Items where Author is Dufeu, Frederic

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Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2013) Le support sonore comme instrument de musique chez Christian Marclay [The Recording Medium As Instrument In Christian Marclay’s Works]. In: La musique et ses instruments - music and its instruments. Editions Delatour France, pp. 419-436. ISBN 9782752101594

Bonardi, Alain and Dufeu, Frédéric (2013) Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des œuvres de Philippe Manoury [How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works]. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Bonardi, Alain, Bossis, Bruno, Couprie, Pierre, Dufeu, Frédéric, Malt, Mikhail and Pottier, Laurent (2013) Atelier: Outils pour l’analyse de la musique électroacoustique [Workshop: Tools for analysis of electroacoustic music]. In: JIM2013 (Journées d’Informatique Musicale) Conference, 13th - 15th May 2013, Paris, France.

Bossis, Bruno, Dufeu, Frédéric and Rabin, Julien (2010) Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Bossis, Bruno, Marclay, Christian and Dufeu, Frédéric (2009) Le support sonore comme instrument de musique chez Christian Marclay. In: CIM09, Music and its Instruments: 5th Conference on Interdisciplinary Musicology, 26th - 29th October 2009, Paris, France. (Unpublished)

Bossis, Bruno and Dufeu, Frédéric (2009) De l’enregistrement silencieux à la partition photographique dans l’œuvre de Christian Marclay. In: Christian Marclay: Snap! Les Presses du Réel, Dijon. ISBN 978-2-84066-279-2

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Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Using Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM project. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 218-223. ISBN 9780984527458

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Performing works with instruments and real-time electronics. An analytical and interactive perspective from the TaCEM project. In: Performance Studies Network Fourth International Conference, 14-17th July 2016, Newton Park, Burton Upon Trent. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2016) Towards incorporating computer-aided techniques to interactive aural analysis. In: 1st Conference on Computer Simulation of Musical Creativity, 17-19th June 2016, University of Huddersfield. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Interactive tools for the study of electroacoustic music composition methods: resources for teaching and learning from the TaCEM software. In: Innovative Tools and Methods to Teach Music and Signal Processing Conference, 2nd November 2015, Saint-Étienne, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The TaCEM Project: Technology and Creativity in Electroacoustic Music. In: Being Human. A festival of the humanities, Humanising Music Technology, 16th November 2015, Kingston University, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Technology and Creativity in Music for Real-Time Electronics: An interactive approach to Philippe Manoury and Cort Lippe’s works. In: Ircam Forum Workshop, 25th November 2015, Paris, France.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Tracking the creative process in Trevor Wishart’s Imago. In: 3rd Tracking the Creative Process in Music conference (TCPM), 8th - 10th October 2015, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) The Interrelation of Technology and Creativity in the Analysis of Electroacoustic Music: A comparative study of Barry Truax’s Riverrun and Trevor Wishart’s Imago. Musurgia, XXII (1). pp. 27-44. ISSN 2271-1856

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) Francis Dhomont's Phonurgie: A New Case Study from the TaCEM Project. In: Electroacoustic Music Studies Network Conference (EMS15): The Art of Electroacoustic Music, 23rd - 26th June 2015, Sheffield, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) An interactive simulation of John Chowning’s creative environment for the composition of Stria (1977). In: Computer Simulation of Musical Creativity study day, 27th June 2015, Huddersfield, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2015) TaCEM: Technology and Creativity in Electroacoustic Music. In: National Association for Music in Higher Education (NAMHE) Annual Conference: Music – Learning – Technology, 5th May 2015, Glasgow, Scotland. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) From technological investigation and software emulation to music analysis: an integrated approach to Barry Truax's riverrun. In: the ICMC / SMC 2014 (40th International Computer Music Conference joint with the 11th Sound and Music Computing conference), 14th - 20th September 2014, Athens, Greece.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) The Significance of Technical Research in the Study of Electroacoustic Music: A Perspective from the TaCEM Project. In: Royal Musical Association 50th Annual Conference, 4th - 6th September 2014, Leeds, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Towards an Analysis of Trevor Wishart’s Imago: Form, Structure and Technology. In: EuroMAC2014: Eighth European Music Analysis Conference, 17th - 20th September 2014, Leuven, Belgium. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2014) Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis). In: Interactive Music Notation and Representation workshop, 14th International Conference on New Interfaces for Musical Expression (NIME 2014), 30th June 2014, Goldsmiths, University of London, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Working with the TIAALS Software. In: Ircam Forum Workshop, 20th - 22nd November 2013, Paris, France. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Tracking Creativity and Investigating Technology in Electroacoustic Music: Methods and perspectives of the TaCEM project. In: Tracking the Creative Process in Music (TCPM), 10th - 12th October 2013, Montreal, Canada. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) The Impact of Technology on the Creative Processes of Composing Electroacoustic Music. In: Royal Musical Association Annual Conference 2013, 19th - 21st September 2013, London, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Introducing TaCEM and the TIAALS software. In: 2013 ICMC International Computer Music Conference, 11th - 17th August 2013, Perth, Australia. (Unpublished)

Clarke, Michael and Dufeu, Frédéric (2013) An Introduction to the TIAALS software (Tools for Interactive Aural Analysis). In: 4th symposium of the AHRC funded project “New Multimedia Tools for Electroacoustic Music Analysis”, 11th July 2013, Leicester, UK. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) TIAALS: A new generic set of tools for the interactive aural analysis of electroacoustic music. In: Electroacoustic Music Studies Network EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks, 17th - 21st June 2013, Lisbon, Portugal. (Unpublished)

