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Issues of live-ness in fragile.flicker.fragment

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

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    Abstract

    This article is concerned with issues of perceived live-ness in fragile.flicker.fragment (2010), an electroacoustic suite in nine movements composed by the author. The role and recording of instrumental sounds is discussed with reference to Bridger's metaphoric/metonymic perception of sounds in electroacoustic music and Dellaira's three modes of recording. The final section situates our perception of the composition within an understanding of Richard Allen's notion of cinematic projective illusion.

    Item Type: Article
    Uncontrolled Keywords: live-ness, recording, authenticity, perception, electronic composition
    Subjects: M Music and Books on Music > ML Literature of music
    Schools: School of Music, Humanities and Media
    School of Music, Humanities and Media > CeReNeM
    Related URLs:
    Depositing User: Graham Stone
    Date Deposited: 02 Aug 2012 10:58
    Last Modified: 18 Nov 2014 10:12
    URI: http://eprints.hud.ac.uk/id/eprint/14435

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