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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 126.

B

Barnett, David (2000) Access Denied: Werner Schwab, the Explosion of Character and the Collapse of the Play-within-a-Play. In: German-Language Literature Today: International and Popular? Peter Lang, Oxford, pp. 281-294. ISBN 9783906764887

Barnett, David (2000) Collective Dramaturgy: A Marxist Challenge to the Modern Stage, Or: Heiner Müller's Political Theatre of Destruction. In: Heiner Müller: Probleme und Perspektiven. Amsterdamer Beiträge zur Neueren Germanistik (48). Rodopi, Amsterdam, Netherlands, pp. 45-55. ISBN 9789042015616

Barnett, David (2001) Documentation and its Discontents: The Case of Heinar Kipphardt. Forum for Modern Language Studies, 37 (3). pp. 272-285. ISSN 00158518

Barnett, David (2001) Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre and the Play The Europeans. Modern Drama, 44 (4). pp. 458-475. ISSN 0026-7694

Barnett, David (2000) Dramaturgies of "Sprachkritik": Rainer Werner Fassbinder's "Blut am Hals der Katze" and Peter Handke's "Kaspar". The Modern Language Review, 95 (4). pp. 1053-1063. ISSN 00267937

Barnett, David (2002) Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments. Theatre Research International, 27 (1). pp. 49-57. ISSN 03078833

Barnett, David (2001) Joseph Goebbels: Expressionist Dramatist as Nazi Minister of Culture. New Theatre Quarterly, 17 (2). pp. 161-169. ISSN 0266-464X

Bent, Jacqi and Gavin, Helen (2010) The Maids, Mother and “The Other One” of the Discworld: Exploring the magical aspect of Terry Pratchett's Witches. In: 1st Global Conference: Magic and the Supernatural, 15 - 17 March 2010, Salzburg, Austria.

Britton, John Spontaneous Combustion #1-#33 (Performance Series 2004-2009). [Performance]

Britton, John (2009) Stones have been known to move and trees to speak. [Performance] (Unpublished)

Britton, John (2010) The pursuit of pleasure. Journal of Theatre, Dance and Performance Training, 1 (1). pp. 36-54. ISSN 1944-3927

Britton, John (2007) Movement improvisation in psychophysical training. In: Impro Continuums 2007, Royal Welsh School of Music and Drama. (Unpublished)

Britton, John (2011) Self-With-Others - a psychophysical approach to training performers in ensemble. [Web page]

Britton, John (2010) What is it? The 'it'-ness of ensemble. In: Encountering Ensemble, 16 September 2010, University of Huddersfield. (Unpublished)

Britton, John (2007) The pleasure principle: some principles for a psychophysical training. In: How to Act: an international conference, 14-17 February 2007, Central School of Speech and Drama. (Unpublished)

Britton, John, Elliott, Hilary, Middleton, Deborah K. and Moss, Tim (2008) Writing the Body, Dancing The Mind. In: 'Writing the Body, Dancing The Mind’ workshop, July 2008, National University of Mexico . (Unpublished)

Britton, John W (2011) Starting From Now: A Performer's Guide to Improvisation - A Performed Lecture. [Performance]

Burr, Vivien (2010) Buffy as role model: her significance for female viewers. In: The Slayage Conference on the Whedonverses 4, June 3-6 2010, St Augustine, Florida, USA. (Unpublished)

C

Calvert, Dave (2009) Like the Special Olympics? The relationship of research to practice in theatre and learning disability. In: TaPRA Conference 2009, 7th - 9th September 2009, Plymouth University. (Unpublished)

Calvert, Dave (2008) Oh We Do Like To Redefine The Seaside. In: Performing Heritage, 3rd - 5th April 2008, University of Manchester. (Unpublished)

Calvert, Dave (2009) Heavy Load: The Love Child of Johnny Rotten and Audrey Hepburn. In: Applied Theatre, Aesthetics and Uncertainty, Friday 8th May 2009, Manchester University. (Unpublished)

Calvert, Dave (2009) Re-claiming authority: the past and future of theatre and learning disability. Research in Drama Education: The Journal of Applied Theatre and Performance, 14 (1). pp. 75-78. ISSN 1470-112X

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Culpeper, Jonathan and McIntyre, Dan (2010) Activity types and characterisation in dramatic discourse. In: Characters in Fictional Worlds. Revisionen / Grundbegriffe der Literaturtheorie , 3 . De Gruyter. ISBN 9783110232417

Cunningham, Penelope (2012) Digital Theatre: Considerations and an Analysis of Live Performance Practice in Second Life. Masters thesis, University of Huddersfield.

