Items where Author is Wakefield, Jonathan
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Ambisonics surround sound heuristic Tabu range-removal 5.1
Moore, John David and Wakefield, Jonathan P. (2006) An enhanced approach to surround sound decoder design. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2006: CEARC’06. University of Huddersfield, Huddersfield, pp. 1-6.
automated composition
Millea, Timothy A. and Wakefield, Jonathan P. (2009) Automating the composition of popular music : the search for a hit. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 45-50. ISBN 9781862180857
Black metal
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
communicative discourse
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET
Moore, Austin and Wakefield, Jonathan (2017) An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.
contemporary metal
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
drum construction
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
drum heads
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
drum production
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
drum shells
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
drum tone
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
drum tuning
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
evolutionary algorithm
Millea, Timothy A. and Wakefield, Jonathan P. (2009) Automating the composition of popular music : the search for a hit. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 45-50. ISBN 9781862180857
evolutionary design
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Overview of a Generic Evolutionary Design System. In: Proceedings of the 2nd On-line Workshop on Evolutionary Computation (WEC2), 4-22 March 1996, Nagoya University, Japan.
extreme metal
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
Film Sound Mixing
Hughes, Braham C. and Wakefield, Jonathan P. (2015) An Investigation Into Plausibility In the Mixing of Foley Sounds In Film And Television. In: 138th International Audio Engineering Society Convention 2015, 7th - 10th May 2015, Warsaw, Poland.
genetic algorithm
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Overview of a Generic Evolutionary Design System. In: Proceedings of the 2nd On-line Workshop on Evolutionary Computation (WEC2), 4-22 March 1996, Nagoya University, Japan.
Gorgoroth
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
heavy metal
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
hegemonic masculinity
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
hierarchical crossover
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.
leisure
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
mastering
Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.
metal
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
mixing
Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.
Music Technology
Hughes, Braham C. and Wakefield, Jonathan P. (2015) An Investigation Into Plausibility In the Mixing of Foley Sounds In Film And Television. In: 138th International Audio Engineering Society Convention 2015, 7th - 10th May 2015, Warsaw, Poland.
Objective Quality Measurment of Produced Music
Fenton, Steven, Wakefield, Jonathan P. and Fazenda, Bruno (2011) Objective Measurement of Music Quality Using Inter-Band Relationship Analysis. In: 130th Audio Engineering Society AES Convention, 13-16 May 2011, London, UK.
perception
Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.
Plausibility
Hughes, Braham C. and Wakefield, Jonathan P. (2015) An Investigation Into Plausibility In the Mixing of Foley Sounds In Film And Television. In: 138th International Audio Engineering Society Convention 2015, 7th - 10th May 2015, Warsaw, Poland.
Popular music
Millea, Timothy A. and Wakefield, Jonathan P. (2009) Automating the composition of popular music : the search for a hit. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 45-50. ISBN 9781862180857
power
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
production
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
Punch Clarity Objective Measurement Produced Music Loudness
Fenton, Steven and Wakefield, Jonathan P. (2012) Objective profiling of perceived punch and clarity in produced music. In: 132nd Audio Engineering Society Convention, 26th - 29th April 2012, Budapest, Hungary.
punch measurement
Fenton, Steven, Lee, Hyunkook and Wakefield, Jonathan P. (2016) Evaluation of a Perceptually-Based Model of "Punch" with Music Material. In: AES 141st Convention, 28th September-2 October 2016, LA Convention Centre, LA, USA.
representation
Millea, Timothy A. and Wakefield, Jonathan P. (2009) Automating the composition of popular music : the search for a hit. In: Proceedings of Computing and Engineering Annual Researchers' Conference 2009: CEARC’09. University of Huddersfield, Huddersfield, pp. 45-50. ISBN 9781862180857
semantic hierarchy
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.
sexuality
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
shell construction
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
sound at source
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
surround sound psychoacoustics
Moore, David J. and Wakefield, Jonathan P. (2007) Surround Sound for Large Audiences: What are the Problems? In: Proceedings of Computing and Engineering Annual Researchers' Conference 2007: CEARC’07. University of Huddersfield, Huddersfield, pp. 1-7.
tuning
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
variable-length chromosome
Bentley, Peter J. and Wakefield, Jonathan P. (1996) Hierarchical Crossover in Genetic Algorithms. In: Proceedings of the 1st On-line Workshop on Soft Computing (WSC1), 19-30 August 1996, Nagoya University, Japan.
Visual Bias
Hughes, Braham C. and Wakefield, Jonathan P. (2015) An Investigation Into Plausibility In the Mixing of Foley Sounds In Film And Television. In: 138th International Audio Engineering Society Convention 2015, 7th - 10th May 2015, Warsaw, Poland.