Items where Subject is "N Fine Arts > ND Painting"

Article

Adams, Jeff, Bailey, Rowan and Walton, Neil (2017) The UK National Arts Education Archive: Ideas and Imaginings. The International Journal of Art & Design Education, 36 (2). pp. 176-187. ISSN 1476-8062

Bailey, Rowan and Power, Jess (2014) Editorial. Journal of Writing in Creative Practice, 7 (3). pp. 353-357. ISSN 1753-5190

Massey, Ian (2009) Against the neutrality of form: the work of Mørten Lobner Espersen. Ceramics Art and Perception (75). pp. 69-73. ISSN 1035-1841

Morgan, Bethany (2018) How has Botanical Illustration influenced Surface Pattern Design? Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163

Rowley, Alison (1995) Lapses of Taste: On Dorothea Tanning. Women’s Art Magazine (66). pp. 16-19. ISSN 0961-1460

Book Chapter

Holmes, Dale (2013) Landing at Tegel/Concrete (Fata Morgana). In: Tegel: Propositions and Speculations. The Green Box, Germany. ISBN 9783941644595

Holmes, Dale and Cooke, Kirsten (2015) Material Conjectures presents Asymmetrical Cinema. In: Beaconsfield Chronic Epoch. Black Dog Publishing, London, UK, p. 166. ISBN 978-1908966575

Howey, Barbara (2004) Critical Autobiography and Painting Practice. In: Narrative, Memory & Identity: Theoretical and Methodological Issues. University of Huddersfield, Huddersfield, pp. 23-36.

Massey, Ian (2011) In the Shadow of the Mount. In: John Blackburn. Artis Gallery, Parnell, Auckland.

Massey, Ian (2013) Nature Describing Nature. In: Under the Greenwood: Picturing the British Tree from Constable to Kurt Jackson. Redcliffe Press, pp. 123-129. ISBN 9781908326300

Massey, Ian (2010) The stuff of life: notes on John Blackburn. In: John Blackburn Paintings. Lemon Street Gallery, Truro, UK. ISBN 9780956475350

McAra, Catriona (2013) Kaleidoscope Eyes: Cytherean Voyages in the Post-Surrealist Practice of Dorothea Tanning. In: Dorothea Tanning: Unknown but Knowable States. Gallery Wendi Norris, San Francisco, pp. 11-19. ISBN 97806157206652000

McAra, Catriona (2013) A Natural History of "The Dark Crystal": The Conceptual Design of Brian Froud. In: The Wider Worlds of Jim Henson. McFarland, Jefferson, pp. 101-116.

McAra, Catriona (2013) Sadeian Women: Erotic Violence in the Surrealist Spectacle. In: Violence and the Limits of Representation. Palgrave Macmillan, London, pp. 69-89. ISBN 9781137296894

Pettican, Anneké, Lewis, Chara and Mojsiewicz, Kristin (2013) The Creation of the Creative Voice. In: Collaboration Through Craft. Bloomsbury, London, pp. 59-72. ISBN 9780857853929

Rowley, Alison (2004) Before her Time: Lily Briscoe and Painting Now. In: Unframed: The Practices and Politics of Women’s Painting. I.B. Tauris & co. Ltd., London/New York, pp. 17-40. ISBN 1860647715

Rowley, Alison (1996) On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting. In: Generations and Geographies in the Visual Arts. Routledge, London, pp. 88-109. ISBN 0415141277

Rowley, Alison (2001) Plan: Large Woman or Large Canvas? A Confusion of Size with Scale. In: Feminism, Art, Theory: An Anthology 1968-2000. Blackwell, Oxford & Malden, Mass., pp. 392-396. ISBN 063120850X

Conference or Workshop Item

Bailey, Rowan (2014) Re-writing the Archive - Writing-PAD workshop event. In: Re-writing the Archive - Writing-PAD event, 22 October 2014, University of Huddersfield, UK. (Submitted)

Holmes, Dale (2017) Ruin in Reverse - City Reach/The Skyline: a timeline of events. In: Hard Engineering: Critical Cartographies, 3rd November 2017, Colegio dos Cobros, National Museum of Natural History and Science, Lisbon. (Unpublished)

Holmes, Dale and Simmonds, Gary (2017) A is for Abstract. In: Visibility Conference: Askance?Oblique, 31/03/2017, Sheffield Hallam University, UK. (Unpublished)

Lister, Graham (2014) ‘The Art of Being There – Representational Painting and Visual Spatialisation’. In: Athens Institute for Education and Research 5th Annual International Conference on Visual and Performing Arts, 2nd-5th June 2014, Athens, Greece.

McAra, Catriona (2012) Dorothea Tanning's 'Chasm': A Dysfunctional Nursery Rhyme. In: Material Meanings: Third Biannual Conference of the European Network for Avant-Garde and Modernism Studies, 7-9 September 2012, University of Kent, Canterbury. (Unpublished)

Perren, Nicola and Macbeth, P.A. (2009) SAMPLE: Branding an Education. In: Futurescan: Mapping the Territory, 17-18 November 2009, University of Liverpool. (Unpublished)

Rowley, Alison (1997) Bridget Riley: The Pleasures of Sight Deferred. In: Third Biennial Conference of the Feminist Arts and Histories Network, 1997, University of Leeds. (Unpublished)

Rowley, Alison (2004) Doing Art History as Painting. In: ‘Unframed Symposium, 2004, University of the Arts, Camberwell. (Unpublished)

Rowley, Alison (2002) Eden (1956)Et in Arcadia Ego: Thoughts on Public Representation and Private Mourning in a Painting by Helen Frankenthaler. In: Public Representation and Private Mourning: Commemoration and the Memorial, 15-16 March 2002, University of the West of England, Watershed Media Centre, Bristol. (Unpublished)

