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Items where Author is Colton, Lisa

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Number of items: 43.


Colton, Lisa (2017) Medievalism, music and agency in The Wicker Man (1973). In: Recomposing the Past: Early Music on Stage and Screen. Routledge, Abingdon, UK. ISBN 978-1138287471 (In Press)

Colton, Lisa (2017) Music in the Margins: Queerness in the Clerical Imagination, 1200–1500. In: The Oxford Handbook of Music and Queerness. Oxford University Press, Oxford, UK. (In Press)

Colton, Lisa and Cook, James (2017) Facing the Music of Medieval England. Early Music. ISSN 03061078 (In Press)

Colton, Lisa (2016) Angel song: medieval English music in history. Routledge, Abingdon, UK. ISBN 9781472425683

Colton, Lisa and Shephard, Tim (2016) Makers, Owners and Users of Music Sources Before 1600: Sources of Identity. Epitome musicale . Brepols, Leuven, Belgium. ISBN 9782503567785

Colton, Lisa (2016) “Sowndys and melodiis”: Perceptions of Sound and Music in Late Medieval England. In: Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, Abingdon, UK, pp. 19-30. ISBN 9781409444398

Colton, Lisa (2016) Music, text and structure in fourteenth-century English polyphony: the case of Ave miles celestis curie. Early Music, 45. ISSN 03061078 (In Press)

Colton, Lisa (2016) Song in space and space in song: physical and conceptual boundaries in English devotional music, 1250–1500. In: Devotional Interaction in Medieval England and its Afterlives. Brill, Leiden, Netherlands. (In Press)

Colton, Lisa (2016) Fourteenth-Century Music. Early Music, 44 (1). pp. 165-166. ISSN 0306-1078

Colton, Lisa (2016) Review of Laura Seddon, British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century. Gender and History, 28 (1). pp. 237-238. ISSN 0953-5233

Colton, Lisa (2014) Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright.The Eton Choirbook: Facsimile and IntroductoryvStudy. Ed. by Magnus Williamson. Songs in British Sources c.1150–1300. Ed. by Helen Deeming. Music and Letters, 95 (4). pp. 648-650. ISSN 0027-4224

Colton, Lisa (2014) Sumer is icumen in. Grove Music Online. Oxford Music Online..

Colton, Lisa (2014) Who's calling? Telephone songs, female vocal empowerment and signfication. In: Lady Gaga and Popular Music: Peforming Gender, Fashion, and Culture. Routledge Studies in Popular Music . Routledge, New York, pp. 67-81. ISBN 9780415824521

Colton, Lisa (2013) Review of: Emma Dillon, The Sense of Sound: Musical Meanings in France, 1260-1330 (Oxford and New York, Oxford University Press, 2012). French History, 27 (3). pp. 454-456. ISSN 0269-1191

Colton, Lisa (2012) Mapping medieval music. Early Music, 40 (2). pp. 308-310. ISSN 0306-1078

Colton, Lisa (2011) English Masses at home and abroad. Early Music, 39 (4). pp. 621-623. ISSN 03061078

Colton, Lisa (2011) Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England. Early Music, 39 (3). pp. 315-326. ISSN 03061078

Colton, Lisa (2010) Book review: Christopher Page, The Christian West and its Singers. Early Music Performer, 27. pp. 23-24. ISSN 1477-478X

Colton, Lisa (2010) The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir. Contemporary Music Review, 29 (3). pp. 277-289. ISSN 0749-4467

Colton, Lisa and Iddon, Martin (2010) Introduction: Recycling and Innovation in Contemporary Music. Contemporary Music Review, 29 (3). pp. 229-230. ISSN 0749-4467

Colton, Lisa (2010) A Unique Source of English Tablature from Seventeeth-Century Huddersfield. Music and Letters, 91 (1). pp. 39-50. ISSN 0027-4224

Colton, Lisa (2009) Scrupulosa quorundam sententia. Plainsong and Medieval Music Society.

