Items where Author is Haworth, Catherine

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Haworth, Catherine (2017) Music for a gentleman adventurer: scoring the Falcon at RKO Radio Pictures. In: Newland Lecture in Music, 17 October 2017, University of Hull. (Unpublished)

Haworth, Catherine (2017) Book Review: Olivia Bloechl, Melanie Lowe and Jeffrey Kallberg (eds), 'Rethinking Difference in Music Scholarship' (2015). Journal of the Society for Musicology in Ireland, 12. pp. 71-73. ISSN 1649-7341

Haworth, Catherine (2017) Star quality? Song, celebrity and the jukebox musical in 'Mamma Mia!'. In: Contemporary Musical Film. Edinburgh University Press, Edinburgh, pp. 107-122. ISBN 9781474413121

Haworth, Catherine (2017) Listening to the detectives: towards inclusive analysis of The Falcon's adventures at RKO. In: Sources and Archives in Screen Sound Studies, 1st-2nd June 2017, University of Huddersfield, UK. (Unpublished)

Haworth, Catherine (2017) Synchronicity and subjectivity in film music studies. In: Popular Music Study Day, 25th May 2017, Oxford Brookes University, UK. (Unpublished)

Haworth, Catherine (2016) On the beat with the Falcon: scoring the adventure programmer at RKO Radio Pictures. In: Music Research Seminar, October 20th, 2016 — September 20th, 2016, University of Leeds, School of Music. (Unpublished)

Haworth, Catherine (2015) Pussy Galore: women and music in 'Goldfinger'. In: For his eyes only? The women of James Bond. Wallflower Press, New York, USA, pp. 160-170. ISBN 9780231176149

Haworth, Catherine (2015) How music became so core to James Bond that someone bet £15,000 on the theme. The Conversation. ISSN 2044-5032

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. Ashgate, Farnham. ISBN 978-1-4724-3085-4

Haworth, Catherine (2015) Bodies of evidence: performing women and the politics of representation in classical Hollywood. In: Research seminar: Bodies of Evidence, January 2015, Canterbury Christ Church University. (Unpublished)

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. In: Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 1-6. ISBN 978-1-4724-3085-4

Haworth, Catherine (2014) Shapely gams and jazz hands: taming Ann Miller's virtuosic body in and around 'Prehistoric Man'. In: Music for Audio-Visual Media, September 2014, University of Leeds, UK. (Unpublished)

Haworth, Catherine (2014) Something beneath the flesh: music, gender, and medical discourse in the 1940s female gothic film. Journal of the Society for American Music, 8 (3). pp. 338-370. ISSN 1752-1963

Haworth, Catherine (2014) Prescriptive audio: gender, medicine and musical control in the 1940s gaslight film. In: Music and Screen Media, 25-26th June 2014, University of Liverpool. (Unpublished)

Haworth, Catherine (2014) "Wallowing in Latin glamor": inter-American politics, Hollywood film music, and the 1940s femme fatale. In: Music and the Moving Image IX, 30th May - 1st June 2014, New York University. (Unpublished)

Haworth, Catherine (2013) Book review: 'The Private Eye: Detectives in the Movies'. By Bran Nicol, Reaktion Books, 2013. Viewfinder: The Journal of the British Universities Film and Video Council, 93. p. 27. ISSN 0952-4444

Haworth, Catherine (2013) “A bad town for blondes”: Identity, inter-American politics, and ‘Latin’ film music in 'The Leopard Man'. In: International Conference on Music Since 1900, September 2013, Liverpool Hope University. (Unpublished)

Haworth, Catherine (2013) Book review: 'Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores'. By Peter Franklin, Oxford, 2011. Music and Letters, 94 (2). pp. 365-367. ISSN 0027-4224

Haworth, Catherine (2013) Musical scores and female detectives of the 1940s. [Web page]

Haworth, Catherine (2013) "It may sound like music to her…": Inter-American politics, 'Latin' scores, and the 1940s femme fatale in 'The Leopard Man'. In: British Association of American Studies conference, April 2013, University of Exeter, UK. (Unpublished)

Haworth, Catherine (2013) Million-dollar legs and a desire for the "primitive": Taming Ann Miller’s virtuosic body in and around 'Prehistoric Man'. In: The Performing Body in the Hollywood Film Musical, 4th-6th April 2013, Colgate University, Hamilton, NY USA. (Unpublished)

Haworth, Catherine (2012) "There isn't any other song": Reading Monroe's 'Kiss' in and after 'Niagara'. In: The Afterlife of the Film Song, 8 December 2012, Bristol University. (Unpublished)

