Items where Subject is "PN1993 Motion Pictures"

Norris Nicholson, Heather, ed. (2003) Screening Culture: Constructing Image and Identity. Lexington Books. ISBN 9780739105214

Ahn, Soo H. (2017) Metropolis: music score for the film directed by Fritz Lang. Doctoral thesis, University of Huddersfield.

Ashby, Justine (2001) The Angry Young Man is Tired: Albert Finney and 1960s British Cinema. In: British Stars and Stardom: From Alma Taylor to Sean Connery. Manchester University press, Manchester, pp. 179-192. ISBN 9780719058417

Ashby, Justine (2003) 'Betty Box' and 'Muriel Box'. In: Encyclopedia of British Film. Methuen, London, pp. 76-77. ISBN 0413773019

Ashby, Justine (1996) Crossing thresholds: the contemporary British woman's film. In: Dissolving views: key writings on British cinema. Cassell. ISBN 9780304335282

Ashby, Justine (2009) 'It's been Emotional': reassessing the contemporary British woman's film. In: British women's cinema. British Popular Cinema . Routledge. ISBN 9780415466967

Ashby, Justine (2002) Jane Campion. In: Fifty Key Contemporary Filmmakers. Routledge, London, pp. 90-98. ISBN 978-0-415-18973-6

Ashby, Justine (2005) Postfeminism in the British Frame. Cinema Journal, 44 (2). pp. 127-132. ISSN 00097101

Ashby, Justine and Higson, Andrew (2000) British cinema: past and present. Routledge. ISBN 0415220610

Ashby, Justine and Higson, Andrew (2000) The lady in charge, Betty Box: negotiating space for a woman producer in Post-War British cinema. In: British cinema, past and present. Routledge. ISBN 0415220610

Beaumont, Jason Lee (2014) Back in the saddle…again: a re-imagining of masculinity in the post 9/11 western. Masters thesis, University of Huddersfield.

Bhana, Aliyah (2020) A posthuman exploration of the robot in contemporary science fiction films. Masters thesis, University of Huddersfield.

Bradley, Catherine (2005) Where is Donnie? A discusion of the imaginary and the symbolic in Donnie Darko (2001). Crash Cinema, 4. ISSN 1743-4459

Burr, Vivien (2005) The Big Group Sing: academic and fan identities at the Slayage Conference on Buffy the Vampire Slayer. In: “Bring Your Own Subtext”: Social life, human experience and the works of Joss Whedon, 29 June - 1 July 2005, University of Huddersfield. (Unpublished)

Burr, Vivien (2004) Bringing Your Own Subtext: Individual Differences in Viewers' Responses to Buffy. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Burr, Vivien (2003) Buffy and the BBC: moral questions and how to avoid them. Slayage: the online international journal of Buffy studies, 8.

Burr, Vivien (2003) 'It all seems so real': intertextuality in the Buffyverse. Refratory: a journal of entertainment media, 2. ISSN 1447-4905

Burr, Vivien (2006) Narrative and storytelling. In: Slayage Conference on the Whedonverses 2, 25th - 28th May 2006, Gordon College, Georgia, USA. (Unpublished)

Burr, Vivien (2004) Performing the Imaginative Variation: Using Buffy to Teach Sartre. In: SC1: The Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101

Dutton, Steve and Swindells, Steve (2004) Host 4. [Show/Exhibition]

El Madawi, Stefanie (2020) Approaching Contemporary Cinematic I-Witnessing. Doctoral thesis, University of Huddersfield.

Fink, Janet (2011) For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction. Women's History Review, 20 (1). pp. 145-160. ISSN 0961-2025

Fink, Janet (2012) Questions of innocence and guilt: child abduction and the representation of mothers in post-war British cinema. Families, Relationships and Societies, 1 (2). pp. 191-206. ISSN 2046-7435

Fink, Janet (2012) "They don't really care what happens to me": divorce, family life and children's emotional worlds in 1950s' British cinema. In: Portrayals of Children in Popular Culture: Fleeting Images. Lexington Books, New York, pp. 153-169. ISBN 0739167480

