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Number of items at this level: 118.

academic magic

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

acting

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Actor Training

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

actors

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

adaptation

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

anti-aesthetic

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

anti-character

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

anti-magic

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

applied theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

attention

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

audience

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

audience engagement

Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Awareness

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Bizarre Magic

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

Bizarre Magick

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

Bizarrist

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

Buddhism

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Conceptual Blending

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

contemplation

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

contemplative practice

Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Contemplative Studies

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Control

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Creative Practice

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Creative Writing

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Creativity

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

dance

Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

dark play

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Defamiliarization

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

disenchantment

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

disruption

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

drama

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Education

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

emergent cognition

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Emotion

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

enchantment

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

epistemology

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

experience

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

Fear

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Ghosts

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Haunting

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

History of Performance Magic

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

human rights

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

humanities

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Illusion of Reality

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

improvisation language

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

interview

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

justice

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

kayfabe

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

language

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

learning disability

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

magic

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

magician

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

magician as facilitator

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

make-belief

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Martin Crimp

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

Maskeleyne

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

meditation

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

melodic lines

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

mentalism

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

metamentalism

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

metronome

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

mind reading

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

Mindfulness

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

morality

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

mystery entertainment

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

mystery performer

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

Ostension

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Paranormal

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Paranormal entertainment

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

perception

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

performance

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2017) Mapping Mindfulness-based Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Performance magic

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0

performer

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

performing

Middleton, Deborah K., Chamberlain, Franc and Pla, Daniel (2017) Letter from the Editors. Performance and Mindfulness, 1 (1). ISSN 2398-3566

performing arts

Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037

phenomenological

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

philosophy

Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037

play cosmos theatre Nicolas Nunez drama

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

post-truth mentalism

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Postdramatic Text

Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)

practice

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

Presence

Krueger, Anton (2017) Performing Mindful Creativity: Three South African Case Studies. Performance and Mindfulness, 1 (1). ISSN 2398-3566

Psychoanalysis

Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)

punk

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

queationnaire

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

real magic

Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037

Ritual

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Robert-Houdin

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

sensation

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

somatic reverberations

Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669

Spiritualism

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

Sufism

Salyers, Candice (2017) Three Insights from Six Reasons: Reflections on a Sufi Mindfulness Practice in Performance. Performance and Mindfulness, 1 (1). ISSN 2398-3566

survey

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Séance

Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614

theatre

Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

training

Sydow Quillici, Cassiano (2017) Proposals for a dialogue between performative arts and contemplative traditions. Performance and Mindfulness, 1 (1). ISSN 2398-3566

trickster

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Vaudeville

Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037

wink-eye mentalism

Dean, Edward (2018) The End of Mindreading. Journal of performance magic, 5 (1). ISSN 2051-6037

Writing Practice

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

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