Items where Author is Till, Rupert

Article

Fazenda, Bruno, Scarre, Chris, Till, Rupert, Pasalodos, Raquel J., Guerra, Manuel R., Tejedor, Cristina, Peredo, Roberto O., Watson, Aaron, Wyatt, Simon, Benito, Carlos G., Drinkall, Helen and Foulds, Frederick (2017) Cave acoustics in prehistory: exploring the association of Palaeolithic visual motifs and acoustic response. Journal of the Acoustical Society of America (JASA), 142 (3). pp. 1332-1349. ISSN 1520-8524

Till, Rupert (2017) An archaeoacoustic study of the Ħal Saflieni Hypogeum on Malta. Antiquity, 91 (355). pp. 74-89.

Kleinitz, Cornelia, Till, Rupert and Baker, Brenda (2015) Archaeology and acoustics of rock gongs in the ASU BONE concession above the Fourth Nile Cataract, Sudan: a preliminary report. Sudan & Nubia (19). pp. 106-115. ISSN 1369-5770

Green, Lucy, Lebler, Don and Till, Rupert (2015) Editorial Introduction: Popular Music in Education, Special Issue. IASPM: International Association for the Study of Popular Music Journal, 5 (1). pp. 1-3. ISSN 2079-3871

Till, Rupert (2014) Sound archaeology: terminology, Palaeolithic cave art and the soundscape. World Archaeology, 46 (3). pp. 292-304. ISSN 0043-8243

Till, Rupert (2013) Twenty First Century Popular Music Studies. IASPM@Journal, 3 (2). pp. 1-14. ISSN 2079-3871

Till, Rupert (2010) Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince. Journal of Beliefs and Values: Studies in Religion and Education, 31 (1). pp. 69-80. ISSN 1361-7672

Till, Rupert (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon. Implicit Religion: Journal of the Centre for the Study of Implicit Religion and Contemporary Spirituality, 13 (2). pp. 151-160. ISSN 1463 9955

Till, Rupert (2010) Songs of the Stones: an investigation into the musical history and culture of Stonehenge. IASPM: International Association for the Study of Popular Music Journal, 1 (2). pp. 1-18. ISSN 2079-3871

Till, Rupert (2006) The Nine O'clock Service: Mixing Club Culture And Postmodern Christianity. Culture and Religion, 7 (1). pp. 93-110. ISSN 0143-8301

Book Chapter

Till, Rupert (2016) Singer-songwriter authenticity, the unconscious and emotions (feat. Adele's "Someone Like You"). In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 291-304. ISBN 978-1107680913

Till, Rupert (2014) Sound Archaeology: An interdisciplinary Perspective. In: Archaeoacoustics: The Archaeology of Sound: Publication of Proceedings from the 2014 Conference in Malta. CreateSpace Independent Publishing Platform, pp. 23-32. ISBN 978-1497591264

Till, Rupert (2013) Paganism, Popular Music and Stonehenge. In: Pop pagans: paganism and popular music. Studies in Contemporary and Historical Paganism . Acumen Publishing, London, pp. 51-78. ISBN 9781844656479

Till, Rupert (2013) The Return of Ritual: Sacred Popular Music Cultures and Cults. In: Music & Ritual: Bridging Material & Living Cultures. Publications of the ICTM Study Group on Music Archaeology, 1 . Ekho VERLAG. ISBN 978-3-944415-11-6

Till, Rupert (2012) Metal and the Beast: The adoption of apocalyptic imagery in heavy metal music. In: Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Bible in the Modern World (42). Sheffield Phoenix Press, Sheffield. ISBN 978-1-907534-34-8

Till, Rupert (2011) 21st Century Trance Cult: Electronic Dance Music Culture as a Form of Possession Trance, and its Role in Replacing the Traditional Roles of Religions Within Western European Popular Youth Culture. In: Religion and Popular Music in Europe: New Expressions of Sacred and Secular Identity. I. B. Tauris Library of Modern Religion (18). I. B. Tauris, London/New York, pp. 145-162. ISBN 9781848858091

Till, Rupert (2010) We Could Be Heroes: Personality Cults of the Sacred Popular. In: Pop Cult: Religion and Popular Music. Bloomsbury, pp. 46-73. ISBN 9780826432360