E

Elliott, Hilary (2007) Spontaneous Combustion. [Performance]

Elliott, Hilary (2009) Spontaneous Combustion. [Performance] (Unpublished)

Elliott, Hilary and Britton, John (2006) Quiddity Nights. [Performance]

Elliott, Hilary and Britton, John (2007) Spontaneous Combustion. [Performance]

Elliott, Hilary and Britton, John (2008) Spontaneous Combustion. [Performance] (Unpublished)

Elliott, Hilary and Britton, John (2009) Spontaneous Combustion. [Performance] (Unpublished)

Elliott, Hilary (2010) Improvisation as Performance and Immediate Writing. In: TaPRA Conference 2010, Cardiff. (Unpublished)

Elliott, Hilary (2010) Playing with/in boundaries. Proximity, 13 (3). pp. 4-9. ISSN 1445-7830

Elliott, Hilary (2011) Spontaneous Combusion #42. In: Work in Progress sharing PhD by PaR in Dance and Performance, June 14 2011, Centre for Practice-led Research in the Arts and the Choreographic Lab, The University of Northampton. (Unpublished)

Elliott, Hilary (2007) Tracking and Mapping Improvisation. In: Improvisation Continuums: theorising practice across disciplines, April 2007, Cardiff. (Unpublished)

Elliott, Hilary and Britton, John (2010) Spontaneous Combustion. [Performance] (Unpublished)

H

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric (2012) Actor awareness in performance: an examination of actor descriptions from the survey of the actor's experience and William Archer's masks or faces. Consciousness, Literature and the Arts. ISSN 1470-5648 (Submitted)

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). 59-78 . ISSN 1468-2761

Hetzler, Eric T (2010) The actor's awareness: an empirical examination from the survey of the actor's experience. In: Consciousness, Theatre, Literature and the Arts 2009. Cambridge Scholars Publishing, Cambridge, pp. 46-65. ISBN 1445816493

J

Jarvis, Christine (2012) The re-appearance of the disappearing heroine. The case of Buffy Summers and Bella Swan. In: Slayage 5 on the Whedonverses, 12th - 15th July 2012, University of British Columbia, Vancouver, British Columbia. (Unpublished)

Jurs-Munby, Karen (2005) Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing's Dramaturgy. Theatre Research International, 30 (1). pp. 19-35. ISSN 0307-8833

M

Malay, Jessica L. (2010) Prophecy and Sibylline imagery in the Renaissance: Shakespeare’s Sibyls. Routledge Studies in Renaissance Literature and Culture . Routledge. ISBN 9780415877923

Malay, Jessica L. (2010) Shakespeare’s Tudor Sibyl: Sibylline Discourse in the Portrayal of Queen Margaret in Richard III. In: Représentations et identités sexuelles dans le théâtre de Shakespeare. Presses Universitaires de Rennes, Rennes, France, pp. 61-78. ISBN 9782753511637

McIntyre, Dan (2006) Humour, politeness and multiple meanings in Peter Cook’s “One Leg Too Few”. In: 4th Conference of the International Association of Literary Semantics: In Search of (Non)Sense: Literary Semantics and the Related Fields and Disciplines, 12 October – 14 October 2006, Institute of English Philology, The Jagiellonian University of Kraków, Poland. (Unpublished)

McIntyre, Dan (2008) Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III. Language and Literature, 17 (4). pp. 309-334. ISSN 0963-9470

McIntyre, Dan (2004) Point of View in Drama: A Socio-Pragmatic Analysis of Dennis Potter’s Brimstone and Treacle. Language and Literature, 13 (2). pp. 139-160. ISSN 09639470