Fink, Janet and Holden, Katherine (1999) Pictures from the Margins of Marriage: Representations of Spinsters and Single Mothers in the mid-Victorian Novel, Inter-war Hollywood Melodrama and British Film of the 1950s and 1960s. Gender and History, 11 (2). pp. 233-255. ISSN 0953-5233

Gfader, Verina (2010) Garden lecture. In: Visual Thinking 01:Kate Davis and the Subjectivity and Feminisms research group, 11 January 2009 - 07 March 2010, Camden, UK. (Unpublished)

Hiles, David (2008) Examining the Boundaries Between Fiction and Fact in the Narrative Cinema. In: Narrative and Fiction: an Interdisciplinary Approach. University of Huddersfield, Huddersfield, pp. 33-43.

Ibrahim, Yahaya Makarfi, Kaka, Ammar P., Aouad, Ghassan and Kagioglou, Mike (2008) As-built Documentation of Construction Sequence by Integrating Virtual Reality with Time-lapse Movies. Architectural Engineering and Design Management, 4 (2). pp. 73-84. ISSN 17452007

Jarvis, Christine (2004) Buffy's contribution to anti-oppressive practice. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Jarvis, Christine (2012) Fiction and Film and Transformative Learning. In: The Handbook of Transformative Learning: Theory, Research, and Practice. Jossey-Bass, pp. 486-502. ISBN 9780470590720

Jarvis, Christine (2006) Shifting perspectives on death: using BtVS with 1st year undergraduates considering renaissance attitudes towards mortality. In: Slayage Conference on the Whedonverses 2, 25th - 28th May 2006, Gordon College, Georgia, USA. (Unpublished)

Jarvis, Christine (2004) "Wow, They're All So Identical": Choosing Conformity or Death as an Adult Learner in the Buffyverse. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Jarvis, Christine (2008) A monster ate my teacher: the demon-teacher interface in BtVS. In: The Supernatural Diegesis in Popular Fiction Annual Conference Association for Research in Popular Fictions 2008, Saturday 22nd-Sunday 23rd November 2008, Liverpool, UK. (Unpublished)

Jarvis, Christine and Adams, Don (2005) Dressed to kill: fashion and leadership in Buffy the Vampire Slayer. In: “Bring Your Own Subtext”: Social life, human experience and the works of Joss Whedon, 29 June - 1 July 2005, University of Huddersfield. (Unpublished)

Jarvis, Christine and Burr, Vivien (2004) "Friends Are the Family We Choose for Ourselves": Young People and Families in BtVS. In: Slayage Conference on Buffy the Vampire Slayer, 28 - 30 May 2004, Nashville, Tennessee, USA. (Unpublished)

Klontzas, Michael (2013) Book Review: The Economics of Television in a Digital World: What Economics Tells Us for Future Policy Debates, Patrick Barwise and Robert G. Picard, Reuters Institute for the Study of Journalism, Oxford University. International Journal of Digital Television, 4 (3). pp. 357-364. ISSN 2040-4182

Lugea, Jane (2013) Embedded dialogue and dreams: the worlds and accessibility relations of Inception. Language and Literature, 22 (2). pp. 133-153. ISSN 0963-9470

Lycett, Robert (2004) re:draw. [Artefact]

Marinkova, Milena (2010) Framing Fame: Michael Ondaatje’s Cinema of Affection and Liminality. Moving Worlds: a Journal of Transcultural Writings, 10 (2). pp. 7-19.

Marinkova, Milena (2010) Po-co-co Balkans: Dancing Bears and Lovesick Donkeys, Bouncing Mines and Ethnic Conflict in Two Films from the Region. Third Text, 24 (4). pp. 457-469. ISSN 0952-8822

Marinkova, Milena (2007) Review: Annick Hillger, Not needing all the words: Michael Ondaatje's literature of silence. Moving Worlds: a Journal of Transcultural Writings, 7 (2). pp. 135-136.

McAra, Catriona (2012) Longing for Endor: Little People and the Ideological Colonization of the European Fantasy Genre. In: Exploring the Cultural History of Continental European Freak Shows and ‘Enfreakment’. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 266-282.

McAra, Catriona (2013) A Natural History of "The Dark Crystal": The Conceptual Design of Brian Froud. In: The Wider Worlds of Jim Henson. McFarland, Jefferson, pp. 101-116.

