Reflections on Sculptural Thinking in Fashion Design

This paper explores three-dimensional thinking in fashion design; it does this by engaging with theories, concepts and philosophies related to thought and the experience of creating three-dimensional artifacts, which are common to both sculpture and fashion. Central to this relationship is the employment of the senses with respect to perception and cognition. Of particular interest is the sense of touch,and how sensory experience encounters notions of empathy and mimicry in a phenomenological encounter with others: whether animate or inanimate. The research emerged through conversations
between a fashion designer, Kevin Almond and a contemporary artist, Stephen Swindells. The sensibility of the paper, and much ofthe analysis and debates, thus adopt a creative practitioners
perspective. A conceptual current running through the conversation, and subsequently the paper, touched upon whether following a line of thought becomes analogous to visually and mentally tracing a human form in a psychological space – and what is the significance for fashion of the interrelationships between sculptural thinking and
phenomenological encounters with others within urban environments?