Mynett, Mark (2012) Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music. Journal on the Art of Record Production (6). ISSN 1754-9892
Mynett, Mark (2010) Get the perfect bass. Computer Music (159). ISSN 1463-6875
Mynett, Mark (2010) The sound and the fury: part 2. Guitar World. pp. 72-86. ISSN 1045-6295
Mynett, Mark (2010) The sound and the fury. Guitar World. pp. 71-80. ISSN 1045-6295
Mynett, Mark (2009) Mixing metal: The SOS Guide To Extreme Metal Production: Part 2. Sound on Sound. pp. 118-126. ISSN 0951-6816
Mynett, Mark (2009) Extreme metal: the SOS guide to recording & producing modern metal. Sound on Sound. pp. 120-133. ISSN 0951-6816
Mynett, Mark (2016) The distortion paradox: analysing contemporary metal production. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music (12). Routlege, New York, USA and Abingdon, UK. ISBN 978-1138822382
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7
Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.
Mynett, Mark and Wakefield, Jonathan P. (2009) The use of click tracks for drum production within the Extreme Metal genre. In: The Art of Record Production 09, 13th - 15th November 2009, Cardiff.
Mynett, Mark (2017) Metal Music Manual: Producing, Engineering, Mixing and Mastering Contemporary Heavy Music. Focal Press, New York, USA and Abingdon, UK. ISBN 978-1138809314
Mynett, Mark (2013) Contemporary Metal Music Production. Doctoral thesis, University of Huddersfield.