Items where School is "Centre for Psychophysical Research"

Balduzzi, Massimiliano and Spatz, Ben (2010) PLAYWAR. In: PLAYWAR, 2009-2012.

Chamberlain, Franc (2007) Beatrice. [Show/Exhibition]

Chamberlain, Franc (2010) Blood on the carpet. [Show/Exhibition]

Chamberlain, Franc (2008) Come and go. [Show/Exhibition]

Chamberlain, Franc (2009) Craig and early modernism. In: Origins of English Dramatic Modernism, 1870 - 1914. Academica Press, Palo Alto, CA, USA, pp. 171-184. ISBN 9781933146669

Chamberlain, Franc (2008) Creativity, automata, uber-marionettes. In: Performing Science, 2008, Birmingham, UK. (Unpublished)

Chamberlain, Franc (2010) The Dream Play. [Show/Exhibition]

Chamberlain, Franc (2010) Dunes. [Show/Exhibition]

Chamberlain, Franc (2008) Female Parts. [Show/Exhibition]

Chamberlain, Franc (2009) Interview with Mojisola Adebayo. issuu.

Chamberlain, Franc (2009) Introduction to On the Art of Theatre. In: On the Art of the Theatre. Blackwell, London, UK, vii-xvi. ISBN 9781115985932

Chamberlain, Franc (2006) Love is... [Show/Exhibition]

Chamberlain, Franc (2008) Medea. [Show/Exhibition]

Chamberlain, Franc (2009) Michael Chekhov et la question de la créativité. In: Mikhail Tchekhov du Moscou à Hollywood, du théâtre au cinéma. L'Entretemps, Paris, France, pp. 233-241.

Chamberlain, Franc (2015) Michael Chekhov in England: Outside the Magic Circle. In: The Routledge Companion to Michael Chekhov. Routledge, pp. 207-218. ISBN 9780415710183

Chamberlain, Franc (2010) Michael Chekhov on the Technique of Acting: Was Don Quixote True to Life? In: Actor Training. Routledge, London, UK, pp. 63-80. ISBN 978-0-415-47167-1

Chamberlain, Franc (2013) Michael Chekhov's Ensemble Feeling. In: Encountering Ensemble. Performance Books . Bloomsbury Methuen, London, UK, pp. 78-93. ISBN 978-1-4081-5200-3

Chamberlain, Franc (2012) “Paper Without a Title”. In: Annual Postgraduate Conference in the Arts, 10th - 12th September 2012, Northampton, UK. (Unpublished)

Chamberlain, Franc (2012) Playing With Awareness/Who's Aware? In: Body and Awareness, 25th - 27th May 2012, University of Zadar, Croatia. (Unpublished)

Chamberlain, Franc (2009) Playing with post-secular performance. PAJ, 31 (1). pp. 54-67. ISSN 1520-281X

Chamberlain, Franc (2005) The Public. [Show/Exhibition]

Chamberlain, Franc (2015) Rare Butterflies, Persecution, and Pinball Machines: Environment, Subjectivity, and Society in the Theatre of Arthur Adamov. In: Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Methuen Drama. ISBN 9781472506672

Chamberlain, Franc (2009) Review of: The Rhythm of Space and the Sound of Time: Michael Chekhov’s Acting Technique in the 21st Century by Cynthia Ashperger, Rodopi, Amsterdam and New York, NY, 2008 978-90-420-2387-1. Leonardo Reviews.

Chamberlain, Franc (2006) Telling. [Show/Exhibition]

Chamberlain, Franc (2009) Traces of Performance. [Show/Exhibition]

Chamberlain, Franc (2009) Without make-up. [Show/Exhibition]

Chamberlain, Franc (2016) Writing improvisation. Theatre, Dance and Performance Training, 7 (2). pp. 318-326. ISSN 1944-3927

Chamberlain, Franc and Godfrey, John (2010) Scores: Suggestive Phantasms. In: Scores: Suggestive Phantasms’, 10th November 2010, Cork, Ireland. (Unpublished)

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. University of Bucharest Review. Literary and Cultural Studies Series, 14 (1). pp. 6-38. ISSN 2069-8658

Chamberlain, Franc, Lavery, Carl and Yarrow, Ralph (2012) Steps Towards an Ecology of Performance. In: (M)other Nature? Inscriptions, Locations, Revolutions, the 14th Annual Conference of the English Department, Literature and Cultural Studies Section, University of Bucharest, 31st May - 2nd June 2012, Bucharest, Romania. (Unpublished)

