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Items where Author is Rowley, Alison

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Number of items: 44.


Rowley, Alison (2012) [untitled]. Radar, 1 (3). pp. 4-5. ISSN 2049-4327

Rowley, Alison (2009) Between Les Rendez-vous d’Anna and Demain on Déménage: m(o)ther inscriptions in two films by Chantal Akerman. Studies in the Maternal, 2 (1). p. 15. ISSN 1759 0434

Rowley, Alison (2007) Book Review: Fantastic Reality: Louise Bourgeois: A Story of Modern Art, by Mignon Nixon. Papers of Surrealism: The Journal of the AHRC Centre for Surrealism and its Legacies, 5. pp. 1-7. ISSN 1750-1954

Rowley, Alison (2003) Eva Hesse at Tate Modern, not painting, not sculpture. Textile: A Journal of Cloth and Culture, 1 (3). pp. 289-295. ISSN 1475-9756

Rowley, Alison (2001) Exhibiting “Martha Rosler”? A feminist response to the exhibition Martha rosler: positions in the life world. n-paradoxa, (14). pp. 35-43. ISSN 1462-0434

Rowley, Alison (1999) An Introduction to Bracha Lichtenberg Ettinger’s Traumatic Wit(h)ness-Thing and Matrixial Co/in-habit(u)ating. Parallax, 5 (1). pp. 83-88. ISSN 1353-4645

Rowley, Alison (1995) Lapses of Taste: On Dorothea Tanning. Women’s Art Magazine (66). pp. 16-19. ISSN 0961-1460

Book Chapter

Rowley, Alison (2013) The Depth of Time. In: The Digital Way. Duke University Press, Durham and London, pp. 89-119. ISBN 10: 082235540X

Rowley, Alison and Hershman Leeson, Lynn (2011) Women, Art, Revolution: Lynn Hershman Leeson in Conversation with Alison Rowley. In: Touched, Liverpool Biennial 2010. Liverpool Biennial of Contemporary Art, Liverpool, pp. 50-61. ISBN 9780953676194

Rowley, Alison (2010) Night Passage: The Depth of Time. In: Digital and Other Virtualities: Renegotiating the Image. New Encounters, Arts, Cultures, Concepts . I.B. Tauris, London/New York, pp. 111-133. ISBN 9781845115678

Rowley, Alison (2010) The Feast of Trimalchio: Consuming Passions. In: AES+F, The Feast of Trimalchio. Triumph Gallery/Centre for Contemporary Culture, Moscow, pp. 278-313. ISBN 9785904334109

Rowley, Alison and Common Culture, Artist Group (2006) Common Culture – Pop Trauma. In: Pop Trauma. Void Gallery, Derry/ Londonderry. ISBN 95517631X

Rowley, Alison (2006) The Fourth Dimension: An Interview with Doug Johns’. In: Encountering Eva Hesse. Prestel, Munich/Berlin/London/New York, pp. 89-95. ISBN 3791333097

Rowley, Alison (2006) A Painter’s Hesse. In: Encountering Eva Hesse. Prestel, Munich/Berlin/London/New York, pp. 137-152. ISBN 3791333097

Rowley, Alison (2004) Before her Time: Lily Briscoe and Painting Now. In: Unframed: The Practices and Politics of Women’s Painting. I.B. Tauris & co. Ltd., London/New York, pp. 17-40. ISBN 1860647715

Rowley, Alison and Pollock, Griselda (2003) Painting in a “Hybrid” Moment. In: Critical Perspectives in Contemporary Art: Hybridity, Hegemony, Historicism. Tate Critical Forum . Liverpool University Press, and Tate Liverpool, Liverpool, pp. 37-79. ISBN 0853239584

Rowley, Alison (2001) Plan: Large Woman or Large Canvas? A Confusion of Size with Scale. In: Feminism, Art, Theory: An Anthology 1968-2000. Blackwell, Oxford & Malden, Mass., pp. 392-396. ISBN 063120850X

Rowley, Alison (1996) On Viewing Three Paintings by Jenny Saville: Rethinking a Feminist Practice of Painting. In: Generations and Geographies in the Visual Arts. Routledge, London, pp. 88-109. ISBN 0415141277


Rowley, Alison and Pollock, Griselda (2006) Now and Then: Feminism, Art, History, A Critical Response to Documenta 11, CentreCATH Document 2. Other. AHRC CentreCATH University of Leeds, Leeds.

Conference or Workshop Item

Rowley, Alison (2015) Four Portraits of Sarah Lucas as an Artist. In: Shifting Subject, 20/10/2015, Leeds City Art Gallery. (Unpublished)

Rowley, Alison (2014) Helen Frankenthaler: Something New in Terms of Nature'. In: Making Painting: Helen Frankenthaler and JMW Turner, 12 February 2014, Turner Contemporary Margate. (Unpublished)

Rowley, Alison (2012) Fertile Objects: 'Penetralia', Sarah Lucas and English Modernism. In: Sarah Lucas: Ordinary Things, 18 July 2012 - 21 October 2012, Galleries 1, 2 and 3 of the Henry Moore Institute.

