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Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Gill, Rebecca (2004) The imperial anxieties of a nineteenth century bigamy case. History workshop journal, 57. pp. 58-78. ISSN 1363-3554
Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Hill, Pat and Tinker, Amanda (2017) Academic skills provision and learning development: situation, synergy and sustainability. In: Exploring Academic Skills Provision at UK HIgher Education Institutions, 23 April 2017, Cardiff Metropolitan University, UK. (Unpublished)
Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Moss, Tim (2016) Uncanny Actor Training – working with entfremdung (estrangement; depersonalisation; derealisation.). In: Inspire Conference 2016, 21/06/2016, University of Huddersfield. (Unpublished)
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
Miller, Stephen David (1999) 'The fools have stumbled on their best man by accident' : an analysis of the 1957 and 1963 Conservative Party leadership selections. Doctoral thesis, University of Huddersfield.
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Ward, Paul (2013) Last Man Picked. Do Mainstream Historians Need to Play with Sports Historians? International Journal of the History of Sport, 30 (1). pp. 6-13. ISSN 0952-3367
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548
d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049
Ward, Paul (2017) The Beefeaters at the Tower of London, 1826-1914: Icons of Englishness or Britishness? In: Four Nations Approaches to Modern 'British' History: A (Dis)United Kingdom? Palgrave Macmillan, Basingstoke, pp. 161-188. ISBN 978-1137601414
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.
Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4
Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Ward, Paul (2017) The Beefeaters at the Tower of London, 1826-1914: Icons of Englishness or Britishness? In: Four Nations Approaches to Modern 'British' History: A (Dis)United Kingdom? Palgrave Macmillan, Basingstoke, pp. 161-188. ISBN 978-1137601414
Ward, Paul (2013) Last Man Picked. Do Mainstream Historians Need to Play with Sports Historians? International Journal of the History of Sport, 30 (1). pp. 6-13. ISSN 0952-3367
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Toth, Hayley G. (2016) Making home in the city: a spatial analysis of representations of London in contemporary fiction. Masters thesis, University of Huddersfield.
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049
Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049
Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049
Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049
Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825
Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]
d'Escrivan, Julio (2016) Visual OP. [Composition]
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Lim, Liza and Ness, Jon Øivind (2015) Cikada Live at Huddersfield Contemporary Music Festival. [Audio]
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Doyle, Barry M. and McElligott, Anthony (2011) The Rise and Fall of European Municipal Power since 1800. International Journal of Regional and Local Studies, 7 (1 & 2). pp. 8-35. ISSN 1750-0478
Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)
Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.
Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Doyle, Barry M. (2012) A Crisis of Urban Conservatism? Politics and Organisation in Edwardian Norwich. Parliamentary History, 31 (3). pp. 396-418. ISSN 0264-2824
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Smith, Geoff (1996) Composing after cage. Doctoral thesis, University of Huddersfield.
Lim, Liza (2012) 3 Angels. [Composition]
Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]
Toth, Hayley G. (2016) Making home in the city: a spatial analysis of representations of London in contemporary fiction. Masters thesis, University of Huddersfield.
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]
Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
Tawalbeh, Ahmad (2019) The Rhetoric of Accounts of Methodology in English and Arabic Educational Research Articles: A Contrastive Genre Analysis. Doctoral thesis, University of Huddersfield.
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Holt, Elizabeth (2013) Conversation Analysis and Laughter. In: The Encyclopedia of Applied Linguistics. Blackwell Publishing. ISBN 9781405198431
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Kabene, Stefane, Baadel, Said, Jiwani, Zahra and Lobbo, Vanessa (2017) Women in Political Positions and Countries' Level of Happiness. Journal of International Women's Studies, 18 (4). pp. 209-217. ISSN 1539-8706
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Moss, Tim (2016) Uncanny Actor Training – working with entfremdung (estrangement; depersonalisation; derealisation.). In: Inspire Conference 2016, 21/06/2016, University of Huddersfield. (Unpublished)
Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]
Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Tawalbeh, Ahmad (2019) The Rhetoric of Accounts of Methodology in English and Arabic Educational Research Articles: A Contrastive Genre Analysis. Doctoral thesis, University of Huddersfield.
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Atkinson, Paul David (2010) Cultural Causes of the Nineteenth-Century Fertility Decline: A Study of Three Yorkshire Towns. Doctoral thesis, University of Leeds.
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595
d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Adkins, Monty (2008) [60]Project. [Audio]
Adkins, Monty (2009) Five Panels. [Audio]
Adkins, Monty (2006) Mondes inconnus. [Audio]
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)
d'Escrivan, Julio (2016) Visual OP. [Composition]
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Adkins, Monty (2010) Audiomobiles, Sculptures and Conundrums. In: Proceedings of the 1st International Roberto Gerhard Conference. University of Huddersfield, Huddersfield, UK, pp. 131-136. ISBN 9781862180888
Dodd, Rose (2009) The Living Dolls of Electronica. Sonic Image in Electronic Music: the use of subversive text and narrative to expose gender dichotomy. In: Representing Gender in the Performing Arts, 12-13 November 2009, University of Groningen. (Unpublished)
d'Escrivan, Julio (2016) Visual OP. [Composition]
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Hill, Pat and Tinker, Amanda (2017) Academic skills provision and learning development: situation, synergy and sustainability. In: Exploring Academic Skills Provision at UK HIgher Education Institutions, 23 April 2017, Cardiff Metropolitan University, UK. (Unpublished)
Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7
Ward, Paul (2017) The Beefeaters at the Tower of London, 1826-1914: Icons of Englishness or Britishness? In: Four Nations Approaches to Modern 'British' History: A (Dis)United Kingdom? Palgrave Macmillan, Basingstoke, pp. 161-188. ISBN 978-1137601414
Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.
Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Doyle, Barry M. and McElligott, Anthony (2011) The Rise and Fall of European Municipal Power since 1800. International Journal of Regional and Local Studies, 7 (1 & 2). pp. 8-35. ISSN 1750-0478
Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Thomas, Philip (2016) The Music of Laurence Crane and a Post-Experimental Performance Practice. Tempo, 70 (275). pp. 5-21. ISSN 0040-2982
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Berweck, Sebastian (2009) Extended Piano. [Audio]
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974
Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Kabene, Stefane, Baadel, Said, Jiwani, Zahra and Lobbo, Vanessa (2017) Women in Political Positions and Countries' Level of Happiness. Journal of International Women's Studies, 18 (4). pp. 209-217. ISSN 1539-8706
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Toth, Hayley G. (2016) Making home in the city: a spatial analysis of representations of London in contemporary fiction. Masters thesis, University of Huddersfield.
morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Kabene, Stefane, Baadel, Said, Jiwani, Zahra and Lobbo, Vanessa (2017) Women in Political Positions and Countries' Level of Happiness. Journal of International Women's Studies, 18 (4). pp. 209-217. ISSN 1539-8706
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Kabene, Stefane, Baadel, Said, Jiwani, Zahra and Lobbo, Vanessa (2017) Women in Political Positions and Countries' Level of Happiness. Journal of International Women's Studies, 18 (4). pp. 209-217. ISSN 1539-8706
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Miller, Stephen David (1999) 'The fools have stumbled on their best man by accident' : an analysis of the 1957 and 1963 Conservative Party leadership selections. Doctoral thesis, University of Huddersfield.
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Berweck, Sebastian (2009) Extended Piano. [Audio]
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Ward, Paul (2013) Last Man Picked. Do Mainstream Historians Need to Play with Sports Historians? International Journal of the History of Sport, 30 (1). pp. 6-13. ISSN 0952-3367
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974
Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.
Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.
Dalton, Raymond David (2000) Labour and the municipality : Labour politics in Leeds 1900-1914. Doctoral thesis, University of Huddersfield.
Ellis, Robert (2001) A field of practise or a mere house of detention? : the asylum and its integration, with special reference to the county asylums of Yorkshire, c.1844-1888. Doctoral thesis, University of Huddersfield.
Hargreaves, John A. (1991) Religion and society in the parish of Halifax, c. 1740-1914. Doctoral thesis, Huddersfield Polytechnic.
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Laybourn, Keith (2008) There Ought not to be One Law for the Rich and Another for the Poor which Is the Case To-day: The Labour Party, Lotteries, Gaming, Gambling and Bingo, c. 1900-1960s. History, 93 (310). pp. 201-223. ISSN 0018-2648
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Miller, Stephen David (1999) 'The fools have stumbled on their best man by accident' : an analysis of the 1957 and 1963 Conservative Party leadership selections. Doctoral thesis, University of Huddersfield.
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Terry, James Gordan (1999) The causes and effects of the divisions within Methodism in Bradford, 1796-1857. Doctoral thesis, University of Huddersfield.
Ward, Paul, Hellawell, Graham and Lloyd, Sally (2006) WITNESS SEMINAR: Anti-Fascism in 1970s Huddersfield. Contemporary British History, 20 (1). p. 119. ISSN 1361-9462
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Ward, Paul (2013) Last Man Picked. Do Mainstream Historians Need to Play with Sports Historians? International Journal of the History of Sport, 30 (1). pp. 6-13. ISSN 0952-3367
Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101
Doyle, Barry M. (2012) The economics, culture and politics of hospital contributory schemes: The case of inter war Leeds. Labour History Review, 77 (3). pp. 289-315. ISSN 0961-5652
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Berweck, Sebastian (2009) Extended Piano. [Audio]
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.
Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X
Holt, Elizabeth (2013) Conversation Analysis and Laughter. In: The Encyclopedia of Applied Linguistics. Blackwell Publishing. ISBN 9781405198431
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)
morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.
Thomas, Philip (2015) Grizzana. [Audio]
Thomas, Philip (2015) Jürg Frey - Circles and Landscapes. [Audio]
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Laybourn, Keith (2008) There Ought not to be One Law for the Rich and Another for the Poor which Is the Case To-day: The Labour Party, Lotteries, Gaming, Gambling and Bingo, c. 1900-1960s. History, 93 (310). pp. 201-223. ISSN 0018-2648
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Holt, Elizabeth (2013) Conversation Analysis and Laughter. In: The Encyclopedia of Applied Linguistics. Blackwell Publishing. ISBN 9781405198431
Land, Elliott and Gold, Erica (2017) Speaker Identification Using Laughter in a Close Social Network. International Journal of Speech Language and the Law, 24 (2). pp. 201-225. ISSN 1748-8885
Hill, Pat and Tinker, Amanda (2017) Academic skills provision and learning development: situation, synergy and sustainability. In: Exploring Academic Skills Provision at UK HIgher Education Institutions, 23 April 2017, Cardiff Metropolitan University, UK. (Unpublished)
Hill, Pat and Tinker, Amanda (2013) Integrating Learning Development into the Student Experience. Journal of Learning Development in Higher Education, 5. ISSN 1759667X
Tinker, Amanda and Hill, Pat (2015) Curriculum Collaboration: Combining Strengths to Develop Student Learning. In: ALDinHE 2015: The Learning Development Conference, 30th March – 1st April 2015, Southampton Solent University.
