This thesis considers and investigates the art and audience. An attempt is made to comprehend and articulate the changes which manifest in the viewer as a consequence of with art. This is achieved through the exploration of of enquiry: a reflection of existing literature and artist practices. The audience encounter with art in a public setting. An ethnographic investigation of two gallery sites and an analysis of an alternative model for experiencing art through mindfulness. Furthermore, creative practices are used as a means to investigate the audience encounter, in addition to a combination of ethnographic methodologies. Such as: a range of participant observations, data retrieval through observation and interviews. It is the aim of this thesis to expose the authority and value of the encounter with art.
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