McIntyre, Dan (2008) Point of view in drama: an analysis of 'Brimstone and Treacle'. In: The language and literature reader. Routledge, pp. 219-229. ISBN 9780415410021

McIntyre, Dan (2002) Viewpoint and characterisation in Dennis Potter's 'Brimstone and Treacle'. In: Textuak secrets: the message of the medium. Eotvos Lorand University, Budapest, pp. 423-429. ISBN 9789634635994

McIntyre, Dan and Culpeper, Jonathan (2007) Activity types and characterisation in dramatic discourse. In: Symposium on Characters in Fictional Worlds, 28th February - 2nd March 2007, Bielefeld University. (Unpublished)

Middleton, Deborah K. (2000) Flight of the Heart. Total Theatre Magazine, 12 (4). ISSN 0960-6106

Middleton, Deborah K. (1996) Foreword. In: Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam, xiii-xv. ISBN 9783718657100

Middleton, Deborah K. (2008) Secular sacredness in the ritual theatre of Nicolas Nunez. Performance Research, 13 (3). pp. 41-54. ISSN 1469-9990

Middleton, Deborah K. (1996) Theatre in the Cosmos. Total Theatre Magazine, 8 (3). ISSN 0960-6106

Middleton, Deborah K. and Debbie, Hoyle (2007) Building Creative Capacity in Staff and Students. [Web page]

Middleton, Deborah K. (2012) “Arriving” with Others: A Contemplative Approach to Ensemble Creativity. In: Fourth Annual Association for Contemplative Mind in Higher Education Conference Contemplative Approaches in the Diverse Academic Community: Inquiry, Connection, Creativity, and Insight, 21st - 23rd September 2012, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Performance]

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2012) Cultivating change: personal challenge in psychophysical training. Theatre, Dance and Performance Training, 3 (1). pp. 41-54. ISSN 1944-3927

Middleton, Deborah K. (2007) Electrical Kites and Fire in the Head. [Video]

Middleton, Deborah K. (2004) Electrical Kites and Fire in the Head. [Performance]

Middleton, Deborah K. (2009) From Poland to Huddersfield via Mexico. In: British Grotowski Conference 2009: 'Grotowski: Theatre and Beyond', 11th - 14th June 2009, University of Kent. (Unpublished)

Middleton, Deborah K. (2011) "Sacralidad secular" en el teatro ritual delTallerde Investigacion Teatral de la UNAM [Secular sacredness]. In: Jerzy Grotowski. Miradas desde Latinoamérica. Universidad Veracruzana. ISBN 978-607-502-079-2

Middleton, Deborah K. (2011) Towards A Contemplative Creativity. In: Third Annual Association for Contemplative Mind in Higher Education Conference: The Contemplative Campus, 11th - 13th November 2011, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. and Chamberlain, Franc (2012) Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3 (1). ISSN 2157-4049

Middleton, Deborah K. and Moss, Tim (2007) Cowboy Manifesto: A Writers’ Guide to the Wild West. [Video]

Morris, Eilon (2009) Principles Of Rhythm In Pre-Expressive Performance Training. In: University of Huddersfield Research Festival, 23rd March - 2nd April 2009, University of Huddersfield. (Unpublished)

Morris, Eilon (2013) VIA RHYTMÓS : An Investigation of Rhythm in Psychophysical Actor Training. Doctoral thesis, University of Huddersfield.

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

N

Nicholson, Steve (2003) The censorship of British drama, 1900-1968. 1900-1932. Exeter performance studies . University of Exeter Press, Exeter. ISBN 0859896382

Núñez, Nicolás (1996) Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam. ISBN 9783718657100

R

Rudrum, David (2008) Murder - A Dying Art? George Orwell, Raymond Chandler, and the Mysterious Death of English Crime Writing. In: Crime Cultures: Figuring Criminality in Literature, Media and Film International Conference, 14th - 16th July 2008, University of Portsmouth. (Unpublished)

S

Stewart, Michael (2002) Bambiha. n/a. (Submitted)

Stewart, Michael (2007) The Cleaners. n/a. (Submitted)

Stewart, Michael (2007) Excluded. [Audio]

Stewart, Michael (2001) Karry Owky. n/a. (Submitted)

