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Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
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Official URL: http://dx.doi.org/10.1386/jmte.5.1.5_1
DOI: 10.1386/jmte.5.1.5_1
Abstract
This article is concerned with issues of perceived live-ness in fragile.flicker.fragment (2010), an electroacoustic suite in nine movements composed by the author. The role and recording of instrumental sounds is discussed with reference to Bridger's metaphoric/metonymic perception of sounds in electroacoustic music and Dellaira's three modes of recording. The final section situates our perception of the composition within an understanding of Richard Allen's notion of cinematic projective illusion.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | live-ness, recording, authenticity, perception, electronic composition |
| Subjects: | M Music and Books on Music > ML Literature of music |
| Schools: | School of Music, Humanities and Media |
| Related URLs: | |
| Depositing User: | Graham Stone |
| Date Deposited: | 02 Aug 2012 10:58 |
| Last Modified: | 02 Aug 2012 13:02 |
| URI: | http://eprints.hud.ac.uk/id/eprint/14435 |
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