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2010) Intelligent Equalisation Principles and Techniques for Minimising Masking when Mixing the Extreme Modern Metal Genre. In: Heavy Fundamentalisms: Music, Metal and Politics. Inter-Disciplinary Press, Oxford, pp. 141-146. ISBN 978-1-84888-017-7

Till, Rupert (2009) Possession Trance Ritual in Electronic Dance Music Culture: A Popular Ritual Technology for Reenchantment, Addressing the Crisis of the Homeless Self, and Reinserting the Individual into the Community. In: Exploring Religion and the Sacred in a Media Age. Ashgate, Farnham, pp. 169-188. ISBN 978-0-7546-6527-4

Till, Rupert (2009) Songs of the stones: the acoustics of Stonehenge. In: The Sounds of Stonehenge. Centre for the History of Music in Britain, the Empire and the Commonwealth. CHOMBEC Working Papers No. 1 . Hadrian Books. ISBN 9781407306308

Till, Rupert (2009) Popular Music as Religion: from trance dancing to worshipping popular music icons. In: Faith is. Searching for Faith and Religion. Lars Muller Publishers. ISBN 9783037781449

Till, Rupert (2007) The blues blueprint: the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin. In: Cross the Water Blues: African American Music in Europe. University Press of Mississippi, Jackson, Miss., pp. 183-202. ISBN 1-57806-960-2

Till, Rupert (2001) Clubbing - a new performance tradition. In: Changing Sounds: New Directions and Configurations in Popular Music. University of Technology, Sydney, Sydney, Australia. ISBN 9781863653640

Conference or Workshop Item

Moore, Austin, Till, Rupert and Wakefield, Jonathan P. (2016) An Investigation into the Sonic Signature of Three Classic Dynamic Range Compressors. In: 140th International AES Convention, 4th-7th June 2016, Paris, France.

Till, Rupert, Taylor, Andrew and Unver, Ertu (2011) Stonehenge Ritual Sound. In: Palaeophonics: a live multimedia performance event, 27 May 2011, George Square Theatre, Edinburgh.UK. (Unpublished)

Taylor, Andrew, Unver, Ertu and Till, Rupert (2011) Ritual Fire at Virtual Stonehenge. In: Research Festival 2011(Research Poster Competition) University of Huddersfield, 28 March - 2 April 2011, University of Huddersfield. (Unpublished)

Mynett, Mark, Wakefield, Jonathan P. and Till, Rupert (2011) Sound at Source: The creative practice of re-heading, dampening and drum tuning for the Contemporary Metal genre. In: The Art of Record Production 2010, 3rd - 5th December 2010, Leeds.

Till, Rupert, Taylor, Andrew and Unver, Ertu (2010) Digital 3D model reconstruction of Stonehenge phase 3c. In: TAG 2010: The 32nd Annual Conference of the Theoretical Archaeology Group, 17-19 December 2010, University of Bristol, UK. (Unpublished)

Taylor, Andrew, Unver, Ertu and Till, Rupert (2010) Modelling Stonehenge: An interdisciplinary digital approach to 3D interactive storytelling. In: TAG 2010: The 32nd Annual Conference of the Theoretical Archaeology Group, 17-19 December 2010, University of Bristol, UK. (Unpublished)

Till, Rupert (2006) Mixing experimental and popular musics. In: Art Of Record Production 2006 Conference, 8-10 September 2006, University of Edinburgh.

Book

Jiménez, Raquel, Till, Rupert and Howell, Mark (2013) Music & Ritual: Bridging Material & Living Cultures. Publications of the ICTM Study Group on Music Archaeology, 1 . Ekho VERLAG. ISBN 978-3-944415-11-6

Till, Rupert (2010) Pop Cult: Religion in Popular Music. Continuum Publishing, London, UK. ISBN 9780826432360

Show/Exhibition

Till, Rupert (2016) Soundgate Museum Exhibit. [Show/Exhibition]

Composition

Till, Rupert (2010) Soundtrack, European Spallation Source (ESS) short film. [Composition]

Till, Rupert (2007) Nanotechnology and the iPod. [Composition]

Till, Rupert and Garner, Anne (2004) Beauty. [Composition]

Till, Rupert, Brooks, Andrew and Howat, Tom (2001) Solid Water. [Composition]

Till, Rupert Soundtrack, IPod and Nanotechnology short film. [Composition]

Video

Till, Rupert (2014) Songs of the Caves. [Video]

Other

Till, Rupert (2017) EMAP Soundgate. UNSPECIFIED.