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Items where Author is Rowley, Alison

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Number of items: 46.


Rowley, Alison Jane (2016) Between Fiction and Documentary: The 'Scandalous property'of 'realness' in Chantal Akerman's filmmaking. In: After Chantal: An International Conference, 4-6 November 2016, University of Westminster, UK. (Unpublished)


Rowley, Alison (2015) Paul Neagu and Touch. In: Paul Neagu: Palpable Sculpture exhibition, 21 October 2015, The Henry Moore Institute. (Unpublished)

Rowley, Alison (2015) Four Portraits of Sarah Lucas as an Artist. In: Shifting Subjects: Contemporary Women and Self Portraiture, 20th October 2015, Leeds City Art Gallery. (Unpublished)


Rowley, Alison (2014) Helen Frankenthaler: Something New in Terms of Nature'. In: Making Painting: Helen Frankenthaler and JMW Turner, 12 February 2014, Turner Contemporary Margate. (Unpublished)

Rowley, Alison (2014) Common Gestures, Class Acts: Young British Artists in Retrospect. I.B.Tauris, London. ISBN 978-1780765204


Rowley, Alison (2013) The Depth of Time. In: The Digital Way. Duke University Press, Durham and London, pp. 89-119. ISBN 10: 082235540X


Rowley, Alison (2012) Fertile Objects: 'Penetralia', Sarah Lucas and English Modernism. In: Sarah Lucas: Ordinary Things, 18 July 2012 - 21 October 2012, Galleries 1, 2 and 3 of the Henry Moore Institute.

Rowley, Alison (2012) [untitled]. Radar, 1 (3). pp. 4-5. ISSN 2049-4327


Rowley, Alison and Hershman Leeson, Lynn (2011) Women, Art, Revolution: Lynn Hershman Leeson in Conversation with Alison Rowley. In: Touched, Liverpool Biennial 2010. Liverpool Biennial of Contemporary Art, Liverpool, pp. 50-61. ISBN 9780953676194


Rowley, Alison (2010) Night Passage: The Depth of Time. In: Digital and Other Virtualities: Renegotiating the Image. New Encounters, Arts, Cultures, Concepts . I.B. Tauris, London/New York, pp. 111-133. ISBN 9781845115678

Rowley, Alison (2010) The Feast of Trimalchio: Consuming Passions. In: AES+F, The Feast of Trimalchio. Triumph Gallery/Centre for Contemporary Culture, Moscow, pp. 278-313. ISBN 9785904334109

Rowley, Alison and Hershman-Leeson, Lynn (2010) Lynn Hershman-Leeson in Conversation with Alison Rowley. In: Liverpool Biennial ‘Touched’ talks, 12 May 2010, Art and Design Academy, Liverpool John Moores University.


Rowley, Alison (2009) Between 'Les Rendez-vous d’Anna' and 'Demain on Déménage': m(o)ther inscriptions in two films by Chantal Akerman’. In: M(o)ther Trouble: An International Conference on the Maternal in Psychoanalysis and Feminism, 30 May 2009, Birkbeck, University of London.

Rowley, Alison (2009) The Grain of the Image: a poetics of future history in some ‘new’ photographs by Willie Doherty. In: Willie Doherty Exhibition Talks Series, 13 May 2009, Fruitmarket Gallery Edinburgh. (Submitted)

Rowley, Alison (2009) Between Les Rendez-vous d’Anna and Demain on Déménage: m(o)ther inscriptions in two films by Chantal Akerman. Studies in the Maternal, 2 (1). p. 15. ISSN 1759 0434


Rowley, Alison (2008) AES+F, Last Riot: Modernity and Antiquity. In: AES+F Introductory Presentation and 'In Conversation' with Alison Rowley, 01 August 2008, Ormeau Baths Gallery, Belfast. (Unpublished)

Rowley, Alison (2008) Feminist Adventures Underground: Martha Rosler’s 'Kassel Gardens (from the Perspective of a Mole).'. In: Association of Art Historians Annual conference ‘The Museum, The Academy and The Studio', April 2008, Tate Britain. (Unpublished)


Rowley, Alison (2007) Helen Frankenthaler: Painting History, Writing Painting. New Encounters, Arts, Cultures, Concepts . I.B. Tauris & Co Ltd., London/New York. ISBN 9781845115197

Rowley, Alison (2007) Book Review: Fantastic Reality: Louise Bourgeois: A Story of Modern Art, by Mignon Nixon. Papers of Surrealism: The Journal of the AHRC Centre for Surrealism and its Legacies, 5. pp. 1-7. ISSN 1750-1954


Rowley, Alison and Common Culture, Artist Group (2006) Common Culture – Pop Trauma. In: Pop Trauma. Void Gallery, Derry/ Londonderry. ISBN 95517631X

Rowley, Alison (2006) The Fourth Dimension: An Interview with Doug Johns’. In: Encountering Eva Hesse. Prestel, Munich/Berlin/London/New York, pp. 89-95. ISBN 3791333097

Rowley, Alison and Pollock, Griselda (2006) Now and Then: Feminism, Art, History, A Critical Response to Documenta 11, CentreCATH Document 2. Other. AHRC CentreCATH University of Leeds, Leeds.