Clarke, Michael, Dufeu, Frédéric and Manning, Peter (2013) Le projet TaCEM et l’analyse interactive des musiques électroacoustiques [The TaCEM Project and the Interactive Analysis of Electroacoustic Music]. In: JAM13, Corpus et Méthodes. Traductions théoriques de l’hétérogénéité musicale, 3rd - 5th April 2013, Rennes, France. (Unpublished)

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Dufeu, Frédéric (2016) A permissive graphical patcher for supercollider synths. In: Proceedings ICMC 2016 : Is the sky the limit? HKU University of the Arts, pp. 134-139. ISBN 9780984527458

Dufeu, Frédéric and Rabin, Julien (2016) Les pratiques musicales provoquées par le numérique : quelles ruptures pour l’acte de creation? : The musical practices provoked by the digital: what breaks for the act of creation? In: Défier la décence Crise du sens et nouveaux visages du scandale dans l'art : Challenging decency Crisis of meaning and new faces of scandal in art. Artois Presses Université. ISBN 9782848322261

Dufeu, Frédéric and Rabin, Julien (2016) De l’improvisation collective à son redéploiement électroacoustique : From collective improvisation to electroacoustic redeployment. In: L'Improvisation musicale collective : collective music improvisation. L'Harmattan. ISBN 978-2-343-07966-0

Dufeu, Frédéric (2015) Entre composition et improvisation: analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: Penser l’improvisation. Culture et cognition musicale . Éditions Delatour France, Sampzon. ISBN 9782752102485

Dufeu, Frédéric and Bonardi, Alain (2014) Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt. In: Electroacoustic Music Studies Network Conference Electroacoustic Music Beyond Performance,, 10th - 14th June 2014, Berlin, Germany.

Dufeu, Frédéric (2013) Comment développer des outils généraux pour l’étude des instruments de musique numériques ? Un prototype en JavaScript pour l’investigation de programmes Max [How to Develop General Tools for the Study of Digital Musical Instruments? A JavaScript protoype for the investigation of Max programs]. Revue Francophone d’Informatique Musicale (3).

Dufeu, Frédéric (2013) L’instrument improvisé. Perspectives ouvertes par les technologies pour la constitution du dispositif de jeu dans le temps de la performance [The improvised instrument. Perspectives opened up by technology for the constitution of playing devices in performance time]. In: Les caprices de l’improvisation dans la musique [The vagaries of improvisation in art music] savante #2 seminar,, 21st March 2013, Paris, France. (Unpublished)

Dufeu, Frédéric (2013) Mémoires numériques et comportements instrumentaux : quels dialogues entre le musicien et la machine? [Digital Memories And Instrumental Behaviours: Dialogues between musicians and machines]. In: Libérez les machines !: L’imaginaire technologique à l’épreuve de l’art. Les presses du réel, pp. 105-113. ISBN 9782952235556

Dufeu, Frédéric (2013) De l’outil d’expression musicale à l’environnement d’analyse musicologique, la segmentation comme principe d’articulation [From the tool for musical expression to the environment for musical analysis, segmentation as a principle for articulation]. In: Analyse par segmentation des musiques électroacoustiques seminar, 21st January 2013, Saint-Etienne, France. (Unpublished)

Dufeu, Frédéric (2012) Partitions virtuelles et nouvelles lutheries. Questions d’interprétation dans l’œuvre électroacoustique de Philippe Manoury. In: Manifeste Festival 2012, 1st June - 1st July 2012, Paris, France. (Unpublished)

Dufeu, Frédéric (2012) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des œuvres. In: Correspondances d'artistes:du brouillon à la lettre ouverte. Mot et le reste. ISBN 978-2-36054-060-0

Dufeu, Frédéric (2012) Une interface graphique de manipulation d'unités modulaires dans SuperCollider. In: Proceedings of JIM2012 (Journées d’Informatique Musicale). Numediart, pp. 123-132.

Dufeu, Frédéric (2011) Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési. In: Electroacoustic Music Studies Network EMS11, Sforzando!, 14th - 18th June 2011, New York, New York, USA. (Unpublished)

Dufeu, Frédéric (2011) Building analytical tools from digital instruments: methods and perspectives for program reconstructions in Max/MSP and SuperCollider. In: 7th European Music Analysis Conference (VII EUROMAC), 29th September - 2nd October 2011, Rome, Italy. (Unpublished)

Dufeu, Frédéric and Roux, Sébastien (2010) L’environnement sonore recomposant l’espace d’écoute. Localisations et déplacements dans l’œuvre musicale de Sébastien Roux. Filigrane (12). ISSN 2261-7922

Dufeu, Frédéric (2010) L’instrument numérique comme objet d’analyse des musiques mixtes. In: Proceedings of JIM10 (Journées d’Informatique Musicale). Journées d’Informatique Musicale.

Dufeu, Frédéric (2010) Entre composition et improvisation : analyse du programme informatique de Soliloque sur [X, X, X et X] de Fabien Lévy. In: "Analyze Improvisation" Colloquium, 12th February 2010, Paris, France. (Unpublished)

Dufeu, Frédéric (2009) L’échange écrit dans la création musicale électroacoustique. Étude des correspondances entre compositeurs et assistants à la réalisation des oeuvres. In: La forme dialogique des écrits d’artistes : les correspondances seminar, 23rd October 2009, Paris, France. (Unpublished)

Dufeu, Frédéric (2008) Temps réel et temps différé dans l’instrument de musique numérique. In: EMS08 - Electroacoustic Music Studies - Conference Theme: Musique concrète - 60 years later, 3rd - 7th June 2008, Paris, France. (Unpublished)

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Meza, Mauricio and Dufeu, Frédéric (2012) Doppelgänger_Oblivion: Timeline. An interactive multimedia installation for collective in situ composition. In: The Global Composition, Conference on Sound, Media, and the Environment, 25th - 28th July 2012, Darmstadt and Dieburg, Germany.