Items where Subject is "M Music and Books on Music > ML Literature of music"

Action research

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Aesthetics

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Andreas Moser

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Arnold Rose

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Art

Persson, Roland S. (1993) The subjectivity of musical performance : an exploratory music-psychological real world enquiry into the determinants and education of musical reality. Doctoral thesis, University of Huddersfield.

atmosphere

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Audio Score

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

authenticity

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Beethoven

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Berlin Hochschule

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Brahms

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Carols

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Chords

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

City Colours

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

composition

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Contemporary American Music Literature Mass media Performing arts Literature

Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.

Distortion

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Drift Trilogy

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Dub reggae

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Education

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Persson, Roland S. (1993) The subjectivity of musical performance : an exploratory music-psychological real world enquiry into the determinants and education of musical reality. Doctoral thesis, University of Huddersfield.

Electric guitar

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

electronic composition

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Electronic music

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

electronic music Roberto Gerhard

Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888

England

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Experiment

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Expressiveness

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

expressivity

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Gender

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Guitar

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Harmonic structures

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Harp

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Heaviness

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

historical performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

historically-informed performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

History

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

Huddersfield Contemporary Music Festival

Steinitz, Richard (2011) Explosions in November. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-099-4

Human services

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

IASPM

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Identity

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Joachim

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Joseph Joachim

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Klindworth

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Leipzig

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Literature

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

live-ness

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Manifesto

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Manuscripts

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Marie Soldat

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Mass media

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Meme

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Mendelssohn

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Metal

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Middle Ages

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Music

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Music education

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Music performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Music production

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Music theory

Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005

Network

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

nineteenth-century performance

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Node

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

perception

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Performance

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Performance art

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Performing arts

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Performing practice

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Philip Tagg

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Philosophy

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

photography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

piano

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

place

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Playability

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

Politics

McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205

Politics of Resonances

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Popular music

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Popular Music Studies

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Production

Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998

psychogeography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Psychology

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

Persson, Roland S. (1993) The subjectivity of musical performance : an exploratory music-psychological real world enquiry into the determinants and education of musical reality. Doctoral thesis, University of Huddersfield.

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Psychology of music

McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.

psychosonography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

recording

Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066

Reinecke

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Religion

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Remixing

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Rhizome

Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798

Rock

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

singing

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

social geography

Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7

Sociology

Cox, Graham (2003) Communities of practice : learning in progressive ensembles. Doctoral thesis, University of Huddersfield.

Sonic Objects

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Spohr

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Technology

Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066

Thalberg

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Transducing

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

Twenty-first Century

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Underground culture

Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.

Viola d'amore

Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467

violin

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647

Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564

Virtuosity

Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998

voice

Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647