Abstract
  In the opening of this paper, I reflect on Kane’s writing processes and on the importance 
of recognising the spaces and fractures in her texts. I then turn to an analysis of formal 
structure in her work, before focusing on the significance of architecture in Blasted, and 
its relationship to embodiment, language and gender politics.
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    Nina_Kane__Gender__Fracture_and_the_Architecture_of_Sarah_Kanes_Blasted_-_Uni_of_Huddersfield___2011.pdf
  
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