tremblay, Pierre Alexandre and Harker, Alexander (2014) Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression. In: Proceedings of the International Conference on New Interfaces for Musical Expression. Goldsmiths, University of London, UK, pp. 247-250.

Tremblay, Pierre Alexandre (2014) Les pâleurs de la lune. [Composition]

2013

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2013) Splice: Silent Spoke. [Audio]

Harker, Alexander and Tremblay, Pierre Alexandre (2013) Rethinking the Box: Approaches to the Reality of Electronic Music Performance. In: IRCAM Forum, 20-22 November 2013, IRCAM, Paris. (Submitted)

Tremblay, Pierre Alexandre (2013) La marée. [Audio]

Tremblay, Pierre Alexandre (2013) Still, Again. [Composition]

Tremblay, Pierre Alexandre (2013) Mono no aware. [Composition]

2012

Tremblay, Pierre Alexandre (2012) Considérations pragmatiques en musique mixtes: une approche systémique de l’inter-influence entre la composition, l'interprétation et la technique. In: Symposium: Sixty years of mixed music, 22nd - 23rd November 2012, Paris, France. (Unpublished)

Brooks, Julian, Brooks, Joanna and Tremblay, Pierre Alexandre (2012) Across The Great Divide. Journal of Music, Technology and Education, 5 (2). pp. 145-157. ISSN 1752-7066

Tremblay, Pierre Alexandre and Bonney, Alex (2012) light.box. [Audio]

Harker, Alexander and Tremblay, Pierre Alexandre (2012) The HISSTools Impulse Response Toolbox: Convolution for the Masses. In: ICMC 2012: Non-cochlear Sound. The International Computer Music Association, pp. 148-155. ISBN 9780984527410

Tremblay, Pierre Alexandre (2012) Mixing the Immiscible: Improvisation within Fixed-Media Composition. In: Electroacoustic Music Studies Conference Meaning and Meaningfulness in Electroacoustic Music, 11th - 15th June 2012, Stockholm, Sweden.

2011

Tremblay, Pierre Alexandre and Pohu, Sylvain (2011) de type inconnu. [Audio]

Tremblay, Pierre Alexandre, Fincker, Robin, Smith, Dave and Bonney, Alex (2011) Splice - Lab. [Audio]

Tremblay, Pierre Alexandre (2011) La rupture inéluctable. [Composition]

Tremblay, Pierre Alexandre (2011) Quelques reflets. [Audio]

Carvalhais, Miguel, Tudela, Pedro and Tremblay, Pierre Alexandre (2011) @c - Homem Fantasma. [Audio]

2010

Hewitt, Scott, Tremblay, Pierre Alexandre, Freeman, Samuel and Booth, Graham (2010) HELO: The Laptop Ensemble as an Incubator for Individual Laptop Performance Practices. In: Proceedings of the International Computer Music Conference. ICMA, New York, pp. 304-307.

McLaughlin, Scott and Tremblay, Pierre Alexandre (2010) SpectralConway: Cellular Automata Off The Grid. International Computer Music Conference Proceedings, 2010. pp. 68-71. ISSN 2223-3881

Tremblay, Pierre Alexandre and Schwarz, Diemo (2010) Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. In: Proceedings of the 2010 International Conference on New Interfaces for Musical Expression (NIME10), Sydney, Australia. NIME, pp. 447-450.

Tremblay, Pierre Alexandre (2010) Ces énigmes lumineuses. [Composition]

Tremblay, Pierre Alexandre (2010) For Ever Now Soon an End. [Composition]

Tremblay, Pierre Alexandre (2010) La nuée. [Composition]

Tremblay, Pierre Alexandre (2010) Les trois petits c... [Composition]

Tremblay, Pierre Alexandre (2010) Trois lents effondrements. [Composition]

2009

Tremblay, Pierre Alexandre and Constanzo, Rodrigo (2009) Drum and bass and the horse you ride in on. [Audio]

Tremblay, Pierre Alexandre and McLaughlin, Scott (2009) Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance. International Computer Music Conference Proceedings, 2009. pp. 379-386. ISSN 2223-3881

Tremblay, Pierre Alexandre (2009) Un clou, son marteau, et le béton. [Composition]

Tremblay, Pierre Alexandre (2009) Le Cauchemar De L'horloger. [Video]

Tremblay, Pierre Alexandre (2009) Quelques courtes contemplations: I. craquer une allumette dans le noir, puis regarder la flamme danser. [Composition]

Tremblay, Pierre Alexandre (2009) Reflets de notre société crépusculaire. [Composition]

Tremblay, Pierre Alexandre (2009) Sandbox#3. [Composition]

Tremblay, Pierre Alexandre (2009) Stase. [Composition]

2008

Hewitt, Scott and Tremblay, Pierre Alexandre (2008) Sound Communication: A Standard Syntax for Inter-Application, Inter-Device And Inter-Player Communication Over OSC. In: International Computer Music Conference ‘08, 24-29 August 2008, Belfast. (Unpublished)

Tremblay, Pierre Alexandre (2008) Heiko ou l’apparition du héros. [Audio]

Tremblay, Pierre Alexandre (2008) De passage. [Composition]

Tremblay, Pierre Alexandre (2008) Le tombeau des fondeurs. [Composition]

Tremblay, Pierre Alexandre (2008) Sandbox#2. [Composition]

Tremblay, Pierre Alexandre (2008) Billows in a Ladle. [Composition]

2007

Tremblay, Pierre Alexandre, Boucher, Nicolas and Pohu, Sylvain (2007) Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup. In: International Computer Music Conference ‘07, 27-31 August 2007, Copenhagen. (Unpublished)

Tremblay, Pierre Alexandre and Bassal, Dominique (2007) Le mixtering : modèle de travail pour une qualité sonore accrue en électroacoustique / Mixtering: A working model for an enhanced sound quality in electroacoustics. eContact!, 9 (3).

2006

Tremblay, Pierre Alexandre (2006) Pragmatic Considerations in Mixed Music: a Case Study of La Rage. Proceedings of the International Computer Music Conference. pp. 527-530. ISSN 0-9713192-4-3

Tremblay, Pierre Alexandre (2006) Alter Ego. [Composition] (Submitted)

Tremblay, Pierre Alexandre (2006) Walk That Way. Tuesday, Turn. [Composition]

Tremblay, Pierre Alexandre, Stephan, Nicolas and Brun, Sébastien (2006) ars circa musicæ. [Audio]

2005

Tremblay, Pierre Alexandre (2005) La rage for drummer and electronics. [Composition] (Submitted)

This list was generated on Tue Dec 3 17:34:14 2024 UTC.