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Harmonic Structures of 21st Century Heavy Metal

Jordan, James Boddington (2021) Harmonic Structures of 21st Century Heavy Metal. Masters thesis, University of Huddersfield.

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Abstract

Since the birth of heavy metal as a genre, many different styles of music that fall under the broad category of “metal music” have emerged, each having their own scenes and subcultures. This thesis investigates the relationship between subgenre and harmony, aiming to answer the question: how do the different subgenres of metal music in the 21st century handle harmony differently?

One hundred metal tracks from five different subgenres of metal were analysed, with data on which chords were used and which modulation techniques were employed recorded for each. Analysis of the data showed that, whilst each subgenre certainly recapitulates the techniques used by the early heavy metal bands of the 1970s and 1980s, each has its own signature style that is used to portray the desired sonic aesthetic of the subgenre. Most crucially, a specific modulation technique was found to be almost entirely unique to power metal, and is heavily used within the subgenre. Black metal bands were found to make heavy use of non-diatonic, pan-triadic sequences that are well suited to a neo-Riemannian perspective on harmony.

Item Type: Thesis (Masters)
Subjects: M Music and Books on Music > M Music
M Music and Books on Music > MT Musical instruction and study
Schools: School of Music, Humanities and Media
Depositing User: Rebecca Hill
Date Deposited: 18 Oct 2021 14:22
Last Modified: 18 Oct 2021 14:30
URI: http://eprints.hud.ac.uk/id/eprint/35584

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