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Items where Author is Thomas, Philip

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Number of items: 46.


Thomas, Philip (2016) Fingers, Fragility and Freedom – Christian Wolff’s Pianist: Pieces. Divergence Press, 5. ISSN 20523467

Thomas, Philip (2016) Introduction to Issue #5. Divergence Press, 5. ISSN 20523467

Thomas, Philip (2016) Abstruse Bagatelles: Music for solo piano by Christopher Fox. In: Perspectives on the Music of Christopher Fox: Straight lines in broken times. Routledge, Abingdon, Oxon, pp. 128-148. ISBN 9781472428240

Thomas, Philip (2016) Michael Finnissy - Beat Generation Ballads. [Audio]

Thomas, Philip (2016) The Music of Laurence Crane and a Post-Experimental Performance Practice. Tempo, 70 (275). pp. 5-21. ISSN 0040-2982


Thomas, Philip (2015) Jürg Frey - Circles and Landscapes. [Audio]

Thomas, Philip (2015) Grizzana. [Audio]


Thomas, Philip (2014) Wolff at 80 and Finnissy's Beats. In: Wolff at 80 and Finnissy's Beats, 22nd November 2014, St.Paul's Hall, Huddersfield.

Thomas, Philip (2014) Christopher Fox - Works for piano. [Audio]

Thomas, Philip (2014) Morton Feldman - Two Pianos and other pieces 1953-1969. [Audio]

Thomas, Philip (2014) Christian Wolff - Pianist: Pieces. [Audio]

Thomas, Philip (2014) Piano Piece No.23 - Ethiopian Distance Runners. [Audio]


Thomas, Philip (2013) Overcoming form: reflections on immersive listening: CD and book launch concert. In: Bryn Harrison & Richard Glover CD and book launch concert, Tuesday 3rd December, St Paul's Hall, University of Huddersfield.

Thomas, Philip and Harrison, Bryn (2013) Bryn Harrison - Vessels. [Audio]

Thomas, Philip (2013) Christian Wolff portrait concert, Angelica festival, Bologna, Italy. In: Apartment House + Christian Wolff, 25th May 2013, Santuario del Corpus Domini di Santa Caterina, Bologna, Italy.

Thomas, Philip (2013) Canada Connections. In: Canada Connections, April 2013, Canadian tour.

Thomas, Philip (2013) Understanding indeterminate music through performance: Cage’s Solo for piano. Twentieth Century Music, 10 (1). pp. 91-113. ISSN 1478-5722


Thomas, Philip (2012) Wandelweiser und so weiter. [Audio]


Thomas, Philip (2011) Merce Cunningham Dance Company - 'Antic Meet' with John Cage 'Concert for piano and orchestra'. In: Merce Cunningham Dance Company Legacy Tour, 5th october, 2011, Barbican, London.

Thomas, Philip (2011) John Cage night ('Every Day Is A Good Day', Hayward Touring Exhibition). In: UNSPECIFIED.

Thomas, Philip (2011) IGNM Basel - 'Comprovisation'. In: Comprovisation, 23 January 2011, Gare du Nord, Basel, Switzerland.


Thomas, Philip (2010) Fields Have Ears. [Audio]

Thomas, Philip (2010) 'Every Day Is A Good Day' - musical events to accompany the Hayward Touring Exhibition of John Cage's visual art. Huddersfield 2010. In: UNSPECIFIED.

Thomas, Philip (2010) Toy Pianos, Piano Toy. In: five40five 2010, 22nd September 2010, Sheffield.

Chase, Stephen and Thomas, Philip (2010) Changing the System: The Music of Christian Wolff. Ashgate Publishing, Farnham. ISBN 9780754666806

Thomas, Philip (2010) PART OF IT MAY ALSO BE PART OF SOMETHING ELSE. In: Sol LeWitt: Artist’s Books, 8th - 29th May 2010, Site Gallery, Sheffield.

Thomas, Philip (2010) Performances to accompany 'Sol LeWitt: Artist's Books' exhibition, Site Gallery, Sheffield. In: Sol LeWitt: Artist's Books, 8-29 May, 2010, Site Gallery, Sheffield.

Thomas, Philip (2010) Ostrava New Music Days 2009 Report. In: Ostrava Days Report. Ostrava Center for New Music, Ostrava, Czech Republic.

Thomas, Philip (2010) Tim Parkinson 'piano piece piano piece'. [Audio]


Thomas, Philip (2009) Small Preludes, aytoods and other new music from America. In: Small Preludes, aytoods and other new music from America, 24/11/2009, Huddersfield Contemporary Music Festival.

Thomas, Philip (2009) Michael Pisaro's 'pi (1-2954)'. In: Michael Pisaro 'pi (1-2954)', 23-27 November 2009, Huddersfield Contemporary Music Festival.

Thomas, Philip (2009) A Prescription for Action. In: The Ashgate Research Companion to Experimental Music. Ashgate, Farnham, pp. 77-98. ISBN 978-0-7546-6282-2

Thomas, Philip (2009) Abstruse Indeterminacy: Christian Wolff’s For Pianist as extreme performance practice. In: Sixth Biennial International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Thomas, Philip (2009) Something New, Something Old, Something Else (2). In: five40five series, 6 May and 15 July 2009, Sheffield City Hall.

Thomas, Philip (2009) Playing the Game? Approaches to Performing the Piano Music of Christian Wolff' lecture-recital. In: Getty Research Institute: 'Works in Progress' series, Getty Research Institute Lecture Hall, The Getty Center, Los Angeles, 14 April 2009. (Unpublished)

Thomas, Philip, Burn, Chris and Fell, Simon (2009) The middle distance. [Audio]


Thomas, Philip (2008) Concert: Reclaimed. [Audio]

Thomas, Philip (2008) For Pianist: the piano music of Christian Wolff. In: For Pianist: the piano music of Christian Wolff, 24-26 January 2008, Persistence Works, Sheffield.


Thomas, Philip (2007) Long Piano(Peace March 11). In: Huddersfield Contemporary Music Festival, 16-25 November 2007, Huddersfield.

Thomas, Philip (2007) Berio's Sequenza IV: Approaches to performance and interpretation. Contemporary Music Review, 26 (2). pp. 189-205. ISSN 0749-4467

Thomas, Philip (2007) Determining the indeterminate. Contemporary Music Review, 26 (2). pp. 129-140. ISSN 0749-4467

Thomas, Philip (2007) Comprovisation. [Audio]


Thomas, Philip (2005) Comprovisation. In: Comprovisation, 9-10 December 2005, Persistence Works, Sheffield.

Clarke, Eric, Cook, Nicholas, Harrison, Bryn and Thomas, Philip (2005) Interpretation and performance in Bryn Harrison’s être-temps. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 9 (1). pp. 31-74. ISSN 1029-8649


Thomas, Philip (2003) Something New, Something Old, Something Else. In: Something new something old something else, 2003–4, Firth Hall, Sheffield.


Thomas, Philip (2002) The Art of Touch – the piano music of Morton Feldman. In: The Art of Touch – the piano music of Morton Feldman, 25-27 October 2002, Mappin Art Gallery, Sheffield. (Submitted)

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