Chamberlain, Franc and Leabhart, Thomas (2008) Introduction to The Decroux Sourcebook. In: The Decroux Sourcebook. Taylor & Francis, London, UK, pp. 1-23. ISBN 978-0-415-47800-7

Chamberlain, Franc, Middleton, Deborah K. and Pla, Daniel (2014) Buddhist Mindfulness and Psychophysical Performance. In: International Symposium for Contemplative Studies, October 30 - November 2 2014, Boston, MA. (Unpublished)

Chamberlain, Franc and Pavón, Inma Maya (2011) Remembering Ivanov. [Show/Exhibition]

Chamberlain, Franc and Smith, Lucy (2012) Performing Ritual Autobiography: the re-imagination of personal identity. In: Performing Rituals, 5th - 8th September 2012, Aberystwyth, Wales. (Unpublished)

Gibson, Ian, Middleton, Deborah K. and Adkins, Monty (2014) Borderlands CosMixed. [Show/Exhibition]

Hetzler, Eric (2012) Actor Self vs. Character Self An Empirical Exploration. Journal for Artistic Research, 2012 (2). ISSN 2235-0225

Hetzler, Eric T (2007) Actors and Emotion in Performance. Studies in Theatre and Performance, 28 (1). pp. 59-78. ISSN 1468-2761

Kirillov, Andrei and Chamberlain, Franc (2013) Rehearsal protocols for Hamlet by William Shakespeare at the Second Moscow Art Theatre. Theatre, Dance and Performance Training (Special Issue: Michael Chekhov), 4 (2). pp. 237-242. ISSN 1944-3927

Middleton, Deborah K. (2012) “Arriving” with Others: A Contemplative Approach to Ensemble Creativity. In: Fourth Annual Association for Contemplative Mind in Higher Education Conference Contemplative Approaches in the Diverse Academic Community: Inquiry, Connection, Creativity, and Insight, 21st - 23rd September 2012, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. (2001) At play in the cosmos: the theatre and ritual of Nicolas Nunez. The Drama Review, 45 (4). pp. 42-63. ISSN 1054-2043

Middleton, Deborah K. (2004) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. In: The Second International Conference on the Future of the Book, 29-31 August 2004, Beijing, China.

Middleton, Deborah K. (2007) Book Building: Being A Treatise on Building, Canvassing, Sailing, and the General Management of Books and Other Artistic Craft in Storms and Heavy Weather. [Video]

Middleton, Deborah K. (2012) Cultivating change: personal challenge in psychophysical training. Theatre, Dance and Performance Training, 3 (1). pp. 41-54. ISSN 1944-3927

Middleton, Deborah K. (2007) Electrical Kites and Fire in the Head. [Video]

Middleton, Deborah K. (2004) Electrical Kites and Fire in the Head. In: Electrical Kites and Fire in the Head, 2004, Lawrence Batley Theatre, Huddersfield.

Middleton, Deborah K. (2000) Flight of the Heart. Total Theatre Magazine, 12 (4). ISSN 0960-6106

Middleton, Deborah K. (1996) Foreword. In: Anthropocosmic Theatre: Rite in the Dynamics of Theatre. Contemporary Theatre Studies, 13 . Harwood, Amsterdam, xiii-xv. ISBN 9783718657100

Middleton, Deborah K. (2009) From Poland to Huddersfield via Mexico. In: British Grotowski Conference 2009: 'Grotowski: Theatre and Beyond', 11th - 14th June 2009, University of Kent. (Unpublished)

Middleton, Deborah K. (2004) Precious. In: Lost found time. Apple Pie, Manchester. ISBN 978-0953936724

Middleton, Deborah K. (2011) "Sacralidad secular" en el teatro ritual delTallerde Investigacion Teatral de la UNAM [Secular sacredness]. In: Jerzy Grotowski. Miradas desde Latinoamérica. Universidad Veracruzana. ISBN 978-607-502-079-2

Middleton, Deborah K. (2008) Secular sacredness in the ritual theatre of Nicolas Nunez. Performance Research, 13 (3). pp. 41-54. ISSN 1469-9990

Middleton, Deborah K. (1996) Theatre in the Cosmos. Total Theatre Magazine, 8 (3). ISSN 0960-6106

Middleton, Deborah K. (2011) Towards A Contemplative Creativity. In: Third Annual Association for Contemplative Mind in Higher Education Conference: The Contemplative Campus, 11th - 13th November 2011, Amherst, MA, USA. (Unpublished)

Middleton, Deborah K. and Adkins, Monty (2014) Borderlands. [Artefact]

Middleton, Deborah K. and Chamberlain, Franc (2012) Entering the Heart of Experience: First Person Accounts in Performance & Spirituality. Performance and Spirituality, 3 (1). ISSN 2157-4049

