AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity

Pasquet, Olivier (2018) AUTOMATIC VERSUS AUTOMATIC,MATERIALIZED FICTION AS A CONFRONTATIONAL COMPOSITIONAL PROCESS: A resolved complexity: simplicity. Doctoral thesis, University of Huddersfield.

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Abstract

The current submitted work consists of a portfolio of musical works, visual pieces and thoughts that preoccupied me over a period of research and creation from late 2014 to 2017. Pieces described in this thesis developed into an overall artistic research and craft which led to a specific workflow serving a new personal aesthetic. Two parts describe two seemingly antonymous automatic creation processes: automatic versus automatic.

The first part describes my inspirations together with a consequent formal-ization of my composition techniques. I render generative automatic music both emerging from finite state computation and infinitesimal interference.

The second part shows that I often perform my music in specific sites with challenging conditions. I consider them as constraints that eventually also be-come part of the composition system. The materialization of a piece involves aback-and-forth process, between concepts and realities, that I finally transcend in the sense of surrealist automatism. This mechanical and human process is a necessity for the authenticity to my pieces.

Item Type:	Thesis (Doctoral)
Uncontrolled Keywords:	Composition, electronic music, computational design, material, concept, generative, artificial creativity, spatial computing
Subjects:	M Music and Books on Music > M Music M Music and Books on Music > MT Musical instruction and study
Schools:	School of Music, Humanities and Media
Depositing User:	Rebecca Hill
Date Deposited:	30 Nov 2018 08:35
Last Modified:	28 Aug 2021 15:05
URI:	http://eprints.hud.ac.uk/id/eprint/34734

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