Webster, Wendy (2003) Domesticating the Frontier: Gender, Empire and Adventure Landscapes in British Cinema, 1945-59. Gender and History, 15 (1). pp. 85-107. ISSN 0953-5233Metadata only available from this repository.
Before 1945, films of the empire genre, produced in Hollywood as well as Britain, celebrated the masculinity of the British adventure hero, and promoted an imperial world view. This article explores the significance of the incorporation of white women into empire films in the late 1940s and 1950s, focusing on three films from different moments in the period. What are the range of meanings assigned to white femininity in these films, and their significance to the politics of race and gender? How is the white woman represented in relation to colonised women and men? In addressing these questions the article considers shifts in the gendering of the empire genre as part of an attempt to address a range of anxieties – about the transition from empire to Commonwealth, the rise of American power, and the collapse of boundaries between colonisers and colonised.
|Subjects:||D History General and Old World > D History (General)|
D History General and Old World > DA Great Britain
|Schools:||School of Music, Humanities and Media|
|Depositing User:||Sharon Beastall|
|Date Deposited:||07 Mar 2012 11:00|
|Last Modified:||07 Mar 2012 11:00|
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