Items where Author is Cassidy, Aaron

Article

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10.

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review, 32 (4). pp. 305-323. ISSN 0749-4467

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1). ISSN 2317-9694

Book Chapter

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: Noise in and as music. University of Huddersfield Press. ISBN 9781862181182

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Conference or Workshop Item

Cassidy, Aaron (2016) Gestural Modelling and Compositional Constraints. In: Noise and the Voice: Open master class with composer Aaron Cassidy, 7th-8th March 2016, Norwegian Academy of Music, Norway. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, 2nd December 2015, Colombia University, New York, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Undergraduate Masterclass, 30th November 2015, Harvard University Department of Music, USA. (Unpublished)

Cassidy, Aaron and Castro, Diego (2015) The Pleats of Matter/The Matter of Pleats. In: The Dark Precursor: International Conference on Deleuze and Artistic Research (DARE 2015), 9th - 11th November 2015, Orpheus Institute, Ghent, Belgium. (Unpublished)

Cassidy, Aaron (2015) Gestural Modelling and Compositional Constraints. In: Invited Lecture, September 2015, Royal Melbourne Institute of Technology, Australia. (Unpublished)

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 19th May 2015, Northwestern University, Chicago, USA. (Unpublished)

Cassidy, Aaron (2015) Gestural modelling and compositional constraints. In: Invited Lecture, 18th May 2015, The University of Chicago, Chicago, USA. (Unpublished)

Cassidy, Aaron (2015) Imagining a Non-Geometrical Rhythm. In: Imagining a Non-Geometrical Rhythm — Inaugural Professorial Lecture, 23rd March 2015, University of Huddersfield. (Unpublished)

Cassidy, Aaron (2014) Noise and the Voice: Exploring the thresholds of vocal transgression. In: performing voice Vokalität im Fokus angewandter Interpretationsforschung, 27th-29th November 2014, Musik-Akademie Basel, Switzerland.

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, October 2014, Magdalene College, University of Oxford, UK. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints. In: Invited Lecture, September 2014, SEGi College, Subang Jaya, Malaysia. (Unpublished)

Cassidy, Aaron (2014) Gestural modelling and compositional constraints: the Articulation of Accident as Creative Method. In: Invited Lecture, 1st September 2014, Yong Siew Toh Conservatory, National University of Singapore. (Unpublished)

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

Book

Cassidy, Aaron and Einbond, Aaron (2013) Noise in and as music. University of Huddersfield, Huddersfield. ISBN 978-1-86218-118-2

Composition

Cassidy, Aaron (2016) The wreck of former boundaries (2014-16) [ 2 tr solo, cl/bs cl, sax, tbn, elec lap steel gtr, double bass, 5.1 channel electronics ]. [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (alto saxophone and live electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (solo B-flat clarinet). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (piccolo trumpet, quartertone flugelhorn, and trombone). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (solo contrabass). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (electric lap steel guitar and 5.1 channel electronics). [Composition]

Cassidy, Aaron (2016) The wreck of former boundaries (5.1 channel fixed media). [Composition]

Cassidy, Aaron (2014) APOFIR-REDUX. [Composition]

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Unpublished)

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

Cassidy, Aaron (2003) the green is either. [Composition]

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]

Performance

Cassidy, Aaron (2016) The wreck of former boundaries for 5.1 channel electronics. In: The 2016 Alba New Music Festival, Friday 7th – Saturday 8th October 2016, St Giles Cathedral, High Street, Edinburgh.

Cassidy, Aaron (2016) The wreck of former boundaries for electric lap-steel guitar and electronics (2015). In: ELISION Ensemble Concert: The Surface Project, 21st September 2016, RMIT Gallery, RMIT University, Melbourne VIC 3000, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries. In: BIFEM: How Forests Think, 3 September 2016, The Capital, Bendigo VIC 3550, Australia.

Cassidy, Aaron (2016) The wreck of former boundaries (lap steel & electronics). In: Metropolis New Music Festival 2016: Sacred Cities, 10 May 2016, Melbourne Recital Centre, Australia.

Cassidy, Aaron (2012) A painter of figures in rooms. In: Hear and Now, 18th August 2012, South Bank Centre, Purcell Room, London, UK.

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, October 23 2011, Villa Elisabeth, Berlin, Germany.

Cassidy, Aaron (2011) Second string quartet. In: Extended Play: SONiC Festival, October 16, 2011, Miller Theatre, NY, USA.

Cassidy, Aaron (2011) the green is either. In: UNSPECIFIED.

Cassidy, Aaron (2011) String Quartet and Second String Quartet. In: Monday Evening Concerts, 14th February 2011, Los Angeles, USA.

Cassidy, Aaron (2011) Second String Quartet. In: Ultraschall Festival, 20th-30th January 2011, Berlin, Germany.

Cassidy, Aaron (2010) Second String Quartet. In: Donaueschinger Musiktage, October 16th 2010, Donaueschinger, Germany.

Cassidy, Aaron (2010) String Quartet. In: International Summer Course for New Music, July 23rd 2010, Darmstadt, Germany.

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Sendesaal Bremen, June 15th 2010, Bremen, Germany.

Cassidy, Aaron (2010) memento/memorial. In: UNSPECIFIED, June 7th 2010, Kings Place, London.

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). In: UNSPECIFIED, March 15th 2010, Kings Place, London.

Cassidy, Aaron (2010) memento/memorial. In: Ensemble SurPlus, February 28th 2010, E-Werk, Freiburg, Germany.

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, February 18th 2010, Wartesaal, Cologne, Germany.

Cassidy, Aaron (2010) String Quartet. In: New Music Ensemble JACK Quartet Debuts in the Kimmel Center’s Innovation Studio, January 23rd 2010, Kimmel Center, Philadelphia, USA.

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). In: Huddersfield Contemporary Music Festival hcmf 2009, 20th-29th November 2009, St Paul's, University of Huddersfield, UK.

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. In: UNSPECIFIED, 2nd November 2009, Kings Place, London, UK.

Cassidy, Aaron (2009) String Quartet. In: UNSPECIFIED, 14th September 2009, Le Poisson Rouge, New York, USA.

Cassidy, Aaron (2009) asphyxia. In: World Saxophone Congress XV, 9th July 2009, Bangkok, Thailand.

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2009) The Crutch of Memory. In: UNSPECIFIED, 28th April 2009, Kings Place, London, UK.

Cassidy, Aaron (2009) [Various]. In: New Music Up Late, 28 February 2009, Brisbane.

Cassidy, Aaron (2008) String Quartet. In: Festival Internacional Chihuahua 2008, 19th-28th September 2008, Chihuahua, Mexico.

Cassidy, Aaron (2008) String quartet. In: Festival Internacional Chihuahua 2008 at Festival Internacional Chihuahua 2008, Sunday September 28 2008, Chihuahua, Mexico.

Cassidy, Aaron (2008) Portrait Concert. In: Portrait Concert: ELISION Ensemble, 27th July 2008, ABC Ferry Road Studios, Brisbane, Australia.

Cassidy, Aaron (2008) asphyxia. In: UNSPECIFIED, 13th July 2008, Government House, Sydney, Australia.

Audio

Cassidy, Aaron (2016) The wreck of former boundaries (B-flat clarinet). [Audio]

Cassidy, Aaron (2013) Asphyxia for soprano saxophone. [Audio]

Cassidy, Aaron, Weeks, James, Harrison, Bryn, Chase, Stephen, Bailie, Joanna, Glover, Richard and Molitor, Claudia (2013) Exposure. [Audio]

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]