Rowley, Alison (2006) A Painter’s Hesse. In: Encountering Eva Hesse. Prestel, Munich/Berlin/London/New York, pp. 137-152. ISBN 3791333097


Rowley, Alison (2005) Common Gestures, High Art. In: Jo Spence: Beyond the Family Album and Other Projects, 31 March 2005, Belfast Exposed. (Unpublished)

Rowley, Alison (2005) Post Feminism Revisited: Documenta XI (2002) and its Feminist Foundations. In: If Hong Kong: A Woman Traveller, 26 Feb 2005 - 16 Mar 2005, 1a Art Space, Hong Kong. (Unpublished)


Rowley, Alison and Pollock, Griselda (2004) Now and Then, Feminism, Art, History: A Critical Response to Documenta 11. In: Old/New, Association of Art Historians Annual Conference, 1-3 April 2004, University of Nottingham.

Rowley, Alison (2004) Painters don’t talk about Vermeer. In: Vermeer to Eternity: Time and the Image in Historical, Theoretical, and Aesthetic Frames: Clark Colloquia, 5th-6th March 2004, Clark Art Institute Massachusetts, USA. (Unpublished)

Rowley, Alison (2004) Before her Time: Lily Briscoe and Painting Now. In: Unframed: The Practices and Politics of Women’s Painting. I.B. Tauris & co. Ltd., London/New York, pp. 17-40. ISBN 1860647715

Rowley, Alison and Pollock, Griselda (2004) Documanta XI: Critical Dialogue with Griselda Pollock. In: University of Ulster Interface Research Centre, Launch Event, 2004, Europa Hotel, Belfast. (Unpublished)

Rowley, Alison (2004) Doing Art History as Painting. In: ‘Unframed Symposium, 2004, University of the Arts, Camberwell. (Unpublished)


Rowley, Alison and Pollock, Griselda (2003) Painting in a “Hybrid” Moment. In: Critical Perspectives in Contemporary Art: Hybridity, Hegemony, Historicism. Tate Critical Forum . Liverpool University Press, and Tate Liverpool, Liverpool, pp. 37-79. ISBN 0853239584

Rowley, Alison (2003) Eva Hesse at Tate Modern, not painting, not sculpture. Textile: A Journal of Cloth and Culture, 1 (3). pp. 289-295. ISSN 1475-9756


Rowley, Alison (2002) Common Gestures at the Freud Museum: An Installation by Sarah Lucas. In: CongressCATH 2002, Translating Class, Altering Hospitality, 21-23 June 2002, University of Leeds. (Unpublished)

Rowley, Alison (2002) Eden (1956)Et in Arcadia Ego: Thoughts on Public Representation and Private Mourning in a Painting by Helen Frankenthaler. In: Public Representation and Private Mourning: Commemoration and the Memorial, 15-16 March 2002, University of the West of England, Watershed Media Centre, Bristol. (Unpublished)

Rowley, Alison (2002) The Studio Encounter. In: Encountering Eva Hesse, 2002, Tate Modern, London. (Unpublished)


Rowley, Alison (2001) Exhibiting Martha Rosler? A feminist response to ‘martha rosler: positions in the life world'. In: College Art Association, 89th Annual Conference, 2001, Chicago, USA.

Rowley, Alison (2001) Exhibiting “Martha Rosler”? A feminist response to the exhibition Martha rosler: positions in the life world. n-paradoxa, (14). pp. 35-43. ISSN 1462-0434

Rowley, Alison (2001) Plan: Large Woman or Large Canvas? A Confusion of Size with Scale. In: Feminism, Art, Theory: An Anthology 1968-2000. Blackwell, Oxford & Malden, Mass., pp. 392-396. ISBN 063120850X

Rowley, Alison (2001) Painting History. In: Reinventing History, 2001, Holburne Museum of Art, Bath, UK. (Unpublished)


Rowley, Alison (1999) An Introduction to Bracha Lichtenberg Ettinger’s Traumatic Wit(h)ness-Thing and Matrixial Co/in-habit(u)ating. Parallax, 5 (1). pp. 83-88. ISSN 1353-4645


Rowley, Alison (1997) Bridget Riley: The Pleasures of Sight Deferred. In: Third Biennial Conference of the Feminist Arts and Histories Network, 1997, University of Leeds. (Unpublished)

Rowley, Alison (1997) From Plan to Winter Palace. In: Fotofeis forum, ‘Representations of the Female Body', 1997, Fruitmarket Gallery Edinburgh. (Unpublished)


Rowley, Alison (1996) On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting. In: Generations and Geographies in the Visual Arts. Routledge, London, pp. 88-109. ISBN 0415141277


Rowley, Alison (1995) Lapses of Taste: On Dorothea Tanning. Women’s Art Magazine (66). pp. 16-19. ISSN 0961-1460

Rowley, Alison (1995) On Three Paintings by Jenny Saville. In: Second Biennial Conference of the Feminist Arts Histories Network, 1995, University of Leeds. (Unpublished)

Rowley, Alison (1995) Robert Mapplethorpe as Lisa Lyons, Politics of Skin. In: Robert Mapplethorpe Symposium, 1995, Art Gallery of Western Australia. (Unpublished)

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