Colton, Lisa (2009) Music and Identity in Medieval Bury St Edmunds. In: St Edmund, King and Martyr: Changing Images of a Medieval Saint. York Medieval Press, Woodbridge. ISBN 9781903153260

Colton, Lisa (2008) Breaking into song. Early Music, 36 (3). pp. 507-508. ISSN 03061078

Colton, Lisa (2008) Languishing for Provenance: The Troubled History of Zelo tui langueo and the Search for Women's Polyphony in England. In: Medieval and Renaissance Music Conference, 24 - 27 July 2008, University of Bangor, Wales. (Submitted)

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: Text, Music, and Gender in the Office of Saint Ursula. In: International Congress on Medieval Studies, 8-11 May 2008, Western Michigan University, Kalamazoo MI. (Submitted)

Colton, Lisa (2008) Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb). Popular Music, 27 (2). pp. 329-331. ISSN 0261-1430

Colton, Lisa (2008) Princess, Abbess, Archbishop, Virgin: The cult of the Eleven Thousand Virgins in medieval York. In: PMMS Conference 2008: Ave/Eva: Text, Music and Gender in the Middle Ages, 26 April 2008, University of Bristol. (Submitted)

Colton, Lisa (2008) Listening to Hildegard. In: Second Early Music Festival, 8-10 February 2008, University of Leeds. (Submitted)

Colton, Lisa (2008) Book Reviews. Studies in Musical Theatre, 1 (3). pp. 309-324. ISSN 17503159

Colton, Lisa (2008) The Articulation of Virginity in the Medieval Chanson de nonne. Journal of the Royal Musical Association, 133 (2). pp. 159-188. ISSN 02690403

Colton, Lisa (2007) The York Masses A Performing Edition. [Composition]

Colton, Lisa (2006) Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96. Early Music, 34 (4). pp. 675-677. ISSN 03061078

Cowgill, Rachel, Biddle, Ian, Colton, Lisa, Holliday, Ruth and Attinello, Paul (2006) Roundtable: ‘Music and Queer Theory’. In: RMA Research Students' Conference 2006, 4-7 January 2006, School of Music, University of Leeds. (Unpublished)

Colton, Lisa (2005) The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005),  60/$110. Early Music, 33 (4). pp. 707-708. ISSN 03061078

Colton, Lisa (2005) The Age of Innocence: Chastity and the chanson de nonne in Late Medieval France. In: International Medieval Congress 2005, 11-14 July 2005, University of Leeds. (Submitted)

Colton, Lisa (2005) The age of innocence: chastity and the chanson de nonne in the Montpellier Codex. In: Medieval and Renaissance Music Conference, 13-16 July 2005, Centre d’Études Supérieures de la Renaissance, University of Tours, France. (Submitted)

Colton, Lisa (2005) Early Music, 1000-1600. In: Classical Music. Eyewitness Companions . Dorling Kindersley Books, pp. 46-75. ISBN 9781405306102

Colton, Lisa (2005) Choral Music in York, 1400-1540. In: Mass and Parish in Late Medieval England: The Use of York. Spire Books, Reading, pp. 41-56. ISBN 1904965024

Colton, Lisa (2003) Music in pre-Reformation York: a new source and some thoughts on the York Masses. Plainsong and Medieval Music, 12 (1). pp. 71-88. ISSN 09611371


Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. Ashgate, Farnham. ISBN 978-1-4724-3085-4

Haworth, Catherine and Colton, Lisa (2015) Gender, Age and Musical Creativity. In: Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 1-6. ISBN 978-1-4724-3085-4

Head, Matthew, Cowgill, Rachel, Cusick, Suzanne, Fuller, Sophie and Colton, Lisa (2003) Round Table: Lesbian Historiography. In: 39th RMA Annual Conference 2003: Music Historiography, 12–14 September 2003, School of Music, Cardiff University. (Unpublished)

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