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Items where Subject is "N Fine Arts > ND Painting"

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Number of items at this level: 37.

Burrows, Matthew (2000) A Divine Comedy - exhibition catalogue. Lamont Gallery. ISBN 0953218600

Burrows, Matthew, Hammick, Tom and Jackowski, Andrzej Undercurrents. [Show/Exhibition]

Gander, Ryan (2012) An Exhibition of Recent Paintings. [Show/Exhibition]

Gander, Ryan (2011) Locked Room Scenario. [Show/Exhibition]

Harper, Chris (2008) A Thousand Words: the art of illustration. [Show/Exhibition]

Hepworth, A., Anthony and Massey, I., Ian (2012) Keith Vaughan: The Mature Oils 1946-1977. Sansom and Company, Bristol, UK. ISBN 978 1 908326 17 1

Howey, Barbara (2004) Critical Autobiography and Painting Practice. In: Narrative, Memory & Identity: Theoretical and Methodological Issues. University of Huddersfield, Huddersfield, pp. 23-36.

Lewis, Chara, Mojsiewicz, Kristin and Pettican, Anneké (2010) The Myth of Origins. [Show/Exhibition]

Massey, Ian (2009) Against the neutrality of form: the work of Mørten Lobner Espersen. Ceramics Art and Perception (75). pp. 69-73. ISSN 1035-1841

Massey, Ian (2013) Artist in Focus: John Blackburn (forthcoming). [Web page]

Massey, Ian (2011) In the Shadow of the Mount. In: John Blackburn. Artis Gallery, Parnell, Auckland.

Massey, Ian (2013) Nature Describing Nature. In: Under the Greenwood: Picturing the British Tree from Constable to Kurt Jackson. Redcliffe Press, pp. 123-129. ISBN 9781908326300

Massey, Ian (2010) Patrick Procktor: Art and Life. Unicorn Press, London. ISBN 9781906509095

Massey, Ian (2012) Patrick Procktor: Art and Life (ROTOR). [Show/Exhibition]

Massey, Ian (2010) The stuff of life: notes on John Blackburn. In: John Blackburn Paintings. Lemon Street Gallery, Truro, UK. ISBN 9780956475350

McAra, Catriona (2012) Dorothea Tanning's 'Chasm': A Dysfunctional Nursery Rhyme. In: Material Meanings: Third Biannual Conference of the European Network for Avant-Garde and Modernism Studies, 7-9 September 2012, University of Kent, Canterbury. (Unpublished)

McAra, Catriona (2013) Kaleidoscope Eyes: Cytherean Voyages in the Post-Surrealist Practice of Dorothea Tanning. In: Dorothea Tanning: Unknown but Knowable States. Gallery Wendi Norris, San Francisco, pp. 11-19. ISBN 97806157206652000

McAra, Catriona (2013) A Natural History of "The Dark Crystal": The Conceptual Design of Brian Froud. In: The Wider Worlds of Jim Henson. McFarland, Jefferson, pp. 101-116.

McAra, Catriona (2013) Sadeian Women: Erotic Violence in the Surrealist Spectacle. In: Violence and the Limits of Representation. Palgrave Macmillan, London, pp. 69-89. ISBN 9781137296894

Perren, Nicola and Macbeth, P.A. (2009) SAMPLE: Branding an Education. In: Futurescan: Mapping the Territory, 17-18 November 2009, University of Liverpool. (Unpublished)

Pettican, Anneké, Lewis, Chara and Mojsiewicz, Kristin (2013) The Creation of the Creative Voice. In: Collaboration Through Craft. Bloomsbury, London, pp. 59-72. ISBN 9780857853929

Rowley, Alison (1997) From Plan to Winter Palace. In: Fotofeis forum, ‘Representations of the Female Body', 1997, Fruitmarket Gallery Edinburgh. (Unpublished)

Rowley, Alison (1995) Lapses of Taste: On Dorothea Tanning. Women’s Art Magazine (66). pp. 16-19. ISSN 0961-1460

Rowley, Alison (1995) On Three Paintings by Jenny Saville. In: Second Biennial Conference of the Feminist Arts Histories Network , 1995, University of Leeds . (Unpublished)

Rowley, Alison (2004) Doing Art History as Painting. In: ‘Unframed Symposium, 2004, University of the Arts, Camberwell. (Unpublished)

Rowley, Alison (2007) Helen Frankenthaler: Painting History, Writing Painting. New Encounters, Arts, Cultures, Concepts . I.B. Tauris & Co Ltd., London/New York. ISBN 9781845115197

Rowley, Alison (1996) On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting. In: Generations and Geographies in the Visual Arts. Routledge, London , pp. 88-109. ISBN 0415141277

Rowley, Alison (2004) Painters don’t talk about Vermeer. In: Vermeer to Eternity: Time and the Image in Historical, Theoretical, and Aesthetic Frames: Clark Colloquia , 5th-6th March 2004, Clark Art Institute Massachusetts, USA. (Unpublished)

Rowley, Alison (2001) Painting History. In: Reinventing History, 2001, Holburne Museum of Art, Bath, UK. (Unpublished)

Rowley, Alison (2001) Plan: Large Woman or Large Canvas? A Confusion of Size with Scale. In: Feminism, Art, Theory: An Anthology 1968-2000. Blackwell, Oxford & Malden, Mass., pp. 392-396. ISBN 063120850X

Rowley , Alison (2004) Before her Time: Lily Briscoe and Painting Now. In: Unframed: The Practices and Politics of Women’s Painting. I.B. Tauris & co. Ltd., London/New York, pp. 17-40. ISBN 1860647715

Rowley , Alison (1997) Bridget Riley: The Pleasures of Sight Deferred. In: Third Biennial Conference of the Feminist Arts and Histories Network, 1997, University of Leeds . (Unpublished)

Rowley , Alison (2002) Eden (1956)Et in Arcadia Ego: Thoughts on Public Representation and Private Mourning in a Painting by Helen Frankenthaler. In: Public Representation and Private Mourning: Commemoration and the Memorial, 15-16 March 2002, University of the West of England, Watershed Media Centre, Bristol. (Unpublished)

Salisbury, Alan and West, Steve (2009) Bay Art Gallery. [Show/Exhibition]

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. [Performance] (Unpublished)

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). [Performance] (Unpublished)

Unver, Ertu and Taylor, Andrew (2012) Digital Stonehenge Illustrations. [Artefact]

This list was generated on Thu Aug 21 01:27:24 2014 IST.

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