This paper discusses the new harmonic possibilities enabled through the implementation of Sethares’ theory of the dissonance curve in MAX and its use in a live electronic composition Splintered Echoes with Monty Adkins (composer), Jonny Axelsson (composer and percussionist) and Adrian Gierakowski (programmer).
Reinventing Harmony in Splintered Echoes (2014)
Sundin, Paulina E.
(2015)
Reinventing Harmony in Splintered Echoes (2014).
Divergence Press, 4 (1).
ISSN 20523467
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