Rowley, Alison (1997) From Plan to Winter Palace. In: Fotofeis forum, ‘Representations of the Female Body', 1997, Fruitmarket Gallery Edinburgh. (Unpublished)

Rowley, Alison (2014) Helen Frankenthaler: Something New in Terms of Nature'. In: Making Painting: Helen Frankenthaler and JMW Turner, 12 February 2014, Turner Contemporary Margate. (Unpublished)

Rowley, Alison (1995) On Three Paintings by Jenny Saville. In: Second Biennial Conference of the Feminist Arts Histories Network, 1995, University of Leeds. (Unpublished)

Rowley, Alison (2004) Painters don’t talk about Vermeer. In: Vermeer to Eternity: Time and the Image in Historical, Theoretical, and Aesthetic Frames: Clark Colloquia, 5th-6th March 2004, Clark Art Institute Massachusetts, USA. (Unpublished)

Rowley, Alison (2001) Painting History. In: Reinventing History, 2001, Holburne Museum of Art, Bath, UK. (Unpublished)

Taylor, Matthew (2016) The Gleneden hand painted jacquard design archive: Drawing research from a hand painted textile archive. In: iJade, 18 & 19 November 2016, Chester. (Unpublished)

Book

Burrows, Matthew (2000) A Divine Comedy - exhibition catalogue. Lamont Gallery. ISBN 0953218600

Hepworth, A., Anthony and Massey, I., Ian (2012) Keith Vaughan: The Mature Oils 1946-1977. Sansom and Company, Bristol, UK. ISBN 978 1 908326 17 1

Massey, Ian (2010) Patrick Procktor: Art and Life. Unicorn Press, London. ISBN 9781906509095

McAra, Catriona, Powell, Anna and Swindells, Steve (2014) ROTOЯ Review. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-119-9

Rowley, Alison (2007) Helen Frankenthaler: Painting History, Writing Painting. New Encounters, Arts, Cultures, Concepts . I.B. Tauris & Co Ltd., London/New York. ISBN 9781845115197

Thesis

De Vos, Zegar (2017) Narrative through texture: shaping sound through abstract painting in my practice of ambient music. Masters thesis, University of Huddersfield.

Durrant, Ryan (2021) Painting, Still Life, Repetition and Death of the Object. Masters thesis, University of Huddersfield.

Goddard, Hannah (2022) Painting for effect – using material process and technique to create atmosphere and eeriness in paintings of domestic interiors and spaces. Masters thesis, University of Huddersfield.

Morgan, Bethany (2020) A Walk in the Countryside: Exploring Memory Through Painting. Masters thesis, University of Huddersfield.

Read, Ailsa (2020) The Re-envisaging Of The Pendle Witches. Doctoral thesis, University of Huddersfield.

Soden, Puy (2014) Touch: an enquiry. Masters thesis, University of Huddersfield.

Soden, Puy (2019) An investigation into a concept of painting via an experimental process of practice-led methods, including an artistic trial of Grounded Theory Method coding, led by a series of painting experiments that focus on the significance of ground. Doctoral thesis, University of Huddersfield.

Van-Zandt, Pete (2018) Surfboard Making and Painting Within the Same Studio Environment. Masters thesis, University of Huddersfield.

Artefact

Unver, Ertu and Taylor, Andrew (2012) Digital Stonehenge Illustrations. [Artefact]

Show/Exhibition

Bailey, Rowan (2015) Thought Positions in Sculpture. [Show/Exhibition]

Biró, Eszter, Butler, Jacqueline, Calvo, Mirian, Coelho, Inês Bento, Keehan, Allyson, MacLellan, Fiona Jane, Weir, Catherine M., Worsley, Dawn, Zakari, Hanan Makki, Zioga, Polina and Checchia, Viviana (2016) Whereabouts you are. [Show/Exhibition]

Burrows, Matthew, Hammick, Tom and Jackowski, Andrzej Undercurrents. [Show/Exhibition]

Gander, Ryan (2012) An Exhibition of Recent Paintings. [Show/Exhibition]

Gander, Ryan (2011) Locked Room Scenario. [Show/Exhibition]

Harper, Chris (2008) A Thousand Words: the art of illustration. [Show/Exhibition]

Holmes, Dale (2017) Decorative Dormitories for Sleep Workers by House of Hysteria. [Show/Exhibition]

Holmes, Dale (2016) The Painting School (New Materialities). [Show/Exhibition]

Holmes, Dale (2016) Pressure Chamber: Nematodes. [Show/Exhibition]

Holmes, Dale and Cooke, Kirsten (2016) Abandoned Temporary Crisis Facility. [Show/Exhibition]

Holmes, Dale and Cooke, Kirsten (2014) Material Conjectures presents Kwartz Kapital Konstruktion Kollider. [Show/Exhibition]

Lewis, Chara, Mojsiewicz, Kristin and Pettican, Anneké (2010) The Myth of Origins. [Show/Exhibition]

Lister, Graham (2014) My Altermodern Everyday: Glasgow - Solo Exhibition - The New Glasgow Society. [Show/Exhibition]

Massey, Ian (2012) Patrick Procktor: Art and Life (ROTOR). [Show/Exhibition]

Salisbury, Alan and West, Steve (2009) Bay Art Gallery. [Show/Exhibition]

Performance

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. In: UNSPECIFIED.

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). In: UNSPECIFIED.

Web page

Massey, Ian (2013) Artist in Focus: John Blackburn (forthcoming). [Web page]

Other

Pettican, Anneké, Lewis, Chara and Mojsiewicz, Kristin (2016) Brass Art, R<connecting Senses, Artists-in-Labs, Hong Kong. Artists in Labs, Switzerland - Hong Kong.