Search:
Computing and Library Services - delivering an inspiring information environment

Borderlands: an Exploration of Contemplation in Creative Practice

Templeton, Deborah and Adkins, Monty (2016) Borderlands: an Exploration of Contemplation in Creative Practice. Liminalities : a Journal of Performance Studies, 12 (2). ISSN 1557-2935

[img]
Preview
PDF - Published Version
Available under License Creative Commons Attribution Non-commercial Share Alike.

Download (405kB) | Preview

Abstract

Borderlands is an experimental audio performance by Monty Adkins (composition)
and Deborah Templeton (text) and features the cello playing of William
Mace. The work explores liminal states and the borders of consciousness. The
text is performed by Templeton, and was recorded and mixed by Adkins at various
points throughout the sound component of the work with the cello1
.
Borderlands was originally created for Totum One, an interactive installation
designed by the British company, IOU2
, and premiered at the Junction in Goole
(UK) in September 2014. A large white inflatable space, created by the artist,
Lisa Gort, housed examples of IOU’s current experimentation in 360° sound
and virtual world technology. Borderlands was the heart of the installation: the
audience was invited to recline on white deck chairs and listen to the audio

Item Type: Article
Subjects: M Music and Books on Music > M Music
Schools: School of Music, Humanities and Media
Related URLs:
Depositing User: Sara Taylor
Date Deposited: 19 Apr 2016 08:53
Last Modified: 03 Dec 2016 13:33
URI: http://eprints.hud.ac.uk/id/eprint/28073

Downloads

Downloads per month over past year

Repository Staff Only: item control page

View Item View Item

University of Huddersfield, Queensgate, Huddersfield, HD1 3DH Copyright and Disclaimer All rights reserved ©