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Metaphor, Abstraction and Temporality in Electroacoustic Music

Adkins, Monty (2010) Metaphor, Abstraction and Temporality in Electroacoustic Music. In: ArtMusFair 2010, 22-26 September 2010, Chopin University, Warsaw, Poland. (Submitted)

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Abstract

This invited paper was written in response to Gerald Bennet’s ‘Listening to Electroacoustic Music presented at ArtMusFair 2010, Warsaw, Poland and was first given as part of a panel responding to Bennett’s paper exploring Electronic Music and the Challenges of the 21st Century. Other contributors to the panel were Katharine Norman and Jean-Claude Risset. Gerald Bennet’s presentation dealt with issues of metaphor, abstraction and temporality in electroacoustic music. I will consider each of these in turn.

Item Type: Conference or Workshop Item (Paper)
Subjects: M Music and Books on Music > M Music
Schools: School of Music, Humanities and Media
School of Music, Humanities and Media > CeReNeM
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Depositing User: Monty Adkins
Date Deposited: 25 Oct 2010 12:40
Last Modified: 18 Nov 2014 10:13
URI: http://eprints.hud.ac.uk/id/eprint/8777

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