Items where Author is Cassidy, Aaron

2013

Cassidy, Aaron (2013) Noise and the Voice: exploring the thresholds of vocal transgression. In: NOISE IN/AND/AS MUSIC. University of Huddersfield Press. (In Press)

Cassidy, Aaron (2013) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2013) Constraint Schemata, Multi-axis Movement Modeling, and Unified, Multi-parametric Notation for Strings and Voices. Search: Journal for New Music and Culture, 10. (In Press)

Cassidy, Aaron (2013) The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in). Contemporary Music Review. ISSN 0749-4467 (In Press)

2012

Cassidy, Aaron (2012) A painter of figures in rooms. [Performance]

Cassidy, Aaron (2012) A painter of figures in rooms. [Audio]

Cassidy, Aaron (2012) A painter of figures in rooms. [Composition]

Cassidy, Aaron (2012) Francis Bacon, a painter of figures in rooms. Exaudi2012.

Cassidy, Aaron (2012) Asphyxia, for soprano saxophone. [Audio]

Cassidy, Aaron (2012) Because they mark the zone where the force is in the process of striking, for solo trombone. [Audio]

Cassidy, Aaron (2012) Being itself a catastrophe, the diagram must not create a catastrophe, for oboe, musette, English horn, E-flat clarinet, B-flat clarinet, bass clarinet. [Audio]

Cassidy, Aaron (2012) The Crutch of Memory, for solo string instrument. [Audio]

Cassidy, Aaron (2012) I, purples, spat blood, laugh of beautiful lips, for voice & live electronics. [Audio]

Cassidy, Aaron (2012) Metallic Dust, for amplified bass clarinet. [Audio]

Cassidy, Aaron (2012) Songs only as sad as their listener, for solo trombone. [Audio]

Cassidy, Aaron (2012) What then renders these forces visible is a strange smile, for solo trumpet. [Audio]

Cassidy, Aaron (2012) Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). Sonic Ideas (Ideas Sonicas), 4 (1).

Cassidy, Aaron (2012) I am an experimental composer. In: Orpheus Institute ORCiM International Seminar 2012, 22nd-23rd February 2012, Ghent, Belgium. (Unpublished)

2011

Cassidy, Aaron (2011) Being in itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2011) Second string quartet. [Performance]

Cassidy, Aaron (2011) Second string quartet. [Audio]

Cassidy, Aaron (2011) Second string quartet. [Composition]

Cassidy, Aaron (2011) the green is either. [Performance] (Unpublished)

Cassidy, Aaron (2011) String Quartet and Second String Quartet. [Performance]

Cassidy, Aaron (2011) Second String Quartet. [Performance]

2010

Cassidy, Aaron, Barrett, Richard, Johnson, Evan, Hübler, Klaus K. and Lim, Liza (2010) Strange forces. [Audio]

Bellamy, Mary, Harrison, Bryn, Cassidy, Aaron and Lim, Liza (2010) Transference. [Audio]

Cassidy, Aaron (2010) Second String Quartet. [Performance]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

Cassidy, Aaron (2010) String Quartet. [Performance]

Cassidy, Aaron (2010) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2010) memento/memorial. [Performance]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2010) memento/memorial. [Performance] (Unpublished)

Cassidy, Aaron (2010) I, purples, spat blood, laugh of beautiful lips. [Performance]

Cassidy, Aaron (2010) String Quartet. [Performance]

Cassidy, Aaron (2010) And the scream, Bacon’s scream, is the operation through which the entire body escapes through the mouth (or, Three Studies for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2010) Memento/memorial. [Composition]

Cassidy, Aaron (2010) l.d._ p.c. (t.c.h.). [Composition] (Unpublished)

2009

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion. [Performance]

Cassidy, Aaron (2009) What then renders these forces visible is a strange smile (or First Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) I, purples, spat blood, laugh of beautiful lips. [Performance]

Cassidy, Aaron (2009) Because they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion). [Composition]

Cassidy, Aaron (2009) String Quartet. [Performance]

Cassidy, Aaron (2009) asphyxia. [Performance] (Unpublished)

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Performance]

Cassidy, Aaron (2009) The Crutch of Memory. [Performance]

Cassidy, Aaron (2009) [Various]. [Performance]

Cassidy, Aaron (2009) Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion). [Composition] (Submitted)

2008

Cassidy, Aaron (2008) String Quartet. [Performance]

Cassidy, Aaron (2008) String quartet. [Performance] (Unpublished)

Cassidy, Aaron (2008) Portrait Concert. [Performance]

Cassidy, Aaron (2008) asphyxia. [Performance]

Cassidy, Aaron (2008) Second Study for Figures at the Base of a Crucifixion. [Composition] (Submitted)

Cassidy, Aaron (2008) What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion). [Composition] (Submitted)

Cassidy, Aaron (2008) Determinate Action/Indeterminate Sound Tablature and Chance in Several Recent Works. In: Facets of the Second Modernity. New Music and Aesthetics in the 21st Century, 6 . Wolke Verlag, Hofheim, pp. 17-32. ISBN 978-3-936000-17-7

2007

Cassidy, Aaron (2007) The Pleats of Matter. [Composition] (Submitted)

2004

Cassidy, Aaron (2004) Performative physicality and choreography as morphological determinants. In: Musical Morphology. Published in collaboration with the Bludenzer Tage Zeitgemässer Musik, Germany. ISBN 9783936000139

Cassidy, Aaron (2004) Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies. In: Polyphony & Complexity. Wolke, Germany. ISBN 9783936000108

Cassidy, Aaron (2004) The Crutch of Memory. [Composition]

2003

Cassidy, Aaron (2003) the green is either. [Composition]

2002

Cassidy, Aaron (2002) String Quartet. [Composition]

Cassidy, Aaron (2002) ten monophonic miniatures for solo pianist. [Composition]