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Adkins, Monty (2017) Extending the Instrumental sound world using electronics. In: The Cambridge Companion to Electronic Music, 2nd edn. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 258-273. ISBN 978-1107133556 (In Press)
Metadata only available from this repository.Abstract
This chapter is concerned with music for acoustic instruments with live processing and/or fixed media. This is a genre intrinsically bound up with advances in technology, as composers have made use of new tools and ever- increasing computing speed in order to process, spatialise and interact with sound in realtime. In this chapter, rather than teasing out specific technical and perceptual issues around the performance of such work, five broad areas are investigated: Pioneers; Rethinking Interaction; Spectral Mutations; Sampling; and
Current Trends. These headings are not considered mutually exclusive, but are permeable borders within which groups of composers and aesthetic trends can be discussed.
| Item Type: | Book Chapter |
|---|---|
| Subjects: | M Music and Books on Music > M Music |
| Schools: | School of Music, Humanities and Media School of Music, Humanities and Media > CeReNeM |
| Related URLs: | |
| Depositing User: | Monty Adkins |
| Date Deposited: | 18 Jul 2017 11:37 |
| Last Modified: | 27 Mar 2018 14:45 |
| URI: | http://eprints.hud.ac.uk/id/eprint/32407 |
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