McIntyre, Dan (2006) Towards a stylistics of film. In: 26th Conference of the Poetics and Linguistics Association, 26th - 29th July 2006, University of Joensuu, Finland. (Unpublished)

Nicholson, Heather (2010) 'Old World Traditions…and Modernity' in Cunard's Transatlantic Films, c.1920-35: Making Connections between Early Promotional Films and Urban Change. In: The City and the Moving Image. Palgrave Macmillan, pp. 21-35. ISBN 9780230243385

Nikki, Carthy (2013) Deconstructing Offenders' Narratives. Doctoral thesis, University of Huddersfield.

Norris Nicholson, Heather (2012) Amateur Film: Meaning and Practice, c. 1927 - 77. Studies in Popular Culture . Manchester University Press, Manchester. ISBN 978-0-7190-7773-9

Norris Nicholson, Heather (2007) “As If by Magic”: Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931–1949. In: Mining the Home Movie Excavations in Histories and Memories. University of California Press, pp. 214-230. ISBN 9780520248076

Norris Nicholson, Heather (1994) "At Ilkley they sell lovely": regional memory and experience in amateur movies. In: You Can't See What You Don't Know: Amateur Film as Evidence. Association Européenne Inédits Colloquium.

Norris Nicholson, Heather (2004) At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. GeoJournal, 59 (4). pp. 323-333. ISSN 0343-2521

Norris Nicholson, Heather (2001) ‘At the centre of it all are the children’: Aboriginal Childhoods and the National Film Board. London Journal of Canadian Studies, 17. pp. 73-100. ISSN 0267-2200

Norris Nicholson, Heather (2003) British Holiday Films of the Mediterranean: At Home and Abroad with Home Movies, ca. 1925-1936. Film History, 15 (2). pp. 102-116. ISSN 0892-2160

Norris Nicholson, Heather (2014) Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England. In: Amateur Filmmaking The Home Movie, the Archive, the Web. Bloomsbury, pp. 67-80. ISBN 9781441139054

Norris Nicholson, Heather (2009) Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period. In: Moving Pictures/Stopping Places: Hotels & Motels on Film. Lexington Books, pp. 49-71. ISBN 9780739128558

Norris Nicholson, Heather (2009) Framing the view: holiday recording and Britain’s amateur film movement c.1925-1950. In: Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Publishing, pp. 93-127. ISBN 9781443813440

Norris Nicholson, Heather (1997) In amateur hands: framing time and space in home-movies. History Workshop Journal (43). pp. 198-213. ISSN 1363-3554

Norris Nicholson, Heather (2009) Journeys into Seeing: Amateur Film-making and Tourist Encounters in Soviet Russia, c. 1932. New Readings, 10. pp. 57-71. ISSN 1359-7485

Norris Nicholson, Heather (2013) Legends, Romance, and the Intelligent Knowledge of History: Storytelling on Film and Imagining the Past. In: Bringing History to Life through Film The Art of Cinematic Storytelling. Film and History . Rowman & Littlefield Publishers, pp. 89-109. ISBN 978-1-4422-2963-1

Norris Nicholson, Heather (2012) Looking Beyond the Moving Moments: Adaptation, Digitization and Amateur Film Footage as Visual Histories. In: The Adaptation of History: Essays on Ways of Telling the Past. McFarland, pp. 196-206. ISBN 9780786472543

Norris Nicholson, Heather (2012) Manchester’s Moving Memories: Tales from Moss Side and Hulme: archive film and community history-making. In: Tourists and Nomads. Amateur Images of Migration. Jonas-Verlag. ISBN 9783894454647

Norris Nicholson, Heather (1997) Moving memories: image and identity in home movies. In: The Jubilee book: essays on amatuer film. Association européene des inédits, Charleroi.

