Items where Author is Moore, Austin

1176

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

audio processing

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

compression

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

compressor 1176 universal audio aggressive vocal rock music dynamic range compressor music production FET

Moore, Austin and Wakefield, Jonathan (2017) An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor. In: Audio Engineering Society 142nd, May 20-23 2017, Berlin.

compressors

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

dbx165

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

dynamic range compression

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

Fairchild

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

LA2A

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

music production

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

sonic signatures

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)

vocals

Moore, Austin (2016) The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures. In: Art Of Record Production 2016 Conference, Aalborg, Denmark, December 2-4 2016, Aalborg University, Denmark. (Unpublished)