Rowley, Alison and Hershman-Leeson, Lynn (2010) Lynn Hershman-Leeson in Conversation with Alison Rowley. In: Liverpool Biennial ‘Touched’ talks, 12 May 2010, Art and Design Academy, Liverpool John Moores University.

Rowley, Alison (2009) Between 'Les Rendez-vous d’Anna' and 'Demain on Déménage': m(o)ther inscriptions in two films by Chantal Akerman’. In: M(o)ther Trouble: An International Conference on the Maternal in Psychoanalysis and Feminism, 30 May 2009, Birkbeck, University of London.

Rowley, Alison (2009) The Grain of the Image: a poetics of future history in some ‘new’ photographs by Willie Doherty. In: Willie Doherty Exhibition Talks Series, 13 May 2009, Fruitmarket Gallery Edinburgh. (Submitted)

Rowley, Alison (2008) AES+F, Last Riot: Modernity and Antiquity. In: AES+F Introductory Presentation and 'In Conversation' with Alison Rowley, 01 August 2008, Ormeau Baths Gallery, Belfast. (Unpublished)

Rowley, Alison (2008) Feminist Adventures Underground: Martha Rosler’s 'Kassel Gardens (from the Perspective of a Mole).'. In: Association of Art Historians Annual conference ‘The Museum, The Academy and The Studio', April 2008, Tate Britain. (Unpublished)

Rowley, Alison (2005) Common Gestures, High Art. In: Jo Spence: Beyond the Family Album and Other Projects, 31 March 2005, Belfast Exposed. (Unpublished)

Rowley, Alison (2005) Post Feminism Revisited: Documenta XI (2002) and its Feminist Foundations. In: If Hong Kong: A Woman Traveller, 26 Feb 2005 - 16 Mar 2005, 1a Art Space, Hong Kong. (Unpublished)

Rowley, Alison and Pollock, Griselda (2004) Now and Then, Feminism, Art, History: A Critical Response to Documenta 11. In: Old/New, Association of Art Historians Annual Conference, 1-3 April 2004, University of Nottingham.

Rowley, Alison (2004) Painters don’t talk about Vermeer. In: Vermeer to Eternity: Time and the Image in Historical, Theoretical, and Aesthetic Frames: Clark Colloquia, 5th-6th March 2004, Clark Art Institute Massachusetts, USA. (Unpublished)

Rowley, Alison and Pollock, Griselda (2004) Documanta XI: Critical Dialogue with Griselda Pollock. In: University of Ulster Interface Research Centre, Launch Event, 2004, Europa Hotel, Belfast. (Unpublished)

Rowley, Alison (2004) Doing Art History as Painting. In: ‘Unframed Symposium, 2004, University of the Arts, Camberwell. (Unpublished)

Rowley, Alison (2002) Common Gestures at the Freud Museum: An Installation by Sarah Lucas. In: CongressCATH 2002, Translating Class, Altering Hospitality, 21-23 June 2002, University of Leeds. (Unpublished)

Rowley, Alison (2002) Eden (1956)Et in Arcadia Ego: Thoughts on Public Representation and Private Mourning in a Painting by Helen Frankenthaler. In: Public Representation and Private Mourning: Commemoration and the Memorial, 15-16 March 2002, University of the West of England, Watershed Media Centre, Bristol. (Unpublished)

Rowley, Alison (2002) The Studio Encounter. In: Encountering Eva Hesse, 2002, Tate Modern, London. (Unpublished)

Rowley, Alison (2001) Exhibiting Martha Rosler? A feminist response to ‘martha rosler: positions in the life world'. In: College Art Association, 89th Annual Conference, 2001, Chicago, USA.

Rowley, Alison (2001) Painting History. In: Reinventing History, 2001, Holburne Museum of Art, Bath, UK. (Unpublished)

Rowley, Alison (1997) Bridget Riley: The Pleasures of Sight Deferred. In: Third Biennial Conference of the Feminist Arts and Histories Network, 1997, University of Leeds. (Unpublished)

Rowley, Alison (1997) From Plan to Winter Palace. In: Fotofeis forum, ‘Representations of the Female Body', 1997, Fruitmarket Gallery Edinburgh. (Unpublished)

Rowley, Alison (1995) On Three Paintings by Jenny Saville. In: Second Biennial Conference of the Feminist Arts Histories Network, 1995, University of Leeds. (Unpublished)

Rowley, Alison (1995) Robert Mapplethorpe as Lisa Lyons, Politics of Skin. In: Robert Mapplethorpe Symposium, 1995, Art Gallery of Western Australia. (Unpublished)


Rowley, Alison (2014) Common Gestures, Class Acts: Young British Artists in Retrospect. I.B.Tauris, London. ISBN 978-1780765204 (In Press)

Rowley, Alison (2007) Helen Frankenthaler: Painting History, Writing Painting. New Encounters, Arts, Cultures, Concepts . I.B. Tauris & Co Ltd., London/New York. ISBN 9781845115197

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