Tinker, Amanda and Hill, Pat (2014) Learning journeys: sharing resources for embedding progressive learning development. In: 11th ALDinHE Conference: Learning Development Spaces and Places, 14th -16th April 2014, University of Huddersfield.
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Toth, Hayley G. (2016) Making home in the city: a spatial analysis of representations of London in contemporary fiction. Masters thesis, University of Huddersfield.
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Laybourn, Keith (2008) There Ought not to be One Law for the Rich and Another for the Poor which Is the Case To-day: The Labour Party, Lotteries, Gaming, Gambling and Bingo, c. 1900-1960s. History, 93 (310). pp. 201-223. ISSN 0018-2648
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
Lim, Liza (2013) Wild Winged-One. [Audio]
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Lewis, Katherine J. (2012) Male Saints and Devotional Masculinity in Late Medieval England. Gender and History, 24 (1). pp. 112-133. ISSN 0953-5233
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Lewis, Katherine J. (2012) Male Saints and Devotional Masculinity in Late Medieval England. Gender and History, 24 (1). pp. 112-133. ISSN 0953-5233
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Bi, Xiaoyi (2020) The Discursive Construction of Gender Identity in Context. Doctoral thesis, University of Huddersfield.
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Tawalbeh, Ahmad (2019) The Rhetoric of Accounts of Methodology in English and Arabic Educational Research Articles: A Contrastive Genre Analysis. Doctoral thesis, University of Huddersfield.
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Stanford, Terence George (2007) The metropolitan police 1850-1914: targeting, harassment and the creation of a criminal class. Doctoral thesis, University of Huddersfield.
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Falcus, Sarah (2017) The uneasy partnership of feminism and ageing in Carol Shields’s Unless. Journal of Romance Studies, 17 (3). pp. 311-326. ISSN 1473-3536
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.
Doyle, Barry M. and McElligott, Anthony (2011) The Rise and Fall of European Municipal Power since 1800. International Journal of Regional and Local Studies, 7 (1 & 2). pp. 8-35. ISSN 1750-0478
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Lim, Liza (2015) Creative isomorphism between object, idea and states of consciousness. In: 2nd International Conference on Music and Consciousness, 14-17 April 2015, Oxford University, UK. (Unpublished)
Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.
Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]
Harker, Alexander (2012) Navigating Sample-Based Music: Immediacy and Musical Control in Recent Electronic Works. In: Symposium “Les Espaces sonores – Stimmungen, Klanganalysen, spektrale Musiken”, 7-9 December 2012, Musikakademie Basel. (Unpublished)
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.
Dobson, Elizabeth (2015) Permission to Play: Fostering Enterprise Creativities in Music Technology through Extracurricular Interdisciplinary Collaboration. In: Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education. Bloomsbury, London, UK, pp. 75-96. ISBN 9781472589132
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403
Herbst, Jan-Peter (2018) Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures. Metal Music Studies, 4 (1). pp. 95-113. ISSN 20524005
Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.
Bellamy, Mary (2010) Transference – Abrasion. [Composition] (Unpublished)
Clarke, Eric, Doffman, Mark and Lim, Liza (2012) Distributed Creativity in 'Tongue of the Invisible'. In: 12th ICMPC - 8th ESCOM Joint Conference, 23-28 July 2012, Thessaloniki, Greece. (Unpublished)
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.
Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
Lim, Liza (2013) Wild Winged-One. [Audio]
Doyle, Barry M. (2012) The economics, culture and politics of hospital contributory schemes: The case of inter war Leeds. Labour History Review, 77 (3). pp. 289-315. ISSN 0961-5652
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Land, Elliott and Gold, Erica (2017) Speaker Identification Using Laughter in a Close Social Network. International Journal of Speech Language and the Law, 24 (2). pp. 201-225. ISSN 1748-8885
Ward, Paul (2013) Last Man Picked. Do Mainstream Historians Need to Play with Sports Historians? International Journal of the History of Sport, 30 (1). pp. 6-13. ISSN 0952-3367
Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Ward, Paul (2017) The Beefeaters at the Tower of London, 1826-1914: Icons of Englishness or Britishness? In: Four Nations Approaches to Modern 'British' History: A (Dis)United Kingdom? Palgrave Macmillan, Basingstoke, pp. 161-188. ISBN 978-1137601414
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825
Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
d'Escrivan, Julio (2016) Visual OP. [Composition]
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Atkinson, Paul David (2011) Family size and expectations about housing in the later nineteenth century: three Yorkshire towns. Local Population Studies (87). pp. 13-28. ISSN 0143-2974
Ellis, Robert (2001) A field of practise or a mere house of detention? : the asylum and its integration, with special reference to the county asylums of Yorkshire, c.1844-1888. Doctoral thesis, University of Huddersfield.
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.
Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4
Doyle, Barry M. (2012) A Crisis of Urban Conservatism? Politics and Organisation in Edwardian Norwich. Parliamentary History, 31 (3). pp. 396-418. ISSN 0264-2824
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Ellis, Cath (2012) The possessive logic of settler‐invader nations in Olympic ceremonies. Journal of Tourism and Cultural Change. pp. 1-19. ISSN 1476-6825
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Lim, Liza (2015) Tree of Codes, opera (90') for 3 singers and ensemble, libretto by Lim after Jonathan Safran Foer, Bruno Schulz, Goethe & Foucault. Ricordi Berlin Sy.4264/01. [Composition]
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Lim, Liza (2013) Liza Lim, Orchestral Works. [Audio]
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Crines, Andrew and Heppell, Timothy (2017) Conservative backbench opposition to international aid: is it driven by hard Euroscepticism? Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Lim, Liza (2013) A mycelial model for understanding distributed creativity: collaborative partnership in the making of ‘Axis Mundi’ (2013) for solo bassoon. In: Performance Studies Network Second International Conference 2013, 4th-7th April 2013, Cambridge, UK.
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]
Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Wilson-Bokowiec, Julie and Bokowiec, Mark (2016) PythiaDelphine:21. In: International Animart Festival, 16 - 24 July 2016, Delphi (Greece). (Unpublished)
Dix, Alan, Cowgill, Rachel, Bashford, Christina, McVeigh, Simon and Ridgewell, Rupert (2014) Authority and Judgement in the Digital Archive. In: Proceedings of the 1st International Digital Libraries for Musicology Workshop (DLfM 2014), ACM/IEEE Digital Libraries Conference. ACM International Conference Proceeding Series . City University, London, pp. 33-40.
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Taylor, Nik and Nolan, Stuart (2015) Performing Fabulous Monsters: Re-inventing the Gothic Personae in Bizarre Magic. In: Monstrous media/spectral subjects: Imaging Gothic from the nineteenth century to the present. Manchester University Press, pp. 128-142. ISBN 978-0-7190-8977-0
Lim, Liza (2012) Tongue of the Invisible – Co-creative processes between composition, performance and improvisation. In: SPEEC: Symposium for Performance of Electronic and Experimental Composition: “Building an Instrument”, 6-7 January 2012, University of Oxford. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.
Chamberlain, Franc (2018) Editorial for JPM Issue 5. Journal of performance magic, 5 (1). ISSN 2051-6037
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Holloway, Michael L. (1997) Music in words : the music of Anthony Burgess, and the role of music in his literature. Doctoral thesis, University of Huddersfield.
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Saunders, James (2003) Developing a modular approach to music. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871
Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.
Hargreaves, John A. (1991) Religion and society in the parish of Halifax, c. 1740-1914. Doctoral thesis, Huddersfield Polytechnic.
Landman, Todd (2018) Academic Magic: Performance and the Communication of Fundamental Ideas. Journal of performance magic, 5 (1). ISSN 2051-6037
Terry, James Gordan (1999) The causes and effects of the divisions within Methodism in Bradford, 1796-1857. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]
Milsom, David (2015) Ferdinand David Ensemble: Elgar Piano Quintet (Clive Brown and Ilias Devetzoglou, violins, David Milsom, viola, Tom Collingwood, cello, Miaoyin Qu, piano). In: Leeds University, LUCHIP, Historical Performance, 03/05/2016, Leeds University. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio' at the 'HIP Happening in Huddersfield' festival, 2015. In: The Romantic Piano Trio, 24 April 2015, St Paul's Hall, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: 'The Romantic Piano Trio'; trios by Gade, Mendelssohn, Schubert (David Milsom, violin; George Kennaway, cello; Jonathan Gooing, piano). In: UNSPECIFIED. (Unpublished)
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Dalton, Raymond David (2000) Labour and the municipality : Labour politics in Leeds 1900-1914. Doctoral thesis, University of Huddersfield.
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Perks, R.B. (1985) The new Liberalism and the challenge of Labour in the West Riding of Yorkshire 1885-1914 with special reference to Huddersfield. Doctoral thesis, Huddersfield Polytechnic.
Matthews, Jodie (2017) Editorial for Issue 3. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
McInnes, Louise (2017) ‘England, hope for light after the confusion of darkness’: English Political Identity in the Late Medieval Carol. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Miller, Stephen David (1999) 'The fools have stumbled on their best man by accident' : an analysis of the 1957 and 1963 Conservative Party leadership selections. Doctoral thesis, University of Huddersfield.
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.
Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913
Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871
Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091
Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Price, Amelia (2018) An Analysis of Key Ideas of Deconstruction through Franz Kafka’s Metamorphosis. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Moss, Tim (2005) How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. In: FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 17 - 20 November 2005, Jagiellonian University, Krakow, Poland. (Unpublished)
Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
Kirk, Joel (2018) Initial Approaches to Idiomatic Contemporary Writing for a Musical Instrument: Discovering Methods of Practice-Based Research. Fields: journal of Huddersfield student research, 4 (1). ISSN 2057-0163
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Bullett, Maggie (2019) Collective lay support for late-Reformation preaching in the South Pennines. The Journal of Ecclesiastical History. ISSN 1469-7637
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Williams, Jenessa (2019) Nice For What? A Critical Analysis of Drake, Millennial Feminism and the Negotiation of ‘Wokeness’ in Female Hip-Hop Fandom. Masters thesis, University of Huddersfield.
Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595
Herbst, Jan-Peter (2017) Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music. Metal Music Studies, 3 (1). pp. 23-46. ISSN 2052-3998
Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7
Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.
Moss, Tim (2015) Alpha and beta: how to be both. In: Psychoanalysis & Education Conference, 22nd to 24th October 2015, University of Sheffield. (Unpublished)
Moss, Tim (2016) Uncanny Actor Training – working with entfremdung (estrangement; depersonalisation; derealisation.). In: Inspire Conference 2016, 21/06/2016, University of Huddersfield. (Unpublished)
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
McNeil, Alison Fiona (2000) Aural skills and the performing musician : function, training and assessment. Doctoral thesis, University of Huddersfield.
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Dalton, Raymond David (2000) Labour and the municipality : Labour politics in Leeds 1900-1914. Doctoral thesis, University of Huddersfield.
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Perks, R.B. (1985) The new Liberalism and the challenge of Labour in the West Riding of Yorkshire 1885-1914 with special reference to Huddersfield. Doctoral thesis, Huddersfield Polytechnic.
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
Klontzas, Michael (2015) Public service objectives: Contestability and Renegotiation. International Journal of Digital Television, 6 (2). pp. 97-101. ISSN 2040-4182
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Milsom, David (2015) Four’s Company: Sonatas and Trios including sonatas by Henry Purcell (David Milsom and Amanda Babington, baroque violins; John Bryan, bass viol; Graham Cummings, organ/harpsichord). In: Four's Company, 15 Oct 2015, St Paul's Hall, University of Huddersfield. (Unpublished)
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Taylor, Nik (2018) Magic and Broken Knowledge; reflections on the practice of Bizarre Magick. Journal of performance magic, 5 (1). ISSN 2051-6037
McCulloch, Richard (2015) Whistle While You Work: Branding, Critical Reception and Pixar’s Production Culture. In: Storytelling in the Media Convergence Age: Exploring Screen Narratives. Palgrave Macmillan, Basingstoke, pp. 174-189. ISBN 978-1-349-48192-7
Adkins, Monty (2012) Issues of live-ness in fragile.flicker.fragment. Journal of Music, Technology and Education, 5 (1). pp. 5-16. ISSN 17527066
Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.
Kirk, Joel (2019) Initial Research into the Fragment/Fragmentation as a Key Concept of my Compositional Methodology. Masters thesis, University of Huddersfield.
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Bastow, Sarah L. (2002) Aspects of the history of the Catholic gentry of Yorkshire from the Pilgrimage of Grace to the First Civil War. Doctoral thesis, University of Huddersfield.
Hargreaves, John A. (1991) Religion and society in the parish of Halifax, c. 1740-1914. Doctoral thesis, Huddersfield Polytechnic.
Terry, James Gordan (1999) The causes and effects of the divisions within Methodism in Bradford, 1796-1857. Doctoral thesis, University of Huddersfield.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
Cooper, Martin and Macaulay, Kirsty (2015) Contemporary Christian radio in Britain: A new genre on the national dial. Radio Journal: International Studies in Broadcast and Audio Media, 13 (1-2). pp. 75-87. ISSN 1476-4504
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
Cowgill, Rachel and Poriss, Hilary (2012) The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press, New York. ISBN 9780195365870
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Pateman, Michael Gareth (2000) Towards the new Jerusalem : Manchester politics during the Second World War. Doctoral thesis, University of Huddersfield.
Tawalbeh, Ahmad (2019) The Rhetoric of Accounts of Methodology in English and Arabic Educational Research Articles: A Contrastive Genre Analysis. Doctoral thesis, University of Huddersfield.
Adkins, Monty (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts, 6 (1). p. 51. ISSN 1646-9798
Laybourn, Keith (2008) There Ought not to be One Law for the Rich and Another for the Poor which Is the Case To-day: The Labour Party, Lotteries, Gaming, Gambling and Bingo, c. 1900-1960s. History, 93 (310). pp. 201-223. ISSN 0018-2648
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Petyko, Marton and Kádár, Daniel Z. (2016) A bekiabálás vizsgálata mimetikus és személyközi nézőpontból (Exploring heckling from a mimetic point of view). Argumentum, 12. pp. 1-31. ISSN 1787-3606
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
McAdam, Katie (2017) The fall of Edward II: Failures in kingship and masculinity, the letter of Manuel Fieschi and the cult of resurrected celebrities. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367
Lewis, Katherine J. (2012) Male Saints and Devotional Masculinity in Late Medieval England. Gender and History, 24 (1). pp. 112-133. ISSN 0953-5233
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Berweck, Sebastian (2009) Extended Piano. [Audio]
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Lim, Liza (2016) Ronda - The Spinning World, 16', Ricordi Berlin, Sy.4499. [Composition]
morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Adkins, Monty and Santamas, Hali (2014) Exploring the Perception and Identity of Place through Sound and Image. In: Invisible Places sounding cities. Sound, Urbanism and Sense of Place. Jardins Efemeros, Viseu, Portugal, pp. 403-421. ISBN 978-989-746-048-7
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Atkinson, Paul (2013) Review of: Victoria Kelley, Soap and Water: Cleanliness, Dirt and the Working Classes in Victorian and Edwardian Britain (London: I. B. Tauris, 2010). Labour history review, 78 (2). pp. 237-238. ISSN 0961-5652
Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.
Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Crick, Martin John (1988) To make twelve o'clock at eleven. The history of the social-democratic federation. Doctoral thesis, University of Huddersfield.
Dobson, E.D., Flewitt, R., Littleton, K. and Miell, D. (2011) Studio Based Composers in Collaboration: a Socioculturally Framed Study. Proceedings of the International Computer Music Conference 2011, 2011. pp. 373-376.
Dobson, E.D. and Littleton, K.S. (2015) Digital technologies and the mediation of undergraduate students’ collaborative music compositional practices. Learning, Media and Technology. pp. 1-21. ISSN 1743-9884
Dobson, Elizabeth (2012) An investigation of the processes of interdisciplinary creative collaboration: the case of music technology students working within the performing arts. Doctoral thesis, Open University.
Prakova, Dimitrina (2017) Intercultural differences: varieties of address strategies in a British academic setting. Masters thesis, University of Huddersfield.
Lim, Liza (2016) An ocean beyond earth, 16', Ricordi Berlin, Sy.4635. [Composition]
Lim, Liza (2013) Axis Mundi for solo bassoon. [Composition]
Elliott, Hilary (2017) Metronome and Melodic Lines: Confluences of the word and the move in solo studio-based movement improvisatory practice. Choreographic Practices, 8 (1). pp. 51-66. ISSN 2040-5669
Toth, Hayley G. (2017) ‘No Longer Young and Not Yet Old’ London: Spatio-Temporal Ambivalence in Hanif Kureishi’s Something to Tell You. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Valerio, Velardo (2014) The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music? In: 1st International Students' Scientific Conference "The Sound Ambiguity",, 24th-25th April 2014, Wrocław, Poland.
d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364
d'Escrivan, Julio (2016) Visual OP. [Composition]
Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.
Toth, Hayley G. (2016) Making home in the city: a spatial analysis of representations of London in contemporary fiction. Masters thesis, University of Huddersfield.
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Land, Elliott and Gold, Erica (2017) Speaker Identification Using Laughter in a Close Social Network. International Journal of Speech Language and the Law, 24 (2). pp. 201-225. ISSN 1748-8885
McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Light, Rob (2013) Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League. International Journal of the History of Sport, 30 (1). pp. 65-82. ISSN 0952-3367
Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Milsom, David (2016) Great Cellists: Beatrice Harrison. The Strad, 127 (1509). p. 41. ISSN 0039-2049
Milsom, David (2017) Great Cellists: Gaspar Cassado. The Strad, 158 (1521). p. 53. ISSN 0039-2049
McLaughlin, Scott (2009) Strange Attractors: A Commentary on Applications of Indeterminacy in my Recent Music. Doctoral thesis, University of Huddersfield.
Milsom, David (2015) Meiningen Ensemble: Elgar Piano Quintet Op.84 (David Milsom and Bianca Blezard, violins; Jeremy Perkins, viola; George Kennaway, cello; Jonathan Gooing, 1897 Broadwood grand). In: Meiningen Ensemble: Elgar Piano Quintet, 29 Oct 2015, St Paul's Hall, University of Huddersfield, UK. (Unpublished)
Milsom, David (2015) Classical trios and string quartets, including Beethoven Quartet op. 18/4 (David Milsom and Lara James, violins; Jeremy Perkins, viola; Tom Collingwood, cello). Pre-concert talk by David Milsom. In: 'Laus Deo': an Evening of Haydn and Beethoven, 30 Oct 2015, Christ Church, Litton, Derbyshire. (Unpublished)
Lim, Liza (2011) Tongue of the Invisible (2011). [Composition]
Buckley, Thomas Peter (2013) Exploring the Multichannel Pop Record: A series of compositions entitled ‘Iron and Ivory’ produced for 5.1 surround sound accompanied by an analytical research paper. Masters thesis, University of Huddersfield.
Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225
Klontzas, Michael (2013) The BBC and digital policy instrumentation in the UK: Straitjackets and conveyor belts. International Journal of Digital Television, 4 (1). ISSN 2040-4182
Morales-Ossio, Cristian (2019) Recursive Dynamics Embedded in the Core of Extended Compositional Practices. Doctoral thesis, University of Huddersfield.
Taylor, Nik (2015) Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance. In: New Directions in 21st-Century Gothic: The Gothic Compass. Routledge, pp. 163-174. ISBN 1138810614
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Herbst, Jan-Peter (2016) Remixing dub reggae in the music classroom: A practice-based case study on the educational value of music production for listening skills and stylistic analysis. Journal of Music, Technology and Education, 9 (3). pp. 255-272. ISSN 1752-7066
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Warwick, Tosh (2011) The Politics of Bridge Building: The Long Wait for the Tees (Newport) Bridge. Cleveland History, 99. pp. 37-48. ISSN 0966-0704
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Dale, Henry (2017) The last music on earth: prehistory and the function of music in The Road. Fields: journal of Huddersfield student research, 3 (1). ISSN 2057-0163
Moss, Tim (2016) Uncanny Actor Training – working with entfremdung (estrangement; depersonalisation; derealisation.). In: Inspire Conference 2016, 21/06/2016, University of Huddersfield. (Unpublished)
Calvert, Dave (2010) Loaded Pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 513-528. ISSN 1356-9783
Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225
Abdulla, Saza Ahmed Fakhry (2016) An Eclectic Model for the Stylistic Exploration of Mind Style in Fiction. Doctoral thesis, University of Huddersfield.