Middleton, Deborah K. and Debbie, Hoyle (2007) Building Creative Capacity in Staff and Students. [Web page]

Middleton, Deborah K. and Moss, Tim (2015) 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre. Journal for Artistic Research (8). ISSN 2235-0225

Middleton, Deborah K. and Moss, Tim (2007) Cowboy Manifesto: A Writers’ Guide to the Wild West. [Video]

Spatz, Ben (2013) Book Review of Emergency INDEX 2011. TDR: The Drama Review, 57 (2). pp. 185-186. ISSN 1054-2043

Spatz, Ben (2010) Book Review: Practice-as-Research in Performance and Screen, and: Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Theatre Journal, 62 (3). pp. 490-491. ISSN 0192-2882

Spatz, Ben (2017) Choreography as Research: Iteration, Object, Context. In: Contemporary Choreography: A Critical Reader (2nd ed.). Routledge, London, UK. ISBN 9781138679979

Spatz, Ben (2013) Citing musicality: Performance knowledge in the Gardzienice archive. Studies in Musical Theatre, 7 (2). pp. 221-235. ISSN 17503159

Spatz, Ben (2017) Colors like Knives: Embodied Research and Phenomenotechnique in *Rite of the Butcher*. Contemporary Theatre Review, 27 (2). pp. 195-215. ISSN 1048-6801

Spatz, Ben (2016) Embodied Research: An Epistemic Context for Martial Arts Practice. [Video]

Spatz, Ben (2017) Embodiment as First Affordance: Tinkering, Tuning, Tracking. Performance Philosophy, 2 (2). pp. 257-271. ISSN 2057-7176

Spatz, Ben (2016) Epistemic Objects. Theatre, Dance and Performance Training, 7 (2). pp. 274-277. ISSN 1944-3927

Spatz, Ben (2008) Iphigenia in Aulis at La Mama: Microculture and Musicality in the Work of Gardzienice. Slavic and Eastern European Performance, 28 (2). pp. 81-89. ISSN 1047-0019

Spatz, Ben (2014) Massimiliano Balduzzi: Physical Training for Performers. [Video]

Spatz, Ben (2014) Massimiliano Balduzzi: Research in Physical Training for Performers. Theatre, Dance and Performance Training, 5 (3). pp. 270-290. ISSN 1944-3927

Spatz, Ben (2015) Out from the Egg of Silence: For a Topology of Song. In: T H E D A R K P R E C U R S O R International Conference on Deleuze and Artistic Research, 9-11 November 2015, Ghent, Belgium.

Spatz, Ben (2011) Practice as Research: Foundations for a Community of Knowledge. Congress on Research in Dance, 2011. pp. 48-57. ISSN 2049-1255

Spatz, Ben (2011) Rite of the Butcher. In: Rite of the Butcher, 2010-2013.

Spatz, Ben (2015) “Sequence of Four Exercise-Actions” (physical training led by Ben Spatz). [Video]

Spatz, Ben (2009) A Series of Openings: The Year of Grotowski in New York. Slavic and Eastern European Performance, 29 (3). pp. 18-25.

Spatz, Ben (2014) Stanislavsky's Threshold: Tracking a Historical Paradigm Shift in Acting. Journal of Dramatic Theory and Criticism, 29 (1). pp. 81-95. ISSN 2165-2686

Spatz, Ben (2012) Tales of the Hasidim. In: Tales of the Hasidim, July 2012-2013.

Spatz, Ben (2010) This Extraordinary Power: Authority, Submission, and Freedom in the Actor-Director Relationship. Ecumenica, 3 (2). pp. 43-61.

Spatz, Ben (2008) To Open a Person: Song and Encounter at Gardzienice and the Workcenter. Theatre Topics, 18 (2). pp. 205-222. ISSN 1054-8378

Spatz, Ben (2016) Touching Landscape: Intersections of Embodied and Ecological Pedagogy. In: Inspire Conference 2016, 21st June 2016, University of Huddersfield. (Unpublished)

Spatz, Ben (2015) What a Body Can Do: Technique as Knowledge, Practice as Research. Routledge, London and New York. ISBN 978-1-13-885410-9

Spatz, Ben (2017) What do we document? Dense video and the epistemology of practice. In: Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury Methuen Drama, London, UK. ISBN 9781472588203

Spatz, Ben and Pianta, Lane (2009) Changing the Space: An Interview with Ben Spatz of Urban Research Theater by Lane Pianta. In: New York Theater Review 2009. Black Wave Press, New York, pp. 45-64. ISBN 9780578022840