Stewart, Michael (2011) The Shadow Of Your Hand. [Artefact]

T

Taylor, Linda (2009) From ideology critique to communicative action: new approaches for political theatres. In: Silent Voices Forbidden Lives: Censorship and Performance (FIRT/IFTR Annual International Conference, 12th - 18th July 2009, Lisbon, Portugal. (Unpublished)

Taylor, Linda (2008) Multiple dialogues; a reflection on the influences of Goat Island's use of dialogue and respose on my work as a teacher and practitioner within higher education. In: Goat Island : Lastness, raiding the archive, and pedagogical practices, Saturday 1 March 2008 to Sunday 2 March 2008, Nuffield Theatre, Lancaster, UK. (Unpublished)

Taylor, Linda (2007) Multiple dialogues; a reflection on the influences of Goat Island's use of dialogue and respose on my work as a teacher and practitioner within higher education. In: The Lastmaker Symposium, 23-24 October 2007, Leeds, UK. (Unpublished)

Taylor, Nik (2007) England's Home of Mystery. [Performance]

Taylor, Nik (2009) Many Magics. [Performance] (Unpublished)

Taylor, Nik (2009) A Performance of Bizarre Magick. [Performance] (Unpublished)

Taylor, Nik and Nolan, Stuart (2009) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: The Ninth Biannual Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Taylor, Linda (2007) Contemporary Political Theatre and the Collaborative Making Process. In: At the Sharp End, 15th September 2007, University of Portsmouth. (Unpublished)

Taylor, Linda (2008) Multiple Dialogue; a reflection on the influences of Goat Island’s use of dialogue and response on my work as a teacher and practitioner within Higher Education. In: Goat Island: Lastness, raiding the archive, and pedagogical practices in performance, 29th February - 2nd March 2008, Lancaster University. (Unpublished)

Taylor, Linda (2009) Operations of dialogue. In: Silent Voices Forbidden Lives: Censorship and Performance (FIRT/IFTR Annual International Conference, 12th - 18th July 2009, Lisbon, Portugal. (Unpublished)

Taylor, Nik (2013) The Bizarnival of the Strange. Mystic Menagerie: The Journal of Bizarre Magic, 1 (13). pp. 10-12.

Taylor, Nik (2011) Collective Delusion and the Madness of Crowds. In: Occult Magic 2: Into The Darkness. Valentine Entertainments, pp. 43-47.

Taylor, Nik (2011) Host / MC. [Performance] (Unpublished)

Taylor, Nik (2010) How Psychic are you? [Performance] (Unpublished)

Taylor, Nik (2011) Introduction. In: Scripting & Storytelling for Paranormal Entertainers. Aken Productions, ix.

Taylor, Nik (2011) More Than Just Tricks. In: Tabula Mentis, 16th April 2011, The University of Huddersfield. (Unpublished)

Taylor, Nik (2014) Out of Tricks. In: The Magiculum. EyeCorner Press, London, UK, pp. 101-111. ISBN 9788792633279

Taylor, Nik (2010) Throw Six to Start. Mystic Menagerie: The Journal of Bizarre Magic (3).

Taylor, Nik and Hoedt, Madelon (2012) Magic and the M-word. In: Liber Mentis. PSYCRETS, London, pp. 262-276. ISBN 9781291107326

W

Wedderburn, Eve (2006) Borderline cases. Total Theatre Magazine, 18 (2). pp. 20-22. ISSN 0960-6106

Wedderburn, Eve (2008) Employability as Product: The Effect of Product Driven Work on Creativity. In: Explore the future of the performing arts curriculum and help us to fill in the ( ), Wednesday 26 March-Friday 28 March 2008, Liverpool Institute of Performing Arts, UK. (Unpublished)

Wedderburn, Eve (2008) Writing ‘the Body’: reconsidering physicality through ‘French’ theatre discourse. Masters thesis, University of Exeter.

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Winston, Liam (2011) A Critical Evaluation of Careful and Liam Winston Presents: An Evening of Comedy for the Everyday Man and Woman In Relation To Satire and Silence within Comedy. Masters thesis, University of Huddersfield.

This list was generated on Mon Sep 1 08:40:14 2014 IST.

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