Cowgill, Rachel (2011) Canonizing Remembrance: Music for Armistice Day at the BBC, 1922-7. First World War Studies: Journal of the International Society for First World War Studies, 2 (1). pp. 75-107. ISSN 1947-5020
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Ward, Paul (2017) The Beefeaters at the Tower of London, 1826-1914: Icons of Englishness or Britishness? In: Four Nations Approaches to Modern 'British' History: A (Dis)United Kingdom? Palgrave Macmillan, Basingstoke, pp. 161-188. ISBN 978-1137601414
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Anderson, Jacqueline (2020) An Ethnographic Account of North Wales Psyculture. Masters thesis, University of Huddersfield.
Friebel, Tamara (2013) Generative Transcriptions: An Opera of the Self. Doctoral thesis, University of Huddersfield.
Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.
Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.
Laybourn, Keith and Hughes, R. Gerald (2005) Twentieth Century. Annual Bulletin of Historical Literature, 89 (1). pp. 141-159. ISSN 0066-3832
Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.
Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.
Wilson, Julie (1997) An investigation into the philosophical and psychological basis of the work of Hermann Nitsch and Genesis P-Orridge. Doctoral thesis, University of Huddersfield.
O'Neill, Deirdre (2007) From Hunky Heroes to Dangerous Dinosaurs: Journalism-union relations, news access and press coverage in the 2002-3 British Fire Brigades Union dispute. Journalism Studies, 8 (5). pp. 813-830. ISSN 1461-670X
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Doyle, Barry M. (2012) A Crisis of Urban Conservatism? Politics and Organisation in Edwardian Norwich. Parliamentary History, 31 (3). pp. 396-418. ISSN 0264-2824
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Murphy, Dylan Lee (1999) The Communist Party of Great Britain and its struggle against fascism 1933-1939. Doctoral thesis, University of Huddersfield.
Kádár, Daniel Z. (2017) Politeness in Pragmatics. In: The Oxford Research Encyclopedias: Linguistics. Oxford University Press.
Corrigan, Brian Jay (2018) “This Rough Magic I Here Abjure” Performativity, Practice and Purpose of the Bizarre. Journal of performance magic, 5 (1). ISSN 2051-6037
Bolam, Fiona Louise (2001) Working class life in Bradford 1900-1914 : the philanthropic, political and personal responses to poverty with particular reference to women and children. Doctoral thesis, University of Huddersfield.
morawska, Lucia (2017) Outlandish names on the provincial doors: German Jews in Victorian Bradford and their expression of identities. Identity papers: A journal of British and Irish studies, 2 (1). ISSN 2058-6205
Hewitt, Martin (2017) The Law and the Press. In: Journalism and the Periodical Press in Nineteenth Century Britain. Cambridge University Press, Cambridge, UK. ISBN 978-1107085732
Spatz, Ben (2018) The Video Way of Thinking. South African Theatre Journal. ISSN 1013-7548
d'Escrivan, Julio (2014) Videogames as digital audiovisual performance. In: xCoAx 2014 Proceedings of the Second Conference on Computation Communication Aesthetics and X Porto, Portugal. xcoax.org, pp. 248-259. ISBN 9789897460364
Portelli, Daniel (2016) Mapping the dynamic life of lines in a multimodal compositional practice. Doctoral thesis, University of Huddersfield.
Adlington, Robert C. (2018) Politics and the popular in British Music Theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2). pp. 433-471. ISSN 0269-0403
Palme, Pia (2015) The Politics of Resonance. Divergence Press (4). ISSN 20523467
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Milsom, David (2014) James MacMillan 'Kiss on Wood'; Arvo Part 'Fratres'. In: In Splendoribus Sanctorum, 20 Sept 2014, The Cathedral Church of St Marie, Norfolk Row, Sheffield, S1 2JB. (Unpublished)
Milsom, David (2003) Theory and Practice in Late Nineteenth-century Violin Performance: An Examination of Style in Performance, 1850-1900. Ashgate, Aldershot. ISBN 978-0754607564
Lim, Liza (2015) Speak, be Silent (18') violin concerto, Ricordi Berlin Sy4433/01. [Composition]
Herbst, Jan-Peter (2017) Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos. Metal Music Studies, 3 (2). pp. 231-250. ISSN 2052-3998
von Lunen, Alexander (2015) Book Review: "Tanja Klemm, Bildphysiologie: Wahrnehmung und Körper in Mittelalter und Renaissance, 2013". British Journal for the History of Science, 48 (3). pp. 507-508. ISSN 0007-0874
Sykora, Martin, Jackson, Thomas W., von Lunen, Alexander, Elayan, Suzanne and O'Brien, Ann (2015) The Role of Visualisations in Social Media Monitoring Systems. In: Proceedings of the 2nd European Conference on Social Media. Academic Conferences and Publishing International Limited, Reading, UK, pp. 437-444. ISBN 978-1-910810-31-6
Milsom, David (2014) Four’s Company: Sonatas by Bach, Handel, and Vivaldi (David Milsom and Duncan Druce, baroque violins, George Kennaway, cello, Graham Cummings, organ/harpsichord). In: University Concert Series, 13.3.14, St Paul's Hall, University of Huddersfield. (Unpublished)
Lim, Liza (2012) 3 Angels. [Composition]
Chong, Kee Yong (2016) Multi-layered ethnic and cultural influences in my musical compositions. Doctoral thesis, University of Huddersfield.
