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Items where Author is Thomas, Philip

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Number of items: 33.

2013

Thomas, Philip (2013) Overcoming form: reflections on immersive listening: CD and book launch concert. [Performance]

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. [Performance] (Unpublished)

Thomas, Philip (2013) Canada Connections. [Performance]

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722

2012

Thomas, Philip (2012) Wandelweiser und so weiter. [Audio]

2011

Thomas, Philip (2011) Merce Cunningham Dance Company - 'Antic Meet' with John Cage 'Concert for piano and orchestra'. [Performance] (Unpublished)

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). [Performance] (Unpublished)

Thomas, Philip (2011) IGNM Basel - 'Comprovisation'. [Performance] (Unpublished)

2010

Thomas, Philip (2010) Fields Have Ears. [Audio]

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. [Performance] (Unpublished)

Thomas, Philip (2010) Toy Pianos, Piano Toy. [Performance] (Unpublished)

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Thomas, Philip (2010) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. [Performance]

Thomas, Philip (2010) Performances to accompany 'Sol LeWitt: Artist's Books' exhibition, Site Gallery, Sheffield. [Performance] (Unpublished)

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Thomas, Philip (2010) Tim Parkinson 'piano piece piano piece'. [Audio]

2009

Thomas, Philip (2009) Small Preludes, aytoods and other new music from America. [Performance] (Unpublished)

Thomas, Philip (2009) Michael Pisaro's 'pi (1-2954)'. [Performance] (Unpublished)

Thomas, Philip (2009) A Prescription for Action. In: The Ashgate Research Companion to Experimental Music. Ashgate, Farnham, pp. 77-98. ISBN 978-0-7546-6282-2

Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2009) Something New, Something Old, Something Else (2). [Performance] (Unpublished)

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Thomas, Philip, Burn, Chris and Fell, Simon (2009) The middle distance. [Audio]

2008

Thomas, Philip (2008) Concert: Reclaimed. [Audio]

Thomas, Philip (2008) For Pianist: the piano music of Christian Wolff. [Performance] (Unpublished)

2007

Thomas, Philip (2007) Long Piano(Peace March 11). [Performance] (Unpublished)

Thomas, Philip (2007) Berio's Sequenza IV: Approaches to performance and interpretation. Contemporary Music Review, 26 (2). pp. 189-205. ISSN 0749-4467

Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467

Thomas, Philip (2007) Comprovisation. [Audio]

2005

Thomas, Philip (2005) Comprovisation. [Performance] (Unpublished)

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649

2003

Thomas, Philip (2003) Something New, Something Old, Something Else. [Performance] (Unpublished)

2002

Thomas, Philip (2002) The Art of Touch – the piano music of Morton Feldman. [Performance] (Submitted)

This list was generated on Mon Nov 24 12:23:22 2014 GMT.

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