Up a level
Export as [feed] RSS
Group by: Date | Creators | Item Type | Uncontrolled Keywords | No Grouping
Jump to: D | W
Number of items: 9.

D

Dewey, Christopher and Wakefield, Jonathan P. (2017) Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface. In: AES 142nd International Conference, 20th-23rd May 2017, Berlin, DE.

Dewey, Christopher and Wakefield, Jonathan P. (2016) Audio interfaces should be designed based on data visualisation first principles. In: Proceedings of the 2nd AES Workshop on Intelligent Music Production. Audio Engineering Society.

Dewey, Christopher and Wakefield, Jonathan P. (2016) Novel Designs for the Audio Mixing Interface Based on Data Visualisation First Principles. In: 140th International AES Convention, 4th - 7th June 2016, Paris, France.

Dewey, Christopher and Wakefield, Jonathan P. (2014) A guide to the design and evaluation of new user interfaces for the audio industry. In: 136th Audio Engineering Society Convention, 26th-29th April 2014, Berlin, Germany.

Dewey, Christopher Paul (2014) Towards a new equalisation user interface for mixing multi-track recordings of musical instruments. Masters thesis, University of Huddersfield.

Dewey, Christopher and Wakefield, Jonathan P. (2013) Novel designs for the parametric peaking EQ user interface for single channel corrective EQ tasks. In: 134th Audio Engineering Society Convention, 4th-7th May, 2014, Rome, Italy.

W

Wakefield, Jonathan P., Dewey, Christopher and Gale, William (2017) LAMI: A gesturally controlled three-dimensional stage Leap (Motion-based) Audio Mixing Interface. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.

Wakefield, Jonathan P. and Dewey, Christopher (2015) Evaluation of an Algorithm for the Automatic Detection of Salient Frequencies in Individual tracks of Multi-track Musical Recording. In: 138th International AES Convention, 7th - 10th May 2015, Warsaw, Poland.

Wakefield, Jonathan P. and Dewey, Christopher (2015) An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings. In: 138th International AES Convention, 7th - 10th May 2015, Warsaw, Poland.

This list was generated on Thu Mar 28 11:21:11 2024 UTC.