Jones, Eileen (2011) Enterprising assessment: how journalism and PR students work with voluntary sector organisations in intermediate and honours level modules. In: Paper presentations of the 2010 University of Huddersfield Annual Learning and Teaching Conference. University of Huddersfield, Huddersfield, pp. 34-40.
Bokowiec, Mark (2018) ‘V’Oct(Ritual): the anatomy of an interactive composition' in CYBERNETICS (edited by Lanfranco Aceti). In: Leonardo Electronic Almanac. Leonardo Books . MIT Press.
Bokowiec, Mark and Wilson-Bokowiec, Julie (2014) V'Oct(Ritual). In: International Computer Music Conference, 16 - 24 September 2014, Athens - Onassis Centre for the Arts. (Unpublished)
Milsom, David (2014) Expressiveness in historical perspective – 19th-century ideals and practices. In: Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures. Oxford University Press, Oxford, UK, pp. 80-97. ISBN 9780199659647
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Herbst, Jan-Peter (2016) Kommunikation und Wissenskonstruktion: Eine quantitative Studie zum Einsatz kommunikationsanregender Methoden in der Vorlesung [Communication and construction of knowledge: A quantitative study on methods facilitating communication in the higher education lecture]. die Hochschullehre, 2. ISSN 2199-8825
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Nuttall, Louise (2017) Online readers between the camps: a Text World Theory analysis of ethical positioning in We Need to Talk About Kevin. Language and Literature, 26 (2). pp. 153-171. ISSN 0963-9470
Lim, Liza (2013) Wild Winged-One. [Audio]
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates 1880-1934: A Philanthropic Elite? In: Voluntary Action History Conference 2010, 14 July - 16 July 2010, University of Kent. (Unpublished)
Warwick, Tosh (2010) Middlesbrough’s Steel Magnates and the Guild of Help. Cleveland History (98). pp. 24-35. ISSN 0966-0704
Atkinson, Paul (2012) “Isn’t it time you were finishing?”: Women’s Labor Force Participation and Childbearing in England, 1860–1920. Feminist Economics, 18 (4). pp. 145-164. ISSN 1354-5701
Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777
Ette, Mercy (2017) Where are the women? Evaluating visibility of Nigerian female politicians in news media space. Gender, Place and Culture. ISSN 0966-369X)
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Mrvová, Marie (2019) Women Political Prisoners and Prison Culture in Czechoslovakia 1948–1968. Masters thesis, University of Huddersfield.
Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Etheridge, Stephen (2013) Book Review of Chris Helme's 'What Brass Bands Did For Me' (The History Press, 2009). Four Bars Rest Website.
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Etheridge, Stephen (2014) 'Slate-Grey Rain and Polished Euphoniums': Southern Pennine Brass Bands, the Working Class and the North, c. 1840-1914. Doctoral thesis, University of Huddersfield.
Etheridge, Stephen (2012) Brass Bands in the Southern Pennines, 1857-1914: The Ethos of Rational Recreation and Perceptions of Working-Class Respectability. In: Class, Culture and Community: New Perspectives in Nineteenth and Twentieth Century British Labour History. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 37-54. ISBN 978-1-4438-4064-4
Ellis, Cath (2012) Streamlining plagiarism detection: The role of electronic assessment management. International Journal of Educational Integrity, 8 (2). ISSN 1833-2595
Morris, Richard K. (2011) Comparative analysis. In: The Twin Monastery of Wearmouth-Jarrow. Nomination as a World Heritage Property. Sunderland City Council on behalf of the Wearmouth-Jarrow Partnership, Sunderland, UK, pp. 132-155. ISBN 9780905108537
Dodd, Lindsey (2008) Are We Defended? Conflicting Representations of War in Pre-War France. University of Sussex Journal of Contemporary History (12). pp. 1-13.
Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101
Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.
Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]
Hodgkinson, Amanda (2018) Spilt Milk: Memory, Real Life, and Knowing the Past in Historical Fiction. Doctoral thesis, University of Huddersfield.
Litherland, Benjamin and Wood, Rachel (2017) Critical Feminist Hope: The Encounter of Neoliberalism and Popular Feminism in WWE 24: Women’s Evolution. Feminist Media Studies. ISSN 1468-0777
Taylor, David (2016) Beerhouses, Brothels and Bobbies - policing by consent in Huddersfield and the Huddersfield district in the mid-nineteenth century. University of Huddersfield Press, Huddersfield. ISBN 978-1-86218-140-3
Perks, R.B. (1985) The new Liberalism and the challenge of Labour in the West Riding of Yorkshire 1885-1914 with special reference to Huddersfield. Doctoral thesis, Huddersfield Polytechnic.
Lee, Chie Tsang Isaiah (2018) ‘Inbetweenness’: Transcultural Thinking in My Compositional Practice. Doctoral thesis, University of Huddersfield.
Wood, Lauren (2019) Figuring Female Agency in the Victorian Ghost Story. Masters thesis, University of Huddersfield.