Norris Nicholson, Heather (2009) Moving pictures, moving memories: framing the interpretative gaze. In: Private Eyes and the Public Gaze - The Manipulation and Valorisation of Amateur Images. Kliomedia. ISBN 9783898901369

Norris Nicholson, Heather (2008) ”Old world traditions… and modernity” in Cunard’s transatlantic films, c.1920 – 35: making connections between early promotional films and urban change. In: Cities In Film: Architecture, Urban Space And The Moving Image Conference Proceedings. University of Liverpool, pp. 163-169. ISBN 9780955788413

Norris Nicholson, Heather (2002) Picturing the Past: Archival Film and Historical Landscape Change. Landscapes, 3 (1). pp. 81-100. ISSN 1466-2035

Norris Nicholson, Heather (1999) Reconstructing memories: indigenous film-making, place-names and identities in Le Grand Petit European. British Journal of Canadian Studies, 14 (1). pp. 21-34. ISSN 0269-9222

Norris Nicholson, Heather (2001) Regionally Specific, Globally Significant: Who's Responsible for the Regional Record? The Moving Image, 1 (2). pp. 152-163. ISSN 1532-3978

Norris Nicholson, Heather (2001) Seeing how it was?: childhood geographies and memories in home movies. Area, 33 (2). pp. 128-140. ISSN 0004-0894

Norris Nicholson, Heather (2006) Shooting in Paradise: Conflict, Compassion and Amateur Filmmaking During the Spanish Civil War. Journal of Intercultural Studies, 27 (3). pp. 313-330. ISSN 0725-6868

Norris Nicholson, Heather (2006) Sites of Meaning: picturing Mediterranean and other landscapes in British home movies, c. 1928-1965. In: Landscape and Film. AFI Film Readers . Routledge, pp. 167-188. ISBN 9780415975551

Norris Nicholson, Heather (2002) Telling travellers’ tales: framing the world in home movies, c.1935 – 1967. In: Engaging Film: Geographies of Mobility and Identity. Rowman & Littlefield Publishers, pp. 47-68. ISBN 978-0-7425-0884-2

Norris Nicholson, Heather (2009) Through the Balkan States: Home movies as travel texts and tourism histories in the Mediterranean, c.1923-39. Panoptikum, 8 (15).

Norris Nicholson, Heather (2001) Two tales of a city: Salford in regional filmmaking, 1957-1973. Manchester Region History Review, 15. pp. 41-53. ISSN 0952-4320

Rudrum, David (2008) Murder - A Dying Art? George Orwell, Raymond Chandler, and the Mysterious Death of English Crime Writing. In: Crime Cultures: Figuring Criminality in Literature, Media and Film International Conference, 14th - 16th July 2008, University of Portsmouth. (Unpublished)

Rudrum, David (2005) Silent dialogue: philosophising with Jan Svankmajer. In: Film as Philosophy. Palgrave Macmillan, Hampshire, UK, pp. 114-132. ISBN 9781403949004

Sheridan, Jayne (2010) Audrey Hepburn and the “Funny Face” of Post-World War II Humanism. In: 2nd Interdisciplinary Fashion Conference, Thursday 23rd September – Sunday 26th September 2010, Oriel College, Oxford. (Unpublished)

Smith, Eleanor (2016) Breaking the Mould: gender, stereotypes, and coding in the musical scoring of Disney’s female characters. Masters thesis, University of Huddersfield.

Sosin, Dawid (2019) The Mega-field of Science Fiction Film: Studying Fans' Negotiations of Cultural Value via Canonical, Art-house and Blockbuster SF Movies. Masters thesis, University of Huddersfield.

Stansbie, Lisa (2009) Connecting the Unconnected. In: Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 125-134. ISBN 978-1-4438-0532-2

Swann, David and Woolcock, Marcus (2008) Sci-fi gadgets for the film Babylon A.D. [Artefact]

Walters, Anthony (2020) Developing a Personal Glitch Aesthetic for Moving Image. Masters thesis, University of Huddersfield.

Wilkinson, Ryan Gerald (2013) Working class films for middle class desires: power distribution, escape and damage in Billy Elliot, Brassed Off and the Full Monty. Masters thesis, University of Huddersfield.

Woodcock, Pete (2008) Gender, Politicians and Public Health: Using The Simpsons to Teach Politics. European Political Science, 7 (2). pp. 153-164. ISSN 1680-4333

Woodcock, Pete (2006) The Polis of Springfield: The Simpsons and the Teaching of Political Theory. Politics, 26 (3). p. 192. ISSN 0263-3957