Haworth, Catherine (2012) Detective Agency? Scoring the Amateur Female Investigator in 1940s Hollywood. Music and Letters, 93 (4). pp. 543-573. ISSN 0027-4224

Haworth, Catherine (2012) Introduction: Gender, Sexuality, and the Soundtrack. Music, Sound, and the Moving Image, 6 (2). pp. 113-135. ISSN 1753-0768

Haworth, Catherine (2012) Something beneath the flesh: medicine, music and masculinity in the 1940s gaslight thriller. In: Bodies of Evidence: Crime, Gender and Representation, 2 April 2012, Newcastle University. (Unpublished)

Haworth, Catherine (2012) A bad town for blondes? Hollywood film music and inter-American politics in "The Leopard Man". In: Music and Music Technology Research Forum, March 2012, University of Huddersfield. (Unpublished)

Haworth, Catherine (2011) I remember clearly everything that happened that night...: voiceover, music and subjectivity in classical Hollywood. In: Film Music Conference, September 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2011) Dangerous dames and Siren songs: Music and the 'criminal' woman in 1940s Hollywood. In: Women in Research, July 2011, University of Leeds. (Unpublished)

Haworth, Catherine (2011) She must be quite a dame...: Music and the femme fatale in 'Out of the Past'. In: International Conference on Music Since 1900, 28–31 July 2011, Lancaster University. (Unpublished)

Haworth, Catherine (2011) A voice with hormones: the singer, the diva, and the femme fatale in 'A Woman's Secret'. In: The Diva: An Interdisciplinary Conference, 5-8 July 2011, Liverpool Hope University. (Unpublished)

Haworth, Catherine (2011) Nancy, Nancy, what'll you do to him now?: music, subjectivity and the femme fatale in 'The Locket'. In: Music and the Moving Image VI, May 20 – May 22, 2011, New York University. (Unpublished)

Haworth, Catherine (2010) They wouldn't send a woman, would they? Musical approaches to the female detective in 1940s Hollywood. In: Crime Across Cultures, 9-10 September 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2010) A voice with hormones: power, desire, and musical performance in 'A Woman's Secret'. In: School of Music Research Day, May 2010, University of Leeds. (Unpublished)

Haworth, Catherine (2010) After all, do I look like a murderer? Music and the subjective art of detection in 'Suspicion'. In: RMA Research Students' Conference, January 2010, University of York. (Unpublished)

Haworth, Catherine (2009) What do you know of law and trials and all those things? Music and the female investigator in 1940s Hollywood. In: Research seminar, October 2009, School of Music, University of Leeds. (Unpublished)

Haworth, Catherine (2009) Detective agency? Music, sound, and the female investigator in 1940s Hollywood. In: International Conference on Music Since 1900, 2-5 July 2009, Keele University. (Unpublished)

Haworth, Catherine (2008) John Barry and the James Bond sound. Programme note for 'James Bond: Shaken, not stirred' concert, Leeds Town Hall International Concert Season.

Haworth, Catherine (2008) Review of 'Film's Musical Moments' ed. by Ian Conrich and Estella Tincknell (Edinburgh University Press, 2006). Music, Sound and the Moving Image, 2 (1). pp. 83-90. ISSN 1753-0768

Haworth, Catherine (2008) Shades of grey: suspense, subjectivity and the soundtrack in Hitchcock's 'Notorious'. In: Cinemusic? Constructing the Film Score. Cambridge Scholars Publishing, Cambridge, UK, pp. 113-125. ISBN 1847185932

Haworth, Catherine (2007) There isn't any other song: music, Monroe, and female agency in 'Niagara'. In: Sound, Music and the Moving Image, 10–12 September 2007, Institute of Musical Research, University of London. (Unpublished)

Haworth, Catherine (2006) There's nothing like a love song to give you a good laugh: music and subjectivity in 'Notorious'. In: Bradford Film Festival Film Music Conference, March 2006, National Media Museum, Bradford. (Unpublished)

Haworth, Catherine (2006) Music, suspense, and subjectivity in 'Notorious'. In: RMA Research Students' Conference 2006, January 2006, University of Leeds. (Unpublished)

Haworth, Catherine (2005) Dark as night and twice as deadly: music, gender and film noir. In: Research seminar, November 2005, Department of Music, University of East Anglia. (Unpublished)

Haworth, Catherine (2005) There's nothing like a love song to give you a good laugh: music, 'Notorious', and the boundaries of noir. In: Cherchez la Femme. The cinematic femme fatale, her history and transmissions, September 2005, University of Exeter. (Unpublished)

Haworth, Catherine (2005) Gender and subversion in Roy Webb's score for 'The Spiral Staircase'. In: RMA Research Students' Conference, March 2005, University of Durham. (Unpublished)